how to turn on lcd screen on canon 80d brands
Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera"s internal components.
* In addition to the above, the icons and symbols used on the camera"s buttons and displayed on the LCD monitor are also used in this article when discussing relevant operations and functionality.
In the settings I just found this: LCD Off/On BTN: By default, the Shooting Settings screen remains displayed on the monitor even if you press the shutter button halfway, and you must press the Info button to turn off the display.
When you press the shutter button halfway, the display will turn off. And when you let go of the shutter button, the display will turn on. You can also turn off the display by pressing the
Does Canon 80D have touch screen? The touch-screen operation on the EOS 80D is almost identical to that employed on smartphones, with the built-in sensor responding to finger gestures such as taps and slides on the screen. Many features on the EOS 80D now support touch-screen operation.
When you press the shutter button halfway, the display will turn off. And when you let go of the shutter button, the display will turn on. You can also turn off the display by pressing the
How do I turn my Canon screen on? When you press the shutter button halfway, the display will turn off. And when you let go of the shutter button, the display will turn on. You can also turn off the display by pressing the
Set the lens focus mode switch to
The Canon 80D DSLR camera comes with a 24.2-megapixel, APS-C CMOS sensor that provides high-resolution photo quality, greater detail, and improved precision. Thanks to the DIGIC 6 processor, you can shoot movies continuously in Full HD 60p/50 and images up to 7.0fps.
A liquid-crystal display (LCD) is a flat-panel display or other electronically modulated optical device that uses the light-modulating properties of liquid crystals combined with polarizers. Liquid crystals do not emit light directly, instead using a backlight or reflector to produce images in color or monochrome.
To open up your webcam or camera, select the Start button, and then select Camera in the list of apps. If you want to use the camera within other apps, select the Start button, select Settings > Privacy > Camera, and then turn on Let apps use my camera.
LCD Brightness: This option enables you to make the camera monitor brighter or darker. … LCD Off/On BTN: By default, the Shooting Settings screen remains displayed on the monitor even if you press the shutter button halfway, and you must press the Info button to turn off the display.
Use the “INFO” button to get to the shooting settings screen (same screen as the “Q” button). Then shut the camera off while that screen is displayed. It will come back like that next time you power up the camera.
When you shoot in Live View mode, you have three focusing options on your Canon EOS 7D Mark II. Two options are used for taking photographs of landscapes and objects, and the other focusing mode is used to detect faces. … The Live View AF mode options display on the camera LCD monitor.
Like many SLRs these days, the Canon 7D features a Live View mode for its rear-panel LCD monitor. … Canon has included two optional modes to reduce shutter noise in Live View mode, first seen on the EOS 40D.
It has all the features you would expect in a DSLR in its price range. While it isn’t the newest DSLR around and has been discontinued by Canon, it is worth considering before shelling out a much larger sum of money.
Merging power, precision and operability, the EOS 80D is a dynamic SLR camera for anyone ready to realize their creative vision. This product has been discontinued and is no longer in stock.
The Canon EOS 80D is great for photographers who want to step up from Canon’s Rebel line, as well as 70D owners who want to upgrade to a much better AF system. … This mirrorless camera is compact but really fast, can shoot up to 11 fps and records 4K video.
Canon 80D Lenses. Canon 80D has a Canon EF/EF-S lens mount and currently there are 326 native lenses available for this mount. Canon 80D doesn’t have a sensor based image stabilization system but 112 of these lenses already comes with optical image stabilization.
Canon has two lens types for its digital SLRs: EF (compatible with full frame and crop sensor cameras) and EF-S (compatible only with crop sensor cameras). For the 80D, you have the choice of either lens type.
In addition to stills recording, the 80D also supports Full HD 1080p video recording at up to 30 fps in the MOV format with ALL-I compression, or 60 fps in the MP4 format with IPB compression.
The 24-megapixel EOS 80D continues Canon"s line of excellent midrange DSLRs. This $1,099 model produces great images and offers fast autofocus, improved dynamic range and high ISO performance.
The EOS 80D is a great camera for videographers, enthusiasts and those who want to grow their skills. Here are some quick and easy tips and tricks to help you make the most of this DSLR.
1. If you"re new to the 80D (or relatively new to DSLRs in general), first check out the Program auto mode (P). Once you"re comfortable with the concept of controlling shutter speed and aperture, then move on to the Tv (shutter-priority auto) mode and Av (aperture-priority) mode. From there, it"s much easier to move into M (manual) mode. See below for more information on the 80D"s exposure modes and suggestions on how and when to use each one.
2. Although the 80D is equipped with multiple direct-control buttons for metering, ISO, drive mode, AF and more, it"s a good idea to become familiar with the Q (Quick Control) button.
Located on the rear of the camera (to the upper right of the LCD screen), the Q button provides quick access to the major shooting settings and information. You can view the current settings and adjust everything from the ISO to the exposure mode. Since everything"s in one place on this feature, it"s sometimes easier to use the Q button when changing multiple settings at the same time.
3. Before you start taking photos, double-check all your settings to make sure you"re ready for the day"s shoot. For example, make sure that the ISO isn"t set to 1600 from your last shoot in low-light conditions.
Canon segments its mode dial into two zones: the Basic Zone and the Creative Zone. Basic encompasses all the automatic point-and-shoot modes, while Creative includes all the manual and semimanual exposure modes.
Canon has simplified the shooting options in this Zone and limited access to more-advanced settings to keep these modes, well, basic. While you can get some good results using these automatic modes, it"s best to use the Creative Zone modes. You"ll learn faster, and your pictures will be more fine-tuned to your aesthetic.
A+ = Scene Intelligent Auto: This is a fully automatic shooting mode that takes all the work (and all the control) out of your hands. The camera chooses settings by analyzing the scene and deciding what it thinks is best.
Flash Off: This is essentially the Automatic mode but with the flash disabled. (If you"re shooting in P/S/A/M, just keep the flash closed and it won"t pop up.)
SCN = Special Scene mode: Like other scene modes, this setting provides a list of possible scenes (portrait, landscape, food, etc.) to choose from. Just pair up your subject and the scene mode, and the camera will take it from there.
Creative Filters: The final option in the Basic Zone (represented by two overlapping circles on the mode dial), this is where you"ll find a series of 10 filters to add to your creative arsenal. They include Grainy B/W, Soft Focus, Fish-Eye and four HDR options.
As part of the Creative Zone, you have access to Program AE, Shutter-priority (Tv for Time value), Aperture-priority (Av for Aperture value), Manual (M) and Bulb (B).
P = Program AE (auto exposure): As mentioned before, P is a good place to start unless or until you"re comfortable with the other exposure modes in the Creative Zone. Although the camera sets the shutter speed and aperture, you can use the Program Shift feature to adjust the shutter speed or aperture by pressing the shutter button halfway and turning the main command dial (the dial on the top front of the camera) until you get the shutter speed or aperture you want. This allows you to maintain a fast enough shutter speed to avoid blur or choose the aperture that will deliver a shallow or broad depth of field.
Tv = shutter-priority (Time value): In this mode, you select the shutter speed and the camera chooses the appropriate aperture for the lighting conditions. Although some people have rock-steady hands, most of us need a shutter speed of 1/125th of a second or faster to avoid blurry pictures of even static subjects. Use a tripod if you need to shoot a nonmoving subject at a slower shutter speed.
To capture action, set the shutter speed to a minimum of 1/200th of a second or higher if your subject is fast-moving. Increase the ISO if you need to do so. Alternatively, put the camera on a tripod and slow the shutter speed to 1/60th of a second or slower to intentionally blur movement, such as that of a waterfall. The tripod ensures that the rest of the scene will remain in focus.
Av = Aperture-priority (Aperture value): You choose the aperture, and the camera selects the shutter speed for what the device considers the right exposure. The benefit of shooting in aperture-priority is that it gives you control over depth of field, or how sharp (or blurred) the image appears from near to far.
Although the f/stop numbering system seems a little backwards, consider that the smaller number, such as f/2.0, opens up the aperture and lets more light in. The smaller numbers decrease the depth of field, keeping your main subject sharp while softening the foreground and background. Stop down the aperture (use a higher f/stop number, like f/11, f/16, etc.), and depth of field increases so that a broader area of the image appears in focus.
M = Manual: In this mode, you control the aperture and shutter-speed settings. Check the exposure-level indicator in the viewfinder and adjust the settings until the marker is in the middle. Then, adjust the settings to get the exposure you want; feel free to overexpose (adjust the mark to the right) or underexpose (adjust the mark to the left) if you"re not happy with the camera"s assessment.
B = Bulb: If you want to do long exposures at night, the Bulb mode is your ticket. It"s perfect for light painting, for example, or getting those cool shots of car tail lights streaking by. In Bulb mode, you set the aperture and ISO, then press and hold down the shutter button for as long as you want the exposure to last. It"s best to use a physical remote or the Canon Camera Connect app, and you"ll definitely want to use a tripod, to minimize camera shake.
Because the Canon EOS 80D is equipped with so many dedicated external buttons and dials, there"s not enough room to go over them here. But beyond the Q button, mentioned earlier, and the Mode dial, be sure to pay close attention to the functions of the Main Dial atop the camera as well as the Quick Control Dial on the rear of the body, because you will be using them frequently to change settings. The user manual has good descriptions of each button and dial.
The best way to capture action with the Canon 80D is to shoot in Shutter-priority, choose a fast shutter speed, and set the camera"s release mode to continuous shooting and autofocus to AI Servo.
Start off with a shutter speed between 1/250th of a second and 1/500th of a second. If there"s enough light, go for the latter; if the action is really fast — like in a car race — bump up the shutter speed even further. Set the appropriate aperture for the shutter speed and ISO (always keep ISO as low as possible).
Given that a flash can sometimes ruin the ambience of a scene and that the use of flash may be restricted (during a wedding ceremony or in a museum), you may need to turn to the 80D"s ISO for help. Ideally, keep the ISO under 3200 whenever possible, but more importantly, adjust the ISO so that the shutter speed and aperture setting meet your criteria. For example, be sure that the shutter speed is fast enough to avoid blur if you"re holding the camera in your hands. This speed differs for everyone, but I prefer at least 1/125th of a second.
To get this effect, choose Partial or Spot metering (press the Metering button, located farthest to the right in front of the top LCD panel), and turn the front command dial to select one or the other.
When shooting in low light, the 80D"s AF points light up red when focus is achieved (the focus points don"t light up when you"re shooting in bright light). If there"s not enough light and contrast for autofocus to lock in on your subject, switch to manual focus.
To ensure that the emphasis is on your subject and not the surrounding scene, use either P (Program AE) or Av (Aperture-priority) exposure modes so you control the aperture. Choose a fairly wide (low f-stop number) aperture setting to create a shallow depth of field and focus on your subject"s eye (the one closest to the camera). Shallow depth of field will soften the scene surrounding the subject but keep the subject sharply focused.
Video capture using a DSLR can be intimidating, but it doesn"t have to be. First, make sure you have a high-speed SD card with plenty of capacity. You can find details in the manual, but aim for an absolute minimum of 8GB capacity and a Class 10 speed.
If you"re new to video or just want to go the quick and easy route, set the mode dial to A+ and check the ISO to ensure that it"s as low as possible. Move the Live View switch (to the right of the viewfinder) to the red camcorder icon. The mirror will flip up, and you"ll see the scene on the LCD. Then press the start/stop button that is encircled by the Live View switch, and you"ll be good to go — the camera will take care of focus and exposure.
For more control, set the mode dial to M (manual); use the ISO button to set your ISO (the lower, the better but be sure it"s less than ISO 3200). Then move the Live View switch to the red camcorder icon. Press the Menu button, and in Shooting Menu 3, choose the Neutral (N) picture style. In Shooting Menu 4, set Movie Servo AF to Enable, and choose the Face detection + Tracking AF method. For Movie record quality, start with FHD 29.97 (30fps) and choose MP4/Standard IPB. Leave Sound recording to Auto for now. You can always explore the other options later on.
Since you"re in Manual exposure mode, it"s up to you to set the shutter speed and aperture. The general rule of thumb is that your shutter speed should be double the frames-per-second rate. At 30 fps, set your shutter speed to 1/60th of a second; then adjust the aperture (and ISO, if necessary) to get the proper exposure. When holding the camera by hand, be sure to set the lens"s image stabilization (if available) to on; otherwise, leave the IS off and use a tripod. Press the start/stop button when you"re ready to start shooting.
The 80D shoots excellent video, and with the proper settings, you"re sure to get some great footage that you"ll want to share with family and friends.
The 24-megapixel EOS 80D continues Canon"s line of excellent midrange DSLRs. This $1,099 model produces great images and offers fast autofocus, improved dynamic range and high ISO performance.
The EOS 80D is a great camera for videographers, enthusiasts and those who want to grow their skills. Here are some quick and easy tips and tricks to help you make the most of this DSLR.
1. If you"re new to the 80D (or relatively new to DSLRs in general), first check out the Program auto mode (P). Once you"re comfortable with the concept of controlling shutter speed and aperture, then move on to the Tv (shutter-priority auto) mode and Av (aperture-priority) mode. From there, it"s much easier to move into M (manual) mode. See below for more information on the 80D"s exposure modes and suggestions on how and when to use each one.
2. Although the 80D is equipped with multiple direct-control buttons for metering, ISO, drive mode, AF and more, it"s a good idea to become familiar with the Q (Quick Control) button.
Located on the rear of the camera (to the upper right of the LCD screen), the Q button provides quick access to the major shooting settings and information. You can view the current settings and adjust everything from the ISO to the exposure mode. Since everything"s in one place on this feature, it"s sometimes easier to use the Q button when changing multiple settings at the same time.
3. Before you start taking photos, double-check all your settings to make sure you"re ready for the day"s shoot. For example, make sure that the ISO isn"t set to 1600 from your last shoot in low-light conditions.
Canon segments its mode dial into two zones: the Basic Zone and the Creative Zone. Basic encompasses all the automatic point-and-shoot modes, while Creative includes all the manual and semimanual exposure modes.
Canon has simplified the shooting options in this Zone and limited access to more-advanced settings to keep these modes, well, basic. While you can get some good results using these automatic modes, it"s best to use the Creative Zone modes. You"ll learn faster, and your pictures will be more fine-tuned to your aesthetic.
A+ = Scene Intelligent Auto: This is a fully automatic shooting mode that takes all the work (and all the control) out of your hands. The camera chooses settings by analyzing the scene and deciding what it thinks is best.
Flash Off: This is essentially the Automatic mode but with the flash disabled. (If you"re shooting in P/S/A/M, just keep the flash closed and it won"t pop up.)
SCN = Special Scene mode: Like other scene modes, this setting provides a list of possible scenes (portrait, landscape, food, etc.) to choose from. Just pair up your subject and the scene mode, and the camera will take it from there.
Creative Filters: The final option in the Basic Zone (represented by two overlapping circles on the mode dial), this is where you"ll find a series of 10 filters to add to your creative arsenal. They include Grainy B/W, Soft Focus, Fish-Eye and four HDR options.
As part of the Creative Zone, you have access to Program AE, Shutter-priority (Tv for Time value), Aperture-priority (Av for Aperture value), Manual (M) and Bulb (B).
P = Program AE (auto exposure): As mentioned before, P is a good place to start unless or until you"re comfortable with the other exposure modes in the Creative Zone. Although the camera sets the shutter speed and aperture, you can use the Program Shift feature to adjust the shutter speed or aperture by pressing the shutter button halfway and turning the main command dial (the dial on the top front of the camera) until you get the shutter speed or aperture you want. This allows you to maintain a fast enough shutter speed to avoid blur or choose the aperture that will deliver a shallow or broad depth of field.
Tv = shutter-priority (Time value): In this mode, you select the shutter speed and the camera chooses the appropriate aperture for the lighting conditions. Although some people have rock-steady hands, most of us need a shutter speed of 1/125th of a second or faster to avoid blurry pictures of even static subjects. Use a tripod if you need to shoot a nonmoving subject at a slower shutter speed.
To capture action, set the shutter speed to a minimum of 1/200th of a second or higher if your subject is fast-moving. Increase the ISO if you need to do so. Alternatively, put the camera on a tripod and slow the shutter speed to 1/60th of a second or slower to intentionally blur movement, such as that of a waterfall. The tripod ensures that the rest of the scene will remain in focus.
Av = Aperture-priority (Aperture value): You choose the aperture, and the camera selects the shutter speed for what the device considers the right exposure. The benefit of shooting in aperture-priority is that it gives you control over depth of field, or how sharp (or blurred) the image appears from near to far.
Although the f/stop numbering system seems a little backwards, consider that the smaller number, such as f/2.0, opens up the aperture and lets more light in. The smaller numbers decrease the depth of field, keeping your main subject sharp while softening the foreground and background. Stop down the aperture (use a higher f/stop number, like f/11, f/16, etc.), and depth of field increases so that a broader area of the image appears in focus.
M = Manual: In this mode, you control the aperture and shutter-speed settings. Check the exposure-level indicator in the viewfinder and adjust the settings until the marker is in the middle. Then, adjust the settings to get the exposure you want; feel free to overexpose (adjust the mark to the right) or underexpose (adjust the mark to the left) if you"re not happy with the camera"s assessment.
B = Bulb: If you want to do long exposures at night, the Bulb mode is your ticket. It"s perfect for light painting, for example, or getting those cool shots of car tail lights streaking by. In Bulb mode, you set the aperture and ISO, then press and hold down the shutter button for as long as you want the exposure to last. It"s best to use a physical remote or the Canon Camera Connect app, and you"ll definitely want to use a tripod, to minimize camera shake.
Because the Canon EOS 80D is equipped with so many dedicated external buttons and dials, there"s not enough room to go over them here. But beyond the Q button, mentioned earlier, and the Mode dial, be sure to pay close attention to the functions of the Main Dial atop the camera as well as the Quick Control Dial on the rear of the body, because you will be using them frequently to change settings. The user manual has good descriptions of each button and dial.
The best way to capture action with the Canon 80D is to shoot in Shutter-priority, choose a fast shutter speed, and set the camera"s release mode to continuous shooting and autofocus to AI Servo.
Start off with a shutter speed between 1/250th of a second and 1/500th of a second. If there"s enough light, go for the latter; if the action is really fast — like in a car race — bump up the shutter speed even further. Set the appropriate aperture for the shutter speed and ISO (always keep ISO as low as possible).
Given that a flash can sometimes ruin the ambience of a scene and that the use of flash may be restricted (during a wedding ceremony or in a museum), you may need to turn to the 80D"s ISO for help. Ideally, keep the ISO under 3200 whenever possible, but more importantly, adjust the ISO so that the shutter speed and aperture setting meet your criteria. For example, be sure that the shutter speed is fast enough to avoid blur if you"re holding the camera in your hands. This speed differs for everyone, but I prefer at least 1/125th of a second.
To get this effect, choose Partial or Spot metering (press the Metering button, located farthest to the right in front of the top LCD panel), and turn the front command dial to select one or the other.
When shooting in low light, the 80D"s AF points light up red when focus is achieved (the focus points don"t light up when you"re shooting in bright light). If there"s not enough light and contrast for autofocus to lock in on your subject, switch to manual focus.
To ensure that the emphasis is on your subject and not the surrounding scene, use either P (Program AE) or Av (Aperture-priority) exposure modes so you control the aperture. Choose a fairly wide (low f-stop number) aperture setting to create a shallow depth of field and focus on your subject"s eye (the one closest to the camera). Shallow depth of field will soften the scene surrounding the subject but keep the subject sharply focused.
Video capture using a DSLR can be intimidating, but it doesn"t have to be. First, make sure you have a high-speed SD card with plenty of capacity. You can find details in the manual, but aim for an absolute minimum of 8GB capacity and a Class 10 speed.
If you"re new to video or just want to go the quick and easy route, set the mode dial to A+ and check the ISO to ensure that it"s as low as possible. Move the Live View switch (to the right of the viewfinder) to the red camcorder icon. The mirror will flip up, and you"ll see the scene on the LCD. Then press the start/stop button that is encircled by the Live View switch, and you"ll be good to go — the camera will take care of focus and exposure.
For more control, set the mode dial to M (manual); use the ISO button to set your ISO (the lower, the better but be sure it"s less than ISO 3200). Then move the Live View switch to the red camcorder icon. Press the Menu button, and in Shooting Menu 3, choose the Neutral (N) picture style. In Shooting Menu 4, set Movie Servo AF to Enable, and choose the Face detection + Tracking AF method. For Movie record quality, start with FHD 29.97 (30fps) and choose MP4/Standard IPB. Leave Sound recording to Auto for now. You can always explore the other options later on.
Since you"re in Manual exposure mode, it"s up to you to set the shutter speed and aperture. The general rule of thumb is that your shutter speed should be double the frames-per-second rate. At 30 fps, set your shutter speed to 1/60th of a second; then adjust the aperture (and ISO, if necessary) to get the proper exposure. When holding the camera by hand, be sure to set the lens"s image stabilization (if available) to on; otherwise, leave the IS off and use a tripod. Press the start/stop button when you"re ready to start shooting.
The 80D shoots excellent video, and with the proper settings, you"re sure to get some great footage that you"ll want to share with family and friends.
In this review, we will be comparing 80D and 80D, two Advanced DSLR cameras by Canon. Canon 80D was introduced to market in February 2016 and Canon 80D was launched in February 2016. Both 80D and 80D were launched within the same month so we are expecting this to be a fair comparison regarding age and available technology level.
What"s there to say about the Canon 80D? The camera is an excellent, well-built DSLR that produces reasonably sharp, detailed photographs and high quality Full HD video. It"s comfortable to hold with classic Canon DSLR styling, ergonomics and controls, and its versatile AF system is great -- especially thanks to Dual Pixel CMOS AF. The 80D feels like a tried-and-true Canon DSLR -- nothing over the top, ground-breaking or revolutionary, just what it"s meant to be. It"s a straightforward camera that works well, performs well, and captures pleasing images. And for that, it gets our applause.
But, the devil is in the details, so let"s begin with the Canon 80D"s image quality. Overall, the Canon 80D offers solid performance in the image quality department on nearly all fronts at both low and higher ISOs. The new 24-megapixel APS-C sensor now puts the Canon 80D more in-line with a number of major competing APS-C cameras, and results in excellent, highly detailed images. Despite the increase in resolution, the Canon 80D"s new sensor also shows modest improvements with a higher maximum native ISO over the 70D, lower shadow noise, and improved RAW high ISO performance, but it still lags somewhat behind the best modern competitors, though.
The Canon 80D"s sensor still features an optical low-pass filter, while most of its competitors are doing away with it to get an extra leg-up on fine detail resolving power. In some cases, this is a noticeable benefit, but it does have its drawbacks, namely moiré and other aliasing artifacts which can be difficult to remove later on. For the target customer of the Canon 80D we think it"s a smart choice to include a filter, but in terms of absolute maximum sharpness, the Canon 80D is at a disadvantage. On the plus side, at least for JPEG shooters, Canon has included their new "Fine Detail" Picture Style, which we first saw included on the high-end 5DS and 5DS R cameras. With the Canon 80D, Fine Detail doesn"t offer as striking of a difference as we saw with the 5DS/R cameras, but it does show a subtle improvement with more natural fine detail rendering and fewer sharpening halos.
On the subject of detail and sharpness, the Canon 80D can be purchased in a kit configuration with a new 18-135mm f/3.5-5.6 IS USM lens. Featuring a new "Nano USM" AF system, this lens is not only versatile in terms of focal length range, but its AF performance is super quick and super quiet. What is disappointing, however, is its sharpness. The lens is not very sharp overall, and especially in the corners. Chromatic aberration and distortion is also problematic. You can correct for all of this with in-camera JPEGs -- and the 80D does a good job there -- but it"s quite apparent with uncorrected RAWs. For a one-lens solution, the 18-135mm is okay, but there are sharper options out there.
While certainly not as speedy and as quick-firing as its 7D Mark II big brother, the Canon 80D"s performance is a comfortable and capable middle ground that"s plenty fast for a variety of fast action, sports and wildlife pursuits. Claiming up to 7fps bursts in continuous mode, our lab tests show this to be the case if just a hair under spec. This is unchanged from the 70D"s burst rate, however buffer performance is noticeably improved which should keep you shooting for longer -- and all this despite the heftier 24MP resolution. According to our buffer depth tests, the 80D managed a healthy 53 best quality JPEGs, dipping down to 19 frames for RAW+JPEG. Buffer clearing was quite good, at only four seconds for JPEGs or 13 seconds for RAW+JPEG, and the camera lets you continue firing shots or change settings while clearing the buffer so you can keep on capturing.
The Canon 80D"s autofocus undergoes a big upgrade compared to its predecessor. Sporting a 45-point phase-detect autofocus system, it"s a very nice upgrade and much more versatile than the 19-point AF system of the 70D. The 80D doesn"t offer as many of the AF Area modes, however, as the higher-end EOS cameras like the 7D Mark II, but it does offer AF functionality down to f/8 unlike the 70D. Owners of long supertelephoto lenses and teleconverters will be pleased with this upgrade.
Of course, you can"t forget about Dual Pixel CMOS AF. Debuting on the 70D, the addition of on-sensor phase detect pixels to the sensor allows for vastly improved live view focusing for both stills and video. And it works beautifully in the Canon 80D. For stills, Live View AF is super fast, and with the combination of the touchscreen LCD to quickly change the focus point, it"s a very useful feature. For video work, the Dual Pixel system provides pleasing, smooth and cinematic-looking AF performance. Video focus speed is adjustable to fit your shooting style or mood, and overall the subject tracking works very well, making the Canon 80D a rather versatile video camera.
The Canon 80D"s AF performance overall is quite good, barring one interesting discovery. While the 80D is spec"d for better low-light autofocusing compared to the earlier 70D when using the optical viewfinder (-3.0 EV vs. -0.5 EV), our low-light AF lab tests didn"t confirm that despite testing with multiple lenses -- at least initially. We found the 80D"s low-light AF performance to be a bit of a mixed experience; on the one hand, it can indeed focus on a sharp, contrasty targets down to its rated light level of -3.0EV. That said, though, other less expensive and less highly-rated Canon bodies outperformed the 80D when dealing with a less-contrasty subject in similarly dark conditions.
Outside of the lab, the Canon 80D felt decently quick to autofocus in low-light conditions. Using the Canon 24-70mm f/2.8L II lens, we compared the 80D to the Canon T6s. On a very dark, poorly lit, indoor subject both cameras struggled to acquire focus (however the 1D X Mark II was able to acquire focus quite easily on the same subject). However, with a better lit indoor subject, on which both the 80D and T6s were able to successfully acquire focus, the Canon 80D did feel consistently quicker to acquire focus.
Like the 70D before it, the new Canon 80D is very much a hybrid camera -- designed for videography as well as photography. As mentioned, its Dual Pixel CMOS AF is excellent and makes shooting video much simpler and more straightforward. You no longer have to resort to manual focus like in the early days of DSLR video, well, unless you want to -- though the 80D doesn"t offer focus peaking.
As for other video features, the Canon 80D offers a good, well-rounded set of amenities, though noticeably absent is the increasingly popular choice of 4K resolution. There"s a growing number of 4K-capable cameras, at a variety of price points, so we"re a bit disappointed that Canon left this feature out of the 80D. The new DIGIC 6 image processor does allow for 1080/60p video now, though you can"t use that frame rate with the higher quality ALL-I compression -- IPB only for 60p (or 50p). For both ALL-I and IPB video, the quality looks good to our eyes with lots of detail and decent dynamic range. You can even use the new Fine Detail Picture Style with video if you want. Advanced videographers will also enjoy the addition of a headphone jack, though there is still no clean HDMI output.
Perhaps the only other major drawback to video other than the lack of 4K is the continuous recording time limit. Long having been a factor for Canon shooters, the 80D carries on the tradition of stopping continuous video at 29 minutes, 59 seconds. For those needing to record long, continuous scenes or events, be ready to press the record button manually after 30 minutes.
Overall, the Canon 80D is a solid, well-built, well-rounded multimedia DSLR. Its ergonomics and design are classic Canon, which translates to easy, comfortable functionality with tons of external controls. The camera"s image quality is very good. Thanks to its new 24MP sensor, it shows improvements to both low and higher ISOs, though competing cameras still have an edge image quality-wise over the 80D.
Performance is very good, too, with decent burst speeds, improved buffer depths, excellent battery life, and a new, more versatile 45-point AF system. Combined with Dual Pixel CMOS AF technology for fast live view AF, the Canon 80D is well suited for a variety of shooting scenarios, including general use, portraits and traveling as well as more challenging endeavors like sports and wildlife. Video is also a hallmark feature, and while it"s sadly lacking a few notable features like 4K, overall the 80D offers good quality video with lots of features for both beginners and advanced video creators.
All in all, while the Canon 80D feels more evolutionary than revolutionary, it"s an all-around excellent DSLR with a good combination of image quality, advanced features, great build quality, and a good price point. It"s a great still camera, and Canon"s Dual-Pixel autofocus is unbeatable for video. All told, the Canon 80D gets the nod as a Dave"s Pick in our book.
@aprice10 you did not tell us if it still shows everything appropriate just upside down. Let us know if the menus are also upside down. If it Looks right side up when the LCD is flipped out to the left side of the body but upside down when folded back it is most commonly an issue with the orientation sensor. Make sure that you also go through your menu items to make sure that things are normally set.
If it is not in the menu anywhere etc you may need to check on something like this LCD Screen Flex Cable FPC Flip LCD Hinge Rotating Shaft Flex Cable for your model,
Ms.Josey 
Ms.Josey