gopro lcd touch screen manual pricelist

If you’re diving with sharks, traversing a river in a kayak, or white water rafting, you need a reliable waterproof action camera. GoPro offers HD action cameras with sharp 4K resolution, enabling you to capture crystal-clear footage of your feats. And, it’s not just the high intensity activities where the best GoPro cameras shine. If you’re documenting your wine tour, zip lining, snowboarding, or even just making memories around the barbecue at home after your latest adventure, you can be your own daredevil and your own photographer with GoPro.

The sports action camera you choose should be lightweight so as not to slow you down. It"s also important that it attaches to your clothing or gear so you can focus on the moment and leave it to your GoPro to capture the incredible footage. An action camera with image stabilization will make sure your video isn"t shaking even if your hands are. Not the adventurous type? Use your GoPro for award-worthy footage of the solitude of hiking through the woods at your local park. No matter where life takes you, GoPro is there to capture the moment.

Compare from our various adventure camera models, like the all new GoPro HERO11 Black, to make sure you have the right one by your side to for all of your incredible adventures both in and out of the water. Use our GoPro comparison tool to compare up to 3 camera models and their features, modes, design and dimensions.

GoPro has introduced the Hero+ LCD camera, sharing many features with the entry-level Hero with the addition of a touchscreen. The Hero+ LCD is waterproof to depths up to 40m/131 ft, and adds both Bluetooth and integrated Wi-F with support for the Android and iOS GoPro App. Videos can be recorded at up to 1080p/60, and 8MP still image capture is offered.

The Hero+ LCD"s features include HiLight Tagging for marking notable moments while recording or playing back footage, as well as in-camera video trimming for rapid editing and sharing without the use of a computer. Content can be shared directly to Twitter, Instagram, and Facebook. Like the Hero, the Hero+ LCD offers a QuikCapture setting, allowing the user to power the device on and start recording with one button press. The battery allows for about two hours of recording per charge; microSD cards up to 64GB are supported.

The Hero+ LCD will launch in the United States at retailers and online on June 7 for $299.99 USD. The camera will then go on sale internationally on July 12.

SAN MATEO, CALIF. (June 1, 2015) – GoPro, Inc. (NASDAQ:GPRO), enabler of some of today"s most immersive and engaging content, has announced the availability of its new HERO+ LCD camera. Capturing life-like high definition 1080p60 video and 8MP photos, the HERO+ LCD features a convenient touch display for easy shot framing, settings control and access to an all-new in-camera video trimming feature. Like the entry-level HERO, the HERO+ LCD is built directly into its waterproof housing. The simplicity of this all-in-one design now combines with expanded features to make capturing life’s memorable moments easier than ever.

Rugged and waterproof to 131’ (40m), HERO+ LCD also includes advanced features like HiLight Tagging and in-camera video trimming to make it easier to identify and share your favorite moments. HiLight Tagging lets you mark key moments while recording and during playback so you can easily find them later, and the all-new video trimming feature allows you to create short clips in-camera for easier sharing without a computer.

Built-in Wi-Fi and Bluetooth® connect the HERO+ LCD to your GoPro App-enabled smartphone or tablet for easy camera control and shot preview when your camera is mounted or out of reach. The GoPro App also allows for easy content sharing to Instagram, Facebook, Twitter and more and combines with the new in-camera video trimming feature to form a convenient content sharing solution.

“HERO+ LCD illustrates that even as we push the limits of life capture with bleeding-edge devices like the HERO4 Black, we’re also focused on delivering accessible, high-quality capture solutions to anyone wanting to GoPro,” said Nick Woodman, founder and CEO of GoPro.

Whether you are a first-time user or a GoPro veteran, the HERO+ LCD is an impressive capture solution. It combines GoPro’s famed image quality, versatility and durability with WiFi connectivity, long battery life and touch display convenience in an all-in-one design.

HERO+ LCD will be available for purchase in the U.S. at authorized GoPro retailers and GoPro.com beginning June 7, 2015. International availability will begin July 12.

The GoPro Hero cameras are a great choice for easy underwater video. Today, GoPro announced a new camera, adding touch screen convenience to their entry level camera lineup.

The new GoPro HERO+ LCD is now easier to use than ever, with a new touch screen and several features that help share your adventures at the fast speed of social media.

There are many different aspects to using a GoPro to film underwater video. At the Underwater Photography Guide, we have been building a series of GoPro tutorials to help you create the best video possible.

SAN MATEO, CALIF.(June 1, 2015) –GoPro, Inc. (NASDAQ:GPRO), enabler of some of today"s most immersive and engaging content, has announced the availability of its new HERO+ LCD camera. Capturing life-like high definition 1080p60 video and 8MP photos, the HERO+ LCD features a convenient touch display for easy shot framing, settings control and access to an all-new in-camera video trimming feature. Like the entry-level HERO, the HERO+ LCD is built directly into its waterproof housing. The simplicity of this all-in-one design now combines with expanded features to make capturing life’s memorable moments easier than ever.

Rugged and waterproof to 131’ (40m), HERO+ LCD also includes advanced features like HiLight Tagging and in-camera video trimming to make it easier to identify and share your favorite moments. HiLight Tagging lets you mark key moments while recording and during playback so you can easily find them later, and the all-new video trimming feature allows you to create short clips in-camera for easier sharing without a computer.

Built-in Wi-Fi and Bluetooth® connect the HERO+ LCD to your GoPro App-enabled smartphone or tablet for easy camera control and shot preview when your camera is mounted or out of reach. The GoPro App also allows for easy content sharing to Instagram, Facebook, Twitter and more and combines with the new in-camera video trimming feature to form a convenient content sharing solution.

“HERO+ LCD illustrates that even as we push the limits of life capture with bleeding-edge devices like the HERO4 Black, we’re also focused on delivering accessible, high-quality capture solutions to anyone wanting to GoPro,” said Nick Woodman, founder and CEO of GoPro.

Whether you are a first-time user or a GoPro veteran, the HERO+ LCD is an impressive capture solution. It combines GoPro’s famed image quality, versatility and durability with WiFi connectivity, long battery life and touch display convenience in an all-in-one design.

The Hero+ LCD"s price, on the other hand, does not say "entry level." At $300 in the US and £250 and AU$430 in the UK and Australia, respectively, this is a somewhat pricey camera for the category given what it can do. The $130 (£100, AU$169) Hero model is truly entry level in price and features. That"s a considerable price gap between it and the Hero+ LCD.

For one, you get Wi-Fi and Bluetooth that can be used to connect to GoPro"s Smart Remote (not included), which basically replicates the camera"s controls so you can remotely change settings and shooting modes and start and stop recordings and take pictures.

The wireless is also used to connect to an iOS, Android or Windows mobile device to use GoPro"s app to control the camera and change settings as well as remotely preview and review your shots and transfer them to your device for sharing.

Beyond that, the Hero+ has a higher-resolution sensor -- 8 megapixels as opposed to 5 -- and instead of just a single 0.5-second time-lapse interval setting you get seven. You"ll also get a loop record feature, so you can more easily use this as a dash cam and it supports GoPro"s HiLight Tagging, which lets you quickly mark a section of your video for easier editing later on.

It does have that screen, though, which again isn"t something you"ll find from most of the competition. If that"s a must-have feature for you and you just need good-quality video for sharing online, your search is over.

That is, as long as you"re willing to put up with the rest of the Hero+ LCD"s design. Like the Hero, this camera is permanently in its rugged housing. Some might find this to be a plus since it means the camera can"t fall out and is always protected. However, since you can"t pull the camera out, if you damage the housing you"re not easily swapping it for a new one. While it can certainly handle a lot of abuse, if you manage to scratch the lens glass, you"re stuck.

Next to the screen are the microSDHC card slot supporting cards up to 64GB and a Micro-USB port. So what"s missing? The Hero lacks a Micro-HDMI port letting you playback directly from the camera to a display or HDTV. Not a huge loss, but still it"s a loss.

With its standard solid plastic backdoor, the housing is waterproof to 131 feet (40 meters). There is also a waterproof touch backdoor that"s good down to 10 feet (3 meters) as well as a skeleton door that lets more sound reach the built-in mic. External mics, by the way, are not supported on this model.

Shooting options are better than the Hero, but just barely. Video resolutions include 1080p at 60 frames per second and 720p at 60fps. There"s also a 720p at 60fps with GoPro"s SuperView feature, which basically takes 4:3 video and digitally stretches it at the sides so you get a taller 16:9 video. To help you out when you lose daylight, GoPro"s Auto Low Light feature can be turned on, dropping the frame rate so your video isn"t too dark when shooting in dim light.

The touchscreen is no doubt the easiest route and GoPro simplified navigation compared with the Hero4 Silver. Instead of swiping and tapping your way through menus, you just tap on the right side of the screen to bring up the mode menu, while the left side opens a context-sensitive menu related to what mode you"re in. One other nice addition: You can trim out 5-, 15- or 30-second clips or grab a still from a video on camera.

Of course, the more you use the touchscreen or wireless, the less battery life you"ll have for recording. Even with both of those off you"re looking at a maximum of 2 hours of continuous recording at 1080p at 60fps or up to 2 hours and 30 minutes set to 720p at 60fps in SuperView mode.

On its own, the video from the Hero+ LCD is very good and stands up to other models priced around $300 such as the Drift Ghost-S and Replay XD Prime X, though only the former has a live-view screen. Sony"s Action Cam Mini with its Live-View Remote is another option and is better in image quality and features, though it"s not as easy to use.

For casual viewing on a smartphone or tablet and posting to YouTube, you likely won"t be disappointed with what you get from the Hero+ LCD. As with most cameras in this category, when viewed at larger sizes you"ll see compression and motion artifacts and details are pretty soft and mushy. These things only get more pronounced when shooting in low light.

It"s pricey for its shooting options and performance, but the GoPro Hero+ LCD is also one of the few action cameras available with a built-in live-view screen. That"s a feature that"s tough to beat, especially if you"re looking to simplify your shooting experience.

If you’re looking for one of the best GoPro cameras, let us start by saying you’re making the right choice. When it comes to the best action cameras available, GoPro cameras are without doubt up there among the best.

But hang on, with so many models available, which one is right for you? The latest GoPro Hero11 Black, surely? Well, not necessarily. It’s not quite as simple as the newest one is the best for everyone.

Obviously, price is a big factor here, and many of the older models are now much more affordable than the newest ones. For your budget then, you might end up finding that an older GoPro is best. It also depends on the features you need. The GoPro Max, for example, offers 360-degree video, which is something not found on other models in the lineup.

Luckily for you, we’ve tested every GoPro still available to buy, so you’ve come to the right place for advice. In this article, we’ve rounded up the five latest models of GoPro, from the Hero8 Black to the very latest Hero11 Black, comparing their features, strengths and weaknesses.

The GoPro Hero11 Black has a large 1/1.9-inch image sensor with an 8:7 aspect ratio. This squarish format lets you capture expansive views, but more importantly, gives you much more flexibility when editing the video afterwards. In the GoPro Quik app, you can output your video in a number of formats, including the TikTok-friendly 9:16 ratio.

While the outside hasn"t changed from the Hero9 Black, the GoPro Hero10 Black sports a new and improved processor on the inside, which translates to video recording as high as 5.3K/60 fps, as well as 2K video at 240 fps, and 4K video at 120 fps. On top of that, it has a larger 23MP image sensor, and manages to shave off a tiny bit of weight.

While not the best GoPro camera overall, the GoPro Max does have a major point of difference from the others — namely its ability to shoot 360-degree video. Unlike most 360 cameras, the GoPro Hero Max has a small display on its back that lets you view what its cameras are looking at. We didn"t find it quite as handy as we"d expected, but the large display does make it easy to navigate and change the Max"s settings without having to use your smartphone.

The GoPro Hero Max also has a HyperSmooth stabilization feature, so your bumpy video will look nice and smooth, and image quality from the camera — up to a max resolution of 5.6K/30 fps — lives up to GoPro"s typical high standards. Plus, GoPro"s app is loaded with features, including the ability to livestream video from the Max.

With the GoPro Hero9 Black, GoPro not only took the criticism of the Hero8, but also added a much-needed feature: a front-facing display. This small screen now shows a live preview, making it much easier for selfie artists and bloggers to frame themselves in videos and photos.

The Hero8 Black was the first GoPro to have its mounting "fingers" built directly into the camera, which makes it a bit easier to attach accessories. You no longer need to use a case if you want to attach it to accessories, such as a tripod or helmet mount. Unfortunately, it also means that cases and lens adapters you had for older GoPros won"t work with this model.

GoPro improved the motion stabilization to make the footage from the Hero8 Black the smoothest we"ve seen from an action camera (until the Hero9 and then Hero10, at least), and the overall quality remains as great as ever. The Hero8 Black has also been updated to work as a webcam, and its HyperSmooth 2.0 video stabilization works with more video settings — though not as well as HyperSmooth 3.0 and HyperSmooth 4.0 on the Hero9 and Hero10, respectively. But for $279, it"s the best GoPro under $300.

While all of the best GoPro cameras (with the exception of the Max) share a similar design, there are a few differences, especially between the Hero10 / Hero9 Black and older models.

With the Hero8 Black, GoPro redesigned the camera so that the mounting "fingers" — used to connect the camera to GoPro accessories — are built directly into the bottom of the camera. This way, you don"t need to attach a case if you want to mount the camera to a selfie stick or some other device.

However, unlike earlier models, the Hero8"s lens cover cannot be removed; other GoPro models let you take this piece off so you can attach other lens covers, such as filters and the like. The Hero9 rectifies this issue and the Hero10 keeps the same layout.

All GoPro models have a rear display which you can use to frame your shot and adjust settings, as well as a front-facing LCD that shows your recording time, battery life, and more. However, the Hero9 and Hero10 have color displays on the front, which can also be used to frame yourself in a shot.

The GoPro Hero9 Black was the first GoPro that can shoot video at 5K resolution, albeit at a max framerate of 30 fps. The Hero10 ups that to 60 fps. Both the GoPro Hero8 Black and Hero7 Black can shoot 4K video at 60 frames per second, as well as slo-mo video at 1080p/240 fps.

One of the defining features of the best GoPro cameras has been electronic image stabilization, which goes a long way towards smoothing out shaky action cam footage. GoPro calls its technology HyperSmooth; hyperbole aside, it"s very effective. Newer (and pricier) GoPro models have more advanced versions of HyperSmooth.

If you"re taking really shaky video, though, we recommend the GoPro Max; because it"s a 360 camera, and recording everything around you, it"s the best at maintaining a level horizon no matter how much the camera bounces around.

We"ve got a separate guide to the best GoPro accessories, but if you"re still deciding which is the best GoPro camera to buy and just want an idea of how much extra you might need to budget for add-ons, here"s a brief overview:GoPro Volta: GoPro has just released this combined handle, remote, battery and tripod and we"ll be giving it a try very soon. The company claims it can triple battery life, while the remote functionality works whether it"s attached to a camera or wirelessly via Bluetooth. For $130, it looks like a great addition to a GoPro.

Mounts: You"re almost certainly going to want to attach your GoPro to something, whether it"s a helmet, a bike or a snowboard. Neewer makes an inexpensive (about $30) 50-piece kit(opens in new tab) that includes dozens of options.

Audio upgrades: Sound isn"t the GoPro"s strongest suit, but you can improve it by adding GoPro"s own Media Mod(opens in new tab), or an external microphone for as little as $40.

Batteries: You can never have too much juice — after all, you don"t want to be stuck halfway up a mountain with a dead GoPro. For $10 you can buy an extra battery plus a charging case(opens in new tab) that you can take on the go.

Of course there are dozens of other GoPro accessories, including waterproof cases and floatation devices, screen protectors, extra lighting, extra displays and more. Check out our full list of the best GoPro accessories for more.

Simply put: yes. Aside from being great action cameras, there are actually a few other things that GoPros can do. For a start, GoPro released software that lets you use the GoPro Hero9 and Hero8 Black as a webcam. Follow our guide to how to use your GoPro as a webcam for more details.

GoPro also launched livestreaming for its Hero10, Hero9, Hero8 Black, Hero7 Black and GoPro Max cameras. However, in order to use this feature, you must be a GoPro Plus subscriber, which costs $49.99 annually. The subscription also provides unlimited cloud storage of GoPro footage, no-questions-asked camera replacement, and up to 50% off GoPro accessories.

The only way to test a GoPro camera properly is to put it through its paces in the outdoors, so that"s what we do. We take it to a ski slope, or out on a bike, or to a beach, and we use it in the kind of situation anyone buying it would do. We also make sure to test it in a variety of lighting conditions, and to specifically evaluate features such as motion stabilization so we know how well it performs.

Check our list of the best GoPro cameras at the lowest prices online across different e-stores in India. The GoPro brand is so well known that every time one thinks about action cameras, it is usually the first brand that comes to mind. GoPro Inc is a US-based technology company headquartered in California state. The brand designs and manufactures a wide range of action cameras that offer professional-grade videography to the photography experience. Aside from making cameras, the company also offers apps that make sharing, editing, and managing files easy and seamless.

GoPro cameras are popular for their ruggedness and superior camera quality even under intense weather conditions. In addition, IP or waterproof ratings make these cameras suitable for use on rainy days or for watersports activities. Besides, GoPro cameras come with connectivity features like Wi-Fi and ports to make it easier to connect with a compatible device.

Searching for GoPro cameras or want to upgrade to a new action camera? We have got you covered. There are various models from the brand that may confuse buyers to choose the right option among them. However, we have it extremely easy to find the right action camera for you. Below is the collection of the best GoPro cameras mentioned with their latest price and full details to assist in better decision-making. Again, we have highlighted the major specifications of these cameras that buyers can shortlist accordingly. Besides, check user reviews, ratings, and features of all the products before making a purchase. This price list was last updated on December 14, 2022.GoPro Cameras Price List in IndiaCameraPriceAvailable FromGoPro Hero 11 27MP Sports and Action Camera₹51,500Sep, 2022

We recommend checking out our discussion threads on the GoPro LCD Touch BacPac ALCDB-401, which address similar problems with connecting and setting up Other Action Cam Accessories GoPro.

User manual for the GoPro LCD Touch BacPac ALCDB-401 The user manual for the GoPro LCD Touch BacPac ALCDB-401 provides necessary instructions for the proper use of the product Camcorders - Action Cam Accessories - Other Action Cam Accessories.

The LCD Touch BacPac mounts seamlessly to select GoPro HERO cameras, enabling monitoring and providing an intuitive way to access the camera"s menu. You can use it to frame up shots before and during shooting as well as play back what you"ve already shot - including slow-motion replay. To operate the controls, simply tap and touch the screen - and with the HERO4 you can even use swipe gestures for faster navigation.

If you own a GoPro other action cam accessories and have a user manual in electronic form, you can upload it to this website using the link on the right side of the screen.

You can upload and download the manual for the GoPro LCD Touch BacPac ALCDB-401 in the following formats: *.pdf, *.doc, *.txt, *.jpg - Other formats are unfortunately not supported.

The user manual for the GoPro LCD Touch BacPac ALCDB-401 can be downloaded in .pdf format if it did not come with your new other action cam accessories, although the seller is required to supply one. It is also quite common that customers throw out the user manual with the box, or put the CD away somewhere and then can’t find it. That’s why we and other GoPro users keep a unique electronic library for GoPro other action cam accessoriess, where you can use our link to download the user manual for the GoPro LCD Touch BacPac ALCDB-401.

The user manual lists all of the functions of the GoPro LCD Touch BacPac ALCDB-401, all the basic and advanced features and tells you how to use the other action cam accessories. The manual also provides troubleshooting for common problems. Even greater detail is provided by the service manual, which is not typically shipped with the product, but which can often be downloaded from GoPro service.

If you want to help expand our database, you can upload a link to this website to download a user manual or service manual, ideally in .pdf format. These pages are created by you – users of the GoPro LCD Touch BacPac ALCDB-401. User manuals are also available on the GoPro website under Camcorders - Action Cam Accessories - Other Action Cam Accessories.

An articulating or vari-angle LCD – commonly called a flip screen – is a useful addition to a camera. The screen is mounted on a swivel, allowing you to flip the screen away from the camera body and rotate the LCD 360 degrees.

Flip screens have traditionally been useful for taking photos at unusual angles. For instance, framing a bug’s-eye view from ground level used to mean setting your camera down low and awkwardly trying to see through the optical viewfinder. There was usually a lot of guesswork involved.

With a vari-angle, or flip screen, you can now set the camera up at ground level and angle the articulating LCD up towards you and frame the scene in live view.

Likewise, a flip screen allows you to shoot overhead by swivelling the screen down. Street photographers might also appreciate a swivel screen because it can let you shoot more discreetly. Shooting from the hip is a lot easier with a flip screen and gives you more control. Hold the camera against your body and angle the swivel screen upwards so you can frame your shot, then shoot discreetly.

Despite all these advantages for shooting stills, it’s probably the rise of vlogging that has seen the popularity of cameras with flip screens soar. Like shooting self-portraiture, vlogging requires placing yourself on the other side of the camera, and before flip screens were a thing this required a lot of careful setup and trial and error.

But swivel LCD touchscreens mean you can now place your camera in front of you, frame your shot accordingly and simply tap the screen to take a picture or start recording. If you have even modest ambitions to post videos on YouTube, a camera with an articulating screen will undoubtedly be the best option for you. In this guide we’ll round up the best cameras with flip screens.

The Canon EOS R5 leaves little doubt that Canon is now serious about the mirrorless camera market. It has phenomenal specification with features like a 45Mp full-frame sensor, phase detection autofocusing that covers the whole frame, eye AF for humans and animals that works in video and stills mode and a class-leading viewfinder paired with a vari-angle touchscreen.

The Canon EOS R5 is built to a similar standard to the Canon EOS 5D Mark IV and has a magnesium alloy construction along with weatherproof seals. Its handling is also similar, but the control arrangement has changed to accommodate the vari-angle screen.

It’s great to have a vari-angle screen on the EOS R5. It makes it much easier to shoot video from above or below head-height while keeping the kit size and weight down. Also, as the screen is touch-sensitive you can control the camera with a few taps.

There’s also a 3-inch vari-angle touchscreen with 1.62million dots. We’re a fan of vari-angle screens because they make shooting portrait or landscape format images from above or below head-height much easier than a fixed screen. And a tilting screen is only of help with landscape format images.

Both the viewfinder and the screen provide an accurate preview of the image as it will be captured. Overall, Canon’s control arrangement on the R6 and use of touch control is excellent and the vari-angle screen is a real asset.

After we reviewed the Sony A7 III, a flip-out touchscreen was at the top of our wishlist for improvements we’d like to see on the next iteration of Sony’s full-frame all-rounder. Sure enough, Sony has given the A7 IV a vari-angle screen that can be flipped face forward or be angled to help compose low- or high-level shots in either landscape of portrait orientation.

What’s more, the A7 IV’s 3-inch 1,036,800-dot screen is touch-sensitive and users can now navigate the menus and settings with a tap. In previous Sony touchscreen LCDs, you were limited to setting the AF point via touch.

Sony has also carefully thought through the design, as well, placing the A7 IV’s mic port just above the screen on the side of the camera so it can still move freely when an external mic is plugged in.

OM System has given the OM-1 a very bright 1.62-million dot vari-angle touchscreen. It’s a 3-inch screen and like on the OM-D E-M1 III and OM-D E-M1X and it’s mounted on a vari-angle hinge. This vari-angle hinge means the screen can be angled for clear visibility whether you’re shooting in landscape or portrait orientation.

Like the screens on existing Olympus Micro Four Thirds cameras, the OM-1’s screen is touch sensitive. It responds quickly to a tap and it’s a shame that OM System’s hasn’t extended the touch control to the new main menu.

In overcast conditions and indoors, the OM-1’s screen gives an excellent view it also performs well in brighter conditions. my toughest test for this was when skiing on a bright sunny day trying to video my companions ahead of me. Keeping them framed as we all moved over the piste was challenging, but thankfully, I was able to see them on the screen.

Despite the shrinkage in size and weight, the Panasonic Lumix s5 has both a 3-inch 1,840,000-dot vari-angle touchscreen and a 2,360,000-dot OLED electronic viewfinder built-in.

The Panasonic GH5 has a vari-angle screen and it was high on the request list for the S-series camera when their development announcement was made. However, the S1 and S1R have 3-way tilting screens. These are useful if you’re shooting in landscape and portrait format images, but they’re not as intuitive or flexible to use as a vari-angle screen and they can’t be seen from in front of the camera.

Happily, the Lumix S5’s screen delivers what many were hoping for and it can be flipped around to face forwards. It means that the S5 could also be a good full-frame vlogging camera.

Further good news is that, like the viewfinder, the S5’s screen provides an excellent preview of the image. If you’re shooting outdoors in bright conditions it’s worth activating the Live View Boost to brighten screen to make the scene easier to see. The screen is also very responsive to touch.

The Panasonic GH6 has a 3.0-inch 1,840K-dot tilt and free-angle touchscreen with an aspect ratio of 3:2 on its rear. The tilting aspect of the screen isn’t immediately obvious, but pressing the button underneath the monitor’s bottom left corner releases the mechanism so the screen can be tilted up from the bottom.

There are two stop points in the screen’s tilt movement. The first one is at the right point to enable the screen to be flipped out to the side of the camera without catching on the viewfinder while the second one at about 45° gives a more comfortable viewing able when shooting at waist-height.

To the uninitiated, the tilt and free-angle combination may seem a bit over the top but it means that the screen can be flipped out and twisted to face forwards, up or down, without fouling on any of the cables that may be connected to the ports on the left side of the camera (mic, USB-C and full-size HDMI).

With 1.84-million dots, the 3-inch screen gives a good view of the scene and doesn’t suffer to badly from reflections even in sunny conditions (at least not in March in the UK). However, even when shooting video, there are times when it’s preferable to use the 3,680k-dot 0.76x OLED viewfinder. This has a contrast ratio of 10,000:1 and gives a sharp, accurate preview of the scene.

The GH5 is Panasonic’s flagship compact system or mirrorless camera and it has a mini-DSLR design, featuring a high-quality electronic viewfinder and vari-angle touch-screen. As a Micro Four Thirds camera it’s compatible with an extensive collection of Micro Four Thirds mount lenses from Panasonic and Olympus as well as third-party manufacturers.

Panasonic has also upgraded the rear screen and it now measures 3.2-inches across the diagonal and has 1,620,000 dots. It’s still a vari-angle unit but instead of an OLED screen it’s an RGBW LCD. It provides a nice sharp view and the revised menu, which has fewer pages but more lines, is clear. The screen also responds quickly to tap of your finger.

As well as a host of improvements to its video specification, the Sony A7S III introduces the highest-resolution electronic viewfinder we’ve seen to date and it’s the first Sony A7-series camera to feature a vari-angle screen.

According to Sony, the 3-inch vari-angle screen wasn’t a request for the A7S III, it was a demand. It’s certainly something I’ve mentioned on many occasions.

In the past, the argument against one has been that a vari-angle hinge is less robust than a fixed screen and that ‘most dedicated videographers use an external monitor’. Those two points may still be true, but one of the key benefits of using a camera like the A7S III is its small size. If you start having to add an external monitor it makes it bigger and heavier.

It’s good to see that there’s an option to show a red outline around the on-screen image when the camera is recording. There are times when this is more useful than the usual flashing red dot.

After the 8K-capabilities of the Canon EOS R5, the Sony A7S III might seem a bit of an anti-climax. We’re sure some videographers were hoping for a big jump in resolution from the 12mp A7S II. However, Sony already has the 61Mp A7R IV and the 24Mp A7 III, so sticking with 12Mp means that the A7S III has even better low-light capability than its predecessor but with a much better autofocus system, a vari-angle screen and the highest-resolution viewfinder around.

As with Canon’s full-frame mirrorless cameras, including the flagship Canon EOS R3, the R7 has a vari-angle touchscreen. This is great for composing low- and high-level shots in landscape or portrait orientation. Because Canon has embraced full-touch control, it’s also useful for changing camera settings with a tap.

Like the EVF, the 3-inch screen’s 1.04-million-dot resolution doesn’t really wow these days, but the fact that it’s mounted on a vari-angle hinge is great. That means you can twist it around to give you a clear view whichever angle you’re shooting from. And unlike a tilting screen, it’s useful if you’re shooting in portrait or landscape orientation.

We love that Canon has enabled the RP’s touchscreen to be used for browsing the Quick and main menu, selecting settings and browsing through images as well as setting the AF point. It really speeds using the camera and makes it more intuitive. It’s also good that this isn’t at the expense of physical buttons and dials.

Among the many improvements Fujifilm put into the X-H2S over the X-H1 is an upgrade of the LCD screen. Instead of the 3-way tilting screen of the X-H1, the X-H2S has a vari-angle screen that can be flipped out and rotated to face forward for vlogging. This means it’s useful when the camera is above or below head-height in landscape or portrait orientation.

Today GoPro announced its latest action camera, the GoPro HERO+ LCD.  This marks the first time GoPro has done an ‘off-cycle’ release of a new camera product, as the company has historically released new action cams in the September/October timeframe.  It also bookends a rather busy week of announcements for the company.  Last week they announced both their intentions of launching a drone early next year, as well as their crazy 6-camera spherical mount system.  And that’s all before we talk about an apparent upcoming software update to start cloud sync of GoPro files to some sort of still unannounced internet service.  And don’t forget that even more crazy 16-camera virtual reality mount they built for Google.

The new GoPro HERO+ LCD is sorta exactly as the name implies: It’s the 2014 GoPro HERO…plus…an LCD screen.  Well, and connectivity over WiFi and Bluetooth Smart.

You’ll likely remember that the entry level GoPro HERO was $129US, and had a non-removable external case.  That meant that you couldn’t take it out of the case, which in turn meant you couldn’t add in any additional rear-attaching accessories such as the extra battery packs or LCD screen.

They also added in the WiFi and Bluetooth Smart compatibility.  Not for sensors, but rather for connecting to your mobile phone. This connectivity allows you to transfer photos and videos over to your phone, and then up to the interwebs.  Further, the HERO+ LCD includes the remote highlight tagging, which wasn’t available on the lower end model.  This means you can use the remote control to tag highlights so you can find them quicker later on during editing.

Finally, the camera has an internal editing capability, allowing you to slice the clips a bit better before transferring them.  This helps reduce the time to transfer video clips to your phone, making the process a little bit quicker.  This is planned to come to the HERO4 Silver later this summer, and the HERO4 Black as well (if you have bought the additional LCD back touchscreen).

But the reality is that for the vast majority of folks wanting an affordable camera, the specs hit the core of the market.  The noted 2.5 hour battery life is in the ballpark of most other units these days (though, without a way to swap batteries, that can be a problem for certain activities).  Here’s a comparison between the four GoPro HERO units:

The Hero+ LCD unit includes a few different back doors, so you can use it in wet environments and still touch the screen, as well as using an open door too.

This is a brilliant move by GoPro.  Since last October’s announcements came out, it left a bit of a hole in the price range.  They had the GoPro HERO Basic (2014 Edition) at $129, but then the next camera up was at $399US (HERO4 Silver), and then the HERO4 Black at $499 at the top.  For many (including myself), the brilliant touch screen on the back of the HERO4 Silver was loved – but for most consumers that was a bit pricey when existing action cameras were mostly in the $200-$300 range.  But with GoPro’s cheaper HERO base not having mobile phone connectivity and a bunch of other limitations, it wasn’t as ideal in the share-it-instantly world that is today.

In some ways, it’s almost like GoPro did a bit of a fake-you-out move price-wise.  See, both TomTom and Garmin recently announced new cameras – and matched GoPro’s $399 prices for certain models (for reasons that even then seemed hard to justify).  With those cameras being less well known, and specs to the average consumer in the same range – it was a hard sell. With the GoPro brand so strong, you have to compete and beat on multiple levels: Specifications and Prices.

In the case of Garmin, this move is even more so ironic – given Garmin recently cut the display when they updated Garmin VIRB lineup with the X/XE and decided to go without the preview screen that was present on the first generation units. A move that many of you thought was short-sighted (no PUN intended).

Looking forward, the real question is will GoPro again release this fall as they have done annually for years?  With neither the recently announced Garmin or TomTom units actually shipping yet – it might be challenging for both if GoPro doubles down as usual in the fall with new models.  In Garmin’s case, they are better positioned with a more unique offering around widely extended sensor offerings in the X/XE range, including new automotive and boating support – but that continues to be more of a niche offering at the $299 price point when trying to compete with GoPro branding/marketing.  While TomTom will need to iterate quickly with their automated movie maker software to truly become a competitive offering.

Definitely an interesting market for sure.  For those curious about my recommendations – for 95% of folks it’ll likely shift from the Hero4 Silver to the HERO+ LCD, assuming there are no issues with it.  The reason being that if you’re using it for cycling and such, you can actually use your Garmin Edge device with the GoPro, inside of Garmin’s free VIRB Edit software suite – thus getting all the benefits of data overlays there (I suppose Garmin is probably happy you’re buying their device).  It’s really only if you’re doing direct to camera sensors and don’t already have a GPS device for speed/distance/pace/altitude that I’d recommend looking at the Garmin X/XE lineup.

Note: You can now order the Hero+ LCD via both Amazon and Clever Training.  While both sites help support the site here and all the work I do, by using Clever Training you’re also going to save 10% on your order with DCR Reader Coupon Code DCR10BTF – further, you’ll get free shipping within the US!

The best GoPro accessories really do make the GoPro experience even better. GoPro Hero cameras are incredibly versatile and useful in a huge range of situations, and the best accessories can be a great way to customize yours for very specific things you want to do with it or get unique angles that are not usually possible with traditional cameras.

You might be planning to take your GoPro camera(opens in new tab) on bike rides to capture the sense of speed and freedom, in which case a helmet or chest mount will be the perfect fit. For underwater adventures, it makes perfect sense to get a protective case to improve the GoPro"s waterproofing and allow it to be taken deeper underwater. Or, if you"re trying to create videos of professional quality vlogs for YouTube with a GoPro, then an external microphone is a great idea, as this will vastly improve your audio.

We"ve included accessories for the latest GoPro Hero 11(opens in new tab) and earlier models. You definitely don"t need them all, but your GoPro shooting could almost certainly benefit from some of them. The question is, which ones?

GoPro makes plenty of its own accessories, but there are also many third-party alternatives. Some are cheaper and still good, others are cheap and best avoided. In this guide we"ve included a mixture of the two and only put in accessories we think are genuinely worth the money.

GoPro has never been one to sit on its laurels, and the latest Hero cameras can be extensively customized with a fantastic selection of media mods, such as the Max Lens Mod(opens in new tab), which is perfect to record your POV street photography. We"ve given these Mods their own dedicated section in this guide.

Of course, even if you"re still rocking an older GoPro Hero camera like the Hero 3 (and why not, if it still works?) there are loads of great accessories that can improve your shooting. We"ve made sure this guide is useful for everyone no matter what type of GoPro they"re using.

GoPro offers a few helmet mounts for different types of protective headwear, but the Front + Side Mount is the most versatile of the bunch. As the name implies, you can stick it on the front or side of your headgear, depending on what suits you best, and it comes with an included Swivel Mount assembly that makes it easy to adjust the angle to your liking.

While GoPro-branded accessories tend to be more expensive than third-party alternatives, the Shorty is a really strong product and is definitely worth considering if you"re looking for a mini-tripod, handgrip or extension pole – as it"s all three! Collapsing down to 11.7cm and extending out to 22.7cm, it covers loads of shooting situations, and its three lags fan out into a stable support for quick tripod shots.

With its many-jointed legs and grippy, rubberized feet, the Gorillapod from Joby has long been a favourite among photographers looking for a versatile camera support. Wrap it around a tree branch, hook it to a car door, or just rest it on a rough surface, and you’ll have yourself a reliable base. Its sheer versatility makes the Gorillapod the best tripod(opens in new tab) for many run-and-gun shooter, and the Action Tripod is specially optimized for GoPro cameras – its compact form factor makes it a great addition to a GoPro-focused kit bag.

While it"s been possible to augment GoPro cameras with professional accessories for some time (and you"ll see a few on this list), the Media Mod represents GoPro"s latest attempt to bring that kind of stuff in-house. This Media Mod – upsized for the larger chassis on the Hero9 Black – is designed as a one-stop-shop to bump up the production value of videos shot on the Hero 9; it contains a built-in directional mic as well as a 3.5mm mic port; two cold-shoe mounts for attaching other accessories like lights; and an HDMI output for monitoring and playback.

If you"re going to be shooting exciting vlogs and selfies of your travels with the Hero 8 Black, then it helps to have a screen that lets you see what you"re doing. A clear riposte to the DJI Osmo Action and its front-facing screen, the Display Mod gives Hero8 Black users the option to have a flip-up LCD of their own.

For a little extra light to have in a pinch, the Light Mod – which attaches to the Media Mods for the Hero8 Black, Hero9 Black, Hero10 Black or Hero11 Black – is an excellent choice. It"s got four levels of brightness for fine-tuning the amount of light you want, as well as a 30-second Overdrive mode that puts out maximized brightness for when you need to push a little further. It also has a strobe mode for signaling and visibility, and puts out light with a color temperature of 5700K. See our full GoPro Light Mod review(opens in new tab).

Spare batteries are a must for any serious shooter – you don’t want to take your GoPro out for a day only to discover you forgot to charge it the previous night and are now toting a stylish but functionless brick to the beach. The Dual Battery Charger from GoPro allows you to charge two batteries at the same time, and comes with a spare in the box, meaning it’s easy to make sure you’re gassed up and ready to go.

If you"re planning on some diving excursions with the Hero 9 Black or Hero 10 Black, then this protective housing should definitely be your first port of call. It extends the underwater range of the camera to 60m, and has a useful skeleton backdoor for improved audio capture. It doesn"t just have to be used for underwater adventures; it can be a useful way to keep dust and debris off the main body of your GoPro Hero 9 or Hero 10 Black if you"re taking it on a bike ride or similar.

If you are using the GoPro Hero 7 Silver or Hero 7 White, then you need to buy this underwater housing if you want to take your action camera deeper than the 10m that the basic camera provides. This Protective Housing offers the ability to go to 40m underwater, making it a great choice for scuba.

A compact and well-designed backpack for a day’s hiking, cycling, skiing or snowboarding, the Daytripper replaces the slightly larger GoPro Seeker backpack. Its hero feature is a built-in mount on the left-hand shoulder strap that can take any model of GoPro. This compact 15-liter backpack also has an easily accessible compartment for cameras, batteries, and memory cards on top, and behind the straps is a zone that can take – and protect – a 15-inch laptop, while the main area can easily house a DSLR and other gear.

If you need extra illumination for your shoots then the Lume Cube is a great choice as it’s built from a tough metal shell and waterproof down to 10m, meaning it can take the same sort of punishment as your GoPro camera. It puts out a generous amount of light, especially at short distances, and while its size means it only has one control button (which allows you to power it up and cycle through four brightness settings), it also offers Bluetooth control via mobile.

Compatible with:Hero 8 Black, Fusion, Max, Hero 7 Black, Hero 6 Black, Hero 5 Black, Hero 5 Session, Hero 4 Black, Hero 4 Silver, Hero Session, Hero 3+, Hero 3 (Settings/Tag button not compatible), Hero+ LCD, Hero+

While many GoPro cameras are controllable with your phone, many phones aren’t equipped for the kinds of challenges you might put your GoPro through. That’s where the waterproof (10m) Smart Remote comes in. It’s wearable, waterproof and can control up to 50 GoPro cameras at the same time from up to 180m away. Its built-in LCD can also mirror the camera’s screen for quick confirmation of status and settings.

It was an extremely welcome move when GoPro started introducing touchscreens into its Hero cameras, but screens of course do need to be looked after, and this is doubly true for action cameras that are thrown into tough situations. GoPro’s screen protector set is a simple, inexpensive solution, not only safeguarding your screens from scratches and smudges but also reducing glare on sunny days, making the screen easier to see and use.

GoPro accessories come in all shapes, sizes, and all have a unique way in which they can help us improve our filmmaking. These might gain you extra height while on location or keep your GoPro from sinking after that radical wave, thanks to flotation handles or surrounds.

All the accessories within this guide are either produced by GoPro themselves or third parties that we know offer great solutions at a good price point to help boost your filmmaking. From chest mounts, spare batteries, to lens mods - there is something for everyone at any budget.

­Seeking a better way to capture high-quality surfing stills, Nick Woodman created a 35mm film wrist camera while on a surfing trip. That makeshift still camera inspired him to create the GoPro in 2002, which went on to dominate the action cam video marketplace and becoming the video camera for the “selfie” generation.

But in recent years, GoPro has turned its attention to the pro market. The company hasn’t turned its back on extreme sports, but it’s building high-end cameras that can capture footage worthy of broadcast. One particular model is the flagship, the Hero4 Black – a tiny camera that can shoot in 4K.

Update on May 19, 2017: The Hero4 Black has been discontinued and replaced by the Hero5 Black, a stronger camera with a waterproof exterior, touchscreen, voice control, image stabilization, and a slew of other improvements – for $399. The Hero4 Black, however, can still be found for sale, but for around $100 more, the Hero5 Black is a far superior model. The Hero4 Black is still a great camera, and if you can find it for less than $200, it’s a good buy.

The Hero4 Black’s sibling, the Hero4 Silver (originally $400, but also discontinued), is one of our favorite action cams to date. The Silver is a Full HD camera that has nearly all the features of the Black, plus a rear touchscreen LCD. But it can’t shoot 4K (at least not at the level the Black can). So, if you’ve been thinking about getting a GoPro, should you splurge for this top-of-the-line model that can shoot at higher resolutions? Or could consumers do just fine with the Silver and save some money for accessories? Here’s why you might want to.

The Hero4 Black and the Silver are almost identical in design and function. You can read our Silver review to find out what the Black’s design, features, and usage are like, but the big differences between the two is that, as mentioned, the Black shoots 4K at 30 fps; has faster frame rates throughout video resolutions (720p, 960p, 1080p, 1440p, and 2.7K); lacks a rear LCD (more on that later); support for external microphone with analog-to-digital conversion; and has a higher bitrate (up to 60 Mbps versus 45). Otherwise, it uses the same mounts, underwater housing, and battery; has Wi-Fi/Bluetooth (the latter is used for standby); ProTune for fine tuning the settings; Night Photo and Night Lapse modes; and GoPro’s Studio desktop editing software.

Most GoPro users are pretty content shooting footage in 1080p (as they should be), as well as capturing images they can immediately upload to social media instead of color grade. The Silver and Session cams, as well as the entry-level Hero models, should suit most users’ needs. But for shooters who want to create 4K content, you need to go with the Black. There are advantages: It has 2x the performance of the Hero3+, including 4K capture and 120-frame-per-second (fps) rate in 1080, but more importantly, the Hero4 Black delivers superior image control. Note: the Silver can technically shoot 4K but at 15 fps, but GoPro doesn’t promote this and, from a performance standpoint, the Black is more powerful. Another big plus: Shooting at a higher resolution allows you to downscale (more on this below).

Compared to the Hero3+, the first improvement we noticed while setting up the Hero4 Black is that the battery is easier to remove. But with twice the processing power, you’re going to need quite a few extra batteries or a high-capacity portable USB battery for an all-day shoot, especially if you’re shooting at higher resolutions and using wireless. The 1,160-mAh battery lasts around an hour, by GoPro’s estimates.

A big omission is a built-in monitor. Even though it’s not the flagship model, the Silver Edition contains a useful, built-in touch display that allows you to make changes on the screen rather than through tiny monochrome front-panel LCD and the Mode and Record buttons on the camera.

We realize previous Hero cameras also didn’t have built-in displays, and although it’s disappointing the high-end Black doesn’t have one, you can attach GoPro’s LCD Touch BacPac ($80) to the back of the camera if you want to frame your shot and make changes via the touch screen. From our tests, however, the LCD Touch BacPac isn’t as responsive as the one embedded into the Silver, and you’ll need to purchase an optional backdoor to accommodate the LCD.

You could, of course, bypass the optional LCD and use your smartphone or tablet not only for live view, but also to easily change settings. Wi-Fi does eat into battery life, but so will the LCD Touch BacPac.

Even though 4K is a great feature many professional users are happy to have, having more image control – especially in regards to latitude – is a more valuable feature. GoPro has done an excellent job in implementing “pro” image controls for post, especially if you’re incorporating GoPro footage into a professional timeline with digital motion picture cameras, such as an ARRI ALEXA or Sony F55. Consumers, however may never even bother with these controls, but they are there, should budding YouTube creators want to dabble with advanced video production.

If you’re working within an editing timeline with other cameras (i.e., incorporating GoPro footage with those from another camera), the first thing you’ll want to do is capture in Protune, a feature that gives you more options, especially in post. Protune ups the bitrate, increasing it to approximately 60 Mbps to give you less compression artifacts. It also gives you more manual control over white balance, color, and sharpness.

Our testing included shooting in Native White Balance, Flat profile, ISO at 400 for daylight, 1600 for daylight interiors, and 6400 for night interiors. We also set Sharpness to Low to have more control over image sharpness in post. (Default settings for the camera without Protune is ISO 1600, High Sharpness, and GoPro Color.) Another feature we really like on the Black is the SuperView setting (also available in the Silver model), which takes the 4:3 aspect ratio and stretches to 16:9, giving you extra room at the top and bottom of the frame. This feature is great, especially when shooting with the camera mounted to your body while capturing fast action that doesn’t contain important details on the horizontal edges of your frame.

We performed all of the menu settings through the GoPro app on an iPhone. The mobile app, which is also available for Android and Windows Phone, functions as a live video remote as well as a monitor for framing a shot. It was much easier navigating through the app rather than through the buttons on the camera, and you’re able to frame before shooting without noticeable lag time. GoPro has really improved pairing with the camera to their mobile app, as well as control over settings within the app.

GoPro has also greatly increased its still photography power with the HERO4 Black, and the most impressive new feature is the burst mode. You can capture up to 30-stills-per-second (up to three seconds) at 12-megapixels per frame. This amounts to 4,000 x 3,000 in a 4:3 aspect ratio, which is pro-quality in terms of size. RED, the cinematography camera maker, has always promoted its Epic Dragon as a hybrid stills/video camera and the Hero4 Black can actually be placed in this category, although as a more low-end version. What’s also new with the Black is you can apply Protune in stills mode, giving you better control and color information, and GoPro has added new nighttime modes as well.

Judging image quality on a POV action cam can be tricky, especially when comparing it to a large sensor, interchangeable lens DSLR or motion picture camera. After all, the Hero4 Black’s sensor is small and its fixed lens is inferior to DSLR lenses. But with a powerful new processor, the Hero4 Black really excels in 4K. Even when downscaled to 1080, we noticed that the Hero4 Black contains more detail and color information then any POV camera we’ve tested. (The Hero3+ and Hero4 capture 4K but only at 15 or 12 fps, which is pretty unusable.) When shooting with Protune with the Flat color profile, you really have the opportunity to seamlessly cut your GoPro footage into a mixed camera timeline with good color grading.

For professional shooters a nice feature (for future versions) might include the ability to manually control your shutter and aperture, as well as attaching ND filters to the fixed lens when shooting in bright sunlight. This will create a more cinematic look and will enable you to better match the look of video from Canon’s EOS 5D Mark III, for example. There are third-party solutions such as Ribcage by Back-Bone that let you attach C-mount lenses to capture shallow depth of field, but the majority of action shooters want to capture more depth of field.

Although GoPro has its own software, GoPro Studio, experienced video pros, like this author, will prefer to perform ingesting and grading in their non-linear editing system of choice. For a night shot in 4K, we sent the clip to SpeedGrade and employed a GoPro-3200K-SL look profile. Back in Adobe Premiere Pro we added a touch of brightness and contrast, as well as a touch of orange to the midtones and highlights. Because we shot in the 4K SuperView mode, we added a Lens Distortion effect that eliminated the “fisheye” look. If you don’t have the time or tools to grade in post, the best setting to employ is GoPro Color, which delivers the same color you capture with Protune turned off, but still maintaining additional image control. The Hero4 Black may look like a simple camera, but the example we mentioned shows how sophisticated the camera can get.

Some of the most breathtaking shots we’ve seen in the past few years have been shot with GoPros, but it’s important to remember that the GoPro is best used as an action camera rather than an A-camera on a narrative film. So why buy a GoPro when your mobile phone can do the job, right? This is true for casual video shooters but in our opinion, a GoPro is a proactive imaging tool rather than a reactive device like a cell phone. Because of the amazing mounting options, with a GoPro, you normally set up a terrific shot or sequence with your GoPro way in advance (proactive) rather than pulling it out to capture something that is already happening with your phone (reactive).

The Hero4 Black has a one-year warranty, and GoPro will repair or replace the product if there are any manufacturing defects. GoPro also has a 30-day guarantee: If purchased from their online store, and if you’re not 100-percent satisfied, you can return it for a refund. Just remember you have to buy it through GoPro’s online store to qualify.

While the Hero4 Black has been discontinued, you can still find it for sale and Hero4 models are still popular with users. But before considering the Hero4 Black, the only question you should ask yourself is whether or not you want to capture 4K. As we’ve stated earlier, 2.7K or 1080 will suit the majority of users’ needs. (When this writer carries his GoPro around, I usually have it set up to capture 1080/30p footage with GoPro Color, which is the default, out-of-the-box setting.) But if you’re a working pro, or if you’re looking to future proof all of your content, the Black is a no brainer. It’s only a matter of time when all content will be moving to 4K, especially online. But if you’re a casual shooter, an important thing to remember is that your 4K files are going to be much larger since you’re dealing with four times the resolution of 1080. Because of this you’re going to need more MicroSD cards, as well as more computer storage.

Update on May 19, 2017: The Hero4 Black has been discontinued and replaced by the Hero5 Black, a stronger camera with a waterproof exterior, touchscreen, voice control, image stabilization, and a slew of other improvements – for $399. The Hero4 Black, however, can still be found for sale, but for around $100 more, the Hero5 Black is a far superior model. The Hero4 Black is still a great camera, and if you can find it for less than $200, it’s a good buy.