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Screen burn-in, image burn-in, or ghost image, is a permanent discoloration of areas on an electronic display such as a cathode ray tube (CRT) in an old computer monitor or television set. It is caused by cumulative non-uniform use of the screen.

One way to combat screen burn-in was the use of screensavers, which would move an image around to ensure that no one area of the screen remained illuminated for too long.

With phosphor-based electronic displays (for example CRT-type computer monitors, oscilloscope screens or plasma displays), non-uniform use of specific areas, such as prolonged display of non-moving images (text or graphics), repetitive contents in gaming graphics, or certain broadcasts with tickers and flags, can create a permanent ghost-like image of these objects or otherwise degrade image quality. This is because the phosphor compounds which emit light to produce images lose their luminance with use. This wear results in uneven light output over time, and in severe cases can create a ghost image of previous content. Even if ghost images are not recognizable, the effects of screen burn are an immediate and continual degradation of image quality.

The length of time required for noticeable screen burn to develop varies due to many factors, ranging from the quality of the phosphors employed, to the degree of non-uniformity of sub-pixel use. It can take as little as a few weeks for noticeable ghosting to set in, especially if the screen displays a certain image (example: a menu bar at the top or bottom of the screen) constantly and displays it continually over time. In the rare case when horizontal or vertical deflection circuits fail, all output energy is concentrated to a vertical or horizontal line on the display which causes almost instant screen burn.

Screen burn on an amber CRT computer monitor. Note that there are two separate burned-in images: one of a spreadsheet program, and another of an ASCII-art welcome screen.

Phosphor burn-in is particularly prevalent with monochromatic CRT screens, such as the amber or green monochrome monitors common on older computer systems and dumb terminal stations. This is partly because those screens displayed mostly non-moving images, and at one intensity: fully on. Yellow screens are more susceptible than either green or white screens because the yellow phosphor is less efficient and thus requires a higher beam current. Color screens, by contrast, use three separate phosphors (red, green, and blue), mixed in varying intensities to achieve specific colors, and in typical usage patterns such as "traditional" TV viewing (non-gaming, non-converged TV usage, non-Internet browsing, broadcasts without tickers or flags, no prolonged or permanent letterboxing) are used for operations where colors and on-screen object placement approach uniformity.

Modern CRT displays are less susceptible than older CRTs prior to the 1960s because they have a layer of aluminum behind the phosphor which offers some protection. The aluminum layer was provided to reflect more light from the phosphor towards the viewer. As a bonus, the aluminum layer also prevented ion burn of the phosphor and the ion trap, common to older monochrome televisions, was no longer required.

A nearly two-year-old LCD television showing extreme burn-in of CNN"s circa 2008 digital on-screen graphic; this television is in a McDonald"s restaurant where CNN is permanently turned on and displayed throughout the business day.

In the case of LCDs, the physics of burn-in are different than plasma and OLED, which develop burn-in from luminance degradation of the light-emitting pixels. For LCDs, burn-in develops in some cases because pixels permanently lose their ability to return to their relaxed state after a continued static use profile. In most typical usage profiles, this image persistence in LCD is only transient.

Both plasma-type and LCD-type displays exhibit a similar phenomenon called transient image persistence, which is similar to screen burn but is not permanent. In the case of plasma-type displays, transient image persistence is caused by charge build-up in the pixel cells (not cumulative luminance degradation as with burn-in), which can be seen sometimes when a bright image that was set against a dark background is replaced by a dark background only; this image retention is usually released once a typical-brightness image is displayed and does not inhibit the display"s typical viewing image quality.

Screensavers derive their name from their original purpose, which was an active method of attempting to stave off screen burn. By ensuring that no pixel or group of pixels was left displaying a static image for extended periods of time, phosphor luminosity was preserved. Modern screensavers can turn off the screen when not in use.

In many cases, the use of a screensaver is impractical. Most plasma-type display manufacturers include methods for reducing the rate of burn-in by moving the image slightly,Android Wear watches with OLED displays can request that Android Wear enable "burn protection techniques" that periodically shift the contents of the screen by a few pixels.

Other examples: Apple"s iPhone X and Samsung"s Galaxy series both mitigate or delay the onset of burn-in by shifting the pixels every minute or so for the battery, Wi-Fi, location, and service bars. Also, parallax scrolling may be enabled for the home screen to give icons a 3D-like effect, a setting Apple refers to as "perspective zoom". AG Neovo patented Anti-burn-in technology is also using pixel shifting to activate the pixels to move by the designed time interval to prevent burn in effect on LCD monitors.

Google requests that when these techniques are enabled, watch face developers do not use large blocks of pixels so that different pixels are burned in with each shift, reducing the overall wear of the pixels.

Some screensavers move around, such as those on DVD players or those on some television sets that move around paused video after a long period of inactivity.

Depending on the type of screen, it is sometimes possible to remedy screen burn-in through the use of remedial software and remedial devices. In the case of OLED screens on Android phones, burn-in reduction apps can display an inverted image of the navigation and status bars (which are constantly displayed and therefore the most likely elements to be burned in) to burn in opposite pattern, resulting in a screen whose sub-pixels have more even luminosity and therefore less visible burn-in artifacts.

The most prevalent burn-in image on early televisions was said to be that of the RCA Indian-head test pattern, which would often follow the formal television station sign-off. This was due to the viewer leaving the television set on at the end of the day, which was not recommended by the television manufacturers.

Your new computer is ready and just waiting for that nudge of the mouse. Wait! Wasn"t there something else? Monitor color calibration is one of the basic steps most of us forget or ignore.

Pixel perfect monitor calibration is a cardinal rule for photographers and graphic artists. If you are either of those, you know all about monitor calibration. Others should read on.

A good monitor is expensive. But its impact will be lost if you don"t take the pain to carefully (and intermittently) calibrate your monitor. The colors on the screen may not be the exact match of what they actually are.

Just imagine that you took a beautiful panoramic snap and downloaded it to your computer. Only to find out that the blue of the sky or the green of the grass doesn"t resemble the one you saw through the viewfinder. Today, it"s a lot about watching online movies, snapping digital photos and sharing image files. Color calibrating your monitor is important to get as close to the real thing as possible.

Graphics professionals will pick up serious color accuracy test tools for the job, like the Datacolor Spyder5Elite S5EL100 Monitor Calibration System. Some of you will go with the default monitor calibration software built into the OS. But we can also take some online help from these simple monitor calibration websites that have existed for a long time.

Conveniently, Windows comes with its down display calibration tool. Previously part of the Control Panel, Microsoft moved it to its own standalone app in Windows 11.

To manually open the ClearType Text Tuner, press Windows + S, search for "adjust ClearType text," then follow the on-screen instructions. On each of five screens, you"ll select the text samples that look best to you.

Photo Friday is a photography site. Think of the challenges involved in adjusting the brightness and contrast of a shot, and you get the reason you should calibrate your monitor. So, head to the link for their monitor calibration tool beneath the homepage, or hit the link above.

The site offers this simple one-page monitor calibration tool to adjust the brightness and contrast of your screen thanks to the gray scale tones. The idea is to tweak the monitor settings (or buttons) so that you can clearly distinguish the transition of tones from true black to true white. After calibration, the blacks should look black and without any hint of gray.

The instructions start off by telling you to dim the lights and hit F11 for viewing the gray scale chart in full-screen mode. Observe your monitor from your normal viewing distance.

The Lagom LCD Monitor Test Pages are a far more comprehensive set of tools than Photo Friday. The site includes a series of test patterns that start from checking contrast to checking for response times of your monitor. It is recommended to go through the tests in the order they are placed.

For a beginner, it might seem overwhelming. But, the test patterns come with helpful explanations. The developer also states that you can put the images on a USB drive and try them in the computer store when shopping for an LCD monitor. A 120 KB ZIP file download is included.

The Online Monitor Test website has a range of interactive tests to fix your screen colors. The menu appears when you move your mouse to the top. It starts off with a test that checks the brightness and contrast across the B/W tonal spectrum. It is similar to the test we covered on the Photo Friday website.

Next, the Color Range test checks if your monitor can smoothly produce color gradients. From the menu, you can pick different color charts. Look for “ghost images” or image trails in the Trailing test. Move the box across the screen and check if any trails are produced. The controls and options to change the color and shape of the box are placed at the bottom.

The Homogeneity test helps to pinpoint damaged pixels and faulty monitors with backlight bleeding. 1:1 Pixel mapping and testing for a blurring of Text are the last two tests on the lineup. While the former is not so much an issue with LCD computer monitors, the latter is worth a tryout if you feel that screen text is not crisp enough.

Note: We linked to the test version that requires JavaScript above. Most browsers won"t support the Flash versions of the test, but if you"d prefer to download the executable (no browser plugin required), visit the Online Monitor Test homepage

The author also provides a series of “Gamagic” test patterns you can use to calibrate your monitor. Fall back on your eyes and adjust the gamma setting with the monitor controls until all the squares match up with their backgrounds as closely as possible.

This single page screen calibration chart has few of the test images we have already covered in the earlier tools. Go through the color, gray scale, and gamma adjustments.

Most users don"t need to browbeat themselves over the steps or depend on third-party tools. Unless you are a professional photographer or a graphic designer who requires high-fidelity colors, these basic tools should be enough.

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Note:If you have Word 2013 or 2016 for Windows, you can do much more to fine-tune a picture: compress it, crop it, remove the background, apply artistic effects, control its position on the page, put it in front of or behind the text, trim it to a specific size, and control how text wraps around it. Click Open in Word to get started.