sony hi res lcd display with 8 widescreen pricelist

When Sony released the DVP-FX810 in 2007, the biggest complaint about the portable DVD player was the lackluster resolution of its screen. For 2008, the company has addressed that issue in a big way: the 8-inch screen of the DVP-FX820 boasts an 800x480 resolution, up from the paltry 480x220 found on its predecessor. The result is the best viewing experience we"ve seen on a portable DVD player in a long time.

Gorgeous 8-inch screen with 800x480 resolution; full 180-degree swivel screen; includes remote control, audiovisual cable and car charger; reliable 6-hour battery.

Despite a few drawbacks, the combination of a stunning high-resolution screen, long battery life, and impressive design make the Sony DVP-FX820 a winning portable DVD player.

The DVP-FX820 has a smooth plastic housing that Sony sells in a variety of colors--the one we tested was accented in dark blue. The player is one of the heaviest we"ve seen, weighing a sturdy 2.7 pounds. We liked the placement of the unit"s battery that runs along the entire bottom of the player. It may be large, but it doesn"t protrude at all, unlike the Toshiba SD-P71S, which has a small bump on the rear.

All of the DVD controls are located below the screen, making them easily accessible even if you take advantage of the swivel hinge and watch the unit in tablet mode. The screen can flip a complete 180 degrees and fold back on itself to be held in your hands. We were happy to see that most DVD controls were represented here, including the sometimes forgotten fast-forward and rewind functionality (just use move the four-way directional pad left or right during playback). The FX820 also ships with a remote control that expands on the playback options. It"s among the larger remotes we"ve seen packed in with a portable DVD player, but there"s no reason to leave it at home. The two IR sensors let the player respond regardless of its orientation.

On the right side of the unit, you"ll find all the connectivity options available. In addition to dual headphone jacks, there"s a switchable video in/out port (for using the player"s screen as a monitor or playing DVDs on a larger TV, respectively); Sony includes the necessary composite AV breakout cable as well. Also on board is a digital audio output, for surround sound playback (when connected to an AV receiver). In addition to a standard AC adapter, Sony throws in a car charger--but the FX820 does not come with any mounting straps for mounting on a car seat.

The Sony DVP-FX820 delivered on the two most important aspects of a portable DVD player: picture quality and battery life. By doubling the resolution of last year"s player on the same size screen, the FX820 delivers a much more detailed image--and it"s all very noticeable, thanks to your close proximity to the screen. This was most apparent when we watched an action scene from Aeon Flux that took place in a garden. The fine detail of the grass and flowers was better than any screen we"ve recently tested. Battery life, meanwhile, was also impressive: the player hit Sony"s rated life of 6 hours right on the nose. That falls far short of the 9 hours we got from the competing Panasonic DVD-LS86, but it should still let you get in about three full movies per charge.

So what"s not to like? The Sony DVP-FX820 just doesn"t boast any other additional features. You can play back MP3 files and JPEG photos burned to discs (in addition to CDs and DVDs, of course), but that"s about it. There"s no compatibility with DivX or other digital video formats. Also absent is a USB port or flash card reader.

Of course, none of that is going to be a deal-breaker for anyone who"s just looking for a standard portable DVD player. The impressive screen, long battery life, and slick design makes for an overall winner, with the comparatively hefty 2.7-pound weight being the only notable drawback for most users. Widely available for $180, the Sony DVP-FX820 is well worth the premium over "bare-bones" portable DVD players from no-name competitors.

Sony Portable Dvd Player has been available at the following shops. For the best Sony Portable Dvd Player deals, price and stock refer to the list of products and prices above in Lowpi.

Lowpi will tell you where to find stock of Sony Portable Dvd Player in US and the curent price for each shop (MSRP manufacturer"s suggested retail price if available).

Sony"s been known to toss out some fairly glitzy portable DVD players in the past, and it"s keeping the tradition alive by cranking out the relatively sexy DVP-FX850. The clamshell player sports a "high-resolution" eight-inch widescreen LCD and 180-degree swivel, claims up to six hours of battery life, and plays nice with just about every flavor of DVD (yes, that includes the eight-centimeter variety) you can think of. Moreover, users will be happy to see DivX support tacked on, an AV input / output, twin headphone jacks, digital audio output, a 12-bit / 108MHz DAC, and a worldwide power supply. Notably, Sony also tossed in a USB port for loading up music and photos whilst on the go, and even includes a slim wireless remote for handling the controls from afar. Look for this kid-pleasing gizmo to land sometime next month (and hopefully in America).

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This article is about the electronic device. For the Microsoft Windows Software, see DVD Player (Windows). For the Apple software, see DVD Player (Mac OS).

A DVD player is a device that plays DVDs produced under both the DVD-Video and DVD-Audio technical standards, two different and incompatible standards. Some DVD players will also play audio CDs. DVD players are connected to a television to watch the DVD content, which could be a movie, a recorded TV show, or other content.

Some manufacturers originally announced that DVD players would be available as early as the middle of 1996. These predictions were too optimistic. Delivery was initially held up for "political" reasons of copy protection demanded by movie studios, but was later delayed by lack of movie titles. The first players appeared in Japan on November 1, 1996, followed by the United States on March 31, 1997, with distribution limited to only seven major cities for the first six months.

Fujitsu released the first DVD-ROM-equipped computer on November 6 in Great Britain. Toshiba released a DVD-ROM-equipped computer and a DVD-ROM drive in Japan in early 1997 (moved back from December which was moved back from November). DVD-ROM drives from Toshiba, Pioneer, Panasonic, Hitachi, and Sony began appearing in sample quantities as early as January 1997, but none were available before May. The first PC upgrade kits (a combination of DVD-ROM drive and hardware decoder card) became available from Creative Labs, Hi-Val, and Diamond Multimedia in April and May 1997. In 2014, every major PC manufacturer had models that include DVD-ROM drives.

The first DVD-Audio players were released in Japan by Pioneer in late 1999, but they did not play copy-protected discs. Matsushita (under the Panasonic and Technics labels) first released full-fledged players in July 2000 for $700 to $1,200. DVD-Audio players are now also made by Aiwa, Denon, JVC, Kenwood, Madrigal, Marantz, Nakamichi, Onkyo, Toshiba, Yamaha, and others. Sony released the first SACD players in May 1999 for $5,000. Pioneer"s first DVD-Audio players released in late 1999 also played SACD. SACD players are now also made by Accuphase, Aiwa, Denon, Kenwood, Marantz, Philips, Sharp, and others.

A DVD player has to be able to read a DVD in ISO – UDF version 1.02 format, and needs to read and obey the DVDs Regional lockout codes and display a warning if the player is not authorized to play the DVD.

Decode sound in MP2, PCM or AC-3 format and output (with optional AC-3 to stereo downmixing) on stereo connector, optical or electric digital connector

DVD players cannot play Blu-ray discs due to using different wavelength laser"s Blu-ray use a Blue Violet laser instead of a Red laser. However, Blu-ray players are typically backwards compatible, meaning they will play DVDs. Some are compatible with CD and other disc formats.

Additionally, most DVD players allow users to play audio CDs (CD-DA, MP3, etc.) and Video CDs (VCD). A few include a home cinema decoder (i.e. Dolby Digital, Digital Theater Systems (DTS)). Some newer devices also play videos in the MPEG-4 ASP video compression format (such as DivX) popular in the Internet.

Most hardware DVD players must be connected to a television; there are portable devices which have an attached LCD screen and stereo speakers. Portable DVD players are often used for long road trips and travel. They often have a plug for the 12 volt power jack in cars. Some models have two screens, so that two people in the back seat can both watch the movie. Other portable DVD players have a single screen that opens up like a laptop computer screen.

Output connectors of a DVD player (2016): The single HDMI connector on the left is employed to replace the older connection options for audio and video signals, which require at least two, depending on the use case even up to five, individual cable connections with RCA connectors (see middle section, colored). An exception was the technically outdated SCART type A/V connector most right.

Due to multiple audio (and video) output devices, there are many outputs on a DVD player, such as an RCA jack, component outputs, and an HDMI output. Consumers may become confused with how to connect a player to a TV or amplifier. Most systems include an optional digital audio connector for this task, which is then paired with a similar input on the amplifier. The physical connection is typically RCA connectors or TOSLINK, which transmits a S/PDIF stream carrying either uncompressed digital audio (PCM) or the original compressed audio data (Dolby Digital, DTS, MPEG audio) to be decoded by the audio equipment.

Video is another issue which continues to present most problems. Early generations of DVD players usually outputted analog video only, via both composite video on an RCA jack and S-Video. However, neither connector was intended to be used for progressive video, and most later players sold then gained another set of connectors, component video, which keeps the three components of the video, luminance and two color differentials, on fully separate wires. This video information is taken directly from the DVD itself. The three components compare well to S-Video, which uses two wires, uniting and degrading the two color signals, and composite, which uses only wire one, uniting and degrading all three signals.

The connectors are further confused by using a number of different physical connectors on different player models, RCA or BNC, as well as using VGA cables in a non-standard way (VGA is normally analog RGB—a different, incompatible form of component video). Even worse, there are often two sets of component outputs, one carrying interlaced video, and the other progressive, or an interlaced/progressive switch (either a physical switch or a menu setting).

In Europe (but not most other PAL areas), SCART connectors are generally used, which can carry composite and analog RGB interlaced video signals (RGB can be progressive, but not all DVD players and displays support this mode) or Y/C (S-Video), as well as analog two-channel sound and automatic 4:3 or 16:9 (widescreen) switching on a single convenient multi-wire cable. The analog RGB component signal offers video quality which is superior to S-Video and identical to YPbPr component video. However, analog RGB and S-Video signals can not be carried simultaneously, due to each using the same pins for different uses, and displays often must be manually configured as to the input signal, since no switching mode exists for S-Video. (A switching mode does exist to indicate whether composite or RGB is being used.) Some DVD players and set-top boxes offer YPbPr component video signals over the wires in the SCART connector intended for RGB, though this violates the official specification and manual configuration is again necessary. (Hypothetically, unlike RGB component, YPbPr component signals and S-Video Y/C signals could both be sent over the wire simultaneously, since they share the luminance (Y) component.)

HDMI is a digital connection for carrying high-definition video, similar to DVI. Along with video, HDMI also supports up to eight-channel digital audio. DVD players with connectors for high-definition video can upconvert the source to formats used for higher definition video (e.g., 720p, 1080i, 1080p, etc.), before outputting the signal. By no means, however, will the resulting signal be high-definition video; that is, aside from optional deinterlacing, upconverting generally consists of merely scaling the video"s dimensions to match that of higher resolution formats, foregoing the scaling that would normally occur in the output device.

Some DVD players include a USB video recorder. As well as such, there are also have DVD players with a USB port to be able to play digital media types as well as MP4, MP3, etc.

As of 2002patent holders of the DVD technology (Sony, Philips, Toshiba and Time Warner) as well as for MPEG-2 licenses.Enhanced Versatile Disc standard as an intended successor of DVD; as of 2004

Software DVD players are programs that allow users to view DVD videos on a computer with a DVD-ROM drive. Some examples are the VLC media player, 5KPlayer and MPlayer (all free software), as well as WinDVD, TotalMedia Theatre, PowerDVD and DVD Player.

Among others, there are variants & huge kinds of software DVD players as well as multimedia player software which has DVD video playback capability, whether its proprietary-type (as commercial software), freeware, shareware or just a free software are available in the market.

In the battle to succeed and to improve upon the role of the DVD player as the mainstream medium for stored audiovisual content on optical disc, there were two major contestants: the HD DVD player and the Blu-ray Disc player, utilizing two incompatible technologies that reproduced higher resolution video images and more complete audio information than was possible with DVD. On February 19, 2008, Toshiba, creator of the former technology, announced it would cease production on all HD DVD products, leaving Blu-ray as the high definition successor to DVD players.

As technology improved, various players were sold, some of which were also Blu-ray players, that could upscale and up-convert DVD content, increasing the overall perceived picture quality.

"Toshiba Science Museum : World"s First DVD Player". toshiba-mirai-kagakukan.jp. Retrieved March 26, 2022. In November 1996, Toshiba introduced the world"s first DVD player, the SD-3000, as a result of developments initiated in 1994.

"Flashback 1997: The First DVD Players Arrive". Sound & Vision. March 30, 2017. Retrieved March 26, 2022. Sony released its first commercial DVD player in the U.S., the model DVP-S7000

Most of the best 8K and 6K cameras are hybrid mirrorless systems that have seriously impressive specs for both video and photo. Once upon a time, cameras were either for video or for photography but these days many "stills" cameras can be used to shoot professional, high-quality video too!

Of course, thebest cinema cameras can still do things that regular hybrid mirrorless cameras can"t but it"s not all about the resolution - you need to think about design, handling, and versatility too. Take the Blackmagic Pocket Cinema Camera 6K G2 for example, it offers professional ^K raw and Apple ProRes capture plus it comes free with Davinci Resolve Studio 18 which we voted the No.1 video editing software - all for less than all but one camera on this list.

It will be a surprise to no one that the three stars of this particular guide are the Nikon Z9, Canon EOS R5(opens in new tab), and the Sony A1(opens in new tab). Neither is strictly speaking a cinema camera and both have well-documented issues (and responses) to the tricky topic of temperature control. But it"s a sign of the times that hybrid stills/video shooters like these are nipping at the heels of full-on cinema cameras and making some of them look a bit silly into the bargain.

But we have also included a couple of 8K 360 cameras. Is that cheating? After all, once you crop an 8K spherical view to a flat video, you"ve got a much lower resolution. But these cameras do have 8K capture systems (which counts, in our book), and 360VR capture is just as exciting technically.

It"s a sign of the times that hybrid stills/video shooters like the EOS R5 and Sony A1 are nipping at the heels of full-on cinema cameras and making some of them look a bit silly into the bargain.

But 8K capture does bring issues with overheating, processing power, and both storage and editing. 6K is a more practical proposition for many, yet still offers a substantial resolution increase over 4K.

4K video is broadly equivalent to 8 million pixels, whereas 6K is around 18 million pixels. It depends on whether you"re talking about 4K UHD, C4K, 5.9K vs 6K, etc, but it"s still roughly double the resolution.

What"s interesting here is that while the list of 6K cameras is still relatively short, that could change quickly. The latest Panasonic firmware updates(opens in new tab) bring 6K Blackmagic RAW output via a BM Video Assist recorder to the Lumix S5(opens in new tab) and S1(opens in new tab). If Panasonic can add 6K with a firmware update, it"s a sign that the leap from 4K to 6K capture might actually be a smaller step than we thought.

We also HAD to mention the Blackmagic URSA Mini Pro 12K(opens in new tab). This doesn"t instantly make it the best cinema camera to get, for various reasons, but if you"re buying into 8K purely for the numbers, then Blackmagic might just have pulled out the rug from under you.

Nikon might"ve been late to the game in launching its professional, top-spec mirrorless but the Nikon Z9 was definitely worth the wait. It"s an absolute beast of a camera when it comes to video, knocking the Canon EOS R3(opens in new tab) out of the park. It"s capable of recording in 8K 30p 10-bit Apple ProRes 4:2:2 HQ or 8K 60p 12-bit ProRes RAW HQ (although not until 2022) and has an enormous record limit of 2 hours.

Nikon removed the mechanical shutter completely which means the Z9 is capable of 120fps continuous shooting and has a max shutter speed of 1/32,000 which makes it perfect for sport and bird photography. The Z9 is powered by Deep Learning AF(opens in new tab) which makes the camera capable of nine kinds of recognition: human eyes, faces, heads and upper bodied; animal eyes, heads, and bodies; and cars, planes, trains, and motorbikes.

It has the same 493 AF points as the Nikon Z7 II which seems impressive until you find out that the Canon EOS R3 has a whopping 4,779 AF points. The Z9 comes in quite a bit cheaper than both the Sony A1 and the Canon EOS R3 and it"s packed with advanced features. Admittedly, the Z9 is still on pre-order otherwise, it would probably take the number one spot. As you can"t actually get your hands on it right now, we"ve popped it in at a solid second place.

If you have an obscene amount of money to spend on a camera, you can"t really beat the Sony A1. There is nothing it can"t shoot may it be sports, fine details, portraits, landscapes, or video. Thanks to its insane 30fps continuous shooting, its 50.1-megapixel resolution, 8K recording, and its fully weather-sealed make it an absolute powerhouse of a camera. Perhaps the only downside is the fact it doesn"t have a fully articulated screen.

While the Sony A1 is probably one of the fastest and most powerful cameras you can buy, it comes with a pretty weighty price tag. It costs almost twice the amount of the Sony A9 II and it"s even more expensive than Fujifilm"s phenomenal GFX 100S. It does have a tendency to top out at 15-20fps which while is still pretty fast, it"s not exactly what the spec sheet says. Also, it"s worth noting that you need to update the firmware to 1.10 in order for its in-body stabilization to work as intended. Despite those two little niggles, it"s an absolute beast of a camera and a joy to shoot with.

It has attracted some attention for the wrong reasons, notably overheating (or the threat of it) when recording 8K video, but this shouldn"t detract from this camera"s extraordinary capabilities, and a subsequent firmware update has extended its 8K recording times. It"s not perfect at everything, but given its resolution, its frame rate, and its video capabilities combined, this is genuinely a landmark camera. What"s more – and this might sound a little strange – it"s taken the arrival of the much more expensive Sony A1 to realize just how good the Canon EOS R5 actually is.

Technically overwhelming, physically underwhelming – that’s how the A7R V feels. The camera body feels too small – or not tall enough in the body – for the big pro lenses you’ll be using with it, and the controls follow a generic layout rather than being adapted to this camera’s strengths. You can customize the buttons endlessly to suit the way you work, but that takes time and also a good memory for which button you’ve customized to do what.

Technically, the A7R V is stunning. With 61 megapixels paired with new AI subject recognition AF is remarkable, both for its rapid identification and acquisition and its very sticky ‘tracking’. The image quality is every bit as good as that of the A7R IV before it (Sony says it’s better), and the bigger buffer makes the A7R V much more effective for prolonged burst shooting.

We haven"t reviewed this camera so we can"t tell you too much about it aside from the maker"s own specifications. It follows the same "box cam" design we"ve seen in the Panasonic Lumix BGH1, and this is good in that it"s a modular design that can be adapted to all sorts of filming situations, but on the downside, this is not a complete, ready-to-go camera because it needs rigging up with accessories, including an external monitor, first.

It uses a full-frame 61MP CMOS sensor (which sounds like the one used in the Sony A7R IV(opens in new tab) and Sigma fp L(opens in new tab), maybe) and Z Cam claims the camera"s heat dissipation system allows for unlimited recording times up to the capacity of the memory card. Storage is via a single CFast 2.0 card(opens in new tab) slot, a format not used on stills and hybrid cameras, but still found on pro video gear.

The QooCam 8K is the best 360 camera right now for image quality. A massive (by 360 standards) 1/1.7-inch CMOS sensor, 10-bit color, and, of course, that 8K resolution make sure of that. When it comes to the quality of its photos and videos, the QooCam 8K is peerless in the 360º market. Photos have plenty of colors and contrast like nothing we’ve seen before from a camera like this. The ability to spit out a great-looking photo from a 360º video is welcome, while the detail, sharpness, and smoothness of video – whether in 360º or cut down to widescreen – itself makes the QooCam 8K a giant leap forward for creative filmmakers. It does have an audible fan, however, the battery life isn"t great and it"s not waterproof without a housing. It was also pretty expensive.

We haven"t reviewed the Insta360 Pro II because it"s a specialized device that"s outside our regular territory, but we are familiar with Insta360"s consumer 360 devices like the Insta360 One R(opens in new tab) and One X2(opens in new tab), and the Pro II extends this 360 3D VR expertise into the professional territory, with no fewer than six 200-degree fisheye/camera units, four mics for 360 audio, a Farsight remote control system and built-in GPS.

It"s a big old beast compared to Insta360"s pocket-sized consumer cameras, but packs in way more power, including the ability to stream 360 3D VR 4K video live to YouTube, for example, while still recording 8K internally. The size, shape, and weight make this more of a tool for commercial projects than random vlogging, and while it can stitch 4K 360 video internally, you need to stitch 8K 360 in software later.

If you really must have the bragging rights that come with owning the highest-resolution video camera on the market, then the Blackmagic Ursa Mini Pro 12K is it. With a 79.6-megapixel CMOS sensor, it shoots 12K Blackmagic Raw files which give stunning quality with 14 stops of dynamic range and very filmic colors. Reduce it to a more reasonable 8K and 4K, and not only is the quality incredible, but you can shoot at fast frame rates that no other cameras can.

But a camera is more than just its headline resolution and the Ursa Mini Pro 12K is based on the original Ursa Mini Pro launched almost four years ago and is starting to show its age. For example, it has a Super35mm sensor, no IBIS, no codecs other than Raw, no continuous autofocus at all, and certainly no phase-detection AF. It’s really a camera for experienced cinematographers shooting narrative dramas such as feature films and VFX specialists rather than all-rounders.

For serious video shooters, the Panasonic Lumix BSH1 boxcam can make a lot of sense as it can be rigged up for a multitude of different uses. It has a 24.2-megapixel full-frame sensor with Dual Native ISO technology, 14+ stops of dynamic range, and an OLPH (Optical Low Pass Filter) which helps to suppress moire and false colors and make it excellent in low light. It"s capable of recording 6K 24p or 4K 60p 10 bit when using an image area equivalent to Super 35mm. If you"re using the entire 35mm sensor area, it can shoot 4K 30p 10-bit 4.2.2 in H.264.

With live streaming growing increasingly popular, the BS1H is capable of transmitting high-quality footage to social streaming platforms over a wired LAN collection. It can stream 4K 60p video in H.265 which means the bit rate is halved and the image quality is kept the same. The lack of a screen may be off-putting but its modular system means you can easily attach an external recorder such as the Atmos Ninja V which will also make it capable of outputting 12-bit raw video.

The new Blackmagic Pocket Cinema Camera 6K G2 is cheaper still, but we think it"s worth paying the extra (and it"s not much) for the Blackmagic Pocket Cinema Camera 6K Pro. It"s an evolution of the original 6K model which adds features missing from the first, including in-built ND filters.

With the Lumix S1H, Panasonic has used its considerable video experience to bring many of its high-end VariCam features to the Lumix S range. The controls, the interface, and certainly the hardware has been built for video and cinematography, and the fact it’s also a very serviceable 24MP stills camera is a bonus.

It’s a truly compelling ‘bridge’ between conventional system cameras and higher-end cine gear, especially for existing Panasonic videographers. It"s designed like a stills camera rather than a cine camera, though, so the handling is compromised in that respect, but its specifications, performance, and dedicated video-centric UI make this a strong challenger to more conventional cine camera designs.

We test cameras both in real-world shooting scenarios and in carefully controlled lab conditions. Our lab tests measure resolution, dynamic range, and signal-to-noise ratio. Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise analysis across the camera"s ISO range. We use both real-world testing and lab results to inform our comments in buying guides.

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Market forces made us endure screens interrupted with various sorts of notches and cutouts for a considerable time, but that’s all about to end soon. In the last few years, we have seen the Android community evolve from hating notches to being indifferent towards them. But living with the new wave of bezel-less, full-view display phones has convinced us that the world is better off without notches and it’s imperative that natural order be restored to our phone screens. (हिंदी में पढ़िए)

For now, most of the true full-view and notch-less display phones use Pop-up cameras or sliders, but a few tech giants including Samsung, Oppo, and Xiaomi have already demonstrated prototypes or released phones that place the front camera behind the screen.

Samsung Galaxy Z Fold 4 5G comes with an improved under-display camera (UDC) which was first introduced in 2021. The main screen of this foldable phone is a 7.6-inch Dynamic AMOLED 2X panel with a 22.5:18 aspect ratio, QXGA+ (2208 x 1768) resolution, 120Hz refresh rate, and 374ppi. Thanks to that UDC, you get an 90.9% screen-to-body ratio.

In our review of the device, we found the UDC to be discreet most of the time and is only evident in certain colored backgrounds and when you view it from an off-axis. However, it is definitely an engineering marvel and cool from a visual standpoint. Also, on the front, there is a 6.2-inch 120Hz FHD+ cover screen with a narrow aspect ratio.

Rest, the device runs on a Snapdragon 8+ gen 1 chipset, 12GB LPDDR5 RAM, 256/512GB UFS 3.1 storage, 4400mAh with 25W fast charging, and a penta-camera setup.

Xiaomi’s Mi Mix 4 is yet another under-screen camera phone. It calls its implementation CUP (Camera Under Panel), but the mechanism is pretty much the same as the other under-display selfie cameras out there. Above its 20MP selfie camera lies 400ppi pixels of the screen. This display stretches 6.67 inches and sports 120Hz refresh rate.

It ships with Snapdragon 888+ processor, 8GB/12GB RAM, 128GB/512GB storage, 4,500mAh battery and has 120W wired charging, 108MP camera, and Harman/Kardon speakers.

Asus Zenfone 8 Flip has a 6.67-inch (2400 × 1080 pixels) Full HD+ E4 AMOLED HDR10+ display with 90Hz refresh rate, 200Hz touch sampling rate, 110% DCI-P3 color coverage, up to 1000 nits brightness, and Corning Gorilla Glass 6 protection. This full screen fascia is possible thanks to a flip camera module.

Legion Duel 2 is a gaming smartphone from Lenovo that’s envisioned to be used in landscape orientation primarily. The screen is a 6.92-inch Full HD+ AMOLED panel with 144Hz refresh rate, 1300 nits peak brightness, 111.1% DCI-P3 color gamut support, and 20.5:9 aspect ratio.

The front camera is present within a pop-up camera that raises from the right-hand edge of the phone. The logic is to allow players to stream their gameplay while playing in the horizontal orientation.

OnePlus was one of the first few Android OEMs to usher in a notch, and it’s also one of the first in the premium segment to get rid with OnePlus 7 Pro (review). It further continued the trend with OnePlus 7T Pro which comes with a gorgeous true full-view display with extremely narrow bezels.

The 90Hz refresh rate makes it super smooth, the resolution goes all the way up to 2K, and, there are those slick curves at the edges. The phone is powered by Snapdragon 855 octa-core chipset paired with high-quality UFS 3.1 storage and LPDDR4X RAM. On the downside, the 7 Pro is big and bulky, is missing the audio jack, and has a mediocre set of cameras.

The elevating module opens like a fin and also makes room for the earpiece and LED flash. Anyway, the result is an immersive full-view AMOLED display that extends edge to edge. The Reno 10X Zoom has flagship-grade specs, including the Snapdragon 855, but all the tech housed within makes it a tad thick and heavy.

The Galaxy A80 is the only phone from Samsung with an AMOLED screen that extends edge to edge. Yes, even the high-end S-series and Note-series flagships rely on cutouts or punch holes to accommodate the front camera.

The Galaxy A80 implements the bezel-less, full-view screen using an elevating and swivel camera system. Thus the triple rear cameras also double as front selfie shooters. Perhaps this unnecessarily complicated design can be held responsible for disproportionately inflating the price. So, if you really consider an immersive full-view AMOLED screen from Samsung a top priority, you may consider the Snapdragon 730-powered Galaxy A80.

The 6Z (globally known as the Zenfone 6) is one of the most impressive phones we have seen from Asus in India. The 6Z (review) has a gorgeous and well-calibrated IPS LCD display that covers the entire facia. The selfie camera is housed in a flip module and this glass body phone houses a massive 5000mAh battery while being reasonably manageable.

The 6.4-inch screen has Full HD resolution which is quite sharp considering this is an IPS LCD and not AMOLED screen. This competitively priced Snapdragon 855-powered phone also has stereo speakers, 48MP primary camera, and runs an extremely close-to-stock version of Zen UI.

Xiaomi’s Redmi K20 Pro (review) brandishes an impressive set of specs that you’d otherwise find on phones priced significantly higher. With the K20 Pro, Xiaomi pays due attention to design and the phone gets a full-view AMOLED display (6.4-inch, full HD+) with an in-display fingerprint sensor lying underneath.

As is the case with most other Xiaomi phones, the K20 Pro is a great value proposition. Key features include triple rear cameras, 4000mAh battery with fast charging support, and MIUI 10 interface with fewer ads.

Oppo Reno, which is a trimmed-down version of the Oppo Reno 10X Zoom, has the same design with shark-fin pop-up and is also slimmer and significantly lighter. The handset has a 6.4-inch AMOLED display (Full HD) with around 87% screen-to-body ratio that targets DCI-P3 color gamut and is shielded by Gorilla Glass variant.

This one is missing 10X lossless zoom and Snapdragon 855, but the 48MP primary rear camera and SD 710 chipset should still be a good deal for light and moderate user.

Motorola One Fusion Plus rocks a 6.5-inch full HD+ notch-less TFT-LCD screen. It’s pop-up camera houses a 16MP sensor. Pivot and by the back you get a 64MP quartet.

The phone is powered by Snapdragon 730G with 6GB RAM, 128GB storage, and a 5000mAh battery. There is support for 15W fast charging. There is Vanilla Stock Android software too in the mix.

The Realme X (review) is a very competent phone that includes trendy features like a full-view AMOLED screen with minimal bezels on three sides, in-display fingerprint sensor, and pop-up camera – all for a sub Rs. 20,000 price.

The handset also comes in catchy onion and garlic gradients that look extremely premium. Other highlights include VOOC 3.0 fast charging, 48MP rear camera, and Snapdragon 710 chipset.

Redmi K20 passes on most of what’s good with the Redmi K20 Pro at a lower price point. The handset has the same design as the Pro variant and the same immersive full-view AMOLED display.

The Redmi K20 is however driven by Snapdragon 730 and replaces the Sony 48MP sensor with a Samsung sensor of the same resolution. Other features include in-display fingerprint reader, Pop-up camera, and 4000mAh battery with fast charging.

The Vivo 15 Pro has been around for a while, but it’s still a relevant option, especially at the new price. Both the V15 Pro and V15 employ a pop-up front camera and have a full-view display. The Pro variant, however, benefits from a better AMOLED screen and is powered by Snapdragon 675.

The Oppo K3 is almost the same as Realme X, save for a few differences. The primary rear camera has a lower resolution 16MP sensor and the base variant gets relatively more RAM (6GB).

The Oppo K3 has a near bezel-less and uninterrupted AMOLED screen that measures 6.5-inch diagonally. The handset houses a 3765mAh battery with VOOC 3.0 fast charging support and runs Android Pie based Color OS.

Huawei Y9 Prime is the first Huawei phone in India to deliver a full-view screen. The IPS LCD display on the phone measures 6.59-inch and is full HD sharp.

The handset is powered by Kirin 710 octa-core chipset paired with 4GB RAM and 128GB storage. Other features include triple rear cameras, 4000mAh battery, and Android Pie based EMUI 10 software.

Samsung has developed one of the best full-view display devices globally. One such example of the same is the Samsung Galaxy Note 20 Ultra. The smartphone has a 6.9-inch dynamic AMOLED display complemented with a 120HZ refresh rate. The device has 12GB RAM and 256GB internal storage that can be expanded up to 1TB via a microSD card. It is powered by Samsung’s own Exynos 9 series processor.

On the camera front, the smartphone has a triple rear camera setup consisting of a 108MP primary shooter and two 12MP shooters. On the front, it gets a 10MP sensor for the sake of selfies and video calls. The device packs a 4500mAh battery along with fast charging as well as wireless charging support.

iQOO took the whole market by storm with the launch of the iQOO 9 Pro 5G. The smartphone stands as a strong competitor of devices like the OnePlus 9 Pro in the market. It comes with a 6.78-inch AMOLED display that also has a 120Hz refresh rate to offer a smoother experience. The smartphone runs on the Qualcomm Snapdragon 8 Gen 1 processor paired with 12GB RAM and 256GB internal storage in the high-end variant of the device.

For photography, the iQOO 9 Pro sports a triple rear camera setup including a 50MP primary shooter, 50MP ultra wide-angle shooter, and a 16MP tertiary shooter. The 16MP front sensor of the device makes sure that you get the best results while clicking selfies. The handset has a 4700mAh battery that also supports 120W fast charging. The charging tech of the device claims to fully fuel it up in less than 20 minutes.

The Xiaomi 12 Pro could be hailed as one of the best devices launched by the company so far. The smartphone has a 6.73-inch AMOLED display with a 120Hz refresh rate The smartphone works on the Qualcomm Snapdragon 8 Gen 1 processor for high-speed performance, It also has 8GB RAM and 256GB internal storage to store all your data.

The flagship devices by Vivo have always amazed the users in terms of camera prowess, performance, and display capabilities. Vivo X70 Pro follows the same trend with its 6.56-inch AMOLED display coupled with a 120Hz refresh rate. Though we will say that the smartphone lags behind in terms of the processor as it has a MediaTek Dimensity 1200 processor. Apart from that, it has 8GB RAM and 128GB internal storage that cannot be expanded.

The smartphone rocks a quad rear camera setup consisting of a 50MP primary sensor, two 12MP sensors, and an 8MP sensor for delivering the best shots in both daylight and low light. On the front, the device has a 32MP front camera for clicking selfies and attending video calls. The handset is powered by a 4450mAh battery that comes with flash charging support.

The OnePlus 10 series failed to make an impact like the OnePlus 9 series due to the changes and experiments. Still, the OnePlus 10 Pro was something which the audience loved because of the specs. The device works on the Qualcomm Snapdragon 8 Gen 1 processor with 12GB RAM and 256GB internal storage. The smartphone comes equipped with a Fluid AMOLED display and 120Hz refresh rate.

Furthermore, it flaunts a triple rear camera setup including a 48MP primary snapper, 50MP ultra wide-angle snapper, and an 8MP tertiary snapper. The smartphone has a 32MP camera at the front and it offers decent selfie shots along with allowing the user to attend video calls in HD. The device has a highly durable 5000mAh battery along with 80W superfast charging that completely charges the smartphone in less than 30 minutes.

The Samsung Galaxy S21 FE packs a compact 6.4-inch Dynamic AMOLED display along with a 120Hz refresh rate. The device runs on the Samsung Exynos 2100 processor accompanied by 8GB RAM and 128GB internal storage that is non-expandable in nature. The smartphone operates on the Android 12 operating system offering the user a snappy interface without lots of bloatware.

The Samsung Galaxy S21 FE features a triple rear camera setup consisting of a 12MP primary shooter, a 12MP secondary shooter, and an 8MP tertiary shooter. On the front, it has a 32MP camera for the sake for selfies and video calls. A 4500mAh battery powered the handset and it also comes with fast charging support.