optical viewfinder for 3.2 lcd displays made in china

The Z-Finder Pro 2.5x for 3.2” screens is an optical viewfinder that allows DSLR cameras to have the correct form factor for video. This Z-finder will magnify the LCD screen by 2.5x and has a diopter for specific focus tuning. It cuts out any extraneous light and offers an initial point of stability by pressing your eye against our comfy, large eyecup. The Z-finder Pro 2.5x for 3.2” screens comes with a 40mm diameter Zacuto optical designed lens, anti-fog coated protective and a mounting system designed for 3.2” LCD screens. The diopter allows you to dial in the focus to match your eye. If you need extra focal points you can use the included Z-Finder Extender Frames. These are semi-permanent stackable frames that attach to the body of the Z-Finder Pro and extend the Z-Finder glass further away from the LCD screen for people who are farsighted.

The 2.5x magnification is recommended in particular for users who are and may have problems seeing long distances. The Z-Finder Pro 2.5x for 3.2” screens has a diopter range of -4.75 and up (unlimited with extender frames). This is the model we use with our electronic viewfinder packages.

The Z-Finder Pro attaches to your camera with the included Gorilla Plate V2 and Z-Finder 3.2" Mounting Frame for Small DSLR Bodies.  The Gorilla Plate V2 attaches to the bottom of your camera using a ¼ 20” screw and has ¼ 20” screw holes underneath to attach a tripod plate. The metal Z-Finder Mounting Frame attaches to the Gorilla Baseplate using the provided red thumb screws. The Z-finder itself pops on and off the Z-finder Mounting frame. No magnets or glue are used. The metal Z-Finder Mounting Frame is backed with rubber to prevent scratching or slippage. If you want to remove the entire mounting frame from your camera, you can do so by loosening the thumb screws and pulling up on the metal mounting frame to release.

1. All Z-finder bodies are the same size and can fit on any of our frames. The Z-Finder Pro 2.5x for 3.2” screens comes standard with a 3.2” Z-Finder Mounting Frame for Small DSLR Bodies.  Any other frames need to be purchased in addition to the Z-Finder.

2. The tapped holes on the bottom of the Gorilla Plate V2 are offset from the center of the lens for use with some of our equipment. This is only a concern if you are using the Gorilla plate with other rigs that do not have to side movement and need the matte box in line with the lens/mounting screw hole. To compensate for this issue, you can either use an adhesive mounting frame to attach the Z-finder or add a Gorilla Plate Adapter to your plate. Our Gorilla Plate Adapter centers the tripod holes on the bottom of the gorilla plate. Please note that this adapter does come with a longer 1/4 20" screw that will replace the smaller 1/4 20" screw that comes with the Gorilla Plate. You will need to take your screw out and use the longer one provided with the adapter to attach your camera to the plate.

3. In order for the Gorilla Plate and mounting frame to correctly align with the LCD the plate needs to be directly underneath your camera. This means it cannot be used in combination with L brackets like Really Right Stuff or contour plates like Arca Swiss. You can use an adhesive frame on your camera with our Z-finder and continue using your camera specific plates as usual.

WARNING The Z-finder is a magnifier and as such will magnify the sun and could damage the LCD screen if the sun is allowed to shine directly through the Z-finder lens. This is not a defect but a physical property. Caution should be taken to avoid direct . Proper use of the included lens cap and sun mask will dramatically reduce but not eliminate risk.

HoodLoupe is worn around your neck.  To review images, glare-free, place HoodLoupe over your  (up to 3.2 inch) LCD.  The +- 3 diopter adjustment accommodates those with less than perfect vision; turn the eyepiece in or out to set for your vision.  Precise glass optics give you a bright, clear and non-pixelated image to view.

HoodLoupe is our bestselling product each year. In the past 11 years, we have enabled over 200,000 great photographers to view their images glare-free out in the field. Checking composition, focus and your histogram outdoors is easy with a HoodLoupe. HoodLoupe is worn around your neck. To review images, glare-free, place HoodLoupe over your (up to 3.2 inch) LCD. HoodLoupe"s + 3 diopter adjustment accommodates those with less than perfect vision; turn the eyepiece in or out to set for your vision. Precise glass optics give you a bright, clear and non-pixelated image to view.

The new 3 lens optical module accepts multiple mounting bases. Should our LCD size change, you just need to buy the HoodLoupe base that fits your new LCD. To save space, the optical module separates from the base which will nest over the optical module and fit snuggly in its carry bag. HoodLoupe integrates with all HoodLoupe live view mounting plates for hands-free use. The neck lanyard provided can be upgraded to a Link retractable lanyard that clips to your belt.

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The Z-Finder Pro 2.5x for 3.2" Screens from Zacuto is an optical viewfinder that videographers may find necessary for shooting sharp, stable video on DSLR cameras like the Canon 5D MkIII, Nikon D800, or others with the same size LCD display.

Whether shooting handheld or on a tripod, the Z-Finder Pro turns your camera"s 3.2" LCD screen into a clear, easy-to-focus viewfinder that lets you see your image in magnified detail, even under the brightest sunlight. Just as crucially, the Z-Finder Pro provides an extra degree of handling comfort and a crucial point of contact--between camera and eye--that adds stability to any handheld video.

The Pro 2.5x version offers an adjustable diopter for near or far sighted users, and the LCD image is enlarged by a factor of 2.5x, so you can see every detail for pinpoint focus. The diopter"s extended range of -4.75 and up makes it especially useful for those who are nearsighted. The Z-Finder attaches to your camera via the included Gorilla Baseplate and mounting frame, which mount to the bottom of your camera using a standard 1/4"-20 screw. A non-stick rubber backing ensures a tight fit and prevents scratching of the LCD screen, so that the entire Z-Finder snaps off easily when not in use. Once detached, the unit can hang conveniently around your neck from the included lanyard.

LCDVF 3C is the missing link of the hybrid “photovideography” era. It is an essential accessory that enables today’s photographers to take advantage of the video features of the new generation DSLR cameras. It’s like viewing a 42″ screen from 140cm.

In the heart of the LCDVF is an achromatic lens pair that consist of two optical components vacuum-cemented together to form an achromatic doublet which is computer optimised to correct for on-axis spherical and chromatic aberrations.

The viewfinder has a magnetic mounting interface which allows rapid mounting and demounting without any wear and tear. There are 4 small magnets embedded in the plastic skirt of the LCDVF 3C which will not damage your camera.

Flat-panel displays are thin panels of glass or plastic used for electronically displaying text, images, or video. Liquid crystal displays (LCD), OLED (organic light emitting diode) and microLED displays are not quite the same; since LCD uses a liquid crystal that reacts to an electric current blocking light or allowing it to pass through the panel, whereas OLED/microLED displays consist of electroluminescent organic/inorganic materials that generate light when a current is passed through the material. LCD, OLED and microLED displays are driven using LTPS, IGZO, LTPO, and A-Si TFT transistor technologies as their backplane using ITO to supply current to the transistors and in turn to the liquid crystal or electroluminescent material. Segment and passive OLED and LCD displays do not use a backplane but use indium tin oxide (ITO), a transparent conductive material, to pass current to the electroluminescent material or liquid crystal. In LCDs, there is an even layer of liquid crystal throughout the panel whereas an OLED display has the electroluminescent material only where it is meant to light up. OLEDs, LCDs and microLEDs can be made flexible and transparent, but LCDs require a backlight because they cannot emit light on their own like OLEDs and microLEDs.

Liquid-crystal display (or LCD) is a thin, flat panel used for electronically displaying information such as text, images, and moving pictures. They are usually made of glass but they can also be made out of plastic. Some manufacturers make transparent LCD panels and special sequential color segment LCDs that have higher than usual refresh rates and an RGB backlight. The backlight is synchronized with the display so that the colors will show up as needed. The list of LCD manufacturers:

Organic light emitting diode (or OLED displays) is a thin, flat panel made of glass or plastic used for electronically displaying information such as text, images, and moving pictures. OLED panels can also take the shape of a light panel, where red, green and blue light emitting materials are stacked to create a white light panel. OLED displays can also be made transparent and/or flexible and these transparent panels are available on the market and are widely used in smartphones with under-display optical fingerprint sensors. LCD and OLED displays are available in different shapes, the most prominent of which is a circular display, which is used in smartwatches. The list of OLED display manufacturers:

MicroLED displays is an emerging flat-panel display technology consisting of arrays of microscopic LEDs forming the individual pixel elements. Like OLED, microLED offers infinite contrast ratio, but unlike OLED, microLED is immune to screen burn-in, and consumes less power while having higher light output, as it uses LEDs instead of organic electroluminescent materials, The list of MicroLED display manufacturers:

Sony produces and sells commercial MicroLED displays called CLEDIS (Crystal-LED Integrated Displays, also called Canvas-LED) in small quantities.video walls.

LCDs are made in a glass substrate. For OLED, the substrate can also be plastic. The size of the substrates are specified in generations, with each generation using a larger substrate. For example, a 4th generation substrate is larger in size than a 3rd generation substrate. A larger substrate allows for more panels to be cut from a single substrate, or for larger panels to be made, akin to increasing wafer sizes in the semiconductor industry.

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It features a 47 megapixel full-frame (24x36mm) CMOS sensor with no optical low pass filter, the latest Leica Maestro III series processor, 4K/60p video recording, a class-leading electronic viewfinder with a resolution of 5.76 megapixels, and a 3.2-inch LCD screen with 2.1 megapixels and touchscreen control.

Though the SL2 is directly based on the original SL camera from back in 2015, the SL2 and the Q2 do have some equally obvious similarities – not least a 47 megapixel resolution from a full frame sensor that, when coupled with some high quality Leica ‘glass’ – we had a 24-90mm lens in use, suitable for delivering some lovely de-focused background effects – produces images that are almost too sharp.

It has to be said that, while Leica may have tried to update this camera while keeping the weight down, it’s not the most portable option ever. In fact, used in tandem with the aforementioned zoom, the SL2 feels like it weighs a ton – it’s been fashioned from two solid pieces of aluminium with a central magnesium alloy portion sandwiched in its midst – so we were thankful for the padded strap that also came with our sample.

While the rock-solid build quality may reassure someone prepared to spend more buying a body-only Leica SL2 than a vintage Moog Model D synthesizer, it’s probably not the ideal travel camera for lugging around for an entire day on a city break – even if you were to return with some cracking photos as a result.

Landscape photographers, who will be able to take some of the weight off (officially 835g without battery – considerably more with lens and battery) by placing it on a tripod, or portrait photographers, shooting for fixed time sessions, may therefore get the most out of it.

That’s if, to play devil’s advocate for a moment, at this price they’re not otherwise tempted by a mirrorless medium format camera like the Hasselblad X1D II 50C released earlier this year (a suggested £4,500 in the UK, whereas the Leica SL2 is a wallet destroying £5,300).

Given the heft of this camera, it’s perhaps not surprising that Leica has been pushing the fact that, this time around, we get a slightly/subtly remodeled and, the suggestion is, more comfortable handgrip thanks to it being coated in ‘elastomer’ material.

While it isn’t moulded to our fingers like the grip on a DSLR might be, thereby making it easier to balance out the weight if we’ve a big lens on the front, on the SL2 it’s certainly big enough to wrap our full four fingers around, while the thumb automatically brushes up against the control dial – or as Leica refers to it, ‘click wheel’ – peeking out at the back. It’s not as comfortable as operating a DSLR with a comparable lens might be, however.

Nevertheless, its manufacturer is suggesting improved ergonomics on the SL2, and, as part of this, we get a simplified three button layout to the left of the LCD on backplate – preferable to the thin unmarked strips that stood for controls on the even more minimalist original SL.

At least here, then, we’re not always prodding around in the dark trying to find the functionality we crave, though a dedicated delete button and a ‘back’ button to jump back to prior settings on occasion may have improved the overall user-friendliness. All this being said, the SL2 does provide the accessibility of a touch screen – so, when in doubt, a tap of the LCD is another operational option.

The fact that the SL2 features a large postage stamp sized top plate status display window – just like on a pro level DSLR – is a real plus in operation. It’s really helpful in not being distracted by having to otherwise refer back to the larger screen at the rear of the camera, and thus take your eye off your subject for even longer.

The rest of the Leica SL2’s top plate is fairly conventional – with a familiarly raised viewfinder-housing mid section also finding space for a vacant hot shoe, as well as integral stereo microphones positioned just in front.

We addtionally get a bottle top style control wheel and a springy shutter release button located on the forward slope of its handgrip, where it automatically falls under the forefinger.

Located just behind the mode wheel are two unmarked function buttons – presumably giving them markings would have interrupted the minimalist appearance of the top plate. The left one here was set to call up on-screen information, such as a live histogram and sound bar indicators, on our review sample, while the right button was set to call up ISO options.

The back of the camera, while featuring three marked buttons for ‘Play’, ‘Menu’ and ‘Fn’ (function) is otherwise clean looking. Rather than placing it on the top plate, as with most cameras, here the main on/off button is located out of harm’s way at the top left of the backplate, where, presumably, there is less chance of it being accidentally activated by a stray finger or thumb. While your right hand encircles the handgrip on this camera, your left naturally moves forward to support the lens.

The Leica SL2’s large and clear 3.2-inch back-lit LCD screen sits slightly off centre to the left, with a bezel design that causes it to stand slightly proud of the camera’s surface and suggest, to the untrained eye, that it might tilt or be adjustable in some way.

But no, the LCD here is resolutely fixed and conventional in that sense. While this monitor can be used for composing and of course reviewing images, we more naturally found ourselves using the electronic viewfinder ranged directly above it.

There are a further two unmarked function buttons on the camera back. One is a function button for switching our viewing between 2.1 million dot resolution LCD and whopping 5.76 million dot EVF, while the other is more of a toggle lever or mini joystick, which can be used for navigating and selecting on-screen menu settings, or jumping from one captured image to the next.

Switch the camera on and you’ll find the Leica SL2 is as responsive as any DSLR, with either the rear screen or the eye level viewfinder quikcly bursting into life, dependent on how you’ve got the camera set up. We were shooting JPEG in tandem with Leica’s Raw equivalent DNG files.

With the camera shooting such whopping file sizes for both stills and video – a 30 second video clip at 4K at 60fps, or in cropped 5K mode, is around 640MB for example – you’ll want to not only load a high capacity card, but also one with a fast read/write speed so it can keep up. We were using aClass 10 300MB/s SanDisk Extreme Pro card, just out of interest, which avoided any camera freezes or operational error messages.

In operation, we also liked the fact that the electronic viewfinder, here with diopter adjustment markings, juts out sufficiently proud of the body with a rubber cushioned eye relief to avoid our nose scrunching up against the rear LCD screen. With the camera held to our right eye it just misses it, though doesn"t quite clear the left hand edge of the camera.

HDMI output and a USB port are well hidden under moulded rubber flaps at the left hand side on the SL2 camera itself. There are further ports for plugging in an external microphone and also a port for a headset to monitor sound with, although the internal microphones should be sufficient for most non-professional usage.

Battery life via the chunky lithium ion rechargeable pack secreted away at the camera base is good for 370 shots, according to CIPA standard, which, while much less than a professional DSLR you could otherwise buy for this outlay, is fairly average for a mirrorless camera. Re-charging time from spent to fully charged is quoted as 140 minutes.

The price and the build here had our expectations (and imaginations) raised, but we were able to achieve images with this camera, even handheld in low light with the aid of the self timer to avoid contributing camera shake, the likes of which we have rarely witnessed before.

Shooting autumnal scenes on standard settings provided plenty of opportunity to test for natural colours and sharpness, and here too the SL2 didn’t disappoint. Detail is razor-sharp and it really is like you are viewing the world in high definition, closer than ever to what the human eye can deliver for us.

If you’re looking for a camera and lens line up that puts quality above all else, then, provided you’re prepared to put hand in pocket, then you can’t go far wrong with the Leica SL2.

The Leica SL2 enables users to capture RAW and JPEG format files. We"ve provided some Leica RAW (DNG) samples for you to download (thumbnail images shown below are not 100% representative).

The adage that ‘you get what you pay for’ is an old one, but the Leica SL2 had even old cynics like ourselves pleasantly surprised during the week we were able to have a play with it.

Yes £5,300 for the body before you even start adding lenses makes this something of a rich man’s – or at least a professional’s – plaything, but if you are lucky enough to have that sort of cash to invest in your hobby, then we suggest the Leica SL2 won’t find you disappointed. It’ll certainly keep you happy for another five years until, all being well, an SL3 is inevitably debuted.

The Leica M10-P is a stealthier, quieter version of the existing M10 digital rangefinder camera, offering a 24 megapixel full-frame sensor, Maestro II Processor, touchscreen control, optical viewfinder, built-in spirit level and 5fps burst shooting. Is the quietest M camera also the best ever digital M camera? Find out now by reading our in-depth Leica M10-P review...

The Leica Q2 is an exciting full-frame mirrorless compact camera with a 28mm fixed lens. The Q2 features a a new 47.3 megapixel sensor, 4K video mode recording at 30/24fps, high-resolution OLED viewfinder, dust and water resistance, and focusing speed of 0.15 seconds. Is this the ultimate compact camera? Find out now by reading our in-depth Leica Q2 review, complete with full-size sample photos and videos...

The Z7 is Nikon"s first foray into the brave new world of full-frame mirrorless cameras, and what an entry it is. Boasting 45.7 megapixels, 4K video recording, built-in image stabilsation, a 3.6-million dot EVF and a 2.1-million dot tilting screen, can the exciting new Nikon Z7 give market-leader Sony a run for its money? Find out by reading our in-depth Nikon Z7 review, complete with full size JPEGs, Raw files and movies...

The Panasonic S1 is the more sensibly specced and sensibly priced sibling of the flagship S1R full-frame mirrorless camera. It lowers the number of megapixels whilst upping the video capabilities, promising a more well-rounded camera at a more affordable price-point. Does the new Lumix S1 have what it takes to compete with the likes of the Sony A7 III, Nikon Z6 and Canon EOS R? Read our detailed Panasonic S1 review to find out...

Panasonic have enjoyed a lot of success with their Micro Four Thirds camera range, and now they"ve turned their attention to the full-frame market with the release of the exciting new Lumix S1R. This is a 47 megapixel full-frame mirrorless camera with 187 megapixel high resolution mode, class leading electronic viewfinder, 6-stop IBIS, and a robust weatherproof body. Read our in-depth Panasonic S1R review now to find out more about this impressive camera...

The new A7 III is the most affordable Sony full-frame camera in the Alpha range, but as our in-depth review reveals, it"s far from being the most basic. Find out why we think this is the best camera of 2018 (so far at least) by reading our in-depth Sony A7 III review...

It’s late to the party, it’s a lot like the Lumix S1R and it’s really expensive. But then when you see the Leica SL2, pick it up, handle it and use it, none of that matters. True, the Leica SL2 will always be a niche camera sold in small numbers to connoisseurs and a certain type of discerning pro, but this is no overpriced toy for rich folk. It incorporates a level of design and thought that is actually rather inspiring.

ISO accessory shoe with additional control contacts, HDMI jack 2.0b Type A, USB 3.1 Gen1 Type C, Audio-Out 3.5 mm/ Audio-In 3.5 mm, communication interface in the base cover for multifunction hand grip

Photo: DNG™ (raw data), DNG + JPG, JPG (DCF, Exif 2.31) Video: MP4: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, AAC), MOV: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, AC-3)

Resolution: 5,760,000 dots, 120 fps, magnification: 0.78x, aspect ratio: 4:3, frame coverage: 100%, exit pupil position: 21 mm, setting range +2/-4 diopters, with eye sensor for automatic switchover between viewfinder and LCD panel, time delay 0.005 s

Automatic program (P), Aperture priority (A): manual aperture setting, Shutter priority mode (S): manual shutter speed setting Manual (M): manual setting for shutter speed and aperture

It offers a 47 megapixel full-frame sensor, Maestro III processor, 20fps burst shooting, 4K/60p video recording, in-body image stabilisation, improved ergonomics, a more comfortable grip, simplified three-button control layout, Object Detection AF, electronic viewfinder with a resolution of 5.76 megapixels, 3.2-inch LCD screen with 2.1 megapixels, and a 187 megapixel multishot mode.

6 November 2019 – Building on the visionary Leica SL-System first launched in 2015, Leica Camera proudly introduces the Leica SL2: a masterpiece merging innovation with pure performance and Leica’s iconic design.

The Leica SL2 is a joy to use with improved ergonomics, a more comfortable grip and a simplified three-button control layout. While cutting-edge features such as in-body image stabilisation unlocks new found potential from legendary Leica M-Lenses, it enhances the growing selection of SL-Lenses which are some of the finest optics Leica has ever produced. The Leica SL2 is the natural evolution of the innovative Leica SL, serving as a ground-breaking embrace of the future of digital photography and videography while paying homage to its history and lineage.

The Leica SL2 offers an innovative user interface whose efficient design allows photographers to focus their attention on the creative process. The design alignment with the existing M and Q systems makes it even easier for existing Leica photographers. The main parameters can be viewed on the rear display and adjusted quickly and easily with a simple finger tap. A click wheel, a joystick and three strategically placed configurable buttons ensure a straightforward operation. Thanks to two dedicated status menus for stills and video recording, the parameters for either shooting mode can be adjusted entirely separately from each other. Overall, the design of the SL2 reflects the iconic Leica identity and traditional design elements that the brand has become known and loved for over the years.

Despite significant technical improvements and the presence of in-body stabilisation, the Leica SL2 has kept the same size as its predecessor. Improved body design paired with increased durability make the SL2 the perfect companion for all forms of shooting. IP54 certification ensures an elevated weather sealing for more rugged situations, while a new option to turn off noise reduction during long exposures allows for more hands-free shooting.

The unprecedented resolution of the SL2’s CMOS image sensor in full-frame format results in an unparalleled level of detail rendition and image quality. Enormous dynamic range, a colour depth of 14 bits per RGB channel and a sensitivity of up to ISO 50,000 enable outstanding image quality in all lighting conditions.

The new Leica Object Detection AF ensures a fast and reliable AF. In addition to an array of modes and features, including face recognition, the SL2’s high-performance AF system also automatically detects whether a subject is stationary or in motion and subsequently switches between motion and focus priority.

The SL2 features a suspended sensor which adjusts its position in order to quickly and efficiently compensate for camera shake. Additionally, in multishot mode, the camera can record up to eight consecutive frames, whereby the sensor is shifted in half-pixel increments in between every exposure. This key feature results in images with an incredible quadrupled resolution of around 187 megapixels.

The camera’s electronic viewfinder now boasts a resolution of 5.76 megapixels, allowing for a large, entirely natural-looking viewfinder image. Simultaneously, the experience is further enhanced when using the touchscreen, which has increased in size to a 3.2-inch diagonal, and now offers a significantly higher resolution of 2.1 megapixels.

The new Maestro III processor delivers significantly faster autofocus and allows for a virtually lag-free shutter release in any shooting situation, which is further complemented by the new Smart AF mode. This autonomously switches between focus priority and shutter release priority. Full-resolution recordings of consecutive images are possible at 10 frames per second with the focal plane shutter, and 20 frames per second with the electronic shutter. Thanks to two UHS-II-compatible SD card slots, raw files can be saved simultaneously in DNG and JPEG format.

In addition to its great appeal for photographers, the Leica SL2 speaks the language of cinematographers, as the camera can record up to 60 frames per second in Cine 4K mode and up to 180 frames per second in Full-HD mode. Activating Cine mode transforms the SL2 into a manually controlled cine camera as ISO becomes ASA, the shutter speed is marked in degrees on the rotary disk shutter, and the f-stops indicating the aperture ratio are replaced by T-stops, which measure the actual amount of light transmitted through the lens. Connecting audio equipment to the Leica SL2 no longer requires the use of adapters with built- in headphones and mic jack, complemented by a fully-fledged HDMI connector for external monitors.

The Leica SL2 is supported by Leica FOTOS, the versatile app available for Android and iOS Smartphones. Leica FOTOS enables photographers to access the Live View function of the camera and remotely change exposure-relevant settings such as aperture, ISO value, shutter speed and exposure compensation from a smartphone. It also allows wireless control of the shutter release, which offers an entirely new range of creative opportunities. Pictures can either be shared on social networks or saved for mobile post-processing on the smartphone, both in JPEG and DNG RAW data format. If users wish to save the finished pictures after processing on their smartphone, they can take advantage of the option for saving them to a separate Leica Gallery – this keeps painstakingly composed and processed pictures from the Leica FOTOS app separate from simple snapshots. Expect many new features and a whole new mobile workflow experience on the iPad when Leica FOTOS will be available in version 2.0 from November 21, 2019.

ISO accessory shoe with additional control contacts, HDMI jack 2.0b Type A, USB 3.1 Gen1 Type C, Audio-Out 3.5 mm/Audio-In 3.5 mm, communication interface in the base cover for multifunction hand grip

Photo: DNG™ (raw data), DNG + JPG, JPG (DCF, Exif 2.31) Video: MP4: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, AAC), MOV: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, AC-3)

Resolution: 5,760,000 dots, 120 fps, magnification: 0.78x, aspect ratio: 4:3, frame coverage: 100%, exit pupil position: 21 mm, setting range +2/-4 diopters, with eye sensor for automatic switchover between viewfinder and LCD panel, time delay 0.005s

Automatic program (P), Aperture priority (A): manual aperture setting, Shutter priority mode (S): manual shutter speed setting Manual (M): manual setting for shutter speed and aperture

The Leica SL2 updates the original Leica SL camera launched in 2015. So what’s changed? According to the manufacturer, the ergonomics have been improved via a more comfortable grip plus a simplified three-button control layout. The construction is identifiably all-metal, with an robust leather wrap.

‘Elastomer’ material is said to have “revolutionised” the SL2’s handgrip, according to the brand, while the back of the camera has also seen some changes, with what were formerly thin unmarked buttons surrounding the original SL’s screen now clearly labeled and more ‘button like’. We were told that this was all part of the intention to ensure than anyone who comes to the SL2 after using Leica’s recently released Q2 won’t find it too much of a shock.

Though we felt we had to press a little harder than we would do on our mobile phone to get a response out of the unit we had a brief play with – which, to give it a positive spin, helps prevent accidental activation of settings should the camera connect with your shirt button, for example – Leica tells us the touch screen on the SL2 has been updated to “be as responsive as an iPhone.”

According to Leica Akademie tutor Robin Sinha, also present at the product launch, the manufacturer has made it a policy to offer up a clear delineation between stills and video settings on this camera, with menus for the two formats being distinct and completely separated.

The camera can offer 4K video capture at up to an impressive 60fps speed. For videographers, it further boasts the advantage of headphone and microphone jacks, plus another new addition is the provision of USB-C, allowing for the camera’s sizeable battery to be recharged within the camera, if the user desires.

Outwardly the camera’s body has had some upgrades in terms of weather proofing, with Leica telling us that its SL2 can “withstand water spray from any direction.” The camera has been IP54 rated for robustness and can be used either down to minus 10°C or up to 40°C, which in truth is fairly standard for a premium model.

Provided at the camera’s side are two SD card slots, with the claim being that both slots are now capable of writing at the same speed. In terms of low light performance, the SL2 offers up a native light sensitivity range the equivalent of ISO50-50,000, while we were told it boasts 14 stops of dynamic range too.

In addition to all of the above, the robust SL2 is the first Leica camera featuring a Maestro III series processor to cope with all the data crunching, with Leica adding that a firmware upgrade will follow next year that also introduces a multi-shot mode. This mode will allow for up to 8 DNG (Leica ‘Raw’) files to be combined to produce a whopping 187MP image file.

Further features that jumped out to us on initial inspection and inquiry include the fact that the SL2 now not only offers face detection but also body detection – so that if the subject turns away from the lens, for example, the SL2’s AF will continue tracking said subject.

Leica teased that new 21mm, 24mm and 28mm lenses will follow on next year, along with “big upgrades” in terms of its ‘gallery in your hand’ Leica Fotos app. The latter will newly offer more ‘pro’ support for the likes of Lightroom and video.

The result is that a subscription is being introduced for professional photographers, who are being asked for a relatively modest contribution of $49.99 per year. Leica did add to us that Adobe hasn’t yet made a profile for the SL2, but this should follow on shortly from the software giant.

As gorgeous as it is, with availability from November 21st, potential owners will need deep pockets within which to find the £5,300 asking price for the Leica SL2. The company did however make the point that this is actually cheaper than the price the original camera launched at back in 2015.

The Leica SL2 enables users to capture RAW and JPEG format files. We"ve provided some Leica RAW (DNG) samples for you to download (thumbnail images shown below are not 100% representative).

The vertical battery grip VG-GFX1 provides a solid grip while also maintaining the camera’s optical axis during vertical shooting. The grip features a Shutter Release Button, Command Dial, Focus Lever and six Fn buttons, mirroring the layout of the camera body. It holds an extra battery to enable shooting for extended periods of time and can be used to charge the battery. Using the AC adapter supplied (AC-15V), you can fully charge a battery in approx. two hours.

There are some really good quality LCD Viewfinders on the market. LCD viewfinders attach to your DSLR video enabled camera and blocks light from hitting screens providing better viewing and focusing when shooting in high sunlight conditions. It allows you to view your subject with greater clarity and accuracy by magnifying the image within the viewfinder. Some of the drawbacks of utilizing LCD viewfinders is that it drains your camera"s batter quicker and adds extra bulkiness. Check out the specs on some of the products below.

The Goliton Camera LCD Viewfinder has 2.8x magnification, a dust proof optical lens which is easy to install, and best of all - you can get one for under $10!!! This product is great for amateur photographers who aren"t looking to spend allot of money on an LCD viewfinder.

The eCostConnection Elite Series offers 3.4x Magnification suitable for 3 In. LCD Screen DSLR cameras. The cool thing about this viewfinder is that it is adjustable, and is compatible with Canon, Nikon, Pentax, and Sony DSLR cameras. It also comes with a carrying case, two mounting plates, and a free cleaning cloth. This viewfinder will cost you about $24, but the value you get in greater magnification and adjustability makes it well worth it while still remaining affordable.

The Elvid OptiView 50 magnifies displays by 300% and is compatible with most 3.0" & 3.2" LCD screens. The viewfinder provides sharp images, and the rear half is removable. It has a soft rubber eye piece that is flexible enough to accommodate for photographers with eye glasses. The Elvid OptiView will cost you around $50 and comes with a one year warranty. This is a pretty good buy but for $50 I would love for it come with at least a two year warranty.

The SK-VF Pro 1 has 3x focusable magnification and designed for fast and functional use. It connects to the camera by a magnetic quick release that inserts to a compatible baseplate. This viewfinder also offers an adjustable diopter that enlarges the LCD image by a factor of 3.0. If you no longer need the viewfinder it can be quickly flipped up in order to gain access to the LCD screen. It has an anti-fog protective cover, an eyecup preventing light leakage, and it comes with a microfiber cleaning cloth. The SK-VF Pro 1 is compatible with most DSLR cameras with 3"/3.2" LCD screen size, which is definitely a plus. This viewfinder very durable and will cost you about $85. The only drawback is that the unit is a bit bulky.

The GGS Swivi 2 offers magnification and standard viewing modes that allows you to take great photos. You can switch between modes by flipping up the eye piece, and it is somewhat easy to install via it"s mounting plate. This viewfinder provides a quality image and is swivel LCD screen friendly. The Swivi 2 is a little higher on the price scale and will cost you around $110.

The Varavon Multifinder LCD Viewfinder is one of the high-end viewfinders. It offers the most stable viewing system of all the products we"ve profiled so far. It combines the use of an aluminum alloy mounting plate and a comfortable eye cup that can also double as an eye shade. This viewfinder features an adjustable loupe with a focus dial, and a front surface mirror that minimizes ghosting. The Varavon Multifinder is ideal for low angle shooting. This product is for more professional usage and will set you back around $210.

The Kamerar QV-1 offers clear and sharp images, and 2.5X magnification. It provides glare protection allowing you to see true color saturation,contrast and proper exposure. It cfeatures a metal quick release base plate which keeps it firmly attached to the bottom of the camera. It has an adjustable ring moves the primary lens back and forth for improved focused. This product is lightweight and comfortable, the only drawback is that removing the eye-piece can get a little complicated. The QV-1 is a quality product and is priced around $70. I would recommend this viewfinder for experienced photographers and those who are looking for a comfortable yet sturdy quality product with a reasonable price.

The Zacuto Z-Finder Pro offers 3X magnification power, anti fog lens coating, and is compatible with most 3 inch LCD screens. This product has a sturdy eye cup that prevent excess light leakage and the unit is compact and easy to mount. It also comes with a lens cap and Z Finder dust cover. Of all the products we"ve reviewed so far this is my favorite. The Zacuto Z-Finder Pro offers a great mix of pro quality features. With this product you get ease of use, quality image, stability, and compatibility with loads of cameras at a reasonable price of $170.

The Hoodman CH32 isolates your camera"s LCD screen from excess ambient light. This product collapses to 1/2 size which makes storing it very easy and convenient, and in my book that"s a really cool feature. It fits up to 3.2" LCD screens, and has glare free viewing. It comes with a protective carrying case and an easy to adjust dial for improved focus. I really love the Hoodman CH32 because of it"s collapsibility and the German glass optics which deliver a quality image. Portability, convenience, and and great optics are a killer combination in my book. At $100 the price is well worth it.

Some clear advantages to utilizing a LCD viewfinder is you can get the exposure and other settings exactly where you want them before you take the image. It provides shade and accurate viewing of your subject in environments where there is an abundance of sunlight. The main drawbacks for LCD viewfinders are that they drain your camera battery life and most tend to be a little bulky. Overall, I think the positives out weigh the negatives and a LCD viewfinder is a great tool for photographers who shoot in natural light settings. When searching for the ideal product for you make sure the features that are most important to you guide your decision making. For me it would be portability and image quality, but for you it may be stability and ease of use. We covered a range of products at different price points but these are just a few of the LCD viewfinders on the market. There are lots of other products with great features out there. If you do your homework I"m confident you"ll find the perfect LCD viewfinder for you.

If you"re looking into finding the best rated lcd viewfinder, you should probable check out the Hoodman H32MB HoodLoupe Camera Viewfinder. We looked at various sources of reviews and found this one to have the best mix between review count and average rating stars.

Often, going for the best price is a simple but good option. With a price of $29.99 (last checked this morning), we do not list any other lcd viewfinder cheaper than the Kamerar CVF-1 Collapsible Viewfinder. Just remember that it"s not always the best option to go for the cheapest one.

With at least 12 reviews and counting, the Hoodman H32MB HoodLoupe Camera Viewfinder might be another option to consider. This large amount of reviews signalizes that many people are using it, with most of them beeing satisfied.

It"s quite rare that the saying "You get what you pay for" turns out incorrect. If you have the money on the sideline, feel free to choose the most expensive item from our list: The Portkeys LEYE III 4K HDMI Electronic Viewfinder currently sells for $399.00.

If you trust us and our users, feel free to check out the Elvid OptiView 50 3.2" Viewfinder. Our statistics say that it is the most favorite LCD Viewfinder from the list above.

If you"re still undecided, I would recommend that you go with the masses and choose the top selling lcd viewfinder: The Elvid OptiView 50 3.2" Viewfinder is the hottest bestseller in this category right now.