lcd display for zoom h6 free sample

2023-01-03 12:32:11

From the studio to remote locations, podcasts are produced everywhere. With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution.

The H6 is your personal music studio 24/7. With up to six* discrete line-level / mic-level inputs, plus the ability to overdub and more, the H6 provides the road from a great idea to the perfect track.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Whether you’re a musician creating your own unique masterpiece, or a sound designer looking for that perfect sound effect, the H6 will become your most trusted companion.

XYH-6 Mic Capsule. The XYH-6 X/Y capsule comes standard with the H6. The capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern.

MSH-6 Mic Capsule. Mid-side mic magic. MS (“Mid-Side”) recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects.

XYH-5 Mic Capsule. X/Y stereo recording allows you to cover a wide area yet still capture a strong center image. The XYH-5 X/Y microphone capsule provided with the H5 features two matched unidirectional condenser microphones set at a 90 degree angle and housed within an advanced shockmount to minimize vibration and handling noise, making it ideal for location videography and live broadcast/podcast applications.

SGH-6 Mic Capsule. The SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone turning your H6 or H5 into the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

EXH-6 Mic Capsule. If you need more inputs, simply plug in the EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect two additional discrete channels for external microphones, instruments, mixers or portable music players.

SSH-6 Mic Capsule. The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of environmental sound captured by the side mic directly on your Zoom recorder, or in postproduction. A hairy windscreen is included for reduction of wind noise.

lcd display for zoom h6 free sample

From the studio to remote locations, podcasts are produced everywhere. With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Whether you’re a musician creating your own unique masterpiece, or a sound designer looking for that perfect sound effect, the H6 will become your most trusted companion.

lcd display for zoom h6 free sample

Zoom"s H6 is designed to be extremely versatile, and should interest budget film-makers, musicians, bands, interviewers and anyone else trying to capture multiple sound sources on location. The main body of the H6 accepts four different input attachments, each of which expands its recording capabilities in a different direction. Zoom liken the attachments to camera lenses, which can be swapped over very quickly to change the capabilities of the hardware.

Although the H6 is very capable as a recorder, it"s also able to function as a digital interface, sending its audio directly to DAWs via a USB connection. When put into Multitrack mode, all six audio channels can be sent simultaneously, while the recorder provides a stereo return signal for monitoring. In this mode, any processing that has been selected is also recorded, so the user has the option of applying to any of the inputs a low cut filter of 80, 98, 115, 133 or 150 Hz, and one of three compressor and two limiter presets.

The Project Mixer looks very similar to the Monitor Mixer, but is intended for processing pre-recorded material that"s already in memory, and of course for mixing it down to a single stereo track. It also has pan controls across the top of each channel and vertical level faders alongside a signal level meter, but adds a box allowing the key of each individual audio track to be changed.

Physically, the H6 is quite chunky in comparison with some of its competitors: it is still small enough for an adult to hold in one hand, but not so small that it can really be classed as a "pocket recorder". The practical advantages of designing big are quite clear, though. For a start, the casing is very thick and solid, which means that the sockets for the interchangeable attachments and the four XLR/TRS inputs are held firmly in place and are very unlikely to break. There"s also a threaded hole on the underside for fixing the recorder on a stand, and that too seems to be firmly embedded in the casing.

The large surface area has also enabled the designers to find space on the top surface for some good-sized transport controls, plus a row of record-arming buttons for each of the six channels, collectively making it easy to perform basic recording tasks. For example, tracks inputs 1/2 and 3/4 can be paired simply by pressing and holding their track select buttons, making it possible to set up three stereo recording channels very quickly.

The remaining hardware features are scattered around the edges and include the SD, SDHC and SDXC card slot, which accepts cards of up to 128GB in capacity, headphone mini-jack socket and level controls, menu-select and scroll buttons, USB, power and line out sockets, and the socket for connecting the optional remote control. On the underside is a speaker for reviewing recorded audio, plus a large battery compartment housing the four AA batteries (NiMH rechargeables can be used) that are necessary to power the colour display and supply phantom power.

That may sound like quite a lot of ins and outs, but most of the settings, options and tools have been consigned to a menu system that"s navigated using the scroll control. This can go up and down, obviously, but can also be pressed to make a selection. Nevertheless, heading into the menus does tend to hamper workflow when multiple changes have to be made. The menu system is, as mentioned above, where compression/limiting, low-cut filter and phantom-power assignments are made for each input, and it"s a bit of a pain to have to seek them out. It does house some useful tools, though, such as a metronome, chromatic tuner and playback-speed adjustment setting, plus options such as Pre-record (which captures a few seconds of audio before the record button is pressed), and a standard Auto record mode. Most users will prefer to do their track editing in a DAW, but for those happy to get stuck in, the H6 offers normalise, trim and divide edit options, and a loop playback mode. It even allows overdubbing of up to 99 tracks per project! Once again, though, this functionality is something the user has to seek out from the menu pages.

As a computer interface, the H6 is not ideal, mainly for ergonomic reasons. Once most of its inputs have connections, and its USB socket is hooked up to a computer, the recorder and its attachments form an ungainly, spidery object, with leads extending from both sides, a display at one end, and its attachment mics at the other. For my tests I mounted the recorder on a sturdy camera stand, which made it easy to move around, but getting to the screen, then to the DAW, and then back to the recording position, while avoiding the leads, sometimes proved tricky. If I was recording on location I"d certainly be inclined to invest in some high-capacity cards, rather than complicate matters further with a laptop.

The mass of leads aside, though, the H6 does a decent enough job as an interface. My ageing copy of Sonar didn"t like the drivers and would not record, but I had no problems using the latest version of Cockos Reaper, and I soon had all six available inputs recording directly into the software, using the stereo return signal and headphones to monitor progress.

Another ergonomic issue comes as the result of Zoom"s decision to place the display at an angle so that the operator can see it easily. Unfortunately, this makes it almost impossible to see if seated in front of the mics, which is where self-recording artists are inevitably going to be. Their only guides are the red record indicator lights, found just above the track-arming buttons, which flash if a signal is too high. Fortunately the input level dials are quite accessible and visible from the front, (although you have to remember that anti-clockwise is a level increase in that position!) and can be moved, without reference to the on-screen metering, until the LEDs no longer flash.

While on the subject of the input dials, it has to be said that they"re the only feature, apart from the M/S mic, which feel a bit flimsy. Thankfully, Zoom must have thought so too, as each one is partially protected by a rim of hard plastic. The rim doesn"t go all the way around, though, as that would make turning the dials impossible, and would get in the way of the four pad switches which sit between the dials. The pad switches" positioning creates another ergonomic issue, as they are too close to the level wheels, making it very difficult to move them without altering level settings!

On the plus side, the designers have done a very good job of shielding the mics from handling noise. Much of the casing is coated in some sort of rubberised skin, which obviously helps, and the result is a product that is as good at rejecting handling noise as any I"ve tested. Nevertheless, for serious work using the attachment mics, mounting the recorder on a stand is essential. Filmmakers might be tempted to invest in the HS1 hot-shoe adapter, which enables the recorder to be mounted on the top of a camera, thereby reducing the number of tripods that are needed and ensuring that the mics are pointed in the same direction as the lens. The Zoom H4n has been a favourite amongst budget filmmakers using digital SLRs, but the H6, together with options like the SGH6 shotgun capsule, seems to be much better suited to the job. It even has built-in camera strap mounts so that an operator can wear it around his or her neck, which will suit recording engineers who need their hands free for holding boom-mic poles and adjusting headphones.

Handheld recorders with built-in mics usually do a satisfactory, rather than spectacular, job of capturing audio, particularly at the lower end of the price scale. Zoom"s clip-in mic arrays promise a little more quality, and it"s fair to say they deliver. I connected a Neumann KM184, Audio-Technica AT4047 and two types of dynamic mics to the XLR/TRS inputs and compared their recordings with those of the X/Y array (set at both 90 and 120 degrees). Although all the mics sounded different from one another, the Zoom X/Y module did not suffer by comparison, and managed to capture low-end frequencies in a way which other handheld recorders at the budget end of the market often fail to do. Budget recorders also tend to introduce slightly higher levels of audible noise, but this too was pleasingly absent.

Zoom have obviously done their research and set out to top the competition wherever they could. Apparently the pad switch allows input signals 30dB louder and 14dB softer than other "Handy Recorder" products, and the preamps use higher-voltage power rails than other designs to avoid distortion. Even the diaphragms of the X/Y mics have been specifically chosen so that they are larger than those of the competition. Whatever the relative merits of these design decision might be, the H6 does a very good job and is capable of some serious recording work. The only real omission is that of a high-impedance option for when connecting electric guitar and basses — which is a little odd, given the presence of the onboard tuner and other such facilities.

The M/S array"s overall sound is similar to that of the X/Y, both in terms of quality and dynamic range, although, by its very nature, it is a little less tight and more expansive, and seems to handle lower frequencies more comfortably.

Zoom are probably going to sell a lot of H6 recorders. The product"s ability to record multiple signals simultaneously, with independently configured phantom power, filter and dynamic settings, makes it very attractive to those recording sound for small films, documentaries and reportage, and to bands who want to record multiple instruments, or simply experiment with different microphone configurations. The recording quality is impressive for this price and, with just the few highlighted exceptions, so is the build quality.

You can"t please all the people all of the time, of course, and the price of the Zoom H6"s versatility is paid in small frustrations that will irritate some users. The angled screen might be useful on top of a DSLR camera, but it is not helpful to artists recording themselves. The layout of the inputs, mics and screen make the H6 unwieldy as a computer interface, and setting up the mixer pages on such a small yet heavily featured device is inevitably fiddly, particularly when some settings, like phantom power assignment, are accessed only from menus.

But overall, the H6 represents great value for the money, and for anyone wanting to invest in something which provides flexibility in terms of recording options, it truly stands out from the competition.

Edirol"s R26 is a six-channel recorder but, unlike the H6, it records three stereo pairs only. It has a touch screen for fast menu navigation, X/Y and omnidirectional microphones, plus two XLR/TRS inputs.

The shotgun and extra inputs attachments (SGH6 and EHX6, respectively) were not sent for review so no comment can be made about their performance, but judging by the way the H6 intelligently adapts its internal setup to the other two attachments, they should be no trouble to mount and start using. It should be noted, however, that although the EHX6 input attachment appears to have the same features as the four on-board inputs, it does not provide phantom power.

The H6 is capable of simultaneously recording up to six different channels of audio using a variety of microphone types and configurations. It prioritises the act of recording, providing dedicated hardware controls so that recording is fast and simple. Other settings, though, are made via a menu system, which restricts the speed at which the operator can work. The H6 also works as a 6-in, 2-out computer interface via USB.

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lcd display for zoom h6 free sample

The Zoom H6 Black is a versatile mobile digital recorder that can simultaneously record up to six audio tracks. It features four independent mic/line inputs in XLR/jack format, and each channel can supply 12, 24, or 48 V of phantom power, thus allowing high-grade studio microphones to be used without an external power supply. The remaining two channels are equipped with an XY stereo microphone (XYH-6), which, much like a camera lens, can be removed and replaced either with a mid-side microphone (MSH-6) for better control of the stereo field, a shotgun microphone (SGH-6) for increased directivity, or a module featuring two additional XLR/jack inputs (EXH-6). The Zoom H6 is bundled here with a set of closed headphones and a 16 GB SDHC card.

The Zoom H6’s preamps have plenty of gain and an excellent signal-to-noise ratio, indispensable for optimum-quality recordings. The H6 also features a colour LCD screen that provides easy access to a variety of functions, such as auto-record, pre-record, back-up and saving commands, and the activation of onboard effects such as the low-cut filter, compressor, and limiter. Audio data can be stored as high-resolution WAV files (at up to 24 bit/96 kHz resolutions) or as MP3 files at selectable bit rates (48 kbps to 320 kbps). All files can be backed up to SD, SDHC, and SDXC cards with a storage capacity of up to 128 GB. The Zoom H6 Black may be powered by four AA (LR6) batteries, which will provide over 20 hours of battery life. However, should you be using several microphones that require phantom power, it might be preferable to connect the H6 to an external battery or even to the mains via its USB socket.

With its six input channels and excellent preamps, the Zoom H6 Black will always provide top-quality multi-track recordings, whether on the move or in the comfort of the studio. The Zoom H6 is a versatile, professional-level multi-track recording solution for musicians who want to record song demos, rehearsals, or concerts and for podcasters, journalists, and filmmakers looking to record on the go. It is also much more compact and ergonomic than the regular setup of a laptop/tablet coupled with an audio interface. Furthermore, the Zoom H6 also functions as a 6-in, 2-out audio interface for PC, Mac, and iOS devices.

Founded in 1983, the Japanese company Zoom manufactures a variety of audio equipment, including a range of portable "handy" recorders as well as multi-effects processors, effects pedals, drum machines, and samplers. Over the past thirty years, the company has built a reputation for producing innovative yet affordable products based on original microchip designs. Since the Zoom-9002 (an ultra-compact multi-effects processor that can be attached to a guitar strap) was introduced in 1990, Zoom has become one of the leaders in digital audio processing.

Filmmakers know that audio quality is an essential factor when recording videos, especially if you need to record multiple channels simultaneously. Although its dimensions of 77.8 x 152.8 x 47.8 mm and its weight of 280 g place it amongst the "larger" recorders in its class, the H6 can nevertheless easily be fixed to a camera using a hot shoe adapter and provide the optimum multi-track recording conditions for your film. It can also be mounted on a dedicated stand and its monitor output sent to the input of a DSLR, thus saving the picture and soundtrack simultaneously to the same video file – while still allowing you to rework the audio on separate tracks in post-production. The independent headphone output is particularly useful for monitoring in this scenario.

lcd display for zoom h6 free sample

The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo 1/8″ Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted.

All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or 1/4″ balanced or unbalanced phone cables. They can handle both micand line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

Each of the six inputs (that is, 1-4 as well a L, R) has a dedicated gain control knob. In addition, the four main inputs and the EXH-6 capsule feature a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.

If you’re using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule’s stereo 1/8″ Line In jack.

The H6 Line Out is an unbalanced stereo 1/8″ phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6’s internal mixer.

The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the “Audio Interface” function in the USB menu.

In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to the stereo 1/8″ mini phone jack for private monitoring of the stereo output signal.

The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.

The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording.

The supplied XYH-6 X/Y capsule adds two matched high-quality unidirectional microphones to your H6. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579″ = 14.6mm) of any ever available on a portable recorder.

As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815).

Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice.

Enter MS (“Mid-Side”) recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on.

Although the H6’s supplied MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides).

The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side.

The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well.

Our optional SGH-6 shotgun capsule adds a professional-quality hyper-directional (that is, highly directional) microphone to the H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don’t want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic.

If you need more inputs, simply plug in the optional EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect up to six discrete signals from external microphones, instruments, mixers or portable music players, making the H6 the smallest six-track recorder on the planet!

The H6 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo mic design brings additional realism and depth to HD video. By attaching the H6 to a DSLR video camera with an optional hot shoe mount (HS-1), you can create a professional video system with high-quality sound.

We now also offer a special accessory package for H6 Handy Recorder. The APH-6 package includes a windscreen that provides a professional level of wind noise prevention, a remote controller with REC, PLAY, STOP and other functions and an USB-type AC power adapter.

The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any “bits” (digital words) being removed. Thus, they provide full fidelity without compromise. The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:

All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are “BWF-compliant.” This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in postproduction.

The interview started a splitsecond before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.

No problem… as long as you’re using the H6. Its Pre-record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It’s as if the H6 had started recording two seconds before you actually got to hit the button.

Backup-record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.

The Auto-record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn’t immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you’ve set, recording begins.

The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment.

A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble.

Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds below a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely.

The H6 allows you to choose from three compressor settings and three limiter settings. The two “General” settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room “studio” recording, respectively.

The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket.

The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage.

The H6’s USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE , and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).

When the H6 is set to “Stereo Mix” in the USB menu, it acts as a 2-input / 2-output interface; when set to “Multi Track,” it acts as a 6-input / 2-output interface. The H6’s onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad, enabling monitoring with zero latency (that is, without any delay). There’s also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track.

The illustration shows how you might typically use the H6 for live concert recording. Here, the XYH-6 X/Y capsule is being used to capture the onstage performance in stereo. In addition, a stereo feed from the mixer is being sent to inputs 1 and 2 in order to record the board sound, and a pair of external mics is connected to inputs 3 and 4 to capture the audience sound.

In the example shown in the illustration , the MSH-6 MS capsule is being used to capture the main sound source in stereo, with external boom and lavalier mics (connected to Inputs 1 and 2) focused on the talent providing narration. Another pair of external mics is connected to inputs 3 and 4 and are being used to record a second stereo image, this one of the other performers in the scene. By using the MS capsule, you can then use the H6’s onboard MS decoder to adjust the width of the main stereo image in post-production.

The H6 is the perfect audio companion for anyone doing ENG work, especially when it is used with the optional SGH-6 Shotgun mic capsule, as shown in this example. Here, the SGH-6 is being used to capture the news event itself, recorded on the L/R track. Because shotgun mics have a narrower focus (sometimes referred to as more “reach”) than an average microphone, the SGH-6 is the perfect choice when covering late-breaking news at a distance. In addition, the SGH-6 does a great job of picking up the frequencies produced by the human voice.

Two external handheld mics for the interviewer and interview subject are plugged into Inputs 1 and 3, with backup external lavaliers plugged into Inputs 2 and 4. The H6’s onboard effects and powerful mixing functions make it the ideal field mixer; the low-cut filter can be used to reduce wind noise, and the compressor/limiter can be used to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility.

Want to record your band as they rehearse? No problem, especially if you plug in the optional EXH-6 Dual XLR/TRS capsule, which allows six discrete mic- or line-level connections to be made to your H6.

In this example, a stereo submix of the mics covering the drum kit is being fed from the PA mixer to the L/R inputs of the H6 via the EXH-6. The four main inputs are used as follows: the lead singer’s mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player’s active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks).

Being able to spread your instruments and vocals over six tracks instead of four gives you an extra degree of flexibility that other handy recorders cannot provide. As you listen back to your song, new musical ideas may spring to mind, and that’s where the H6’s powerful overdubbing function comes into play, because it allows any of the tracks to be redone—up to 99 different takes—meaning that you can reshape your song after the fact.

•The SD, SDHC and SDXC logos are trademarks. •Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. •The use of MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS and Sisvel SpA. •Windows®, Windows® 8, Windows® 7, Windows Vista® and Windows® XP are trademarks or registered trademarks of Microsoft Corporation. •Macintosh, Mac OS and iPad are trademarks or registered trademarks of Apple Inc. •Unauthorized recording of concerts, lectures and other public performances is prohibited by law. •All other trademarks,product names, and company names mentioned in this documentation are the property of their respective owners. •Allfeatures and specifications are subject to change without notice.

lcd display for zoom h6 free sample

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lcd display for zoom h6 free sample

The H6 is the ultimate portable recorder. With its advanced preamps and interchangeable capsules, the H6 delivers unmatched versatility and award-winning quality.

From the studio to remote locations, podcasts are produced everywhere. With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution.

The H6 is your personal music studio 24/7. With up to six discrete line-level / mic-level inputs, plus the ability to overdub and more, the H6 provides the road from a great idea to the perfect track.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Whether you"re a musician creating your own unique masterpiece, or a sound designer looking for that perfect sound effect, the H6 will become your most trusted companion.

The H6 offers four XLR/TRS combo jacks with dedicated pad switches and gain control for distortion-free recording. The H6 features two 1/8" outputs, a stereo line out as well as a headphone out with dedicated volume control.

The Zoom H6 comes with free download licenses for Steinberg"s Cubase LE music production software and WaveLab LE audio editing software, enabling you to not only capture, but create.

The H6 is the ultimate portable recorder. With its advanced preamps and interchangeable capsules, the H6 delivers unmatched versatility and award-winning quality.

From the studio to remote locations, podcasts are produced everywhere. With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Whether you"re a musician creating your own unique masterpiece, or a sound designer looking for that perfect sound effect, the H6 will become your most trusted companion.

The Zoom H6 comes with free download licenses for Steinberg"s Cubase LE music production software and WaveLab LE audio editing software, enabling you to not only capture, but create.

lcd display for zoom h6 free sample

Six interchangeable input capsules make the ZOOM H6 the ultimate recorder for film, video, podcast and music. Its advanced preamps make it the best-sounding one, too. Unmatched abilities. Award-winning quality. Meet the H6 Handy Recorder.

The H6 is a podcaster’s dream with inputs for every guest and phantom power for every mic. Easily monitor your levels on the H6’s crisp, color LCD screen, and use its individual gain knobs to control the levels of each input. The H6 is intuitive and easy to use.

Featuring interchangeable mic capsules, 4 combo inputs and 6 tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

When the H6 is set to “Stereo Mix” in the USB menu, it acts as a 2-input/2-output interface; when set to “Multi Track,” it acts as a 6-input/2-output interface.

The Zoom H6 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, enabling you to not only capture, but create.

lcd display for zoom h6 free sample

A Zoom recorder is a piece of hardware used for capturing professional sound outside of a studio setting. These recorders are also called field recorders, digital recorders, voice recorders, or portable audio recorders.

Zoom recorders come in a variety of styles and are used to record music, podcasts, new interviews, educational material, and more. Many Zoom recorders can connect to other pieces of recording equipment such as audio mixers, external microphones, and instruments and some even have audio mixing and mastering capabilities.

Zoom recorders are designed for use outside of a studio when you need to capture quality audio but don’t have control over your recording environment. Often called “field recorders”, these devices contain built-in features and microphones that eliminate unwanted noise so you can record high-quality audio for YouTube videos, podcasts, feature films, or other kinds of projects. Though they’re designed for on the go use, most Zoom recorders have USB functions so you can connect them directly to a computer for studio use and easy editing

There’s no limit to how you can use a Zoom recorder for capturing high-quality recordings while in the field. Some of the most common uses for digital recorders include:Recording live music performances

There are many different models of Zoom audio recorder, so finding the perfect one to fit your unique needs can be tricky. Before you start shopping around, know how much you can afford to spend on a digital recorder and have a good idea of the kind of content you’ll be creating. Once you know these two things, choosing a Zoom recorder will be much easier.

Consider the following features when selecting the best Zoom recorder for your content creation needs:Battery life and power options:Most Zoom recorders are powered by batteries or through a plug-in power source, often an AC adapter or USB. Be sure to check the battery life for any recorder you’re considering to make sure you’ll be able to use it on the go for as long as you need to. Some of the best Zoom recorders have many advanced features, but all of these bells and whistles can hurt the device’s battery life.

Recording formats: Make sure the recorder you choose records in formats that are compatible with your editing software or the platforms you use to post content. Most Zoom recorders capture audio in MP3 or WAV format.

Track count: The number of tracks you can record simultaneously is an important factor to consider when looking at Zoom recorders. Most provide multi-track recording and offer simultaneous recording for up to six or eight tracks. Be sure the recorder you choose has the number of recording channels you need.

Interfacing with other devices: Pay attention to the number of inputs and outputs a Zoom recorder has and make sure it can easily connect to your computer if audio and video editing is important to your creative process. If you’re a musician, you’ll want to be sure you can connect the mics and instruments you use to make music.

No matter the type of content you create or produce, there’s a Zoom recorder that will help you elevate the quality of your audio. There are even some Zoom recorders with video capabilities you can use to create vlog content from anywhere or stream to your preferred streaming platform. Below, find our recommendations on how each recorder can be used for optimal results so you can narrow down your search. Compare your needs to the features of each device to find the best Zoom recorder for you. No matter if you’re looking for a Zoom podcast recorder, a Zoom video recorder, or a Zoom field recorder, our list has something for you.

This versatile portable recorder is used for everything from recording musical instruments to capturing professional-quality audio for a podcast or news story. This handy recorder includes a free download license for Steinberg Cubase LE, a piece of music production software, and WaveLab LE audio editing software. Once you capture your sound, it’s easy to use these programs to put the final touches on your recording to create high-quality audio. The Zoom H6 recorder comes with a free tripod and several accessories that include capsules to attach multiple external microphones.

The Zoom h5 recorder doesn’t require a lot of technical knowledge to operate. It’s ideal for recording audio for podcasts, documentaries, and other interview-based content. This Zoom multitrack recorder gives you a lot of control over your sound, providing both audio compression and limiting. The shock-mounted mics help to eliminate vibrations and minimize excess background noise. You can program predefined sound levels and the auto-record function will capture sounds according to your presets.

One of the more budget-friendly Zoom recorders, the Zoom H1N is compact and super portable. This digital recorder’s X/Y microphones record in stereo and support up to 24-bit sampling in MP3 and WAV format. This Zoom field recorder is great for capturing vocals for audio used in podcasts, film, and more. It’s also an affordable option for students looking for a way to record lectures they can playback at their leisure. The H1N’s playback speed controls allow you to slow down your recording to take notes or for transcription purposes.

The Zoom R8 recorder is a dream for musicians and music producers. Not only can this recorder capture audio, but it also has many built-in audio production tools musicians can use in the studio with a computer or on the go as a stand-alone production tool. The Zoom R8 offers eight tracks for recording and playback and has multiple inputs for microphones, guitars, and other instruments. In addition to being a piece of recording and production equipment, the R8 also functions as a pad sampler and rhythm machine, providing 24 different samples, drum sounds, and loops.

Creating songs from start to finish is easy with the Zoom H4N Pro. This portable recorder features two combo input jacks, overdubbing capabilities, and natural-sounding preamps that make it a great choice for musicians looking for a portable professional-level recording solution. The Zoom H4N Pro recorder can also fit well into any studio setup. It can operate as a 2-input/2-output USB audio interface for PCs and Macs, so you can record directly to your computer. The pre-record and auto-record features ensure you never miss the beginning of a great take.

The Zoom Q8 has everything you need to capture great content for film, podcasting, news reporting, or live music events. This recorder brings together HD video and professional-quality audio in one place, making it an all-in-one solution for all types of creators. The Zoom Q8 recorder has dual combo XLR/TRS inputs you can use to connect external mics and the 160-degree-wide-angle lens has flexible mounting options. Easily monitor audio and video using the HDMI output and the stereo output jack.

One of the biggest draws of the Zoom H8 recorder is its adaptability. This digital recorder uses an app-powered interface that can be changed to meet your unique needs and has three distinctly different interfaces for podcasting, field recording, and music. You choose the type of content you want to record and the touchscreen changes to provide workflows specific to your project.

This powerful recorder has it all: sound effects and music for podcasts, audio leveling and metering tools for music, and noise-reduction features for field recording. You have the ability to record to an SD card or other storage card, which increases the amount of footage you can capture while on the go.

With four different recording modes and five built-in microphones, the Zoom H2N recorder gives you plenty of options for capturing quality audio for your project. You can choose to record in X/Y mode, Mid-Side mode, two channel surround, or four channel surround. Because the Zoom H2N allows you to capture four channel surround sound, you can use the Spatial Audio mode to create immersive audio for virtual reality. This recorder also provides advanced features such as automatic gain control and the recorder can also function as a multi-purpose USB microphone.

The Zoom Q2N-4K is a great choice for live streamers because it delivers clear 4K video and X/Y stereo microphones designed to handle everything from spoken words to heavy metal instruments. This Zoom video recorder has adjustable field of view settings, a large LCD screen, and will capture video in 4K Ultra HD with the push of a button. You can purchase an accessory kit that includes an AC adapter and a battery case to boost the recorder’s battery-powered recording capabilities.

You’ll want to be sure you can easily connect your Zoom recorder to a computer if you do a lot of post-production work or if you’re recording audio and video separately. Many Zoom recorders have USB functionality so you can simply plug them in, import your files, and get to work. Zoom recorders also attach to other equipment, like DSLR cameras, that connect to a desktop for file importing.

There’s no clear-cut answer when it comes to the question of whether Zoom or Tascam products provide better recordings. Zoom recorders come in a wider variety of styles that can be used in many different ways. Generally, Zoom recorders are geared more toward podcasters, musicians, and field reporters. Tascam recorders are used more often by filmmakers. The type of recorder that’s best for you will depend on the type of projects you’re working on and your personal preferences.

Either way, Riverside offers an alternative to recording studio-quality audio and video from anywhere. You can record directly from any laptop or use the Riverside mobile app to turn your phone into a powerful recording device. Plug in an external microphone and use your phone’s camera to capture contentwith up to 4K video and 48kHz audio resolution. You can invite up to 7 remote guests to join you and receive separate audio and video tracks for each. The platform is easy to use, and guests can join simply by clicking a link.

Edit straight after recording with Riverside’s editor for a seamless workflow. The editor is available on desktop only, but offers tools for removing unwanted sections, fine-tuning audio, and customizing your content with logos and backgrounds.

You can also use the clip creator to turn your long-form recordings into short, shareable snippets. Other features worth noting include automated transcriptions for easy subtitles, live streaming with engaging audience call-ins, and a media board for funky sound effects.Start experiencing all these features and more. Record on the go with Riverside.

Digital field recorders are most commonly used to record live music, audio for podcasts, and interviews in the field for news reporting. These versatile devices come with a range of features that can be used effectively by any type of creator or producer. Have a clear idea of your budget and the type of content you’ll create to make your search for the best Zoom recorder as easy as possible. Match your needs to the features and capabilities of a recorder to find the one that’s best for you.

Do you still have questions about digital recorders and how to find the best Zoom recorder for your content? Keep reading to learn more about Zoom recorders and get answers to some of the most commonly asked questions about digital recorders.

There are many apps you can use to record Zoom meetings from any device. Zoom recorders differ from apps used to record Zoom meetings. Zoom recorders are pieces of hardware recording professionals use in the field to capture audio for interviews, music, and other footage.

Zoom recorders are worth the investment if you frequently record audio and/or video outside of a studio setting. Recording in the field can result in poor audio and video without the right equipment. Zoom recorders capture high-quality audio and video you can use to produce professional-level content.

Zoom recorders are a great tool for capturing quality audio and video during interviews. These recorders have mics with noise-canceling and stabilization features and pick up great audio when positioned correctly. Audio captured with a Zoom recorder is saved in file formats that can be uploaded to a computer for editing to further increase the quality.

There is no standard for which audio recorder is best overall. The Zoom audio recorder that’s best for you will depend on your needs. Some are better for recording music, while others are designed to capture the spoken word. See our recommendations for the best Zoom recorders in the article above to find the one that best meets your unique needs.

Four interchangeable input capsules—X/Y, MS, Shotgun, and Dual XLR/TRS Combo—make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too.

Whatever your application—live recording, professional film/video work, or broadcast ENG (electronic news gathering), etc.—the H6 can handle it with ease.

lcd display for zoom h6 free sample

The H6 is the ultimate portable recorder. With its advanced preamps and interchangeable capsules, the H6 delivers unmatched versatility and award-winning quality.

From the studio to remote locations, podcasts are produced everywhere. With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Whether you’re a musician creating your own unique masterpiece, or a sound designer looking for that perfect sound effect, the H6 will become your most trusted companion.

The Zoom H6 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, enabling you to not only capture, but create.

lcd display for zoom h6 free sample

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