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The sci-fi wall can be obtained from crafting, which requires Celeste or from message bottles found on the Star Fragment island via Kapp"n"s boat tours.

The sci-fi wall depicts a space ship"s control center with giant arched glass windows showing space outside. Each window has a green light at its top with two small white light at each end. At each end of the arch where the windows touch there are four small clustered diagonal green lights as well as a tiny white light further down the border. At the bottom of each window resides a dark gray control station where many of the presumed space ship"s buttons lie. There are four main small monitors at this table with some vague data displayed on them in colors of green, blue, fuchsia, and red. At the monitor"s sides reside two gray boxes with the one on the left having one blue light and the one on the right with two blue lights. Under the table a small diamond shaped light can be seen on the bottom left side with a small vertical green light at each side. At the bottom of the desk base, two small horizontal fuchsia lights can be seen as well as one in the middle of them that is closer to the top and is made up of four smaller horizontal lights making up a type of suggested rhombus shape.

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Our obsession with Science Fiction comes from the inherent curiosity of our human nature. Good sci-fi can draw in the same sense of wonder that takes over us as we gaze into a vast starry sky or watch space shuttles go into orbit: pure awe forms a lump in our throats, and goosebumps ripple down our arms as our head starts to buzz. The wonder itself perhaps comes from a realization of the infinite, be it in our capabilities as a specie or the vastness of space.

The science and logic that sci-fi is built around gives it realism, even when it goes beyond the imaginable. Through these works, we can experience possible futures, examining utopias or dystopias, forms of intelligence, or the emptiness and wonder of the cosmos. Most interesting, perhaps, we get to see the possible evolution of our nature"s psychological and physical boundaries.

Although Mangas are not often cited when referring to sci-fi works, these graphic novels possess some of the genre"s greatest creations, and in this list, I hope you"ll find a couple - or 34 - that engross you.

Qualia the purple beings in a whimsical way: two girls gradually become friends, one of whom seems pretty normal, the other one considered a weirdo due to her perception of human beings as robots. As you read the first few chapters, you might feel the need to curse me, wondering why I included this manga in this list. But, for those of you who endure, the story will eventually transform into a full-blown sci-fi incorporating theories and aspects heavily based on quantum mechanics and all the space abnormalities we love: from black holes to dark matter. The only drawback is that the author relied more on texts than drawing to advance the plot and the explication of theories - so get ready to soak your eyeballs into lots of words.

This manga follows a group of middle school students who are tasked with piloting a humanoid-type mecha, Zearth, to defend their city from monster invasions. Although incorporating many sci-fi elements, Bokurano"s primary focus is that of psychological trauma. As each student gets a turn at piloting the mecha, the author dives deep into their psyche, deconstructing critical moments of their lives and fleshing them out to a degree where every relevant detail is put forth - regardless of the brutality of its depiction. The meaninglessness of life is explored through different visceral tales that will grip your heart and crush it. If watching Neon Genesis Evangelion made you depressed and led you to the verge of a mental breakdown, wait till you read this one.

In 1967, a man embarked on a ferry with his books, set on returning home after his travels. Cuddled in a blanket against the outer wall of his ship, he reads his sci-fi novels, only to be interrupted by a beautiful and enigmatic girl who introduces herself as Emanon. Taking note of his love for science fiction, she decides to inform him of an oddity residing inside of her cells: her genes inherit the memories of those that came before her, passed down through maternal lines since the birth of the Earth itself. Intrigued and bewildered, the boy accepts to hear her strange yet captivating story that spans three billion years.

This dystopian cyberpunk manga takes place in a rundown desert-like city known as The Scrapyard. Cybernetic freaks run the town there, terrorizing its citizens and engaging in criminal acts of all kinds. One day, as he was looking for spare parts, cybermedic expert Daisuke Ido finds the remnants of a cyborg, Alita, that seems to be in suspended animation. He manages to revive her, but although fully functional, Alita suffers from amnesia. With exquisite world-building incorporating infinite details on both world history and backstory, as well as some of the best and most complex character building of any medium, this manga is guaranteed to have something for everyone, especially for fans of sci-fi.

Yokohama Kaidashi Kikou proves that not all post-apocalyptical science fiction needs to involve violence and deep psyche analysis. Although environmental disasters and climate change are slowly leading to the disappearance of humanity, the slow end of the world does not trigger howls or cries. Instead, humans peacefully witness their declining golden age, accepting their fate, having gone through far too much in the past to feel the need to act out. This is a quiet and melancholic sci-fi manga set in a rural settlement, whose art and characters reverberate with bittersweet nostalgia. As the sea slowly overtakes their lands, people commit themselves to enjoy the rest of their counted days, embracing a tranquil and soft-paced lifestyle.

It’s not clear though, while she is muted, how he knows that she is trying to speak. Recall that she (and we) see her mouthing words silently, but from his perspective, she’s just an egg with a blue eye. The system would need some very obvious MUTE status display, that increases in intensity when the AI is trying to communicate. Depending on how smart the monitoring feature was, it could even enable some high-intensity alert system for her when she needs to communicate something vital. Cinegenically, this could have been a simple blinking of the blue camera light, though this is currently used to indicate the passage of time during the Time Adjustment (see below.)

Matt can turn on a Simulated Body for her. This allows the AI to perceive herself as if she had her source’s body. In this mode she perceives herself as existing inside a room with large, wall-sized displays and a control console (more on this below), but is otherwise a featureless white.

The interface to set the time is a two-layer virtual dial: Two chapter rings with wide blue arcs for touch targets. The first time we see him use it, he spins the outer one about 360° (before the camera cuts away) to set the time for three weeks. While he does it, the inner ring spins around the same center but at a slower rate. I presume it’s months, though the spatial relationship doesn’t make sense. Then he presses the button in the center of the control. He sees an animation of a sun and moon arcing over an illustrated house to indicate her passage of time, and then the display. Aside: Hamm plays this beat marvelously by callously chomping on the toast she has just help make.

A dial makes sense when a user is setting minutes or hours, but a calendar-like display should be used for weeks or months. It would be immediately recognizable and usable by the user and understandable to the audience. If Hamm had touched the interface twice, I would design the first tap to set the start date and the second tap to set the end date. The third is the commit.

Near the end of the episode we learn that a police officer is whimsically torturing another Cookie, and sets the time-ratio to “1000 years per minute” and then just lets it run while he leaves for Christmas break. The current time ratio should also be displayed and a control provided. It is absent from the screen.