lcd screen size chart in stock

A lot goes into determining the best viewing distance, and there are several different criteria you can use. Aside from size, things like resolution and even how strong your eyesight is can affect how you see the screen. Because everyone"s eyesight is different, this is less an exact science and more of a general guide based on scientific principles of vision and resolution.
That doesn"t mean you should be sitting a foot away from your TV. Having the largest screen possible isn"t always ideal. The human visual system has a total horizontal field of view of about 200 degrees, although a portion of that is peripheral vision. While it makes some sense to get as large a TV as you can for movies, not all content is made to fill the entire field of view. This becomes very apparent if you try to watch sports from up close while fixating on a single part of the screen, which quickly starts to feel nauseating.
The Society of Motion Picture and Television Engineers recommends sitting at a distance where the screen fills up a minimum of 30° of your field of vision for a good experience.
This is generally good guidance, but people who use their TVs mostly for watching movies might benefit from sitting a bit closer to get a more theater-like experience. The SMPTE "reference" position for movie theaters and the THX recommendation is about 40°. The minimum angle of vision works well for most usages, though, and sitting at a distance where the screen fills 30° of your horizontal field of view should be comfortable for most people.
Our size and distance tool above is based on the 30° guideline that is suitable for mixed usage, but you can find distances for a variety of sizes at 40° here.Learn more about the human visual field.
For instance, sitting close to a 1080p TV can look almost like watching through a screen door because you can see the individual pixels, even if it"s playing a high-quality 1080p HD movie. Increasing your distance to the TV also increases the density of details, producing a better image. Since 4k TVs have such a large density of pixels, it"s much more difficult for this issue to arise. You need to be quite close to a fairly large TV for the pixels to be noticeably distracting.
With 8k TVs, that density increases further, making it even harder to notice flaws with the resolution unless you"re sitting extremely close. However, this also decreases the point at which the perceived difference in picture quality becomes noticeable. Because the pixels are more densely packed with an 8k resolution, you need to sit closer to actually resolve those details. For that reason—content aside—8k only really makes sense if you want a really big screen and plan on sitting close to it. Learn more about the difference between 4k and 8k.
This chart shows the point at which an upgrade in resolution becomes worth it depending on size and distance to the TV. Each line represents the optimal viewing distance for each resolution, but any TV that falls within the range of that color will be suitable to notice a difference in picture quality. So, for example, if you have a 65 inch TV, the viewing distance at which the eye can actually process the details of 4k content is about 4 feet. However, any distance between 4 and about 8.5 feet will be enough to appreciate the difference between 4k and 1080p on a 65 inch TV. Go too far, and the image will look identical to 1080p HD.
The chart suggests that at a certain point, 4k UHD may not be worth the upgrade—if you"re sitting more than 7 feet away and have a 55" TV, for instance. Really, though, this chart is just a guide, and as 4k TVs have become the standard, the question of whether it"s worth it or not is a moot point. While your eyes may not be able to tell the difference at a certain point, your next TV will more than likely be a 4k TV anyway. Knowing the optimal viewing distance for the resolution can help you determine a living room setup that takes full advantage of your TV"s resolution, but since angular resolution is almost a non-issue with UHD content, we recommend using our calculator tool at the top of the page, which is based on the optimal field of vision.
You"re probably thinking something along the lines of "My couch is 10" away from my TV, which according to the chart means I need a 75 inch TV. This is insane!" It"s true that if you want to take full advantage of higher resolutions, that"s the ideal size you should get. That said, this may not be possible for everyone, which brings us to budget.
The price of a TV is usually exponential to its size. Size isn"t the only factor though, as resolution, panel type, and features all play into it as well. Looking at 65 inch TVs, for instance, an OLED like the LG CX OLED is inevitably going to cost more than a budget LED TV like the Hisense H8G, and both of these will seem downright cheap compared to an 8k TV like the Samsung Q900TS 8k QLED. Fortunately, though, as technology improves and the availability of higher resolution TVs expands, larger TVs have become more common and therefore more affordable. Feel free to compare the prices of our picks for the best 65 inch TVs, the best 70 to 75 inch TVs, and the best 80 to 85 inch TVs to really see the difference that size makes.
We recommend a field of vision of about 30 degrees for mixed usage. In general, we also recommend getting a 4k TV since lower resolution TVs are becoming harder to find. To easily find out what size you should buy, you can divide your TV viewing distance (in inches) by 1.6 (or use our TV size calculator above) which roughly equals a 30-degree angle. If the best size is outside your budget, just get the biggest TV you can afford. These are guidelines, after all, and since most TVs nowadays are 4k, you can"t really go wrong with the size that works for you, especially since picture quality also depends a lot on the content and viewing conditions. Ideally, you would optimize the capacity of your TV by getting one that"s large enough for you to notice all the visual detail that 4k has to offer, but ultimately, you should watch however feels most comfortable to you, whatever the size and distance may be.
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The size of each circle would be the same but the larger number of smaller sized blocks (greater number of smaller pixels) works to make sure the last circle looked a lot smoother / more detailed.
Windows offers scaling in increments of 25% starting at 100%, so let’s work out how much usable space to lay out your programs and charts is lost by scaling the Windows interface:
*I’ve tried to keep to screen sizes that are actually available to purchase, while a 38″ 4K set may be usable for some people, after 32″ the sizes tend to jump to 40″ or 43″.
Even the higher resolution 3440 x 1440 is not as big as two QHD screens which would give you 5120 x 1440 to play with, again almost 50% more usable space, and again would work out cheaper or at worst the same type of cost.

Creating an array of the best LCD Monitors for Stock Traders is one of the many ways you can make money on your PC. Unlike gaming rigs which require high-speed refresh rates and response times, you will only need clarity and a perfectly sized display to cater to your needs. This niche can involve a lot of different software at any given time, so your best bet is probably a multi-display machine. You want a set up that allows you scan multiple markets at the same time, decreases eye fatigue, offers high resolution, maximizes speed and keeps costs down. The setups below are more affordable and responsive than your standard Bloomberg terminal monitor. Users of TradeStation, Thinkorswim, and eSignal will benefit from the expansive real estate of a multi-monitor setup.
The cheapest solution we can find and recommend is the VIVO Hex LCD Monitor Stand, which can hold up to six 24-inch monitors via their 75 x 75 or 100 x 100 VESA mounting holes. This mechanism is made of high-grade steel and aluminum for durability.
Each arm will provide -15 to +15 degrees of tilt, and 360 degrees of swivel and pivot, giving you absolute control over how you would want to position each screen to get the perfect view angle. You also won’t need to worry about messy wires, since the VIVO Hex LCD Monitor Stand also includes an integrated cable management system.
The AOC I2369VM is one of the cheapest 23-inch monitors with IPS panels available in the market today. Despite fitting the budget category of monitors, this model utilizes a slim design with a three-sided bezel-free face making it suitable for side by side placement. Also, the matte silver finish gives it a sophisticated look which further emphasizes on its business-class nature.
The Asus VC239H is one of the most globally popular IPS monitors around the world for its excellent value and build quality. Asus designed the VC239H with the infinity-edge concept they use on their high-end models, so you won’t see any bezels on the top and of the sides of the screen.
The Dell P43127Q is one of the most specialized monitors for stock trading because it is a multi-client display. The massive 43-inch screen with a 4K panel can split into four different sections with 1080p resolutions each, giving users a simulated quad monitor experience for unrivaled efficiency.
Another excellent behemoth is the Philips BDM4350UC, a 43-inch professional monitor with an IPS panel. This model almost looks like your 4K TV in the living room with thin bezels, making it look like a gorgeous centerpiece for your office or workspace. Just like the Del P4317Q above, this screen can also serve as a multi-client device. The 4K resolution of the big screen also enables you to open multiple apps and widgets simultaneously, ensuring your workflow is efficient.
The Philips BDM4350UC carries a high-quality IPS panel with eye-popping color and detail, plus our review unit did not display any severe backlight bleeding or poor uniformity, which is quite rare for big screens. This option is excellent for designing and movies, and we can’t imagine why it shouldn’t be included as one of the best monitors for stock trading.
The LG 34UC97 is an excellent ultra-wide monitor with an IPS panel with 99% coverage of the sRGB gamut. This color-accurate wonder gently curves with a 3800mm radius giving its users a perceived wrapped-around feeling which can enhance immersion and focus. You can also split the screen into several configurations via LG’s Screen Split software according to your needs.
You can maximize the vast viewing space with the help of LG Screen Split 2.0, plus you can enjoy a bit of gaming with its 75Hz refresh rate which is complemented by AMD Freesync for image stability and tear-free enjoyment. The LG38UC99 is also big on features since it is equipped with a plethora of image-enhancing options and a multitude of connection ports which include the future-proof USB-C for charging and harnessing audio/video signals from a compatible device.
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The table below shows dimensions for common TV sizes, including diagonal, width, and height dimensions, in inches. This is useful for finding the dimensions of a 16:9 TV screen when you know the diagonal measurement.

With additional monitors, you can easily multitask, simultaneously access your critical indicators, and avoid the eye strain that comes with staring at a single screen for multiple hours a day.
One helpful rule of thumb is to calculate how many monitors you would need based on how many charts you’d like to keep track of at once. With the exception of ultrawide monitors (which we’ll get to later), most monitors can comfortably fit a maximum of four charts.
If you want to track 12 charts simultaneously, you should have at least three monitors. If you want to simultaneously track 16 charts, you should use at least four.
Ultrawide monitors are monitors that utilize an aspect ratio of 21:9. While some ultrawide monitors are flat screens, other ultrawide monitors come curved.
Ultrawide monitors are useful because they provide more screen space for you to work, though it should be noted that they are typically more expensive than traditional monitors. According to a Harvard Medical School study, ultrawide monitors, in particular, can provide a stronger sense of immersion and reduce eye fatigue by engaging your peripheral vision.
However, if your home office setup involves mounting your monitors, it’s best to avoid curved ultrawide monitors as their size and curvature can create complications when mounting.
Another good feature to have in a trading monitor is a blue light filter. Blue light is a type of high-energy light emitted by computer screens that can cause eye strain and have an adverse effect on sleep.
With an edge-to-edge SuperClear® IPS panel, the 24” ViewSonic® VP2468 monitor displays stocks, charts, and news in stunning FHD 1080p resolution. The VP2468 comes equipped with a frameless design, excellent screen uniformity, and unmatched color accuracy to provide an incredible viewing experience.
The VA2456-mhd comes with 1920 x 1080p FHD resolution and adjustable viewing presets for crystal clarity whether you’re checking stocks, reading charts, or monitoring market news.
With a stunning 34-inch curved screen, the ViewSonic VP3481 executive class monitor can hold all the charts, news, and data you need to make day trading successful. Engineered with precise color accuracy and enhanced with HDR10 support to provide a more dynamic range of colors and richer contrasts, the VP3481 is a powerful trading workstation.
This 34-inch curved display creates a powerful sense of immersion while also reducing eye fatigue1. The VP3481 is also equipped with ViewSonic ViewSplitTMtechnology, which enables you to easily divide your screen into multiple viewing windows for the ultimate multitasking experience.
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If you’ve ever been shopping for a computer screen or TV you’ve undoubtedly come across one or both of these terms. Today we’ll be diving right in to give you all the info you need to know about monitor resolutions and aspect ratios so you can make the best decision when selecting the right monitor for you.
In addition to a monitor’s panel type, screen size, refresh rate, etc., monitor resolution is usually one of the first specifications considered when shopping for a new monitor. Monitor resolution describes the visual dimensions of any given display. Expressed in terms of width and height, monitor resolution is comprised of a specific number of pixels.
In the case of a monitor with an industry-standard Full HD 1080p resolution, this display has a resolution of 1920 x 1080. This means that the screen will have a width of 1,920 pixels while the height of the screen will be 1,080 pixels. This results in a grand total of 2,073,600 pixels on-screen.
The higher a monitor’s resolution is, the more detailed an image can be because a higher resolution monitor will be made up of more pixels than a lower resolution monitor. This will, of course, depend on the resolution of the content you are viewing. Additionally, more viewable content can fit onto a higher resolution computer screen than on a lower resolution screen.
Pixels, or picture elements, are the smallest physical points on a display, as well as the base components. Pixels are therefore the building blocks of any image you see on your screen. Pixels and resolution are directly correlated and a higher resolution equals a higher number of pixels on a monitor screen.
PPI or DPI is a description of a monitor screen’s pixel density. A higher pixel density will mean that there are more pixels packed into every square inch of your screen.
Pixel density is a significant factor because it determines the quality of your image in that a higher pixel density will generally give you better-looking images. That being said, pixel density also depends on screen size.
Picture this – you have two monitors side by side, both with a Full HD 1080p Full HD resolution. This means that both have 1,920 horizontal pixels and 1,080 vertical pixels. Now imagine that one screen is a 32-inch screen, while the other is a 25-inch screen. Now you can see how pixel density comes into play because you will have the same number of pixels spread across a larger screen with the 32-inch monitor. Thus, the smaller monitor will have a more densely packed pixel density, resulting in smoother lines and sharper images.
Otherwise known as ‘fullscreen’, the four-by-three aspect ratio was once the standard for films, broadcasts, and computer monitors in the 20th century. With the advent of HD resolutions, 4:3 is no longer quite as common.
The sixteen-by-nine aspect ratio, also known as ‘widescreen’ has been the international standard for all things related to high definition. Since it overtook 4:3 in popularity, 16:9 can now be found in DVDs, televisions, cinemas, and video games.
The twenty-one-by-nine aspect ratio is a marketing term used to describe 64:27. As the logical next step from 16:9, the current international standard, 21:9 has yet to fully penetrate the market. Thus far, its use has been limited to ultrawide computer monitors and televisions, as well as cinematic widescreen projectors.
When viewing content, 4:3’s fullscreen experience yields a more ‘box-like’ display, while 16:9’s widescreen results in a letter-shaped appearance. In total, 4:3 gives newer media a feeling of being cropped, while 16:9 results in black bars manifesting on the top and bottom of the screen.
Considering its current novelty, 21:9 lacks broad utility, with compatible products limited to those that are ultrawide. Compared to 16:9, 21:9 touts the lack of black on-screen bars when viewing content. You can read our ultrawide vs. dual monitor comparison to learn more about the differences between ultrawide and standard aspect ratio monitors.
While having a monitor with a high resolution is a good start, it doesn’t mean that you can start enjoying all of your content in that resolution. This is because the resolution of an image you see on your screen also depends on the resolution the content you are viewing was recorded in.
Besides the resolution and aspect ratios, the curvature of the monitor also affects your viewing experience. Learn about the differences between a flat-screen or curved panel here. Or discover a variety of monitors for different needs from ViewSonic here.

For screen sizes (typically in inches, measured on the diagonal), see Display size. For a list of particular display resolutions, see Graphics display resolution.
This chart shows the most common display resolutions, with the color of each resolution type indicating the display ratio (e.g. red indicates a 4:3 ratio).
One use of the term display resolution applies to fixed-pixel-array displays such as plasma display panels (PDP), liquid-crystal displays (LCD), Digital Light Processing (DLP) projectors, OLED displays, and similar technologies, and is simply the physical number of columns and rows of pixels creating the display (e.g. 1920 × 1080). A consequence of having a fixed-grid display is that, for multi-format video inputs, all displays need a "scaling engine" (a digital video processor that includes a memory array) to match the incoming picture format to the display.
For device displays such as phones, tablets, monitors and televisions, the use of the term display resolution as defined above is a misnomer, though common. The term display resolution is usually used to mean pixel dimensions, the maximum number of pixels in each dimension (e.g. 1920 × 1080), which does not tell anything about the pixel density of the display on which the image is actually formed: resolution properly refers to the pixel density, the number of pixels per unit distance or area, not the total number of pixels. In digital measurement, the display resolution would be given in pixels per inch (PPI). In analog measurement, if the screen is 10 inches high, then the horizontal resolution is measured across a square 10 inches wide.NTSC TVs can typically display about 340 lines of "per picture height" horizontal resolution from over-the-air sources, which is equivalent to about 440 total lines of actual picture information from left edge to right edge.
Some commentators also use display resolution to indicate a range of input formats that the display"s input electronics will accept and often include formats greater than the screen"s native grid size even though they have to be down-scaled to match the screen"s parameters (e.g. accepting a 1920 × 1080 input on a display with a native 1366 × 768 pixel array). In the case of television inputs, many manufacturers will take the input and zoom it out to "overscan" the display by as much as 5% so input resolution is not necessarily display resolution.
The eye"s perception of display resolution can be affected by a number of factors – see image resolution and optical resolution. One factor is the display screen"s rectangular shape, which is expressed as the ratio of the physical picture width to the physical picture height. This is known as the aspect ratio. A screen"s physical aspect ratio and the individual pixels" aspect ratio may not necessarily be the same. An array of 1280 × 720 on a 16:9 display has square pixels, but an array of 1024 × 768 on a 16:9 display has oblong pixels.
An example of pixel shape affecting "resolution" or perceived sharpness: displaying more information in a smaller area using a higher resolution makes the image much clearer or "sharper". However, most recent screen technologies are fixed at a certain resolution; making the resolution lower on these kinds of screens will greatly decrease sharpness, as an interpolation process is used to "fix" the non-native resolution input into the display"s native resolution output.
While some CRT-based displays may use digital video processing that involves image scaling using memory arrays, ultimately "display resolution" in CRT-type displays is affected by different parameters such as spot size and focus, astigmatic effects in the display corners, the color phosphor pitch shadow mask (such as Trinitron) in color displays, and the video bandwidth.
Most television display manufacturers "overscan" the pictures on their displays (CRTs and PDPs, LCDs etc.), so that the effective on-screen picture may be reduced from 720 × 576 (480) to 680 × 550 (450), for example. The size of the invisible area somewhat depends on the display device. Some HD televisions do this as well, to a similar extent.
Many personal computers introduced in the late 1970s and the 1980s were designed to use television receivers as their display devices, making the resolutions dependent on the television standards in use, including PAL and NTSC. Picture sizes were usually limited to ensure the visibility of all the pixels in the major television standards and the broad range of television sets with varying amounts of over scan. The actual drawable picture area was, therefore, somewhat smaller than the whole screen, and was usually surrounded by a static-colored border (see image below). Also, the interlace scanning was usually omitted in order to provide more stability to the picture, effectively halving the vertical resolution in progress. 160 × 200, 320 × 200 and 640 × 200 on NTSC were relatively common resolutions in the era (224, 240 or 256 scanlines were also common). In the IBM PC world, these resolutions came to be used by 16-color EGA video cards.
The availability of inexpensive LCD monitors made the 5∶4 aspect ratio resolution of 1280 × 1024 more popular for desktop usage during the first decade of the 21st century. Many computer users including CAD users, graphic artists and video game players ran their computers at 1600 × 1200 resolution (UXGA) or higher such as 2048 × 1536 QXGA if they had the necessary equipment. Other available resolutions included oversize aspects like 1400 × 1050 SXGA+ and wide aspects like 1280 × 800 WXGA, 1440 × 900 WXGA+, 1680 × 1050 WSXGA+, and 1920 × 1200 WUXGA; monitors built to the 720p and 1080p standard were also not unusual among home media and video game players, due to the perfect screen compatibility with movie and video game releases. A new more-than-HD resolution of 2560 × 1600 WQXGA was released in 30-inch LCD monitors in 2007.
In 2010, 27-inch LCD monitors with the 2560 × 1440 resolution were released by multiple manufacturers, and in 2012, Apple introduced a 2880 × 1800 display on the MacBook Pro. Panels for professional environments, such as medical use and air traffic control, support resolutions up to 4096 × 21602048 × 2048 pixels).
In this image of a Commodore 64 startup screen, the overscan region (the lighter-coloured border) would have been barely visible when shown on a normal television.
When a computer display resolution is set higher than the physical screen resolution (native resolution), some video drivers make the virtual screen scrollable over the physical screen thus realizing a two dimensional virtual desktop with its viewport. Most LCD manufacturers do make note of the panel"s native resolution as working in a non-native resolution on LCDs will result in a poorer image, due to dropping of pixels to make the image fit (when using DVI) or insufficient sampling of the analog signal (when using VGA connector). Few CRT manufacturers will quote the true native resolution, because CRTs are analog in nature and can vary their display from as low as 320 × 200 (emulation of older computers or game consoles) to as high as the internal board will allow, or the image becomes too detailed for the vacuum tube to recreate (i.e., analog blur). Thus, CRTs provide a variability in resolution that fixed resolution LCDs cannot provide.
As far as digital cinematography is concerned, video resolution standards depend first on the frames" aspect ratio in the film stock (which is usually scanned for digital intermediate post-production) and then on the actual points" count. Although there is not a unique set of standardized sizes, it is commonplace within the motion picture industry to refer to "nK" image "quality", where n is a (small, usually even) integer number which translates into a set of actual resolutions, depending on the film format. As a reference consider that, for a 4:3 (around 1.33:1) aspect ratio which a film frame (no matter what is its format) is expected to horizontally fit in, n is the multiplier of 1024 such that the horizontal resolution is exactly 1024•n points.2048 × 1536 pixels, whereas 4K reference resolution is 4096 × 3072 pixels. Nevertheless, 2K may also refer to resolutions like 2048 × 1556 (full-aperture), 2048 × 1152 (HDTV, 16:9 aspect ratio) or 2048 × 872 pixels (Cinemascope, 2.35:1 aspect ratio). It is also worth noting that while a frame resolution may be, for example, 3:2 (720 × 480 NTSC), that is not what you will see on-screen (i.e. 4:3 or 16:9 depending on the intended aspect ratio of the original material).

I’ve reviewed monitors and laptop displays for over a decade. While different monitors suit different owners, I believe the idealhome office monitor has a 27-inch screen and 4K resolution. It uses an IPS panel, reaches a brightness of at least 250 nits, and can display 99 percent of the sRGB color gamut. Around back you’ll find a USB-C port that can deliver enough power to charge a laptop, along with HDMI and DisplayPort, plus an ergonomic stand that can adjust for height and attaches to a VESA mount.
Most standard-width monitors come in one of three sizes: 24-inch, 27-inch, and 32-inch. Bigger is not necessarily better. A large display may look more impressive, but I find it uncomfortable when placed close to my eyes. There are also practical considerations like perceived pixel density. A big monitor will look fuzzier than a smaller monitor of the same resolution unless you move it further away — which isn’t always an option.
You can be creative with size if you mount a VESA-compatible monitor to an arm, as this will let you move it to your preference (including the proper ergonomic height). If you’re just doing it to move a large monitor farther away, though, give it a second thought. Why spend more for a larger monitor, and a monitor arm to position it farther away, instead of buying a smaller display to start?
If you’re looking to stretch more screen across your field of view for multitasking, you might consider an ultrawide monitor instead. There, I think the choice is clear: go for a 34-incher.
Smaller models lack vertical space. A 29-inch ultrawide has less vertical display space than a 24-inch widescreen. Larger models generally have the opposite problem. Many are too big for a typical home office desk, not only because of their screen size, but because of the large stands used to stabilize them (some are several feet wide). You might need to rearrange your desk around a 38-inch or 43-inch monitor or add a top-tier monitor arm to make it work.
Resolution is key. A higher resolution means more pixels, and more pixels means a sharper, crisper image. More pixels also adds flexibility. You can use scaling features in Windows and MacOS to increase content size for readability, or crank it down to show more content at once.
Twenty-four-inch monitors are a different story; 4K is rare, and 1440p is often the premium option. In fact, most monitors of this size are 1080p. It’s not ideal but it’s acceptable, as decreasing size increases pixel density. A 24-inch 1080p monitor is noticeably sharper than a 27-inch 1080p monitor.
Want a 34-inch ultrawide? Look for 3,440 x 1,440 resolution. This leads to a pixel density nearly identical to a 27-inch 1440p monitor (about 109 pixels per inch). A handful of super-budget ultrawides use 2,560 x 1,080 resolution which, like 1080p on a large monitor, isn’t pleasant. LG’s 5K Ultrawide line is the sole option if you want 4K-equivalent pixel density in a 34-inch ultrawide, but you’ll typically pay $1,500 or more. LG’s well-reviewed 38-inch with 3,840 x 1,600 resolution costs even more at $1,600 and, though it might offer more screen, is equal in pixel density to a 3,440 x 1,440 ultrawide.
USB-C monitors are also expensive. The benefits often add several hundred dollars to the price when compared to an otherwise similar monitor that lacks USB-C. It’s worth the money, though: in 2019, I purchased a Viewsonic VG2455-2K for a sweet one-cable connection to USB-C capable laptops, and find it ideal for swiftly connecting my laptop to a larger screen.
If you are looking for an HDR monitor, DisplayHDR certification labels could help, but know that “peak luminance” means “a tiny region on screen can get that bright,” and DisplayHDR 400 is barely HDR at all. Screenshot by Sean Hollister / The Verge
Nearly all monitors sold today use an LCD panel based on one of three technologies: twisted nematic (TN), in-plane switching (IPS), and vertical alignment (VA).
If you demand the very best from a monitor, however, I recommend Mini LED. OLED’s burn-in worries are legitimate on the PC which, compared to a television, will display static images more frequently. Mini LED can’t match OLED’s contrast, but it’s still a major upgrade over a backlit LCD screen. There’s also the emerging category of quantum dot OLED (QD-OLED) screens, but manufacturers haven’t announced prices for those yet.
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All of this may seem self-explanatory, but TV sizing can get tricky. That"s because screen size and overall dimensions do not necessarily correlate. The screen size of a TV is measured diagonally from one corner of the panel to the opposite corner. This does not include the bezels or any other outside surface of the TV.
Many models in a particular sizing category -- such as 55 inches, 65 inches, etc., -- are not strictly the size in which they are labeled. The viewable display size is sometimes a little smaller or even a little bigger than the category it is in. The differences tend to be less than an inch either way and are usually within round-up distance of the appropriate size. For example, a 50-inch TCL 4-Series TV has a 49.5-inch viewable display. And the side of the bezel, or frame around the screen itself on the top, bottom and sides, also varies somewhat.
Now that you have a good idea of what screen size you"re looking for, it"s time to figure out what brand and model is right for you. We may be biased, but we think a great place to start is
There are lots of things to consider beyond size, from display type to picture quality and smart TV features. Here are just a few important aspects to keep in mind:Nearly every TV, includingLED LCD TVs withOLED TVs use a completely different technology to light a screen than LEDs. They have theThe ability to produce a deep shade of black -- which translates into high
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