canon lcd panel on top of camera pricelist

***EDIT -- I was unable to ever speak with an actual technician regarding the repair. I did speak with multiple people on the 800 number and the best possible explination that I got was that it is likely that the whole top portion of the camera had to be replaced, including the top LCD screen, as Waddizzle said could be possible. I still did not receive a full explination. On my invoice it simply says that Labor = $590. There are no details online, even the letter that I received in the mail does not say anything other than CMOS scratched. The original problem isnt even mentioned anywhere on any repair details. I just paid it because its nearing a month since I sent the camera to the Canon Repair facility, and I need it back as I have a job coming up and it is my only piece of equipment at this time. I"m hoping it will be returned with a more detailed report of the work that was done so that I can have for my records and peace of mind, as this has turned out to be a mini nightmare. I doubt I will use Canon in the future though, since I could never get a detailed answer, online or via phone, and will likely make the switch back to Sony for my next upgrade/purchase. Thanks everyone for your input.

Has anyone had an experience with sending their camera to Canon for repair and the price being ridiculously high and/or other issues magically popping up once they inspect the camera? My 6dM2 stopped shutting off... everything on the camera worked fine, images were clear, all settings worked, etc, the off switch just was not working. I sent in the camera over 3 weeks ago with an exact, detailed description of the issue that I was experiencing. They came back with an original quote of $350+, saying that the LCD screen was not functioning. I had used the camera the day that it was sent off. the LCD screens were both working just fine. I decided to bite the bullet and just pay since they already had the camera and I didn"t want to take the risk of receiving it back in worse shape than it was sent. 4-5 days later, I receive an email stating that my payment was refunded and a new quote was available for my review....this one over $600!

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The best Canon cameras are known for their great autofocus, intuitive and simpler user interface, and of course, sharp and clean image quality with great color reproduction. But, with a catalog of options across all formats, finding the best Canon camera isn’t straightforward.

Lucky for you, we’ve tested all of the Japanese manufacturer’s top models, from easy-to-use compacts to full-frame mirrorless cameras, to determine the pecking order of its camera family. And, we"ve gathered the best Canon cameras we"ve tried and tested for your consideration.

Currently, the Canon EOS R5 is among the finest full-frame mirrorless models on the market right now, featuring superb autofocus, solid in-body image stabilization with a high-resolution sensor, and outstanding 8K video recording capabilities. However, if you"re looking for the king of speed, then the Canon EOS R3 takes that crown. Both of these cameras are considered professional-grade cameras and therefore are featured within our best professional cameras, too.

If you are looking for the most affordable Canon camera, on the other hand, there"s the Canon EOS R10. It"s compact and versatile yet impressively affordable, representing excellent value for enthusiasts looking to shoot wildlife or action in particular.

If none of those are right for you, we"ve got Canon cameras of all shapes and sizes on our list. Besides recent releases like the EOS R7, we’ve included some of the best vlogging cameras such as the Canon PowerShot G7 X Mark II, plus entry-level DSLR options like the EOS Rebel SL3 / 250D.

Entry-level or expert, mirrorless or DSLR: our list below covers the best Canon cameras for every need, budget, and skill level. We even included the best deals or prices available so you can score some savings as well.

There"s a heck of a lot to like about the Canon EOS R5, particularly if you"re mainly a stills photographer. In fact, we"d say that there"s never been a better Canon camera for those who shoot a wide range of photography.

We"ve spent a lot of time with the EOS R5 since it launched, and our tests have consistently found it to have fantastic image quality, seriously impressive autofocus, and decent battery life. We"re also big fans of the body design, which combines a responsive touchscreen with a superb electronic viewfinder.

It might have the headline-grabbing spec of 8K video, but the picture is a little less clear for videographers. The EOS R5"s overheating restrictions are likely to put off those who mainly shoot lengthy clips (interviews, for example). We"ve tested the EOS R5"s latest firmware, though, and didn"t get any overheating warnings when shooting a short film in 32-degree temperatures, so it"s certainly a very capable video camera for most people.

Canon clearly went all-out on the EOS R5, and it"s close to being the perfect Canon camera for hybrid shooters. However, that comes at a cost. The EOS R5 has a high asking price, but if you"re keen on the brand, then it may be worth paying.

Look past the old-school sensor and Canon’s EOS R10 shapes up as one of the best entry-level mirrorless cameras for beginners. Fitted with Canon’s powerful Digic X chip, it also benefits from truly modern autofocus abilities.

In testing, the processor and AF tracking together proved remarkably powerful yet accessible for learners. Continuous shooting speeds of 15fps with the mechanical shutter also mean the EOS R10 is a winner if you want to experiment with action photography.

With dual control dials and a dedicated AF joystick, the EOS R10 offers the welcome ability to get hands-on with creative shooting. Its lightweight body also feels comfortably familiar to anyone coming from DSLRs, with the sharp articulating touchscreen also making it an easy switch for smartphone photographers.

Low-light abilities are limited by the lack of in-body image stabilization, but image quality is decent, with plenty of detail hiding in the shadows. Video skills are solid too, with 4K footage oversampled at 30fps. Provided Canon comes out with more native APS-C lenses to grow with, the R10 hits the top spot for beginners.

The Canon EOS R3 is unashamedly a professional mirrorless camera, with a body that looks more like a sports DSLR than the more compact EOS R5. There"s a good reason for this, though – it"s built for speed rather than resolution, and if that"s your priority then it"s the best Canon camera around. During our extensive time with the EO R3, we found it to be one of the best sports and wildlife cameras we"ve ever tested, thanks to its incredible autofocus skills, 30fps raw burst shooting and touch magnesium alloy build.

This power is unlocked by a 24.1MP backside-illuminated stacked CMOS sensor, which makes it a stellar video tool, too. It can shoot 6K/60p raw video internally without any noticeable rolling shutter, and also comes with a handy articulating touchscreen. In short, the EOS R3 is the pinnacle of mirrorless camera technology – it"s big and expensive, but if you need an uncompromising Canon camera and can afford to pay the premium, you won"t be disappointed.

Hitting the APS-C sweet spot, the EOS R7 is one of the top options in Canon’s line-up for enthusiast shooters. Compact proportions make it a nice camera to use, with a reasonably chunky grip and accessible control layout. Yet it also benefits from a generous feature set, while undercutting its full-frame cousins.

Among the highlights is Canon’s latest Dual Pixel CMOS AF II autofocus, which proved both rapid and reliably capable of keeping up with subjects. Electronic burst speeds of up to 30fps also make it a dream for sports and wildlife photography, with in-body image stabilization offering eight stops of compensation when shooting handled.

Overall, our real-world usage proved that the EOS R7 can produce lovely images in a wide range of conditions. Low-light results aren’t quite on par with Canon’s full-frame models, but it’s hard to argue when you’re getting such impressive versatility and value. That includes two UHS-II card slots, an articulating touchscreen, and the ability to shoot uncropped 4K/60p video.

All that’s really holding the Canon EOS R7 back right now is a lack of native lenses. This is something that Canon will hopefully address if the RF-S system becomes as popular as it should be.

The Canon EOS R6 is a more affordable, pared-back version of the R5 for those who prize speed over resolution. If you shoot a lot of sports and wildlife, that"s a potentially winning formula – in our tests, we"ve found it to be one of the best mirrorless all-rounders you can buy.

At 20.1MP, its full-frame sensor has a lower pixel count than even the EOS 6D Mark II. At 4K/60p, its video resolution doesn’t come to close to the 8K offered by the R5. Yet as a package, we found the EOS R6 to be an absolute joy to shoot with. Its Dual Pixel autofocus is tenacious and accurate, while Canon’s first attempt at in-body image stabilization proved to be, in our experience, an unmitigated success.

Its best skill, though, is its blisteringly quick 20fps burst speeds with the electronic shutter, or 12fps with the mechanical one. This makes it a better choice for shooting speeding subjects than rivals like the Sony A7 IV. On the downside, our tests found the dynamic range to be slightly disappointing. But color reproduction overall is excellent, noise-handling good and image quality is otherwise impressive.

It"s now a few years old, but the Canon EOS RP continues to offer excellent value for those who want to go full-frame, but can"t stretch the pricey Canon EOS R5 and EOS R6. We found it to be charmingly compact and easy to use during our tests, which means even beginners will be able to quickly find their way around the camera. However, the EOS RP"s small size does occasionally make the camera feel front-heavy when using larger lenses.

On the plus side, Canon"s wide range of RF lenses also works in the EOS RP"s favor, particularly when you pair it with relatively affordable primes like the RF 50mm f/1.8. the EOS RP"s 4K video game is a little more restricted, as it comes with a 1.6x crop factor and you can"t use Canon"s trusted Dual Pixel CMOS autofocus system above 1080p Full HD resolution. But besides that, we continue to be impressed by the value the EOS RP offers. It has excellent AF performance, produces vibrant and sharp images, boasts a wonderfully responsive rear LCD touchscreen, and can be used with existing EF lenses with a lens adaptor.

Despite the arrival of Canon"s first APS-C cameras for its RF mount – the Canon EOS R7 and EOS R10 – the camera giant"s EOS M series lives on as an even more compact alternative for hobbyist shooters. And the EOS M50 Mark II is the series" best model, offering good performance and features across stills and video for a very reasonable price.

We"d have liked to have seen a bigger upgrade on the EOS M50, as the Mark II still have a heavy 1.56x crop on 4K video. This crop goes up to 1.75x if you turn on digital image stabilization, which was too much for most shooting situations in our experience. But if you"re happy to shoot 1080p video, this camera is well worth considering. We remain impressed with the performance of its 24.1MP APS-C CMOS sensor, with our tests revealing it to be very capable of producing high-quality images in a variety of situations. The camera also combines a vari-angle touchscreen and microphone input with a diddy, travel-friendly design.

Canon’s EOS 200D was an entry-level DSLR with enthusiast aspirations. Its successor builds on that approach, adding a few straightforward updates to create an even more competent beginners’ camera which nails the basics. In our tests, we found its battery life to be excellent, while it"s Dual Pixel CMOS AF system produced an impressive hit-rate. As you"d expect from a Canon DSLR, the image quality also impressed, with pleasing colors and good exposure in a variety of conditions.

Long popular with vloggers, Canon’s G7X range has kicked it up a notch with its latest implementation. In our tests, we found its 20.1MP one-inch sensor to be very capable. But the G7 X Mark III is also equipped with uncropped 4K video recording, and a microphone socket, which is something that"s been requested on its compact cameras for a very long time.

Until recently, the EOS M6 Mark II was Canon"s flagship APS-C camera, but that title now belongs the Canon EOS R7. The arrival of the latter pushes this model down our list, but it"s still a great choice as a traveling companion and you do get the option of having no viewfinder, which further boosts its portability.

Its tiny body houses a 32.5MP APS-C sensor (the same one that"s in the Canon EOS 90D listed below) and, working with a Digic 8 image processor, it offers up to 14fps continuous shooting. In our experience with the camera, this was great for sports, wildlife, street photography, and virtually any moving subject we pointed it at.

Unlike the EOS RP (see no.3), its 4K video is uncropped and uses the entire width of the sensor, which we found to be a boon for the video quality. There"s also a microphone input socket and a screen that faces all the way forward, which makes this a fine vlogging camera – particularly if it now sees a price drop with the arrival of the EOS R7 and EOS R10.

Just when most people assumed that DSLRs were dead, Canon decided to prove otherwise. The EOS 90D is almost certainly its last mid-range DSLR, but if you prefer the larger bodies and longer battery lives of those cameras, then it"s a fine performer that"s still well worth considering.

When it launched, the EOS 90D was the first camera of its kind to boast a 32.5MP sensor. Alongside its Digic 8 processor, this gives it the ability to capture 4K video at up to 30fps which is, thankfully is uncropped. While it"s the same sensor and image engine pairing as the EOS M6 Mark II mentioned above, the EOS 90D doesn"t quite have the speed of its mirrorless cousin, instead topping out at 11fps when shooting continuously in live view mode.

There"s a new metering sensor under the hood as well and in our tests we found its performance to be excellent, exposing areas of light and shadow to near-perfection. However, we did find that due to the high pixel density on the crop sensor, noise performance wasn"t the best. Still, for the most part, that can be taken care of during post-production.

The battery has a CIPA rating of 1,300 shots, but our tests showed the camera is capable of well over that, which is way more than what you"d get from the average mirrorless camera. All in all, it"s a wonderfully versatile snapper for anyone who prefers the DSLR experience.

Canon’s first full-frame mirrorless camera was something of a hit-and-miss affair. But if you"re a Canon fan who"s looking for a relatively affordable full-frame camera with the RF mount, it"s still worthy of investigation.

While the model retains much of what makes the EOS DSLR line special, Canon threw in a superb electronic viewfinder with a 3.69-million dot resolution, which remains very respectable to this day. We’re also very impressed by the range of RF lenses that are now available for the system, although Canon has continued support for its huge EF lens system through three separate adapters.

It would have been nice to see an AF lever, sensor-based image stabilization, and an additional card slot to make the EOS R truly competitive. But during our tests, we found ourselves to be blessed with excellent autofocus (albeit not quite up to its latest mirrorless models). We were also impressed with its handling and very sound image quality. If you’re a user of older EOS 5D or double-digit models and are looking to step up to Canon’s full framer, you should also find adopting the EOS R to be a pain-free affair.

Think of a superlative and it probably describes the Canon 1DX Mark III. A flagship sports DSLR in every sense, Canon packed this full-framer so full of features – and with so much performance – that it automatically deserves a spot on this list. The only reason it"s so far down is because of the arrival of its mirrorless equivalent –the Canon EOS R3 – and the fact that its power and price tag simply make it too much camera for most people.

Physically, the 1DX Mark III is the same size as its predecessor, but 90g lighter and as ergonomic as ever. Two new Smart Controllers also make it a cinch to operate, courtesy of optical sensors that let you navigate focus points with the lightest swipe of your thumb.

At its heart is a Digic X processing chip, which is three times quicker than the one in the 1DX Mark II. In our tests, we found that this worked very nicely alongside the completely redesigned sensor to deliver impressive 4K video at 50fps, blistering continuous frame rates and an almost unlimited buffer.

Then there’s the autofocus. Driven by deep learning for subject recognition and detection, it was supremely fast and infallibly accurate in our experience, rivaling the very best mirrorless models – whether you use the optical viewfinder or Live View. In summary, it’s supremely capable and can comfortably outgun almost all the competition, mirrorless or DSLR.

Canon has managed to pack a lot into this little pocket rocket, combining a stacked CMOS sensor with a Digic 8 imaging engine. This gives the PowerShot G5 X Mark II the ability to capture stills at a blitzing pace of 30fps when shooting raw, or 20fps when shooting conventionally.

Our tests found that the G5 X Mark II"s ISO performance has been improved over previous iterations, while 4K video capture has also been added. For those who prefer a viewfinder to use the rear LCD screen, the pop-up EVF has a darn good resolution of 2.36-million dots. Despite packing in an EVF, Canon has even managed to add a flash to the camera. There"s also an ND filter available on board if you happen to be shooting in brilliant sunlight.

We found the noise performance to be pretty good for a camera with a 1-inch sensor, although the 4K video quality isn"t anything to write home about, particularly when compared to the likes of Sony"s latest Cyber-shot RX100 range. Despite that, the G5 X Mark II is an excellent choice for a compact, provided you"ve got the spare change for it.

Canon’s 5D range continues to be popular among traditionalists. And for good reason; these high-specced DSLRs offer a huge number of features in a body that handles superbly.

Here we have an excellent 30.4MP sensor which, although lower in resolution than the likes of the Nikon D850, still gives you plenty of scope to create fantastic shots in a range of conditions.

Our tests also found that the 61-point AF system performed well in low-light and was also impressively super-quick, if not quite up to the standard of the latest mirrorless models. 4K video recording is available, but this being a slightly older model, we’re limited to 30p.

Although autofocusing is whip-smart, the 5D Mark IV can only manage 7fps, which puts it behind many newer models. But if you’re shooting landscapes, portraits, still life - in short, anything which doesn’t move too quickly - you"ll find it to be an excellent photographic companion.

It can be tricky to pick the right Canon camera for you. The brand offers a wide array of choices, ranging from pocket-friendly compacts to bulkier DSLRs to cutting-edge mirrorless systems. Canon caters to pretty much every type of photographer and filmmaker out there, and which model is right for you will depend hugely on what and how you like to shoot. In particular, you’ll need to consider which body style and sensor format best suits your needs.

If you’re into sports and wildlife photography, for example, should you should be looking for a camera with fast frame rates and reliable in-body image stabilization to steadily capture rapid action. The Canon EOS R3 delivers all this and more (but at a price).

Equally, if you’re more focused on moving images than moving subjects, Canon’s range is home to several video-focused cameras, which support external microphones, feature flip-out screens for easy framing, and can capture uncropped 4K footage. The Canon PowerShot G7 X Mark III is a pocketable solution for travelers, as is the Canon EOS M6 Mark IIfor those who’d like an APS-C sensor in a travel-friendly form factor (though it might be an idea to hold off a little to see how the R7 and R10 perform).

Canon also makes several fantastic all-rounders. These versatile cames work well in multiple scenarios, and will often be the best choice for hobbyists who’d like to try their hand at multiple photography and video genres. The Canon EOS R6 is the best Canon all-rounder you can currently buy, while the EOS Rebel SL3 / EOS 250D is a more affordable all-rounder.

Canon has traditionally been a big player in the DSLR market, which has now come to an end, thanks to the popularity, weight saving, and technological breakthroughs with mirrorless tech. While it still remains one of the most established names in relation to the format, it’s now also become a mirrorless force to be reckoned with. If you’re searching for the ultimate in resolution, performance, and technology, you should be looking at its latest mirrorless cameras, like the Canon EOS R3, R5, and EOS R6. That said, you’ll need a pretty serious budget to take one home.

Which is the best Canon camera for beginners? We think the best all-round Canon camera for most novices is the Canon EOS Rebel SL3 / EOS 250D. A lightweight, entry-level DSLR with excellent battery life and ergonomics that make it great to hold, it’s a brilliant camera for new photographers to handle. Although its 9-point autofocus system is dated, it performs consistently and image quality is good. Plus there are plenty of compatible lenses in Canon’s catalog when you’re ready to get creative.

That said, if you’d prefer to start out with a mirrorless camera, the Canon EOS M50 is also an excellent choice for beginners. Since succeeded by the Canon EOS M50 Mk II (a minor upgrade), it remains a very capable APS-C camera that’s accessible and easy to use. Its combination of an excellent electronic viewfinder with a slick, vari-angle touchscreen makes it very approachable for first-timers. Dual Pixel autofocus is also fast and reliable. If you can look past the limited battery life and plasticky finish, it’s a great value choice if you’re just starting out.

Prepared to take the plunge and buy a camera that you can grow into? The Canon EOS RP is a full-frame mirrorless camera that’s relatively affordable and offers top-notch performance. It’s compact and easy to use thanks to a responsive rear touchscreen, so beginners should quickly get to grips with its interface – yet the EOS RP also produces sharp, vibrant images and boasts excellent autofocus performance. If you can deal with the 1.6x crop on 4K footage, it’s an appealing package.

Buying a camera these days is a big investment, so every camera in this guide has been tested extensively by us so we can authoritatively decide on the best Canon camera. These days, real-world tests are the most revealing way to understand a camera"s performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.

To start with, we look at the camera"s design, handling, and controls to get a sense of what kind of photographer it"s aimed at and who would most enjoy shooting with it. When we take it out on a shoot, we"ll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.

When it comes to performance, we use a formatted card and shoot in both raw and JPEG (if available). For burst shooting tests, we dial in our regular test settings (1/250 sec, ISO 200, continuous AF) and shoot a series of frames in front of a stopwatch to see if it lives up to its claimed speeds. We"ll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.

In various lighting conditions, we also test the camera"s different autofocus modes (including Face and Eye AF) in a single point, area, and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor"s ability to handle noise and resolve fine detail.

If the camera"s raw files are supported by Adobe Camera Raw, we"ll also process some test images to see how we can push areas like shadow recovery. And we"ll also test its ISO performance across the whole range to get a sense of the levels we"d be happy to push the camera to.

Battery life is tested in a real-world fashion, as we use the camera over the course of the day with the screen set to the default settings. Once the battery has reached zero, we"ll then count the number of shots to see how it compares to the camera"s CIPA rating. Finally, we test the camera"s video skills by shooting some test footage at different frame rates and resolutions, along with its companion app.

We then take everything we"ve learned about the camera and factor in its price to get a sense of the value for money it offers, before reaching our final verdict.Round up of today"s best deals

Let"s be honest The best Canon camera for you will be different than the best one for me. This post will help you decide on the best format for your new Canon and has links to the different choices you have for choosing.

Size and price are the two biggest factors that people consider first. Generally the bigger you go the more you spend. Size and cost are important for sure, but you also need to take a realistic look at how you want to use your camera right now as well as what you want to photograph in the future.

This is such a ridiculous large amount of camera gear for the price that if I didn"t already have 3 Canon DSLR bodie I"d buy it myself. The "t" series of Canon cameras have been their most successful for sure with beginning photographers.

You get a little more if you get a t6i, but it"s hard to justify the big price jump to get a t6i rather than a t6. The evolution of the Canon "t" series from one version to the next has not been earth shattering, but give Canon credit for continuously improving this series of very popular DSLR camera bodies.

The only shortcoming you have in the Canon Rebel t6 is its lackluster performance as a fast action sports camera. It only shoots at 3 frames per second. I shot the US tennis open about 10 year ago with a camera that only shot 3 fps and I got some great shots, but if you shoot a lot of fast paced sports you"ll want more speed.

Travel cameras are all about size, weight, and versatility. Mirrorless cameras make the most sense. The first few versions of Canon mirrorless cameras were really lame. They really did suck.

Enter the M5, M6, and M100 and you"ve got three great candidates for good traveling cameras from Canon. The M100 has a great sensor, but I personally like more dial controls on top of my cameras. They give me more of an experience of using a real camera.

The best Canon camera for photography enthusiasts has quality and versatility as the top top requirements. Technology has advanced so much that there"s no reason for you to tolerate mid-level performance. The Canon 80D will give you top performance.

You want a camera that has outstanding image quality, versatility and expandability. A Canon DSLR is your only choice. Although the mirrorless cameras are coming along nicely, you want the large selection of lenses and accessories that come along with a DSLR

The 80D"s dual pixel focusing system, the Digic 6 processor, the 24 MP sensor, and the Vari-angle touch LCD screen makes this camera outperform the expensive top professional DSLRs of only a few years ago.

Action, wildlife and sports photography requires your camera ro have fast focusing and fast frame rates. You can either spend top dollar for a true professional camera like the full frame Canon 1D X Mark II or go with a smaller APS-C  sensor Canon like 7D Mark II the where it"s easier to get frame rates up higher.

The Canon 1D X Mark II can shoot at a blistering 14 fps and the 7d Mark II can shoot at a speedy 10 fps. The 1D X Mark II costs about 4 times more than the 7D Mark II.

Both of these cameras excel at fast accurate focusing because of the number of focusing points and the dual pixel technology. What about the Canon 70D as a solid sports camera? It"s a little dated, but very affordable nowadays.

Here"s another post on options for a good Canon sports camera. It"s in response to a reader asking about photographing gymnastics and basketball. Here"s the link.

Just as important with wildlife, sports and action photography is having a fast lens that lets lots of light into your camera so that you can use super fast shutter speeds. With most of the situations you"ll encounter your lens has to have a lot of magnifying reach for distant subjects.

The Canon EOS-1D X Mark II comes to mind at first, but surprisingly I"m not going to recommend it. Yes, you read that right. The Canon 5D Mark IV is about $22000 cheaper and is smaller and easier to handle.

I know the expanded grip is the ultimate proof that you"re a shooting pro, but the performance of the 5D Mark IV and even the 6D Mark II for even less money are also superb.

It"s true that the 6D Mark II only has a 20 Mp sensor, but remember the megapixel myth. The full size sensor in the 6D Mark II gives you outstanding image quality.

Want a  Point and Shoot? Here are some thoughts on the Best Canon Point and Shoot Camera. How about the best canon dslr?    A premium compact like the Canon g12, Canon g15 or G1X?

planet and you shouldn"t just look at the most recently released.  You can get great deals on last year"s model once it has "replaced" by the newest Canon mode in the same category.

I don"t have the time, the testing equipment or the proper intellect to perform calibrated tests for color accuracy. Some Canon camera users just want to buy the latest and greatest new camera release as soon as it comes out regardless of price.

The three main categories of Canon cameras to consider are the point and shoot, the compact and the DSLR. Point and Shoot cameras include the Canon Powershot and the Canon Elf Cameras. (The Canon "Elf" is a commonly misspelled term. It is actually Canon Elph).

The two most important considerations for most camera buyers are price and features. I add size as an important third factor if deciding what camera to buy. Price is usually the first thing people focus on when choosing a camera. This is unfortunate because I often hear people complain about their camera and the way it works.

Don"t get me wrong. Price is very important. I always look at price. We are not as rich as Facebook"s Mark Zuckerberg or Amazon"s Jeff Bezos. It"s just my opinion to ignore price comparisons when you are first looking to pick your best camera choice. The Canon Powershot cameras are the best Canon cameras for beginners. They are very affordable and are big sellers for Canon for many reasons.

The Canon T3 still has one of the best demands for buying because of it"s price/quality ratio. The Canon Rebel T3i is a step up in quality, prices and features over the T3. The Canon 4ti is a commonly researched camera, but the correct spelling is Canon T4i.

owned to date. They are all part of the Rebel line of cameras that Canon makes and there are an infinite number of Canon Rebel Accessories available.Canon

Canon has been making cameras since 1935 The "Hansa Canon" was the standard and used a (Can you believe), Nikkor 50mm f/3.5 lens-Nikon is now Canon"s biggest rival, but the Canon vs. Nikon argument is for another day.

Canon finally appeared on the consumer digital camera scene with the PowerShot line of cameras starting in 1996 and has progressed rapidly to become one of the leaders in digital cameras. My opinions on the best Canon digital cameras are based on my personal preferences and shooting style.  Yours will be quite different, based on the type of photography you do, your experience as a photographer,  as well as the Canon camera reviews you read.

It"s my hope that this web site gives you some insight on making a good decision and having a blast with your newly acquired equipment. Whether you are shopping for the best Canon camera, lenses, a Speedlite or other accessories. make it a fun process!

I started my portrait photography business in 1992 by buying used medium format cameras and related accessories form sellers on ebay. It was a little risky buying equipment that way, but I was just starting a portrait photography business and getting the cheapest price was the only option.

You can mix in some buying used equipment from a local used camera equipment retailer but they"re almost all out of business now. the brick and mortar camera stores have all gone belly up.

The only think that was inconvenient was that they often required a signature for delivery of many of the photography items I ordered. Times have certainly changed. It was before on-line shopping exploded. Now my best deals on Canon cameras and accessories comes from Amazon.

I signed up for Amazon Prime. But here is my disclaimer. The prices on Amazon are always very good, but they are not always the absolute, bottom, very lowest price.  Pretty close, but not the absolute cheapest every time.

It"s my favorite place to buy my camera equipment as well as a lot of other regular house hold products as well for several reasons:The return policy is outstanding for any product that doesn"t meet your expectations.

If you are strictly looking for the cheapest price on Canon cameras and accessories, there are sites like Pricegrabber.com that search for prices from various online digital camera retailers.

The video was shot with my Canon 5D Mark III which does HD video. The grip on this camera has such a great feel to it. I"ve purchased many cameras over the last 35 years and I was perhaps more excited about buying this camera than any other.

Bruce Lovelace is the publisher of Canon Camera Geek. Read more about him on theAboutPage. He also publishes how to articles and camera gear reviews at thePhotography Tipswebsite.

View some of Bruce"s photos onInstagram  andFlickr.Join the tribe of followers onYouTube. Visitthe Canon GeekFaceBook Page.Bruce also runs photo workshops and provides 1 on 1 digital photography coaching.

Canon Waterproof Camera. Should you get a camera that can go underwater by itself or get underwater camera housing to put your Canon camera in? Here are you options for accessories for underwater cameras.

Canon Camera Books. You can learn a lot about a specific Canon camera by reading a book that gives you a different perspective than the camera manual that comes with your camera. This could be a valuable tool in helping you choose the best Canon camera for your situation.

An articulating or vari-angle LCD – commonly called a flip screen – is a useful addition to a camera. The screen is mounted on a swivel, allowing you to flip the screen away from the camera body and rotate the LCD 360 degrees.

Flip screens have traditionally been useful for taking photos at unusual angles. For instance, framing a bug’s-eye view from ground level used to mean setting your camera down low and awkwardly trying to see through the optical viewfinder. There was usually a lot of guesswork involved.

With a vari-angle, or flip screen, you can now set the camera up at ground level and angle the articulating LCD up towards you and frame the scene in live view.

Likewise, a flip screen allows you to shoot overhead by swivelling the screen down. Street photographers might also appreciate a swivel screen because it can let you shoot more discreetly. Shooting from the hip is a lot easier with a flip screen and gives you more control. Hold the camera against your body and angle the swivel screen upwards so you can frame your shot, then shoot discreetly.

Despite all these advantages for shooting stills, it’s probably the rise of vlogging that has seen the popularity of cameras with flip screens soar. Like shooting self-portraiture, vlogging requires placing yourself on the other side of the camera, and before flip screens were a thing this required a lot of careful setup and trial and error.

But swivel LCD touchscreens mean you can now place your camera in front of you, frame your shot accordingly and simply tap the screen to take a picture or start recording. If you have even modest ambitions to post videos on YouTube, a camera with an articulating screen will undoubtedly be the best option for you. In this guide we’ll round up the best cameras with flip screens.

Metering: 384-zone metering with Evaluative metering (linked to All AF points), Partial metering (approx. 6.1% of viewfinder at centre), Spot metering: Centre spot metering (approx. 3.1% viewfinder at centre), Centre weighted average metering

Maximum video resolution: Uncropped, internal raw recording 8K video at up to 29.97fps in 4:2:2 10-bit in Canon Log (H.265) or 4:2:2 10-bit HDR PQ (H.265), Uncropped internal recording 4K video at up to 119.88fps in 4:2:2 10-bit in Canon Log (H.265) or 4:2:2 10-bit HDR PQ (H.265) 4:2:2 10-bit in Canon Log or 4:2:2 10-bit HDR PQ, 4K output over HDMI at up to 59.94fps

Autofocus: Dual Pixel CMOS AF II with Advanced Animal AF (recognising dogs, cats and birds) supported in all video modes with 100% coverage and up to 1053 "AF segments"

The Canon EOS R5 leaves little doubt that Canon is now serious about the mirrorless camera market. It has phenomenal specification with features like a 45Mp full-frame sensor, phase detection autofocusing that covers the whole frame, eye AF for humans and animals that works in video and stills mode and a class-leading viewfinder paired with a vari-angle touchscreen.

The Canon EOS R5 is built to a similar standard to the Canon EOS 5D Mark IV and has a magnesium alloy construction along with weatherproof seals. Its handling is also similar, but the control arrangement has changed to accommodate the vari-angle screen.

It’s great to have a vari-angle screen on the EOS R5. It makes it much easier to shoot video from above or below head-height while keeping the kit size and weight down. Also, as the screen is touch-sensitive you can control the camera with a few taps.

Autofocus: Dual Pixel CMOS AF II with Advanced Animal AF (recognising dogs, cats and birds) supported in all video modes with 100% coverage and up to 1053 "AF segments"

While the R6’s viewfinder is the same size as the R5’s (it’s a 0.5-inch type), its resolution is lower at 3.69million dots instead of 5.76million. That’s the same as in the EOS R and on par with the electronic viewfinders in the Sony A9 and Nikon Z7. It’s a great EVF specification for a camera of this level.

If the display performance is set to ‘Power saving’ in the Shoot8 section of the menu, fast-moving subjects look a bit jerky when you shoot them. Switching to the ‘Smooth’ setting makes the movement look more natural.

There’s also a 3-inch vari-angle touchscreen with 1.62million dots. We’re a fan of vari-angle screens because they make shooting portrait or landscape format images from above or below head-height much easier than a fixed screen. And a tilting screen is only of help with landscape format images.

Both the viewfinder and the screen provide an accurate preview of the image as it will be captured. Overall, Canon’s control arrangement on the R6 and use of touch control is excellent and the vari-angle screen is a real asset.

Movie functions: Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist

Autofocus system: Hybrid AF with 759 phase detection points and 425 contrast detection points, Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select), sensitive down to -4EV

After we reviewed the Sony A7 III, a flip-out touchscreen was at the top of our wishlist for improvements we’d like to see on the next iteration of Sony’s full-frame all-rounder. Sure enough, Sony has given the A7 IV a vari-angle screen that can be flipped face forward or be angled to help compose low- or high-level shots in either landscape of portrait orientation.

What’s more, the A7 IV’s 3-inch 1,036,800-dot screen is touch-sensitive and users can now navigate the menus and settings with a tap. In previous Sony touchscreen LCDs, you were limited to setting the AF point via touch.

Sony has also carefully thought through the design, as well, placing the A7 IV’s mic port just above the screen on the side of the camera so it can still move freely when an external mic is plugged in.

Max video resolution: 4K (4096 x 2160) at 30, 25, 24p（approx. 102Mbps), 60, 50p (approx. 202Mbps), 4K (3840 x 2160) 30p, 25p, 24p (approx. 77Mbps), 60, 50p (approx. 152Mbps) all in LongGOP, Full HD (1920 x 1080) 30, 25, 24p / ALL-I（approx. 82Mbps), LongGOP（approx. 22Mbps） 60, 50p ALL-I（approx. 162Mbps, LongGOP（approx. 42Mbps)

OM System has given the OM-1 a very bright 1.62-million dot vari-angle touchscreen. It’s a 3-inch screen and like on the OM-D E-M1 III and OM-D E-M1X and it’s mounted on a vari-angle hinge. This vari-angle hinge means the screen can be angled for clear visibility whether you’re shooting in landscape or portrait orientation.

Like the screens on existing Olympus Micro Four Thirds cameras, the OM-1’s screen is touch sensitive. It responds quickly to a tap and it’s a shame that OM System’s hasn’t extended the touch control to the new main menu.

In overcast conditions and indoors, the OM-1’s screen gives an excellent view it also performs well in brighter conditions. my toughest test for this was when skiing on a bright sunny day trying to video my companions ahead of me. Keeping them framed as we all moved over the piste was challenging, but thankfully, I was able to see them on the screen.

Key video specifications: 4K (3840x2160) 4:2:2 10-bit LongGOP H.264 29.97/23.98p/25p and 150Mbps for up to 30mins, 4K (3840x2160) 4:2:0 8-bit LongGOP H.264 29.97/23.98p/25p and 100Mbps unlimited, Full HD (1920x1080) 4:2:2 10-bit LongGOP H.264 59.94/29.97/23.98p/50/25p and 100Mbps unlimited

Although Panasonic Lumix S5 is smaller than the GH5, it has a well-proportioned and ergonomically shaped grip. A rubber-like coating also ensures that the camera feels secure in your hand. It’s also weather-sealed so you don’t need to worry if the weather changes when you’re out on a shoot.

Despite the shrinkage in size and weight, the Panasonic Lumix s5 has both a 3-inch 1,840,000-dot vari-angle touchscreen and a 2,360,000-dot OLED electronic viewfinder built-in.

The Panasonic GH5 has a vari-angle screen and it was high on the request list for the S-series camera when their development announcement was made. However, the S1 and S1R have 3-way tilting screens. These are useful if you’re shooting in landscape and portrait format images, but they’re not as intuitive or flexible to use as a vari-angle screen and they can’t be seen from in front of the camera.

Happily, the Lumix S5’s screen delivers what many were hoping for and it can be flipped around to face forwards. It means that the S5 could also be a good full-frame vlogging camera.

Further good news is that, like the viewfinder, the S5’s screen provides an excellent preview of the image. If you’re shooting outdoors in bright conditions it’s worth activating the Live View Boost to brighten screen to make the scene easier to see. The screen is also very responsive to touch.

Key video specs: 5.8K (5760x4320) (4:3) at 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 5.7K (5728x3024) (17:9) at 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 4.4K (4352x3264) (4:3) at 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 4.4K (4352x3264) (4:3) at 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 4K (3840x2160) at 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), FHD (1920x1080) t 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM

Sensitivity range: Stills (normal): ISO 100-25600 (expandable to ISO 50-25600), (V-Log) ISO 250-12800 (expandable to ISO 125-12800), Video: (Normal) Dynamic Range Boost OFF (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 800): Auto / 800-12800 (V-Log) Dynamic Range Boost OFF (Base ISO 250): Auto / 125 (Extended ISO) / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800 (Hybrid Log Gamma) Dynamic Range Boost OFF (Base ISO 250): Auto / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800

Maximum stills continuous shooting rate: Mechanical shutter: H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View) Electronic shutter: SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/MF) SH20: 20 frames/sec (AFS/MF) H: 14 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View)

The Panasonic GH6 has a 3.0-inch 1,840K-dot tilt and free-angle touchscreen with an aspect ratio of 3:2 on its rear. The tilting aspect of the screen isn’t immediately obvious, but pressing the button underneath the monitor’s bottom left corner releases the mechanism so the screen can be tilted up from the bottom.

There are two stop points in the screen’s tilt movement. The first one is at the right point to enable the screen to be flipped out to the side of the camera without catching on the viewfinder while the second one at about 45° gives a more comfortable viewing able when shooting at waist-height.

To the uninitiated, the tilt and free-angle combination may seem a bit over the top but it means that the screen can be flipped out and twisted to face forwards, up or down, without fouling on any of the cables that may be connected to the ports on the left side of the camera (mic, USB-C and full-size HDMI).

With 1.84-million dots, the 3-inch screen gives a good view of the scene and doesn’t suffer to badly from reflections even in sunny conditions (at least not in March in the UK). However, even when shooting video, there are times when it’s preferable to use the 3,680k-dot 0.76x OLED viewfinder. This has a contrast ratio of 10,000:1 and gives a sharp, accurate preview of the scene.

The GH5 is Panasonic’s flagship compact system or mirrorless camera and it has a mini-DSLR design, featuring a high-quality electronic viewfinder and vari-angle touch-screen. As a Micro Four Thirds camera it’s compatible with an extensive collection of Micro Four Thirds mount lenses from Panasonic and Olympus as well as third-party manufacturers.

While its viewfinder is still a 21mm OLED device, its resolution has been bumped up from 2,360,000 dots to 3,680,000 dots from the GH4 and the magnification is 0.76x rather than 0.67x. It provides a very clear and detailed view of the scene.

Panasonic has also upgraded the rear screen and it now measures 3.2-inches across the diagonal and has 1,620,000 dots. It’s still a vari-angle unit but instead of an OLED screen it’s an RGBW LCD. It provides a nice sharp view and the revised menu, which has fewer pages but more lines, is clear. The screen also responds quickly to tap of your finger.

The GH5 is a complex camera and it will take some getting to know, but all the main controls that you want on a shot-by-shot basis, for example to adjust exposure and white balance or to set the AF point are within easy reach. There are also plenty of customisable buttons to help you get it working as you want.

Autofocus system: Hybrid with 759 phase detection points and 425 contrast detection points, Real Time Eye AF (Human and Animal for stills, Human for video)

Slow and Quick (S&Q) mode options: NTSC: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps4, PAL: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps

Maximum continuous shooting rate: 10fps with mechanical or electronic shutter for up to 1000 uncompressed raw files when a CFexpress Type 1 card is used

Like previous A7S models, the Sony A7S III has a full-frame sensor with 12.1 million effective pixels. Keeping the resolution down benefits its low-light capability by keeping noise levels down.

As well as a host of improvements to its video specification, the Sony A7S III introduces the highest-resolution electronic viewfinder we’ve seen to date and it’s the first Sony A7-series camera to feature a vari-angle screen.

According to Sony, the 3-inch vari-angle screen wasn’t a request for the A7S III, it was a demand. It’s certainly something I’ve mentioned on many occasions.

In the past, the argument against one has been that a vari-angle hinge is less robust than a fixed screen and that ‘most dedicated videographers use an external monitor’. Those two points may still be true, but one of the key benefits of using a camera like the A7S III is its small size. If you start having to add an external monitor it makes it bigger and heavier.

Sony is also at pains to point out that the A7S III is for new videographers as well as experienced shooters and many of those people are unlikely to want to also lash out on a monitor.

It’s good to see that there’s an option to show a red outline around the on-screen image when the camera is recording. There are times when this is more useful than the usual flashing red dot.

After the 8K-capabilities of the Canon EOS R5, the Sony A7S III might seem a bit of an anti-climax. We’re sure some videographers were hoping for a big jump in resolution from the 12mp A7S II. However, Sony already has the 61Mp A7R IV and the 24Mp A7 III, so sticking with 12Mp means that the A7S III has even better low-light capability than its predecessor but with a much better autofocus system, a vari-angle screen and the highest-resolution viewfinder around.

As with Canon’s full-frame mirrorless cameras, including the flagship Canon EOS R3, the R7 has a vari-angle touchscreen. This is great for composing low- and high-level shots in landscape or portrait orientation. Because Canon has embraced full-touch control, it’s also useful for changing camera settings with a tap.

Overall, Canon’s new flagship APS-C mirrorless camera has a layout and design all of its own, yet it retains some of those signature Canon design marks that will help people quickly adapt to using it.

Although the 0.39-inch 2.36million-dot electric viewfinder on the Canon EOS RP doesn’t match those in recent high-end mirrorless cameras for resolution, it still provides a decent preview of images. And let’s not forget, the RP is much more affordable than other new full-frame mirrorless cameras.

With Exposure Simulation activated, you get an accurate view of the final image’s brightness as well as the colour. However, if you want to see the depth of field, you’ll need to customise one of the camera’s buttons to that purpose. Or of course, you can take a quick shot. That could be avoided, however, if Canon showed the preview with the selected aperture applied.

Like the EVF, the 3-inch screen’s 1.04-million-dot resolution doesn’t really wow these days, but the fact that it’s mounted on a vari-angle hinge is great. That means you can twist it around to give you a clear view whichever angle you’re shooting from. And unlike a tilting screen, it’s useful if you’re shooting in portrait or landscape orientation.

We love that Canon has enabled the RP’s touchscreen to be used for browsing the Quick and main menu, selecting settings and browsing through images as well as setting the AF point. It really speeds using the camera and makes it more intuitive. It’s also good that this isn’t at the expense of physical buttons and dials.

Autofocus system: Intelligent Hybrid with up to 425 points plus subject detection for humans, animals, birds, automobiles, motorcycles, aeroplanes and trains

Max continuous shooting rate: Electronic shutter: 40fps for 184 jpegs, 170 lossless compressed raw or 140 uncompressed raw, Mechanical shutter: 15fps for 1000+ jpegs, lossless compressed raw or 1000 uncompressed raw

Max video resolution: 6.2K (6240x4160) 29.97/25/24/23.98p, DCI 4K (4096x2160) 59.94/50/29.97/25/24/23.98p or 120/100p in High Speed mode, 4K (3840x2160) 59.94/50/29.97/25/24/23.98p or 120/100p in High Speed mode

Viewfinder: 0.5 inch 5.76 million-dot OLED Color Viewfinder with 100% coverage Eyepoint: approx. 24mm Diopter adjustment: -5~+3m-1 Magnification: 0.8× with 50mm lens

Among the many improvements Fujifilm put into the X-H2S over the X-H1 is an upgrade of the LCD screen. Instead of the 3-way tilting screen of the X-H1, the X-H2S has a vari-angle screen that can be flipped out and rotated to face forward for vlogging. This means it’s useful when the camera is above or below head-height in landscape or portrait orientation.

There are a number of handling changes in the X-H2S in comparison with the X-H1, and anyone looking at the camera with fresh eyes cannot fail to be impressed by its build and capability.