new lcd panel has ability to record you for sale

Screen capture apps record what"s happening on your screen, including the movement of your cursor, so you can deliver instructions, describe problems, or share knowledge. Writing out descriptions of such things takes significantly longer than just showing someone your screen, but you"re usually not standing next to the person or people who need to see your screen. Video capture apps solve that problem.

All of our best apps roundups are written by humans who"ve spent much of their careers using, testing, and writing about software. We spend dozens of hours researching and testing apps, using each app as it"s intended to be used and evaluating it against the criteria we set for the category. We"re never paid for placement in our articles from any app or for links to any site—we value the trust readers put in us to offer authentic evaluations of the categories and apps we review. For more details on our process, read the full rundown of how we select apps to feature on the Zapier blog.

The best screen capture software makes it really easy to show how things work—or, if you"re filing a support ticket, how they don"t work. But different people are going to be looking for different things. In our research, we tested several dozen apps, ranging from minimalistic three-button windows to complex apps overflowing with tools. The options are priced from free all the way up to several hundreds of dollars. Each of our picks for best screen recorder app offers a unique feature, but they all meet some basic criteria:The ability to record your whole screen, one window/app, or a specific area

Of course, the process doesn"t end with the screen recording. The quality of the final product can make or break user engagement, so we also considered the post-capture editing features.

One thing to note: It"s possible that an app you already use has screen recording built in. Many video conferencing, communication, and productivity tools—not to mention your mobile phone—have added screen recording to their feature sets, so it"s worth checking if you can get the capabilities you need from a tool that"s already in your stack.

If you want to quickly record something and share a link, give Loom a chance. Loom isn"t overly complicated when it"s time to record: you can choose whether you want to record just your screen, your screen with webcam video, or just your webcam. Once you finish, your video will be uploaded to Loom. You can do some basic editing in the browser, if you want, or you can copy the link to share the video. It"s all very quick, which makes it, overall, the best screen recorder for PC.

With the free version of Loom, you can store up to 25 videos of up to five minutes each. It"s limited, sure, but great for quickly showing something to a collaborator, coworker, and/or archenemy. And you can always download your videos and store them somewhere else if you"re getting close to that 25 video threshold.

Having said that, Loom isn"t perfect. The desktop app works well, but we found the mobile apps limited in confusing ways. The Android version, for example, requires users to enter their Google password in order to log in instead of using the built-in Android support for Google accounts, which is odd. The iPhone and iPad apps can"t combine video with screencasting.

Dropbox Capture (which has been in beta for a bit) is a solid Loom alternative, so be sure to check it out if you"re already paying for Dropbox and need an app for recording your screen. Or, if you prefer Chrome extensions to desktop apps, Check out Screencastify, which is similar to Loom.

The Camtasia video capture interface is straightforward and no-nonsense. You choose your capture area, whether or not to include webcam and microphone inputs, and click Record.

Its built-in video editor is a different story. There"s an exhaustive list of editing options that manage not to feel overwhelming. Click-and-drag effects and a decent selection of stock media are located along the left-hand side of the app, with detailed properties and customizations appearing on the right-hand side whenever you select an element from the timeline.

Camtasia provides outstanding tutorial videos for anyone that struggles with its editing tools. Creating surprisingly professional intro and outro segments and dropping them into our test video took a matter of seconds. Our only hiccup was with the interactivity features, which allow you to add quizzes or clickable buttons to your project. Configuring these elements was easy enough, but previewing the video and exporting the final product was noticeably more complicated after adding interactivity.

This is also the only app we tested with a closed captions tool that loops audio while you add the text. A four-second segment plays until you"re done typing, and then you can press Tab, and it plays the next loop.

Note: if you don"t need editing but like the look of Camtasia, Capture (formerly King) comes from the same company, only offers screen recording, and it"s free to download and use.

OBS is a screen record app that"s mostly built with live streaming in mind—if you"ve ever watched someone play games on Twitch, for example, they were probably using OBS. But you can also use it to record videos (it"s by far the most robust tool for doing so), and it"s free, so it"s a great choice if you"re looking for Camtasia alternatives.

Most of the apps in this list let you record using a webcam and your display. OBS Studio can go much, much beyond that. It"s a complete tool for broadcasting, meaning you can add as many displays and cameras as your computer can handle. You can also create customizable "studios," preset audio and video configurations that you can cycle through during a recording.

We created three studios during our test (shown above): one for just the primary display and webcam, another for the secondary display and webcam, and a third for both displays and the webcam. Sizing and positioning elements within each studio is a simple click-and-drag affair, and cycling through them during a recording session is controlled with a hotkey.

With enough preparation, these audio and video presets eliminate the need to fuss with any settings while streaming live video via OBS"s robust integrations. There are 80 platforms in the live streaming menu, ranging from big-name sites like Facebook, YouTube, and Twitch, to obscure streaming platforms like Pandora TV. Opening the Settings menu and pasting your stream key into the text box is all it takes to set up the one-click Start Streaming button on the main dashboard. Changes you make to a studio, such as sound mixing or webcam placement, are broadcast live—make sure you"re ready.

Movavi Screen Recorder is a great mid-level screen recorder for PC, a nice OBS alternative, complete with a built-in editor that gets the job done. But there is one feature it does exceptionally well: scheduled captures.

This tool lets you record webinars or live streams while you"re away from your desk. You"ll find this feature in the preferences, under Scheduler. You can set a time limit for the next recording, or you could specify a time for a recording to begin and end. You can even set it up so your computer shuts down or goes to sleep after the capture is finished.

It"s convenient and unambiguous, further improved by Movavi"s above-average resolution settings. If you need to record an inconveniently-timed webinar to share with others, you"ll want it to look good.

Movavi pricing: $57.95 for a one-computer lifetime license. There"s a free version, but it adds a large hideous watermark to the center of every video, so it"s really only useful for getting a feel for the software.

Sometimes you just want to quickly make a recording and send it to someone, without having to edit anything or mess around with a bunch of settings. Zappy is perfect for this. This app is triggered using a keyboard shortcut, or using the menu bar icon. Select which portion of the screen you want to record, hit the video camera button, then hit stop when you"re done. You can record a voiceover using your microphone, if you want, and you have the option of recording your face on the webcam too.

If you"re a paid Zapier user, the recording will be uploaded to the cloud and a link copied to your clipboard. If not, you can grab the video file locally and share it however you like. You won"t find a lot in the way of settings, and there"s no editing capability, but you can add arrows, boxes, basic text, and obfuscation while you"re recording (or after the fact for a screenshot). It"s just a fast way to share something.

Cards on the table: this is Zapier"s app. Zapier built Zappy for internal use, basically because the team couldn"t find a tool that worked quite the way they wanted. They thought people might find it useful, so they released it to the public.

Zappy pricing: Free for local recordings and screenshots. Paid Zapier accounts can automatically upload all recordings to the cloud (Zapier subscriptions start at $19.99/month).

The best screen recording app is the one that saves you the most time and produces the most worthwhile content for your audience. Make sure you know your target audience and use case before selecting an app. All the video recording software options we"ve listed are either free or come with trial versions, so give your top contenders a whirl, and see which you like best.

This article was originally published in February 2019 by Ryan Farley, and the most recent update was in October 2022, with contributions from Kiera Abbamonte.

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Cupertino, California Apple today introduced Mac Studio and Studio Display, an entirely new Mac desktop and display designed to give users everything they need to build the studio of their dreams. A breakthrough in personal computing, Mac Studio is powered by M1 Max and the new M1 Ultra, the world’s most powerful chip for a personal computer. It is the first computer to deliver an unprecedented level of performance, an extensive array of connectivity, and completely new capabilities in an unbelievably compact design that sits within arm’s reach on the desk. With Mac Studio, users can do things that are not possible on any other desktop, such as rendering massive 3D environments and playing back 18 streams of ProRes video.1 Studio Display, the perfect complement to Mac Studio, also pairs beautifully with any Mac. It features an expansive 27-inch 5K Retina display, a 12MP Ultra Wide camera with Center Stage, and a high-fidelity six-speaker sound system with spatial audio. Together, Mac Studio and Studio Display transform any workspace into a creative powerhouse. They join Apple’s strongest, most powerful Mac lineup ever, and are available to order today, arriving to customers beginning Friday, March 18.

“We couldn’t be more excited to introduce an entirely new Mac desktop and display with Mac Studio and Studio Display,” said Greg Joswiak, Apple’s senior vice president of Worldwide Marketing. “Mac Studio ushers in a new era for the desktop with unbelievable performance powered by M1 Max and M1 Ultra, an array of connectivity, and a compact design that puts everything users need within easy reach. And Studio Display — with its stunning 5K Retina screen, along with the best combination of camera and audio ever in a desktop display — is in a class of its own.”

Mac Studio delivers even more capability to users who are looking to push the limits of their creativity — with breakthrough performance, a wide range of connectivity for peripherals, and a modular system to create the perfect setup.

With the power and efficiency of Apple silicon, Mac Studio completely reimagines what a high-performance desktop looks like. Every element inside Mac Studio was designed to optimize the performance of M1 Max and M1 Ultra, producing an unprecedented amount of power and capability in a form factor that can live right on a desk.

Built from a single aluminum extrusionwith a square footprint of just 7.7 inches and a height of only 3.7 inches, Mac Studio takes up very little space and fits perfectly under most displays. Mac Studio also features an innovative thermal design that enables an extraordinary amount of performance. The unique system of double-sided blowers, precisely placed airflow channels, and over 4,000 perforations on the back and bottom of the enclosure guide air through the internal components and help cool the high-performance chips. And because of the efficiency of Apple silicon, Mac Studio remains incredibly quiet, even under the heaviest workloads.

Powered by either M1 Max or M1 Ultra, Mac Studio delivers extraordinary CPU and GPU performance, more unified memory than any other Mac, and new capabilities that no other desktop can achieve. With M1 Max, users can take their creative workflows to new levels, and for those requiring even more computing power, M1 Ultra is the next giant leap for Apple silicon, delivering breathtaking performance to Mac Studio. M1 Ultra builds on M1 Max and features the all-new UltraFusion architecture that interconnects the die of two M1 Max chips, creating a system on a chip (SoC) with unprecedented levels of performance and capabilities, and consisting of 114 billion transistors, the most ever in a personal computer chip.

With its ultra-powerful media engine, Mac Studio with M1 Ultra can play back 18 streams of 8K ProRes 422 video, which no other computer in the world can do. Mac Studio also shatters the limits of graphics memory on a desktop, featuring up to 64GB of unified memory on systems with M1 Max and up to 128GB of unified memory on systems with M1 Ultra. Since the most powerful workstation graphics card available today only offers 48GB of video memory, having this massive amount of memory is game changing for pro workloads. And the SSD in Mac Studio delivers up to 7.4GB/s of performance and a capacity of up to 8TB, allowing users to work on massive projects with incredible speed and performance.4

The compact design of Mac Studio puts an extensive array of essential connectivity within easy reach. On the back, Mac Studio includes four Thunderbolt 4 ports to connect displays and high-performance devices, a 10Gb Ethernet port, two USB-A ports, an HDMI port, and a pro audio jack for high-impedance headphones or external amplified speakers. Wi-Fi 6 and Bluetooth 5.0 are built in as well.

And because users frequently connect and disconnect devices, like portable storage, Mac Studio includes ports on the front for more convenient access. There are two USB-C ports, which on M1 Max supports 10Gb/s USB 3, and on M1 Ultra supports 40Gb/s Thunderbolt 4. There is also an SD card slot on the front to easily import photos and video. And Mac Studio provides extensive display support — up to four Pro Display XDRs, plus a 4K TV — driving nearly 90 million pixels.

The all-new Studio Display perfectly complements Mac Studio and also beautifully pairs with any Mac. In a class of its own, it features a gorgeous 27-inch 5K Retina screen, plus sensational camera and audio, delivering that integrated experience Mac users love.

Studio Display brings a stunning all-screen design with narrow borders and a refined, all-aluminum enclosure that houses an advanced set of features in a slim profile. Its built-in stand allows the user to tilt the display up to 30 degrees. To meet the needs of a variety of workspaces, Studio Display also offers a tilt- and height-adjustable stand option with a counterbalancing arm that makes the display feel weightless as it is adjusted. A VESA mount adapter option is also available, and supports landscape or portrait orientation for even more flexibility.

Studio Display features a 27-inch 5K Retina screen with over 14.7 million pixels. With 600 nits of brightness, P3 wide color, and support for over one billion colors, images come to life with spectacular detail. True Tone technology automatically adjusts the display’s color temperature as the environment changes for a more natural viewing experience. An industry-leading anti-reflective coating enables incredibly low reflectivity for better comfort and readability. And for workspaces with bright light sources, including sunlight, Studio Display offers an innovative nano-texture glass option. Nano-texture glass, first introduced on Pro Display XDR, scatters light to further minimize glare while delivering outstanding image quality.

Featuring the A13 Bionic chip, Studio Display delivers amazing experiences with its highly advanced camera and audio system. The ultimate video conferencing display, it includes a 12MP Ultra Wide camera with Center Stage, a feature that automatically keeps users centered in the frame as they move around for even more engaging video calls.

Studio Display also includes a studio-quality, three-microphone array with an especially low noise floor for crystal-clear calls and voice recordings. It also features a high-fidelity six-speaker sound system, the best ever created for Mac, delivering an unbelievable listening experience. Four force-cancelling woofers minimize distortion and produce bold, articulate bass, and two high-performance tweeters create accurate mids and crisp highs. The speakers also support spatial audio for music and video with Dolby Atmos, creating a truly cinematic viewing experience. Altogether, Studio Display has the best combination of camera and audio ever in a desktop display.

Studio Display has three USB-C ports that deliver speeds up to 10Gb/s to connect high-speed peripherals, storage, and networking right into the display. A Thunderbolt port enables users to connect Studio Display and any connected peripherals to their Mac with a single cable. The same cable also delivers 96W of power to a Mac notebook, allowing Studio Display to even fast-charge a 14-inch MacBook Pro. And up to three Studio Displays can be connected to MacBook Pro, creating a powerful edit bay or animation workspace.

To complement the design of Studio Display, there’s a new silver-and-black color option for Magic Keyboard with Touch ID, Magic Trackpad, and Magic Mouse that customers can purchase separately.

3D artists can work with more extreme geometry, edit massive environments that were previously impossible to render, and run complex particle simulations in a fraction of the time.

Photographers can sort through thousands of images with speed and precision, composite massive images with hundreds of layers, and export final images for publish in a flash.

Videographers can edit multi-camera projects and more streams of 8K video than ever before, add more color corrections to projects while maintaining fluid playback, and encode video for final delivery faster than ever.

Mac Studio is powered by macOS Monterey, the latest version of the world’s most advanced desktop operating system. The combination of macOS Monterey with M1 Max or the powerful new M1 Ultra delivers breakthrough performance, security, and productivity for users. FaceTime includes audio and video features that make calls feel more natural and lifelike, and SharePlay enables Mac users to have shared experiences through FaceTime. Live Text and Visual Lookup are intelligence features that surface useful information, Safari includes powerful tab organization with Tab Groups, and Shortcuts bring the ease of automation to the Mac. Continuity tools like AirPlay to Mac enable Apple devices to work even better together, and with next week’s release of macOS Monterey 12.3 and iPadOS 15.4, Universal Control will make it easy for users to work effortlessly across Mac and iPad for unparalleled productivity.5

Mac Studio and Studio Display were designed to minimize their environmental impact. Mac Studio uses far less energy than competitors to deliver its extraordinary performance. For example, over the course of a year, Mac Studio will use up to 1,000 kilowatt-hours less energy than a high-end PC desktop.6Both Mac Studio and Studio Display use 100 percent recycled rare earth elements in all magnets and recycled tin in the solder of the main logic board — as well as recycled aluminum and plastic in various components. Both products also meet Apple’s high standards for energy efficiency, are free of numerous harmful substances, and use wood fiber in the packaging that comes from recycled sources or responsibly managed forests.

Today, Apple is carbon neutral for global corporate operations, and by 2030, plans to have net-zero climate impact across the entire business, which includes manufacturing supply chains and all product life cycles. This means that every Apple device sold, from component manufacturing, assembly, transport, customer use, charging, all the way through recycling and material recovery, will be 100 percent carbon neutral.

The new Mac Studio and Studio Display are available to order today on apple.com/store and in the Apple Store app. They will begin arriving to customers, and will be in select Apple Store locations and Apple Authorized Resellers, beginning Friday, March 18.

Studio Display is $1,599 (US), and $1,499 (US) for education. Additional technical specifications, including nano-texture glass and a choice of stand options, are available at apple.com/store.

Magic Keyboard with Touch ID and Numeric Keypad ($199 US), Magic Trackpad ($149 US), and Magic Mouse ($99 US) in the new silver-and-black color option are available at apple.com/store.

With Apple Trade In, customers can trade in their current computer and get credit toward a new Mac Studio. Customers can visit apple.com/shop/trade-in to see what their device is worth.

Apple revolutionized personal technology with the introduction of the Macintosh in 1984. Today, Apple leads the world in innovation with iPhone, iPad, Mac, Apple Watch, and Apple TV. Apple’s five software platforms — iOS, iPadOS, macOS, watchOS, and tvOS — provide seamless experiences across all Apple devices and empower people with breakthrough services including the App Store, Apple Music, Apple Pay, and iCloud. Apple’s more than 100,000 employees are dedicated to making the best products on earth, and to leaving the world better than we found it.

Results are compared to 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM, and 8TB SSD; and 3.2GHz 16-core Intel Xeon W-based Mac Pro systems with 192GB of RAM, AMD Radeon Pro W5700X graphics with 16GB of GDDR6, configured with Afterburner and 4TB SSD.

Results are compared to 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM, and 8TB SSD; 3.2GHz 16-core Intel Xeon W-based Mac Pro systems with 192GB of RAM, AMD Radeon Pro W5700X graphics with 16GB of GDDR6, configured with Afterburner and 4TB SSD; and 2.5GHz 28-core Intel Xeon W-based Mac Pro systems with 384GB of RAM and AMD Radeon Pro W6900X graphics with 32GB of GDDR6, configured with Afterburner and 4TB SSD.5.

Testing was conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra with 20-core CPU and 64-core GPU. Power was measured using a representative workload in a commercial application. High-end PC desktop data comes from testing Alienware Aurora R13 with Core i9-12900KF and GeForce RTX 3090. Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio.

How long will your LED display last? In nearly every industry, from retail businesses to concert halls to corporate centers, decision makers need to evaluate the return on investment (ROI) of their LED signage. In most cases, potential buyers go straight to the obvious place: the LED manufacturer’s spec sheet. The industry standard for LED lifespan is 100,000 hours, or about 10 years, and most people assume that’s how long their display will last. But it’s not quite that simple.

The 100,000-hour figure assumes that every diode will be running at full brightness, consistently — which, on an LED screen, is virtually never the case. The lifespan figure can also be misleading because it indicates when a diode degrades to half-brightness, not completely dark. Many other variables affect an LED display’s lifespan; you can’t rely solely on the number on the diode spec sheet.

“The reality is, your screen can often last significantly longer than 100,000 hours,” says Kevin Izatt, a senior product manager in Samsung’s Display division. “We’ve had displays that have been up for 15-plus years with more than adequate brightness. Because the diode is actually only one factor in the lifespan of your LED display.”

The biggest contributor to diode degradation is heat. As you increase a diode’s brightness, it produces more heat. Your display’s physical environment also contributes to the temperature of the diodes, especially for outdoor displays.

“Let’s say you’re in Vegas — Death Valley. The diode is fine to operate at those temperatures, but it will degrade faster,” says Izatt. “Temperature is a big factor — and not one you have control over.”

The quality of your display’s power supply — and how hard it drives the diodes — can have a significant impact on your screen’s lifespan. The other components being powered, such as fans and electrical components, have their own lifespans as well, which are also impacted by the power supply.

“Fans are mechanical; they break down,” explains Izatt. “And similar to your computer, the electrical components don’t last forever. Together, these factors all contribute to the lifespan of an LED display. Looking at just the diode lifespan doesn’t give you the complete story — almost always, another part will go out first.”

“Something like airflow is very important,” says Izatt. “You need a screen that has good cooling, and a design that allows heat to flow out of the back through vents.”

It’s easy to see why: The circuit boards powering the display release heat, and that heat needs to go somewhere. Without a strong design, thermal stress will degrade the life of the display, except for the highest-quality parts — optimal conditions notwithstanding.

“Lots of variations on the color and brightness you use will impact the life of the diode,” explains Izatt. “For instance, black doesn’t use any of the diodes at all. And if your content is using lots of gray, that’s a much lower power output than white.”

That’s not to say you should hold back on displaying rich, vibrant colors — after all, that’s what LED does best. But it does factor into your product’s life expectancy.

To help businesses transition from LCD to longer-lasting LED signage, Samsung has launched a trade-in program. Samsung will come on site to remove your existing display and provide a discount on a new LED bundle kit.

Traded-in LCD displays that are still operating will be refurbished and resold, and your business will receive a cash rebate. Nonworking displays will be recycled and their parts reused.

You can’t rely on the number on the diode spec sheet; the lifespan of your LED display depends on many more factors. “Overall quality has a tremendous impact on the life of the display that diode specs just don’t take into account,” says Izatt. Your best bet is to look at the purchase holistically and invest in a top-tier product.

As you plan your LED signage rollout — or an upgrade — learn how to configure and tailor your screens’ real-time messaging with an integrated CMS in thisfree guide. And if you haven’t decided what kind of display is best suited to your current project, compare all ofSamsung’s LED displays.

Use the Xbox Game Bar with your keyboard and a screen reader to record a video clip of your favorite game or app, for example, if you find a usability issue with it and want to show the problem to the developer. We have tested it with Narrator and NVDA, but it might work with other screen readers as long as they follow common accessibility standards and techniques.

New Microsoft 365 features are released gradually to Microsoft 365 subscribers, so your app might not have these features yet. To learn how you can get new features faster, join the Office Insider program.

Press the Tab key until you hear: "Enable Xbox Game Bar for things like recording game clips, chatting with friends, and receiving game invites." With Narrator, you next hear: "Toggle switch, Off." With NVDA, you next hear: "Toggle button, not pressed." Press Spacebar to enable the Xbox Game Bar.

Press the Tab key until you hear "All radio button," followed by "Selected" or "Not selected." With NVDA, you hear "All radio button, Checked" or "Not checked." If the option is not selected, press Spacebar to select it.

It"s simple to record a clip of what"s happening on your screen with the Xbox Game Bar. Make sure you have enabled Xbox Game Bar as explained in Enable Xbox Game Bar before you continue.

To toggle the microphone on and off during the recording, press the Windows logo key+Alt+M. To display the Game Bar controls, press the Windows logo key+G. You hear: "Xbox Game Bar window."

Play the game or use the app until you have recorded what you wanted, then press the Windows logo key+Alt+R to stop recording. With Narrator, you hear: "Game clip recorded."

The video is saved under the Videos folder in a folder called Captures as an MP4 file. The file name contains the name of the game or app and the date and time of the recording.

Tip:If you want a screenshot of your game or app, press the Windows logo key+Alt+PrintScreen. With Narrator, you hear: "Screenshot saved." The image is also saved under the Videos folder in a folder called Captures.

Club (C) and catering club (CC) licensed establishments must operate for the good of the club’s membership for legitimate purposes of mutual benefit, entertainment, fellowship or lawful convenience.  The sale of alcohol must be secondary to the actual reason for the club"s existence.  Incorporated clubs must exist for a minimum of one year prior to applying for a liquor license; unincorporated clubs must exist for a minimum of ten years prior to a liquor license being granted. A licensed club must adhere to its constitution and bylaws, hold regular meetings open to its members, conduct its business through officers who are regularly elected, admit members by written application, investigation and ballot, charge and collect dues from elected members, and maintain records as required by the Liquor Code and PLCB’s regulation.

Club licensees are generally prohibited from selling alcohol to non-members of the club. An exception exists for catering club licensees, which may sell alcohol to non-members as part of a” catered event.” A “catered event” is one involving the furnishing of alcohol, to be served with food prepared on the premises or brought onto the premises already prepared, for accommodation of groups of non-members who are using the club’s facilities by prior arrangement, made at least 24 hours in advance of the function, and which is paid for by the non-members. A licensed club cannot self-sponsor a catered event; the catered event must be arranged by a third party.

Distributor (D) licenses (commonly held by neighborhood beer distributors) allow for the sale of malt and brewed beverages (beer) for off-premises consumption only. Distributors are authorized to sell beer in any package configuration to an unlicensed customer.  These sales do not have to be in manufacturer’s original configuration (i.e., sales of cases, 12-packs, six-packs and single bottle are permitted) and can be sold in refillable and resealable growlers for off-premises consumption.  Distributors may also sell beer in original containers containing 128 ounces or more (e.g., kegs).

Importing distributor (ID) licenses have all the same privileges as a distributor license, but they primarily serve as wholesalers, selling beer to distributors and retail licensees for resale.  Breweries assign specific geographic rights to sell their brands within the Commonwealth to specific importing distributors through what is commonly referred to as a “territorial agreement.”

D and ID licensees may sell and/or deliver beer between 8:00 a.m. and 11:00 p.m. of any day, except Sunday, to unlicensed persons. If the licensee applies for and obtains a Sunday Sales Permit, it may sell beer to unlicensed persons and holders of Special Occasion Permits on Sundays between 9:00 a.m. and 9:00 p.m.

The primary purpose of the eating place (E) retail dispenser license is the regular and customary preparation and service of food to the public. The licensed area within the establishment must be no less than 300 square feet, equipped with tables and seating, and sufficient food, to accommodate at least 30 patrons at once.  The establishment must have a functioning kitchen or food preparation area, and it must have a current and valid health license issued by the governing municipal authority.

E licensees are only permitted to sell and serve malt and brewed beverages (beer) and may not sell liquor (wine or spirits) for on or off-premises consumption.  They may sell up to 192 fl. oz. of beer in a single transaction for off-premises consumption.  Licensees may sell beer between 7:00 a.m. and 2:00 a.m. of the following day on Monday through Saturday.  If the licensee applies for and obtains a Sunday Sales Permit, it may sell beer from 11:00 a.m. on Sunday until 2:00 a.m. on Monday, but may start as early as 9:00 a.m. if it offers a “meal” as defined in the Liquor Code.  No sales or service of beer can take place after 2:00 a.m., and all unfinished beer must be collected and all patrons must depart the licensed premises by 2:30 a.m. (although patrons may stay past 2:30 a.m. if the establishment also holds an Extended Hours Food Permit).

A restaurant (R) licensed establishment, as defined in the Liquor Code, is to be habitually and principally used in the preparation and service of food to the public. The licensed area within the establishment must be no less than 400 square feet, equipped with tables and seating, and sufficient food, to accommodate at least 30 patrons at once. The establishment must have a current and valid health license issued by the governing municipal authority. R licenses are the most common type of license, and while it is frequently referred to as a “bar” or “tavern” licenses, many different types of businesses can hold such a license, including establishments that have obtained PLCB approval for an interior connection to or with a grocery store or convenience store.

R licenses are permitted to sell and serve beer and liquor (wine and spirits) products for on-premise consumption. Restaurants may sell up to 192 fl. oz. of beer for off-premises consumption, but they may not sell liquor (wine or spirits) “to go.” An R licensee that applies for and obtains a Wine Expanded Permit, may sell up to 300 mL (four 750 mL bottles) of wine “to go” in a single transaction. Licensees may sell alcohol between 7:00 a.m. and 2:00 a.m. of the following day on Monday through Saturday. If the licensee applies for and obtains a Sunday Sales Permit, it may sell alcohol from 9:00 a.m. on Sunday until 2:00 a.m. on Monday. No sales or service of alcohol can take place after 2:00 a.m., and all unfinished alcohol must be collected and all patrons must depart the licensed premises by 2:30 a.m. (although patrons may stay past 2:30 a.m. if the establishment also holds an Extended Hours Food Permit).

To qualify for a hotel (H) license, the premises must maintain a minimum number of bedrooms for transient guests based on the size of the municipality, unless it is otherwise exempted by statute. A hotel must have a functioning kitchen or food preparation area. The licensed area within the premises must be no less than 400 square feet, equipped with tables and seating, and sufficient food, to accommodate at least 30 patrons at once. The hotel must have a current and valid health license issued by the governing municipal authority.

H licenses are permitted to sell and serve beer and liquor (wine and spirits) products for on-premise consumption. Similar to R licensees, hotels may sell up to 192 fl. oz. of beer for off-premises consumption, but they may not sell liquor (wine or spirits) “to go” from its licensed premises, although they may sell alcohol to paying guests in their hotel rooms. An H licensee that applies for and obtains a Wine Expanded Permit, may sell up to 300 mL (four 750 mL bottles) of wine “to go” in a single transaction. Licensees may sell alcohol between 7:00 a.m. and 2:00 a.m. of the following day on Monday through Saturday. If the licensee applies for and obtains a Sunday Sales Permit, it may sell alcohol from 9:00 a.m. on Sunday until 2:00 a.m. on Monday. No sales or service of alcohol can take place after 2:00 a.m., and all unfinished alcohol must be collected and all patrons must depart the licensed premises by 2:30 a.m. (although patrons may stay past 2:30 a.m. if the establishment also holds an Extended Hours Food Permit).

Limited winery (LK) licensees may produce (up to 200,000 gallons) and sell alcoholic ciders, fermented fruit beverages, mead, wines and wine coolers from their licensed premises. They may also seek PLCB approval to sell their products at up to five additional "satellite" locations. In addition to the authority to sell their own products for on or off-premises consumption, they may also sell the products of other PA-licensed alcohol producers (i.e., licensed breweries, licensed limited distilleries, and other licensed limited wineries) for on premises consumption, subject to statutory restrictions, at their licensed premises. In February 2014, the PLCB granted blanket authorization for LK licensees to sell during the same hours as R licensees (i.e., 7:00 a.m. to 2:00 a.m.).

LK licensees are allowed to obtain permits to sell their own products and offer tastings at events which meet the statutory definition of "alcoholic cider, fermented fruit beverage, mead, wine and food expositions" which are held off of their licensed premises. They may also obtain permits to sell their own products and offer tastings at qualifying "farmers market" locations, as that term is defined in the Liquor Code.

Limited distillery (AL) licensees may produce (up to 100,000 gallons) and sell distilled liquor from their licensed premises. They may also seek PLCB approval to sell their products at up to two additional “satellite” locations. In addition to the authority to sell their own products for on or off-premises consumption, they may also sell the products of other PA-licensed alcohol producers (i.e., licensed breweries, licensed limited wineries, and other licensed limited distilleries) for on premises consumption, subject to statutory restrictions, at their licensed premises. Limited distilleries may be open Monday through Saturday from 9:00 a.m. to midnight and Sundays from 9:00 a.m. to 11:00 p.m.

AL licensees are allowed to obtain permits to sell their own products and offer tastings at events which meet the statutory definition of “liquor and food expositions” which are held off of their licensed premises. They may also obtain permits to sell their own products and offer tastings at qualifying “farmers market” locations, as that term is defined in the Liquor Code.

Licensed brewery (G) licensees may produce and sell malt or brewed beverages from their licensed premises. They may also conduct sales at up to two PLCB-approved storage locations. In addition to the authority to sell their own products for on or off-premises consumption, they may also sell the products of other PA-licensed alcohol producers (i.e., licensed limited wineries, licensed limited distilleries, and other licensed breweries) for on premises consumption, subject to statutory restrictions, at their licensed premises. Licensed breweries may sell malt or brewed beverages and alcohol for on-premises consumption Monday through Saturday from 9:00 a.m. to midnight and Sundays from 9:00 a.m. to 11:00 p.m. (a Sundays Sales Permit is not required for on-premises consumption sales but is required for off-premise sales on Sunday).

G licensees are allowed to obtain permits to sell their own products and offer tastings at events which meet the statutory definition of “malt and brewed beverages and food expositions” which are held off of their licensed premises. They may also obtain permits to sell their own products and offer tastings at qualifying “farmers market” locations, as that term is defined in the Liquor Code.

Maintain club membership records, payroll records, financial records, all invoices and receipts, photo static copies of charter (if incorporated), copy of by-laws, copy of club constitution and minute book on the licensed premises.

Obtain a County Small Games of Chance License if you have raffles, strip tickets, punchboards, 50/50 drawings, etc. Poker machine and/or “skill game” payoffs are unlawful even when you possess a Small Games of Chance License.

Pay patrons for amusement or video machine credits, or allow unlawful gambling such as sports pools (possible criminal action). Remember that unlawful gambling devices, including games marketed by their manufacturers as “games of skill,” that allow payouts to players are ILLEGAL and you risk citation for allowing them to be operated in your premises.

Maintain sufficient food, eating utensils, seating and tables to accommodate at least 30 persons at one time. Seating and tables must be accessible to patrons at all times when the premises are open.

Don"t GuidelinesSell liquor (wine/spirits) for off-premises consumption. If you have a Wine Expanded Permit, you may sell up to 300 mL (four 750 mL bottles) of wine “to go.”

Discount alcohol for more than 4 consecutive or non-consecutive hours per day, nor more than 14 hours per week. Also, don’t forget that notice of all happy hours must be posted on the licensed premises 7 days prior to each happy hour.

Pay patrons for amusement or video machine credits, or allow unlawful gambling such as sports pools (possible criminal action). Remember that unlawful gambling devices, including games marketed by their manufacturers as “games of skill,” that allow payouts to players are ILLEGAL and you risk citation for allowing them to be operated in your premises.

The versatile nature of Ninja V means it can be paired with nearly any camera, on any type or size of production. The professional monitoring tools make framing, exposure, and focusing a breeze. With Ninja V you can work confidently to perfect every shot.

Ninja V provides additional flexibility by offering a choice of industry-standard recording formats. This means you can choose the frame size, frame rate, and codec that best suits the needs of your workflow and delivery requirements. Ninja V also allows you to record HDMI RAW inputs up to 6K at 30fps, whilst simultaneously looping out standard YCC video via HDMI to non-RAW compatible devices.Responsive Touchscreen

Ninja V features a highly responsive, 5.2-inch, SuperAtom IPS touchscreen. This guarantees each feature is clearly visible, all the features are easily accessible, and every operation is smooth. The screen is bright (1000nit), which means it’s suited for outdoor use, even in direct sunlight. The display settings allow for a number of adjustments to make certain your Ninja V functions equally well in darker environments.Compact Design

Ninja V has been designed so that it can be paired equally well with smaller cameras as part of a minimal setup and with full-size camera rigs on large-scale cinema productions. The aluminum chassis and polycarbonate backplate have been crafted for maximum durability. The device weighs just 360g (0.79lbs), which means it can be used comfortably with a handheld camera. The device includes anti-rotational 3/8-16 mount points on the top and bottom. It ships with a 1/4-20 adapter, so that Ninja V can easily be adapted and mounted on industry-standard equipment from a wide range of manufacturers.Complete Monitoring Toolbox

Ninja V includes a comprehensive range of monitoring tools including a waveform, focus peaking, false color, zoom controls, custom LUTs, and frame guides. Each offers an opportunity to perfect the composition and exposure for every shot and can be overlaid in any combination, unlike many other monitors that allow only one monitoring tool at a time. AtomOS software is easy to use and provides a platform for Atomos to easily update Ninja V, introduce new features, and add support for new cameras on release.RGB Parade

Achieve cinematic effects, creative transitions, and save time in post-production with the Get Creative update for your Ninja V. The onion skin overlay makes shooting stop-motion and creating jump or match cuts extremely simple. The ability to capture frame grabs live on-set reduces time creating thumbnails and gives you a quick reference to share with the team. The update is available to download for free from my.atomos.com.Wireless Remote Control

The AtomRemote app for iOS and macOS offers an array of external controls for ATOMOS CONNECT for Ninja V. The app enables you to perform a range of configuration tasks and operations up to 15 meters away from the device via Bluetooth LE. Input options include the ability to define camera connections, select Gamma/EOTF, and adjust Gamut settings. For monitoring, AtomRemote can be used to control playback, choose monitoring modes, apply custom 3D LUTs, or view image analysis tools including exposure and focus. Output controls include options for 4K to HD, LUT preview, and HDR output.Wireless Timecode

Atomos AirGlu™ adds wireless timecode, sync, and control technology to ATOMOS CONNECT for Ninja V. AirGlu locks multiple Atomos devices or compatible cameras, audio recorders, and software applications together so that they share the same frame-accurate timecode. It is also able to relay recording, battery status, and disk capacity information to the server unit. Any AirGlu device can act as the server unit, which means you’ll no longer need a huge budget or get involved in time consuming post-production workflows to produce perfectly synchronized, multi-camera video.Expansion Options

The built-in AtomX expansion port supports a range of Atomos accessories that can completely transform your Ninja V by introducing new features and new workflows.ATOMOS CONNECT

The ultimate expansion module for Ninja V, ATOMOS CONNECT includes an SDI interface, which adds support for a new category of camera and can be used to cross convert a 12G-SDI signal to the HDMI output, creating more utility and workflow options. ATOMOS CONNECT also features Wi-Fi 6, Gigabit Ethernet, and Bluetooth. With support for Atomos Cloud Studio (ACS) and AirGlu™ wireless sync technology that introduce new production workflows and ways to utilize Ninja V.Learn More

AtomX CAST transforms Ninja V into a compact, fully featured production studio. It allows you to perform advanced multi-input switching from 4 x 1080p HDMI sources, apply graphic overlays, and use a USB UVC webcam output for enhanced web-conferencing and live streaming.Learn MoreATOMOS CONNECT

The ultimate expansion module for Ninja V, ATOMOS CONNECT includes an SDI interface, which adds support for a new category of camera and can be used to cross convert a 12G-SDI signal to the HDMI output, creating more utility and workflow options. ATOMOS CONNECT also features Wi-Fi 6, Gigabit Ethernet, and Bluetooth. With support for Atomos Cloud Studio (ACS) and AirGlu™ wireless sync technology that introduce new production workflows and ways to utilize Ninja V.Learn MoreAtomX CAST

AtomX CAST transforms Ninja V into a compact, fully featured production studio. It allows you to perform advanced multi-input switching from 4 x 1080p HDMI sources, apply graphic overlays, and use a USB UVC webcam output for enhanced web-conferencing and live streaming.Learn MoreSupported Resolutions & Frame Rates

To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. Ninja V can record more color information and immediately add value to your production with your existing camera rig. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision.

With flexible options for industry standard video and RAW formats, Ninja V can either record visually lossless acquisition codecs that are ready for editing or smaller-sized delivery codecs that look great and are quick to upload. Ninja V is designed to be versatile and meet the requirements of your workflow. Atomos understands the value of being able to select the format, quality, resolution, frame rate, or file size that best suits the needs of your production.Apple ProRes RAW

To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. Ninja V can record more color information and immediately add value to your production with your existing camera rig. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision.ARRI

The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device.

There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT.

Atomos Cloud Studio (ACS) is a collection of online video production services that represent a radical innovation for all video creators, streamers, and filmmakers. When paired with ATOMOS CONNECT, ACS allows Ninja V to livestream to popular platforms like Facebook Live, Twitch, YouTube, and custom RTMP/S destinations. It also offers full support for Adobe Camera to Cloud (C2C), powered by Frame.io, allowing anyone with a compatible camera or device to be able to capture full-resolution footage, simultaneously share proxy files, and collaborate in real-time.

Adobe C2C is being used by production teams every day to share footage from the shoot with remote team members. C2C is the fastest, easiest, and most secure method to share media and collaborate in real-time. It creates a direct path from production to the post-production teams, allowing media to be transferred from C2C certified devices, wherever you are, over standard network connections to the cloud, for viewing, approval, and editing. Clips can be reviewed on any device and editors can start cutting high-quality proxy files (with matching timecode and file names) before anyone calls it a wrap. The ATOMOS CONNECT accessory for Ninja V opens the C2C workflow to a significantly wider range of digital cinema, mirrorless, and DSLR cameras, allowing more filmmakers than ever before engage in cloud-based workflows and experience the future of production.

Included with Premiere Pro and After Effects, Frame.io unlocks powerful ways to securely share, collaborate, and manage projects. All in one powerful place.Learn MoreFinal Cut Pro

Frame.io integrates directly into Final Cut Pro and unlocks powerful ways to share, collaborate, manage projects, and make everything happen faster — all from a single, powerful place.Learn MoreDaVinci Resolve

Frame.io is now a native feature inside DaVinci Resolve Studio — no installation required. And it unlocks powerful ways to collaborate, address feedback, and manage files and projects. All from one powerful place.Learn MoreMedia Composer

Frame.io brings powerful tools to the Avid Media Composer workflow. So you can stay more focused, deliver faster, and collaborate across distances more easily than ever.Learn MoreNinja V

Modern TVs are more complicated than ever before. If you’ve found yourself browsing one of our guides and felt stumped by some of the acronyms or tech specs, we’ve summarized the most common terms below:

LCD: LCD stands for liquid crystal display, and it’s the most common kind of television besides OLED (defined below). LCD TVs shine an LED backlight through a panel of liquid crystal, a malleable substance that reacts to electricity, opening or closing when jolted. In LCD TVs, the liquid crystal opens to allow the backlight through or closes to block it. The specific details of the opening/closing are dependent upon the arrangement of the pixels: The most common LCD arrangements are Vertical Alignment (VA) and In-Plane Switching (IPS), with the former tending to produce higher contrast and the latter tending to produce wider viewing angles. All so-called “LED” TVs are really LCD TVs, as are all current QLED and ULED TVs.

OLED: An organic light-emitting diode, or OLED, TV creates light inside each individual pixel without using a backlight and can dim each pixel individually all the way down to black, which LCD TVs can’t do. This tech gives an OLED TV an infinite contrast ratio and other benefits to help create an overall better-looking image, although at considerable additional cost. You can read more about OLED technology in this article.

Mini-LEDs: Every LCD TV made today currently uses LEDs to produce the light that shines through the LCD panel. Most TVs use LED lights that pass through a diffuser to light up the entire LCD screen. Mini-LEDs, which some TVs use, are much smaller than traditional LEDs, so TV makers can install more of them and thus create more zones of local dimming, which means less blooming or halos around bright objects. Mini-LEDs are completely different from micro-LEDs, an available (though very expensive) technology that employs individual red, green, and blue LEDs to produce an image without needing an LCD panel at all.

Nits: Also called candelas per square meter (cd/m²), this unit of luminance measures how much light a TV can produce. Previously, TVs could output 200 to 300 nits, and standard dynamic range (SDR) content was graded and mastered with 100 nits as the standard. With high dynamic range (HDR), content is mastered with 1,000, 4,000, or 10,000 nits as the standard; so, the more nits an HDR TV can display, the more accurately it can display the highlights in HDR material without having to reduce the brightness of the highlights or clip them.

Wide color gamut: Ultra HD content has a wider color gamut than standard HDTV content; right now, most UHD content is mastered with the same DCI/P3 color gamut used in theatrical cinema (the ultimate goal is the even larger Rec. 2020 color gamut). This expanded color gamut allows a TV to display richer reds, blues, and greens than ever before. Some TVs use quantum-dot technology to produce this wider color gamut.

Quantum dots: Quantum dots are a color-enhancing technology primarily found in LCD TVs (though some 2022 OLED TVs now have them as well). Chiefly employed as a filter that’s painted onto a substrate, quantum dots are microscopic nano-crystals that, when struck with blue light, produce very vivid red or green light (depending upon the size of the crystal). Quantum dots are the primary technology that allows LCD TVs to produce the wide color gamut required to display HDR content properly, as they greatly increase the color saturation of red and green.

Refresh rate: All digital displays (including TVs) have what’s called a refresh rate, measured in hertz (Hz), shorthand for cycles per second. A TV’s refresh rate refers to how quickly it displays new incoming video information on a nanosecond-to-nanosecond basis. While there are many possible refresh rates, most TVs come with either a 60 Hz refresh rate (meaning 60 screen refreshes per second) or a 120 Hz refresh rate (120 screen refreshes per second). Ideally, a TV will have the highest refresh rate possible, but there are diminishing returns for higher refresh rates during many types of content. A 120 Hz TV has advantages when watching 24p content or mitigating judder (definitions below), and tends to produce less input lag when playing video games, but it won’t provide advantages for most forms of cable TV or streaming content. In 2022, some manufacturers introduced 144 Hz TVs meant to appeal specifically to gamers, but the majority of TVs still have 60 or 120 Hz refresh rates.

Judder: This term refers to a slightly jerky motion that can occur when 24p film content appears on a TV with a 60 Hz refresh rate. In such situations, to make 24 frames match up to the 60 Hz display, half of the frames appear two times and the other half appear three times. This display technique causes judder, which is most noticeable on panning shots. Some 120 Hz displays avoid this effect by repeating each film frame five times, while some 60 Hz panels run at 48 Hz to show each frame twice.

Motion smoothing: Motion smoothing, sometimes called MEMC (Motion Estimation/Motion Compensation), refers to a TV’s ability to intelligently create new frames to create smoother-looking or less juddery motion. Most modern TVs can artificially increase their refresh rates to smooth out fast or difficult sequences, but the efficacy of this motion smoothing is often dependent upon the TV’s native refresh rate. Motion smoothing is also the cause of the “soap opera effect,” where cinematic/24p content looks more like a daytime soap opera due to the insertion of unnecessary frames. The best TVs come with multiple motion smoothing presets, and some even allow the user to fine-tune the degree of judder reduction and frame interpolation employed. When used correctly, motion smoothing can make content like sports and nature documentaries look more realistic, but we prefer it be turned off for content like premium TV, movies, and video games.

Watching digital 3D films with intricate graphics, surround sound, and the marshmallow-y seats of a movie theatre makes it easy to forget what movies were like beforeThe Wizard of Oz, when recordings were stored on bulky film tape and viewed in gritty black and white color. Since its inception over 100 years ago, filmmaking has evolved significantly into what we know today: Blue Ray, Ultra HD, GoPro—all of which are likely to one day become just as outdated as the long forgotten VHS, Camcorder, and satellite TV. From the cinematograph in 1895 to Facebook Live videos streamed from our smartphones, technology continues to reinvent the ways we view motion pictures.

Many people consider the “Race Horse” to be the earliest documented film in history. And while it was monumental for the birth of film, it isn’t considered the earliest film because it’s not, in fact, film. It was a series of cabinet cards by Eadweard Muybridge to show an example of chronophotography – an early method of photography to record the passing of time. The first documented film wouldn’t officially take place until a decade later.

According to the Guinness Book of Records, the oldest surviving film in existence is theRoundhay Garden Scene – a two second clip of people gleefully walking/dancing in a circle. French inventor, Louis Le Prince, staked his claim on some of the earliest film technology – the single-lens camera. As a result, Le Prince recorded his 12-frames/second video breakthrough using his single-lens camera and Eastman Kodak’s paper-based photographic film.

Inspired by Thomas Edison and William Dickson’s picture projector, brothers and filmmakers Auguste and Louis Lumiere were determined to find a way to combine film and projection into a solo device. In 1895 their dream became a reality, when they created and patented the cinematograph—the world’s first motion picture camera. Later that same year, the duo debuted their film Sortie de l"usine Lumière de Lyon to the public.

Three-strip Technicolor was first introduced and commercialized in 1932. Three years later, Kodachrome was created—mainly for amateur home movie-making and slideshows. Fantasia and The Wizard of Oz are the two most distinguished motion picture movies to utilize Technicolor technology in the late 1930s. How else were we supposed to know Dorothy’s slippers were sparkly red?

Douglas Edwards was America’s first regular news anchor, starring on CBS’s nightly broadcasted Television News(later titled Evening News) from 1948 to 1962. In 1950, the CBS program became available across the U.S. Today, news broadcasting networks are planted around the world, and televised updates can be viewed nearly every hour of the day.

The first commercially sold color TV set was first available for purchase in 1954, at $1,295 and found in just 60 New York-located stores. Due to its hefty price, and color programming’s still relatively unfamiliar concept, none sold. Over the years, the idea gained traction, and in the 60s nearly all higher-income households owned a set.

On July 23, 1962 AT&T’s Telstar satellite dish made its debut with a live transatlantic broadcast. The Telstar—a spherical satellite similar in size and