sony a6500 lcd screen factory

In order to interface with the camera and access its functions, it is important to have a working LCD screen. If your LCD screen has problems such as distortion and flickering, it may be damaged and in need of replacement. This guide will walk you through disassembling the camera and removing the LCD screen; avoid tearing the flat ribbon cables exposed in the process. When removing the screen from the plastic frame, you will break the adhesive attaching it. If desired, you may reglue the replacement screen to the frame with any super glue or epoxy. This guide requires JIS 00 and 000 screwdrivers, opening tools, a spudger, and tweezers.

I apologize in advance if this has been asked before but I"ve looked and couldn"t find any similar posts. I just picked up my A6500, and was planning on installing an LCD screen protector but looking at it closely there seems to already be one installed. Can anyone with an A6500 confirm this? Is it wise to leave it on or replace it? At first I tried removing it but it seems to not easily come off and decided to stop since I wasn"t sure if this is "part" of the screen being that it"s now a touch LCD.

I apologize in advance if this has been asked before but I"ve looked and couldn"t find any similar posts. I just picked up my A6500, and was planning on installing an LCD screen protector but looking at it closely there seems to already be one installed. Can anyone with an A6500 confirm this? Is it wise to leave it on or replace it? At first I tried removing it but it seems to not easily come off and decided to stop since I wasn"t sure if this is "part" of the screen being that it"s now a touch LCD.

I apologize in advance if this has been asked before but I"ve looked and couldn"t find any similar posts. I just picked up my A6500, and was planning on installing an LCD screen protector but looking at it closely there seems to already be one installed. Can anyone with an A6500 confirm this? Is it wise to leave it on or replace it? At first I tried removing it but it seems to not easily come off and decided to stop since I wasn"t sure if this is "part" of the screen being that it"s now a touch LCD.

I"ll take a close up pic of the LCD screen tonight and post it. It"s hard to see at quick glance but you"d have really take a closer look, there"s a very small space between what looks like an LCD protector and the edges of the screen, about probably less than 1mm.

I believe all Sony cameras come with a protective film already installed on the camera. It helps reduce glare and protect from scratches. It"s also responsible for the common delamination problem that Sony cameras have. I wouldnt put anything on top of it.

I believe all Sony cameras come with a protective film already installed on the camera. It helps reduce glare and protect from scratches. It"s also responsible for the common delamination problem that Sony cameras have. I wouldnt put anything on top of it.

I apologize in advance if this has been asked before but I"ve looked and couldn"t find any similar posts. I just picked up my A6500, and was planning on installing an LCD screen protector but looking at it closely there seems to already be one installed. Can anyone with an A6500 confirm this? Is it wise to leave it on or replace it? At first I tried removing it but it seems to not easily come off and decided to stop since I wasn"t sure if this is "part" of the screen being that it"s now a touch LCD.

A6xxx do not come with screen protectors. I put one of these on every camera, prevents any scratches and keeps original screen pristine in case you want to sell:

If you have the A6500 and want to get most out of your camera than you likely also have the Gary Friedman book on A6500 (if not get one). See page 37 which tells something about screen protector on A6500.

If you have the A6500 and want to get most out of your camera than you likely also have the Gary Friedman book on A6500 (if not get one). See page 37 which tells something about screen protector on A6500.

Bought a6500 today and tested about 5 cameras in few stores. All of them had factory installed screen protectors on it. I bought US version, but tested EU versions too, no difference there: all had protectors on.

It"s not a screen protector but an anti-shatter film.  It is very soft and easily scratched.  It is best to immediately cover it with a screen protector immediately after purchase before use.

You found us, so you must be having a problem with your Sony Video Camera orSony Mirrorless Camera. First of all, don’t panic. In many cases, those pesky camera system error issues can be diagnosed and fixed easily.

You might see this message after powering your camera on, or suddenly after shooting normally without any issues. Most likely, it’s a stuck shutter – but not always. Here’s a list of the usual suspects that might be causing this error message on your LCD screen.

If your Sony camera was accidentally plugged into the wrong power source, it might have shorted out the circuitry, which keeps power from getting to your shutter, or to the IBIS assembly.

If removing the battery or power source doesn’t fix the camera error, you may have one last trick up your sleeve. If you can access the camera’s menu, navigate to theSetting Resetscreen, here you will have two options: Camera Settings Reset, or Initialize, choose Initialize. This will reset your camera to a factory reset. Please be aware that this removes any custom settings you may have.

From amateurs to professionals, we understand the importance of getting you back behind the camera as quickly as possible. With the fastest turnaround times in the industry and the largest stock of Sony OEM replacement parts, we can repair your Sony camcorder within one weekonce the repair estimate is approved.

Three refreshes: that’s how long it took for Sony to create a camera with a sensor that can keep up with its competitors. Granted, the processing engine in the Sony a6500 is very capable and a big part of it. But then we also beg the question: Why so many refreshes so suddenly?

We tested the Sony a6500 with the 24mm f1.8, 85mm f1.4 G Master, the Sony flash transmitter, the Impact Venture 600 TTL monolight, the 24-70mm f2.8 G Master lens, and the 70-200mm f2.8 G Master lens.

Fans of Sony’s a6000 series will feel right at home with the a6500. The small, sleek design is largely unchanged when compared to other models in the lineup.

Sony states that this camera has moisture and dust resistance. Of any of the mirrorless cameras on the market, the a6000 series have always felt the most hearty. Indeed, this proved to be true when I took the camera out into the snow for shooting time. It shrugged off the snow with ease.

There are a few things about the Sony a6500 that sort of annoy me. For starters, these cameras have needed a third exposure control for a really long time. A dial on the front by the grip would be ideal and would allow me to control aperture, shutter speed and ISO with ease. Then there’s Sony’s attempt with the touch screen. In my efforts, I didn’t find it to be so incredibly useful. Instead, it just became a nuisance.

When shooting sports in portrait mode, the camera detected that my nose was hitting the LCD screen and tried to change the focusing point. So I needed to turn it off when shooting in portrait mode. But then I couldn’t even get through Sony’s menu system via the touchscreen–or at least I couldn’t figure out how to do this.

Sony’s new color system and organization of the menu system however is pretty appreciated. But otherwise, there isn’t a whole lot that I really like about this camera which I feel is limited by the real estate space. It’s a small body and Sony is trying to do so much with it yet market it as a workhorse. I’d honestly be alright with it being Fujifilm X Pro 2 sized. Why? Because that’s the most perfect camera on the market when it comes to ergonomics and is seconded by the Olympus Pen F.

According to Sunny 16 standards and tests, the Sony a6500 conforms. This means that setting it to the high contrast black and white mode while shooting in the NYC subways will be a breeze if you know a lot about shooting methodologies.

The biggest competitors when it comes to image quality here are the Sony a6300, Fujifilm X-T2, Fujifilm X Pro 2, and the Nikon D500. Overall, they’re all incredibly capable of getting a lot of details in the shadows and highlights. But when it comes to color rendition, Fujifilm takes the cake here. All f the cameras have high ISO output that is about on par with one another with the exception of the Sony a6300. The a6500 has high ISO output that is much cleaner than its predecessor.

One of the best qualities about Sony cameras are their JPEGs. They’re pretty nice right out of the camera when the right white balance is set. Plus the camera can wirelessly port them to your phone or tablet using its built in WiFi.

The Sony a6500 is a really solid camera. I can’t sit here and deny that. But if you’re a Sony a7 series camera owner, you’ll see just how much better that is. In fact, I feel like the Sony a6500 was rushed in many ways. There was absolutely no point in updating the body this often in such a short amount of time and I genuinely hope that Sony will wait a while before they release the next update.

Is it a good camera? Sure. Is it a fantastic camera? In many ways yes, but I personally feel like Sony needs to start doing some things to boost the mojo of the a6000 series. The Fuji cameras look very tempting as does the Nikon D500.

Stable, fast, and versatile, the Alpha a6500 from Sony is an apt APS-C-format mirrorless camera well-suited for both photo and video applications. Revolving around a 24.2MP Exmor CMOS sensor and BIONZ X image processor, clean image quality is provided with a wide expandable sensitivity range to ISO 51200, along with accelerated readout speeds for internal 4K30 and Full HD 1080p120 video recording with full pixel readout. The processor further benefits videographers with the inclusion of an S&Q (Slow & Quick) Motion setting that permits capturing Full HD video at a variety of frame rates ranging from 1-120 fps. Stills shooters also benefit from the apt processing speed, which enables continuous shooting at 11 fps for up to 301 JPEGs in a burst, as well as 14-bit raw file output. Complementing both stills and video, 5-axis SteadyShot INSIDE image stabilization minimizes the appearance of camera shake with all mounted lenses to support working with slower shutter speeds. The sensor and processor combination also avails 4D FOCUS, which utilizes a wide-coverage 425-point phase-detection system with a 169-area contrast detection system for quick and precise focusing performance. This focusing system also enables High-density Tracking AF for more efficient and accurate tracking of moving subjects across the image frame. Increasingly versatile and fully featured in both photo and video realms, the a6500 is a fast and precise imaging tool for multimedia capture.

Complementing the imaging assets, the a6500 also sports a robust magnesium alloy body that is dust- and moisture-resistant to permit working in harsh environments. The compact profile incorporates a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for bright, clear, eye-level viewing, and this EVF features a 120 fps viewing mode for smooth tracking of fast-moving subjects. A rear 3.0" 921.6k-dot touchscreen LCD monitor is also available and has a tilting design to benefit shooting from high and low working angles, and the touchscreen design allows for intuitive touch-to-focus control. Additionally, for wireless remote control over the camera, or for just sharing imagery online, built-in Wi-Fi with NFC permits linking with a mobile device for intuitive wireless control.

In this Sony a6500 review, I’ll provide an overview and go over the Sony a6500 specs. Furthermore, I’ll present a few alternatives and tell you whether it’s still worth buying.

The Sony a6500’s release date was in October 2016, but the Sony a6600 has since superseded it. Yet, the a6500 is still a powerful camera and an excellent choice for many photographers and videographers.

I’ve used it since 2018, primarily shooting travel and adventure photos and videos. And I have taken thousands of stills and videos with it in that time. The Sony Alpha a6500 is still a top-tier APS-C mirrorless camera.

The Sony Alpha a6500 is one of six mirrorless cameras in Sony’s a6 lineup. The a6000 and a6100 are considered entry-level cameras. The a6300 and a6400 are mid-level options, and the a6500 and a6600 are top-tier models.

The a6500 price range is full of competition. And while many competitors (especially new cameras) have upgraded in one area or another, none of them boast the entire package of the a6500.

While the Sony a6500 is by no means a perfect camera, it does have some fantastic features. At its center is a 24MP APS-C CMOS sensor. Additionally, it has in-body stabilization, shoots 11fps (frames per second), and captures 4K video up to 30p.

Moreover, it’s an interchangeable lens camera that uses the Sony E-mount lens system. The standard kit lens is the Sony E 16-50mm f/3.5-5.6 OSS. (Note, I did not use the kit lens in this review. Instead, all the sample photos are shot on the Sony Zeiss 16-70mm f/4 OSS. It’s a premium standard-zoom lens that pairs perfectly with the a6500.)

Another thing I love about the a6500 camera is the price. As an older camera, it has seen significant reductions… Don’t be afraid to go for a cheaper used camera! That’s what I did, and I couldn’t be happier with my decision.

As a top-tier mirrorless camera, the Sony a6500 is appealing to many. Whether you’re a professional or a total beginner, it can fit seamlessly into your kit.

It has more advanced features than entry-level cameras for beginners. It’s loaded with professional features for intermediates. And for professionals that already shoot with a Sony camera system, the a6500 is an ideal lightweight backup.

Additionally, it’s for anyone who needs an ultra-portable, high-quality camera. Travel, adventure, street, and landscape photographers all come to mind. I’m an avid traveler and nature lover, and I never go anywhere without my a6500.

While a drawback was a lack of lens compatibility for a long time, there are now over 60 native lenses. Furthermore, there are hundreds of more third-party lenses for the Sony system. Sigma and Tamron are the two most popular third-party manufacturers, but they are far from the only ones out there.

Technically speaking, there are two types of E-mount lenses. FE lenses are made for full frame cameras. E lenses are for APS-C cameras, like the a6500. But it’s worth noting that all lenses work on both camera systems.

Full frame lenses are 100 percent compatible with every APS-C. The only difference is a 1.5x magnification is applied. For example, with a FE 50mm prime lens on the camera, the a6500 will have an equal focal length of 75mm.

Likewise, all E lenses will work on Sony’s full frame cameras. All you have to do is make sure you’re in crop mode. Unfortunately, this will limit the amount of the sensor used. It isn’t ideal but works in a pinch.

If you ever decide to upgrade from an APS-C to a full frame sensor—as long as you stay in the Sony family—all the native lenses will still work. That’s a huge advantage that will save you lot’s of money in the long run.

There are two principal advantages of buying E lenses for the a6500. First off, they are much lighter and more compact than full frame lenses. And as the a6500 is a compact camera, it makes sense to pair it with smaller lenses.

Plus, there are some marvelous converters for both Nikon and Canon lenses. As an ex-Canon shooter, I have used the Metabones Canon EF Lens to Sony E-mount Speed Booster and the Sigma Mount Converter. Thanks to electric wiring, they both preserve autofocus and aperture controls.

The Sony a6500 has a 24.2MP CMOS APS-C sensor, the same as the new a6600. At 23.5×15.6mm, it’s the same size as Sony’s other crop sensor cameras. It also uses a Bionz X image processor.

With 24.2MP, the Sony a6500 is ahead of competitors like the Nikon Z fc (20.9MP) and the Canon 7D Mark II (20.2MP). Yet, it’s slightly behind Fuji cameras (26.1MP) and the Canon EOS M6 Mark II (32MP).

Another thing to note is that the a6500 does not have an anti-aliasing filter. The lack of an AA filter adds extra detail and sharpness to photos but sometimes creates extra moiré.

In regards to photo quality, the 24MP sensor delivers 6000×4000 pixel images. That’s the same as many of Sony’s professional cameras. Where it differs from them is photo quality in low-light conditions. Full frame sensors always deliver better results when the light isn’t as good.

Another great feature is the addition of Sony’s five-axis in-body image stabilization (IBIS). While stabilization may be commonplace in new cameras today, the a6500 was the first Sony APS-C to feature it.

Through my tests, I have found that the stabilization adds roughly two to three stops of stability. It’s even more when paired with a Sony Optical Steady Shot (OSS) lens. Thanks to this, I can shoot handheld images at a shutter speed as low as 1/10 s.

RAW files are also quite excellent. On average, they are around 24MB in size. They are that large because they retain a ton of information, courtesy of the Sony a6500 dynamic range. You will have no trouble editing your photos when you shoot in RAW.

One knock I have against the a6500 is SOOC image quality. The colors are flat and less vivid in comparison to other brands. To be fair, all Sony cameras I’ve used have the same issue. That makes it more of a knock against the camera maker than this specific model.

Sony has long been the industry standard for autofocus systems, and the a6500 is no different. While not quite as fast as the a6600 (which Sony boasts is the fastest in the world!), it’s not far behind.

It uses a hybrid autofocus (AF) system with 425 contrast-detect points and 425 phase-detect points. The points cover the entire sensor and make the focus speed more or less instant. With the help of Sony’s AI tracking technology, even subjects moving at high speeds come out sharp more often than not.

Also, the Sony a6500 has seven autofocus area modes (Wide, Zone, Center, Flexible Spot Small, Flexible Spot Medium, Flexible Spot Large, and Expanded Flexible Spot). Having a lot of options is great, but unfortunately, many of them seem to do the same thing. More often than not, I find myself using the same two focus modes outside of manual focus—Wide and Flexible Spot Medium).

The Sony a6500 has four different continuous shooting burst modes—High+ (11fps), High (8fps), Medium (6fps), and Low (3fps). At 11fps, High+ is one of the fastest continuous frame rates among crop sensor cameras.

Thus, it is a more than capable camera for action sports and wildlife. On a recent trip to California, I captured spectacular images of whales and elephant seals on the a6500 using continuous shooting modes.

Sony claims the a6500 can shoot up to 300 JPEGs, or 100 JPG+RAW files, per burst. Personally, I have never needed to shoot a burst of this size, so I can’t speak to the accuracy of their claim.

One of the main reasons many choose the a6500 (myself included) is its video features. While not on the same level for video as some other cameras, it’s a powerful video camera in its own right.

The phase detection autofocus also works for video, but AF-C is the only mode option. You can select the focus point on the touch screen LCD, or you can use center lock-on AF. Either way, there is a slight delay to lock onto the subject. With that said, once locked on, it usually does a terrific job tracking and holding the focus point.

Next, there is the chance of overheating when filming in 4K for extended periods. To combat this issue, the a6500 dims the screen. While a good idea, it makes it incredibly difficult to see the screen in sunny conditions.

Like most mirrorless cameras, one of the Sony a6500’s biggest selling points is its compact body. It measures 120x67x53mm. Additionally, it weighs only 453 grams. If you currently have a DSLR camera system, it will feel much smaller and lighter.

Unlike the plastic A6000, the a6500 has a magnesium alloy body. That gives it a sturdy feel—despite its small size—and makes the camera stronger and more durable. But some dials, and the door to the battery compartment, are still made of plastic.

A huge plus of this camera for me as an outdoor photographer is its weather-sealed body. According to Sony, it’s resistant to moisture as well as dust. I can fully support that as I have used my a6500 in rainstorms, snowstorms, and duststorms. But note that the kit zoom lens and many other E lenses are unfortunately not weather sealed.

On the other side, the touchscreen LCD monitor is my least favorite thing about the camera. For a company that makes smartphones, I had massive expectations for it. Unfortunately, it does not work well. For starters, the touch screen features only work for two functions. To assign focus when using autofocus modes and zooming during digital playback. You can’t use it inside the menus. To me, there’s no logic behind it.

The a6500 menu system is another source of disappointment. While better than older versions (with updated color-coded folders), they still leave a lot to be desired. Specifically, creating a custom “my menu” page would be a nice option.

Overall, the Sony a6500 is a highly customizable camera. There are three default custom buttons (C1, C2, and C3). Furthermore, customizable are the AF/MF (manual focus), AEL (auto-exposure lock), center, left, right, and down buttons.

The Sony a6500 has a pop-up flash with a range of six meters and a hot shoe for attaching an external flash. A microphone, light, or external monitor can also go on the hot shoe.

Whether you buy a new camera or a used one, the a6500 still has a place in the photography world. It’s an amazing camera, perfect for beginners, professionals, and everyone in between.

While I wouldn’t say it’s a professional camera, it can create professional-level work if you’re a travel or adventure photographer. In addition, it’s an ideal lightweight backup camera for Sony professionals.

With more cameras coming out every year, there has never been more competition for the a6500. But with that said, I feel confident it will age well, and I will happily continue to use mine. I hope this Sony a6500 review will help you decide on your next camera!

The Sony a6400 is the most recent model to be introduced to Sony’s mirrorless APS-C series which also includes the Sony a5100, a6000, a6300 and a6500.

The a6400 brings with it many similar features found within the existing line-up, but also adds some interesting new features that even the range-topping a6500 does not include.

So now let’s compare 12 key differences between these five Sony mirrorless APS-C cameras and hopefully add a little more clarity to your buying decision.

All five cameras feature a Sony APS-C Exmor CMOS sensor with approximately 24 megapixels, the BIONZ X image processor and a front-end LSI. Unfortunately Sony does not provide the exact specifications of their sensors or processors and often just mentions “new generation or newly developed” in their marketing literature.

The a6300, a6400, and a6500 all support 14-bit raw output, this compares with 12-bit for the a5100 and a6000. None of the cameras support uncompressed raw, so if this is important to you then you’ll need to take a look at Sony’s A7 series of full-frame mirrorless cameras like the a7 III, a7R III or a9 which do support uncompressed raw.

Both the a6500 and a6300 take 0.05s to acquire autofocus, yet incredibly the a6400 requires just 0.02 seconds, which if you believe Sony’s marketing material makes it the fastest autofocus system in the world at the time of writing. Sony doesn’t mention the AF speeds for the a6000 or the a5100, but I own the a6000 myself and know from personal experience that it is slower than both my a6300 and a6500.

The a6500, a6400 and a6300 all have 425 phase-detection AF points that cover 84% of the image area and help to capture subjects more accurately no matter where they are positioned in the frame. Both the a5100 and a6000 have 179 phase-detection AF points.

When it comes to contrast-detection the a6400 is the clear winner with 425 contrast-detection points, followed by the 169 points for the a6500 and a6300, and 25 points for the a6000 and a5100.

Both the a5100 and a6000 only support Eye AF in AF-S (autofocus single shot) mode, whereas the a6300, a6400 and a6500 also support it in AF-C (autofocus continuous shooting) mode.

The a6400 will also receive an update during summer 2019 that will enable Eye AF for animals, making this a dream camera for wildlife photographers. As a wildlife photographer myself there is nothing more annoying than thinking you have nailed the focus only to see that the eyes are out. So personally I’m very much looking forward to this feature which will also be added to the Sony a7 III, a7R III and a9 through a firmware update.

Sony has not said if the a6500/a6300/a6000/a5100 will also receive animal AF updates this year, so I don’t think I’m going to be holding my breath here.

The a6400 manages to trump the other four cameras including the range-topping a6500 with a new real-time tracking feature. With the real-time tracking function you can simply touch the monitor to activate Real-time Tracking for either stills or movies.

The Sony a6500 is the only camera of the five that includes In-body Stabilization (IBIS). The 5-axis (X, Y, Roll, Pitch and Yaw) image stabilization system compensates for five types of camera shake during handheld shooting of still images and movies.

When you mount a lens that features OSS (Optical SteadyShot) to an IBIS camera body like the a6500, then the camera body only handles the X, Y, Roll and disables its own Pitch and Yaw axis.

I mounted my Sony FE 100-400 OSS lens to both my a6300 without IBIS and my a6500 with IBIS to see if it made any difference, but even at 400mm I didn’t notice any significant improvement in stabilization with the a6500.

So IBIS only really becomes useful if you are shooting with lenses that do not include OSS built in. In this scenario it will help to stabilize your images, especially when using a longer focal length. Sony claims that you can reduce your shutter speed by around 4x and still shoot pin sharp images.

The a5100 is the only camera from the five that does not include an electronic viewfinder, relying instead on the LCD screen which can be difficult to see in bright sunlight.

The a6000 EVF has a resolution of 1.4 million dots, whereas the EVF on the a6300, a6400 and a6500 all have a much higher resolution of 2.4 million dots.

All five camera feature a 3-inch LCD screen with 921k dots of resolution. However, only the a6500 and a6400 feature touch sensitive screens that allow you to touch to focus. The a6400 touch screen is the most advanced as this also lets you trigger the shutter by touch and also control the new real-time tracking feature by touch.

Only the new a6400 and the a5100 allow you to rotate the screen up 180° for selfies and video logging work. The a6500, a6300 and a6000 only let you tilt the screen up by approximately 90 degrees and down by approximately 45 degrees.

The mechanical shutter offers the fastest continuous shooting mode on all five cameras. The a6500, a6400, a6300 and a6000 can all shoot up to a maximum of 11fps (Hi+), but at this setting you lose live-view (you see the last picture taken instead of a live view of your scene) and will notice more blackouts on the EVF or LCD screen.

If you switch to silent shooting with the electronic shutter then the a6400 comes out on top as it can shoot at 8fps, whereas the a6500 and a6300 only support 3fps. Both the a6000 and a5100 do not offer a silent/electronic shutter option.

When it comes to the buffer the a6500 comes out on top as it can record 233 extra fine JPGs or 107 raw files before the buffer is full. The a6400 comes second with 99 extra fine JPGs or 46 raw files. The a6300 manages 44 extra fine JPGs and 21 raw files before the buffer is full which is the same as the a6000. The a5100 surprisingly beats the a6300 and a6000 as it manages 67 extra fine JPGs or 25 raw files before things start to slow down.

Of all the cameras the Sony a5100 and a6000 have the most limited ISO range of 100–25600, but this is still going be plenty for the vast majority of situations. The a6300 and a6500 share the same ISO range that goes from 100 to 25600 and is also expandable to 51200.

Sony has a pretty poor reputation when it comes to interval (time-lapse) recording, as none of their cameras include it built in, well at least that was the case until the Sony a6400 came along.

With the a6400 it appears that Sony has finally listened to what their customer base has been asking for, as you now get time-lapse built-in by default which allows you to set an interval of 1-60 seconds between shots. You also get the option of creating a time-lapse movie with the Imaging Edge desktop suite when it’s updated to v1.4 towards the end of January.

Here’s a time-lapse recorded with the Sony a6400. It’s not the most exciting of time-lapses that I’ve even seen, but at least we now have it and I’m sure we will be seeing a lot more awesome time-lapses on YouTube this year