mpc 2000xl lcd screen factory

These screens utilize Super-twisted nematic display technology for a nice crisp and bright display available in Vibrant blue and White/blue backlights. Unlike the original design these are made to last.

These screens will fit in the MPC2000 or MPC2000XL. However, to make our screens work the best in both units, each unit uses its own firmware. So if you have an MPC2000 you will need one for the MPC2000 and if you have an MPC2000XL you need to order for the MPC2000XL.

These screens can also be inverted by using a jumper pin. This inverted mode will make the background white with blue letters, see INVERTED picture. The jumper pins are not included, if you have any questions please email us at sales@mpcstuff.com

PLEASE NOTE: We do recommend that you have the newest OS systems for your unit for optimal operation. For the MPC2000XL that is 1.14 or 1.20 (MCD Drive) and for the MPC2000 its the 1.72 version.These screens have been extensively tested and work great. In testing we have noticed one small thing when loading extra long samples, the bar that says load will show only half when loading. This does not effect the usage at all and the bar is not something that needs to be fully shown anyway. Its only the screen that shows the bar half. The sample is fully loaded just the same. This does not effect anything with the unit other than a small visual change for a split second.

If you have an MPC2000 (Not XL) if you have the 8 outs glitching of the screen in sample modes can be apparent it will not change the audio or function but glitching can occur visually on the LCD. So we do not recommend the 8 outs installed on the MPC2000 (not XL) unless you are ok with the screen glitching visually. If you have any questions, please email us at sales@mpcstuff.com

This LCD window does not fix your LCD screen itself it is only the LCD window for the Akai MPC 2000 and MPC 2000XL Replace for scratched up LCD screen or change the color to match your faceplate.

The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.

The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound.

The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad interface was adopted by numerous manufacturers and became standard in DJ technology.

Other notable users include the American producer DJ Shadow, who used an MPC to create his influential 1996 album J Dilla, who disabled its quantize feature to create signature "off-kilter" rhythms; and the rapper Kanye West, who used it to compose several of his best-known tracks. MPCs continue to be used in music, even with the advent of digital audio workstations.

The original MPC, the MPC-60, was a collaboration between the Japanese company Akai and the American engineer Roger Linn. Linn had designed the successful LM-1 and LinnDrum, two of the earliest drum machines to use samples (prerecorded sounds).Linn 9000, a drum machine and sampler. According to Linn, his collaboration with Akai "was a good fit because Akai needed a creative designer with ideas and I didn"t want to do sales, marketing, finance or manufacturing, all of which Akai was very good at".

Instead of the switches and small hard buttons of earlier devices, the MPC has a 4x4 grid of large pressure-sensitive rubber pads which can be played similarly to a keyboard.Vox, "most importantly, it wasn"t an enormous, stationary mixing panel with as many buttons as an airplane cockpit".

Whereas artists had previously sampled long pieces of music, the MPC allowed them to sample smaller portions, assign them to separate pads, and trigger them independently, similarly to playing a traditional instrument such as a keyboard or drum kit.

The MPC60 only allows sample lengths of up to 13 seconds, as sampling memory was expensive at the time and Linn expected users to sample short sounds to create rhythms; he did not anticipate that they would sample long loops.LCD screen and came with floppy disks with sounds and instruments.

The MPC"s ability to create percussion from any sound turned sampling into a new artform and allowed for new styles of music.music theory knowledge, and it was inviting to musicians who did not play traditional instruments or had no music education.

According to Vox, "The explosion of electronic music and hip hop could not have happened without a machine as intimately connected to the creative process as the MPC. It challenged the notion of what a band can look like, or what it takes to be a successful musician. No longer does one need five capable musicians and instruments."digital audio workstations, and fetch high prices on the used market.

Jehst saw it as the next step in hip hop evolution after the introduction of the TR-808, TR-909 and DMX drum machines in the 1980s.DJ Shadow used an MPC60 to create his influential 1996 album J Dilla disabled the quantize feature on his MPC to create his signature "off-kilter" sampling style.Smithsonian National Museum of African American History and Culture in 2014.Kanye West used the MPC to compose several of his best-known tracks and much of his breakthrough album 2010 MTV Video Music Awards with a performance of his 2010 track "Runaway" on an MPC.

Aight, I got my eye on a MPC 2000. Now, I have played with the 2000xl and I have read the differences between the two. To me it sounds like the 2000 would just be a total downgrade but it is much more affordable for me and it is an MPC. Basically, what I am looking for in this thread is a MPC user who knows both machines and can boost my confidence of me buying the 2000 rather than the XL. It is maxed out, 32 meg. Is there any sequencer differences? I also read that you cannot hit record and wait for it to roll around again and start recording, with the mpc 2000 (does that sound right?). Also, I read that the pads cannot be used for dropout"s like on the 2000XL (like in sequncer mode when you can touch a pad and cancel out that track). So, in that case how can i do that if at all?

” Customized unit, black edition 2nd gen with the fixed sensors, swapped back to blue case. 128MB ram installed. Pads upgraded to MPCStuff thick army green version, pads are in excellent condition, slightly dusty. Wood panel sides also from MPCStuff, attached with velcro. Screen replaced with blue version, jog dial upgraded to newer style. Silver volume and gain knobs, custom buttons. All functions are tested and working. Buttons ‘F4’ and ‘F6’ above the pads have some wear to the tact switches, but work ok. No major audio or power issues. Comes with memory card and power cable. Paid JJOS1 installed with saving enabled. Original packaging not included. Please see pictures, thanks.” Click here to visit listing on eBay

You will need to remove the sounds out of the folders. The mpc2000 cant open/recognize folders. So you would have to take the sounds off the cd and put them on your PC then take the sounds from your PC and put them on a floppy disk, then load up in your MPC. So you could def use sounds from that cd but i mean they are just generic drum sounds. Nothing to shock you. I bet you you already have all those sounds ne ways if not you can pretty much download them for free all over the net just google drums or something. I owned the CD before and it wasnt a cd i would find myself having to have.