16 by 9 aspect ratio lcd module in stock

4:3 aspect ratio televisions were the standard for many years. However, 16:9 aspect ratio is now the dominant widescreen monitor format. Consequently, TRU-Vu offers an extensive selection of 1080p monitors and touch screens with a variety of aspect ratios. Similarly, we also offer our industrial-grade monitors and touch screens with 16:10 aspect ratio.  Browse our 16:9 wide-screen displays to find the perfect solution for your needs. You can even search exclusively for only 16:9 monitors with our search tool.

Our 16×9 monitors are an ideal match for 1920×1080 aspect ratio cameras and 16:9 resolutions from other devices. Widescreen monitors range from 800 x 480 to 1920×1080 aspect ratios, as well as 4K resolution.  We are pleased to offer our 16:9 and 16:10 resolution widescreen monitors in a wide range of sizes and configurations. This includes convenient panel-mount LCD monitors and Sunlight Readable monitors and waterproof outdoor monitor options. These are built for tough conditions.

We are often asked “What is my aspect ratio?” Or sometimes “Do you have a 1080p monitor?” “Can you tell me the aspect ratio of 1920×1080?”  A widescreen aspect ratio refers to a 16:9 aspect ratio screen. This is the rectangular shape similar to any modern television. Older TV’s and monitors had a 4:3 aspect ratio, which looked more like a square monitor. Check out our 4:3 vs 16:9 Aspect Ratio article in order to help you understand the differences between the two monitor formats. You can also use this handy aspect ratio calculator. Likewise, you can speak with one of our application specialists about all of the technical specifications on our displays. Feel free to request a recommendation. They will help determine the ideal 16:9 aspect ratio or 16:10 aspect ratio monitors for your environment.  If you are interested to learn more about aspect ratios, please also check our terminology guide.

We would be happy to modify any of our monitors for you. For instance, TRU-Vu  can customize nearly aspect of your display, from the inputs and electronics, to screen treatments and enclosures.Modified options are often available at low or no additional cost.  Additionally, we also offer custom monitors to meet your exact requirements. Lastly, Private label options are also available for your brand promotion.

Availability of a comprehensive range of industrial specification, wide aspect ratio 7.0-inch TFT display modules is announced by Review Display Systems.

These modules feature a 16:9 widescreen aspect ratio and are available in variety of resolutions including 800 x 480 pixels (WVGA), 1024 x 600 pixels (WSVGA), and 1280 x 800 pixels (WXGA).

In-plane switching (IPS) is available on some of the modules which enables exceptional optical performance, highly consistent colour reproduction and wide viewing angles. Long-lifetime LED backlights with brightness specifications from 300cd/m² up to high luminance 1500cd/m² versions are supported.

Justin Coleman, display business manager, RDS said, “Over recent years, the widescreen 7.0-inch TFT display module has become an informal industry standard. At RDS we are able to supply, support and design-in a wide range of cost effective 7.0-inch TFT display modules with different options and value-added features. This concept provides engineers with the ability to enhance, upgrade and add new features to their products without the need to redesign their mechanical fixtures and fittings, or change the electronics driving the display.”

A choice of data interfaces includes 24-bit RGB, 6-bit and 8-bit LVDS and MIPI (Mobile Industry Processor Interface) enable support for a colour palette of up to 16.7 million colours. Interconnect options include FFC (flat flexible cable) and ZIF (zero insertion force) connectors.

Well, if you haven’t, today, through this article, let us help you explore everything about this ratio (and other popular ratios) along with its history, resolution, and application in detail.

The comparable relation between the width and height of a screen or video display is known as the aspect ratio. The ratio is usually used in camera sensors, television displays, as well as in printed and digital media.

The list also includes 3:2 aspect ratios suitable for sensors in devices like phones and cameras for shooting different media. Additionally, Cinemascope is a 2.35:1 extra wide aspect ratio used for making films for cinemas.

Aspect ratios are important because there are many standards. The 19:9 ratio in phones is different from the 16:9 horizontal ratio in the modern laptop screens. Also, old computers have a 4:3 aspect ratio while mainstream media is displayed mostly in a 16:9 ratio.

However, in the early days, almost all televisions and monitors had a 4:3 aspect ratio. It was square in shape, which was 33% wider than its height, and was generally known as a square monitor. However, they were not ideal for high-definition video displays.

The 16:9 aspect ratio is widely used in HDTV, non-HD TV, Full HD, and analog television screens. The ratio is obtained when you divide vertical pixels by horizontal pixels (in numbers), containing 1920 vertical lines and 1080 horizontal lines of resolution.

For reference, a 16:9 aspect ratio on television simply means that the horizontal viewing area is wider (16) than the vertical viewing area (9). Practically all the television broadcasts were using this format by the end of 2005.

Moreover, the 16:9 format is natively supported in DVD format and is further used on Vimeo, YouTube, and other popular video websites attracting a very high view rate.

Also, the aspect ratio is clearly specified in the video production by mentioning the widths relative to height, such as 16:9. Today, this ratio has become the common video player size and is the default aspect ratio for most devices, both professional and consumer-grade electronics.

When it comes to displaying a presentation or video on an electronic device, resolutions and aspect ratios are quite significant. The sharpness and clarity of your screen"s image are also determined by its resolution.

Moreover, even the sharpness of a picture on a display is determined by the monitor"s resolution and size. Also, as the same number of pixels are spread out across a greater number of inches, the very same pixel resolution will be crisper on a smaller panel, and gradually lose sharpness on bigger monitors.

Now talking about the computer display system, its greatest resolution is determined by its physical ability to concentrate light (in which case the physical dot size - the dot pitch - corresponds to the pixel size), and it normally has lower resolutions.

However, a display system with a maximum resolution of 1280 by 1023 pixels, for example, could additionally support resolutions of 1024x768, 800x600, and 640x480 pixels. Also, the highest resolution on a given display size may provide a crisper image, but it will be distributed across a space that is too tiny to read comfortably.

Now coming to the aspect ratio of a picture, it is the proportion of its width to its height, represented as two integers separated by a colon, for instance, 4:3. There are several aspect ratios in use in many mainstream press applications; nevertheless, in the television business, the 4:3 and 16:9 aspect ratios are the most frequent.

Moreover, the 4:3 widescreen format, which is utilized for both standard and high definition video, has replaced the old standard definition format that is no longer used by broadcasters.

Although there are other resolutions to pick from, here is a list of the most commonly utilized resolutions (and their corresponding aspect ratios) today:

The 4:3 aspect ratio, which was created by William Dickson in 1892, was established as the standard format for the film in 1917 by the Society of Motion Picture Engineers, and by the television industry in the 1930s. However, in the mid-1950s, the motion picture industry began to develop a variety of widescreen formats to boost their dwindling audience numbers.

Despite the universal usage of 4:3 cameras, LCDs with a 4:3 aspect ratio were becoming increasingly difficult to come by. Many manufacturers moved on to the newer 16:9 widescreens.

This makes it 1.33:1, which serves as the aspect ratio of a 4:3 TV or projector screen. However, this aspect ratio only remained as long as the shape of the television remained square.

This quickly changed when the 16:9 ratio came into the picture. It was much easier on the eyes, and the wide shape of the image closely reflected the natural way of seeing. This accounted for most high-definition widescreen LCDs and TVs with a 16:9 aspect ratio as their default standard (16:9 and 16:10 are very similar). Nonetheless, it"s 78% broader than tall, and one-third bigger than a 4:3 screen.

Now, the 16:9 aspect ratio becomes 16 units wide and 9 units high - much wider in comparison to the 4:3 aspect ratio. Also, when the width is divided by the height it is:

Today, widescreen LCDs with a 16:9 aspect ratio act as the best complement to 16:9 format HD cameras. On top of that, this aspect ratio provides high-definition pictures that are clear and distortion-free, making video conferencing, and broadcasting more and more popular now.

Before I discuss the most common ratios in films, you must first understand that a fixed aspect ratio is used while making a film or television program. This is determined by the camera that is used to film the show, as well as the interface where it will be shown. As a result, TV series’ will almost certainly have a distinct native aspect ratio as compared to big-budget films.

With a few exceptions, most films released after 1953 were in either 1.85:1 or 2.35:1 aspect ratios. However, most modern films are shot in 1.85:1, 2.35:1, or 2.39:1 widescreen aspect ratios. A few silent films, such as Grandeur and " Vision, were shot in other unusual aspect ratios.

Although there have been various aspect ratios used in the last few years, there are 4 popular formats that you will encounter frequently. This includes the following:1.33:1 Ratio

This is the most common aspect ratio of SD (standard-definition) pictures and TVs, sometimes known as 4:3. However, as new TV displays migrate to widescreen, this is becoming less prevalent.

Although there are still many older TV shows that are only accessible in this aspect ratio. As a result, you can watch any of the 4:3 television shows on your old 4:3 television without compromising much on quality. Surprising, it?

However, on the widescreen TV (16:9), there will be bars on both sides due to the image not being large enough for the TV. In technical terms, this is referred to as vertical letterboxing or pillar boxing.

The aspect ratio for almost all the widescreen TVs is 1.78:1, as previously stated. 16 x 9 or 16:9 are other names for it. Additionally, is also a term used to describe this same aspect ratio.

Frequently, 16:9 is the optimum aspect ratio used for presenting content on HDTV as it is the standard for high-definition television screens. Also, in case a show has a 16:9 aspect ratio, you can be assured that it will easily match the aspect ratio of the screen and that the contents of the show will fill the entire screen.

For numerous films, 1.85:1 is a typical widescreen aspect ratio. It is widely used as a widescreen format in the United States, and it is somewhat wider than the normal 16:9 format. But, as the aspect ratio is nearly the same, a video with this aspect ratio may fit perfectly on a normal 16:9 HD TV.

Letterboxing occurs when a 1.85:1 show is displayed on a 16:9 screen, although the bars at the bottom and top may be minimal since this form is already a good fit.

When it comes to 2.39:1, it is a famous aspect ratio used in big movie releases, sometimes known as Panavision or CinemaScope. The aspect ratio used to be 2.35:1, but in the 1970s it was changed to 2.39:1. Apart from this, 2.40:1 is another popular rounding.

If you are wondering where to find this information about aspect ratios, then let me tell you, the aspect ratio of the show or movie on the disc, as well as other information, may be found on the rear of your Blu-ray or DVD packaging.

The 16:9 aspect ratio has a long history dating back to 1984 when Dr. Kerns H. Powers first proposed this aspect ratio to the electronic industry. This was the time when hardly anyone was creating videos in an aspect ratio other than 4:3. Moreover, this aspect ratio (16:9) was then used to solve the difficulty of cinematographic projectors fitting inside booths that were too tall for their width.

Today"s widescreen displays and HDTVs, with their wide 16:9 aspect ratio, have completely transformed the way we view the world. They provide more working space and allow you to see larger pictures without compromising visibility.

On top of that, the 16:9 aspect ratio has been increasingly popular in recent years due to the growing usage of computer displays and LCD televisions. Nonetheless, high-definition (HD) television has used the 16:9 aspect ratio since 2009, which 16:9 appeared in a wide range of media, including movies, television, video games, and even sports.

In motion pictures, video images, and still photos, the aspect ratio dictates the form and scale of the image. Aspect ratios are also used to describe a variety of objects, such as the shape and size of television and computer monitors.

The most popular aspect ratio for watching movies is 1.33:1, while alternative ratios include 2.39:1 (often used for high definition television) and 4:3 (typically used for video games, and commonly used in standard-definition television).

Also, most movies in theaters have a 1.85:1 aspect ratio. This is also referred to as a broad screen. Movies are also exhibited in considerably smaller proportions on television and computer displays, with varying aspect ratios, such as 4:3 (1.33:1) and 16:9. (1.78:1).

Although 16:9 is the current industry standard, it can be difficult to figure out what else uses the format apart from computer monitors and television sets. After all, filming and distribution to cinemas still adhere to specific aspect ratios, and in many sectors of the filmmaking world, the 1.85:1 aspect ratio is still the conventional "flat" ratio.

However, as discussed above, if you view a 1.85 film on a 16:9 screen, thin black bars are likely to appear at the bottom and top of the screen. Although, most of the 1.85 (including some 2.39) films have been filmed "open matte," which means that the complete image is almost closer to the standard ratio.

This implies that many movies shot for 1.85 might be "opened up" when they are seen on a 16:9 or 4:3 television, eliminating letterboxing and providing more information (visual) at the bottom and top of the screen.

Nonetheless, if a film is shot using contemporary digital technology, it has a fair probability of being framed in almost any ratio. If you stay in 16:9 (like several YouTubers opt for), you may take advantage of a bigger aspect ratio. This is exactly why Netflix and other streaming providers have greater creative latitude and leeway.

Most of the mentioned ratios can be better exhibited and portrayed with HD TVs, cameras, and monitors. Many television shows are broadcast (and even shot) in the native 16:9 ratio, and this is where the 16:9 ratio shines the brightest.

On top of that, we recommend you to choose an LCD monitor that comes with the correct aspect ratio so that there is no difficulty in matching the incoming video signal coming from the camera or other digital gadgets, and that even yourstoryboarding processcan go smoothly.

Nonetheless, due to the effect of 16:9 being used everywhere else, even your phone now comes in widescreen. Although it"s still early in the game, the 16:9 aspect ratio has had a significant influence on how one consumes and enjoys entertaining, and it"s difficult to see anything surpassing it.

Square (1:1) LED panels may pose a challenge when creating true 16:9 video walls, because the only way to achieve an exact16:9 ratio is to have 16 panels wide by 9 panels tall, or an exact multiple of such. Luckily, there is some wiggle room with 16:9 ratios. You want your video wall to be close to a 16:9 ratio and the 16:9 content will automatically stretch to fit the display. Display quality can be affected by pixel pitch as well.

Your panel count width divided by your panel count height should equal in between 1.65 and 1.85. This is your “16:9 safe zone”. Here are video wall sizes within the 16:9 safe zone:

The above sizing configurations will be close enough to a 16:9 ratio to be undetectable to the naked eye. As you can see, the only exact way to achieve a 16:9 with square panels is with 16 panels wide by 9 panels high. In contrast to 1:1 square panels, there are also individual panels that are 16:9 already, such as with LCD video walls. In this case, a panel count of 1:1 actually equals 16:9 total ratio, since the screens are scaling up from 16:9. So 2×2, 5×5, 10×10 walls created with 16:9 panels all equal 16:9 ratios.

Maybe your advertiser sent video wall content in the wrong ratio last minute. Or say you just want to display 16:9 content onto a custom-ratio screen. What happens if you try to display 16:9 content onto a video wall that is a different resolution? While it can be done, the end result is not ideal. The result becomes worse with the farther the mismatch between ratios is. There are three options for scaling 16:9 content onto a non-16:9 video wall:

Letterbox – This fits the content into video wall frame proportionally, leaving black bars either vertically or horizontally. A perfect example of this is when you watch an old movie on a new TV. There are black bars on either side because the film was shot in 4:3, while your TV is 16:9. This is most professional option since it displays the original picture exactly as it was intended by the videographer or designer.

Crop to fill – This one is not recommended in most cases because it involves cutting off parts of the image. This is especially problematic if there is important text or picture contained in the margins of the image. But an advantage is that it allows you to fill the screen and constrain the aspect ratio. It can also be an effective option with content such as visuals since visuals don’t contain text that could be cropped out.

Aspect ratio can be easily measured or calculated in a few different ways. To begin, it can be measured in any unit (pixels, inches, feet) and will require the width of the screen to be divided by the height of the screen. In practical applications, this could be done with a number of physical measurement tools, but also on computers can be measured with a Chrome tool called page ruler!

Nearly all channels in European, American, African, Asian, and other countries have their default TV resolution at 16:9. It is by far the standard screen size when viewing and distributing Television broadcasts. Wikipedia has a great resource displaying all countries along with the default aspect ratio that their Television distributions use.

16:9 ratios are an aspect ratio containing 16 units of width for every 9 units of height. They can be calculated by ensuring that width divided by height equals 1.78.

Once seen as exotic,televisions and computer monitors, and is also the international standard image format for UHD, HDTV, Full HD, and SD digital television. It has replaced the "fullscreen" 4:3 aspect ratio.

16:9 (1.77:1) (spoken as "sixteen by nine" or "sixteen to nine") is the international standard format of Ultra HD, non-HD digital widescreen television and analog widescreen television systems PALplusWide-aspect Clear-vision.Hi-Vision originally started with a 5:3 (1.66:1) ratio but converted when the international standards group introduced a wider ratio of 16 to 9. Many digital video cameras have the capability to record in 16:9, and 16:9 is the only widescreen aspect ratio natively supported by the DVD standard. It is also the native aspect ratio of Blu-ray discs, but Blu-ray and DVD producers can also choose to show even wider ratios such as 1.85:1, 2.00:1, and 2.40:1 within the 16:9 DVD and Blu-ray frame by hard matting or adding black bars within the image itself.

Derivation of the 16:9 aspect ratioThe main figure shows 4:3, 1.85:1, and 2.35:1 rectangles with the same area A, and 16:9 rectangles that covers (black) or is common to (grey) them. The calculation considers the extreme rectangles, where m and n are multipliers to maintain their respective aspect ratios and areas.

Dr. Kerns H. Powers, a member of the SMPTE Working Group on High-Definition Electronic Production, first proposed the 16:9 (1.77:1) aspect ratio in 1984,6:1 ratio), 1.85:1 (the American "flat" ratio) and 2.35:1 (the CinemaScope/Panavision) ratio for anamorphic widescreen.

Powers cut out rectangles with equal areas, shaped to match each of the popular aspect ratios. When overlapped with their center points aligned, he found that all of those aspect ratio rectangles fit within an outer rectangle with an aspect ratio of 1.77:1 and all of them also covered a smaller common inner rectangle with the same aspect ratio 1.77:1.geometric mean of the extreme aspect ratios, 4:3 and 2.35:1, 47

While 16:9 (1.77:1) was initially selected as a compromise format, the subsequent popularity of HDTV broadcast has solidified 16:9 as perhaps the most common video aspect ratio in use.3:1) and 2.40:1 video is now recorded using a "shoot and protect" technique7:1) inner rectangle to facilitate HD broadcastopen matte.

In 1993, the European Union instituted the 16:9 Action Plan,PALplus (compatible with regular PAL broadcasts) and also in HD-MAC (an early HD format). The Community fund for the 16:9 Action Plan amounted to €228,000,000.

Over a long period in the late 2000s and early 2010s, the computer industry switched from 4:3 to 16:9 as the most common aspect ratio for monitors and laptops. A 2008 report by DisplaySearch cited a number of reasons for this shift, including the ability for PC and monitor manufacturers to expand their product ranges by offering products with wider screens and higher resolutions, helping consumers to more easily adopt such products and "stimulating the growth of the notebook PC and LCD monitor market".

In 2011, Bennie Budler, product manager of IT products at Samsung South Africa, confirmed that monitors capable of 1920 × 1200 resolutions are not being manufactured anymore. "It is all about reducing manufacturing costs. The new 16:9 aspect ratio panels are more cost-effective to manufacture locally than the previous 16:10 panels".

In March 2011, the 16:9 resolution 1920 × 1080 became the most common used resolution among Steam"s users. The previous most common resolution was 1680 × 1050 (16:10).

16:9 is the only widescreen aspect ratio natively supported by the DVD format. An anamorphic PAL region DVD video frame has a maximum resolution of 720 × 576p, but a video player software will stretch this to 1024 × 576p.

Producers can also choose to show even wider ratios such as 1.85:1 and 2.4:1 within the 16:9 DVD frame by hard matting or adding black bars within the image itself. Some films which were made in a 1.85:1 aspect ratio, such as the U.S.-Italian co-production Kenneth Branagh"s 7:1 HDTV screen and have been issued as an enhanced version on DVD without the black bars. Many digital video cameras have the capability to record in 16:9.

In Europe, 16:9 is the standard broadcast format for most digital SD TV channels and all HD broadcasts. Some countries adopted the format for analogue television, first by using the PALplus standard (now obsolete) and then by simply using WSS on normal PAL broadcasts.

Japan pioneered its analogue HDTV system (MUSE) in 16:9 format, which started in the 1980s. There were also analog NTSC-compatible widescreen broadcasts using the Clear-Vision system. Currently all main channels have digital terrestrial television channels in 16:9. Many satellite broadcast channels are being broadcast in 16:9 as well.

All channels, however 16:9 contents look squashed on older 4:3 sets. Also, all 4:3 contents including news clips are stretched as stretching is common.

channels that are originally broadcasting in 4:3 on analog terrestrial, but upscaled or stretched to 16:9 for digital terrestrial television, cable and satellite

Knowledge of different aspect ratios is proving quite essential when deploying various digital signage solutions. As technology advances, digital signage continues to outpace its static counterpart. Nowadays, businesses are embracing interactive digital signage to boost user experience.

Interactive mediums involve customer participation, and the content could range from text, animation, video, audio, and even games. Here a 3:2 or 4:3 ratio would do just fine. For motion signage, businesses would always go for the highest resolution possible (4k), supported by the 16:9 aspect ratio.

On the other hand, static digital signage includes audio, video, and images that do not change or adapt to the adjacent environment. The choice of aspect ratio will depend on the resolution needed, the type of content, and what the business wants to accomplish.

The 4:5 or the 1.91:1 is a vertical or portrait format (1080 x 1350px) commonly used for Instagram main feed. When you multiply this by 2, you get 8:10. This is the aspect ratio used with the popular 8″ x 10″ photos and can work well for digital advertising on relatively smaller screens.

The 16:9 is a widescreen aspect ratio widely used in video players. It’s one of the most common aspect ratios you’ll find in the latest TV designs. This 4k aspect ratio supports up to 4096 by 2160 pixels (px) and works well with high-definition marketing videos.

The 16:10 became popular between 2005 and 2008, where it was common with laptop displays. If you are using a native wide XGA projector, this would be the best option to choose. An XGA projector receives 1920 x 1080 px but outputs 1024 x 768. Some computer monitors still use this aspect ratio.

Aspect ratio and resolution are two terms that describe the format and the quality of an image you see on a screen. Understanding these terms will guide you when designing content for your digital signage. By now, you must be familiar with aspect ratio. Let’s see what resolution is and how it relates to the image or video aspect ratios.

Resolution is the number of pixels/dots making up the picture/video on your screen. The more the number of dots/pixels in a picture, the higher the resolution, which means high-quality images and videos to create a captivating display. To get the resolution, you multiply the width (W) times the height (H) while dividing the two for the aspect ratio.

A higher resolution video contains more details than a lower-resolution video and would need a larger screen to display everything. When displaying smaller file sizes, you’ll need to encode your high-quality video into a lower-resolution copy. Once you know what your audience wants to see, it’s easy to choose the right aspect and resolution. You’ll then proceed to develop content for your digital signage that will meet your audience’s expectations.

How to find the aspect ratio of video/image? Locate the pixel dimensions of the image or video you have (e.g., 4096 by 2160 pixels). Divide the long side (higher number) by the short side (lower number). Then take note of the resulting number (here, the answer would be 16:9).

How to check the aspect ratio of the monitor? Find the ratio of width to height by dividing the height by the width. Some monitors allow you to change the display’s proportions via settings.

If the content source has fixed formatting and can’t modify the monitor’s aspect ratio to suit your viewing needs, you’ll need to use encoding software to change the proportions of the content. In summary, aspect ratio challenges can be solved by investing in the right digital signage hardware and the software.

Before getting into the intricacies of 16:9 resolutions, where it came from, and why it’s used, we want to provide a nice and easy definition. This definition will apply to the 16x9 aspect ratio across the board and prepare you for when we get into greater detail about its origins and usage.

The 16:9 aspect ratio is used in film and television and is used to describe an image that is 16 units wide by 9 units long. Also pronounced sixteen-nine, sixteen-to-nine, sixteen-by-nine, or 16 by 9. Also known as 1.77:1/1.78:1, this aspect ratio was developed in the 1980s and ‘90s. It became the default for high-definition television sets, screens, and monitors since the 2000s. Like 4:3, 16:9 typically — if not exclusively — refers to TV screens and monitors, as the more technical 1.77:1 (or rounded 1.78:1) specifically refers to celluloid and film/TV productions.

Using StudioBinder’s storyboard software, we can see multiple examples of various works in the 16x9 aspect ratio, some of which are movies and others which are iconic television shows.

Unlike its counterpart, 4:3, 16:9’s origins do not directly come from filmmaking limitations or technology of the time. Not unlike what Vittorio Storaro was trying to do with the 2:1 aspect ratio, 16:9 was meant to be the perfect aspect ratio that could accommodate the various ratios already in existence.

And this decision didn’t come from movie execs, but rather scientists trying to figure what the next great thing in monitors was going to look like. In other words, the 16:9 format was a future proofing ratio that could be implemented early before widespread adoption.

Thought up by Dr. Kerns H. Powers of SMPTE (Society of Motion Picture and Television Engineers), the 16:9 ratio was created from a variety of mathematical equations and processes. He essentially concluded that it was the best option for the future of high-definition displays.

Within this rectangle of a ratio, the 16:9 format allowed for ratios as square as 1.37 (also known as the 4:3 aspect ratio) and as wide as 2.39 (originally known as CinemaScope) to fit comfortably within its frame.

Additionally, ratios close to 16:9 resolutions, like 1.66 and 1.85, could fit very comfortably within a 16:9 screen ratio. In some cases, 1.66 or 1.85 would fit the entirety of the 16:9 ratio, either through cropping or opening up the natural image for home video release.

Otherwise, these ratios were pillarboxed (black panels on the sides of the screen) or letterboxed (black bars on the top and bottom of the screen). And in the case of DVD, movies could be formatted for widescreen televisions, no matter their aspect ratio, with the power of pillarboxing and letterboxing (and the removal of pan-and-scan).

While it began as a compromise, the 16x9 aspect ratio would soon dominate our high-definition landscape, with HD TVs becoming more and more popular in the mid-2000s.

By the end of the 2000s, 4:3 TVs were the old way, and this was further accelerated with HD Blu-ray discs and the HD video game consoles like Xbox 360 and PlayStation 3. Fast-forward a few years later, and now virtually everything is available in high-definition.

While 16:9 is now a standard, it can sometimes be tricky to understand what uses the 16:9 format, besides television sets and computer monitors. After all, movies still have their strict aspect ratios that are still the standard in both filmmaking and distribution to theaters. Our video below can fill you in on the various cinematic aspect ratios that exist.

1.85:1 is still the standard “flat” ratio used in many parts of the filmmaking world. This means that, if you watch a 1.85 movie on your 16:9 screen, slim black bars will appear at the top and bottom of the screen.

That said, most movies in 1.85 (and even a few in 2.39) are or have been shot “open matte,” meaning that the full image is closer to 4:3. This means many movies originally shot for 1.85 can be “opened up” when being presented on a 4:3 or 16:9 display, so that there is no letterboxing, which also means getting a little bit more visual information at the top and bottom of the frame.

The video below gives you an idea of how open matte is often used, especially in the case of 4:3. While 16:9 makes it easier to just show 1.85 movies in that ratio, some filmmakers might decide to open up the frame just a bit to fill in that extra space.

If you’re shooting a movie with modern digital technology, there is a good chance you can frame it in virtually any ratio you want. You can stick to 4:3, stay in 16:9 (like many a YouTuber), or go even wider. With HD cameras and displays, just about any ratio can be better displayed and shown.

The world of TV is easily where the 16:9 ratio shines, as many television programs will be shot and presented in a native 16:9. This is especially true of major network and cable channels, from CBS and NBC to HBO and Showtime. Streaming platforms like Netflix will vary, as they tend to have more creative freedom and leeway.

Even before 16:9 was everywhere, many TV shows in the 1990s and 2000s were shot with a 1.77 aspect ratio in mind, making it easy to broadcast in 4:3 at the time and then later in 16:9 on home video and streaming.

And we of course can’t forget the influence video games had in making 16:9 resolutions the standard. As early as the PlayStation 2, video game makers knew HD was the future. The Xbox 360, released in 2005, was the first major home console to have HD capability, followed by the PlayStation 3 (which came out one year after the 360). By the early 2010s, every major video game console was in native HD (with Nintendo finally getting there with the Wii U in 2012).

These days, your mobile phone is, if nothing else, in widescreen, thanks to the influence of 16:9 everywhere else. It’s still early innings, all things considered, but the 16:9 screen ratio has made a definite impact on how we watch and experience entertainment. It’s hard to say what can top it, but for now, it serves as the true compromise SMPTE envisioned it to be.

Now that you know a bit more about 16:9, why not learn a bit more about 2:1? Our article, with video, digs into the origins of 2:1, who uses it, and how it has popped up in more movies and shows in the last decade.

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One of the biggest trends coming out of this year’s CES wasn’t something people will necessarily notice at first glance unless they look closely. After enduring years of cramped, “widescreen” laptop displays, it looks like we’re finally starting to say goodbye to the 16:9 aspect ratio.

An aspect ratio is the ratio of a display’s width to a display’s height (in that order). For example, a screen with a resolution of 500 x 500 would have an aspect ratio of 1:1. Think of it like simplifying a fraction: a 1080p screen has a resolution of 1920 x 1080, which divides down to 16:9.

The aspect ratios you’ll typically see on laptops are 16:9, 3:2, 16:10 (which, for whatever reason, is called 16:10 rather than 8:5), and (occasionally) 4:3. 16:9 is the most common option and also the one with the lowest amount of vertical space relative to its horizontal space.

If you have a modern Windows laptop, there’s a good chance your screen is 16:9. If you have a gaming laptop, its panel is almost certainly 16:9. (It’s unusual to find high refresh-rate panels with other proportions.) There are some notable exceptions: Microsoft’s Surface products have been 3:2 for quite some time, while Dell’s last few XPS 13 models and Apple’s MacBooks are already 16:10. But traditionally, Windows laptops like these have been few and far between.

16:9 screens are cramped — at least compared to other options. I usually can’t comfortably work in multiple windows side by side without zooming out or doing a ton of vertical scrolling, and when I’m multitasking in Chrome, the tabs get tiny very quickly. If you’re used to using a 16:9 screen and you try a 16:10 or 3:2 display of the same size, you probably won’t want to go back. You just have a lot more room, and it’s a much more efficient use of screen space.

But this CES showed that 16:10 and 3:2 displays are inching closer to the mainstream. These are some of the biggest laptops announced at the show that are offering non-16:9 display options:

That doesn’t mean there are no 16:9 displays left — plenty of laptops still use it, and probably will for the foreseeable future. And some of these devices, like the LG Grams, were 16:10 already.

But it’s significant that a large number of the flagships we’ll be seeing in the first half of 2021 will be either 16:10 or 3:2. In fact, when you include MSI’s 16:10 Summit E13 Flip and Razer’s 16:10 Razer Book 13 (both of which were announced prior to CES), I can’t think of a mainstream consumer laptop company that isn’t now selling a non-16:9 flagship-level machine. It’s clear that companies across the board are moving toward laptops with taller aspect ratios, and I fully expect to see more of them in the years to come.

Again, this may seem like a boring change. But it will make a big difference in the lives of this year’s laptop buyers, particularly people shopping for a work-from-home device. I switched from a 16:9 laptop to a 3:2 Surface Book 2 back in 2017, and it was one of the best purchasing decisions I’ve ever made. If you’re using a 16:9 screen now and are looking to upgrade this year, I encourage you to give one of these new devices a shot. You won’t want to go back.

The 16:9 aspect ratio is the most widely used aspect ratio today and is the international standard format of HDTV, Full HD, non-HD digital television and analog widescreen television. It is also used in computer displays.

16:9 is the only widescreen aspect ratio natively supported by the DVD format. The universal standard for viewing videos on YouTube, Vimeo, and other video sites is also 16:9.

By 2005, almost all television broadcasts had switched to 16:9 native format, although many included 4:3 content as well either in letterboxed or panned-and-scanned form with the “black bars” at top and bottom being minimized to allow more of them to be seen on conventional TV sets.

The aspect ratio of a screen or video display is the proportional relationship between its width and its height. A 16:9 aspect ratio on your TV simply means that it has a wide (16) horizontal viewing area compared to its vertical viewing area (9).

This universal calculator has been specially designed for only one purpose, and that is to quickly and accurately convert a 16:9 aspect ratio from its decimal equivalent in the following five formats:

16:9 is a relatively new aspect ratio of video, which has become very popular in home entertainment products like widescreen televisions. Several other HDTV standards are derived from it.

The calculator helps you calculate the 16:9 aspect ratio and shows you how to achieve the benefit of easier connections. It assists to determine the correct height for a widescreen display.

The goal of this software was to make a program that was simple enough for students to learn on their own, but could also be used by more advanced users for specific applications.

While each format has its strengths, 4:3 is the right choice for movie buffs wanting the most accurate view of their favorite films. Likewise, 16:9 is the better option for viewers who want a full panoramic view while they play games or watch TV shows with lots of action on screen.

Ever heard of aspect ratio? Well you will as soon as you watch this video. Normal TVs and computer monitors use a 16:9 aspect ratio, but you also have to factor in the screenviewing distance.

We’ll break it all down for you here. Watch our video to learn about aspect ratio for TV and monitors.Aspect ratio is the relationship of an image’s width to its height.

For example, a widescreen TV has a 16:9 aspect ratio, which means that for every 9 inches of width there are 16 inches of height.This is different from the aspect ratio used in standard-definition analog television, which was 4:3 because it had four times as many columns as rows.

The fact is that if your screen’s aspect ratio (width to height) is different than the video content you’re watching on it, you’ll notice things like: Major objects being cut off of either end of the screen Aspect ratio is the statistical relationship between the width and height (or length) of the screen.

Most movies in CinemaScope had an aspect ratio of 2.55:1, so when playing movies in 16:9 mode, black bars are added to make the center 16:9 area look wider than it really is. This is called letterboxing or pillarboxing.

The movie looks like crap. So what gives? Why are TVs manufactured in different aspect ratios? What exactly is aspect ratio anyway? We’re here to explain it to you.

The 16:9 ratio, also called Widescreen, is a video format that has been growing in popularity since it was first introduced in the early 1980s. Today, it is the most commonly used aspect ratio for televisions and computer displays.

This article will explore the different type of 16:9 aspect ratios which are used in both analog and digital formats.The first thing you should know about the 16:9 ratio is that it is not simply an aspect ratio of 16:9.

Rather, it is an aspect ratio of 1.778:1. This means that for every one pixel of the image, the exact height is 1.778 pixels, since an area of 1 pixel is found at the top and an area of 1 pixel at the bottom.

Hence this results in a slight transparency at the center of the image. A detailed analysis of several Hollywood blockbusters compared to their 2.35:1 versions shows that by scaling from 1.78 to 2.35, and back up to 1.778, a clean upscale without any quality loss may be achieved on non-HD content

When it comes to video, nothing compares to high definition, and when it comes to 16:9 ratio televisions, nothing matches the stunning ultra-widescreen picture of our LCD HDTVs.

The numbers used here are shaped like boxes, a wide one for the width and a tall one for the height. For example, in film production and video production,screen ratios vary based on the standard used.

There are many names used to describe this type of screen ratio such as Fullscreen, Widescreen, HDTV, FlatTV or Scope. A new standard aspect ratio was unveiled, opening up the potential for higher resolution films and more powerful theatrical presentation.

The increased width of the frame provides more latitude in the composition of theatrical images.The 16:9 image is easier to fill with high-resolution imagery without sacrificing picture quality, meaning films can now be made with even higher levels of visual detail.

The 16:9 aspect ratio is the current standard used by widescreen TV’s and is found in films and the software that works on them. So while most films produced since the early 1990’s come in a 16:9 aspect ratio your TV programs are likely shot in 4:3 which is a smaller screen size.

At a wide 16:9 aspect ratio, today’s widescreen monitors and HDTVs have truly revolutionized the way we see the world. The history of the 16:9 aspect ratio traces back over half a century to ARROWHEAD RIDGE and the last time that interlacing was used with color cameras on a large scale.

Wide, widescreen monitors and TVs allow you to have working room or larger images without sacrificing viewability.With the widespread use of computer monitors and LCD televisions, the 16:9 aspect ratio has become increasingly popular in recent years.

Business Insider points out how this aspect ratio has become a hotly debated topic among cinephiles and video editors, as many have expressed their distaste for the format.

Cinephiles are not alone in their displeasure about the growing trend towards 16:9. Writers for The Guardian have also voiced their concerns about this recent development.

Historically, this aspect ratio was introduced in 1935 to address the problem of cinematographic projectors fitting within projector booths that were too tall for their width.Since then, 16:9 has been used in all different types of media from film, to broadcasting, to video games and even to sports.

Have you ever wondered what the most common aspect ratios are in film? Here is a very extensive list that ranges from the earliest films to present films: 1.43 : 1 (Academy Ratio, also known as the Flat Version) Most well-known films produced before 1953 had an aspect ratio of 1.33 : 1 or 1.37 : 1.

Most films some made after 1953 were released in either 1.85 : 1 or 2.35 : 1 aspect ratios with a few exceptions. 2.20 : 1 (CinemaScope) This aspect ratio was introduced by 20 th Century Fox in an attempt to compete with CinemaScope films.

It is sometimes referred to as “Fox Full Frame”Did you know that films were originally shot in either “Academy format” or “square root format”? Today most films are shot in the widescreen aspect ratios of 1.85:1, 2.35:1 or 2.39:1.

The aspect ratio of a film determines the visual shape and size of the frame. Most common modern format displays an image which looks like it has been stretched across a frame.

That’s because both of them use the same aspect ratio, which defines the screen shape by describing how many pixels are visible horizontally and how many are visible vertically.If you watch television, or go to the movies, you might be thinking about buying a widescreen TV, or maybe even a widescreen DVD player.

There are quite a few different aspect ratios used for these applications.The aspect ratio is an indication of the screen width divided by its height.

A 16:9 screen provides an optimal viewing experience for HDTV high-definition programming and can display standard-definition TV as well, although in standard definition there is usually black on either side of the picture (letterboxing).

The most common being 16 by nine. This looks great on our HDTV’s though sometimes if you want to go old school and project your images onto a screen or wall you might need to use a different aspect ratio like four by three.

The amount of these squares between two joints in a line is called the horizontal resolution, usually expressed in pixels and it’s measured from left to right.A standard 4:3 aspect ratio is positioned 1.3333 above a widescreen 16:9 aspect ratio, which is position 2. These sizes are commonly known as “Standard” and “Wide.”

Aspect ratio defines the shape and size of images in motion pictures, video images, and still images. They can be used to define a wide range of things, including the shape and size of television and computer monitors.

The aspect ratio that is most commonly used to display movies is 1.33:1, but other aspect ratios include 2.39:1(commonly used for high definition television) and 4:3 (commonly used in standard definition television).

The aspect ratio of any video or movie image is expressed as two numbers separated by a slash. Sometimes, the first number is expressed in a decimal form.

If you were to express the aspect ratio on your computer screen as a fraction, it would be the width divided by the height.The aspect ratio of a movie is the width to height ratio.

You might ask yourself, “How do I change the aspect ratio in Premiere?” To answer you question, technically it is not possible to change the aspect ratio within the program.

By designing your shots in the appropriate ratios, you are saving yourself a lot of hard work. Before you begin editing your video footage, it is imperative to understand the various aspect ratios out there, how they relate to one another and what applications they are best suited for.

In Adobe Premiere, you will be able to change the aspect ratio of a movie project either after you have created it or when you enter it for the first time. For example, if you have already entered your project, there will be a down arrow in the box that says”Dimension” showing you what your existing edition’s specific dimensions are.

This is a very popular question and has been answered in almost every Premiere Pro forum you can think of. It’s also a good example because it shows the differences in aspect ratios.

Final Cut Pro allows you to change the aspect ratio of your video in the Viewer area. Changing the aspect ratio lets you view your video at different sizes, which is useful when you are trying to fit a project into a specific slide size.

You have discovered one of the most asked questions on the forum.This answer will help you change the aspect ratio without cropping any video or resizing your imported footage in Final Cut Pro X.

This List of common aspect ratios and screen resolutions is a list of the common non-widescreen and widescreen display resolutions. The table below lists the aspect ratios (measured in pixels) and resolutions (measured in pixels, common height/width is displayed).

The list and descriptions below contain the most commonly used aspect ratios and screen resolutions and are intended to aid in designing user interfaces (UIs).

You can use the percentages to determine what is the right amount of space to reserve for each element or you can use them as a guide when creating assets for your game. Pease check the aspect ratio of your device before purchasing.

What is aspect ratio, you ask? Aspect ratio is the ratio of the width of the screen to the height of the screen. Essentially, it describes the shape of the rectangle. Today the most popular aspect ratio for consumer video display is 16:9, which is the standard HDTV format. The numbers mean that the picture is 16 units wide for every 9 units in height.

Sometimes you will see the 16:9 aspect ratio referred to as 1.78:1, or simply 1.78. Why? Because 16 divided by 9 = 1.78. But it means the same thing. A 1.78 screen is 1.78 units in width for every unit of height.

If you are going to use a flatscreen HDTV for your home theater, you are stuck with the 16:9 format for better or for worse. Though they come in a wide variety of sizes, they are all 16:9 aspect ratio. But if you are planning to use a projector and screen, you have another option, which is 2.4:1, commonly known as the Cinemascope format. This is a wider format than standard 16:9. Many people prefer it because it matches the aspect ratio of a lot of movies being produced today.

Here is a simple fact of life: Videos and movies are made in a variety of different aspect ratios. There is no standard. So no matter what aspect ratio your screen is, you will always end up with black bars at the top and bottom of some material, and black pillars at the sides of other material. The only time you don"t get black bars is if you are viewing video or film shot in the format of the screen you are using--either a film done in 1.78 displayed on a 16:9 screen, or a movie shot in 2.4 on a 2.4 Cinemascope screen. In both of those cases, the screen frame will match the picture precisely, and no black bars will exist.

(By the way, we"re assuming you want to see the material you watch in its correct original aspect ratio, as the director created it. If you don"t, there are several ways to stretch, manipulate, or crop video images to get them to fill a 16:9 screen and eliminate the black bars.)

So in choosing between a screen aspect ratio of 1.78 vs. 2.4, you are really deciding how the various film and video formats will appear on your screen. For example, if you select a 16:9 screen, all of your 2.4 format movies will have black bars top and bottom. If you select a 2.4 screen, all of your 16:9 material will be "pillar-boxed" in the center of the screen with black columns on each side.

Well, not so fast. Many people assume that all modern films are being done in the super widescreen 2.4 format. They aren"t. A few, including some new and popular titles, are done in plain ol" 16:9 (1.78). As examples, here are some movies that are either done in 1.78, or have been modified to 1.78 for Blu-ray...Avatar

Another format that is very close in aspect ratio to 1.78 is 1.85. This format has been popular for a long time, so there is a huge library of 1.85 films on the market. Examples of movies done in 1.85 include....Saving Private Ryan

Obviously, most films today are done in the wider format 2.4 Cinemascope. Part Two of this article will focus on the display of 2.4 movies, and the selection of the 2.4 format screen as an alternative to conventional 16:9.

Dear Evan, Soon I will purchase a JVC DLA HD-250. My question is if I purchase 2.35 screen, I have already purchased a 16x9 portable, and watch 2.35 without having to purchase an anamorphic screen? My setup requires portable as much as I would like fixed.

ALL THING ARE RIGHT BUT ORIGINAL WATCH "CINEMA" MOVIES WATCH IN 2:40.1 SCREEN IT"S ORIGINAL THEATER SCREEN, AND 16:9 IS ONLY TV "aspect ratio" NOT A HOME THEATER SCREEN...............

There is in fact another view, which is more quantitative and "scientific". On a 16:9 screen to watch the movie in the same size, whide-format movies are down-scalled, or rather the source is down-scalled and black bars are inserted. Meaning the optimal sitting distance changes when you change movie-format. You have to move closer when watching a down-scaled movie ( when watching Cinemascope material ).

If you consider a 50" 21:9, it is often argued why not get a 60" 16:9 instead - well, apart form the problem of space, there is the old problem of optimal viewing distance - on the 60" 16:9 content will be blown up to a huge format, giving less picture quality and you have to move further back to get an optimal viewing distance each time you change format.

On a 21:9 TV set, there is no up- or down-scalling of either 21:9 or 19:9 contents, the viewing distance is the same on both formats. Then you of cause instead have the black bars at the sides - but on the positive side you can streach the 16:9 content if you like - you have the option.

I"m sorry your revision omits the "old" 4:3 format for TV screens, which we have at home and everything looks fine on it (with Verizon FiOS cable). On vacation recently we were in a flat with 16:9 TV, and all, ALL!, the images were disturbingly fattened sideways. All, ALL!, the people looked very stout or fat - tolerable for football and baseball players, maybe, but not for ordinary people on screen. The TV did not allow the format to be changed, either, so we were stuck. Long live 4:3 screens!

Good article, Evan. Seems to me a straightforward approach is simply to match screen aspect ration to the native resolution of the projector. That way, you"ll be seeing the best the projector can do with any given content. An HD projector will fully fill a 16:9 (1.78:1) HD screen with HD content (sat or cable HDTV, Bluray). Sure, standard-def (DVD) content will display in a more narrow image, with black pillars on the sides. But that"s to be expected, as are the minor top and bottom bars that result from showing ultra-wide-screen movie content with an HD projector. As you point out, trying to make black bars go away forever involves either significant picture compromises, or expensive projector lenses/automation. Or post-display tweaking (e.g. screens with variable masking).

"What screen aspect ratio do you want: 16:9 or 2.4?" Thank you for a very well written article on the subject matter. There is a lot of useful information here. I built my dedicated home theater 13 years ago. It is now undergoing the upgrade number 3. Affordable HD projectors made all the difference when it came to enjoyable watching of the movies. One thing that I have not been able to avoid are those "black bars" on the 16:9 screen. Everybody calls them black bars when in fact I can only see dark grey at the best of times. Since I watch only movies in my theater, I would love to have a projector with the native 21:9 aspect ratio. I can"t get one! Changing the screen is an easy problem to solve. But projector... Your article gives pros and cons of various aspect ratios of the screen. It appears that the amount of the real estate of the screen surface was an important issue. For some people it may be so. The widest possible 16:9 screen in a room may produce the largest screen area and a wow factor. However, I fail to see how a huge 16:9 screen is going to improve the quality of the image with the current crop of projectors. I am talking about the loss of vertical resolution here of course. By the way I dislike the usage of an anamorphic lens. My argument is: The vast percentage of the movies are released on DVD/BD in original theatrical aspect ratios, so why no projectors to cater for this format. 16:9 screens do nothing for the quality of the image.(good for TV sports etc.) I would like to see 21:9 projectors available, or somehow force movie studios to release all Blu-Ray discs in 16:9 aspect ratio. I"ll keep on dreaming. Regards, Ben

I recently bought a Sony blu ray player and feel that some of the videos I purchased were a rip off as the screen size aspect is not highly visible. I wish they would print Wide Screen in large bold letters and the exact aspect ratio in small print at the bottom of the packaging

16:9 is a really awkward aspect ratio for devices, and switching to 16:10 would make a huge difference. Most of us would be a lot more productive with a 16:10 laptop then with a 16:9 one.

I say have all the program material be transferred in the proper aspect ratio, let the view make the choice as to what they want on their screen. Black bars or no black bars. Just so long as you don"t make the choice for me.

Now they"re doing the same thing with the 16X9 HD stuff. They"re cropping the 2.35 films to fit l.78 screen. WHY DO THEY DO THAT? Gee"s, it just drives me up the wall.

You may have subtly known that pictures look different in their height and width but never have known why the difference exists. Every picture or video has an aspect ratio, which is most commonly 4:3 or 16:9.

The aspect ratio is the relationship between an image"s height and width. Aspect ratios are more often written with the width first, followed by the height.

The 16:9 aspect ratio allows for a wider display and has a frame that is 78% wider than it is tall. On the other hand, the 4:3 aspect ratio has a frame that is 33% wider than it is tall.

As you can see in the image comparison below, the main difference between these two aspect ratios is that the 16:9 ratio has a wider display and allows you to showcase more information horizontally.

If you use a 4:3 aspect ratio for photos, you can capture more content in your frame. The 4:3 aspect ratio is also compatible with print and most social media websites. However, some social media platforms, such as Instagram, behave differently.

Instagram crops photos to a different aspect ratio for posting on feeds. You won"t be able to post a 4:3 image on your feed without cropping, but you can post a 16:9 image.

On the other hand, if you like to post vertical photos on your Instagram Stories, 9:16 aspect ratio photos are more suited to this. If you add a 3:4 image to your Story, you"ll have matte bars added to the top and bottom of your photo.

Some photographers also recommend shooting photos in 3:2, which is another aspect ratio that is not as tall as the 4:3 ratio. Most popular smartphones like the iPhone have an option to specify the default aspect ratio in the Settings app.

The best aspect ratio to shoot videos in is 16:9 since most modern displays, such as TVs, tablets, phones, and computer displays have a 16:9 aspect ratio display.

This allows you to display your entire video without cropping the sides to fit in the display, as you would have to do with a 4:3 aspect ratio video. This looks even more amazing when recording a high-angle shot, allowing you to showcase all the landscape below.

The proper aspect ratio you use depends on the type of project you"re shooting. As a baseline, we recommend using 4:3 for photos and 16:9 for videos. This is a good common standard, and you can"t go wrong with either of them.

As you gain experience and want to try more artistic photos, we recommend you experiment with different styles of aspect ratios. Doing so can bring a whole new perspective to your content, especially with wide-angle photos and cinematic videos.

A very useful tip is to try to shoot most of your photos in 4:3 and keep some foreground empty in case you need to crop it to a 16:9 ratio for social media. Your videos should be shot in 16:9 unless otherwise needed.

Aspect ratios are an integral part of any photo or video, as they can change the way any content is viewed and perceived. Once you get familiar with the basics, try experimenting with different aspect ratios depending on the type of content you create.

For instance, cropping a video to 2:39:1 while editing gives it a nice cinematic look, similar to a movie you"d watch in a cinema. Similarly, depending on the circumstances, you may need to plan to shoot in a specific aspect ratio depending on the social media platform you"re creating content for.