16 by 9 aspect ratio lcd module free sample

Well, if you haven’t, today, through this article, let us help you explore everything about this ratio (and other popular ratios) along with its history, resolution, and application in detail.

The comparable relation between the width and height of a screen or video display is known as the aspect ratio. The ratio is usually used in camera sensors, television displays, as well as in printed and digital media.

The list also includes 3:2 aspect ratios suitable for sensors in devices like phones and cameras for shooting different media. Additionally, Cinemascope is a 2.35:1 extra wide aspect ratio used for making films for cinemas.

Aspect ratios are important because there are many standards. The 19:9 ratio in phones is different from the 16:9 horizontal ratio in the modern laptop screens. Also, old computers have a 4:3 aspect ratio while mainstream media is displayed mostly in a 16:9 ratio.

However, in the early days, almost all televisions and monitors had a 4:3 aspect ratio. It was square in shape, which was 33% wider than its height, and was generally known as a square monitor. However, they were not ideal for high-definition video displays.

The 16:9 aspect ratio is widely used in HDTV, non-HD TV, Full HD, and analog television screens. The ratio is obtained when you divide vertical pixels by horizontal pixels (in numbers), containing 1920 vertical lines and 1080 horizontal lines of resolution.

For reference, a 16:9 aspect ratio on television simply means that the horizontal viewing area is wider (16) than the vertical viewing area (9). Practically all the television broadcasts were using this format by the end of 2005.

Moreover, the 16:9 format is natively supported in DVD format and is further used on Vimeo, YouTube, and other popular video websites attracting a very high view rate.

Also, the aspect ratio is clearly specified in the video production by mentioning the widths relative to height, such as 16:9. Today, this ratio has become the common video player size and is the default aspect ratio for most devices, both professional and consumer-grade electronics.

When it comes to displaying a presentation or video on an electronic device, resolutions and aspect ratios are quite significant. The sharpness and clarity of your screen"s image are also determined by its resolution.

Moreover, even the sharpness of a picture on a display is determined by the monitor"s resolution and size. Also, as the same number of pixels are spread out across a greater number of inches, the very same pixel resolution will be crisper on a smaller panel, and gradually lose sharpness on bigger monitors.

Now talking about the computer display system, its greatest resolution is determined by its physical ability to concentrate light (in which case the physical dot size - the dot pitch - corresponds to the pixel size), and it normally has lower resolutions.

However, a display system with a maximum resolution of 1280 by 1023 pixels, for example, could additionally support resolutions of 1024x768, 800x600, and 640x480 pixels. Also, the highest resolution on a given display size may provide a crisper image, but it will be distributed across a space that is too tiny to read comfortably.

Now coming to the aspect ratio of a picture, it is the proportion of its width to its height, represented as two integers separated by a colon, for instance, 4:3. There are several aspect ratios in use in many mainstream press applications; nevertheless, in the television business, the 4:3 and 16:9 aspect ratios are the most frequent.

Moreover, the 4:3 widescreen format, which is utilized for both standard and high definition video, has replaced the old standard definition format that is no longer used by broadcasters.

Although there are other resolutions to pick from, here is a list of the most commonly utilized resolutions (and their corresponding aspect ratios) today:

The 4:3 aspect ratio, which was created by William Dickson in 1892, was established as the standard format for the film in 1917 by the Society of Motion Picture Engineers, and by the television industry in the 1930s. However, in the mid-1950s, the motion picture industry began to develop a variety of widescreen formats to boost their dwindling audience numbers.

Despite the universal usage of 4:3 cameras, LCDs with a 4:3 aspect ratio were becoming increasingly difficult to come by. Many manufacturers moved on to the newer 16:9 widescreens.

This makes it 1.33:1, which serves as the aspect ratio of a 4:3 TV or projector screen. However, this aspect ratio only remained as long as the shape of the television remained square.

This quickly changed when the 16:9 ratio came into the picture. It was much easier on the eyes, and the wide shape of the image closely reflected the natural way of seeing. This accounted for most high-definition widescreen LCDs and TVs with a 16:9 aspect ratio as their default standard (16:9 and 16:10 are very similar). Nonetheless, it"s 78% broader than tall, and one-third bigger than a 4:3 screen.

Now, the 16:9 aspect ratio becomes 16 units wide and 9 units high - much wider in comparison to the 4:3 aspect ratio. Also, when the width is divided by the height it is:

Today, widescreen LCDs with a 16:9 aspect ratio act as the best complement to 16:9 format HD cameras. On top of that, this aspect ratio provides high-definition pictures that are clear and distortion-free, making video conferencing, and broadcasting more and more popular now.

Before I discuss the most common ratios in films, you must first understand that a fixed aspect ratio is used while making a film or television program. This is determined by the camera that is used to film the show, as well as the interface where it will be shown. As a result, TV series’ will almost certainly have a distinct native aspect ratio as compared to big-budget films.

With a few exceptions, most films released after 1953 were in either 1.85:1 or 2.35:1 aspect ratios. However, most modern films are shot in 1.85:1, 2.35:1, or 2.39:1 widescreen aspect ratios. A few silent films, such as Grandeur and " Vision, were shot in other unusual aspect ratios.

Although there have been various aspect ratios used in the last few years, there are 4 popular formats that you will encounter frequently. This includes the following:1.33:1 Ratio

This is the most common aspect ratio of SD (standard-definition) pictures and TVs, sometimes known as 4:3. However, as new TV displays migrate to widescreen, this is becoming less prevalent.

Although there are still many older TV shows that are only accessible in this aspect ratio. As a result, you can watch any of the 4:3 television shows on your old 4:3 television without compromising much on quality. Surprising, it?

However, on the widescreen TV (16:9), there will be bars on both sides due to the image not being large enough for the TV. In technical terms, this is referred to as vertical letterboxing or pillar boxing.

The aspect ratio for almost all the widescreen TVs is 1.78:1, as previously stated. 16 x 9 or 16:9 are other names for it. Additionally, is also a term used to describe this same aspect ratio.

Frequently, 16:9 is the optimum aspect ratio used for presenting content on HDTV as it is the standard for high-definition television screens. Also, in case a show has a 16:9 aspect ratio, you can be assured that it will easily match the aspect ratio of the screen and that the contents of the show will fill the entire screen.

For numerous films, 1.85:1 is a typical widescreen aspect ratio. It is widely used as a widescreen format in the United States, and it is somewhat wider than the normal 16:9 format. But, as the aspect ratio is nearly the same, a video with this aspect ratio may fit perfectly on a normal 16:9 HD TV.

Letterboxing occurs when a 1.85:1 show is displayed on a 16:9 screen, although the bars at the bottom and top may be minimal since this form is already a good fit.

When it comes to 2.39:1, it is a famous aspect ratio used in big movie releases, sometimes known as Panavision or CinemaScope. The aspect ratio used to be 2.35:1, but in the 1970s it was changed to 2.39:1. Apart from this, 2.40:1 is another popular rounding.

If you are wondering where to find this information about aspect ratios, then let me tell you, the aspect ratio of the show or movie on the disc, as well as other information, may be found on the rear of your Blu-ray or DVD packaging.

The 16:9 aspect ratio has a long history dating back to 1984 when Dr. Kerns H. Powers first proposed this aspect ratio to the electronic industry. This was the time when hardly anyone was creating videos in an aspect ratio other than 4:3. Moreover, this aspect ratio (16:9) was then used to solve the difficulty of cinematographic projectors fitting inside booths that were too tall for their width.

Today"s widescreen displays and HDTVs, with their wide 16:9 aspect ratio, have completely transformed the way we view the world. They provide more working space and allow you to see larger pictures without compromising visibility.

On top of that, the 16:9 aspect ratio has been increasingly popular in recent years due to the growing usage of computer displays and LCD televisions. Nonetheless, high-definition (HD) television has used the 16:9 aspect ratio since 2009, which 16:9 appeared in a wide range of media, including movies, television, video games, and even sports.

In motion pictures, video images, and still photos, the aspect ratio dictates the form and scale of the image. Aspect ratios are also used to describe a variety of objects, such as the shape and size of television and computer monitors.

The most popular aspect ratio for watching movies is 1.33:1, while alternative ratios include 2.39:1 (often used for high definition television) and 4:3 (typically used for video games, and commonly used in standard-definition television).

Also, most movies in theaters have a 1.85:1 aspect ratio. This is also referred to as a broad screen. Movies are also exhibited in considerably smaller proportions on television and computer displays, with varying aspect ratios, such as 4:3 (1.33:1) and 16:9. (1.78:1).

Although 16:9 is the current industry standard, it can be difficult to figure out what else uses the format apart from computer monitors and television sets. After all, filming and distribution to cinemas still adhere to specific aspect ratios, and in many sectors of the filmmaking world, the 1.85:1 aspect ratio is still the conventional "flat" ratio.

However, as discussed above, if you view a 1.85 film on a 16:9 screen, thin black bars are likely to appear at the bottom and top of the screen. Although, most of the 1.85 (including some 2.39) films have been filmed "open matte," which means that the complete image is almost closer to the standard ratio.

This implies that many movies shot for 1.85 might be "opened up" when they are seen on a 16:9 or 4:3 television, eliminating letterboxing and providing more information (visual) at the bottom and top of the screen.

Nonetheless, if a film is shot using contemporary digital technology, it has a fair probability of being framed in almost any ratio. If you stay in 16:9 (like several YouTubers opt for), you may take advantage of a bigger aspect ratio. This is exactly why Netflix and other streaming providers have greater creative latitude and leeway.

Most of the mentioned ratios can be better exhibited and portrayed with HD TVs, cameras, and monitors. Many television shows are broadcast (and even shot) in the native 16:9 ratio, and this is where the 16:9 ratio shines the brightest.

On top of that, we recommend you to choose an LCD monitor that comes with the correct aspect ratio so that there is no difficulty in matching the incoming video signal coming from the camera or other digital gadgets, and that even yourstoryboarding processcan go smoothly.

Nonetheless, due to the effect of 16:9 being used everywhere else, even your phone now comes in widescreen. Although it"s still early in the game, the 16:9 aspect ratio has had a significant influence on how one consumes and enjoys entertaining, and it"s difficult to see anything surpassing it.

4:3 aspect ratio televisions were the standard for many years. However, 16:9 aspect ratio is now the dominant widescreen monitor format. Consequently, TRU-Vu offers an extensive selection of 1080p monitors and touch screens with a variety of aspect ratios. Similarly, we also offer our industrial-grade monitors and touch screens with 16:10 aspect ratio.  Browse our 16:9 wide-screen displays to find the perfect solution for your needs. You can even search exclusively for only 16:9 monitors with our search tool.

Our 16×9 monitors are an ideal match for 1920×1080 aspect ratio cameras and 16:9 resolutions from other devices. Widescreen monitors range from 800 x 480 to 1920×1080 aspect ratios, as well as 4K resolution.  We are pleased to offer our 16:9 and 16:10 resolution widescreen monitors in a wide range of sizes and configurations. This includes convenient panel-mount LCD monitors and Sunlight Readable monitors and waterproof outdoor monitor options. These are built for tough conditions.

We are often asked “What is my aspect ratio?” Or sometimes “Do you have a 1080p monitor?” “Can you tell me the aspect ratio of 1920×1080?”  A widescreen aspect ratio refers to a 16:9 aspect ratio screen. This is the rectangular shape similar to any modern television. Older TV’s and monitors had a 4:3 aspect ratio, which looked more like a square monitor. Check out our 4:3 vs 16:9 Aspect Ratio article in order to help you understand the differences between the two monitor formats. You can also use this handy aspect ratio calculator. Likewise, you can speak with one of our application specialists about all of the technical specifications on our displays. Feel free to request a recommendation. They will help determine the ideal 16:9 aspect ratio or 16:10 aspect ratio monitors for your environment.  If you are interested to learn more about aspect ratios, please also check our terminology guide.

We would be happy to modify any of our monitors for you. For instance, TRU-Vu  can customize nearly aspect of your display, from the inputs and electronics, to screen treatments and enclosures.Modified options are often available at low or no additional cost.  Additionally, we also offer custom monitors to meet your exact requirements. Lastly, Private label options are also available for your brand promotion.

In the early 2000s, a new aspect ratio format became standard all over the world. The 16:9 aspect ratio had been a long time coming, with scientists and manufacturers changing TV screens, computer monitors, and even the phone industry changing because of it. But what does 16:9 mean? And how did the aspect ratio become the standard everywhere?

Today, we"re going to define the 16:9 aspect ratio, talk about its history and use, and show how filmmakers utilize it today. Sound good? Let"s get started.

Since 2009, monitors and TVs all over the world have adapted the 16:9 aspect ratio. But in order to understand how all this came about, we need to define aspect ratio and go from there.

The aspect ratio definition describes the width and height of a screen. It"s usually written as two numbers separated by a colon, as in 16:9. It can also be written with an “x” between the numbers, like 16x9.

16:9 is a widescreen aspect ratio with a width of 16 units and a height of 9. It is the international standard image format for UHD, HDTV, Full HD, and SD digital television. It also is the de facto aspect ratio for televisions, smartphones, video games, and computer monitors.

Aspect ratios have changed over time, depending on what people use to view media. As screens got bigger, the aspect ratio adjusted. As they got smaller, it continued to happen.

Dr. Kerns H. Powers, who was a member of theSMPTEWorking Group on High-Definition Electronic Production, proposed the switch to the 16:9 (1.77:1) aspect ratio in 1984. But it took many more years for that to come to fruition. As HD TVs were developed, they began to adopt the 16:9 format. Then in 1993, the European Union decided that the newly emerging format should be the standard as new TVs and monitors were developed. The rest of the world followed suit.

This format was seen as much more cinematic, mimicking the widescreen experience people have in movie theaters. It was also very flexible to use with other formats. If you had a 4:3 aspect ratio, or a 1.85:1, black bars could easily be put onto the screen to accommodate.

The funny thing is, most Hollywood and world movies do not shoot in 16:9. They shoot in other aspect ratios and just add black bars to the screen on TVs.

But people who watched movies on TV rejoiced. The theatrical experience had finally come home. And as TVs grew in size, aspect ratios began to reflect the change.

So here"s the deal—lately, some streaming services have been cutting off almost 25% of movies by reformatting them to fit 16:9 televisions. While this practice is supposed to stop, with letterboxes being added to share the proper format, you should still be aware.

If you"re creating content for Netflix, Amazon, or HBO, you should know their aspect ratios. That way you"ll know how your work is presented on the screen.

Netflix shows almost everything in 16:9. So if you"re trying to watch a movie that"s natively in 2.39:1, you"re going to get the black bars. The same goes for HBO Max and Amazon.

Now that you fully understand the 16:9 aspect ratio, you finally know why your high-definition television looks the way it does. This international standard format of HDTV has become so commonplace we forget it is there. But it is just another landmark in video production development that shows the changing times in film and television.

With this knowledge in place, think about how you"re going to format your aspect ratios when shooting things for streaming or making your own projects. Knowing your aspect ratio can come in really handy.

Square (1:1) LED panels may pose a challenge when creating true 16:9 video walls, because the only way to achieve an exact16:9 ratio is to have 16 panels wide by 9 panels tall, or an exact multiple of such. Luckily, there is some wiggle room with 16:9 ratios. You want your video wall to be close to a 16:9 ratio and the 16:9 content will automatically stretch to fit the display. Display quality can be affected by pixel pitch as well.

Your panel count width divided by your panel count height should equal in between 1.65 and 1.85. This is your “16:9 safe zone”. Here are video wall sizes within the 16:9 safe zone:

The above sizing configurations will be close enough to a 16:9 ratio to be undetectable to the naked eye. As you can see, the only exact way to achieve a 16:9 with square panels is with 16 panels wide by 9 panels high. In contrast to 1:1 square panels, there are also individual panels that are 16:9 already, such as with LCD video walls. In this case, a panel count of 1:1 actually equals 16:9 total ratio, since the screens are scaling up from 16:9. So 2×2, 5×5, 10×10 walls created with 16:9 panels all equal 16:9 ratios.

Maybe your advertiser sent video wall content in the wrong ratio last minute. Or say you just want to display 16:9 content onto a custom-ratio screen. What happens if you try to display 16:9 content onto a video wall that is a different resolution? While it can be done, the end result is not ideal. The result becomes worse with the farther the mismatch between ratios is. There are three options for scaling 16:9 content onto a non-16:9 video wall:

Letterbox – This fits the content into video wall frame proportionally, leaving black bars either vertically or horizontally. A perfect example of this is when you watch an old movie on a new TV. There are black bars on either side because the film was shot in 4:3, while your TV is 16:9. This is most professional option since it displays the original picture exactly as it was intended by the videographer or designer.

Crop to fill – This one is not recommended in most cases because it involves cutting off parts of the image. This is especially problematic if there is important text or picture contained in the margins of the image. But an advantage is that it allows you to fill the screen and constrain the aspect ratio. It can also be an effective option with content such as visuals since visuals don’t contain text that could be cropped out.

Aspect ratio can be easily measured or calculated in a few different ways. To begin, it can be measured in any unit (pixels, inches, feet) and will require the width of the screen to be divided by the height of the screen. In practical applications, this could be done with a number of physical measurement tools, but also on computers can be measured with a Chrome tool called page ruler!

Nearly all channels in European, American, African, Asian, and other countries have their default TV resolution at 16:9. It is by far the standard screen size when viewing and distributing Television broadcasts. Wikipedia has a great resource displaying all countries along with the default aspect ratio that their Television distributions use.

16:9 ratios are an aspect ratio containing 16 units of width for every 9 units of height. They can be calculated by ensuring that width divided by height equals 1.78.

You might not be aware of this fact, but every frame, digital video, canvas, responsive design, and image often has a rectangular shape that is exceptionally precise in proportion (or ratio).

If you are working on a digital video, it is essential to initially compress the files of the digital video in order to get the accurate dimensions (or aspect ratios) of the video.

You have to understand what aspect ratios are in order to easily move designs, images and compress digital video files/content from one medium to another without making any error in your calculations.

Aspect ratios are largely defined by numbers, as in a mathematical ratio that clearly defines how many inches high and how many inches wide your video, image and design projects should be.

While aspect ratios are measurements of the height and width, they are often reduced to the smallest usable ratio in order to fit perfectly in every medium.

To achieve a perfect aspect ratio, you must employ the use of an aspect ratio calculator. It reduces any margin of error. Check the what is aspect ratio post.

Before getting into the intricacies of 16:9 resolutions, where it came from, and why it’s used, we want to provide a nice and easy definition. This definition will apply to the 16x9 aspect ratio across the board and prepare you for when we get into greater detail about its origins and usage.

The 16:9 aspect ratio is used in film and television and is used to describe an image that is 16 units wide by 9 units long. Also pronounced sixteen-nine, sixteen-to-nine, sixteen-by-nine, or 16 by 9. Also known as 1.77:1/1.78:1, this aspect ratio was developed in the 1980s and ‘90s. It became the default for high-definition television sets, screens, and monitors since the 2000s. Like 4:3, 16:9 typically — if not exclusively — refers to TV screens and monitors, as the more technical 1.77:1 (or rounded 1.78:1) specifically refers to celluloid and film/TV productions.

Using StudioBinder’s storyboard software, we can see multiple examples of various works in the 16x9 aspect ratio, some of which are movies and others which are iconic television shows.

Unlike its counterpart, 4:3, 16:9’s origins do not directly come from filmmaking limitations or technology of the time. Not unlike what Vittorio Storaro was trying to do with the 2:1 aspect ratio, 16:9 was meant to be the perfect aspect ratio that could accommodate the various ratios already in existence.

And this decision didn’t come from movie execs, but rather scientists trying to figure what the next great thing in monitors was going to look like. In other words, the 16:9 format was a future proofing ratio that could be implemented early before widespread adoption.

Thought up by Dr. Kerns H. Powers of SMPTE (Society of Motion Picture and Television Engineers), the 16:9 ratio was created from a variety of mathematical equations and processes. He essentially concluded that it was the best option for the future of high-definition displays.

Within this rectangle of a ratio, the 16:9 format allowed for ratios as square as 1.37 (also known as the 4:3 aspect ratio) and as wide as 2.39 (originally known as CinemaScope) to fit comfortably within its frame.

Additionally, ratios close to 16:9 resolutions, like 1.66 and 1.85, could fit very comfortably within a 16:9 screen ratio. In some cases, 1.66 or 1.85 would fit the entirety of the 16:9 ratio, either through cropping or opening up the natural image for home video release.

Otherwise, these ratios were pillarboxed (black panels on the sides of the screen) or letterboxed (black bars on the top and bottom of the screen). And in the case of DVD, movies could be formatted for widescreen televisions, no matter their aspect ratio, with the power of pillarboxing and letterboxing (and the removal of pan-and-scan).

While it began as a compromise, the 16x9 aspect ratio would soon dominate our high-definition landscape, with HD TVs becoming more and more popular in the mid-2000s.

By the end of the 2000s, 4:3 TVs were the old way, and this was further accelerated with HD Blu-ray discs and the HD video game consoles like Xbox 360 and PlayStation 3. Fast-forward a few years later, and now virtually everything is available in high-definition.

While 16:9 is now a standard, it can sometimes be tricky to understand what uses the 16:9 format, besides television sets and computer monitors. After all, movies still have their strict aspect ratios that are still the standard in both filmmaking and distribution to theaters. Our video below can fill you in on the various cinematic aspect ratios that exist.

1.85:1 is still the standard “flat” ratio used in many parts of the filmmaking world. This means that, if you watch a 1.85 movie on your 16:9 screen, slim black bars will appear at the top and bottom of the screen.

That said, most movies in 1.85 (and even a few in 2.39) are or have been shot “open matte,” meaning that the full image is closer to 4:3. This means many movies originally shot for 1.85 can be “opened up” when being presented on a 4:3 or 16:9 display, so that there is no letterboxing, which also means getting a little bit more visual information at the top and bottom of the frame.

The video below gives you an idea of how open matte is often used, especially in the case of 4:3. While 16:9 makes it easier to just show 1.85 movies in that ratio, some filmmakers might decide to open up the frame just a bit to fill in that extra space.

If you’re shooting a movie with modern digital technology, there is a good chance you can frame it in virtually any ratio you want. You can stick to 4:3, stay in 16:9 (like many a YouTuber), or go even wider. With HD cameras and displays, just about any ratio can be better displayed and shown.

The world of TV is easily where the 16:9 ratio shines, as many television programs will be shot and presented in a native 16:9. This is especially true of major network and cable channels, from CBS and NBC to HBO and Showtime. Streaming platforms like Netflix will vary, as they tend to have more creative freedom and leeway.

Even before 16:9 was everywhere, many TV shows in the 1990s and 2000s were shot with a 1.77 aspect ratio in mind, making it easy to broadcast in 4:3 at the time and then later in 16:9 on home video and streaming.

And we of course can’t forget the influence video games had in making 16:9 resolutions the standard. As early as the PlayStation 2, video game makers knew HD was the future. The Xbox 360, released in 2005, was the first major home console to have HD capability, followed by the PlayStation 3 (which came out one year after the 360). By the early 2010s, every major video game console was in native HD (with Nintendo finally getting there with the Wii U in 2012).

These days, your mobile phone is, if nothing else, in widescreen, thanks to the influence of 16:9 everywhere else. It’s still early innings, all things considered, but the 16:9 screen ratio has made a definite impact on how we watch and experience entertainment. It’s hard to say what can top it, but for now, it serves as the true compromise SMPTE envisioned it to be.

Now that you know a bit more about 16:9, why not learn a bit more about 2:1? Our article, with video, digs into the origins of 2:1, who uses it, and how it has popped up in more movies and shows in the last decade.

Once seen as exotic,televisions and computer monitors, and is also the international standard image format for UHD, HDTV, Full HD, and SD digital television. It has replaced the "fullscreen" 4:3 aspect ratio.

16:9 (1.77:1) (spoken as "sixteen by nine" or "sixteen to nine") is the international standard format of Ultra HD, non-HD digital widescreen television and analog widescreen television systems PALplusWide-aspect Clear-vision.Hi-Vision originally started with a 5:3 (1.66:1) ratio but converted when the international standards group introduced a wider ratio of 16 to 9. Many digital video cameras have the capability to record in 16:9, and 16:9 is the only widescreen aspect ratio natively supported by the DVD standard. It is also the native aspect ratio of Blu-ray discs, but Blu-ray and DVD producers can also choose to show even wider ratios such as 1.85:1, 2.00:1, and 2.40:1 within the 16:9 DVD and Blu-ray frame by hard matting or adding black bars within the image itself.

Derivation of the 16:9 aspect ratioThe main figure shows 4:3, 1.85:1, and 2.35:1 rectangles with the same area A, and 16:9 rectangles that covers (black) or is common to (grey) them. The calculation considers the extreme rectangles, where m and n are multipliers to maintain their respective aspect ratios and areas.

Dr. Kerns H. Powers, a member of the SMPTE Working Group on High-Definition Electronic Production, first proposed the 16:9 (1.77:1) aspect ratio in 1984,6:1 ratio), 1.85:1 (the American "flat" ratio) and 2.35:1 (the CinemaScope/Panavision) ratio for anamorphic widescreen.

Powers cut out rectangles with equal areas, shaped to match each of the popular aspect ratios. When overlapped with their center points aligned, he found that all of those aspect ratio rectangles fit within an outer rectangle with an aspect ratio of 1.77:1 and all of them also covered a smaller common inner rectangle with the same aspect ratio 1.77:1.geometric mean of the extreme aspect ratios, 4:3 and 2.35:1, 47

While 16:9 (1.77:1) was initially selected as a compromise format, the subsequent popularity of HDTV broadcast has solidified 16:9 as perhaps the most common video aspect ratio in use.3:1) and 2.40:1 video is now recorded using a "shoot and protect" technique7:1) inner rectangle to facilitate HD broadcastopen matte.

In 1993, the European Union instituted the 16:9 Action Plan,PALplus (compatible with regular PAL broadcasts) and also in HD-MAC (an early HD format). The Community fund for the 16:9 Action Plan amounted to €228,000,000.

Over a long period in the late 2000s and early 2010s, the computer industry switched from 4:3 to 16:9 as the most common aspect ratio for monitors and laptops. A 2008 report by DisplaySearch cited a number of reasons for this shift, including the ability for PC and monitor manufacturers to expand their product ranges by offering products with wider screens and higher resolutions, helping consumers to more easily adopt such products and "stimulating the growth of the notebook PC and LCD monitor market".

In 2011, Bennie Budler, product manager of IT products at Samsung South Africa, confirmed that monitors capable of 1920 × 1200 resolutions are not being manufactured anymore. "It is all about reducing manufacturing costs. The new 16:9 aspect ratio panels are more cost-effective to manufacture locally than the previous 16:10 panels".

In March 2011, the 16:9 resolution 1920 × 1080 became the most common used resolution among Steam"s users. The previous most common resolution was 1680 × 1050 (16:10).

16:9 is the only widescreen aspect ratio natively supported by the DVD format. An anamorphic PAL region DVD video frame has a maximum resolution of 720 × 576p, but a video player software will stretch this to 1024 × 576p.

Producers can also choose to show even wider ratios such as 1.85:1 and 2.4:1 within the 16:9 DVD frame by hard matting or adding black bars within the image itself. Some films which were made in a 1.85:1 aspect ratio, such as the U.S.-Italian co-production Kenneth Branagh"s 7:1 HDTV screen and have been issued as an enhanced version on DVD without the black bars. Many digital video cameras have the capability to record in 16:9.

In Europe, 16:9 is the standard broadcast format for most digital SD TV channels and all HD broadcasts. Some countries adopted the format for analogue television, first by using the PALplus standard (now obsolete) and then by simply using WSS on normal PAL broadcasts.

Japan pioneered its analogue HDTV system (MUSE) in 16:9 format, which started in the 1980s. There were also analog NTSC-compatible widescreen broadcasts using the Clear-Vision system. Currently all main channels have digital terrestrial television channels in 16:9. Many satellite broadcast channels are being broadcast in 16:9 as well.

All channels, however 16:9 contents look squashed on older 4:3 sets. Also, all 4:3 contents including news clips are stretched as stretching is common.

channels that are originally broadcasting in 4:3 on analog terrestrial, but upscaled or stretched to 16:9 for digital terrestrial television, cable and satellite

The aspect ratio of a broadcast can make all the difference for an audience. No one likes fiddling with widescreen settings, or constantly rotating their phone to get the right view. Broadcasting your stream in the proper aspect ratio will ensure the best picture is delivered to your audience.

Aspect ratio is one of the most frequently misunderstood parts of video content creation. It can be tough to keep track of all the various terms for the different modes of display, the size of the screen, and the actual pixel count on it. Aspect ratios are actually one of the simpler parts of the broadcasting — once you understand them.

To start, aspect ratios are often titled in simplified terms. A 16:9 aspect ratio doesn"t literally mean your content will be displayed 16 pixels by 9 pixels. In this regard, aspect ratios are more static than things like resolution and pixel count, which seem to constantly be increasing in number.

Aspect ratios have changed a lot to correspond with the technology of the times. In older days, when TVs and computer monitors were more square shaped, a 4:3 aspect ratio was often used. This had some benefits. Programmers preferred the more vertical design to scroll through text logs more easily, but the boxy display never quite captured that cinematic, theatrical grandeur that so many broadcasters seek to emulate.

As a result of shifting tastes and technological advances, aspect ratios started to take on a wider, more rectangular profile. This eliminates the need for widescreen settings on content, as it’s already fit to the more horizontal format.

Nowadays, 16:9 is the international standard for broadcasting. That"s not to say that other aspect ratios are worse or obsolete — in fact, some unexpected and formerly counterintuitive practices, such as vertical filming with phone cameras, are starting to make a resurgence, thanks to the prevalence of smartphone apps that share videos.

One of the biggest confusions around aspect ratios is the relationship between them and screen resolution. These two factors are often conflated and interchanged, when in reality they’re two very different specifications, which should work harmoniously to enhance the broadcast.

As mentioned before, aspect ratio is a simplified measurement based on the proportional width in relation to the proportional height of the display. Resolution, on the other hand, actually does refer to the literal total number of pixels on screen. Over the years we"ve seen this number rise drastically, from the standard definition days of 480p all the way up to the modern and hyper-sharp 2160p and beyond.

Unlike aspect ratio, where the numbers aren"t a real reflection of quality, screen resolution can be directly attributed to the quality and sharpness of your video content. The more pixels you have on screen, the more detailed your visuals can be.

To qualify as full, high-definition video in today"s market, content needs to be at least 1920x1080, and 4K resolutions push the envelope even further with 3840x2160 screen resolutions. For the true aesthetes, there’s 8K video, but it’s a new and limited technology that has yet to be fully refined. Most consumer devices (like phones, computers, and TVs) aren"t yet made to display content at 8K — so broadcasting video at that resolution is generally pointless until consumer hardware gets up to speed.

You won"t often see a professional broadcast with a 1:1 or square aspect ratio. Modern displays are overwhelmingly rectangular, usually boasting greater width than height. For this reason, a square aspect ratio can leave a lot of dead space on the display — an undesirable effect in almost any broadcast.

Broadcasters working in 1:1 are not at all concerned with covering every pixel on your 45-inch monitor. Many of these creators are professional and recreational broadcasters that are taking advantage of and exploring new platforms and trends. (Instagram, for example, was a major pioneer in bringing the 1:1 aspect ratio to the modern age). While the look of 1:1 may not entice everyone, it presents a more authentic, home-grown approach.

Broadcasts with a 1:1 aspect ratio are typically short, easy to understand, and shared via social media and other easy access points. In the hands of grassroots organizers and new media creators, it"s easy to imagine the budget for a huge production, including professional framing and composition, isn’t realistic for these users.

Modern screens have come a long way from the TVs of yesteryear, and while the new standard of 16:9 has supplanted 4:3, that doesn"t mean it doesn"t still have some uses.

Some broadcasters opt for this style, as it actually preserves a box within the shot that can be adapted to a 16:9 aspect ratio with some trimming. This is usually done to convert the content to higher definition — though the loss of some of their peripheral details as well as degradation of the image is still not ideal.

This aspect ratio has experienced a renaissance of sorts in recent years, with the advent of so many popular mobile streaming apps like TikTok. We"ll go into more detail about this below.

It wasn"t very long ago that you"d be considered primitive for posting any video in 9:16. The vertical or tall dimensions were met with disdain as computer screens were dominated by dead space, with only a thin sliver in the middle providing any image. Phone cameras were certainly a huge step forward in terms of photographs, but as far as videos were concerned, the mobile aspect ratios simply weren"t compatible with the screens or software of that time.

With the new surge in video content flooding the internet, there were still some traces of etiquette from older methods of filming. While many users took to filming while holding their phones horizontally to create a 16:9 aspect ratio for their content, plenty were still in the figurative dark ages. But not for long.

Thus, a new market was created for mobile broadcasters, and this had a host of different requirements and considerations compared to traditional methods.

One of the most immediate effects of this new market was the resurgence of 9:16 aspect ratios. Developers realized that with so many users now streaming from their smartphones, they were now faced with a contradictory problem: Users were now forced to alter their viewing to accommodate the much-too-wide ratios of videos in 16:9.

While turning our phones sideways is hardly a herculean task, the modern consumer is all about efficiency and convenience, and so too are products and services. In light of these developments, apps like TikTok were created to specifically use the vertical aspect ratio, and have achieved worldwide popularity and success.

Other companies, like Instagram, have opted for a mix of old and new methodologies. They offer both landscape and portrait aspect ratios — basically, their version of 16:9 and 9:16. This allows most videos taken in one ratio or the other to be seamlessly integrated with Instagram"s player.

Just like every aspect of broadcasting, the biggest consideration regarding your aspect ratio should be your audience. If everyone who streams your program does it on a desktop, obviously you"d be better suited to sticking with 16:9. But the world is unfortunately not that simple.

The platforms and devices used by your audience will have a direct impact on the type of aspect ratio that would appeal most, so getting the stats on which devices are streaming your content is highly recommended.

For example: What do you do if you only have a 1:1 broadcast, but you want your audience to see it at 16:9? You can"t just stretch the image across, because it’ll distort and ruin your work. You could crop it to maintain dimensions without altering proportions, but then you may be missing important details viewers want.

A major consideration for small-to medium-sized broadcasters is the size, quality, and data rate of the content being broadcasted. Storage is a scarce commodity for many organizations, and a steady schedule of broadcast programming means you"ll likely need more storage than the average business.

Some broadcasters in this situation opt to make sacrifices to achieve a lower file size. This can be achieved in a number of ways but the most common is by capping video quality.

In this post we discussed a variety of topics that influence your video quality, particularly focusing on aspect ratio. When it comes to live video streaming, we recommend streaming in a 16x9 HD resolution whenever possible so your video is equally accessible on mobile devices, laptops, and smart TV apps.

Aspect ratio is a simplified measurement based on the proportional width in relation to the proportional height of the display. Resolution, on the other hand, actually does refer to the literal total number of pixels on screen.

These two aspect ratios are mutually exclusive when it comes to live streaming. If your viewers are watching on both mobile and desktop devices, we’d recommend streaming in 16:9.

No. Pretty much any streaming service will lock you into the aspect ratio you initially go live with. However, you can always download the file later and change the aspect ratio of your video in an editing program.

Once you get a handle on aspect ratios and how they impact broadcasting, you"re in the know to tailor your live stream"s quality and resolution. There are several components of streaming that impact this, take a look at these articles to level up your knowledge:

When watching television, have you noticed how certain old movies play with black padding on either side of the screen? Well, that’s because the aspect ratio they were shot in, was different from that of the screen you watched it on. Today, we use several devices having different aspect ratios. With96% of marketersdedicating ad spends to video and 70% businesses creating more videos in 2022 than they did in 2021, knowing about video aspect ratio has become imperative.

Fret not. We understand that seemingly technical aspects like the aspect ratio can get a little intimidating, but honestly, it’s an extremely simple concept. With this guide that we’ve put together for you, you simply cannot go wrong! Not just that but we will also show you how you can change the aspect ratio of a video using InVideo’sonline editor.

In simple words, the aspect ratio is the ratio between the width and the height of a video or a screen. It determines how wide (or long) your video will be. As you would’ve guessed, aspect ratio is also used in the context of still images, but since we’re talking about video, in this article, we will not digress to include aspect ratio for image.

Aspect ratios are usually written as – x : y and read as – x by y.The first number refers to the width, while the second to the height. For example, if a video’s aspect ratio is 16:9, the number 16 refers to its width, while 9 refers to its height. If a video of the same dimensions was to be recorded vertically, the aspect ratio would then be 9:16 (9 referring to the width, while 16 to the height).

Wondering how to calculate aspect ratio? The aspect ratio formula is nothing but x:y where x is the width and y, the height, for example, 1:1 or 3:2. A resolution of 500 x 500 px would have an aspect ratio of 1:1 since the width and height are the same. Even for 1000 x 1000 px, the aspect ratio would remain 1:1, since the proportion between the width and the height remains the same.

A video shot in 1920 x 1080 px resolution would have an aspect ratio of 16:9 since the width (1920 px) is 1.7 times the height (1080 px), which is the same proportion as 16/9 or commonly written as 16:9.

The aspect ratio can refer to your video aspect ratio, meaning the aspect ratio in which you would record your video. It may also refer to that of a display (or screen), meaning the aspect ratio in which your video would play on the screen of a device or a projection screen.

Here’s some good news. You do not have to wait until you record your video to later check its aspect ratio. Most video recording devices today come with settings that allow you to choose the aspect ratio that you would like to record your video in.

While the aspect ratio you would record your video in, depends on where your video will be played, the most common one that videos are recorded in is 16:9. Its popularity is purely because it allows for videos to be recorded in the highest possible resolution. And that’s why it’s a standard on most popular video streaming platforms.

While 16:9 is the most popular, it’s not necessarily the best for your specific requirement. For example, if you’re making a short film and you want to give your audience an immersive, cinematic feel, then you may want to consider going ’65 and wide’ in filmmaker terms or simply record in an aspect ratio of 2.35:1.

Traditionally, however, filmmakers used the aspect ratio 4:3, which is also referred to as the Academy format (1.375:1). This was the standard for most of the films that were made before 1950s. On digital, filmmakers today use what’s called the anamorphic format, having an aspect ratio of 21:9 (or 2.33:1).

Most of you reading this will however create videos for consumption over social media. If that is your purpose, we recommend the standard for HDTV i.e. 16:9 (or 1.78:1) aspect ratio. You can use this for pre-recorded and edited videos that you may wish to upload, or even if you choose to live stream.

While aspect ratio is the ratio of width and height of a video, its resolution is the total number of pixels displayed on screen. Higher the resolution, higher is the quality of the video or sharper is the video.

While these are two different concepts, they are interrelated. You’ll see below how different resolutions the same aspect ratio have since their width and height is changing while remaining constant in proportion to each other.

The most common one could possibly be 16:9 (standard widescreen) since all computers, televisions, mobile devices, and video players can play videos of this aspect ratio. It’s also the video aspect ratio that smartphones, tablets, DSLRs, and most camcorders record in, by default.

A movie on a cinema screen is probably 16:9, while a lot of documentary films would feature footage in varying aspect ratios – 1:1, 16:9, 4:3, 9:16, or even the anamorphic format (2.33:1).

Pro-tip: It is best to create videos in the suggested aspect ratio of each platform like 4:3 or 1:1 for Instagram’s feed and 16:9 for YouTube videos. You can select the correct aspect ratio on InVideo’sonline editorand you’ll find templates best suited to your needs. Plus, you can change the aspect ratio of these templates with just a click of a button and the intuitive editor will take care of placing the elements in tandem with the selected size.

The standard aspect ratio for YouTube is 16:9. This means that no matter what aspect ratio you record your video in, the YouTube video player will automatically change it to 16:9.

So, while 16:9 is ideal, you may choose to still record your video in other formats, like square (1:1), 4:3, or even in vertical format (9:16). To fit your video (of differing aspect ratios) on different devices, the YouTube video player may automatically add the default white padding (grey, when the Dark theme is enabled).

It’s recommended to not manually add padding to your videos, since it may interfere with YouTube’s ability to adjust the player to your video and to the viewing device’s aspect ratios. If you do not want padding in your video and if you want your video to fit perfectly in the YouTube video player, it’s recommended to record your video in 16:9 aspect ratio, that is, in one of these dimensions:

The most common aspect ratio one would find on Instagram is its classic 1:1. This is also an optimal format for phone screens. However, content creators do use more formats on the platform. Since content on Instagram is consumed on the phone, it helps to know the most popular video aspect ratios for mobile:

The ratios are taken care of in the native uploader, however, you can also consider the aspect ratios mentioned above, if you plan to record and upload a video, instead of using the native uploader.

Surely, you’ve observed that 16:9 aspect ratio has been the standard on Facebook for the longest time. However, Facebook’s mobile app users – at almost 3 billion as of early 2021 – gives you a good idea of how videos on Facebook too are being heavily consumed on mobile. So why not use square or portrait formats to capture mobile users?

Twitter allows two formats for in-feed videos, square (1:1) and 16:9 (landscape or portrait). While the former, the square format is recommended for a seamless output across devices, the latter remains a favourite. Apart from that, brands have also leveraged the various other ad formats on Twitter.

While it is ideal to record in the desired video aspect ratio, you can also change the aspect ratio of a video after it has been filmed. Whatever you choose to do, do ensure that your video is of the right aspect ratio for the platform and format, as some platforms will auto crop your video to fit their aspect ratio.

Now, you could have a presence on one or more social media platforms. And chances are that you want to repurpose one video in various ways, on different platforms. For example, you may want to repurpose a horizontal Facebook video on an Instagram story. How are you going to do it? By simply changing the aspect ratio to tailor-make your video for each platform, apart from trimming the video’s duration, if you want to create a shorter video that is.

You can purchase and install video editing software, or you can simply use the InVideo online video editing tool. Now there are two ways to change the video aspect ratio:

Add black bars around your video. For example, if you’re changing your aspect ratio from a 16:9 (Facebook video) to a 9:16 (Instagram story), you will need to add black bars above and below the video.

To change it from say a 16:9 to a 1:1, you may simply have to crop it and not add any black bars, but if the square video is to go up on YouTube, you would have to add black padding to either side and for IGTV, you’d have to add padding above and below.

Step 1:Log in to reach the dashboard and start with ‘Blank Canvas’. Once selected, choose your aspect ratio – this will be your destination aspect ratio. Since you’re looking to create a video for Insta story, this will be 9:16.

Step 2: Once you reach the canvas, upload your existing video in 16:9, by clicking ‘Upload Media’ on the left and follow the prompts. Once the video is uploaded, it populates under the Upload Media button. Click on it to add it onto the canvas.

If, however, you do want to add text and a Call to Action (CTA) to your video, you can add them by clicking on Text and Stickers (marked on the left). That’s Step 3!

You can simply crop your video to the desired aspect ratio. Do note that cropping could mean having to cut out important parts in a frame. So, choose carefully which part of the frame are the most important to you, so you can crop out the rest.

Step 4:Just below the frame, you’ll see some options, select the last one i.e. 9:16. Now drag the selection right or left to ensure the sun fits in the frame since it is the subject and you do not want to crop it out.

1080p usually refers to 1080p HD widescreen which is of resolution 1920 x 1080 px, and has an aspect ratio of 16:9. However, the 1080 indicates 1080 horizontal pixels. So 1080p could also have an aspect ratio of:

16:9 is typically considered most optimal since it works well on most devices and is capable of high resolution. However, the ideal aspect ratio will depend on where you want your video to play.

The standard size of television screens was stretching from a 4:3 width to height ratio to one that was much wider. Producers began to make movies that would work for both screens.

Now that display aspect ratios are more standardized, broadcasters and content creators pay close attention to the video aspect ratio or the width to length ratios of their videos.

Professional audio, sharp visuals, perfect lighting, and other cinematic measures of quality are typically considered right off the bat, but aspect ratios are often a secondary conversation.

Today, we are going to break down what exactlyvideo aspect ratiosare, commonly used ratios, and video resolutions, as well as the role they play inlive video streaming.

The numbers that appear in the ratio are not necessarily representative of the height and width in terms of pixels (px). It is just theratio between width and height.

For example, a video with a 16:9 aspect ratio would not be 16 px wide and 9 px tall. You wouldn’t be able to see a video that small. One resolution that has an aspect ratio of 16:9 is 1920 px by 1080 px.

By multiplying the width times the height, you get the number of square pixels on the screen. The higher the number the better in terms of video quality.

There is no one-size-fits-all when it comes to video aspect ratios. Aspect ratios are typically chosen based on where the video will be posted, how it will be viewed, and what purpose it serves.

Videos used for social media will vary from movies or trailers that are shown in theaters. There are standard aspect ratios for modern televisions, but broadcasters are free to use the aspect ratio that works best with their content and audience.

A video with a 16:9 aspect ratio is a wide rectangle. It is also often referred to as “1.71:1” which is the most simplified form of the ratio, mathematically speaking.

Today, you’re likely to use the 16:9 aspect ratio for most of your video creation and streaming since the 16:9 ratio is considered the international standard format for television, cinema, and major online streaming setups and platforms.

16:9 is the default setting on mostvideo capture devices, both professional-grade and consumer-grade. It also is the most common size forvideo players.

There are a few reasons that 16:9 has become the norm. Screens of this size provide higher resolution than those with aspect ratios of 16:10, which used to be considered the international standard.

It is also more cost-effective to create screens that are compatible with this ratio as opposed to their predecessors. The standardization of both televisions and computer monitors saved producers time and money in the research arena.

Before 16:10 and 16:9, the 4:3 aspect ratio was standard for traditional television and computer monitors. The reason for the switch was the birth of HDTV. The 16:10 and 16:9 aspect ratios allow for greater resolutions than 4:3 do.

This aspect ratio was still used for Apple iPads until their release of the 2018 iPad Pro. The 4:3 aspect ratio is being phased out, so it is not very common.

You are likely to find videos with this aspect ratio in special theaters, museums, theme parks, and the like. They are designed to give more immersive experiences to the viewers.

For example, the optimal measure for an Instagram story is 1080 px by 1920 px, which means its ratio is 9:16. The same goes for other popular apps that have “story” features, including Facebook and Snapchat.

Most cameras with video capabilities come with a variety of aspect ratio settings. This allows you to decide which aspect ratio you’d like your video to have before you record it.

If you are trying to tell the aspect ratio of a video that has already been filmed, you can access additional information for the file. On Macs, the information button is a small “i” in a circle. On PCs, you right-click a file and click “Properties.”

A 16:9 ratio is typically seen as optimal because it is capable of the highest resolution. It is also easy to capture this aspect ratio on almost all devices.

While it’s totally possible to change the aspect ratio of your video after it has been filmed, it is not always recommended. This is because both methods have their downfalls.

Depending on where you’re broadcasting the video, your content may be edited automatically. For example, the aspect ratio of YouTube videos is 16:9 aspect ratio as the platform adds white padding around all videos to make them fit. However, other social media platforms will crop your videos to fit their set aspect ratio.

The video aspect ratio you choose for your stream must followvideo streaming protocol, which demands two things: universal playback and small file size.

With the 16:9 aspect ratio, you can cross off both. There is a wide range of resolutions that you can choose from, so you are able to find the optimal resolution where the desired quality and file size meet.

Essentially any streaming device including computers, televisions, mobile devices, and HTML5video playerscan play videos with a 16:9 aspect ratio, so universal playback is also guaranteed.

When youbroadcast live, it is very important that you make sure that the video aspect ratio of your recording equipment is compatible with the streaming platform of your choice. You don’t want anything important to be cut out, especially since you won’t have the chance to reshoot the content.

Aspect ratios—the ratio between the width and length of your video—are certainly something to consider when producing video content to broadcast to your audience.

While the compatibility of the video aspect ratio and yourvideo hosting platformor streaming service is of great importance, you have to keep the user experience in mind.

Whether you choose a standard 16:9 aspect ratio for content to be streamed on a laptop or a 9:16 ratio to be streamed on a cell phone, make sure it presents clearly without untasteful cropping so that your audience has the best experience.

Take a peek at Instagram and you’ll notice the photos on your grid are neatly uniform in 1:1 squares. Pull up YouTube, and it’s a widescreen rectangular shape at 16:9.

Screens, images, and frames all have recognizable shapes and aspect ratio is the term used to describe the fixed proportions of these shapes. Simply put, an image’s aspect ratio is the relationship between its width and height. Aspect ratios are commonly presented as two numbers, separated by a colon like X:Y, or 4:3. Most often, they are used in describing film.

In UX design, aspect ratios become somewhat antiquated because they’re inflexible and good digital design is responsive. For example, look at InVision’s homepage: You can see how that header video appears to be a 16:9 ratio, but it responds. So if you drag your browser in to narrow the width, the video changes its size—adapting as you go.

However, as designers work more cross-collaboratively and design assets within websites or apps, it’s likely they’ll come across the term every so often or use it to communicate the component ratios that need to be locked. So, here’s what designers need to know about aspect ratios and the user experience.

First let’s cover the basics: An aspect ratio is how large an image’s width is compared to its height, without any pixels or units attached. While an image’s aspect ratio will help you understand its shape, it doesn’t determine the image’s actual size. For an X:Y aspect ratio, the x is the image’s width and the y is the image’s height.

Aspect ratios are written out as a formula of width to height, such as 3:2. It’s important to remember that while two images can have the same aspect ratio, they can have varying images sizes.

So, as an example, a square ratio of 1:1 would mean the width and height of the image are the same. No matter if the image’s dimensions are 320 X 320 pixels or 1080 X 1080 pixels, the aspect ratio remains 1:1. As another example, an image could be 1920 X 1080 pixels or 1280 X 720 pixels, but both have a widescreen 16:9 aspect ratio in common.

Images with a 1:1 aspect ratio have equal width and height and are squares. This aspect ratio is commonly used on smart watches and you might notice a 1:1 aspect ratio on social m