32 to 9 ratio lcd panel in stock

Not only does LG have the #1 UltraWide*, UHD** and gaming monitors*** in the country, but with a wide range of options, we make it easy to find the right LG monitor for all that you do. Just a few of the options available include:

• Curved UltraWide Monitors: Whether you want one large panoramic view or need a 4-screen split so you can see more of your work at once, our curved UltraWide monitors make it all possible. Their 21:9 aspect ratio and IPS technology ensure you"ll get true color accuracy at any angle – making them among the best computer monitors for designers, photographers, gamers and other professionals who need more room for big ideas.

• UltraFine™ Monitors: Our UltraFine collection includes brilliant 4K monitors, as well as breathtaking 5K monitors in a variety of sizes. But no matter which solution fits best, you"ll still get a stunning IPS display that delivers vibrant colors, incredible clarity and fine detail.

• UltraGear™ Gaming Monitors: Get widescreen monitors built for gaming. With the latest hardware specs, game-focused features, like NVIDIA G-SYNC™ compatibility, and AMD Radeon™ FreeSync™ 2 technology, a vibrant IPS display, 1ms GTG response times and pro-level customizations, you cannot just get in the game – you can dominate it.

Whether you"re looking for curved monitors for work, a 4K or 5K solution for your home office, or need a new gaming monitor to elevate your play, we"ve got you covered. Check out all the latest monitors from LG – including our 4K, IPS and gaming monitors, as well as our LED monitors, and our UltraWide, UltraFine collections – and find the right monitor for your space and your life.

The best 34-inch monitor we"ve tested is the Dell Alienware AW3423DW. It"s an excellent overall monitor that"s unique, thanks to its QD-OLED panel. It means it displays perfect blacks like an OLED display combined with the wide color gamut of a QLED display, resulting in remarkable picture quality. It means it looks great in dark rooms and displays vivid colors very well. Sadly, it isn"t as good in bright rooms because the black levels raise when there"s ambient light, so you need to use this monitor in a dark room for the best results. If that doesn"t bother you, you"ll be happy with this monitor"s dark room performance.

If you"re looking for the best 34-inch gaming monitor, you"ll be happy to know it provides excellent gaming performance. It has a fast 175Hz refresh rate with native G-SYNC variable refresh rate (VRR) support to reduce screen tearing, which is ideal if you have an NVIDIA graphics card. Motion also looks extremely smooth, thanks to its near-instantaneous response time. If you want to use it for office use, the text clarity is decent, but some color fringing issues can get distracting if it bothers you; however, there are workarounds to this.

Ultimate Smart Signage experience with priceless performance for any application This Full HD display delivers startlingly clear images in a more eco-friendly way with the edge LED display. High on performance and reliability, yet low on power consumption, it is ideal for projects where no compromise is accepted. Philips AMVA LED display uses an advanced multi-domain vertical alignment technology which gives you super-high static contrast ratios for extra vivid and bright images also in vertical installations. Features also HTML5 browser, USB.media playback, Smart Control Software Suite and RS323 connection.Panel resolution 1920x1080p, contrast ratio 3000:1, brightness: 350 cd/m², viewing angle (H / V): 178 / 178 degree with Anti -Glare coating. 3 year warranty.

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Asus’ newest portable monitor looks as if someone accidentally sat on it and squished it down into an awkwardly wide shape. It’s called the Asus ProArt Display PA147CDV, and it has a 14-inch panel in a 32:9 aspect ratio, giving it a similar appearance to the second screen on the laptop maker’s Zenbook Pro Duo laptops.

Whereas large monitors with a 32:9 aspect ratio market their ability to act as two separate normal-sized screens, the ProArt Display is meant to act more as a companion screen for creative professionals, similar to (but hopefully more useful than) the Touch Bar or an Elgato Stream Deck.

The ProArt display has a 14-inch, 1920 x 500-pixel IPS touchscreen mounted on a mechanical stand that can be positioned horizontally or vertically. Asus says the screen covers 100% of the sRGB color gamut and is Calman-verified for color accuracy. For now, we’ve been left in the dark as to how bright the panel gets. On the side of the base are two USB-C ports and an HDMI port.

Another unique feature of this strange accessory is the dial on the side, which is similar to Microsoft’s Surface Dial in that you can customize the tool to access certain functions within creative apps like Adobe Photoshop or Lightroom Classic. Any app supported by the Microsoft Surface Dial will work with the Asus Dial. The monitor also supports Microsoft’s Pen Protocol 2.0 for those who don’t want to smudge the screen or who need more precision when making fine edits.

You might be wondering why anyone would need such an ultra-wide screen. While this likely won’t replace your Wacom or iPad, the ProArt lets creatives separate their tools from the content being edited on a larger display. In this setup, the display acts as a customizable control panel for apps like Photoshop, Lightroom, Premiere Pro, and After Effects. It could also house your timeline or be placed vertically next to your monitor or laptop for notes or web pages.

Asus didn’t give us pricing or release date specifics, stating only that the ProArt is “available for media review” and will be released in Q2 of this year. And yes, we’ve already pinged our Asus rep for a review unit and will let you know what we think of this hot dog bun-shaped monitor.

4:3 aspect ratio televisions were the standard for many years. However, 16:9 aspect ratio is now the dominant widescreen monitor format. Consequently, TRU-Vu offers an extensive selection of 1080p monitors and touch screens with a variety of aspect ratios. Similarly, we also offer our industrial-grade monitors and touch screens with 16:10 aspect ratio.  Browse our 16:9 wide-screen displays to find the perfect solution for your needs. You can even search exclusively for only 16:9 monitors with our search tool.

Our 16×9 monitors are an ideal match for 1920×1080 aspect ratio cameras and 16:9 resolutions from other devices. Widescreen monitors range from 800 x 480 to 1920×1080 aspect ratios, as well as 4K resolution.  We are pleased to offer our 16:9 and 16:10 resolution widescreen monitors in a wide range of sizes and configurations. This includes convenient panel-mount LCD monitors and Sunlight Readable monitors and waterproof outdoor monitor options. These are built for tough conditions.

We are often asked “What is my aspect ratio?” Or sometimes “Do you have a 1080p monitor?” “Can you tell me the aspect ratio of 1920×1080?”  A widescreen aspect ratio refers to a 16:9 aspect ratio screen. This is the rectangular shape similar to any modern television. Older TV’s and monitors had a 4:3 aspect ratio, which looked more like a square monitor. Check out our 4:3 vs 16:9 Aspect Ratio article in order to help you understand the differences between the two monitor formats. You can also use this handy aspect ratio calculator. Likewise, you can speak with one of our application specialists about all of the technical specifications on our displays. Feel free to request a recommendation. They will help determine the ideal 16:9 aspect ratio or 16:10 aspect ratio monitors for your environment.  If you are interested to learn more about aspect ratios, please also check our terminology guide.

We would be happy to modify any of our monitors for you. For instance, TRU-Vu  can customize nearly aspect of your display, from the inputs and electronics, to screen treatments and enclosures.Modified options are often available at low or no additional cost.  Additionally, we also offer custom monitors to meet your exact requirements. Lastly, Private label options are also available for your brand promotion.

Square (1:1) LED panels may pose a challenge when creating true 16:9 video walls, because the only way to achieve an exact16:9 ratio is to have 16 panels wide by 9 panels tall, or an exact multiple of such. Luckily, there is some wiggle room with 16:9 ratios. You want your video wall to be close to a 16:9 ratio and the 16:9 content will automatically stretch to fit the display. Display quality can be affected by pixel pitch as well.

Your panel count width divided by your panel count height should equal in between 1.65 and 1.85. This is your “16:9 safe zone”. Here are video wall sizes within the 16:9 safe zone:

The above sizing configurations will be close enough to a 16:9 ratio to be undetectable to the naked eye. As you can see, the only exact way to achieve a 16:9 with square panels is with 16 panels wide by 9 panels high. In contrast to 1:1 square panels, there are also individual panels that are 16:9 already, such as with LCD video walls. In this case, a panel count of 1:1 actually equals 16:9 total ratio, since the screens are scaling up from 16:9. So 2×2, 5×5, 10×10 walls created with 16:9 panels all equal 16:9 ratios.

Maybe your advertiser sent video wall content in the wrong ratio last minute. Or say you just want to display 16:9 content onto a custom-ratio screen. What happens if you try to display 16:9 content onto a video wall that is a different resolution? While it can be done, the end result is not ideal. The result becomes worse with the farther the mismatch between ratios is. There are three options for scaling 16:9 content onto a non-16:9 video wall:

Letterbox – This fits the content into video wall frame proportionally, leaving black bars either vertically or horizontally. A perfect example of this is when you watch an old movie on a new TV. There are black bars on either side because the film was shot in 4:3, while your TV is 16:9. This is most professional option since it displays the original picture exactly as it was intended by the videographer or designer.

Crop to fill – This one is not recommended in most cases because it involves cutting off parts of the image. This is especially problematic if there is important text or picture contained in the margins of the image. But an advantage is that it allows you to fill the screen and constrain the aspect ratio. It can also be an effective option with content such as visuals since visuals don’t contain text that could be cropped out.

Aspect ratio can be easily measured or calculated in a few different ways. To begin, it can be measured in any unit (pixels, inches, feet) and will require the width of the screen to be divided by the height of the screen. In practical applications, this could be done with a number of physical measurement tools, but also on computers can be measured with a Chrome tool called page ruler!

Nearly all channels in European, American, African, Asian, and other countries have their default TV resolution at 16:9. It is by far the standard screen size when viewing and distributing Television broadcasts. Wikipedia has a great resource displaying all countries along with the default aspect ratio that their Television distributions use.

16:9 ratios are an aspect ratio containing 16 units of width for every 9 units of height. They can be calculated by ensuring that width divided by height equals 1.78.

The extra space also adds room for a preview of your project and increases the size of your workspace for browsing related files. Compared to a 16:9 monitor, you’ll be able to see more files at once and have a slightly larger preview.

There are downsides for video, however. Most video content is created in a 16:9 aspect ratio, not 21:9, so you won’t make the most of the ultrawide when it comes time to preview your project. Most ultrawide monitors can’t offer a 4K preview at the 16:9 aspect ratio, either, which is a problem if you’re working with 4K content.

Ultrawide monitors add pixels on the horizontal axis but are the same as a comparable 16:9 monitor on the vertical axis. This isn’t great for writers, editors, programmers, and photographers. Documents scroll vertically, so more horizontal space isn’t helpful. Programmers also typically use an interface that scrolls vertically to code, so again, the extra width is not that useful.

Photographers and digital artists often work in portrait orientation, which is an awkward fit for a wide display. The extra space of a 34-inch ultrawide relative to a 27-inch widescreen monitor becomes all but irrelevant when a photo or image is taller than it is wide.

An ultrawide will still help with multitasking, though. A programmer might like having extra horizontal space if that means having more workspace to browse related files, and a writer might like having more room to reference research.

The benefits of ultrawide monitors all come back to the aspect ratio’s extra width. Ultrawide monitors provide more usable space in games and productivity apps because, well, they’re big!

Ultrawide monitors often come with large stands that will take up a lot of space on your desk. You might feel cramped if you have large gaming peripherals or often use your desk for tasks that don’t involve your PC.

A 34-inch ultrawide monitor will sit closer to you than a 27-inch monitor when the display is pushed to the far edge of your desk. This is a problem if your desk is a bit narrow, as a monitor that’s too close can cause eye strain and force you to move your gaze frequently to see the entire screen.

38-inch ultrawide monitors are even worse about this: most won’t fit well on a desk 30 inches deep. You’ll need a deeper desk or a monitor arm to position a large ultrawide monitor at a comfortable distance.

Television manufacturers like Philips and Vizio tried to bring ultrawide to television with a line of “Cinema” televisions that appeared from 2010 to 2013. Most movies are filmed in a wide aspect ratio, so an ultrawide makes sense if you spend all your time watching movies. The horizontal bars across the top and bottom are smaller on an ultrawide, or gone entirely, since the display’s aspect ratio closer to that of the film.

You play intense, competitive gaming. You demand display with lag free, ultra-smooth images. This Philips display redraws the screen image up-to 165 times per second, effectively faster than a standard display. A lower frame rate can make enemies appear to jump from spot to spot on the screen, making them difficult targets to hit. With 165Hz frame rate, you get those critical missing images on the screen which shows enemy movement in ultra-smooth motion so you can easily target them. With ultra-low input lag and no screen tearing, this Philips display is your perfect gaming partner

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

Planar® CarbonLight™ VX Series is comprised of carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility, available in 1.9 and 2.6mm pixel pitch (wall) and 2.6mm (floor).

From cinema content to motion-based digital art, Planar® Luxe MicroLED Displays offer a way to enrich distinctive spaces. HDR support and superior dynamic range create vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge MicroLED technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior décor.

From cinema content to motion-based digital art, Planar® Luxe Displays offer a way to enrich distinctive spaces. These professional-grade displays provide vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior decor.

LED video wall solution with advanced video wall processing, off-board electronics, front serviceable cabinets and outstanding image quality available in 0.9mm pixel pitch

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

From cinema content to motion-based digital art, Planar® Luxe MicroLED Displays offer a way to enrich distinctive spaces. HDR support and superior dynamic range create vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge MicroLED technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior décor.

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

LED video wall solution with advanced video wall processing, off-board electronics, front serviceable cabinets and outstanding image quality available in 0.9mm pixel pitch

Planar® CarbonLight™ VX Series is comprised of carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility, available in 1.9 and 2.6mm pixel pitch (wall) and 2.6mm (floor).

a line of extreme and ultra-narrow bezel LCD displays that provides a video wall solution for demanding requirements of 24x7 mission-critical applications and high ambient light environments

Since 1983, Planar display solutions have benefitted countless organizations in every application. Planar displays are usually front and center, dutifully delivering the visual experiences and critical information customers need, with proven technology that is built to withstand the rigors of constant use.

The aspect ratio is the ratio between the width and height of the screen. It’s noted in the form of W:H, which is interpreted as Wpixels in width for every H pixel in height.

This is essentially just the ratio between the width and height of the display. The higher the first number compared to the last number, the wider the screen will be compared to the height.

Most monitors and TVs today have an aspect ratio of 16:9 (Widescreen), and we are seeing more and more gaming monitors getting a 21:9 aspect ratio, also referred to as UltraWide. There are also several monitors with a 32:9 aspect ratio, or ‘Super UltraWide.’

Other, less popular, aspect ratios are 4:3 and 16:10, though finding new monitors with these aspect ratios is difficult nowadays, but they were quite widespread back in the day.

Most of the time, the best aspect ratio will be whatever your display’s native screen resolution/aspect ratio is. However, it also depends on what type of content you are watching as well as your personal preference.

16:9 is the most widespread aspect ratio as it is used for the most common monitor and TV resolutions, including 1920×1080 and 4K. Moreover, a 16:9 aspect ratio is very versatile as it can decently display both 4:3 and 21:9 content.

When it comes to gaming, ultrawide monitors can offer massive benefits due to the broader field of view. That’s why some competitive games will limit the aspect ratio to 16:9, meaning you’ll have black bars at the sides of the screen.

In the end, you should use whatever aspect ratio you see fit. Some prefer having a wider image while watching movies, for example, but others prefer the picture fully outstretched.

Are monitors with traditional aspect ratios just not getting the job done for you? LG might have the answer. Today the company has announced what it touts as “a completely new format in the monitor market” called the DualUp. With a unique 16:18 aspect ratio, LG claims the DualUp gives you “the same screen real estate as two 21.5-inch displays and has a vertical split view function that lets users see more in one glance.”

With a resolution of 2560x2880 and measuring 27.6 inches on the diagonal, the DualUp (model 28MQ780) tops out at a just-okay 300 nits of brightness and covers 98 percent of the DCI-P3 color gamut. It attaches to LG’s included Ergo stand, which can clamp to “most” desks and tables to save on space. Aside from the productivity and creative possibilities opened up by this form factor, LG claims the double-height display has ergonomic benefits since it “helps reduce side-to-side head movements, the main cause of neck pain.” I get the sense you’d frequently be moving your head up and down in this scenario, though, and neither seems ideal.

If you’re not into the idea of having multiple displays in your working space, this thing should make it easier to multitask while keeping an eye on Slack, Microsoft Teams, and so on. And as the marketing images show, it seems like a dream for video editors. It’s nice to see some experimentation happening, at least.

LG isn’t yet disclosing pricing for the DualUp, but this isn’t the only new monitor that the company is introducing today. There’s also the 4K 32-inch UltraFine display. This one keeps things more ordinary with a 16:9 aspect ratio, but LG is taking up its “first Nano IPS Black panel” and says this display can output “realistic and nuanced black tones.” The UltraFine can crank a little brighter than the DualUp with a peak of 400 nits and also has a 2000:1 contrast ratio compared to the 1,000:1 of the more unconventional display. LG also includes a self-calibration sensor to ensure you’re seeing accurate color tones when editing photos or video or working on graphic design.

Both of LG’s new monitors include two HDMI ports, one upstream USB-C port (for your computer), and two downstream USB-C ports — but they aren’t Thunderbolt ports, unfortunately. They can charge external devices like laptops at up to 96 watts through USB power delivery.

The company says it will share more details on both products during its virtual CES 2022 presentation on January 4th. LG has already made pre-show announcements including a battery-powered TV that can be wheeled around your home and a new soundbar with an upward-firing center channel designed to improve speech clarity.