cameras with flip lcd screen free sample

2023-01-03 12:32:11

An articulating or vari-angle LCD – commonly called a flip screen – is a useful addition to a camera. The screen is mounted on a swivel, allowing you to flip the screen away from the camera body and rotate the LCD 360 degrees.

Flip screens have traditionally been useful for taking photos at unusual angles. For instance, framing a bug’s-eye view from ground level used to mean setting your camera down low and awkwardly trying to see through the optical viewfinder. There was usually a lot of guesswork involved.

With a vari-angle, or flip screen, you can now set the camera up at ground level and angle the articulating LCD up towards you and frame the scene in live view.

Likewise, a flip screen allows you to shoot overhead by swivelling the screen down. Street photographers might also appreciate a swivel screen because it can let you shoot more discreetly. Shooting from the hip is a lot easier with a flip screen and gives you more control. Hold the camera against your body and angle the swivel screen upwards so you can frame your shot, then shoot discreetly.

Despite all these advantages for shooting stills, it’s probably the rise of vlogging that has seen the popularity of cameras with flip screens soar. Like shooting self-portraiture, vlogging requires placing yourself on the other side of the camera, and before flip screens were a thing this required a lot of careful setup and trial and error.

But swivel LCD touchscreens mean you can now place your camera in front of you, frame your shot accordingly and simply tap the screen to take a picture or start recording. If you have even modest ambitions to post videos on YouTube, a camera with an articulating screen will undoubtedly be the best option for you. In this guide we’ll round up the best cameras with flip screens.

Metering: 384-zone metering with Evaluative metering (linked to All AF points), Partial metering (approx. 6.1% of viewfinder at centre), Spot metering: Centre spot metering (approx. 3.1% viewfinder at centre), Centre weighted average metering

Autofocus: Dual Pixel CMOS AF II with Advanced Animal AF (recognising dogs, cats and birds) supported in all video modes with 100% coverage and up to 1053 "AF segments"

The Canon EOS R5 leaves little doubt that Canon is now serious about the mirrorless camera market. It has phenomenal specification with features like a 45Mp full-frame sensor, phase detection autofocusing that covers the whole frame, eye AF for humans and animals that works in video and stills mode and a class-leading viewfinder paired with a vari-angle touchscreen.

The Canon EOS R5 is built to a similar standard to the Canon EOS 5D Mark IV and has a magnesium alloy construction along with weatherproof seals. Its handling is also similar, but the control arrangement has changed to accommodate the vari-angle screen.

It’s great to have a vari-angle screen on the EOS R5. It makes it much easier to shoot video from above or below head-height while keeping the kit size and weight down. Also, as the screen is touch-sensitive you can control the camera with a few taps.

Autofocus: Dual Pixel CMOS AF II with Advanced Animal AF (recognising dogs, cats and birds) supported in all video modes with 100% coverage and up to 1053 "AF segments"

While the R6’s viewfinder is the same size as the R5’s (it’s a 0.5-inch type), its resolution is lower at 3.69million dots instead of 5.76million. That’s the same as in the EOS R and on par with the electronic viewfinders in the Sony A9 and Nikon Z7. It’s a great EVF specification for a camera of this level.

There’s also a 3-inch vari-angle touchscreen with 1.62million dots. We’re a fan of vari-angle screens because they make shooting portrait or landscape format images from above or below head-height much easier than a fixed screen. And a tilting screen is only of help with landscape format images.

Both the viewfinder and the screen provide an accurate preview of the image as it will be captured. Overall, Canon’s control arrangement on the R6 and use of touch control is excellent and the vari-angle screen is a real asset.

Autofocus system: Hybrid AF with 759 phase detection points and 425 contrast detection points, Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select), sensitive down to -4EV

After we reviewed the Sony A7 III, a flip-out touchscreen was at the top of our wishlist for improvements we’d like to see on the next iteration of Sony’s full-frame all-rounder. Sure enough, Sony has given the A7 IV a vari-angle screen that can be flipped face forward or be angled to help compose low- or high-level shots in either landscape of portrait orientation.

What’s more, the A7 IV’s 3-inch 1,036,800-dot screen is touch-sensitive and users can now navigate the menus and settings with a tap. In previous Sony touchscreen LCDs, you were limited to setting the AF point via touch.

Sony has also carefully thought through the design, as well, placing the A7 IV’s mic port just above the screen on the side of the camera so it can still move freely when an external mic is plugged in.

OM System has given the OM-1 a very bright 1.62-million dot vari-angle touchscreen. It’s a 3-inch screen and like on the OM-D E-M1 III and OM-D E-M1X and it’s mounted on a vari-angle hinge. This vari-angle hinge means the screen can be angled for clear visibility whether you’re shooting in landscape or portrait orientation.

Like the screens on existing Olympus Micro Four Thirds cameras, the OM-1’s screen is touch sensitive. It responds quickly to a tap and it’s a shame that OM System’s hasn’t extended the touch control to the new main menu.

In overcast conditions and indoors, the OM-1’s screen gives an excellent view it also performs well in brighter conditions. my toughest test for this was when skiing on a bright sunny day trying to video my companions ahead of me. Keeping them framed as we all moved over the piste was challenging, but thankfully, I was able to see them on the screen.

Despite the shrinkage in size and weight, the Panasonic Lumix s5 has both a 3-inch 1,840,000-dot vari-angle touchscreen and a 2,360,000-dot OLED electronic viewfinder built-in.

The Panasonic GH5 has a vari-angle screen and it was high on the request list for the S-series camera when their development announcement was made. However, the S1 and S1R have 3-way tilting screens. These are useful if you’re shooting in landscape and portrait format images, but they’re not as intuitive or flexible to use as a vari-angle screen and they can’t be seen from in front of the camera.

Happily, the Lumix S5’s screen delivers what many were hoping for and it can be flipped around to face forwards. It means that the S5 could also be a good full-frame vlogging camera.

Further good news is that, like the viewfinder, the S5’s screen provides an excellent preview of the image. If you’re shooting outdoors in bright conditions it’s worth activating the Live View Boost to brighten screen to make the scene easier to see. The screen is also very responsive to touch.

Maximum stills continuous shooting rate: Mechanical shutter: H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View) Electronic shutter: SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/MF) SH20: 20 frames/sec (AFS/MF) H: 14 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View)

The Panasonic GH6 has a 3.0-inch 1,840K-dot tilt and free-angle touchscreen with an aspect ratio of 3:2 on its rear. The tilting aspect of the screen isn’t immediately obvious, but pressing the button underneath the monitor’s bottom left corner releases the mechanism so the screen can be tilted up from the bottom.

There are two stop points in the screen’s tilt movement. The first one is at the right point to enable the screen to be flipped out to the side of the camera without catching on the viewfinder while the second one at about 45° gives a more comfortable viewing able when shooting at waist-height.

To the uninitiated, the tilt and free-angle combination may seem a bit over the top but it means that the screen can be flipped out and twisted to face forwards, up or down, without fouling on any of the cables that may be connected to the ports on the left side of the camera (mic, USB-C and full-size HDMI).

With 1.84-million dots, the 3-inch screen gives a good view of the scene and doesn’t suffer to badly from reflections even in sunny conditions (at least not in March in the UK). However, even when shooting video, there are times when it’s preferable to use the 3,680k-dot 0.76x OLED viewfinder. This has a contrast ratio of 10,000:1 and gives a sharp, accurate preview of the scene.

The GH5 is Panasonic’s flagship compact system or mirrorless camera and it has a mini-DSLR design, featuring a high-quality electronic viewfinder and vari-angle touch-screen. As a Micro Four Thirds camera it’s compatible with an extensive collection of Micro Four Thirds mount lenses from Panasonic and Olympus as well as third-party manufacturers.

Panasonic has also upgraded the rear screen and it now measures 3.2-inches across the diagonal and has 1,620,000 dots. It’s still a vari-angle unit but instead of an OLED screen it’s an RGBW LCD. It provides a nice sharp view and the revised menu, which has fewer pages but more lines, is clear. The screen also responds quickly to tap of your finger.

The GH5 is a complex camera and it will take some getting to know, but all the main controls that you want on a shot-by-shot basis, for example to adjust exposure and white balance or to set the AF point are within easy reach. There are also plenty of customisable buttons to help you get it working as you want.

Autofocus system: Hybrid with 759 phase detection points and 425 contrast detection points, Real Time Eye AF (Human and Animal for stills, Human for video)

Maximum continuous shooting rate: 10fps with mechanical or electronic shutter for up to 1000 uncompressed raw files when a CFexpress Type 1 card is used

Like previous A7S models, the Sony A7S III has a full-frame sensor with 12.1 million effective pixels. Keeping the resolution down benefits its low-light capability by keeping noise levels down.

As well as a host of improvements to its video specification, the Sony A7S III introduces the highest-resolution electronic viewfinder we’ve seen to date and it’s the first Sony A7-series camera to feature a vari-angle screen.

According to Sony, the 3-inch vari-angle screen wasn’t a request for the A7S III, it was a demand. It’s certainly something I’ve mentioned on many occasions.

In the past, the argument against one has been that a vari-angle hinge is less robust than a fixed screen and that ‘most dedicated videographers use an external monitor’. Those two points may still be true, but one of the key benefits of using a camera like the A7S III is its small size. If you start having to add an external monitor it makes it bigger and heavier.

It’s good to see that there’s an option to show a red outline around the on-screen image when the camera is recording. There are times when this is more useful than the usual flashing red dot.

After the 8K-capabilities of the Canon EOS R5, the Sony A7S III might seem a bit of an anti-climax. We’re sure some videographers were hoping for a big jump in resolution from the 12mp A7S II. However, Sony already has the 61Mp A7R IV and the 24Mp A7 III, so sticking with 12Mp means that the A7S III has even better low-light capability than its predecessor but with a much better autofocus system, a vari-angle screen and the highest-resolution viewfinder around.

As with Canon’s full-frame mirrorless cameras, including the flagship Canon EOS R3, the R7 has a vari-angle touchscreen. This is great for composing low- and high-level shots in landscape or portrait orientation. Because Canon has embraced full-touch control, it’s also useful for changing camera settings with a tap.

Although the 0.39-inch 2.36million-dot electric viewfinder on the Canon EOS RP doesn’t match those in recent high-end mirrorless cameras for resolution, it still provides a decent preview of images. And let’s not forget, the RP is much more affordable than other new full-frame mirrorless cameras.

With Exposure Simulation activated, you get an accurate view of the final image’s brightness as well as the colour. However, if you want to see the depth of field, you’ll need to customise one of the camera’s buttons to that purpose. Or of course, you can take a quick shot. That could be avoided, however, if Canon showed the preview with the selected aperture applied.

Like the EVF, the 3-inch screen’s 1.04-million-dot resolution doesn’t really wow these days, but the fact that it’s mounted on a vari-angle hinge is great. That means you can twist it around to give you a clear view whichever angle you’re shooting from. And unlike a tilting screen, it’s useful if you’re shooting in portrait or landscape orientation.

We love that Canon has enabled the RP’s touchscreen to be used for browsing the Quick and main menu, selecting settings and browsing through images as well as setting the AF point. It really speeds using the camera and makes it more intuitive. It’s also good that this isn’t at the expense of physical buttons and dials.

Autofocus system: Intelligent Hybrid with up to 425 points plus subject detection for humans, animals, birds, automobiles, motorcycles, aeroplanes and trains

Viewfinder: 0.5 inch 5.76 million-dot OLED Color Viewfinder with 100% coverage Eyepoint: approx. 24mm Diopter adjustment: -5~+3m-1 Magnification: 0.8× with 50mm lens

Among the many improvements Fujifilm put into the X-H2S over the X-H1 is an upgrade of the LCD screen. Instead of the 3-way tilting screen of the X-H1, the X-H2S has a vari-angle screen that can be flipped out and rotated to face forward for vlogging. This means it’s useful when the camera is above or below head-height in landscape or portrait orientation.

There are a number of handling changes in the X-H2S in comparison with the X-H1, and anyone looking at the camera with fresh eyes cannot fail to be impressed by its build and capability.

cameras with flip lcd screen free sample

Vlogging cameras have changed considerably over the last few years. As the number of content creators and consumers across various platforms continues to rise, viewers are expecting better quality video and audio.

And these cameras have one thing in common – they all have a flip screen, or some way for you to see what you’re shooting as you film. We’ve found that these types of camera can especially help beginner vloggers with framing, setting the right exposure, and making sure the shot looks okay before they start rolling.

Several factors will come into play when deciding which flip screen vlogging camera is best for you. We’ve considered these while compiling this list, and you can decide which of these are important to you to help you make your decision.

While multiple cameras that made our list can shoot in 4K, it might not actually be something you require – a lot of popular and successful bloggers still upload videos in 1080p (FullHD). Keep in mind that many viewers can’t even enjoy 4K on their computer screen, phone or television.

That being said, shooting in 4K will give you more room to crop into footage without losing too much detail. And in the coming years, 4K will become more widespread, so it’s also an investment for the future.

Generally speaking, there are 3 different types of flip screens – fully articulating, 180° tilting flip screen, and front-facing screen. These are pretty self-explanatory:

The fully articulating screen moves around in any direction. It’s great if you want to film stuff from a low or high angle. This gives you the most freedom, but might not be necessary for your needs.

The 180° flip screen, as the name suggests, can only flip in one axis to face the front or back. It isn’t as functional as the fully articulating one, but it can handle most recording situations.

The last type is the front-facing screen, mostly found on action cameras. Yes, this isn’t a “flip” screen per se, but it allows you to see what you’re shooting.

While most cameras feature a built-in microphone, they typically don’t cut it. From sounding muffled to picking up too much background noise, they’re just not great for voice-heavy YouTube channels (i.e. the majority).

Some cameras feature an external mic input, which mean they capture video and audio from the connected microphone in sync. This is the most streamlined way to shoot video.

For instance, if you’re going to be at home a lot, in a controlled environment, with your camera on a tripod, you can compromise on weight or portability for better video quality or the ability to add lenses.

The cameras on this list have some unique features that can make all the difference to the video you’re making. Some of them have in-built stabilization, ensuring your footage is smooth and jitter-free, while many of them have autofocus and light adjustment that reduces the effort that you have to put in while setting up for a shot.

The Sony ZV-Series is a great example of how powerful and capable high-end cameras have become. The ZV-1, in particular, is a remarkable vlogging camera. It combined the best aspects of previous capable Sony compact digital cameras, like the RX100 V and the RX100 VII, and offered it as a small and handy camera designed specifically for video content creation.

The ZV-1 is an ultra HD camera that can shoot videos in up to 4K at 30fps, giving you professional quality results. This pocket camera has been designed with ease-of-use in mind, and Sony has equipped it with some nifty features that make it perfect for vlogging.

In addition to the aforementioned features, the camera comes with a fully articulating 3-inch touchscreen display, making it great for shooting from any angle.

The small proportions of the camera also mean that it comes with a small battery, and battery life is one of the other areas where the ZV-1 falls short. The larger, flagship mirrorless Sony A6600 offers better battery life, the ability to change lenses, and a host of other features, but it’s also more cumbersome to use and carry around.

Despite its shortcomings, the ZV-1 remains one of the easiest cameras to use and record great video. For many YouTube channels, it will be the only camera needed since it is so versatile. Of course, its 1-inch 20.1MP BSI CMOS sensor is also great for photography, so there’s potentially a lot you can get out of it.

The G7 X Mark III comes equipped with a 20.1MP, 1-inch sensor and can record uncompressed 4K video. Its intelligent auto white balance makes it good for beginner vloggers who don’t want to spend time trying to get things right under mixed or artificial lighting. This iteration of the camera also answered people’s prayers and features a mic port (the Mark II didn’t) among plenty of other connectivity options.

While the camera doesn’t have an electronic viewfinder, it comes with a flip screen that flips up in its place. However, this flip screen isn’t as articulate as the one on the Sony ZV-1 and that’s one of the reasons this camera isn’t our top compact choice.

It also misses out on some of the advanced video recording features and smarter autofocus that the Sony offers. The image and video quality is right up there with the Sony, though, and its built-in stabilization is better, so it is still a very strong contender.

If the Livestream feature is more important than better video and the fully articulating screen, then the G7 X Mark III may be the better camera for you.

The Sony a6600 is Sony’s top-of-the-line APS-C sensor mirrorless camera. It’s perfect for someone looking for a feature-rich Sony camera with the ability to change lenses.

The larger APS-C sensor performs better than the 1” sensor found on the previous two compact cameras when it comes to image quality. The sensor enables better low-light performance and better depth of field, depending on what lens you’re using.

Other features like the autofocus are excellent, too, with real-time eye- and object-tracking options. In our tests, we were impressed with the low-light performance that the Sony A6600 offered. Like most top-shelf mirrorless cameras and DSLRs, ISO can be set from as low as 100 to up to 32,000.

When it comes to holding the camera up and vlogging, you’ll be impressed with the 5-axis in-camera gimbal stabilization – one of the best in the industry.

The X-S10 is not the most affordable or compact camera on this list, but when you consider what it has to offer, the price and size are justified. We tested the camera out with the XC15-45mm kit lens and it made for the perfect vlogging setup. Uncompressed 4K footage, courtesy of a 26.1MP X-Trans CMOS 4 sensor and X-Processor 4, in-built stabilization, and a flip screen, there’s little more that you could ask for.

It’s also a great-looking camera, and, like a lot of other options from Fujifilm, has a retro and classy finish. Their palm grip is also textured and the camera feels great to hold. The X-S10 is an incredible camera with arguably superior lenses to the Sony A6600, but its lenses are also more expensive and the selection is smaller.

Overall we just prefer the Sony as it’s easier to use, has better touchscreen controls, better weatherproofing and Sony cameras have just been killing it for video in general over the last few years.

The EOS M50 Mark II by Canon tops our list of mid-range vlogging cameras. It’s the camera for you if you don’t mind losing out on proper 4K shooting capability – we’ll explain that below. The Mark II is a minor step up from the already popular original EOS M50. The difference between the two is the addition of a slightly better UI and an HDMI feed. Otherwise, the two are largely the same.

As we mentioned, the EOS M50 is a great camera, barring the option to shoot in 4K. It gets an APS-C size sensor, the ability to change lenses, and a fully articulating flip screen – all you’ll need for some great vlogging footage.

It offers Canon’s Dual Pixel and Eye Detect autofocus with subject tracking, and we found that it worked flawlessly. We tested its low light capabilities and they were just as impressive, with an ISO range of 100 – 25,600.

We mentioned that the EOS M50 Mark II can’t shoot in proper 4K. This is because the Canon does a 2.56x crop when it shoots in 4K. Essentially, if you’re shooting with a 15mm lens, it’ll be the equivalent of shooting with a 38.4mm wide lens.

And that’s the biggest downside of the camera – there isn’t too much versatility when it comes to video settings. If you’re fine with 1080p, you can shoot in 24fps or 60fps. If you want 120fps you’ll have to drop to 720p, while 4K is almost unusable.

The X-T200 also has a new HDR video mode, however this only works in 1080p at 60fps. With HDR off, you can shoot in 1080p at 120fps, for some great action footage or B-roll that you want to slow down.

The Sony ZV-1 and the Canon PowerShot G7 X Mark III are the best vlogging cameras out there if you’re looking for something on the lower end of the price spectrum. However, if they’re over your budget, you’re more likely to find a good deal on a Sony a5100.

The a5100 has been around for a while and consequently, it has its shortcomings. Let’s get those out of the way before we address why this is one of the best budget vlog cameras you can get. For starters, there’s no 4K. This may not be a deal-breaker for a lot of you, but if it is, you’re going to have to put in more money.

On the flip side, the a5100 is one of the smallest and lightest cameras out there to come with an APS-C sensor. It also gives you the ability to change lenses, which isn’t a very common feature at this price range. Other features like autofocus and face tracking work well, almost as well as they do on the range-topping a6600 that we covered above.

If you have an even tighter budget, you’re likely to find yourself choosing between options that don’t offer a lot of valuable features. We tested several budget cameras and found that the Panasonic Lumix ZS70 (aka the TZ90) is another great cheap vlogging camera option.

The Lumix ZS70 offers a 3” articulating LCD screen, can record in 4K, and can automatically adjust exposure. The touch screen functionally is great and lets you easily pull/switch focus while recording by just tapping on the screen.

Another feature we quite enjoyed was the 4K live cropping, which is essentially like a time-lapse pan shot. You can select a start frame, end frame, and an overall time for the clip, and the camera will stimulate a zoom/pan effect as you would get with a gimbal or tripod. We also tried out the in-built 5-axis stabilization – it works well for the price that the camera sits at, but isn’t the best system out there.

The low price also brings some other compromises – the autofocus isn’t great and we found that the drop in quality is quite notable when light isn’t optimal. That said, the Lumix ZS70 offers substantially more than most other cameras at this price point and is an ideal budget flip screen camera.

The DJI Pocket isn’t a vlogging camera, per se, but it offers some features that make it a decent option for shooting content. In fact, in some regards, it’s even better than some of the more expensive cameras on this list.

For starters, it can shoot in a variety of frame rates and resolutions, including 4K at 60fps, which the mirrorless cameras on this list can’t do. This makes it excellent for shooting footage that you want to slow down for some B-roll.

And since it sits on a gimbal, it’s easy to hold out in front of you and talk to while walking. We tested this out while jogging, too, and the Pocket 2 did a brilliant job at smoothing footage out and eliminating camera shake – better than most optical image stabilization implementations that are built into cameras.

The Pocket 2 doesn’t offer a conventional flip screen – it comes with a front-facing screen, which is good enough to help you frame yourself or what you’re shooting.

GoPros are synonymous with action cameras, and there’s no doubting their credibility in that segment. However, the newer GoPros are also rather capable cameras, otherwise, as well. The best of the lot, unsurprisingly, is the latest one – the Hero 10 Black.

The Hero 10 Black comes with a high resolution, if a little small, front-facing screen. However, it is a little choppy to use and isn’t as seamless as the one on the DJI Pocket 2, or any of the other larger DSLR cameras on this list. But then again, the GoPro wasn’t build with recording everyday stuff in mind. Instead, it’s designed to record action.

The newest HyperSmooth 4.0 stabilization is simply the best in the business. While other cameras in this excluding the DJI Pocket 2 will need separate gimbals for recording very movement-heavy footage, the GoPro handles all the stabilization for you, with up to 45-degree horizon levelling capabilities.

Just like with the DJI Pocket 2, one of GoPro’s biggest drawbacks is its size and the small sensor that it houses. As a result, low-light video isn’t great. Also, because of its ultra wide-angle nature, you do get a noticeable fish eye effect which isn’t ideal for recording a home vlog.

There you have it. That’s our list of the top vlogging cameras with a flip screen, across multiple price brackets. The best camera for you depends on what your requirements are and what kind of content your vlogs are going to cover.

While all the cameras on this list have an in-built microphone, none of them will record the best audio possible. These mics have 3 main limitations – the audio quality, in general, will be sub-par, there will be a lot of wind noise if you’re recording outdoors, and the mics are designed to pick up audio from all around it and not just the subject (you).

You can resolve this by getting an external mic. A camera that has a mic port will automatically use the audio that’s recorded by the mic when it’s plugged in. Some of the cameras on this list, like the Sony a6600, will have a cold shoe mount which you can use to mount a boom mic on. These mics also have wind muffs to reduce buffeting.

A cheap tripod is fine if you’re going to be shooting pictures, but investing in a video tripod can make a world of a difference. These will help you get some smooth pan shots and will be great for shooting time-lapses. On the other hand, getting a smaller one also lets you use it as a ‘monopod’ to vlog with. Decide on what works for you, but know that it’s a great piece of equipment to have.

Shaky footage can be annoying to watch. Modern-day cameras have some sort of stabilization built into them but they don’t match the smoothness that an external gimbal can provide. Gimbals can be expensive and cost just as much as your camera itself. Getting one will increase the quality of your footage if you’re going to be moving around a lot or shooting something cinematic, however, it’s not an investment worth making if you’re just getting started.

Almost all digital cameras will need somewhere to store the recorded video footage, since unlike phones, don’t have their own flash storage. Most mirrorless and DSLR cameras will take SD cards while the smallest cameras like the DJI Pocket 2 or GoPro HERO 10 take smaller microSD cards.

New camera purchases will almost always have a charging and/or data transfer USB cable. However, if for example the computer you are connecting to is a MacBook Pro without the old school USB type A port, you might need to purchase a USB-C to USB-A adapter.

An external mic input is a missing feature on many DSLR and mirrorless cameras. This is because although they are great for video, many people are primarily or exclusively buying them to take photos.

Many cameras such as the Canon G7X or Panasonic Lumix GH5 have very capable built-in microphones. In fact, many professional-looking YouTube videos you’ve seen are made using internal mics. But as soon as you leave a controlled environment and start moving around, going outside or have background noise, you might be in trouble.

Camcorders are a rare sight these days, especially among YouTubers. Mirrorless cameras have replaced them, because having interchangeable lenses gives them more versatility, and naturally bigger sensors means less noise and superior depth of field.

While DSLRs aren’t completely obsolete, mirrorless cameras have several advantages that just make them better for recording video. For example: IBIS, faster autofocus, silent shooting, the ability to see exposure changes on the fly and typically faster FPS. While some of the latest high-end DSLRs are finally catching up, mirrorless cameras are still far ahead and they’re smaller and easier to carry, too!

I’m a photographer and the chief editor of Capture Guide. After spending several years in parts of South America with my trusty old Nikon D7100, I’m now back home patiently waiting for borders to re-open.

cameras with flip lcd screen free sample

Cameras with a flip screenhave seriously gained worldwide traction in the recent decade. Be it pro vloggers, photography enthusiasts, or professional photographers; almost everybody appreciates these pieces of innovative engineering.

Let’s be real! Flip screen cameras are the first choice of vloggers and photographers, thanks to the super-amazing tech specs and highly advanced features.

The 20.2 megapixels camera with an APS-C CMOS sensor delivers high-quality images. The 3-inch LCD flip screen offers improved performance to frame shots in any direction.

The model EOS 80D is the successor to Canon model EOS 70D with upgraded specifications. From image sensors to effective pixels, several tech specs are updated in the newer version.

EOS 80D has 24.2 megapixels with an APS-C CMOS sensor to deliver high-quality images. The camera also has an intelligent optical viewfinder with ideal coverage to capture high-quality photos.

The compact size camera with impressive features is what you get in Canon EOS M3. This camera has a 24.2 megapixels APS-C size CMOS sensor that delivers high-quality and high-resolution images.

EOS M3 has a 3-inch tilt screen that feels just right for vlogging. The speed processors and 4.2 fps continuous shooting make it the best buy in the market.

Sony is the technological leader when it comes to cameras, and the Alpha a5100 is a great example to prove so. This 24 megapixels mirrorless camera is perfect for beginners as well as the pros.

The Sony Alpha a5100 replaced the previous version a5000 with this model. It comes with some cool and impressive features including APS-C CMOS Sensor, 6fps, and 3-inch tilt screen to name a few.

The camera comes with some amazing features to make self-portraits and videos fun. The ultra-high resolutions in this camera deliver outstanding image quality with correct sharpness, colors, and clarity.

The LUMIX G9 camera from Panasonic is the most underrated of all. Impressive features in this camera are capable of competing with renowned brands including Sony, Canon, Nikon, and more.

Panasonic LUMIX G9 is a mirrorless camera with the ability to shoot 4K videos. Shooting images and videos is much easier and more fun on this camera. You can definitely choose this for your next vlog.

Panasonic cameras easily compete with Canon and Sony in the terms of features and quality. The GH5 is an amazing masterpiece that delivers quality results in Full HD and even 4K.

cameras with flip lcd screen free sample

You will need a small tripod to hold your camera if you don’t want to drop it to the ground, and it also helps with stability — plus, it helps you get the camera further away from your face so you can capture a wider frame and give people more context of your surroundings.

Its quality in low light is basically the best you could achieve with a 1’ CMOS sensor camera. Of course, it’s not better than a mirrorless in this regard, but it is pretty reliable for a compact.

It’s also responsive and has fast accurate autofocus. Its flip screen is also a touchscreen, so you can actually change its focus point with the tip of your finger in the middle of a video.

The quality of this camera —especially its lens—, its reliable auto modes and its fully manual mode make it possible to record high-quality vlogs without having to carry around heavy equipment.

It can record 4k video at 30p without a recording limit, which is something unique of the newest Sony cameras. Normally, they’re limited to 5 or 10 minutes of recording time.

The only downside I see is that it’s still a compact, non-interchangeable lens camera. This means you won’t be able to upgrade it later on with a better lens. You do get a lot for your money, but you could get more by going with an interchangeable-lens camera in the long run.

Its popularity and hype stem primarily from its 4K video shooting capability, being Canon’s first entry-level mirrorless camera with this desired feature.

For one, its sensor allows the camera to have a wide sensitivity range (ISO 100 to ISO 25,600). And sporting Canon’s new DIGIC 8 processor, the M50 Mark II features an improved autofocus system of 143 AF points which can also be manually controlled through its flip-out touchscreen.

Cameras with stabilization are usually a lot heavier. But Fujifilm managed to design a smaller stabilization system that makes it viable as a vlogging camera, even though it’s an APS-C sensor.

For photography, the X-S10 can shoot fast up to 30 fps (with a crop) and 20 fps without. It also shoots photos at 26MP, which is great to get highly detailed images.

Between DSLRs, I believe the best one for vlogging is the Canon EOS Rebel SL3 The main reason? It has good autofocus for video, a flip-out screen, an external mic port, and it is way smaller and lightweight than most DSLRs.

If you get a gorilla pod to go with it and a good 24mm lens from the huge selection Canon offers, you will certainly take a lot of advantages from this camera.

You can have multiple lenses for different situations. You can have a super heavy telephoto lens for wild photography, and a small wide-angle for vlogging. You can use both on the same camera. Plus, you get twice or even thrice the battery duration than most other mirrorless cameras. These are the main reasons to go for a DSLR nowadays.

You do get less for your money upfront because the kit lens is not as good as the ZV-1’s. You’re getting a slower lens (f/3.5 vs f/1.8), although with a much wider angle (16mm vs 24mm, which is even wider because it’s an APS-C versus a 1” sensor).

However, you can keep upgrading it with better lenses as the years go by. If you plan to do vlogging for a long time, getting the ZV-E10 instead of the ZV-1 might be a better investment in the long run.

You get the same basic features as the ZV-1: a directional mic that makes it possible to vlog without an external mic (although you can still connect one), easiness of transferring to your smartphone, excellent eye-tracking autofocus.

Bear in mind that you’ll also get the bad thing: lack of in-body stabilization, which will make you stick to lenses with stabilization if you want to vlog.

It’s also responsive and has fast and accurate autofocus. Its flip screen is also a touchscreen, so you can actually change its focus point with the tip of your finger in the middle of a video.

The quality of this camera —especially its lens—, it’s reliable auto modes and its fully manual mode makes it possible to record high-quality vlogs without having to carry around heavy equipment.

This version doesn’t get rid of all the problems the G7 X had, although it does improve a lot its battery life. The main downside is that it still doesn’t have a mic input, but that’s mostly normal for compact cameras—except the Sony ZV-1.

When compared to the Sony, you can get this one if you want the extra zoom. Otherwise, the ZV-1 is a better competitor right now with more options (better mic and external mic jack, blurred background option, better connectivity, etc).

You have the option to use electronic image stabilization (EIS) instead, which can also be paired with a lens with OIS. But this adds a crop that’s especially noticeable in 4k.

Although, if you really want a camera that can perform in any lighting situation, you’d probably be better off with an APS-C camera like the Canon EOS M50 Mark II. It’s just that you’ll have to pay slightly more.

It is still one of the best vlogging cameras you can choose, especially for the price. But can get something a lot better for just a couple hundred more bucks.

Additionally, you will be able to set a shotgun microphone on the hot-shoe of the camera, which combined with a gorilla pod will be the perfect vlogging setup.

Still, remember that you can record 4k video at 30fps with this baby. This is definitely a really good trade for vloggers, and that’s why I can’t leave this post without mentioning this camera.

When you don’t know much about cameras, this is the part that can confuse you the most. But don’t worry, I’ll quickly explain the advantages and disadvantages of each one.

This is why most vloggers will want to look away from full-frame cameras. Even though they look great on paper, they’re not very comfortable for vlogging.

These cameras have technically the worst low-light performance of the three, but they make it up by including more useful features for the same — and often lower — price.

I really like these cameras because they’re able to offer amazing stabilization, external mic input, fast and accurate autofocus, and cheaper but fast, high-quality lenses for a better price.

That will give you a good starting point to compare to. Later on, you can try some Micro 4/3 cameras and see if you like the trade-off between better features and a tiny bit worse low-light performance.

Plus, the only real advantage DSLRs have nowadays is battery life. You can easily fix this by carrying a power bank with you at all times or by having extra spare batteries.

Mirrorless cameras also come with extra features that make everything a lot easier, like electronic viewfinders that offer tons of useful information for photographers.

But some people do like them because they don’t want to have their phone available to use for something else — did you know you can also call and send TEXT messages with a smartphone? Crazy, right?

If you want to take the camera out with you and record while moving around, camera stabilization is almost a must — unless you want to make your viewers throw up.

For most people, the kit lens is a good starting point. They usually come with stabilization and offer the cheapest price. But if you want to get a good lens from the start, read on.

The first thing you need to know is if your camera comes with in-body stabilization. If it does, you can go for a cheap lens with no optical stabilization. Even though you will get even more stabilization by getting one, you don’t really need it.

If this is too complicated for you to understand — the first time I learned this I didn’t get it either — you can always simply go for the kit lens the cameras come with.

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There are plenty of cameras available that feature a flip screen, but many of them are expensive. Luckily, there are a few great budget options available for those who do not have a significant amount of money to spend.

There are many vlogging cameras available on the market today. But which one is the best cheap camera for YouTube with a flip screen? Well, through our testing, we discovered some great affordable options for creators looking to record high-quality video footage.

What can be said about the G7 X Mark II that hasn"t already been said. It"s helped thousands of content creators create high-quality videos for years now and it still holds up to this day. However, some of the shine has worn off with time, and there are some negatives against it.

Let"s get this out of the way- 1080p HD video capture is more than good enough to create videos that look great. With this said, however, this camera is beginning to fall behind others, as it cannot capture 4K footage. So, it might not be the most future-proof option.

The biggest flaw with the G7 X Mark II (aside from the lack of 4K recording) is the battery life. You will need to have batteries handy if you plan on using this camera for a long duration outside of the house, or else you"ll run into issues.

A lesser-known camera that has started to gain a decent amount of attention is the Olympus PEN E-PL9. It has a unique design and has some features that make it an attractive option. But this begs the question- is it better than most of the popular vlogging cameras available?

Unfortunately, there are a few minor issues with this product, mainly being the price and the large screen bezel. Sure, they aren"t the biggest issues in the world, but they do need to be acknowledged.

This camera is a great product overall (even with minor issues) but it does have one big flaw- the flip-down screen. A tripod is essentially impossible to use with the screen flipped down. So, if you"re a tripod user, this might not be the best product for you.

While it might not be the most beginner-friendly camera price-wise, the Panasonic LUMIX GX85 is still a great option for vloggers. With an abundance of features, this camera is more than capable of capturing stunning footage.

Before going over our experience with this camera, we must acknowledge that it"s on the cusp of falling out of the budget category. In fact, that"s one of the biggest cons of this product- the price is quite high.

Even though it has a relatively high price, however, it"s still a great option for vloggers. It can record video footage in 4K, it has a tilting touchscreen, and it has a compact design which makes it easy to handle.

By far, the biggest issue with the GX85 is the lack of mic input. For a camera with this price tag, having a mic input should be a given. Oh, and the 4K recordings are slightly cropped, so the footage is more zoomed-in than in 1080p HD.

Overall, the Canon EOS M3 is a great product. The build quality is great, it"s easy to use, and it has a great price. Even better is the fact that there is a significant number of these cameras available to purchase second-hand due to their popularity.

Not everything about this camera is perfect, however. Like with other cameras, the EOS M3 runs the risk of falling behind due to its lack of 4K recording. Of course, 1080p HD is more than acceptable currently, but what about 3 or 5 years from now?

While minor, some other issues present with this camera are slow menus and a limited lens selection. Depending on your needs, these issues might not matter to you, but it is good to be aware of them.

The Panasonic LUMIX DC-ZS70K is a lesser-known budget camera with a flip screen among content creators. Many creators tend to gravitate to other products- but should they? Or, should they give this camera a chance?

This camera comes equipped with all the features of a great budget vlogging camera. It can record footage in 4K, it has a long battery life, and it has a decent price. For many creators, this is a product worth considering.

With all of this said, however, it is important to acknowledge that this camera can perform quite poorly in low-light situations. Since this is the case, a learning curve is present with regards to finding how to best use lighting to capture footage.

Even with the lighting issue, however, this camera should still be looked at closely. Sure there are some other minor issues, such as no environmental sealing being present, but for most people, this is a non-issue.

4K video recording is present on the ZV-1, along with a mic port. The design of this camera makes it easy to transport and handle, which is a big plus for people who record videos away from their desks.

Some minor issues of this product include average video stabilization (which isn"t that bad) and a limited touchscreen. Overall, the biggest issue is the price. But, the price might be worth it seeing as this camera is future-proof and will be usable for many years to come.

Don"t let the appearance of the Panasonic LUMIX FZ300K scare you- it"s a great budget vlogging camera. Using this camera is easy, and it also comes equipped with 4K video recording capabilities. Oh, it"s also waterproof (to a degree) so that"s a plus too!

Another issue with the FZ300K is the battery life. Unfortunately, this camera has poor battery life. This means that you"ll need to have some batteries on hand if you"re going to be using this product outside of your home for a long time.

While it is an older product, many claim the Samsung NX Mini still stands up today. It"s easy to see why this might be the case, as it shares many of the qualities of a decent camera for vlogging. However, everything is not sunshine and rainbows with this product.

Battery life and ease of use are two other benefits of this product. Chances are, you"ll have no issues using this camera for many hours without replacing the batteries. Also, you can tell that a lot of thought was put into making this product as beginner-friendly as possible.

Unfortunately, not everything is perfect when it comes to the NX Mini. 1080p HD video capture is the best option available, and the display on the camera is relatively low-quality. Along with this, due to its design, there are few lens options available.

Where do we begin with the Samsung Multiview MV800? It"s portable, easy to use, and affordable. You"ll have difficulties finding a camera with a flip-out LCD screen from a big brand that costs less than this one.

Aside from the poor recording quality, the MV800 also has an unresponsive touchscreen and a low-quality display. Essentially, when using this camera, you can tell that it"s from over a decade ago- it"s just too old.

Even with its poor build quality, however, it"s easy to see why some might be attracted to this product. Heck, it can capture 4K footage (though, it"s on the lower end of the 4K spectrum), it can be used as a webcam, and costs less than $200 brand new!

Ultimately, the choice to purchase this camera will come down to the individual. You might be able to use this camera and combine it with good lighting and audio and create high-quality videos. Or, it might be better to spend more money on a proven product.

At this point, you"re probably wondering- which of these inexpensive vlogging cameras with a flip screen should you buy? Should you spend a bit more money and get one of the more expensive options? Or, can you purchase a lower-priced product with confidence?

The DC-ZS70K is an affordable option with 4K recording capabilities, the ZV-1 is future-proof and made for content creation, and the G7 X Mark II is a proven product. Any of these 3 cameras would make for a great purchase.

With this said, maybe you like the EOS M3 the most- it is very affordable after all. Or, maybe you"re able to spend more money, which makes the PEN E-PL9 an attractive option. Ultimately, the choice is up to you.

Finding the best cheap vlogging camera with a flip screen is no easy task. Many cameras, while on the cheaper side, are still relatively costly. However, the price is often worth it, as cameras that are too cheap often end up having major flaws.

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Best Vlogging Camera with Flip Screen: This popular blogging camera that YouTubers use, for all kinds of videos, is this blogger’s favorite recent purchase!

This post and the photos within it contain affiliate links. If you purchase something through the link, I may receive a commission at no extra charge to you. See our full disclosures HERE.

After taking a TON of photos and videos with my DSLR Nikon 7200, I decided it was time to grab a smaller, lighter camera that I could whip out on a whim when I need it.

I also started wanting a vlogging camera so I could take it along with us on family outings, and use when my oldest started showing interest in having his own YouTube channel. (Adorable, right?)

But are you a beginner, amateur, or even veteran vlogger/blogger looking for a vlogging camera that will shoot clear, quality videos whether you’re on-the-go with your family, or shooting interview-style videos? Then I truly think you will LOVE this camera.

It’s small enough to carry in my purse, along on day trips with the family, or on a shopping adventure where I MAY find a need to shoot a favorite find in-store.

I LOVE the automatic color settings that this camera has so that my photos can be bright and airy like I desire for my videos. It was always a pain trying to get this just right when doing videos with my DSLR.

You probably also noticed in this video, that with my unboxing videos I can be all over the place, holding clothes up to the camera, leaning over and talking like a crazy woman, flailing my hands everywhere. This camera locks right in on what should be in focus, and you can’t hear it adjusting one bit. (Or at least I can’t.)

Not gonna lie, I’m an Amazon Prime girl, through and through. So that’s the first place that I look when I need new camera gear, and this is NO different. I’ve had fantastic experiences with buying 99% of my camera, video and photography equipment on Amazon. I’m even a bargain hunter and price shopper, but I usually end up back at Amazon.

Larger tripod for floor/table: This is what I use for videos like the one above. I can extend it higher if I’m shooting a sit-down type of video and I don’t have a table in front of me to prop up the handheld tripod on. I carry a large handbag with me everywhere I go, so this slips down inside of it too when I know I’m headed out to shoot video/photos. Although this wouldn’t be a “take just in case” type of tripod, whereas the handheld tripod above is. I also use this tripod to support my huge Nikon D7200, so it serves a lot of different purposes!

Those accessories are specifically for shooting video with the Canon G7X Mark II PowerShot 20.1MP Digital Camera. But if you’re looking for more video equipment and accessories, then I really recommend hopping over to my video equipment and resources page, where I go into a TON of detail about shooting video with my Nikon D7200 and even my webcam!

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These days, the scene is much sharper. Sony, Olympus, Canon, Leica, and Nikon all take pride in the lenses for their digital cameras, and they have solid reputations for great glass as a result. (Other camera makers often buy their lenses from Olympus, Canon, and Nikon.)

Unfortunately, there’s no easy way to measure a lens’s quality, and you can’t judge for sure just by looking through it. The best way to learn about lenses (and which cameras have great ones) is to read photo magazines or consult photo review Web sites like Imaging-Resource (http://www.imaging-resource.com), Digital Photography Review (http://www.dpreview.com), or Digital Camera Resource (http://www.dcresource.com).

covers are a pain. If you tie your lens cover to the camera with that little loop of black thread, it bangs against your hand, or the lens, when it’s windy. If you leave it loose, the cover is destined to fall behind the couch cushions, pop off in your camera bag, or get mixed in with the change in your pocket.

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Cameras with a flip screen keep occupying the market of digital gear fast. Such devices have won the hearts of selfie-addicts, people, who enjoy snapping shots while being on vacation, vloggers, and even professional consumers.

Sony A6100 is a 24MP mirrorless camera with flip screen that can become a great assistant both for novice shooters, looking for an easy-to-use device and average people, who simply want to snap nice shots from time to time.

All in all, Sony A6100 can become the best camera with flip screen for those customers, who want a manageable model for taking images of family holidays and travels.

This is the best vlogging camera with flip screen which allows you to record Ultra-HD footage. This is a rare case among devices of this price range. Besides, you can use it to take sharp 24-megapixel photos.

You are sure to like the anti-shake function, which allows enjoying the process without worrying that your pictures will turn out blurred. Another nice peculiarity is the face recognition technology, so this device is perfectly optimized for shooting people.

Fujifilm X100V is a camera with viewfinder and flip screen, boasting an APS-C format sensor and a great 26.1 MP resolution. The most notable feature of this model is its viewfinder, equally efficient in digital and optical modes.

This device is supplied with a lens with a constant length – compact and high aperture. Developers combined metal body with several plastic insertions, which look very eye-pleasing. You can choose either a black or gray model.

This small camera with flip screen has really cool features to attract potential buyers. Primarily, it comes with a 24-200mm zoom lens and ultra-fast AF (just 0.02s) so you can easily capture even speedy objects.

If you are on the lookout for a camcorder with flip screen, you should give Canon EOS M50 a closer studying. This is a nicely-crafted device with must-have functions for convenient photographing and video recording.

The striking feature that sets this Canon creation apart from similar flip-screen cameras is the latest DIGIC 8 image processor, which ensures smooth 4K recording and interval shooting.

If your main demands while choosing a camera with flip up screen are compact dimensions and extensive functionality, you can safely opt for Panasonic Lumix GX850. It comes in a minimalistic case and has 12-32mm collapsible zoom, a 180 flip-up touch LCD, ultra-precise autofocus and support for 4K footage.

So, if you decided to upgrade from a regular smartphone to a camera with rotating screen in order to record well-exposed videos, you should give this model a try.

Canon PowerShot SX740 belongs to the group of cheap cameras with flip screen, but that doesn’t mean it lacks important features. Actually, it boasts a1/2.3-inch CMOS sensor with a resolution of 20.3MP, 40x optical zoom and top-notch stabilization system.

If you want to record Full HD footage, you can expect the speed of 60fps. Manufacturers say that this camera is targeted at avid vloggers, travel-lovers and people, who want to replace a smartphone with a device that can produce good images and videos.

Panasonic Lumix Dc-ZS70S is a legendary point and shoot with flip screen, which appeals to many buyers with its 30x Leica DC Vario-Elmar lens, remarkable 5-axis HYBRID optical stabilization system and a small size. However, the latter may be disappointing for some users.

Considering the above-mentioned peculiarities, we can recommend this articulating screen camera to many users, who want to enjoy smooth operation both during video recording and capturing stills.

The times when Full HD was considered the top video quality have long gone, and now buyers are willing to spend money only on cameras capable of recording 4K and Ultra HD videos. The devices described in this overview fully meet this standard.

An optical stabilizer helps you get smooth videos even if you record in challenging conditions. So make sure to invest in a camera with such a feature. A good option is the Sony RX100 VII.

There are lots of flip-out screen cameras available out there. All the models presented in this review belong to this category, so you are bound to find a perfect option for you.

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The Nikon Z50 is a compact mirrorless camera with an APS-C sensor (known as DX-format in Nikon-speak) that uses the company"s Z-mount. It uses a 20.9MP BSI CMOS sensor (derived from the D500"s) with on-sensor phase detection, but not in-body image stabilization like the full-frame Z6 and Z7. The lightweight Z50 has a touchscreen that tilts downward and a 2.36M-dot OLED viewfinder. It supports face and eye detection, and the Z50 can shoot continuously at 11 fps with continuous AF. The camera can record 4K/30p video, albeit with a 1.5x crop. It has numerous special effects that can be used for both stills and video. The Z50"s connectivity includes Wi-Fi and Bluetooth.

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The D5200 is very similar in design to its predecessor, the D5100, with few obvious changes. Indeed, place both cameras side-by-side and you"d be hard pressed to tell them apart. The D5200"s lines are slightly sleeker and more streamlined - for example it does away with the little finger "hook" on the left side of the body. More notable changes are on the top plate, where the D5200 gains a stereo microphone in front of the hot shoe, and a new drive mode button beside the mode dial.

With the D5200 you get a small, lightweight DSLR that, despite its plastic body feels pretty solid, with no flexing or creaking. The D5200 has a reasonable set of external controls, and of course a fully-articulated LCD screen that offers benefits for live view and movie shooting. The 4-way controller on the back of the camera is used to move the active focus point among the 39 total options in the viewfinder. As you"d expect in a camera of this class, many functions have to be accessed via the rear LCD. Yet, the D5200 lacks the touchscreen capability that we saw Canon introduce to the DSLR market with the EOS 650D.

along with the usual HDMI and USB/AV out, there"s a stereo microphone input for movie recording, and a multi-function port that accepts both Nikon"s optional GP-1 GPS unit, and the MC-DC2 electronic cable release. Microphone levels can be displayed onscreen in movie mode but videographers needing a headphone jack will have to move up to the larger and more costly D7100. The D5200 also has front and rear receivers for the ML-L3 wireless remote. Overall the D5200 is, b

cameras with flip lcd screen free sample

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