repurpose ender3 lcd panel made in china

If you have old ender lcd screen you can salvage idc 10 pin connector. Use screw driver and pry off plastic. Fill gaps with new pins. Make sure all are in one level.

After some fiddling and a lot of reading, I figured out the pin layout of the lcd connector on the Creality 4.2.2 boards, in case anyone needs. I made the display work with Klipper firmware since that supports software spi very easily

In this build we’ll be converting an Ender3 3D Printer into a Recreator3D; A PET#1 filament pultruder unit, which strips and converts soda bottles into usable 3D printing filament.

A muted palette and natural waxed timber furniture create a warm, nurturing effect. Earthy hues add a sense of charm and history to a space and work well when paired with printed cushion covers and wallpaper. For similar checked armchairs, try vinterior.co. Image: Michael Sinclair/House and Garden/The Conde Nast Publications LTD Floral prints are key, too. Think less chintz, however, and more subtle and charming – display that mismatched china and repurpose ottomans as coffee tables piled high with your favourite books. It’s about creating a lived-in feel and embracing all elements of country life – even muddy wellies!

Nike Air Flight Lite Mid appears in Lemon makeup with black and white overlays Since its inception in 1991, the label’s Air Flight Lite Mid shoe has received only a few makeovers. The silhouette was popularized by big players like Scottie Pippen and Chris Mullen a few years after its release. Here"s a detailed look at the impending Air Flight Lite Mid Lemon sneakers (Image via Sportskeeda) The distinctive design of this silhouette was equipped with a visible TPU shank, an Air sole unit in the heel, a double-lasted Polyurethane midsole, an internal speed lacing mechanism, and a solid rubber outsole. All of these appeared quite impressive for the sneakerheads. These shoes also underwent their first retroedition in 2008 and have since had a few re-releases. In 2022, the shoe label revisits its lesser-known hoop-inspired footwear as the year marked the 30th anniversary of the silhouette. The previous months have recorded “Pine Green” and OG “Black/White” renditions of the shoe. This followed the Scottie Pippen’s special edition, which debuted in December last year. The new Nike Air Flight Lite turns up for the occasion in a robust lemon color scheme. Although the majority of the uppers are coated in crisp white leather, bits of black and lemon yellow make these units more enticing. A premium leather base and sleek leather overlays are employed for the construction of the top. An all-white leather upper blend with jet black leather occupies the perforated midfoot panel, eyestays, and heel counter. These heel counters are embellished with characteristic "NIKE AIR" branding, giving the shoe a bright sun Lemon hue.

Source Monitor vs Program Monitor in Premiere Pro What s the Difference MUO Source Monitor vs Program Monitor in Premiere Pro What s the Difference Get to know the Source Monitor and Program Monitor in Premiere Pro, and what purpose they both serve. Two windows greet you as you hop into Adobe Premiere Pro: the Source Monitor and the Program Monitor. Where to begin? Before getting ahead of ourselves, let"s get situated where we stand. The Source Monitor and the Program Monitor organize your workspace into areas dedicated to the project as it exists in both your bins and in the main Timeline panel itself. Let"s get into how they work, and the key differences between them. Why Use Two Monitors Your viewer is your guest; we set the proverbial stage for the audience, and captivate them with what we have to share. In the throes of production, however, the professionals need some way of navigating two things candidly: the source material, and the timeline of the piece itself. You"ll find that a clear view into both sides of the coin, and room to play without running out of space, will make working much more comfortable. You"re able to use one monitor to scrub furiously through what you"re dealing with, separating your final calls from your library of raw source material. This is so much more efficient than fiddling with a mounting heap through a cramped and totally inaccessible portal, such as through thumbnail-scrubbing. Few ever look back once committing fully to this style of

working. The aforementioned Source Monitor, previously called the Clip window, is actually where the first part of the action transpires. You can either pull directly from it using source patching or sub-clip out of it and work from a library of selects. What Is the Source Monitor For Basically, anything that you bring into the program, you will pull up here. Included here will be any media generated within the program itself, such as bars and tone or generic color mattes. Nothing is off-limits here. This covers stills, , media featuring only audio or video, and the rest. Double-clicking on anything in your Project panel calls it forward; so does dragging it in with your mouse. Once you"ve got something in front of you, you can start finding the good stuff. The viewing area will show the currently-selected frame, allowing you to drop a couple of In and Out points along the timeline below. What Is the Program Monitor For Consider the Program Monitor to be your ticket directly into the viewer"s shoes. Everything that ends up here will be found in the Timeline panel, making it your base of control for everything that you have planned ahead in the pipeline. We go through the song and dance in order to separate our area of planning from the actual timeline of the Timeline panel itself. This is the way to do it if you"re working with bulk that needs to be organized, such as in a live event or mass broadcast context. Everything in your inventory stays neatly in place and ready to rumble.

Choosing a Display Mode Premiere"s primary concern: keeping playback quality consistent without asking the user to make a compromise on resolution. The trade-off to be found here will be obvious for some-for others, jacking things up may not slow down the program"s performance unduly. Any compression artifacts acquired during playback will not remain embedded into the fabric of the source material itself. When you play it forward again, the footage will be re-produced as it first existed. To select the zoom level in either your Source Monitor or Program Monitor, direct your attention to the dropdown, initially labeled "Fit." From here, you can inspect your material up to 400 percent, all within the panel itself. You can also adjust both your Playback and Paused Resolution separately, which is great when you would like to savor each moment without taxing your system. You can choose between one-half, one-fourth, and full-scale. Clicking into the wrench icon will reveal all of your display settings for whichever monitor you"re looking at. A composite video display is just the video as you would watch it normally, while the Alpha Transparency toggle will unveil the lack of backing behind pieces of material with an incomplete Alpha layer. Also under this menu will be your Looping toggle, perfect for working with things like ads and other short-form content. You can choose whether or not the accompanying timeline includes markers and time-ruled labels. Overlays such as your Safe Margins