lcd touch screen for gopro hero 4 black manufacturer

New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller"s listing for full details.See all condition definitionsopens in a new window or tab

The LCD Touch BacPac™ is a removable touch display that seamlessly attaches to the back of your GoPro for added convenience and control. It’s perfect for playing back videos and photos directly from your camera, including audio and instant slow-motion playback. See what your camera sees to frame your shots with confidence. Adjusting camera settings is easier than ever—just tap and touch the screen. Plus, when used with HERO4 cameras, you can select modes and navigate menus with a simple swipe. Includes Standard, Skeleton and Touch BacPac™ Backdoors.

Do not wait any longer and buy GoPro LCD Touch BacPac for Hero 3/Hero 3 Plus/Hero 4 with the best sending conditions and at the best price. In addition, at xtremeinn you can find other Accessories products in the Electronics category that can complement your order. Buy GoPro LCD Touch BacPac for Hero 3/Hero 3 Plus/Hero 4 and receive it as soon as possible. Have a look on our Electronics deals and choose our best offers.

²Applies only to purchases made on GoPro.com. Some accessories excluded. Learn more. Limited to a maximum of 10 items per subscription anniversary year.

WARNING: This product contains Nickel, which is known to the State of California to cause cancer and birth defects or other reproductive harm. For more information, go to P65Warnings.ca.gov.

The LCD Touch BacPac™ is a removable touch display that seamlessly attaches to the back of your GoPro for added convenience and control. It’s perfect for playing back videos and photos directly from your camera, including audio and instant slow-motion playback. See what your camera sees to frame your shots with confidence. Adjusting camera settings is easier than ever—just tap and touch the screen. Plus, when used with HERO4 cameras, you can select modes and navigate menus with a simple swipe. Includes Standard, Skeleton and Touch BacPac™ Backdoors.

Are you looking for GoPro LCD Touch BacPac for Hero 3/Hero 3 Plus/Hero 4? At xtremeinn you will find all types of Accessories products from the best brands. For example from GoPro, a leading brand in the industry and guarantees you the best manufacturing quality. Do not wait any longer and equip yourself with products from our extreme sports store.

This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data.

GoPro, Inc.GoPro and sometimes stylized as GoPRO) is an American technology company founded in 2002 by Nick Woodman. It manufactures action cameras and develops its own mobile apps and video-editing software. Founded as Woodman Labs, Inc, the company eventually focused on the connected sports genre, developing its line of action cameras and, later, video editing software. It is based in San Mateo, California.

After growing the number of employees by more than 500 in 2015, the company responded to weak sales in the fourth quarter by cutting about 7% of its workforce (100 workers) in January 2016.

In November 2016, the company announced it was laying off an additional 200 employees in an effort to reduce costs. The company also announced that President Tony Bates would be stepping down at the end of 2016.

On May 19, 2014, GoPro filed its Form S-1 with the SEC without specifying the number of shares or their price. The company stated that they hoped to raise at least $100 million through the sale of shares, using the money to pay off debt in full ($111 million as of March 31, 2014) and "to acquire or invest in complementary businesses, technologies or assets". They said that they planned to list on the NASDAQ stock exchange using the symbol "GPRO."

The expected price range was $21 to $24 a share; on June 25, 2014, GoPro sold 17.8 million shares to initial investors at $24 per share (totaling $427.2M).

One reason for GoPro"s decision to go public was the potential to become a media company to generate additional revenue from the content its cameras create.

Woodman worked on his first camera for two years after founding the company, eventually introducing the GoPro 35mm HERO in September 2004 at San Diego"s Action Sports Retailer trade show.

In 2014, the company was selling the HERO3+ in editions of different colors. It was capable of filming in 16:9 aspect ratio, supporting 4K UHD video and 12 MP still photographs.

On September 28, 2017, GoPro released the HERO6 Black, which claims improved stabilization over the HERO5 models and is capable of capturing 4K video in 60 FPS.

On September 20, 2018, GoPro came out with the HERO7 Black, which apart from providing improved stabilization over HERO6 models with HyperSmooth, also featured the new form of video capturing, "TimeWarp", providing a high speed effect to the videos. HERO7 also came out with capability to stream live across multiple platforms like Facebook and YouTube .

On October 15, 2019 GoPro released the Hero8 Black, which included improved in-camera stabilization by way of Hypersmooth 2.0. The Hero8 Black introduced integrated mounting "fingers" which could be folded down for use, and was also notable for not having an easily replaceable lens available from GoPro, though a third party replacement lens kit is available from a company called Camera Butter.

In 2014, GoPro entered into discussions with DJI for a private label model built with the GoPro branding. After the failure of these negotiations, GoPro entered into an agreement with 3D Robotics (3DR) for a similar partnership based on 3DR"s flight controllers. 3DR failed to meet their agreed-upon timelines. As a result, GoPro took full control of the development process in mid-2015.

Scheduled to be released early 2016, the GoPro Karma project was delayed several times before the GoPro Karma was announced with an introduction date of October 23, 2016. The Karma was released along with newer models of the HERO5 and Session cameras and features a removable handheld stabilizer (gimbal) integrated into the design. After a few customers complained about power failure during operation, GoPro recalled Karma drones and gave customers full refunds.

In November 2017, GoPro launched the Fusion camera,omnidirectional camera which is capable of recording 360-degree footage. The Fusion was the first GoPro to feature an increased maximum resolution of 5.8K.

GoPro produces various mounting accessories for its cameras including a 3-way mount, suction cup, chest harness, jaws-type flexible clamp, dog harness, surfing mount, etc.

In April 2014, GoPro was listed by Adweek as one of the "Top 10 Best Brand Channels on YouTube" based on a combination of views, shares, comments and overall engagement.

As part of its transformation to a media company in 2014, GoPro created additional channels with GoPro content on YouTube, Virgin America, and Xbox Live.PlayStation Network in 2015.

The 35mm camera (model #001) became available on April 13, 2005. It had dimensions of 2.5 by 3 inches (64 by 76 mm) and weighed 0.45 pounds (200 g). It included the camera, a clear case with quick release, a camera strap and ski glove adapter lash. It could pivot "on the fly" and be functional to a depth in water of about 15 feet (5 m). It was described as a "reusable wrist camera" and included a roll of 24 exposure Kodak 400 film.

The first generation of Digital HERO cameras (2006–09) were powered by conventional AAA batteries and included a rugged housing and wrist strap. Models were distinguished by their still image resolution and shot video in standard definition (480 lines or lower) with a 4:3 aspect ratio. Like the film camera HERO, the first-generation Digital HERO cameras were equipped with an optical viewfinder.

The original Digital HERO (DH1; 640×480 still resolution, 240p video in 10-second clips) of 2006 was succeeded by the Digital HERO3 (DH3; 3-megapixel stills, 384p video) and Digital HERO5 (DH5; same as DH3 but with 5-megapixel stills). All three of these had a 54° angle of view. A variant of the DH5 was released with an extreme wide-angle lens with 170° of angular coverage on the diagonal as the Wide HERO; the Wide HERO had a different housing than the other first-gen cameras (DH1/DH3/DH5) to accommodate its larger lens.

The Digital HERO released in 2006 (Model: SQ907 mini-cam) had a 640×480 camera and shot QVGA definition 320X240 (10 fps) video for a maximum of 10 seconds. The Digital HERO1 had 32 MB internal memory without SD slot.

The Digital HERO5 was first introduced in 2008. It had a 5 megapixel still photo sensor and supported standard definition (512×384) video capture. It ran on two AAA batteries, had 16 MB of internal memory and could function with a 2 GB SD card. Its housing was rated to 100 ft/30 meters depth. Its dimensions were 2.6 × 1.75 × 1.25 inches (66 × 44 × 32 mm).

The GoPro Wide HERO was the first model with a 170° wide-angle lens. It was released in 2008 alongside the Digital HERO5 and had the same 5MP sensor (2592 x 1944), capable of 512x384 at 30fps video with sound recording (up to 56 min. on a 2GB SD card), 5MP Photos, 10s Self Timer, 3X sequence still photo burst and Auto "Photo every 2 or 5 seconds" mode. It was powered by 2 x AAA batteries (not included in the box).

The second generation of the HERO cameras (2010–11) were branded HD HERO for their upgraded resolution, now offering up to 1080p high-definition video. With the HD HERO generation, GoPro dropped the optical viewfinder.

The basic HD HERO was marketed either with a basic set of accessories (case and mount) as the "Naked", or in bundles with additional accessories named for the intended purpose (such as the HD Helmet HERO, HD Motorsports HERO, and HD Surf HERO).

The HD HERO also offered an expansion port on the camera"s rear panel, branded the HERO Bus. Optional accessories included the LCD Bakpac, which offered a small monitor that displayed and played back video, and the Battery Bakpac, which doubled the battery life of the camera.

All three versions of the HERO3 come in a 30% smaller and 25% lighter package, with WiFi built in. The change of the physical dimensions of the cameras compared to the previous generations (HD HERO and HD HERO2 were physically identical) means that some accessories for HD HERO Original and HERO2 are not compatible with HERO3, so GoPro made new versions of those accessories specifically for HERO3, which mostly also were compatible with HERO3+, see below. Those new versions of accessories are usually not compatible with older Hero camera generations. However, a lot of other accessories are compatible with all HD Hero camera generations.

The Black EditionWVGA at 240 fps.BSI sensor included in a GoPro. The Black edition also includes the WiFi Remote. The Black Edition cannot record at 25/30 fps in 720p and WVGA resolutions; it can only record at very fast frame rates in those resolutions. This is a deliberate firmware limitation, as the manufacturer does not expect that this high-end camera model will be used at these lower resolutions and frame rates.

A timelapse recording one frame every 10 seconds with a GoPro HERO3 camera mounted on a bicycle helmet during a bike ride in Chicago. Note how the wide angle lens allows for the rider to capture wide images.

The HERO3+ camera models claim dramatically improved low light performance and have a waterproof enclosure which is 20% lighter and 15% smaller than the HERO3"s, according to the GoPro website. The HERO3+ camera housing is 20% smaller than the HERO3. The cameras are claimed to have improved image sharpness (close focus down to 7" vs about 3 ft on the HERO3, at the expense of distant focus which is slightly less sharp

The HERO4 Black Edition still has a 12 megapixel (MP) CMOS and a f/2.8 fixed maximum aperture and focus free. It adds Bluetooth connectivity, Highlight tag, Protune Available for photo and a new processor claimed by GoPro to be twice as fast as that of the HERO3+ Black Edition, doubling the frame rates in most resolutions. The HERO4 Black Edition can record 4K UHD video (3840×2160) at a frame rate of 24, 25 and 30 fps.Wi-Fi disabled at 4K/30, GoPro claims the HERO4 Black Edition battery life to be 65 minutes, increasing to a maximum of 1h 50" at 720p/240.

The HERO4 Silver Edition is basically a HERO3 Black Edition with the addition of a micro speaker,touchscreen display, Protune for photo and highlight tag (the first GoPro with this), a lower clocked Cortex-A9 and missing the Black Edition"s integrated analog-to-digital converter which supports a wider variety of professional low-sensitivity external microphones.4K video (3840×2160), but it supports Wi-Fi, Bluetooth and contains the sameAmbarella Inc. A9system on a chip (SoC) as in the HERO4 Black.

The HERO4 models maintain the H.264 video codec of previous versions and MP4 file formats. GoPro claims the mono microphone in both the Black and Silver Editions has twice the dynamic range of that in the HERO3+, and that the HERO4 Black and Silver Editions have improved low-light performance.

In September 2014, GoPro released an entry level camera named simply "HERO", priced at $130, alongside the HERO4 Black and HERO4 Silver. It is built into a waterproof housing, unlike the HERO4 line.

The GoPro HERO (2014) can capture 5mp still images and has a 5fps burst option. It is able to record 1080P at 30 or 25fps and 720P at 60 or 50fps on to a MicroSD card up to 32GB. It has an LCD non touch display on the front and is waterproof down to 40m.

In June 2015, the company started to sell the GoPro HERO+LCD, which provides video recording at 1080p at 60 fps and 8 megapixel photos. The HERO+LCD is also built into a waterproof housing.

The HERO6 Black was introduced on September 28, 2017.HEVC video recording at up to 60 fps and 1080p at up to 240 fps, automatic upload of footage to cloud, voice controls and 5 GHz Wi-Fi. It was the first GoPro sporting GoPro"s custom system on a chip (SoC) the GP1.

The HERO7 White, HERO7 Silver and HERO7 Black were announced and released in September 2018, as the seventh-generation action camera series from GoPro.

The HERO7 White was intended as the entry-level camera, featuring only 1440p resolutions for video and time-lapse video functions and a lack of WDR or HDR in its photos. The HERO7 Silver was intended as the mid-range camera, featuring 4K resolutions for video and time-lapse video resolutions and WDR in its photo mode. Initially, both the HERO7 White and Silver defaulted to a video resolution of 1440p with 1080p only available by cropping.

By contrast, the HERO7 Black was introduced at the high-end level and primarily encompasses the features of the HERO6 Black with major improvements. The HERO7 Black introduced a heavily improved electronic image stabilisation known as "HyperSmooth" video stabilization, which GoPro has advertised heavily as "Gimbal-Like", as its primary improvement.

During its release, the HERO7 Black largely competed with rival camera and camera accessory manufacturer DJI which released the DJI OSMO Action, which also introduced a similar enhanced stabilization feature.

On February 28, 2019, GoPro released HERO7 Black in a new "dusk white" color. This is a limited edition and it has the same specs as in regular version and differs just in color.

The HERO8 Black essentially contained the former features of the HERO7 Black, however improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black was improved on and named "HyperSmooth 2.0", also resulting in an improvement of the TimeWarp feature introduced in the HERO7 Black. The HERO8 Black also improved the image quality, improving the HDR functions of the camera to allow HDR to assist the SuperPhoto function of the camera that automatically chooses what image processing to use such as high dynamic range (HDR). GoPro also reintroduced the field-of-view (FOV) functionality as, "Digital Lenses" which retains the original SuperView, Wide, Narrow, Linear FOV settings. Moreover, live-streaming now streams in 1080p instead of the HERO7 Black"s 720p and the RAW imaging functionality has now been expanded for all photo modes.

The HERO8 Black largely introduced several new functions into the camera. Physically, the HERO8 Black now incorporates the connecting prongs that are used to connect accessories, directly onto the camera. Originally, the cameras would only be able to access the prongs if the cameras utilised either the frames (for cameras HERO5 to HERO7) or the protective cases for HERO4 and before. Moreover, the GoPro logo moved under the LCD screen to make way for extra microphones. More additions to the camera most notably were part of the software aspects of the camera. These included an option to switch between various settings presets, including standard, activity, cinematic and action shots and adjusting on-screen shortcuts of the user interface. Most notably as part of software, was the introduction of the night-lapse video, which similar to the time-lapse video mode, automatically stitches the frames captured by the camera at set intervals, however with the addition of improved low-light performance.

The HERO8 Black also attempts to address vloggers who may wish to use the GoPro in such a manner. As such, GoPro has also introduced an external accessory known as the "Media Mod" which includes a USB Type-C port for supplying power to external microphones and accessories, a micro-HDMI port and a 3.5mm microphone port. Moreover, the accessory includes a mount to connect either external microphones, LEDs or an LCD screen.

The HERO9 Black essentially contained the former features of the HERO8 Black, however, improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black and refined in HERO8 Black was improved on and named "HyperSmooth 3.0". It also features a max resolution of 5K for video and 20M for photos and adds a front-facing 1.4-inch color "selfie" screen.

The HERO10 Black essentially contained the former features of the HERO9 Black, however, improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black and refined in HERO8 Black was improved on and named "HyperSmooth 4.0".

The major changes new GP2 processor, HERO10 Black shoots 5.3K video with double the frame rate, 23MP photos, enhanced low-light performance and HyperSmooth 4.0 video stabilization in all modes. On top of all that, HERO10 is cloud connected—so the moment you charge it, your footage is automatically uploaded to the cloud.

Karma Drone became available October 23, 2016. The drone is compatible with the HERO7 Black, HERO6 Black, HERO5 Black and HERO4 Black and Silver. The Drone has 20 minutes of battery life.

GoPro released the 3D HERO system in April 2011, which coupled two HD HERO cameras via a synchronization cable in a single housing to form a stereoscopic 3D camera. One of the cameras is used in upside-down mode.anaglyph to be viewed wearing red-cyan glasses.

In 2014, GoPro released an update as the Dual HERO system, which provides similar functionality using two HERO3+ Black edition cameras. The updated Dual HERO BacPac sync/link cable now has an asymmetric design: the right or primary camera (viewed with the lens facing away from the user) is larger than the left (secondary) camera, and the left camera is used in upside-down mode.

The Odyssey is a 16-camera panoramic stereo rig designed to produce content for the Google Jump virtual reality platform by synchronizing the cameras and automatically stitching their footage together.Google I/O in May 2015

The Fusion was announced alongside the HERO6 Black360° Panorama video. Fusion Studio can export to several formats, including H.264 (4K), CineForm 422, and Apple ProRes 422.

The GoPro GP1 is their own System-on-Chip with the main task of image processing. It replaces the earlier used Ambarella SoC"s and launched in the GoPro HERO6.Socionext.

The GP1 encodes video in the H.265 codec, also known as HEVC. The available resolutions are 4K60, 2.7K120 and 1080p240 unstabilized or 4K30, 2.7K60 and 1080p120 digitally stabilized.

"GoPro doesn"t like their HERO3 compared to Sony"s AS15?". DigitalRev.com. March 19, 2013. Archived from the original on March 17, 2015. Retrieved February 20, 2015.

"GoPro Hero 3 Black Edition: Seconda solo a se stessa". InsideHardware.it (in Italian). October 25, 2013. Archived from the original on September 24, 2015. Retrieved September 28, 2015.

"GoPro launches 3D HERO system; world"s smallest 1080p 3D Camera" (Press release). GoPro. April 4, 2011. Archived from the original on 12 November 2021. Retrieved 12 November 2021.

"Dual HERO System Workflow - Setup and Recording". GoPro Support. September 30, 2019. Archived from the original on 10 December 2021. Retrieved 9 December 2021.

There"s good reason why GoPro is synonymous with action cameras: Its models deliver the best overall performance. The Hero4 Black is GoPro"s premier cam, and it mostly earns that title, with detailed image quality, steady-looking video and true 4K/UHD recording (up to a best-in-class 30 frames per second). GoPro also offers advanced recording modes with tools for professional photo and video editing. But there are some compromises — primarily the hefty price, but also the lack of a touchscreen (which the cheaper Hero4 Silver has). Ultimately, though, if you really want 4K recording, this is the action camera to get.

The Hero4 Black continues the now-classic GoPro design – a solidly built block measuring 2.3 x 1.1 x 1.6 inches and weighing just 3.1 ounces. But that"s misleading, as you"ll need to place it in a protective case that provides a mount, some ruggedizing and waterproofing, bringing it up to 2.8 x 2.6 x 1.5 inches and 5.4 ounces (There are lighter case options, though.)

In its protective case, the GoPro Hero Black (or any GoPro) is well protected against pretty serious shocks, as I learned after wrecking my mountain bike while testing it. The case also makes it waterproof to SCUBA-grade depth of down to an impressive 40 meters (about 131 feet). But beware GoPro"s scary warning in the user manual: "Keep the camera housing’s rubber seal clean. A single hair or grain of sand can cause a leak and damage your camera."

Unlike the cheaper $399 Hero4 Silver, the Black doesn"t have a touchscreen LCD, so you’re forced to contend with a lot of button presses using the Power/Mode, Settings/Tag and Shutter/Select button and a tiny 0.8-inch monochrome screen. The layout of the menus and use of the keys is logical, but is tedious to navigate.

Fortunately, GoPro"s wireless smartphone app (Android, iOS and Windows Phone) is a great alternative. Wi-Fi pairing to the camera"s built-in hotspot was fast and reliable. The app quickly connected, and stayed connected, to the camera.

The app provides a live view and the ability to select among recording modes, including photo, standard video, slow-motion video and timelapse. You can make basic adjustment such as field of view (from Narrow to Superwide). By enabling Protune mode, you can also make advanced photo and video settings such as White Balance and Sharpness or enable Flat Color, the starting point for Hollywood-style custom color grading.

Overall, the Hero4 Black and (if you don"t need 4K) the Hero4 Silver provide just about the best video quality among a half-dozen action cameras we tested — tied with Sony"s action cameras, like its 4K model, the FDR-X1000V. GoPro does not overdue color saturation or contrast. That may make the video look a bit flat, but the trade-off is more fine detail in colors and shading. I could make out individual leaves on trees and blades of grass in the fields on a mountain-biking trip outside San Francisco, for example.

GoPro cameras don"t have image stabilization – optical or digital – so if the camera shakes, so does the scene. But shaky video didn"t have the wobbly, Jell-O-like appearance I saw from lesser cameras.

Low-light image quality was lackluster. My street in Brooklyn is admittedly quite dark at night, but the GoPro shot some of the least-useful video among the models I was testing.

Sound quality was pretty poor, as the case obscures the built-in mic. Action photography doesn"t necessarily need audio, and some enthusiasts will lay a soundtrack over clips of their awesome skateboarding or surfing moves – nor would you hear much underwater, anyway. But if you are recording something, like a family gathering or a street performer, where sound is critical, opt for the open Frame mount ($40) and, if you don"t mind more gear, add an external mic.

The included 1160mAh Lithium-ion battery lasts for 1 hour and 30 minutes of 1080p/30 fps video recording, without Wi-Fi enabled. With Wi-Fi and the smartphone app, battery time drops by 15 minutes. A good plan is to set the camera as you want it using the app, then shut-off the Wi-Fi while you are riding/surfing/skiing, etc. This is a bit short for a full day of shooting (even though it"s best to shoot many short clips than a few giant ones - as that makes sorting the video easier). The Garmin Virb XE, for example, manages 2 hours at the same resolution.

The Hero4 Black doesn"t feature any built-in storage, but it can accept microSD cards up to 64GB, enough to hold about 4 hours and 40 minutes of 1080p/60fps or 2 hours and 20 minutes of UHD/30fps video. GoPro publishes a list of recommended cards(opens in new tab).

The Hero4 Black (and some other GoPros) can send video to a Wi-Fi connected smartphone or tablet running an app such as Livestream or Meerkat, which convey the stream right to the Web. Livestream added the option to its iOS app in late 2014 to select a Wi-Fi connected GoPro instead of the built-in iPhone or iPad camera as the video source. (Meerkat, another streaming service, also can accept GoPro streams right from its iOS app.) Videos on your Livestream channel have about a 10-second delay.

If you already use Livestream or Meerkat, a GoPro Black could be a handy addition to your gear. If not, the best way to start sharing your GoPro video may be the old fashioned method of picking the best clips and posting them to YouTube, Vimeo, Facebook or some other site. Unless you are covering breaking news, your videos will probably be more enjoyable for viewers when posted after you"ve trimmed them down to the best parts.

Action cams, especially GoPros, are all about the accessories(opens in new tab), as you will need different cases and mounts depending on what--and where--you shoot. The standard kit I tested comes with the waterproof housing, a curved mount (say, for a bicycle helmet) a flat mount (say, for a car hood), and a three-way pivot arm so you can point the camera in pretty much any direction. GoPro also sells versions with special mounting hardware for surfing or musical instruments (for your own music videos).

The $80 LCD Touchback(opens in new tab) touchscreen module is well worth it, as the controls on the camera itself.are hard to navigate. If you are happy controlling the GoPro Hero4 Black wirelessly, though, stick with the smartphone app, unless you want to control the camera while in motion, such as to snap a photo or start and stop recording. For this purpose, it"s much safer (for you and your phone) to use the $80 wireless(opens in new tab)SmartRemote. Extra batteries sell for $20 each, and for $50, you can get an extra battery and the Dual Battery Charger for topping off two cells at once.

The GoPro Hero4 Black offers top-notch performance. And it"s worth the price under certain conditions: If you want to shoot 4K video or are an image aficionado who would like to make extensive edits to photos or videos. If are less fussy, though, you can do well with a cheaper camera, such as the $399 GoPro Hero4 Silver or even some budget models such as the $200 Kodak Pixpro SP1. But if you’re looking for the best there is, the GoPro Hero4 Black can’t be beat.Today"s best GoPro HERO4 BLACK 4K Action Camera deals

Live Preview. Its compact design offers seamless integration with the camera, providing easy on-screen visual controls. Not only does it allow live monitoring, but it also handles playback of stills and video, including instant slow motion playback with compatible cameras.

Built-In Features. It features a built-in speaker with volume control for quick checks in the field, as well as 3.5mm headphone jack for a more precise audio quality check.

Optimized For Hero4. This latest version of the LCD Touch offers improved touch functionality with swipe detection on the Hero4 for quicker setting adjustment.

Standard Hero4 / Hero3+ BacPac Backdoor. This version of the LCD Touch BacPac includes the standard touch bacpac backdoor to fit the GoPro Hero 4 & Hero3+ standard housing. It will not fit the original Gopro Hero3 housing.

Early last month GoPro completed their annual October ritual of releasing a suite of new units.  Like past years, GoPro doesn’t tend to make massive upgrades in their units, but rather works to add incremental features and performance bumps.

It’s somewhat rare that I group this many products into a single review.  Sometimes I’ll do two minor variations of the same product in a single post, but I think this is the first threesome I’ve had around these parts.  When it comes to the GoPro packaging though, all three units are pretty similar actually. They all include the following:

– The camera itself (duh) – The battery for the camera – A mini-USB cable – An underwater case rated to 40m/131ft – An alternate/secondary door for the case that allows for better audio – A small stack of GoPro stickers – A small quick-start guide and other paper junk – A flat adhesive mount – A curved adhesive mount – A loss prevention rubber stopper

In addition, the Hero4 Black and Silver also include a little adapter arm for the mounting system to change the direction a bit.  Of course, because everyone wants to see exactly what comes in each package, I’ve included the unboxing for each of them below.  I’ve abbreviated it a little bit though on the Silver/Base just to keep things non-redundant.  Sound good?  Let’s tear apart some boxes…

To begin you’ll find the boxes of the Black and Silver fairly similarly designed, with only the Base Hero slightly different with cheaper packaging materials to save weight and cost.

Here’s what you’ll get inside the Hero4 Black box.  It’s all the items noted above, but one little piece that many people accidentally miss – which is the flat black baseplate that the Hero comes on.  It can in effect act as a handy little tripod, yet many folks simply throw it away.

Next, the standard mini-USB plug that can be used to both charge the unit as well as download photos.  Note that this USB cable (and your attached GoPro) can be plugged into any USB outlet on the planet.

Both the Black and Silver come with the same set of mounts.  You have two adhesive mounts, one being pancake flat, while the other is slightly curved (such as for a helmet).  Behind it are two different mount pieces, one that holds the camera a little further back, while the other has less extension (it’s attached to the baseplate to begin).  Meanwhile they also include a few extenders and direction changers seen to the right.

The bottom opens up identically on the Black and Silver, which is where you’ll place the battery.  There’s a small little button you’ll press that’ll then pop open the door.  It’s a much better design than the annoying battery cover found on previous GoPro units.

The only difference in the box is the case doors.  The Silver edition includes three doors (instead of two), and two of these doors are designed to allow you to operate the touch screen. In the below photo, the two lower doors allow touch screen operation.  The left one is completely open, while the right one has a thin flexible plastic.

Here’s the front of the camera, as you can see, it’s virtually identical to the Hero4 Black.  Though, strangely in my case it actually has a small manufacturing defect on the front of the LCD screen.  It hasn’t bothered me though, and I’m too lazy to deal with returning it.

The 2014 GoPro Hero base unit is packaged slightly differently.  For example it lacks the top plastic ‘dome’ found on the other/past units, as well as the plastic baseplate.  Obviously at a fraction of the price they were looking to cut costs that were unnecessary, which, is completely reasonable.

Below are the components within the box.  You’ll find the two adhesive mounts (flat/curved), but only one mounting attachment piece between the GoPro and the adhesive mounts.  Don’t worry, you still get stickers.

Now – and this next piece is really important to understand – the Hero base unit does NOT detach from the case.  It’s molded into the outer plastic shell.  Said a third way, you cannot remove the grey camera from the outer clear plastic case.

This is an obvious departure from the past.  Though, in using it – there’s actually very little issue there in most situations for action cams.  The main reason some people remove the camera from the case is to get it a bit smaller for various placement locations, or, to get rid of the glass off the front of the case (using the skeleton mount).  But, for most people – heck, even kids – this makes it much harder to kill the camera.

When it comes to size, the Hero4 is identical to that of the Hero3, so there’s no changes there.  It’ll fit into all the same mounts, cases and locations that the Hero3 did.  This is particularly interesting even in the case of the touch-screen display included on the Hero4 Silver.  Of course, if you add a touch/display screen to the Hero4 Black then it’ll increase the size accordingly.

Case included the solid-door backing, and the semi-flexible backing for the Silver case. It includes a single Micro-SD card, as well as the default battery.  You can see that the Hero Base is actually a fair bit lighter, interestingly enough.

Looking at other units on the market, the GoPro remains the smallest unit with the highest quality video.  No doubt you can look at something smaller like the new Polaroid cube, but with that comes incredibly rough video (stabilization-wise).  While the baseline Polaroid 1080p video isn’t horrible when just sitting still, it’s not at all awesome with any movement at all.  And given the point of an action cam is…action, that’s sorta limiting:

Meanwhile, if you compare it to something like the Sony series of action cams, it’s sorta a wash.  The Sony cams are longer, but thinner.  While the GoPro’s appear a bit chubbier.  Both can go sans-case, though neither should be taken underwater without their respective cases.

Turning to something like the VIRB series, the GoPro is much smaller without the case, though only somewhat smaller with the case.  The VIRB doesn’t require a case unless going deeper underwater (splashing around in a pool is fine).  But, the GoPro is also roughly the size of a Twinkie compared to that of a kiwi fruit (not the bird, nor the New Zealander’s) with the Garmin VIRB.  Note that both the VIRB and VIRB Elite share the same outer shell.

Of course, to some degree comparing sizes with the GoPro is somewhat academic.  It’s well established as a completely acceptable sized unit within the marketplace – with the case.  And without the case the options are pretty much unlimited.

Let’s start off with establishing some of the basics, things that are largely common to all units.  To begin, you’ll turn on the unit by holding down the front-facing button (Mode).  This will get the GoPro ready to record, but won’t start recording:

Each of the units will require a MicroSD card to record to.  These are super-cheap though and can be found starting at about $12 for quality 16GB ones.  The Hero4 Black and Silver support card sizes up to 64GB, whereas the Hero base only supports 32GB. Note that when it comes to speed of cards, it’ll depend a little bit on how you plan to use the units.  For generic 720p/1080p content in the 24-30FPS mode, it’s frankly not going to matter too much how fast of a card you have.  But if you start recording 2.7K/4K footage at full frame rates you’re going to want fast cards to be able to keep up.

For those curious, in the Black/Silver I’ve been using the SanDisk U1 64GB Extreme Plus cards, without any recording issues.  Again, for the Hero base, this would be beyond overkill (it couldn’t use it if it tried).

With the camera powered on, all units have a front-facing LCD screen.  This screen will show you which mode you’re in, for example, video, photo, time lapse, etc…  You can simply tap the front mode button to iterate to the next mode.

New to the Hero4 lineup though on the Black/Silver models is a direct settings button found on the side.  While the button has always been there, it’s been for enabling WiFi.  Now, it’ll do both.  If you short-tap it, it’ll open up the settings menu for just that particular mode.  If you long-hold it, it’ll enable/disable WiFi.  It’s a beautifully elegant solution.

By short-tapping it you’ll get the video/photo resolution settings for just the mode you’re in.  So if you’re in Video mode, it’ll show you the resolution settings which you can quickly change.

The same is true of photo modes, allowing you to then change how many shots it might take, and the resolutions of those.  It’s without question one of my favorite features of the Hero4 lineup. Of course, you can still dive into the traditional settings menu using the mode button, but now those options on the Black/Silver pertain more to whole-camera options.

For example, this is where you would change the orientation of the camera (Black/Silver/Hero), as well as change which mode the camera starts off in, for example, photo instead of video (Black/Silver).

In the February 2015 update, they also enabled the ability to do automatic orientation.  This means that the Hero4 Silver and Black can now automatically be oriented based on whichever way is determined as ‘up’.  You can also just leave it manually as well.

And, you can enable the ability to automatically shut off after a preset time.  I like 5 minutes, because that’s typically longer than I’d wait around for any action sequence to happen – and usually means that I’ve forgotten about the camera.  Since the GoPro doesn’t save too much battery sitting in standby versus recording – I prefer to keep it off as much as I can.

Now, note that on the Hero base, you’ll have considerably less options.  For example, there is no option to change which mode it starts in, nor the option to automatically shut off.  Though, those are hardly deal killers.

Also note that unlike the Black/Silver, the Hero base can’t have settings changed via the phone apps, but more on that later. Next, when it comes to actually record something, you’ll start/stop the recording (or photos) by pressing the top button on the GoPro (with the red circle).

And again, to stop it, you’ll just press the same button.  By default the unit will chirp/beep and then the red recording light will blink.  You can change the volume of the chirps.  I do that if I plan to use the unit indoors where the chirps can get a bit annoying (Side Note: I fail to understand why there is a 100% volume, 75% volume, and 0% volume level…but no 25% or 50% level).Outside of course, it’s handy to have the chirps though if mounted on a helmet. With those basics covered, let’s get onto the Silver-only touch screen, and then I’ll cover many of the features individually.

The GoPro Hero4 Silver sports a new addition to the Hero lineup, a touch screen.  While you could in the past attach a LCD screen to the back of units, it always came at the cost of increased space as well as just being sorta clunky.  With the Hero4 Silver though, it’s embedded into the back of the unit while remaining exactly the same size as previous models.

The screen is both there to display what the camera is shooting, but also to act as a touch screen to change settings.  To do so, you’ll press the little red dot and then slide down and hold a few seconds.  This ensures that you can’t accidentally bump it on, like butt dialing, but for action cameras (which, upon reflection could be really awkward).

Once you have it unlocked, it’ll show you a touch menu that you can go into and modify settings for each of the modes.  You effectively get all of the modification capabilities of the front LCD + buttons, with the back screen:

Now of course while recording, you can use this to frame your shots ahead of time and then keep an eye on things while recording.  By default it’ll shut off the screen shortly after recording to save battery. I’ve gotta say, when I first saw the marketing images of the screen I figured it’d be like the Garmin VIRB screen.  In that while the VIRB screen was marketed to look like a orgasmicly colorful experience, in reality it was like 1930’s black and white silent film.

Thankfully, the Hero4 Silver is legit color.  Brilliantly colorful and just as crisp and pretty as the marketing shots look.  It’s a bit tricky to take photos of because of the light differential between foreground and the LCD screen, but, you can get a little bit of a feel for it in some of the below:

And on top of that, it will playback sound as well.  When it comes to a screen on an action camera, this is perfect for me.  Or rather, for my wife.  I actually didn’t use it nearly as much as her – who loved being able to see exactly what she was shooting and play it back without a phone (as was the case with her cannonballs seen later).

Now with all that praise, do keep in mind one thing: For most folks, the screen is merely used for framing a shot.  So while the color is much appreciated, I wouldn’t say it’s a complete deal-breaker.  I’m able to frame shots on the 1930’s style black and white screen VIRB just as easily as the Hero4 Silver.

When it comes to video quality in an action cam, nobody has higher resolutions than the GoPro.  Period, end of story.  Well, at least today. So what does that mean from a practical standpoint?  Well with the Hero3+ Black, GoPro offered 2.7K at full frame rates.  In this case, full frame rates are anything above 24FPS.  Below that and you’ll start to get degradation viewable to the human eye in most situations.  So in the case of the Hero3+ Black, it had 4K footage…but at 15FPS. With the Hero4, things simply shifted.  The Hero4 Black got full 4K at 24/25/30FPS, while the Hero4 Silver got 2.7K at 24/25/30FPS, and 4K at 12.5/15FPS.  So basically, the following happened:

As you can see, it’s a crap-ton more pixels. But there’s a small catch: The computer you’re viewing this post on right now likely can’t even display 4K footage. 4K capable computer monitors are in the $800 (and Apple’s capable monitor/computer costs $2,500).  Although, 4K TV’s are much cheaper, starting around $400-$500US. So if nobody has these devices, why shoot 4K?

There are two reasons: First is simply to start collecting higher quality content knowing that over the next few years 4K resolution will become the norm.  But the second is more important: It allows you to crop to a lower resolution. This means that you can take 4K video and crop to a smaller portion of the image and then still maintain 1080p (or other lower resolution).

Here, let this short video clip explain things a bit.  In this case I wanted to shoot just the cycling head unit and have it be super-crisp and readable for another post I was doing.  It’s tough to do that though while riding and just hand-holding it.  But with Premier afterwards I was able to crop down and stabilize just that portion of footage, and still get 1080p detail.

As you can see, I took the 4K video, but then cropped down just a chunk of it to 1080p.  Note that cropping is different than downscaling.  Cropping means you cut some of the image away.  Whereas with downscaling (aka ‘to downres’), you simply convert the entire video down to a lower resolution.  You don’t lose any of the picture, but you just lose quality. To explain some of the differences between the two resolutions, here’s a segment where I had all three cameras mounted side by side.  Here’s the Hero4 Black (be sure to set the resolution to 4K):

Can you tell the difference?  For most on smaller screens – probably not.  But that’s likely just because you’re viewing it on a device too small to notice the differences.  But, this is a key point in deciding whether or not it’s worth the money to pay extra for what is 4K/2.7K over just 1080p resolution found on every other device out there.

Of course, you’re not just paying for resolution – you’re also paying for low light performance.  Take for example this video shot in a night market in Thailand.  It’s a simple compilation of various food stalls shot at 4K.  Despite the low light conditions things came out quite nicely, and I was just hand-holding everything:

Now when it comes to resolutions, keep in mind that while GoPro has action cam dominance today, tomorrow that might change (hence why it’s always good to check out the Product Comparison Tool).  In general, I wouldn’t expect any changes between now and the end of 2014.  But I fully expect that to change starting with CES the first week of January.  CES is the annual and massive Consumer Electronics Show, where everyone in the gadget world comes out with their new stuff.

Typically speaking you don’t see new products available that same week – but rather announced at CES and then available in the months that follow.  I’d be happy to bet we’ll see a flood of 2.7K & 4K players announced then.  Of course, whether or not they’ll be any good is a totally different question.

In addition to high resolution video, the GoPro series can also do high speed video.  High speed video refers to the idea of increasing the frame rate (frames per second) recorded in order to then play it back at ‘regular’ speed and achieve a slow-motion effect.  Take for example 120FPS footage.  It’s captured (wait for it) at 120 frames per second.  But, when it comes to playback, it might be played back at 30FPS, which then results in that one-second moment of action taking 4 seconds to play back.  Thus achieving gloriously smooth slow-motion.  You can see this below with a Hero4 Black and a touchscreen attached.

Smooth slow motion is a factor of how many FPS you can capture at, combined with the resolution you can capture.  In general, each year the bar gets moved higher and higher for capture rates. So like past years, once again we saw a bump in resolution.  This becomes important when trying to incorporate slow-motion video into normal HD programs.

With these higher frame rates at higher resolutions, you’re no longer having to make sacrifices in quality or frame rates for slow-motion footage. Like other settings, on the GoPro you can modify these within the app, or within the camera itself.  In the case of base GoPro Hero, you’re only getting 1080P-30FPS, or 720P-60FPS. The exact frame rates offered for each resolution I’ve included within the comparison table at the bottom of the review.

So what does this look like?  Well, no better way to test this than a canon ball into a swimming pool.  The perfect way to illustrate slow-motion, in this case with a common 120FPS 720p clip (from the GoPro Hero4 Silver):

Now I could have gone to 240FPS on the Hero4 Black, but that reduces the resolution.  Previous to February 2015 it was WVGA, but now it’s 720 – which makes it potentially a fair tradeoff.  Still, for those wanting to keep it 1080p or higher, you could instead look to slow it down further with the GoPro studio and take the hit on frame rates instead of resolution.  In this case, I went with 20% speed playback.

Note that the GoPro Studio offers the ability specify the exact moment in time that you switch from regular playback to slow-motion playback by simply splitting the clips.  This allows you to keep at normal speed until just the moment of action, such as this where I kept it regular rates for the first few seconds, then slowed it down when she was mid-air, and then let it get back to half-speed towards the last few seconds.

Further, GoPro has also introduced what they call ‘Flux’.  The idea behind it is a bit smarter interpolation of the frames when slowing down video, allowing you to get cleaner video.  In the above case I used Flux for the middle section of slow-mo, though, it’s not really required since I shot at 120FPS already and there was plenty of slow motion as-is. But it’s more noticeable if you really wanted to slow things down even further than that.

For example, if you wanted to turn what would have been 4-5 seconds at playback speed into 8-10 seconds.  In that case you’d lose so many frames that it might be tough to get smooth video. Note that Flux is all done after the fact within GoPro Studio, and is not something done on the camera itself.  It does not require you do anything on the unit itself.

Ultimately, the Hero4 lineup offers the most diverse options in the marketplace today when it comes to high speed frame rate offerings as well as higher resolutions at those frame rates.

The Hero4 introduced a new night capture mode to the lineup, which aims to compliment the other photo modes found within the unit.  Before we dive into the night mode, it’s probably good to start with a quick overview of all the major modes found on the Hero lineup:

Single Shot Mode: This is the most basic, you press a button, and a single photo is taken.  I find this best when you know exactly what you’re taking the photo of, without any action-sport ambiguity.  For example, you might use this in a marketplace or other non-action setting.

Continuous: In this mode it’ll keep taking photos until you stop holding the button – or until 30 photos is taken.  You can define how often it should take photos, but this is handy when you may have a chunk of time where you want to capture a range of activities that aren’t going to occur super fast (for that, you’d want burst).

Burst: This is is for capturing up to 30 photos in one second.  Or basically, a burst of photos, as the name implies.  This is best when you’re capturing a quick moment of action and you don’t know exactly what might make the perfect shot for later.  You can tweak the capture rate a little bit over the course of upwards of 3 seconds.  So you could do 10 photos/second for 3 seconds, for example.  Or, with the February 2015 update you can do 30/6 as well (30 photos in 6 seconds, or as few as 2 seconds).

Ok, with those basics out of the way, let’s get to some shots and how I use it.  In most cases, when I’m using the GoPro as a camera, I’m shooting in the highest possible megapixel arrangement with the wide option.  This is because the way the GoPro works is that even if you were to select a medium crop image, it’s simply taking the 12MP wide image and cropping that automatically.  Thus it’s much better to take the higher resolution and do the cropping yourself. For example, below if I wanted just the fish from this GoPro image, I could crop to just the fish and the sea anemone.

But what situations would you want medium over wide?  Well, for those where you didn’t want to deal with cropping.  For example, The Girl (aka, my wife), borrowed the GoPro Hero4 Silver for the day while snorkeling.  She didn’t want the super-wide shots that were coming in on wide mode, and instead preferred the zoomed in aspect of the medium mode.  For her, she’s not going to want to deal with cropping the photos afterwards on the computer or her phone.  She just wants to be able to take them and post them to whatever platform she wants – no editing.

The good piece is that both options are there (see table later in review for exact options per model), so you can do whatever you’d like. Next, when it comes to how many photos to shoot for each button press, I tend to go with three photos.  That allows me a bit of flexibility in case I fudge the shot, and since sometimes they might be slightly-action based (riding or running), I can pick the best out of the three.

And while I could simply shoot more photos at once, I find that a bit of a pain in the butt later on trying to sift through photos after my activity. Next, you’ve got burst mode.  As I noted earlier, this is ideal when you just want to capture a single action-filled moment.  For example, jumping off something, where you don’t know if you’d have the precise timing to get the exact photo in just one still.  Take the below sequence which I shot of a person jumping off the boat, as an example:

Finally, let’s look at some night shots.  In this case, I used the Night Mode to get a longer exposure with the unit.  I toyed around with a few different exposures (aside from Automatic), but decided that a 2 second exposure worked out the best.  Here’s the un-edited shot from the Hero4 Black:

The GoPro series includes a time lapse mode.  In this mode the unit will take a series of photos at a preset interval, such as every half a second.  You can then take those photos and compile them together to make a video time-lapse. Alternatively, this mode is ideal when you want to simply have photos of/during an event, but don’t know when the moment of action will come (or won’t be in a position to press record).

For example, you might be mountain biking downhill and want to easily capture photos along the way (instead of video).  Just plop it in time lapse mode and it’ll capture photos at the defined interval. Why use this instead of video (and then take a screenshot)?  Well, the resolution is substantially higher with photos over video.  Further, you tend to get crisper photos this way. The GoPro series supports different intervals depending on the model.  Here’s the run-down for the 2014 series:

Next, you’ll need some software to turn these all into a pretty video.  Of course, if you don’t want a video, then you’re just done as-is. For the video, GoPro Studio enables you to drag the photos into the software and it’ll compile it into a video.

There’s two ways of doing this.  The first is to just drag the first photo in the series into GoPro studio (and it’ll do the rest automatically).  Or, you can manually put them all in a folder and then drag the folder in.  Whatever floats your boat:

With that, you can then adjust how fast playback will be.  At this point you’ll need to do a bit of mental math on how long you want the video to be.  In general, most times you’ll playback video at 24 or 30FPS.  In my case, I sped it up 5 times, as the original length was going to be 2 minutes and 20 seconds, which is an eternity sitting watching a single view out my hotel window.  So, 1/5th of that seemed appropriate.

Now some of this you’ll want to think through before you even start shooting, adjusted on the camera itself.  By default the unit will shoot at .5sec increments.  You’ll need to figure out how long you want your completed time-lapse for to determine which settings you’ll use.

Now, while this is quite functional – it can be a bit complex for the beginner.  This is one area that I’ve previously preferred Garmin’s method with the VIRB.  In their case they just build the video for you on the device itself.  So as it records each image it automatically compiles it.  You can see examples of this in my review within the VIRB In-Depth Review time lapse section. Of course, there are pros and cons to each option.

However, with the February 2015 update for the GoPro Hero4 Black and Silver, it’ll now create that same video for you within the GoPro unit itself.  I’ll discuss that in the next section.

Which isn’t to say there’s no reason to do the previous photo method.  The photo-driven method means you can take these super-high resolution time lapses and then crop portions for more advanced video editing, such as panning or zooming.

In February 2015, GoPro introduced a new time lapse mode that automatically exports out a video file when you end the recording of the time lapse.  This means that when you hit finish on the time lapse on the camera, you immediately have a video file – instead of a huge pile of photos that need additional processing.  This option was made available to only the Hero4 Black and Silver models, via a free firmware update.

When you look at the configuration options, they’re identical across both the Black and Silver units.  You’ll select ‘Time Lapse’ as an option under the Video settings.  Then within that you can select the interval for how often to take a photo to add to the video.

With that, you go ahead and start the camera.  For fun, I mounted two units last night outside – one on the roof and one on a window and let it run for about 6-7 hours.  I triggered one manually, and one via WiFi.  One was set at a lower frame rate, one at a slightly higher frame rate.

The Hero4 Black and Silver carry through the capability of being able to control and transfer data from the camera to the phone.  This allows you to use your phone as a secondary display for the camera, or, just a quick way to get photos up to share with friends via social media.  Note, this is not compatible with the 2014 GoPro Hero base unit.

To begin, you’ll need to enable WiFi on your Hero4.  Just hold down the left side button until the blue light blinks on the front of the GoPro.  Then, on your mobile device connect to the WiFi network.

You’ll need to go through a setup of pairing steps before moving forward.  They’re fairly straight forward and ensure that you have a unique name for each unit, and unique password. Once that’s done you can go ahead and open up the GoPro app and then click “Connect & Control” to start the connectivity to the GoPro.

It’ll start on the preview screen, which shows you the exact same view as that of the camera.  You can rotate the phone as well to get a cleaner view.

If you click the little tool icon, you can go into the settings and tweak every camera mode and overall camera settings quickly and easily.  This is great when you are taking iterative shots at different resolutions or frame rates and don’t want to mess with the camera or touch it physically.

Next, you can transfer both photos and videos.  To do this within the GoPro app you’ll tell it to enumerate the files.  It may take a few seconds.  Or, in the event you have a time lapse pile of photos – it may never actually complete at all (as I learned).  Thus, I wouldn’t recommend trying to enumerate it if you just took a few thousand photos.

Overall, while seemingly straight forward and potentially simple, the phone app capability on the GoPro app is actually exactly one of the best (if not the best) out there from an action cam perspective.  Some other action cams don’t allow live preview while recording, for example.  Or, they don’t permit you to transfer files.  Or, the apps are just poorly coded.

The same week that GoPro announced the Hero4 lineup, they in conjunction with Livestream announced the ability to stream your GoPro recordings live to the internet via the Livestream service.  This requires the use of your mobile phone, which connected to the GoPro via the GoPro WiFi network, and then streamed the data out via your cellular data connection.

Initially when I posted this review the functionality wasn’t yet enabled on the Hero4.  So, I did some expirements on the Hero3 instead,  which you can view here. Since then, the Hero4 support has been enabled with LiveStream.

But, instead of trying to cram it all into this post, I’ve written up a HUGE post on live streaming options for action cams.  I cover the GoPro in super-detail, along with numerous other options and apps.

The Hero4 Black and Silver include ports that you can use to stream both audio and video off of the device.  The ports are standardized, which means it’s fairly easy to utilize them (in comparison to some action cameras that have funky proprietary connections).

The first port you’ll find is the mini-USB port.  The primary use for most people will be charging the GoPro as well as transferring photos/videos to a computer.  Those are both fairly straight forward scenarios in that the GoPro will simply show up now as an imaging device on your computer (this is actually a change from previous lines, where it enumerated as a standard USB device):

But the mini-USB port is also capable of transmitting and consuming non-digital audio and video to other devices.  For example, you can connect the 3.5mm stereo audio connector cable to it, and then plug a microphone to it. Note on the audio connector, that this is only supported on the Hero4 Black/Silver (and older Hero3/3+ units).

Additionally there are some microphones that are only supported on the Hero4 Black Edition.  So you’ll want to double-check their compatibility list if you’re using a separate mic. Alternatively, you can utilize one of two different composite video cables.  One that includes the 3.5mm mic input, and one without it.  In either case, quite frankly most people won’t be doing this as it’s pretty crazy low resolution these days.

Lastly for the mini-USB, it can actually be used by some remote viewing systems directly.  For example, on the First Person View (FPV) system I have for my DJI Phantom2 unit, it plugs straight into the mini-USB port and transmits that video, no HDMI required (Note: At the moment, with the standard Zenmuse H3-3D system, this doesn’t quite work yet due to a bug on the Hero4 and/or Zenmuse).

Next, we’ve got the micro-HDMI port.  This port enables you to playback v