video display screens bright box brands

BrightBox has formed a strategic partnership with industry leading companies that will further strengthen its capability to deliver a complete digital signage and other multimedia display infrastructure. Working together with these companies will enable BrighBox to address all the key elements - from the content and graphic arts conceptualization and design, video and audio editing, hardware and software installation, monitoring and authoring, software support and enhancements, and after sales - nationwide hardware maintenance - which are all important to ensure the reliability and the up time of any digital signage network.

Service Plus Solutions Inc. (S+S),has been involved in the Information- Communications Technology industry since 1997. It is now a company that has developed an infrastructure that can pro-actively deliver time sensitive technical services nationwide. S+S is currently one of the largest outsourced service provider for Automated Teller Machines in the Philippines. Its basic technology services and solutions have evolved into distinct service offerings that have pushed the company into the forefront of the current IT services industry trend which is Outsourcing and Managed Services. S+S shall serve as Brightbox’s service arm to assure customers of a nationwide reach with a high standard service level commitment which will enable BrightBox to provide the customer with a very high digital signage and other multimedia display uptime.

BrightSign LLC, the global market leader in digital signage media players, is headquartered in Los Gatos, California, with offices in Europe and Asia. BrightSign designs media players and provides free software and cloud networking solutions for the commercial digital signage market worldwide, serving all vertical segments of the marketplace. BrightSign products are known for their signature reliability, affordability, market-leading technology and unsurpassed performance. Connect with BrightSign on Linkedin.com, Twitter.com, YouTube and Instagram

Brigthtbox is a complete portable double-sided aluminium lightbox display system. It is designed to be set up quickly and easily and without the need for any tools. Just remove the box, twist out the feet of the base panel. Then use the numerical system to connect the remaining beams. SEG printed fabric panels slot into the frame channel and the power cable inserts under the base panel. Plug in and play in less than 10 minutes.

Shooting outdoors is usually a challenge in itself. From logistical challenges to unforeseeable lighting/weather changes, a bright monitor for judging your framing, focus, and exposure is key. Here are some monitors you can use for every project, no matter how bright your surroundings are.

While monitors in this size were expensive just until a few years ago, many budget options have come on the market in the last few years. Check out our bright monitors overview in 7″ size below.

Barco"s video wall display solutions are always the highest quality available on the market. Available in different technologies (LCD, LED rear-projection and RGB laser rear-projection), sizes and resolutions, our portfolio always contains the perfect solution for your application. Our dedicated software and a range of professional services make sure you get the most out of your video wall.

A video wall (also known as display wall) is a large visualization surface consisting of multiple displays. Originally, they consisted of multiple televisions or monitors that were put closely together. The objective was to make it seem as one large display surface. The problem however was the large frame (or bezel) that surrounded the useful display surface of each television. This completely tore down the effect of a single canvas and ruined the visual performance. Therefore, new technologies were introduced to minimize the ‘dead pixel space’ between the different displays. Today’s display wall solutions are generally using tiled LCD panels, rear-projection cubes, or direct LED tiles.

These display walls are available in a wide range of sizes, typically with a screen diameter between 46” and 80”. The choice of the screen size depends on the typical content and the viewing distance. If watched from up close, the pixel density should be high enough to not see the individual pixels. The resolution is subject to the wall size. For example, a 4K video wall requires 4 Full HD screens in a 2 x 2 setup.

Need a calibration mechanism to ensure that all individual tiles have the same brightness and color settings. Barco’s automatic calibration technology does this in real-time, both calibrating single displays and entire walls

An LCD video wall consists of multiple specifically designed LCD displays. Contrary to the panels used in television sets, these LCD displays have a very narrow bezel. This minimizes the gap between the panels, making it look like one big canvas. Over the years, this gap has gradually decreased. Today, Barco UniSee has the smallest gap in the industry.

LCD video walls are designed for long term and intensive use, often playing in a 24/7 mode — which means they are rarely switched off. Specific measures to prevent burn-in effects are applied to allow them to play for many years, in optimal conditions.

The traditional benefits of LCD video wall solutions include the high brightness, good image quality, and relatively low cost. Also the limited real estate space needed is a plus. The disadvantages are the risk for burn-in and the lower lifetime. Recent models however have successfully reduced these drawbacks.

Typical markets for LCD display walls include meeting and crisis rooms, lobbies, and experience centers. You can also find them in the control rooms of traffic and security centers.

Direct-view LED technology is used to create the most impressive video walls. They are very bright and are often not only used to inform or to collaborate, but also to wow audiences. For example in retail & advertisement settings, during spectacles or live performances, LED video walls are used. Due to recent price-drops for LED video walls, they have become in reach of most corporations, to use in control rooms or corporate lobbies. The LED display tiles consist of many individual color LEDs. The pixel pitch can be quite large when they are watched from afar (for live performances for example), or very small (for control rooms or lobbies.

The high brightness, absence of inter-tile gaps and impressive colors are the main benefits of direct-view LED technology. Also the limited depth and weight can be important in certain settings.

Using projection instead of LCD or direct-view LED technology, rear-projection video walls target different applications. They are mainly used in control rooms that operate in a 24/7 mode. Utilities providers, for example, generally rely on rear-projection technology to monitor their network.

A rear-projection video wall consists of multiple cubes, which feature a projector and a screen. The projectors are positioned upwards. A mirror under a 45° angle then reflects the image and casts it onto the projection screen. In this way, the required depth is cut dramatically. For example, Barco’s OverView ODLF series only requires a depth of 60 cm/23.6”. This advanced video wall can also be serviced from the front, so there is no need for a rear maintenance area.

The cost is a main contributor to the selection of your video wall solution. Many factors need to be taken into account when calculating the cost of your video wall. Here are the main ones:

Technology: There are 3 main video wall technologies (described above), all with their specific benefits AND price tag. Historically, ultra narrow bezel LCD is the most economic option, followed by rear-projection cubes and direct-view LED displays. Price erosion on narrow pixel pitch LED video walls in recent years has brought this technology within reach of all corporations, so that new markets (including control rooms, corporate lobbies, television studios, etc.) can also benefit from LED.

Size: The cool thing about video walls is that they are modular, so they really take the size and aspect ratio you want. But it should be no surprise that large video walls cost more than small ones. Not only the price of the panels raises the costs: large video walls also need more driving controllers and processing power to handle the high resolution. This is a significant extra cost that should not be overlooked!

Support: The more panels, the heavier the video wall system becomes. This poses additional requirements on the supporting infrastructure. The heaviest load for rear-projection walls is on the floor, which is only rarely an issue. For LED walls and LCD video walls, on the other hand, it is the supporting wall that catches the full load. It may need some additional support to handle the pressure.

Total cost of ownership (TCO): The initial investment is of course the most visible cost, but don"t forget to calculate the operating costs as well. This includes the cost for electricity and consumables (like cooling fans and color wheels). Barco"s video wall displays are built to be as cost-effective as possible, with as few moving parts (that are susceptible to wear) as possible.

Service and repair costs:Even high-quality video walls can have unlikely issues. This can be minor or severe, but there is always a cost. For the financial department, cost predictability is very important. That is why Barco offers a number of comprehensive service packages, ensuring minimal downtime at a fixed cost.

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

Planar® CarbonLight™ VX Series is comprised of carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility, available in 1.9 and 2.6mm pixel pitch (wall) and 2.6mm (floor).

From cinema content to motion-based digital art, Planar® Luxe MicroLED Displays offer a way to enrich distinctive spaces. HDR support and superior dynamic range create vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge MicroLED technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior décor.

From cinema content to motion-based digital art, Planar® Luxe Displays offer a way to enrich distinctive spaces. These professional-grade displays provide vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior decor.

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

From cinema content to motion-based digital art, Planar® Luxe MicroLED Displays offer a way to enrich distinctive spaces. HDR support and superior dynamic range create vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge MicroLED technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior décor.

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

LED video wall solution with advanced video wall processing, off-board electronics, front serviceable cabinets and outstanding image quality available in 0.9mm pixel pitch

Planar® CarbonLight™ VX Series is comprised of carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility, available in 1.9 and 2.6mm pixel pitch (wall) and 2.6mm (floor).

Carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility for various installations including virtual production and extended reality.

a line of extreme and ultra-narrow bezel LCD displays that provides a video wall solution for demanding requirements of 24x7 mission-critical applications and high ambient light environments

Since 1983, Planar display solutions have benefitted countless organizations in every application. Planar displays are usually front and center, dutifully delivering the visual experiences and critical information customers need, with proven technology that is built to withstand the rigors of constant use.

Founded in 2009, Sansi North America (SNA Displays) has become a leading LED display manufacturer in the United States with offices across the country and LED displays in major cities from coast to coast. We are the only LED signage manufacturer headquartered in Times Square and boast a major percentage of the digital LED displays in the world’s most coveted advertising space right outside our doors. In recent years, we’ve provided more LED display technology to Times Square than any of our competitors. Likewise, SNA Displays leads the industry in providing LED screens to the Los Angeles area and other major markets in North America.

Whether from the BRILLIANT™, BOLD™, or EMPIRE™ product series, our LED screens come in a vast array of sizes and pixel pitches for numerous indoor and outdoor applications. Whether you need an LED display screen for a conference room or one big enough to cover a skyscraper, SNA Displays has the custom-engineering knowledge and experience to make your vision come to life. We also have all-in-one, out-of-the-box LED screens perfect for on-the-go messaging.

SNA Displays emphasizes maximum communication throughout all phases of each of our projects. When you choose LED display products from SNA Displays, you not only get top-tier technology but a dedicated point of contact who will work with you from start to finish. Every project manager at SNA Displays is a structural, electrical, or mechanical engineer, meaning that our SNAPros™ have the engineering chops to help you at every step along the way, from design to installation to commissioning.

TRU-Vu offers the largest selection of industrial-grade small LCD monitors and touch screens in the world. Choose from over 125 models of 8.4 inch to 12″ industrial-grade small lcd monitors, including small HDMI monitors, waterproof monitors, Sunlight Readable monitors, 4:3 and 16:9 aspect ratio, panel-mount and custom displays.

TRU-Vu offers over 235 standard, off-the shelf 13.3” to 19” industrial-grade LCD monitors and touch screens. Industrial LCD monitors offer many advantages over consumer or commercial-grade displays. They are more rugged, have higher shock and vibration resistance and can be modified or customized to meet your needs. Industrial and medical-grade monitors, Sunlight Readable, waterproof, open frame monitors and more.

TRU-Vu offers the largest selection of industrial LCD monitors and large touch screens in the world. We have an impressive line-up of over 175 off-the-shelf industrial LCD monitors with large screen sizes from 21.5" to 75". This includes Medical-Grade, Sunlight Readable, open frame, bezel-less, waterproof, 4K, custom and OEM widescreen monitors, with a wide range of configurations and enclosure types.

TRU-Vu Sunlight Readable Monitors and Daylight Screens (with Optical Bonding) and touch screen monitors are ideal for use in direct sunlight, or in other high-ambient light environments. These outdoor monitors offer 1,000 nits to 2,500 screen brightness. They are ideal for outdoor digital signage, military, law enforcement, amusement parks, way-finding, marine, and more.

Industrial-grade monitors and touch screens with standard brightness (250-350 nits) are ideal for use indoors or in environments without sunlight or bright lighting. We offer waterproof monitors, panel mount monitors, custom LCD displays, private label monitors, Medical Grade monitors, outdoor monitors, 16:9 and 4:3 aspect ratio, and more, from 7" to 65" lcd monitor screen sizes.

Our waterproof monitors and water proof touch screens are perfect for use as outdoor monitors, or in industrial settings where high humidity, liquids, and daily wash-downs may exist. Stand-alone or panel mount waterproof enclosures are available in stainless steel, painted steel or aluminum, with protection ratings up to IP68.

TRU-Vu Medical-Grade displays and Medical touch screens are certified to the latest UL and IEC 60601 standards. They are ideal for use in hospital surgical operating rooms as surgical displays, on medical diagnostic equipment and medical cart monitors. Their bezel-less monitor design provides added benefits of improved aesthetics, and increased safety and hygiene, and IP65 liquid protection.

Panel mount monitors and panel mount touch screens can be flush-mounted into doors, walls, kiosks and cabinets for improved ergonomics and safety. They are available with standard and high brightness screens, waterproof front face, and 4:3 and 16:9 aspect ratio, in a wide range of sizes and configurations.

There has never been an outdoor daylight readable display built to withstand the harsh outdoor elements like the Peerless-AV® Xtreme™ High Bright. With unmatched capabilities, Xtreme High Bright Outdoor Displays are the perfect digital signage or entertainment solution for any professional application. Offering top-of-the-line outdoor video quality, along with the durability and longevity backed by a two-year warranty, Peerless-AV Xtreme High Bright Outdoor Displays will take your business to the next level.

Only the best monitors for video editing can accurately display your video masterpieces in the making. While you can cut, re-sequence, and colour-grade that commercial, film, or Instagram reel you"re currently working on using just about any display, only the right display can accurately reproduce your videos so that they translate well to other screens and mediums.

Using the best video editing software is just one part of the equation. You need the best video editing monitor that ticks a few things off the list as well. To be an effective video editing tool, resolution is key as more projects are produced in 4K or higher. It must also have a colour accuracy of Delta E < 2 or better as well as a colour gamut of at least 95% DCI-P3, a high contrast ratio, and a higher brightness level. Other factors to consider are HDR support if you"re working with HDR footage, screen size, base or mount articulation, and of course, price tag.

Let us help you choose the best monitors for video editing. From budget options to the best 4K monitors and the best USB-C displays, check out our top picks below.

The Asus ProArt PA348CGV may be an affordable video editing display. But it"s certainly not a budget one when it comes to performance and features. And, if you"re just starting to dip your toes in different creative industries, this might be the ideal video editing monitor for you.

Budding content creators and video editors will love its superb factory-calibrated colour accuracy DeltaE < 2 as well as its 100% sRGB and 98% DCI-P3 colour gamuts. Meanwhile, game designers will appreciate its 120Hz refresh rate and FreeSync Premium Pro support. On top of those, you"re also getting USB-C connectivity with 90W power delivery.

The Eizo ColorEdge CG319X might just be the ultimate monitor for video editing thanks to its unmatched performance and rare self-calibration feature. Designed for creative professionals doing pro work with no scope for errors, we found it to be a truly superlative display.

Novice and casual filmmakers and vloggers will appreciate the value the LG 32UN880 offers. It’s among the most affordable 4K monitors out there that offer 95% DCI-P3 colour coverage, HDR10 support, and brilliant picture quality, as well as a decently sized screen. It also comes with USB-C connectivity and a hub for all your video editing tools.

As a video editing display, the BenQ DesignVue PD3420Q truly delivers. It boasts 100% Rec.709, 100% sRGB, and 98% P3 colour gamuts and great factory-calibrated colour accuracy of Delta E ≤ 3 out of the box that video editors, designers, and graphic artists need. To simplify workflow and keep the focus on its users" creative process, it also comes with extras like its KVM switch, the BenQ Hotkey Puck G2, and the DualView mode that lets you display your work in two different colour modes side-by-side for comparison.

Of course, its 21:9 aspect ratio is a key factor as well. Not that 1440p resolution is obsolete, but 4K has now become a standard for video editing, one of the reasons being that it offers more screen real estate. To make up for not offering that, the PD3420Q gives you an ultrawide panel so you can spread out and make all your tools handy during editing sessions.

This is the best monitor for video editing if you"re working with 8K or 6K footage and need a way to view it at full 1:1-pixel quality. We"re not exactly swimming in 8K display options so far, but the Dell UltraSharp UP3218K makes sure that if you do get one, you"re getting an absolutely top-tier screen in so many ways. It"s about more than just the resolution – you also get 100% AdobeRGB, 100% sRGB, 100% Rec. 709, and 98% DCI-P3 colour coverage.

That sweet 4K resolution on a 27-inch panel spot means it’s the perfect combination of screen real estate, smaller footprint, and perfectly-sized visuals. Meanwhile, the 400 nits of brightness, 99% sRGB and 90% DCI-P3 colour gamuts, and Delta-E accuracy of less than 1 make it an excellent tool for content creators. In addition, we found its colour space coverage claims to be spot-on and its colour and brightness uniformity good, if not exactly exceptional. And, naturally, we appreciate the inclusion of the shading hood.

You don’t need to exclusively film footage in HDR to take advantage of a true HDR display, but you do need to be a proper pro to justify getting one. HDR displays aren’t the cheapest, and the Asus ProArt PA32UCG-K’s steep price tag proves this. However, if you do have deep pockets, its DisplayHDR 1400 and 1,600 nits of peak brightness will blow you away.

Making it all the more worth your money is its Delta E < 1 colour difference and extensive colour space – apart from its 100%sRGB and 99.5% Adobe RGB, it also boasts 98% DCI-P3 and 85% Rec.2020 gamuts. The panel itself utilises smaller LEDs that offer 1152 local dimming zones for higher contrast and deep blacks. There’s plenty of input ports on hand as well, allowing you to spread out and really immerse yourself in your creative process. And, naturally, that 4K resolution takes care of displaying impeccable details.

If you"re looking for an excellent ultrawide display, the LG 38WN95C is worth considering. A stunning 3840 x 1600 display, it delivers that screen real estate you need to spread out when video editing and have all your tools handy so you can immerse in your creative process.

While it isn"t a 5K2K display like the PS341WU, it comes with its strengths. Content creators will find its 99% sRGB and 98% DCI-P3 colour gamuts most useful. Meanwhile, those that work with HDR content will appreciate VESA DisplayHDR 600 certification. Plus, its pixel-per-inch ratio of 110.93 is just the ticket for making those visuals sharp and those texts comfortably readable.

While we haven"t completed our review of Apple"s 6K display, we already know it"s a beast, aiming to be closer to a monitor in the pro film production sense, rather than a monitor in the "computer screen" sense we"ve been using it here. It"s intended to give you as close to perfect playback as you can get for the money (and, bear in mind, it"s a lotof money). You"ve got a resolution of 6016 x 3384, which is enough for many 6K formats (though not quitethe 6K full frame recording of a RED camera). Added to that is an incredible HDR peak brightness of up to 1,600 nits, with a typical brightness of 1,000 nits – and there are 576 individual dimming zones for backlight control, so contrast will be simply colossal.

In terms of colours, there are specific reference modes for DCI P3, sRGB, NTSC, BT.709, and many more. That includes a reference mode for "Apple display", which will make it match a MacBook Pro for brightness, so you get a consistent look if you have them side by side. There"s the option of a nanotexture effect on the screen to reduce reflectivity as low as it goes for monitors like this, too.

It comes with one Thunderbolt 3 port (meaning it can go at the end of a Thunderbolt chain, but can"t be a Thunderbolt hub), plus three USB-C ports for connecting accessories. The downside to all this is that it"s extremely expensive, and the price our widgets are pulling in here are just for the display… the official stand costs a further $999 / £949 / AU$1,699. You can also get a VESA mount adapter, if you prefer. If you"re interested in having an Apple monitor, you might also want to check out Apple"s latest display – see our Apple Studio Display review for more details.Is a 4K monitor good for video editing?Resolution isn’t everything when it comes to choosing the right monitor for video editing. But, if you’re hoping to produce content in UHD, you’ll need to be able to see your work in its native resolution. So, having a monitor capable of 4K resolution isn’t just good. For most video editors, it’s necessary. Just keep in mind that you’ll need a computer powerful enough to be able to deliver that high resolution content to a 4K monitor.Are curved monitors good for video editing?It’s not necessary to have a curved monitor to do great work on your video editing projects. But, curved monitors do offer a few advantages. Since they make the whole screen equidistant from your eyes, they’re easy to work with since you won’t have to strain as much to see the corners of your screen. And, many curved monitors come in a wider 21:9 aspect ratio, meaning you’ll have more screen real estate and can work on projects in their native resolution while still having instant access to your editing tools. However, you do have more limited viewing angles compared to flat displays. If you need to show your work to colleagues, they might not see an accurate representation of your project.Is Hz important for video editing?While refresh rate is crucial for video editing, just about every contemporary monitor comes with at least a 60Hz refresh rate. And, considering that most video is shot at 30 or 60 fps, having a faster refresh rate won’t make much of a difference. Of course, if you’re also doing animation or are hoping to game on that same display, having a speedier refresh rate becomes a bit more of a priority.

Certain types of items cannot be returned, like custom products (Such as video walls ), and some audio products. Please get in touch if you have questions or concerns about your specific item.

With the boom of cell signal demand, electromagnetic interference from large format LED displays can be a real challenge for outdoor applications if your display isn"t tested properly. Download our white paper to learn more about how cell signal can be affected by large digital displays and how Daktronics designs and tests our anti-interference solution.

The Brightbox back-lit system is a premium quality 100cm wide display stand. This has been designed with install and transportation being the important elements. Everything is packed into one compact carry box and set up is quick with detailed instructions supplied and even a video to show set up. No tools are needed, and this can be set up by one person in around 10 minutes.

Magnetic side beams means that multiple Brightbox stands can be linked together to create a larger display stand. The high-quality printed fabric panels are fitted to both the front and back of the stand, enabling double sided back-lit branding.

The Brightbox Smart Charging Locker by KwikBoost is the most advanced charging locker on the market today. The phone charging solution features an interactive touchscreen display and digital advertising capabilities for branded content and user surveys. A web-based portal provides access for content control, usage reporting, fleet management, real-time updates with networked communications and remote technical support. The locker can accommodate a complimentary or paid amenity model with encrypted payment processing. Available in wall-mounted, floor stand or tabletop versions.

Why we like it: The Dell P3421W has a sturdy adjustable stand, lots of ports (including a USB-C port that can handle power, display, and data over a single cable), and a three-year warranty. And it has a built-in KVM switch that allows you to easily swap your keyboard, mouse, and video between two computers. The 1440p display has a 60 Hz refresh rate, which is great for typical office work, web browsing, and casual gaming.

Flaws but not dealbreakers: If you use your display in direct sunlight, this monitor might not be bright enough for you. It can also provide 65 W of power over USB-C, but some laptops require more. If you have a laptop with an Nvidia GeForce RTX GPU or an Intel Core i7 processor, you might need to keep the laptop plugged in to a separate charger or use a Thunderbolt dock that can provide the extra power.

Most ultrawide monitors are also curved. This design helps minimize viewing-angle problems—when you’re sitting centered, things on the far edges of the screen won’t look as washed out as they would on a flat display of a similar width. But this also makes ultrawide monitors inaccurate for precision tasks requiring straight lines, such as drawing, photo editing, or similar design work.