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Photographers from Agence France-Presse (AFP) showed off some of the impressive camera technology they used at the recent FIFA World Cup, including a robotic setup paired with Nikon Z9 cameras and controlled using a tablet or video game controller.

Before the world went digital, people stored photos in shoeboxes, creating a photographic legacy for future generations. What is your digital shoebox, and what happens to your photos after you"re gone?

Ricoh has announced it"s starting the "Film Camera Project," an initiative designed to gauge the interest and viability of producing a new Pentax film camera.

Lensrentals has published the annual roundup of its most-rented gear for 2022. As in 2021, Canon and Sony dominated the rental shares. However, DSLR gear, like Canon EF cameras and lenses, dipped in popularity, while Sony gear was more rented than in 2021.

This new facility is to be located in PyeongTaek, South Korea and should be operational by spring 2024. Fujifilm says it will manufacture color filter materials used on image sensors, but doesn"t specify whether it will impact its own camera systems.

2022 was another exciting year for camera releases, with new models ranging the gamut from high performance photo/video hybrids to a manual focus rangefinder. Now it"s time to find out what you think of the Class of "22. Click through to vote for your favorite camera of the year.

Nikon says it has identified a range of serial numbers that could be affected by this issue and is making the repairs free of charge, even if the camera"s warranty has expired.

Joshua Bird loves the nostalgic look of film, so he wanted to design and build a 3D-printed motion picture camera that uses 35mm film. While the project presented Bird with many challenges, the results are quite impressive.

This year, plenty of amazing cameras, lenses, accessories and other products came through our doors. As 2022 winds down, we"re highlighting some of our standout products of the year. Check out the winners of the 2022 DPReview Awards!

Shooting with a Leica rangefinder is as challenging as it is rewarding. First, you have to be able to afford the dang thing---no small feat, as a Leica digital rangefinder costs at least five grand. That"s before you spend a few thousand more on a top-notch lens.

From the front, the M-D looks a lot like the red-dot-free Leica M-P; both cameras ditch the Leica logo from the front in the name of arguably less-conspicuous Leica ownership. In terms of specs, the M-D is a lot like the display-equipped Leica M: A 24-megapixel full-frame sensor, manual-control dials for shutter and aperture, ISO settings ranging from 200-6400, a rangefinder peephole, an SD slot, and that"s it. One would assume it gets way better battery life than any other digital camera, as there"s no LCD screen sipping juice.

If the M-D"s premium no-frills feature set sounds familiar, you"re probably thinking of the Leica M "Edition 60." Like the M-D, it dropped the LCD screen in favor of a ginormous ISO dial and had a similar ethos: Forget all the trappings of modern cameras and just take pictures. If you were drawn to the Edition 60 and simply couldn"t afford it, good news! At a shade under $6,000, the new M-D costs less than a third of the Edition 60"s $19,000 asking price.

Globally, the size of Digital Camera Market is to reachUSD 5.1 billion., with approximately 7.1 % CAGR during the forecast period 2016 to 2022 driven by the demand for lightweight cameras that can take high-resolution pictures quickly increasing.

Digital cameras are made to capture a digital image of the surroundings and other objects in digital form. It uses a memory chip that records images in digital format and stores them so that people can see them on different mediums. The camera comprises many components like a viewfinder, lens, LCD screen, body shell, etc. the camera market will grow as it provides high-quality images and videos. Also, one can store it in computer form. Several factors that drive the market"s demand are high-quality images and lightweight.

The rising application of digital cameras in entertainment, sports, media, and adventures propels market growth. The high cost of the camera and considerable time required to transfer the images from one place to another due to the size of the photos are the main restraints of the market. However, technological advancement will create lucrative growth opportunities for the market. The availability of new and innovative smartphones with the most advanced features is a challenge for the market profit.

Governments wanted to stop the spread of this virus by imposing lockdowns and quarantines. This forced many businesses in many industries to either drastically scale back production or temporarily halt production. The digital camera market would have been severely adversely affected were it not for the ingenuity of its manufacturers. They went online and started to offer free tutorials on how to use these cameras on various social media platforms. This was very successful since many people wanted to busy themselves during quarantine.

That notwithstanding, the digital camera market did suffer since more people were staying indoors and didn’t need to take as many pictures with their digital cameras. Production of these cameras dropped dramatically since demand dropped dramatically.

Now that a vaccine for COVID-19 is readily available people are starting to venture outside, more often than not without masks. They are itching to take pictures in the same ways that they did in the pre-pandemic era. Hence, the demand for lightweight cameras that can take high resolution pictures quickly is increasing. This is largely what’s driving growth in the digital camera market.

Greater technological advancements in the technologies needed to make digital cameras better and more effective is encouraging more manufacturers to produce superior cameras with more innovative uses.

Digital cameras are very expensive in relation to the latest smartphones. They also don’t have all of the abilities that smartphones do. This, combined with the fact that it can’t transfer data as fast as smartphones can is holding back growth of digital camera market.

Smartphones are very popular and less expensive than most digital cameras are. People are increasingly preferring to buy the latest version of smartphones because they can take better pictures than digital cameras can. They are also easier to transport and have more options than digital cameras do. This is one obstacle that digital camera manufacturers are going to have to overcome if they want to continue to see strong year-on-year growth.

The overall CAGR for the digital camera market is projected to be 7.1% until 2022. The digital camera market in general is projected to be worth USD 5 billion by then. That said, certain segments are expected to register much higher growth rates. For example, the DSLR segment is expected to have a CAGR of 20% by 2022. It’s also expected to be worth USD 3 billion by then. China is expected to have a CAGR of 24.3%. Other markets are expected to have a CAGR of 13.7% and 16.9%.

Eastman Kodak is a major player in the digital camera market. It has managed to become an industry leader and survive in the camera market for more than a century by constantly investing in research and development. This has allowed it to create a sustainable competitive advantage by allowing it to come up with and market newer generations of more effective digital cameras with far more innovative applications.

The product type sub-segment of digital camera market is further grouped into DSLR, bridge cameras, compact digital cameras, digital rangefinders, built-in lens, non-reflex.

Technologies that digital cameras used have advanced dramatically in the first fifth of the 21st century. Vendors are now creating newer and improved digital cameras with automatic payment gateways.

The North American region may have the largest digital camera market share but the Asia-Pacific region has the largest digital camera market growth rate. The nations of India, China, and Japan have large populations where the middle classes are growing at breakneck rates. This is creating a lot of demand for people who want to go on vacations and want to have the opportunity to take pictures with advanced digital devices while doing so.

The demand for DSLR cameras is growing rapidly in the Asia-Pacific region. This is a major driver of growth for digital camera market in most Asian nations.

The United States is the world’s largest importer of digital cameras. This is due to the fact that there is a large middle class with the world’s largest purchasing power. Interestingly enough, China exports the largest number of digital cameras every year.

The digital camera market is highly competitive. What makes it that way is the fact that the digital camera market is very lucrative and the fact that there are few barriers to entry in the market. These two factors are encouraging many companies to enter the market every year. A great number of these companies are large ones.

Companies are finding that they can stay competitive only if they invest heavily in research and development. They tend to expand their future horizons when they do so because they are able to develop and market a new generation of more effective and superior digital cameras. These new generations of digital cameras also have more innovative and diverse uses than their predecessors did. In any case, companies that invest heavily in research and development find that they have an easier time strengthening their position in existing markets and they have an easier time entering new markets. They also find that they last for longer in newer markets.

Another way that companies can survive in a very competitive market is by merging with and acquiring other successful companies. They can access the other company’s customers. This alone will greatly increase their revenue generation potential. They can also invest much more in research and development because they tend to have the greater financial resources and manpower to do so. These companies can then develop and market a new generation of much more effective digital cameras that can help them gain many more new customers in new markets and in existing ones. The resulting companies can also strengthen their positions in existing markets.

Eastman Kodak is a very successful American company in the digital camera market. It has managed to become an industry leader by creating a sustainable competitive advantage through intensive investments in research and development. This allowed it to develop and market a new range of successful digital cameras that allowed it to enter new markets and cement its strong positions in existing markets.

Atomos has introduced two new network-connected on-camera monitor devices that make it easier for digital film and video productions of all sizes to capture, transcode, upload, and collaborate with anyone, anywhere in the world.

The CAGR for the digital camera market is 7.1%. The digital camera market is expected to be worth USD 5 billion by 2022. The North American region has the largest market share but the Asia-Pacific region has the greatest CAGR.

An articulating or vari-angle LCD – commonly called a flip screen – is a useful addition to a camera. The screen is mounted on a swivel, allowing you to flip the screen away from the camera body and rotate the LCD 360 degrees.

Flip screens have traditionally been useful for taking photos at unusual angles. For instance, framing a bug’s-eye view from ground level used to mean setting your camera down low and awkwardly trying to see through the optical viewfinder. There was usually a lot of guesswork involved.

With a vari-angle, or flip screen, you can now set the camera up at ground level and angle the articulating LCD up towards you and frame the scene in live view.

Likewise, a flip screen allows you to shoot overhead by swivelling the screen down. Street photographers might also appreciate a swivel screen because it can let you shoot more discreetly. Shooting from the hip is a lot easier with a flip screen and gives you more control. Hold the camera against your body and angle the swivel screen upwards so you can frame your shot, then shoot discreetly.

Despite all these advantages for shooting stills, it’s probably the rise of vlogging that has seen the popularity of cameras with flip screens soar. Like shooting self-portraiture, vlogging requires placing yourself on the other side of the camera, and before flip screens were a thing this required a lot of careful setup and trial and error.

But swivel LCD touchscreens mean you can now place your camera in front of you, frame your shot accordingly and simply tap the screen to take a picture or start recording. If you have even modest ambitions to post videos on YouTube, a camera with an articulating screen will undoubtedly be the best option for you. In this guide we’ll round up the best cameras with flip screens.

The Canon EOS R5 leaves little doubt that Canon is now serious about the mirrorless camera market. It has phenomenal specification with features like a 45Mp full-frame sensor, phase detection autofocusing that covers the whole frame, eye AF for humans and animals that works in video and stills mode and a class-leading viewfinder paired with a vari-angle touchscreen.

The Canon EOS R5 is built to a similar standard to the Canon EOS 5D Mark IV and has a magnesium alloy construction along with weatherproof seals. Its handling is also similar, but the control arrangement has changed to accommodate the vari-angle screen.

It’s great to have a vari-angle screen on the EOS R5. It makes it much easier to shoot video from above or below head-height while keeping the kit size and weight down. Also, as the screen is touch-sensitive you can control the camera with a few taps.

While the R6’s viewfinder is the same size as the R5’s (it’s a 0.5-inch type), its resolution is lower at 3.69million dots instead of 5.76million. That’s the same as in the EOS R and on par with the electronic viewfinders in the Sony A9 and Nikon Z7. It’s a great EVF specification for a camera of this level.

There’s also a 3-inch vari-angle touchscreen with 1.62million dots. We’re a fan of vari-angle screens because they make shooting portrait or landscape format images from above or below head-height much easier than a fixed screen. And a tilting screen is only of help with landscape format images.

Both the viewfinder and the screen provide an accurate preview of the image as it will be captured. Overall, Canon’s control arrangement on the R6 and use of touch control is excellent and the vari-angle screen is a real asset.

After we reviewed the Sony A7 III, a flip-out touchscreen was at the top of our wishlist for improvements we’d like to see on the next iteration of Sony’s full-frame all-rounder. Sure enough, Sony has given the A7 IV a vari-angle screen that can be flipped face forward or be angled to help compose low- or high-level shots in either landscape of portrait orientation.

What’s more, the A7 IV’s 3-inch 1,036,800-dot screen is touch-sensitive and users can now navigate the menus and settings with a tap. In previous Sony touchscreen LCDs, you were limited to setting the AF point via touch.

Sony has also carefully thought through the design, as well, placing the A7 IV’s mic port just above the screen on the side of the camera so it can still move freely when an external mic is plugged in.

OM System has given the OM-1 a very bright 1.62-million dot vari-angle touchscreen. It’s a 3-inch screen and like on the OM-D E-M1 III and OM-D E-M1X and it’s mounted on a vari-angle hinge. This vari-angle hinge means the screen can be angled for clear visibility whether you’re shooting in landscape or portrait orientation.

Like the screens on existing Olympus Micro Four Thirds cameras, the OM-1’s screen is touch sensitive. It responds quickly to a tap and it’s a shame that OM System’s hasn’t extended the touch control to the new main menu.

In overcast conditions and indoors, the OM-1’s screen gives an excellent view it also performs well in brighter conditions. my toughest test for this was when skiing on a bright sunny day trying to video my companions ahead of me. Keeping them framed as we all moved over the piste was challenging, but thankfully, I was able to see them on the screen.

Although Panasonic Lumix S5 is smaller than the GH5, it has a well-proportioned and ergonomically shaped grip. A rubber-like coating also ensures that the camera feels secure in your hand. It’s also weather-sealed so you don’t need to worry if the weather changes when you’re out on a shoot.

Despite the shrinkage in size and weight, the Panasonic Lumix s5 has both a 3-inch 1,840,000-dot vari-angle touchscreen and a 2,360,000-dot OLED electronic viewfinder built-in.

The Panasonic GH5 has a vari-angle screen and it was high on the request list for the S-series camera when their development announcement was made. However, the S1 and S1R have 3-way tilting screens. These are useful if you’re shooting in landscape and portrait format images, but they’re not as intuitive or flexible to use as a vari-angle screen and they can’t be seen from in front of the camera.

Happily, the Lumix S5’s screen delivers what many were hoping for and it can be flipped around to face forwards. It means that the S5 could also be a good full-frame vlogging camera.

Further good news is that, like the viewfinder, the S5’s screen provides an excellent preview of the image. If you’re shooting outdoors in bright conditions it’s worth activating the Live View Boost to brighten screen to make the scene easier to see. The screen is also very responsive to touch.

The Panasonic GH6 has a 3.0-inch 1,840K-dot tilt and free-angle touchscreen with an aspect ratio of 3:2 on its rear. The tilting aspect of the screen isn’t immediately obvious, but pressing the button underneath the monitor’s bottom left corner releases the mechanism so the screen can be tilted up from the bottom.

There are two stop points in the screen’s tilt movement. The first one is at the right point to enable the screen to be flipped out to the side of the camera without catching on the viewfinder while the second one at about 45° gives a more comfortable viewing able when shooting at waist-height.

To the uninitiated, the tilt and free-angle combination may seem a bit over the top but it means that the screen can be flipped out and twisted to face forwards, up or down, without fouling on any of the cables that may be connected to the ports on the left side of the camera (mic, USB-C and full-size HDMI).

With 1.84-million dots, the 3-inch screen gives a good view of the scene and doesn’t suffer to badly from reflections even in sunny conditions (at least not in March in the UK). However, even when shooting video, there are times when it’s preferable to use the 3,680k-dot 0.76x OLED viewfinder. This has a contrast ratio of 10,000:1 and gives a sharp, accurate preview of the scene.

The GH5 is Panasonic’s flagship compact system or mirrorless camera and it has a mini-DSLR design, featuring a high-quality electronic viewfinder and vari-angle touch-screen. As a Micro Four Thirds camera it’s compatible with an extensive collection of Micro Four Thirds mount lenses from Panasonic and Olympus as well as third-party manufacturers.

Panasonic has also upgraded the rear screen and it now measures 3.2-inches across the diagonal and has 1,620,000 dots. It’s still a vari-angle unit but instead of an OLED screen it’s an RGBW LCD. It provides a nice sharp view and the revised menu, which has fewer pages but more lines, is clear. The screen also responds quickly to tap of your finger.

The GH5 is a complex camera and it will take some getting to know, but all the main controls that you want on a shot-by-shot basis, for example to adjust exposure and white balance or to set the AF point are within easy reach. There are also plenty of customisable buttons to help you get it working as you want.

As well as a host of improvements to its video specification, the Sony A7S III introduces the highest-resolution electronic viewfinder we’ve seen to date and it’s the first Sony A7-series camera to feature a vari-angle screen.

According to Sony, the 3-inch vari-angle screen wasn’t a request for the A7S III, it was a demand. It’s certainly something I’ve mentioned on many occasions.

In the past, the argument against one has been that a vari-angle hinge is less robust than a fixed screen and that ‘most dedicated videographers use an external monitor’. Those two points may still be true, but one of the key benefits of using a camera like the A7S III is its small size. If you start having to add an external monitor it makes it bigger and heavier.

It’s good to see that there’s an option to show a red outline around the on-screen image when the camera is recording. There are times when this is more useful than the usual flashing red dot.

After the 8K-capabilities of the Canon EOS R5, the Sony A7S III might seem a bit of an anti-climax. We’re sure some videographers were hoping for a big jump in resolution from the 12mp A7S II. However, Sony already has the 61Mp A7R IV and the 24Mp A7 III, so sticking with 12Mp means that the A7S III has even better low-light capability than its predecessor but with a much better autofocus system, a vari-angle screen and the highest-resolution viewfinder around.

As with Canon’s full-frame mirrorless cameras, including the flagship Canon EOS R3, the R7 has a vari-angle touchscreen. This is great for composing low- and high-level shots in landscape or portrait orientation. Because Canon has embraced full-touch control, it’s also useful for changing camera settings with a tap.

Overall, Canon’s new flagship APS-C mirrorless camera has a layout and design all of its own, yet it retains some of those signature Canon design marks that will help people quickly adapt to using it.

Although the 0.39-inch 2.36million-dot electric viewfinder on the Canon EOS RP doesn’t match those in recent high-end mirrorless cameras for resolution, it still provides a decent preview of images. And let’s not forget, the RP is much more affordable than other new full-frame mirrorless cameras.

With Exposure Simulation activated, you get an accurate view of the final image’s brightness as well as the colour. However, if you want to see the depth of field, you’ll need to customise one of the camera’s buttons to that purpose. Or of course, you can take a quick shot. That could be avoided, however, if Canon showed the preview with the selected aperture applied.

Like the EVF, the 3-inch screen’s 1.04-million-dot resolution doesn’t really wow these days, but the fact that it’s mounted on a vari-angle hinge is great. That means you can twist it around to give you a clear view whichever angle you’re shooting from. And unlike a tilting screen, it’s useful if you’re shooting in portrait or landscape orientation.

We love that Canon has enabled the RP’s touchscreen to be used for browsing the Quick and main menu, selecting settings and browsing through images as well as setting the AF point. It really speeds using the camera and makes it more intuitive. It’s also good that this isn’t at the expense of physical buttons and dials.

Among the many improvements Fujifilm put into the X-H2S over the X-H1 is an upgrade of the LCD screen. Instead of the 3-way tilting screen of the X-H1, the X-H2S has a vari-angle screen that can be flipped out and rotated to face forward for vlogging. This means it’s useful when the camera is above or below head-height in landscape or portrait orientation.

There are a number of handling changes in the X-H2S in comparison with the X-H1, and anyone looking at the camera with fresh eyes cannot fail to be impressed by its build and capability.

It"s true: Leica is really releasing a high-end, luxury digital camera without an LCD for reviewing snapped photos. The company is breaking away from what"s usually seen as a fundamental piece of modern cameras so that it can "bring back the joy and anticipation of waiting to see how pictures turned out." See, I"m the kind of person who would substitute "joy and anticipation" with "anxiety," so clearly this camera isn"t for me. Anyway, the Leica M-D (Typ 262), as it"s officially branded, doesn"t include a screen of any sort. Where one would normally go, you"ll instead find an ISO dial. It"s certainly... different looking. Looking beyond that, the M-D has a pretty great all-black design that omits Leica"s famed red logo in the name of consistency.

Without a screen or any kind of Live View, there"s also no menu system to be found. You get physical controls for the essentials (shutter speed, aperture, and ISO), but producing quality images is all up to you. Sure, some of those dials have an automatic option, but without any way of reviewing your photos on the fly, there"s really no way of telling whether you got the exposure you were trying for — other than sheer intuition and hope, maybe. Then again, most people buying this will probably be incredibly well-versed in manual photography.

And this is still a Leica, so the images that it puts out look rather stunning. As far as the technology inside, the M-D is largely similar to the Leica M Typ 262, with the company"s Maestro image processor and a 24-megapixel CMOS sensor. That"s for stills only; did you expect this LCD-less camera to record 4K video? You don"t even get the option of shooting JPGs; the M-D automatically saves all images in RAW DNG format. If you want to see what a $6,000 camera with no LCD can do, Leica has put together this gallery with some sample shots by photographers far more skilled than you or I. At least some people can pick up the M-D and capture incredible shots; I"ll have to stick with my Fuji X-T1 with not one but two screens; one on back, one in the viewfinder. But if you"re in the market for this, you can order one beginning right now for $5,995.

Other key features include Wi-Fi and NFC connectivity, 720p HD video capture in MP4 format, DIGIC 4+ Image Processor, 3.0-inch LCD screen with 230k dot resolution, and an intelligent Optical Image Stabilizer (OIS) for both stills and movies.

The Canon SX420 HS IS camera is identical to the slightly more expensive, but more widely available Canon PowerShot SX430 HS IS model. The only difference is that the latter has a 45x rather than 42x zoom lens, with a slightly longer focal range of 24-1080mm versus 24-1008mm. In real-world-terms, this makes very little difference to your photography. Strangely, despite the bigger zoom lens, the SX430 is actually ever-so-slightly lighter than the SX420, weighing in at 323g vs 325g.

Otherwise, the two cameras are the same, inside and out. As we"ve already reviewed the SX430, all of the observations that we made about that model apply equally to the SX420, so we"ll direct your attention to our Canon PowerShot SX430 HS IS review to read about how easy it is to use, rather than simply repeat ourselves here. Then come back and carry on reading the rest of this review...

The Canon PowerShot SX420 IS" flash has four modes: Auto, On, Off and Slow Synchro, plus a separate setting to enable or disable red-eye reduction. Whether this is active or not, the camera successfully avoids any trace of red-eye.

This is a selection of sample images from the Canon PowerShot SX420 IS camera, which were all taken using the This is a selection of sample images from the Canon PowerShot SX420 IS camera, which were all taken using the 20 megapixel SuperFine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way. setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

Hands-up - we missed the Canon PowerShot SX420 IS when it was originally launched a few years ago, but decided to give it a whirl in 2020 just to see if a big super-zoom bridge camera can still cut it. The short answer is just about, but only if you really need such a huge zoom range - otherwise, most modern smartphones will outperform it in terms of usability, features and sometimes even image quality.

A 42x optical zoom lens is still something that no smartphone can match - the much-vaunted 100x zoom on the recent Samsung Galaxy S20 is a low-res digital affair, with that smartphone only offering a true 10x optical zoom. Plus the Canon super-zoom has a proper mechanical optical image stabilisation system to ensure that all those super-close-ups are actually sharp and legible.

Otherwise, there"s little reason to also carry the Canon PowerShot SX420 as well as your smartphone. Both devices use a tiny 1/2.3-inch sensor, and with the SX420 topping out at ISO 1600, it"s no better or even worse than modern smartphones in more challenging low-light situations. It also suffers from not having a touch-screen in an era when almost every device does.

In summary, very little has changed at the bottom-end of the compact camera market in terms of what the traditional camera manufacturers are offering, which in turn makes the Canon PowerShot SX420 IS still just about worth recommending if a big zoom lens is at the top of your camera wish-list.

The Canon PowerShot SX430 IS is a bridge super-zoom camera with a massive 45x zoom lens. The Canon SX430 also offers 20 megapixels, a 3-inch LCD screen and 720p HD movies. Read our in-depth Canon PowerShot SX430 IS review now...

The Canon PowerShot SX530 HS is a bridge super-zoom camera with a massive 50x zoom lens. The Canon SX530 also offers 16 megapixels, a 3-inch LCD screen, full manual controls and 1080p HD movies. Read our in-depth Canon PowerShot SX530 HS review now...

The Kodak PixPro AZ901 superzoom camera has a jaw-dropping 90x optical zoom lens, which offers a maximum telephoto length of 1980mm - try doing that with your smartphone! Other stand-out features include 5fps burst shooting, an articulating LCD screen, RAW file support and wi-fi connectivity. Find out if the Kodak PixPro AZ901 can live up to its far-reaching potential by reading our in-depth review...

The Nikon Coolpix B700 is a new super-zoom compact camera with a whopping 60x zoom lens. Retailing for around $499 / £359, the 20 megapixel Nikon B700 comes complete with built-in wi-fi connectivity, manual control, Raw support, a 3-inch tilting screen and 4K movie recording. Read our Nikon Coolpix B700 review to find out if this superzoom camera is worth a look...

The Nikon Coolpix P1000 is a new super-zoom bridge camera with an astonishing 125x zoom lens, providing an effective focal range of 24-3000mm! The Nikon P1000 also has a back illuminated 16 megapixel CMOS sensor, 3.2-inch vari-angle LCD screen, electronic viewfinder, 4K Ultra HD movie recording, and RAW file support. Read our in-depth Nikon Coolpix P1000 review now...

The Sony RX10 III is a new premium super-zoom camera featuring a 28-600mm lens with a maximum aperture of f/2.8-4, a 20.1 megapixel 1.0-type CMOS sensor, 4K video recording, wi-fi and NFC connectivity, support for the Raw format and full manual controls. Read our in-depth Sony Cyber-shot DSC-RX10 III review now...

For 2016, Canon has introduced a new affordable super-zoom camera for its SX-seires. The PowerShot SX420 IS succeeds the SX410 IS and features a 42x optical zoom lens (a 24-1008mm equivalent) with optical image stabilization to ensure video and still images are as wobble-free and as crisp as possible.

Smart Auto (32 scenes detected), Program AE, Live View Control, Portrait, Face Self-Timer, Low Light (5.0MP), Fish-eye Effect, Miniature Effect, Toy Camera Effect, Monochrome, Super Vivid, Poster Effect, Fireworks, Long Shutter

The Canon PowerShot SX420 IS features an improved 42x optical zoom lens (equivalent to 24-1008mm) and Optical Image Stabiliser, a 3" rear screen and a 20-megapixel sensor. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi and NFC technology. Videos are captured in 720p resolution. The Canon PowerShot SX420 IS is scheduled to be available in February 2016 for an estimated retail price of $299.99.

MELVILLE, N.Y. — Built to deliver high-quality images and HD video and featuring built-in Wi-Fi® and NFCTM connectivity for easy sharing, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the addition of two new cameras to its super-zoom PowerShot SX lineup - the PowerShot SX540 HS and PowerShot SX420 IS digital cameras. Also announced are three new stylish and compact additions to the Company’s PowerShot ELPH series, the PowerShot ELPH 360 HS, PowerShot ELPH 190 IS digital cameras as well as PowerShot ELPH 180, all housed within slim bodies that can easily fit in a pocket or purse.

Experiencing the power of a printed image is also easy when users connect and print to a Canon wirelessii printer, like the Canon PIXMA MG7720. And for even more convenience, the cameras are compatible with the new Canon Connect Station CS100 – a dedicated device for easy image and video viewing, sharing and storage.

The PowerShot SX540 HS digital camera builds on the features included in the PowerShot SX530 HS digital camera. The PowerShot SX540 HS has a powerful 50x optical zoom lens (equivalent to 24-1200mm) with Optical Image Stabilizer for outstanding optical performance. It features a new 20.3-Megapixeliii High-Sensitivity CMOS sensor with DIGIC 6 Image Processor that helps deliver high resolution combined with stunning low-light performance. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi® and NFCTM technology. The new camera features a dedicated movie button so users can easily record 1080p Full HD video at an improved rate of up to 60 frames-per-second in MP4 format with stereo sound. The PowerShot SX540 HS digital camera has an improved advanced Zoom Framing Assist feature that intelligently controls the lens, making it easy to identify the main subject of the shot, even when the subject is moving. It also features a lock button option for quick and accurate subject tracking. Additionally, its new Story Highlights feature automatically selects and compiles images into an exciting highlight reel within the camera without the use of extra software.

The PowerShot SX540 HS digital camera’s large 3.0-inch LCD screen (approx. 461,000 dots) allows easy viewing even from a wide angle. Its Hybrid Auto mode records quick video clips before each still and compiles them together to make a short highlight reel. The PowerShot SX540 HS digital camera is scheduled to be available in March 2016 for an estimated retail price of $399.99iv.

Based on the successful PowerShot SX410 IS model, the PowerShot SX420 IS digital camera features an improved powerful 42x optical zoom lens (equivalent to 24-1008mm) and Optical Image Stabilizer for outstanding optical performance. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi® and NFCTM technology. The 20.0- Megapixeliii sensor with DIGIC 4+ Image Processor helps deliver stunning image quality. Smart Auto intelligently selects the proper settings for the camera based on predefined shooting situations, and 720p HD video capture in MP4 format.

The PowerShot SX420 IS digital camera also features Scene modes such as Fisheye effect, Toy Camera effect and Monochrome, which provide creative freedom to capture your photos. While taking these creative photos, Eco mode helps reduce power consumption for longer battery life.

The camera’s large 3.0-inch LCD screen (approx. 230,000 dots) allows for easy operation and sharing. The PowerShot SX420 IS digital camera is scheduled to be available in February 2016 for an estimated retail price of $299.99iv.

The PowerShot ELPH 360HS is slim and stylish, boasting a 12x optical zoom lens with Optical Image Stabilizer that helps capture images with flexibility and ease. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi® and NFCTM . The 20.2-Megapixelii CMOS sensor combines with the DIGIC 4+ Image Processor to help deliver stunning image quality even in low light. The PowerShot ELPH 360HS digital camera also captures spectacular 1080p Full HD video.

The camera’s large 3.0-inch LCD screen allows for easy viewing and the Hybrid Auto feature records quick video clips before each still and compiles them together to make a short highlight reel. Story Highlights mode automatically selects and compiles images into an exciting highlight reel within the camera without the use of extra software.

The PowerShot ELPH 360HS digital camera is scheduled to be available in February for an estimated retail price of $209.99 iv and will be available in silver and purple.

The PowerShot ELPH 190 IS digital camera delivers high-quality imaging capabilities with a 10x optical zoom lens with optical image stabilizer and 20-Megapixeliii CCD sensor. A dedicated Wi-Fi button allows for easy sharing and transferring of images over Wi-Fi® and NFCTM technology. The PowerShot ELPH 190 IS digital camera features smooth 720p HD video capabilities with Smart Auto mode, Scene modes and Eco mode to preserve battery life.

The PowerShot ELPH 190 IS digital camera is scheduled to be available in February 2016 for an estimated retail price of $159.99iv and will be available in black, red and blue.

The PowerShot ELPH 180 digital camera delivers high-quality imaging capabilities with an 8x optical zoom lens and 20-Megapixeliii CCD sensor. The PowerShot ELPH 180 digital camera features smooth 720p HD video capabilities with Smart Auto mode, Scene modes and Eco mode to preserve battery life. It also includes the Auto Zoom feature that automatically zooms in to frame subjects and keep them in focus.

The PowerShot ELPH 180 digital camera is scheduled to be available in February 2016 for an estimated retail price of $119.99iv and will be available in silver and red.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean (excluding Mexico) markets. With approximately $31 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2014† and is one of Fortune Magazine"s World"s Most Admired Companies in 2015. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company"s RSS news feed by visiting www.usa.canon.com/rss and follow us on Twitter @CanonUSA.

Sometimes, inspiration comes from the tools we use to create. Take the D5500 for example, a compact DSLR capable of inspiring a new level of creativity. From the moment you flip the touchscreen Vari-angle display and capture an ultra-sharp 24.2-megapixel photo, you"ll begin to see your photography in a new light. At the flick of a switch, the D5500 transforms into a versatile Full HD video camera. Record 1080 video at a high speed frame rate of 60p—perfect for capturing fast-moving subjects or creating ultra-smooth slow motion effects. Break free of the ordinary with star trail images, interval–timer sequences and HDR photography. Add artistic filters and effects and even retouch your shots right in the camera, and then share your creations instantly with built-in Wi-Fi®. Inspiration has a new name, and it"s the D5500.

To create amazing photos and videos, a digital SLR needs a great lens, a great image sensor and great image processing. The D5500 has all three. It"s high-resolution sensor has no optical low-pass filter, freeing it to capture the outstanding details provided by NIKKOR lenses. Enlarge or crop your shots without losing detail or sharpness. EXPEED 4 image processing handles all of that data with ease for clean, sharply defined images in low light up to 25,600 ISO, 1080/60p videos and an extremely wide dynamic range.

A first for Nikon DSLRs, the D5500 features a touchscreen Vari-angle LCD for exciting new shooting possibilities and easier handling. Flip out the large 3.2-inch display for an interesting new angle, then simply touch where you want to focus and shoot. A new Fn button gives you one-touch access to important settings like aperture, ISO sensitivity, AF mode and more. During playback, pinch to zoom in and check the details. Easily navigate menu items, set video settings and more, all as familiar as operating a smartphone.

Share amazing moments while they"re happening and without missing a beat. Flip out the LCD and start taking DSLR-quality selfies! The D5500 quickly transfers your creations to a compatible smartphone or tablet± for easy sharing by email, texting or posting online, wherever you are, using the Wireless Mobile Utility app.—no hot spot needed. Your smartphone or tablet can even act as an external monitor and remote control for the D5500—imagine the possibilities!

There"s an old saying: the best camera is the one that"s with you. The D5500 is designed to always be with you. It"s small and lightweight (just 14.9-oz), so you won"t mind taking it along. Its strong and durable (thanks to a monocoque structure featuring long-fiber reinforced thermoplastics), so you won"t worry when conditions get rough. Its ergonomic design and deep grip is comfortable and stable in anyone"s hand; and easy-to-use controls will have you shooting the pictures you"ve always wanted in no time.

When you’re capturing fast-moving action, especially outdoors, you need a clear view of what’s happening. That’s when the D5500"s high-quality optical viewfinder really comes in handy. Put the camera to your eye and enjoy a beautiful, glare-free view through the lens. Take your shot, and the moment you pull the camera away from your eye, the D5500 automatically displays it on the LCD for you.

The D5500 is a highly intelligent camera that makes it easy to take great photos and videos. Nikon"s innovative Scene Recognition System uses information from the camera’s 2,016-pixel RGB sensor and image sensor to analyze the brightness and color of a scene. It then compares your shots to a database of thousands of similar shots, and then optimizes the camera settings—white balance, focus tracking, flash information and more—to ensure you get optimal results.