vari-angle clear view ii lcd touch screen factory

By continuing to use AliExpress you accept our use of cookies (view more on our Privacy Policy). You can adjust your Cookie Preferences at the bottom of this page.

It’s hard to go a full day, or even an hour, without scrolling across a stunning image of a landscape or picturesque foreign town. Instagram has brought these incredible views right to your fingertips. These snaps make you stop and stare, and the very best transport you around the world in an instant. And naturally, they have the power to inspire you to venture out and try your hand at photographing your own world and travels.

Creating a gorgeous image truly starts with your camera. DSLR cameras are likely the powerhouse tools behind the images you regularly double tap and were made to capture impressive scenes, minute details and everything in between. DSLR stands for digital single-lens reflex camera and was designed to mimic the popular SLR film camera. As such, they follow a similar design with a viewfinder, a reflex mirror and an interchangeable-lens system.

Unlike basic digital cameras, when buying a DSLR camera, you’ll likely purchase at least two parts. They are made up of two main components, the body and the lens. Generally, these pieces are sold separately, and there are specific lens options for each camera body. The DSLR camera body contains a mirror that reflects the light onto an optical viewfinder that displays the image viewed through the lens.

For example, the Canon EOS 70D DSLR features redefined autofocus technology along with an enhanced feature set, upgrades to its predecessor. With the enhanced capabilities also comes a higher price tag. Similarly, the newer Canon EOS 80D DSLR offers even more upgraded features. It boasts excellent auto-focus in live view, as well as video mode and faster shutter speed for capturing every moment and movement. The camera body also includes weather sealing to protect against the elements. These are valuable features, but it may be hard for less experienced shutterbugs to justify the added cost.

The top pick, the Canon EOS 5D Mark IV DSLR, also falls within the intermediate category, albeit on the higher end. It has top-of-the-line professional features and innovative technology that contribute to its high-end price tag, yet a user-friendly and compatible design make it approachable. Notable features like 4K video capture, an upgraded auto-focus system, a touchscreen and high-quality 30.4 megapixels add to its appeal for aspiring shutterbugs and professionals alike.

While this camera is really small, it still has the DSLR features you have come to love including a through-the-lens (TTL) optical viewfinder, fast phase detection AF, very long battery life, a responsive shutter release and a grip that places you in control.

The EOS Rebel SL3 (named EOS 250D in Europe, EOS Kiss 10 in Japan and EOS 200D II in Asia/Oceania) is a replacement for the Canon EOS Rebel SL2 / 200D,

Live view AF features 3,975 manually selectable AF points, up to 143 auto selection AF points, up to 88x100% (WxH) imaging area coverage, 0.03-second focus speed, and EV -4 (extremely dark) sensitivity

As with all APS-C format cameras, a selected lens" focal length will provide an angle of view similar to that of a 1.6x longer focal length mounted on a full frame sensor camera (including when using EF-S series lenses).

Camera sounds are recorded using a Tascam DR-07mkII (predecessor to the Tascam DR-07X) Portable Digital Audio Recorder with record levels set to 50% at -12db gain and positioned 1" behind the rear LCD.

Allow some room for slight error when comparing the above AF point spreads, but the viewfinder representations are at least close and are helpful in understanding the differences between the cameras.

Obvious is that the full frame models give up a percentage of the viewfinder coverage to the smaller format options and the SL3 lacks the AF point density of its larger siblings.

Live View and Movie focusing modes include what has become the Canon standard for Dual Pixel CMOS AF: Face Detection with Tracking, Zone AF (no longer Smooth Zone AF or FlexiZone Multi), and 1-point AF (no longer FlexiZone Single).

Information obtained during a phone conversation with Canon USA indicated that this Live View system has EV -4 (extremely dark) sensitivity and an also-impressive 0.03-second focus speed.

The SL3"s capacitive touchscreen was inherited from the M50 (and other models) allowing for Touch Focus during both Live View still photography and before/during video recording.

The phone conversation with Canon USA indicated that the SL3 has the same video features as the M50. Therefore, the following is a nearly identical cut-and-paste of the M50"s video review (the camera model name has been updated).

With each new camera that Canon has introduced since the ground-breaking EOS 5D Mark II, creating high-quality videos has become incrementally easier.

If outputting to 1080p, you can easily downsample the 4K video (with very slight cropping on the right and left sides), crop the frame to provide a tighter angle of view

The SL3’s Vari-Angle LCD is a feature that videographers will greatly appreciate, making filming from low or high angles – or for filming oneself for video log purposes – a breeze.

Metering modes include Evaluative (linked to all AF points), Partial (center, approx. 9.0% of viewfinder), Spot (center, approx. 4.0% of viewfinder) and Center-weighted average.

The SL3"s viewfinder provides an approx. 95% view of the scene to be recorded, meaning that some additional scene beyond what is seen in the viewfinder will be present in images.

This is a 3.0" (77mm) TFT LCD with approximately 1,040,000 dots and solid-state structure design for clarity, durability and an approximately 170° viewing angle.

Anti-smudge and anti-reflection coatings are not applied to this LCD, meaning that it is not quite as easy to clean as the coated models and that reflections can sometimes affect viewing.

Having the LCD able to articulate into a wide range of angles is a big asset, making the camera easily usable in a variety of positions, including directed straight up from on the ground or held high overhead.

Keep in mind that the SL3 keeps its tiny dimensions even with the vari-angle LCD and the increased (from SL1) grip depth. The SL3 grip is just large enough to be comfortable with the pinky curled under the camera and no fingers pressing into the lens when solidly grasping the camera.

As always, battery life can vary greatly depending on how the camera is being used with flash, Live View, video recording, temperature and other factors coming into play.

Keeping a review of the incredibly-feature-laden Rebel SL3 concise but complete is a difficult balance to find and this review is not a complete description of every Rebel SL3 feature available.

Canon has published an intimidatingly-huge 493-page owner"s manual (a link to the manual is provided with this review) that highlights all of the features found on this camera and explains their use.

The Canon EOS Rebel T8i (also known as the EOS 850D or Kiss X10i in some markets) is a 24MP DSLR camera that is compatible with the company"s EF and EF-S mount lenses. It has an optical viewfinder, but it also has a usable and responsive touchscreen interface and live view experience that"s a match for the company"s mirrorless camera options.

So why might you consider a DSLR in our increasingly mirrorless world? Some photographers still prefer DSLRs for their crisp, lag-free through-the-lens viewfinders, and there"s a much wider array of lenses available to DSLR shooters without the need for adapters.

On the inside, while the sensor resolution and sensitivity range are unchanged, a faster image processor allows a modest increase in burst performance. It"s now rated at 7 frames per second through the viewfinder, or 7.5 fps in live view mode, up from 6 fps in the T7i. There"s also a somewhat finer-grained 384-zone metering sensor in place of the earlier 315-zone sensor.

Canon has also added support for 4K movie capture, although this comes with several limitations including a significant focal length crop, contrast-detection autofocus (rather than the more reliable Dual Pixel AF you get in lesser Full HD modes) and a fixed 24 fps frame rate. And autofocus algorithms have been refined to add eye detection in live view mode, and face detection when shooting through the viewfinder.

Compared with two of its mirrorless rivals, the Nikon Z50 and Sony a6100, the Canon T8i offers much better battery life, so long as you stick to its optical viewfinder. The T8i is quite a bit bulkier though, despite not offering weather-sealing.

One thing that"s hard to capture in a table are the differences between the camera"s AF systems. In its optical viewfinder, the T8i"s 45 autofocus points are centrally clustered, which can get in the way of creative compositions. Switch into live view and you have autofocus points spread across the frame, the same as the other options give you on their rear screens and their electronic viewfinders.

Compared to the smaller and more affordable Canon Rebel SL3, the T8i offers more sophisticated autofocus through its slightly smaller finder, though the SL3 offers you a third more shots per charge. On the mirrorless side of the equation, the T8i bests the Canon EOS M50 Mark II"s 235-shot battery life whether you"re using the optical viewfinder or live view, but the mirrorless model is lower-priced, significantly more compact / lightweight and offers faster 10 fps burst capture.

Although its body is plastic, the Canon T8i is very solid in-hand, with no creaks or flexing. It"s also pretty light and compact for a DSLR. The main controls are well-placed and easy to locate by touch.

There will always be some photographers that prefer an optical viewfinder; the T8i"s is serviceable, but it"s on the small and dim end of the spectrum.

Sadly, the pentamirror viewfinder is dim and tunnel-like compared with the electronic finders of mirrorless rivals and even some rival SLRs, such as the less-expensive Pentax K-70 (which has a larger pentaprism design which is brighter than pentamirror designs).

The rear LCD is crisp and easy to see even under sunlight if you turn up the brightness. Its fully-articulated mechanism allows framing from most angles, even for selfies.

The on-screen UI is standard Canon. It"s fairly clear and logically laid-out, and can be navigated with buttons, dials or the very precise touchscreen. Your most-used options can be saved in the My Menu section for quick recall.

Battery life is excellent when shooting stills through the viewfinder, and I never needed a second battery even during lengthy day trips. (I passed 500 frames captured without the charge level indicator dropping even a single bar, which impressed me.) If you shoot a lot of video or use live view frequently, the LCD can burn through power fairly quickly, though. For that reason, the T8i goes to sleep by default after ten seconds unless in menus or live view / playback modes.

Out of camera JPEGs mostly showed pleasing color both outdoors and under artificial light, although I found the latter a little more variable, with some images a tad warm and others a little on the cool side. In both the green fully-automatic mode and program autoexposure, the T8i"s metering proved pretty accurate, and at lower sensitivities there was a fair amount of fine detail as well, although I felt the default sharpening was a touch aggressive.

Of course, shooting in Raw format helps somewhat as you can rely on the greater processing power of your computer to help tame noise while still holding onto color and detail. And there"s a fair bit of scope to correct exposure within a couple of stops, as well. Raws can also be processed in-camera, which is a nice touch for making quick adjustments on the go.

One notable change is that the Rebel T8i no longer tends to overexpose nearby subjects by raising and firing the flash when it"s not really needed, since it can no longer pop up automatically. You need to pay attention to your shutter speeds, though, and either raise the ISO, or lift the flash yourself. Sadly, there"s no warning in the viewfinder when shutter speeds stray below the point where exposures can safely be shot hand-held.

The Canon T8i"s autofocus system has two distinct operating modes, depending upon whether you"re using the optical viewfinder or live view modes. Both systems are capable of locking focus quickly and accurately in good light. In darker conditions, both take a bit longer to achieve a lock, but if I was capable of seeing the subject through the viewfinder, the camera could usually manage to focus on it within a couple of seconds.

When shooting through the viewfinder there are a total of 45 autofocus points, all of which are cross-type. As you can see in the above illustration, they only cover about two thirds of the frame width and a little over a third of the frame height. For live view mode, almost the entire frame is covered vertically, and significantly more of its width as well.

Live view also offers both face and eye detection and lets you select which face or eye to focus on using the four-way controller or touch-screen. Viewfinder shooting only has face detection, and you can"t directly control which face to focus on, although if you aim directly at a particular face before half-pressing the shutter button, the camera will then try to follow that face.

Really, my only complaint with autofocus is that it can be confusing if you"re frequently switching between live view and viewfinder shooting. Each mode is configured separately, so for example switching one mode to continuous servo AF won"t affect the other mode"s setup. On the other hand, this separation of settings could be useful if you"re switching from shooting stills in the viewfinder and video in live view. Which brings us to...

But on the other hand, it trails its mirrorless camera rivals in terms of both autofocus and burst capture performance. And the feature which differentiates it most clearly from those rivals – that mirror-based optical viewfinder – gives a disappointingly small and dim view of your subject.

But with all of that said, the T8i does give you pretty good still image quality and usable high-definition video capture. And it does so at a pretty affordable pricetag, as well, and with battery life that"s in a totally different ballpark to mirrorless rivals if you tend to rely on the viewfinder.

So, does the Canon T8i represent the future for Canon? Probably not. But does it offer plenty of camera for the money, particularly for the less experienced photographers at which it"s aimed? I"d say so, despite my reservations about its viewfinder and 4K video capabilities.

The Canon EOS Rebel T8i is well-built with comfortable ergonomics and provides solid image quality for users that prefer an optical viewfinder. Unfortunately, its video capabilities aren"t that impressive, and the viewfinder autofocus system is a little basic compared to what you get on mirrorless cameras through their electronic finders. Still, if you"re in the market for a reasonably affordable DSLR, the EOS Rebel T8i is worth a look.

Amateur photographers looking for a solid camera to learn and grow with, users looking for a fairly compact camera with an optical viewfinder.Not so good for

Photographers that want the best autofocus and exposure performance through the viewfinder, users that are looking for good 4K video and those looking for even more compact options.

There"s the more recent Digic 8 processor and greater AF-point array in live view mode, while the high speed shooting mode is a fraction faster at 7fps.

Its feature set includes the faithful 24.1 megapixel APS-C sensor, 1.04-million-dot vari-angle touchscreen, 7fps burst shooting and Canon"s legendary dual pixel phase detection AF.

Optical viewfinders provide a bright display. However, it"s our opinion that an optical viewfinder such as the one here is less useful than those in enthusiast and professional-level DSLRs for two reasons; display size and frame coverage.

Should you stick to composing images via the viewfinder, the Canon EOS 850D offers an excellent battery life of 800-shots (even though it is a tiny 1040mAh battery unit). Mirrorless rivals can"t come close to this.

Also, we gravitated towards using the Canon 850D"s LCD screen over the viewfinder (we"ll explain why next). With this method, battery life drops to 310-shots.

As such, outside of low light shooting where the optical viewfinder is brighter, conserving battery life is one of the main reasons to use it. This type of viewfinder makes way more sense with full coverage and larger display size.

You"ve still got the same 45-point AF array when using the viewfinder just like with the EOS 800D. Each AF point is the more sensitive "cross-type" and AF response and accuracy is impressive even in low-contrast light.

What"s new here over the EOS 800D is the wider array of AF points in live view mode - 143 in all, just like in the EOS M50. There"s also an effective Face or Eye detection AF in live view.

We like the small Zone AF mode and changing this area using the rear control wheel where necessary via the viewfinder is a breeze. Likewise, for single point or tracking AF, the touchscreen works a treat.

All of the sample images in this review were taken using the 24.1 megapixel Raw + Fine JPEG setting, which gives an average image size of around 26Mb and 8Mb respectively although these file sizes do vary.

To set the EOS 850D apart, we feel that Canon should have majored more in the areas where a DSLR holds the upper hand over mirrorless; better battery life and a bright optical viewfinder.

It"s still competitive with a 24.1 megapixel sensor, rapid and reliable dual pixel AF, a polished vari-angle touchscreen and 7fps continuous shooting.

The Canon EOS 250D / Rebel SL3 is a new entry-level DSLR aimed at people buying their first interchangeable lens camera. It improves on the previous EOS 200D / Rebel SL2 model principally by implementing 4K video recording, a better live view mode, more sophisticated auto-focusing, and longer battery life. Is this the best interchangeable lens camera for beginners? Find out now by reading our in-depth Canon EOS 250D review...

The new Canon EOS 800D / Rebel T7i DSLR camera is positioned between the cheaper EOS 1300D and more expensive EOS 77D, attempting to offer most of the same features as the 77D in a more beginner-friendly design. Find out if it succeeds by reading our expert Canon EOS 800D / Rebel T7i review...

The Canon EOS M50 is a surprisingly capable mid-range mirrorless camera, at least on paper, offering a specification list that in many ways out-does the company"s flagship M5 model. Does it live up to it"s full potential though? Find out by reading our Canon EOS M50 expert review...

Dubbed the Little Giant by Fujifilm, the new X-T30 mirrorless camera takes most of the things that we loved about the flagship X-T3 and packages them into a smaller, lighter body. It even has a few tricks up its sleeve that the X-T3 doesn"t currently offer, most notably a more advanced auto-focusing system. Read our Fujifilm X-T30 review to find out how it compares to the X-T3 and the previous X-T20, and why you should definitely consider buying this new mid-range mirrorless camera...

The Nikon D5600 is a new 24 megapixel mid-range DSLR camera with Snapbridge connectivity. The compact D5600 also offers timelapse movies, a touchscreen interface, 1080/60/50p video recording, ISO range of 100-25,600, 5fps continuous shooting, a range of creative effects, 3.2 inch tilting LCD screen, and a 39-point autofocus system. Read our in-depth Nikon D5600 review now...

The new Olympus OM-D E-M10 IV is the successor to 2017"s E-M10 III camera, principally adding a flip-down LCD screen, 20 megapixel sensor, 15fps burst shooting, better continuous auto-focusing and USB-C charging. Find out how it performs in our Olympus EM10 IV review, complete with with full-size sample photos and videos.

The mid-range interchangeable lens camera market is fiercely fought, with a huge array of formats on offer from all the major camera manufacturers. Enter stage left Panasonic with the new Lumix G90 / G95, a camera that aims to satisfy both photographers and videographers alike. Can it pull off this tricky feat? Read our in-depth Panasonic Lumix G90 / G95 review to find out...

The Pentax K-70 is a new mid-range DSLR camera that inherits a lot of pro-level features. The 24 megapixel K-70 is fully weatherproof, as is the 18-135mm kit zoom lens, and it also offers a vari-angle LCD screen, 6fps continuous shooting, an 11-point Hybrid AF system, an optical viewfinder with nearly 100% frame coverage and an ISO range of 100-102400. Read the World"s first in-depth Pentax K-70 review now...

Power turns off after 10/30 (10 sec viewfinder/30 sec live view, functions, image playback etc.) sec, 30 sec, 1, 2, 4, 8, or 15 mins. Can be disabled.

Canon Speedlites (90EX, 220EX, 270EX, 270EX II, 320EX, 420EX, 430EX, 430EX II, 430EX III-RT, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT, EL100)

Following lenses are not compatible with in-camera digital stabilisation: EF50mm f/1.0L USM, EF300mm f/2.8L IS II USM, EF600mm f/4L USM, EF50mm f/1.2L USM, EF400mm f/2.8L USM, EF600mm f/4L IS USM, EF85mm f/1.2L USM, EF400mm f/2.8L II USM, EF600mm f/4L IS II USM, EF85mm f/1.2L II USM, EF400mm f/2.8L IS USM, EF800mm f/5.6L IS USM, EF200mm f/1.8L USM, EF400mm f/2.8L IS II USM, EF1200mm f/5.6L USM, EF200mm f/2L IS USM, EF500mm f/4L IS USM, EF28-80mm f/2.8-4L USM, EF300mm f/2.8L USM, EF500mm f/4L IS II USM, EF200-400mm f/4L IS USM Extender, EF300mm f/2.8L IS USM, EF500mm f/4.5L USM 1.4x

Peripheral Cross type AF points will not function as a cross type AF points with the following lenses: EF 35-80mm f4-5.6 (II/III/USM), EF35-105mm f4.5-5.6 (USM). EF 80-200mm f4.5-5.6 (II)

Inherited from Canon’s professional range, the EOS 850D is equipped with an Intelligent Tracking (iTR) automatic focus (AF), made possible by the 220,000 Pixel RGB+IR metering sensor. By exchanging high-resolution automatic exposure data with the AF sensor, the iTR automatic focus provides high speed responsiveness and accuracy, ideal for capturing sport and wildlife photography. This advanced technology makes automatic face tracking through the optical viewfinder possible. The ergonomic design features top and rear dials for dual control of both shutter speed and aperture. With this enhanced design, lightweight body and improved connectivity all contributing to greater ease of use, the Canon EOS 850D is a great option for photography enthusiasts who need a camera that can inspire and provide total creative control.

The precise Eye Detect AF in Live View creates natural looking portraits with detailed eyes that bring the subject to life. Also capable of 7fps continuous shooting, accurately tracking subjects on the move is effortless. To give photographers the flexibility to capture from challenging viewpoints, the camera features a Vari-Angle touchscreen which can be positioned at almost any angle for more creative compositions.

When capturing stills in Live View mode, photographers have ultra-fine control when selecting their focal point - offering 143 points in automatic mode or 3975 points in manual selection - thanks to the Dual Pixel CMOS AF. The Remote Live View function gives photographers extended control, including remote shutter release and the ability to view from their smartphone; perfect for when photographers need to step away from the camera. Capable of shooting in RAW, photographers can utilise all the information captured by the sensor, while shooting in C-RAW format will produce a smaller file size that almost doubles the continuous shooting buffer from 40 images to 75. With in-camera RAW editing, users can perfect their images without the need for a computer or mobile device.

The connectivity options offer enthusiasts more ways to share their work and greater security when capturing. With 2.4GHz Wi-Fi and Bluetooth® Low Energy connectivity, photographers can connect the Canon EOS 850D to their iOS or Android device through the Canon Camera Connect app, to edit and share high-quality images. From here, content can be downloaded to a smart device, reviewed and posted on social media or shared with friends and family. With this integration, photographers can easily edit using DPP Express for iPad for a full RAW workflow on the move. The Auto Image Sync also provides worry-free back up of both stills and movies to the users’ computer with Image Transfer Utility 2, so precious shots are never lost.

Sometimes, inspiration comes from the tools we use to create. Take the D5500 for example, a compact DSLR capable of inspiring a new level of creativity. From the moment you flip the touchscreen Vari-angle display and capture an ultra-sharp 24.2-megapixel photo, you"ll begin to see your photography in a new light. At the flick of a switch, the D5500 transforms into a versatile Full HD video camera. Record 1080 video at a high speed frame rate of 60p—perfect for capturing fast-moving subjects or creating ultra-smooth slow motion effects. Break free of the ordinary with star trail images, interval–timer sequences and HDR photography. Add artistic filters and effects and even retouch your shots right in the camera, and then share your creations instantly with built-in Wi-Fi®. Inspiration has a new name, and it"s the D5500.

A first for Nikon DSLRs, the D5500 features a touchscreen Vari-angle LCD for exciting new shooting possibilities and easier handling. Flip out the large 3.2-inch display for an interesting new angle, then simply touch where you want to focus and shoot. A new Fn button gives you one-touch access to important settings like aperture, ISO sensitivity, AF mode and more. During playback, pinch to zoom in and check the details. Easily navigate menu items, set video settings and more, all as familiar as operating a smartphone.

Share amazing moments while they"re happening and without missing a beat. Flip out the LCD and start taking DSLR-quality selfies! The D5500 quickly transfers your creations to a compatible smartphone or tablet± for easy sharing by email, texting or posting online, wherever you are, using the Wireless Mobile Utility app.—no hot spot needed. Your smartphone or tablet can even act as an external monitor and remote control for the D5500—imagine the possibilities!

When you’re capturing fast-moving action, especially outdoors, you need a clear view of what’s happening. That’s when the D5500"s high-quality optical viewfinder really comes in handy. Put the camera to your eye and enjoy a beautiful, glare-free view through the lens. Take your shot, and the moment you pull the camera away from your eye, the D5500 automatically displays it on the LCD for you.

Retouch Menu makes it easy to improve the look of your photos. Soften skin tones, highlight a subject, soften a background, crop, create a color outline and more—all right at your fingertips!

Canon has unveiled EOS 90D, a DSLR camera, and EOS M6 Mark II, a mirrorless interchangeable-lens camera (MILC), for launch in Taiwan on September 27, according to Canon Marketing...

Canon on July 25 unveiled the EOS 6D Mark II, a full-frame DSLR camera, for launch in the Taiwan market on August 1 at a recommended retail price of NT$59,900 (US$1,970) for camera...

Canon on April 14 launched the EOS M6 MILC camera featuring a 24.2-megapixel CMOS image sensor, 3-inch 1.04 million-dot LCD touch screen, dimensions of 112.0 (W) by 68.0 (H) by 44.5...

Canon has launched EOS 5D Mark IV, a DSLR full-frame camera featuring a 30.4-megapixel CMOS image sensor, Dual Pixel RAW image technology and a 3.2-inch Clear View II LCD touch screen,...