how to turn on lcd screen on canon 80d price
Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera"s internal components.
* In addition to the above, the icons and symbols used on the camera"s buttons and displayed on the LCD monitor are also used in this article when discussing relevant operations and functionality.
The LCD screen on my new Canon 80D is not working properly. When I turn on the camera the LCD screen just stays black. I can see the menu, the info, I can see the settings when pressing the Q button, but it won"t show me what the lens is seeing. It only works when i enter Live view for some reason...
LifeView swings the mirror away to bring the picture that the lens sees to the sensor which displays it on the screen. If you want a camera that shows the picture nearly always on the screen you should have bought a mirror less camera and not a DSLR.
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In the settings I just found this: LCD Off/On BTN: By default, the Shooting Settings screen remains displayed on the monitor even if you press the shutter button halfway, and you must press the Info button to turn off the display.
When you press the shutter button halfway, the display will turn off. And when you let go of the shutter button, the display will turn on. You can also turn off the display by pressing the
Does Canon 80D have touch screen? The touch-screen operation on the EOS 80D is almost identical to that employed on smartphones, with the built-in sensor responding to finger gestures such as taps and slides on the screen. Many features on the EOS 80D now support touch-screen operation.
When you press the shutter button halfway, the display will turn off. And when you let go of the shutter button, the display will turn on. You can also turn off the display by pressing the
How do I turn my Canon screen on? When you press the shutter button halfway, the display will turn off. And when you let go of the shutter button, the display will turn on. You can also turn off the display by pressing the
Set the lens focus mode switch to
The Canon 80D DSLR camera comes with a 24.2-megapixel, APS-C CMOS sensor that provides high-resolution photo quality, greater detail, and improved precision. Thanks to the DIGIC 6 processor, you can shoot movies continuously in Full HD 60p/50 and images up to 7.0fps.
A liquid-crystal display (LCD) is a flat-panel display or other electronically modulated optical device that uses the light-modulating properties of liquid crystals combined with polarizers. Liquid crystals do not emit light directly, instead using a backlight or reflector to produce images in color or monochrome.
To open up your webcam or camera, select the Start button, and then select Camera in the list of apps. If you want to use the camera within other apps, select the Start button, select Settings > Privacy > Camera, and then turn on Let apps use my camera.
LCD Brightness: This option enables you to make the camera monitor brighter or darker. … LCD Off/On BTN: By default, the Shooting Settings screen remains displayed on the monitor even if you press the shutter button halfway, and you must press the Info button to turn off the display.
Use the “INFO” button to get to the shooting settings screen (same screen as the “Q” button). Then shut the camera off while that screen is displayed. It will come back like that next time you power up the camera.
When you shoot in Live View mode, you have three focusing options on your Canon EOS 7D Mark II. Two options are used for taking photographs of landscapes and objects, and the other focusing mode is used to detect faces. … The Live View AF mode options display on the camera LCD monitor.
Like many SLRs these days, the Canon 7D features a Live View mode for its rear-panel LCD monitor. … Canon has included two optional modes to reduce shutter noise in Live View mode, first seen on the EOS 40D.
It has all the features you would expect in a DSLR in its price range. While it isn’t the newest DSLR around and has been discontinued by Canon, it is worth considering before shelling out a much larger sum of money.
Merging power, precision and operability, the EOS 80D is a dynamic SLR camera for anyone ready to realize their creative vision. This product has been discontinued and is no longer in stock.
The Canon EOS 80D is great for photographers who want to step up from Canon’s Rebel line, as well as 70D owners who want to upgrade to a much better AF system. … This mirrorless camera is compact but really fast, can shoot up to 11 fps and records 4K video.
Canon 80D Lenses. Canon 80D has a Canon EF/EF-S lens mount and currently there are 326 native lenses available for this mount. Canon 80D doesn’t have a sensor based image stabilization system but 112 of these lenses already comes with optical image stabilization.
Canon has two lens types for its digital SLRs: EF (compatible with full frame and crop sensor cameras) and EF-S (compatible only with crop sensor cameras). For the 80D, you have the choice of either lens type.
In addition to stills recording, the 80D also supports Full HD 1080p video recording at up to 30 fps in the MOV format with ALL-I compression, or 60 fps in the MP4 format with IPB compression.
#1 - Shutter release button. Pressing this button will take a picture. Lightly pressing the button halfway first will lock the focus and exposure and then the rest of the way will take the picture. Pressing and holding the button will take a series of images in rapid succession.
#2 - AF operation. One shot AF, AI Focus AF, and AI Servo AF are the 3 options here. One shot AF is the name of Canon"s Single-Servo autofocus system, that focuses on a subject once, and then stops focusing. The acquisition of a focus lock is often indicated by a beeping sound from the camera. AI Focus AF behaves identically to One Shot AF with one exception. The camera will achieve focus and emit the confirmation beep, which, allows you to go ahead and capture the shot. However, the critical difference is that the camera will continue to monitor the distance to the subject, and if it changes, will attempt to refocus. AI Servo AF should be used for photographing moving objects or if you are moving while filming. As long as you are half-pressing or fully pressing the shutter release, (or using the popular AF-ON technique) the camera"s autofocus system will continuously track whatever subject is under your selected focus point. In video mode/live view photo mode you can enable face tracking, and a multi-zone or a single point zone.
#3 - Drive. This button will change how many pictures you will take at once. You can set to single shot or different amount of high speed or low speed continuous shots. It also includes a 2 second and 10 second timer.
#4 - ISO. This setting allows you to change the image sensitivity of the image sensor. The lower the number the less sensitive your camera is to light. The higher the number the more sensitive. Higher ISO"s are prone to an increase in noise (grain) so be careful not to set this value too high unless noise doesn"t matter to you. With a higher ISO you can also then use a higher shutter to help freeze movement in photography.
#5 - Light metering type selection. This button determines which areas of the frame are used by the camera to measure subject brightness and how the camera sets exposure. Evaluative metering, partial metering, spot metering, and center weighed average are the options.
In evaluative metering, the camera breaks the frame into a number of zones, measures the amount of light in each zone, and then uses the findings to determine the ideal exposure. Spot metering is where the camera determines a proper exposure not on the average brightness levels of the whole frame, but just of one specific spot. Partial metering is useful for handling backlit subjects. The metering is weighted according to the very center of the shot. Center weight average measures the whole scene but places extra emphasis on the light values in the middle. Unlike partial metering it does take into consideration the surround portions of the shot.
#6 - Focus point type selection. This button allows you to change where the autofocus points are. There is a grid containing 45 autofocus points that can selected as individual points (1 of 45), zones (a block of 9 points), large zone (a group of 15 either in the middle, left or right), and finally auto selection from scanning the whole image. This will tell the camera where to focus. You can also press the touch screen to choose an object to focus on. You need to enable live preview on the LCD first for that.
#10 - Magnify button. This button will magnify your image on the LCD screen to assist with focusing. Tap multiple times to magnify further into the image. In photo mode it acts as the focus point type selection.
When it comes to choosing a new camera, one feature is cropping up as an important factor more than ever before: does the camera have a flip screen? In this article, we share the best Canon cameras with a flip screen.
The display screen can be a critical feature for certain types of photographers, and especially videographers. If you do anything in a selfie-style, a flip screen will be a welcome addition to your camera.
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Flip screens have many uses. For more modern camera systems, it is a basic feature that you should not miss out on. Although it may not be first on your list of priorities, you can guarantee that at some point in your photography career, you will need to use one!
The flip screen is fully rotatable – it can be flipped-out, but also rotated in various angles. This provides great flexibility when operating the EOS 90D. You can use the screen to experiment with tough angles. The LCD screen also has touchscreen capabilities, a welcome addition for using live view, and touching the screen to set your focus point!
Not only is the EOS 90D a top choice for photography, but it also excels at video recording too. It benefits from a 45-point AF system and is capable of recording video at 4K UHD.
The camera also sports an LCD touchscreen that has a 3.69 million dot resolution. This touchscreen can be fully flipped and rotated. Some users have commented, however, that the flexibility of the touchscreen does appear faulty – we advise therefore to treat it with caution and report any issues immediately.
The EOS R also has a powerful autofocus system which allows you to quickly and accurately focus on moving objects. It also has 4K UHD video recording at 30P. Whilst this camera is currently one of the best Canon cameras with a rotating screen, remember that the EOS R5 and EOS R6 are due for release too – these cameras promise to be something else!
If you want a mirrorless device complete with a flip screen – this is a great choice. It has a 24.1MP CMOS sensor and uses the latest DIGIC 8 image processor.
The camera system benefits from 4K UHD video recording and an advanced autofocus system. The combination of a flip screen, 4K quality, and autofocus system makes it a great Canon camera with a flip display specifically for video recording.
In addition to this, the Canon EOS M50 utilizes the EF-M lens range. Canon is currently expanding this range to include new models. However, there is already a great selection including a 22mm wide-angle and a 200mm zoom lens. Also, the M50 has Wi-Fi connectivity and you can upload your photos directly to an external device.
The 20.1MP CMOS sensor allows you to create excellent images. Despite trailing behind slightly in terms of its image processor, the image quality is still amazing. It is further enhanced by high ISO capabilities and stellar optics.
The lens has an equivalent focal length of 24-100mm, a 4.2x optical zoom, and 4x digital zoom. It offers an aperture range of f/1.8 to f/2.8 at different zoom levels.
It is a stylish point and shoot camera that is highly portable. You could consider using this as a travel camera. The LCD screen can flip-up 180-degrees but unfortunately, it does not have a rotate feature.
The Canon EOS 6D Mark II has a powerful 26.2MP CMOS sensor which offers awesome image quality. This is complemented by the DIGIC 7 image processor. This full-frame camera benefits from the Canon EF lens mount which gives it access to the widest range of Canon lenses available.
Not only does the 6D Mark II have brilliant image quality, but it also has excellent low-light capabilities too. It has a maximum ISO range of 40,000. The sensor design also means that low-light images have minimal noise.
If you are considering this excellent DSLR, be prepared to shell out a fair amount of cash. The body itself is fairly expensive and adding lenses is sure to pile on the dollars.
It has an impressive 24.2MP CMOS sensor and excels at low-light photography. The main downside is that it only has the DIGIC 6 processor which is slightly outdated.
That being said, it still produces fantastic quality images. The LCD screen can be flipped and rotated fully. And as with many of Canon’s DSLR and mirrorless cameras, it benefits from the Dual Pixel CMOS AF which is currently Canon’s most advanced autofocus system.
The Rebel range of Canon cameras has been hugely successful. This range of cameras are generally great for beginners, but still offer a wide array of quality features.
Canon has announced the T8i which will be the latest release – and one of the best Canon cameras with a flip screen. But until its release, the current
The LCD-screen is touchscreen capable and shows image previews in excellent clarity. Moreover, you can use the touchscreen to autofocus on objects (This is brilliant with the enhanced Dual Pixel CMOS AF functionality). It can be rotated and flipped fully, giving you a diverse range of viewing angles.
We feel that all modern DSLR cameras should have a flip screen – it’s a relatively simple function that shouldn’t be missed. It is annoying to see powerful cameras like the Canon EOS 5D Mark II lacking such a basic feature.
If you feel that a flip screen is beneficial, hopefully, you have found this information useful. When using the flip screen, remember to take care. If you are shooting from difficult angles, the exposed LCD screen could become damaged.
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What"s there to say about the Canon 80D? The camera is an excellent, well-built DSLR that produces reasonably sharp, detailed photographs and high quality Full HD video. It"s comfortable to hold with classic Canon DSLR styling, ergonomics and controls, and its versatile AF system is great -- especially thanks to Dual Pixel CMOS AF. The 80D feels like a tried-and-true Canon DSLR -- nothing over the top, ground-breaking or revolutionary, just what it"s meant to be. It"s a straightforward camera that works well, performs well, and captures pleasing images. And for that, it gets our applause.
But, the devil is in the details, so let"s begin with the Canon 80D"s image quality. Overall, the Canon 80D offers solid performance in the image quality department on nearly all fronts at both low and higher ISOs. The new 24-megapixel APS-C sensor now puts the Canon 80D more in-line with a number of major competing APS-C cameras, and results in excellent, highly detailed images. Despite the increase in resolution, the Canon 80D"s new sensor also shows modest improvements with a higher maximum native ISO over the 70D, lower shadow noise, and improved RAW high ISO performance, but it still lags somewhat behind the best modern competitors, though.
The Canon 80D"s sensor still features an optical low-pass filter, while most of its competitors are doing away with it to get an extra leg-up on fine detail resolving power. In some cases, this is a noticeable benefit, but it does have its drawbacks, namely moiré and other aliasing artifacts which can be difficult to remove later on. For the target customer of the Canon 80D we think it"s a smart choice to include a filter, but in terms of absolute maximum sharpness, the Canon 80D is at a disadvantage. On the plus side, at least for JPEG shooters, Canon has included their new "Fine Detail" Picture Style, which we first saw included on the high-end 5DS and 5DS R cameras. With the Canon 80D, Fine Detail doesn"t offer as striking of a difference as we saw with the 5DS/R cameras, but it does show a subtle improvement with more natural fine detail rendering and fewer sharpening halos.
On the subject of detail and sharpness, the Canon 80D can be purchased in a kit configuration with a new 18-135mm f/3.5-5.6 IS USM lens. Featuring a new "Nano USM" AF system, this lens is not only versatile in terms of focal length range, but its AF performance is super quick and super quiet. What is disappointing, however, is its sharpness. The lens is not very sharp overall, and especially in the corners. Chromatic aberration and distortion is also problematic. You can correct for all of this with in-camera JPEGs -- and the 80D does a good job there -- but it"s quite apparent with uncorrected RAWs. For a one-lens solution, the 18-135mm is okay, but there are sharper options out there.
While certainly not as speedy and as quick-firing as its 7D Mark II big brother, the Canon 80D"s performance is a comfortable and capable middle ground that"s plenty fast for a variety of fast action, sports and wildlife pursuits. Claiming up to 7fps bursts in continuous mode, our lab tests show this to be the case if just a hair under spec. This is unchanged from the 70D"s burst rate, however buffer performance is noticeably improved which should keep you shooting for longer -- and all this despite the heftier 24MP resolution. According to our buffer depth tests, the 80D managed a healthy 53 best quality JPEGs, dipping down to 19 frames for RAW+JPEG. Buffer clearing was quite good, at only four seconds for JPEGs or 13 seconds for RAW+JPEG, and the camera lets you continue firing shots or change settings while clearing the buffer so you can keep on capturing.
The Canon 80D"s autofocus undergoes a big upgrade compared to its predecessor. Sporting a 45-point phase-detect autofocus system, it"s a very nice upgrade and much more versatile than the 19-point AF system of the 70D. The 80D doesn"t offer as many of the AF Area modes, however, as the higher-end EOS cameras like the 7D Mark II, but it does offer AF functionality down to f/8 unlike the 70D. Owners of long supertelephoto lenses and teleconverters will be pleased with this upgrade.
Of course, you can"t forget about Dual Pixel CMOS AF. Debuting on the 70D, the addition of on-sensor phase detect pixels to the sensor allows for vastly improved live view focusing for both stills and video. And it works beautifully in the Canon 80D. For stills, Live View AF is super fast, and with the combination of the touchscreen LCD to quickly change the focus point, it"s a very useful feature. For video work, the Dual Pixel system provides pleasing, smooth and cinematic-looking AF performance. Video focus speed is adjustable to fit your shooting style or mood, and overall the subject tracking works very well, making the Canon 80D a rather versatile video camera.
The Canon 80D"s AF performance overall is quite good, barring one interesting discovery. While the 80D is spec"d for better low-light autofocusing compared to the earlier 70D when using the optical viewfinder (-3.0 EV vs. -0.5 EV), our low-light AF lab tests didn"t confirm that despite testing with multiple lenses -- at least initially. We found the 80D"s low-light AF performance to be a bit of a mixed experience; on the one hand, it can indeed focus on a sharp, contrasty targets down to its rated light level of -3.0EV. That said, though, other less expensive and less highly-rated Canon bodies outperformed the 80D when dealing with a less-contrasty subject in similarly dark conditions.
Outside of the lab, the Canon 80D felt decently quick to autofocus in low-light conditions. Using the Canon 24-70mm f/2.8L II lens, we compared the 80D to the Canon T6s. On a very dark, poorly lit, indoor subject both cameras struggled to acquire focus (however the 1D X Mark II was able to acquire focus quite easily on the same subject). However, with a better lit indoor subject, on which both the 80D and T6s were able to successfully acquire focus, the Canon 80D did feel consistently quicker to acquire focus.
Like the 70D before it, the new Canon 80D is very much a hybrid camera -- designed for videography as well as photography. As mentioned, its Dual Pixel CMOS AF is excellent and makes shooting video much simpler and more straightforward. You no longer have to resort to manual focus like in the early days of DSLR video, well, unless you want to -- though the 80D doesn"t offer focus peaking.
As for other video features, the Canon 80D offers a good, well-rounded set of amenities, though noticeably absent is the increasingly popular choice of 4K resolution. There"s a growing number of 4K-capable cameras, at a variety of price points, so we"re a bit disappointed that Canon left this feature out of the 80D. The new DIGIC 6 image processor does allow for 1080/60p video now, though you can"t use that frame rate with the higher quality ALL-I compression -- IPB only for 60p (or 50p). For both ALL-I and IPB video, the quality looks good to our eyes with lots of detail and decent dynamic range. You can even use the new Fine Detail Picture Style with video if you want. Advanced videographers will also enjoy the addition of a headphone jack, though there is still no clean HDMI output.
Perhaps the only other major drawback to video other than the lack of 4K is the continuous recording time limit. Long having been a factor for Canon shooters, the 80D carries on the tradition of stopping continuous video at 29 minutes, 59 seconds. For those needing to record long, continuous scenes or events, be ready to press the record button manually after 30 minutes.
Overall, the Canon 80D is a solid, well-built, well-rounded multimedia DSLR. Its ergonomics and design are classic Canon, which translates to easy, comfortable functionality with tons of external controls. The camera"s image quality is very good. Thanks to its new 24MP sensor, it shows improvements to both low and higher ISOs, though competing cameras still have an edge image quality-wise over the 80D.
Performance is very good, too, with decent burst speeds, improved buffer depths, excellent battery life, and a new, more versatile 45-point AF system. Combined with Dual Pixel CMOS AF technology for fast live view AF, the Canon 80D is well suited for a variety of shooting scenarios, including general use, portraits and traveling as well as more challenging endeavors like sports and wildlife. Video is also a hallmark feature, and while it"s sadly lacking a few notable features like 4K, overall the 80D offers good quality video with lots of features for both beginners and advanced video creators.
All in all, while the Canon 80D feels more evolutionary than revolutionary, it"s an all-around excellent DSLR with a good combination of image quality, advanced features, great build quality, and a good price point. It"s a great still camera, and Canon"s Dual-Pixel autofocus is unbeatable for video. All told, the Canon 80D gets the nod as a Dave"s Pick in our book.
WB SettingsAWB (Ambience priority, White priority), Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Color Temperature Setting.
Exposure information: Shutter speed, aperture value, ISO speed (always displayed), AE lock, exposure level/compensation, spot metering circle, exposure warning, AEB
Shooting ModesScene Intelligent Auto (Stills and Movie), No Flash, Creative Auto, SCN(Portrait, Landscape, Close-up, Sports, Night Portrait, Handheld Night Scene, HDR Backlight Control, Food, Kids, Candlelight), Creative filters, Program AE, Shutter priority AE, Aperture priority AE, Manual (Stills and Movie), Bulb, Custom
Autofocus: Dual Pixel CMOS AF (Face detection and Tracking AF, FlexiZone-Multi, FlexiZone-Single), Tracking sensitivity (-3 to +3) and Movie Servo AF Speed (-7 to +2)
Other InterfaceVideo output (PAL/ NTSC) (integrated with USB terminal), HDMI mini output (HDMI-CEC compatible), External microphone (3.5mm Stereo mini jack), Headphone socket (Stereo mini jack)
offers a clearer and crisper user experience than a lower pixel screen, notably during live view framing and image review. While the physical size of the LCD is naturally limited by the space that is available
The Canon EOS 80D is a DSLR (Digital Single Lens Reflex) camera that was officially introduced in February 2016 and is equipped with an APS-C sensor. It offers a resolution of 24 megapixel. In the United States, the Canon 80D was initially launched at a price of $1,199.
In case you would like to check on the differences and similarities with other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
The EOS 80D is an update of the 70D, building on the prior model"s foundation with numerous improvements. Thus, the 80D feels, operates and looks nearly the same as the 70D. The significant updates lie beneath the skin: a new 24.2MP Dual Pixel CMOS, tweaked Movie Servo, AI servo in LiveView, all-cross 45-point AF and 100% coverage optical viewfinder.
The 80D, targeted at photo and video hobbyists, packs cutting edge technology and features into a compact body. Build quality is superb: polycarbonate body shell, matte black paint, magnesium alloy undercarriage and weather seals on switches and ports. At 22.9 oz. (650 g) it"s slightly lighter than the 70D (23.7 oz) and 6D (23.8 oz.). A deep finger groove and rubber leatherette make for a secure grip.
The shutter sound is subdued for a DSLR—muted but fast "klack"—and quieter than the 70D and 6D MK II. Silent drive mode can fade it to pianissimo, making it perfect for stage and ceremonies.
The articulating LCD is ideal for video and ground level macro. If you"re a tripod shooter and normally use an L-plate, be aware the vertical plate blocks LCD movement. Stick with a body plate if you plan to use swivel and tilt features.
This glass pentaprism based viewfinder is a pleasure to use: bright, smooth and vivid. In a side by side comparison with my 70D, increased viewfinder clarity and brightness are obvious. Plus, the 100% coverage and .95x magnification are slight improvements over the 98% coverage of the 70D.
The transmissive LCD display, transparent LCD over the focusing screen, displays icons, AF and metering patterns, aspect ratios (3:2, 4:3, 16:9 and 1:1), grid and plain matte screens and an electronic level. When an aspect ratio other than 3:2 is selected, black borders are superimposed in the viewfinder. Crop lines are merely a guide for composition since the RAW file is still full frame and may be cropped anyway you choose during post production. I use the 16:9 setting to aid composition when shooting video thumbnails.
The outermost lines of the grid overlay correspond to the 4:3 aspect ratio, so you could leave the grid superimposed if the thick black lines are too distracting.
If the battery is removed, the viewfinder shows an image but is dim. The LCD overlay must be powered for full viewfinder brightness. Canon doesn"t call this an hybrid optical-LCD viewfinder but it is heading that direction.
The menu interface is cleaner and less crowded than the 70D: five tab icons (reduced from the 70D"s fifteen) organized by category. Each menu is color coded (red, blue, etc.) and has two to six numbered submenus. Submenus allow more options, including space for finger pokes. Like the 70D, you can create a menu of your favorite settings for quick access.
Exposure modes are set with a large knurled dial: Creative Zone with manual and semi-auto modes—Program (P), Aperture Priority (Av), Shutter Priority (Tv) and Manual (M—and Basic Zone with assorted Full Auto modes. Two Custom (C) modes are included to save your favorite drive, exposure and image quality settings. If you"ve used EOS before, the interface is similar and you"ll barely need to crack the manual.
The 45-point cross-type phase-detect AF system is blazing fast and covers a larger percentage of the frame than the 70D"s 19-point array. It"s also more sure-footed in low light than the 70D. However, with so many AF points, a joystick for AF selection might be faster than the rocker-switch multi-controller.
The 80D has AF modes galore: single-point AF (manual selection of individual points), zone AF (manual selection of zone), large zone AF (manual selection of zone) and 45-point automatic selection AF. What"s missing? Single-point AF with reduced size (spot focus) featured on the 7D and 6D MK II.
I normally manually select an AF point or zone where I want to focus. Forty-five point auto select tends to lock on the nearest and/or brightest object. Cameras aren"t smart enough to know if you want a tree, rock or cloud in focus. However, if a person enters the frame, the 80D is more human aware and usually locks on the humanoid form, apparently recognizing human skin tone. It"s not as refined as facial recognition servo in video/Live View but is like a dumbed down version of the 7D MK II"s iTR AF. I primarily shoot nature and music videos so 80D AF is ideal for my use. If you mainly shoot portraits and want face or eyeball priority AF, move along. Otherwise, there are few things 45-point AF can"t lock focus on.
I was surprised to find another new AF flavor: AI Servo in LiveView. Tap the subject on the touchscreen, half-press the shutter button and the 80D tracks the subject across the screen. This mode drains power faster than normal AI servo but it"s handy for low level shooting of critters and rugrats.
Like the 70D, the 80D allows AF Microadjustment (AFMA): individual lenses may be calibrated for optimal sharpness. Zoom lenses may have two calibrations: one for the wide end of the range and another for the long side. For example, the kit lens, an EF-s 18-135 3.5-5.6 IS USM, needed +6 at 18mm and +4 at 135mm to be critically sharp. Oddly, my old EF 70-200 4L IS USM is perfect at AFMA default (0). Settings are stored in camera memory and used each time the lens focuses with the 45-point array. It takes me thirty minutes to calibrate a lens (target shooting and viewing at pixel level), so it"s a good idea to write down the settings in case Custom Functions get reset.
Incidentally, the Dual Pixel AF (on-chip contrast focus) doesn"t need calibration and AFMA is for the 45-point AF array only. Thus, images taken with Dual Pixel AF are an excellent base of comparison while calibrating lenses for the 45-point array.
RAW images converted in DPP showed pleasing detail, color rendition and noise control. However, I didn"t notice significant image improvement over the 70D until I pulled the shadow slider in DPP and saw shadow noise reduction at both low and high ISO: shadows may be brightened at least a stop more than the 70D. The blue channel also has better noise control than the 70D, so cleaner skies! The 80D is the first EOS in years with a significant gain in dynamic range.
Beretania Street at 7:00AM | EOS 80D/EF-s 18-135 3.5-5.6 IS USM | 18mm, F3.5, 1/400 sec, ISO 100 | Exposed for the trees in the lower right and let shadows go black. I lifted shadows two stops in DPP and they still look clean and detailed.
Pixel-Level Crop (100%) showing shadow detail from lower right after two-stop lift. I could have lifted another stop or more but I wanted them to look like shadows!
The AutoISO feature sets ISO according to changing lighting conditions, maintaining a reasonable shutter speed for hand held photography. The 80D sports the latest and greatest AutoISO iteration: works in manual (M) mode and is programmable. In M mode, set desired shutter speed/F-stop and ISO scales up and down with changing light, maintaining proper exposure. Thus, M mode is transformed into a semi-automatic mode. Exposure compensation (EC) works in M mode with AutoISO and may be set on the Q Screen.
At default, AutoISO is set to favor shutter speeds near the one/focal length ratio. I mainly use AutoISO for off the hip street and candid shooting so the default is too slow for me. Luckily, AutoISO can be tweaked to control minimum shutter speed: in the ISO speed settings menu adjust default shutter speed to faster or slower than the default. I programmed my 80D"s AutoISO 1-stop over default.
As good as AutoISO is, there are situations where manual setting of ISO gives a better result. I always set ISO manually when using flash, shooting in controlled studio lighting or using a tripod for long exposures.
The popup deploys at the touch of a button or, in Intelligent Auto Mode, auto erects. It may also serve as master/trigger for wireless slave capable Canon Speedlites. Popup flash range is limited but works fine for close snapshots or fill-in. Flash images were well-exposed using the popup and my 430EX MKII. No problems nailing exposure with bounced flash:
The main gotcha with AutoISO is flash: defaults to ISO 400 no matter what mode used or light level. If using fill flash in bright light, the background blows out due to the combination of low maximum sync speed (1/250 sec.) and high ISO. My solution is to manually set ISO 100, resulting in a stop or so of exposure leeway. In low light I prefer slow sync to blend ambient light with fill, and ISO 400 is often too slow, resulting in blurring. I dial in ISO 800 or 1600 for a sharp background and fill flash makes the subject pop.
The 80D is mainly a still camera. However, video is a well implemented add-on feature, ideal for video bloggers and self shooting musicians and performance artists. HD video with MOV/ALL-I compression is excellent: less noisy in low light, more accurate color, better rendered detail and more film-like than both the 70D and 6D MKII. MOV/ALL-I compression also handles post production adjustments much better than the low bit rate IPB compression option. Also, the 80D exhibits less moire artifacts than the 70D.
The 80D has three video exposure modes: Full Auto and Manual. Auto mode sets aperture and shutter speed and but allows basic user input, e.g., AF mode, white balance, ISO and exposure compensation. Manual lets you choose the aperture and shutter speed. However, Manual mode also works with Auto ISO, achieving a quasi-auto exposure mode by changing ISO. Exposure compensation also works in Manual mode if Auto ISO is active.
For YouTube work I normally use manual exposure, ISO and white balance. Once adjusted for studio lighting, there are no worries about WB balance or exposure changing due to a backdrop or clothing change. It stays put. This duet track was shot at F5.6, 1/60, ISO 400 and 4800K.
As expected, use the mode dial to select the video exposure mode, e.g., rotate to M for manual. I initially thought Av and Tv were semi-auto modes, allowing setting of aperture and shutter speed respectively. But Av, Tv, P, etc., all invoke auto video mode and do not behave as semi-auto modes as they do for still photography.
Dual Pixel movie servo AF is improved over the 70D: more accurate tracking, faster and less prone to hunting in low light. Movie servo during video in dimly lit venues like classrooms and churches actually works! Of course you can select and focus on your subject by touching the screen with your finger. Even more impressive, you can drag your finger across the LCD and it smoothly pulls focus from near and far objects!
Although movie servo works best with STM and Nano USM, standard USM lenses focus significantly smoother than they did on the 70D, i.e., no jerks while achieving focus. Suddenly my USM lenses are useful for video!
Auto white balance (WB) is improved over the 70D and nails it most of the time, even in mixed lighting. Like prior EOS, the 80D leans towards the warm side. The one situation Auto WB completely fails are scenes filled with lots of pinks and reds, resulting in a 1000 degree jump to the warm side. However, I normally avoid "surprise" WB and set it manually for my studio shoots.
As a solo YouTube artist, I self-shoot most of my videos. Thus, being able to use the RC-6 Wireless Remote Controllerto start and stop video recording is a huge plus. Yes, I could use the Canon Connect app on my iPhone but I don"t want a cellphone on set (cell signals interfere with audio gear). Plus, the RC-6 is small and easy to use compared to holding a guitar and a big honkin" iPhone: sit in chair with guitar, press remote button, toss RC-6 on floor and rock!
My only gotcha was due to not reading the manual. With the 60D/70D, RC-6 remote use is enabled for both video and stills with the self-timer/remote option on the drive menu. Oddly, still and video remote functions are separated on the 80D, so doing the before mentioned merely enables remote use for stills. A new option, "Remote," in the 80D video menu must be enabled for RC-6 video triggering. Incidentally, in 80D video mode, the immediate release setting on the RC-6 does nothing whereas it takes a picture on the 70D/60D. However, the 2-second delay setting on the RC-6 starts/stops video recording.
There is an HDMI out port, but it"s the delicate mini-HDMI (Type-C) connector and only useful for streaming to a TV or monitor. Plus, use of the HDMI port disables the camera"s LCD, so no touchscreen access. Sadly, there is no clean HDMI output for higher quality recording to an external device: overlays are displayed and can"t be disabled for outboard recording and viewing.
I"m a little disappointed 4K HD wasn"t included on the 80D. However, 1080P is all I need for my YouTube channel: audiences watch on tiny phone and notebook screens. And 4K would force me to upgrade my Mac Mini i7 as it struggles during edits of two camera HD feeds! If you"re planning to take your video productions beyond YouTube and Facebook clips, you already know the 80D isn"t the camera for you.
Built-in audio is noticeably improved over the 70D: slightly better preamps, better positioned built-in mics and a stereo mini jack for headphone monitoring. Audio is fine for casual clips but still too noisy and compressed for music videos. I use built-in audio only as a guide track for outboard audio, preferring Tascam recorders and external mics.
You can diddle settings, fire shutter, zoom the Canon Power Zoom Adapter PZ-E1, upload images and use LiveView on an iPhone/iPad, Droid or computer with the Canon Camera Connect app. It works well on both my iPhone and iPad (didn"t try my Mac). Video may be monitored through Wi-Fi, albeit a wired USB or HDMI connection is smoother and more battery efficient.
Connecting to an iOS device is fiddly the first time but easy once setup. First, enable Wi-Fi in the 80D"s communication menu. The menu asks you to name your camera and automatically generates a password. Once 80D Wi-Fi is enabled, go to settings on your iPad/iPhone and select EOS80D (or whatever you named your camera) as the active Wi-Fi network. Once connected, open the Camera Connect app and input the password. That"s it. Subsequent connections merely require a few screen touches.
I love gadgets but, honestly, Wi-Fi is a feature I rarely use. Why? When I get home, I upload to my Mac with a Lexar Pro USB 3 card reader: blazes compared to Wi-Fi and allows uploading of multiple cards simultaneously. Finally, the iPhone is slow and awkward as a remote—LiveView lags terribly—and Wi-Fi eats batteries like candy, so I"ll stick with my wired remote and RC-6 for time exposures and macro.
The 80D uses the same battery type as the 70D, 5D MKII, 6D, etc., the LP-E6 series. The difference is it came with a slightly stronger variant, the LP-E6N, but is backwards compatible with earlier LP-E6 versions. I don"t have definitive numbers but can say 80D battery life is excellent and an improvement over the 70D. Shooting RAW with the kit lens, I easily get 1400+ images and still have a partial charge left. Of course, this is with Wi-Fi disabled, no live view and only minor chimping. As for video, I can shoot through an entire Leeward Coast Guitars concert on a single charge, over an hour of HD video clips. My 7D and 70D required a battery change at intermission! My SL1 required two battery changes...
At time of release, there were no dedicated Arca compatible plates for the 80D, although both Kirk and RRS are planning to build one. Incidentally, the RRS 70D body plate doesn"t fit the 80D.
August 13, 2016 Update: RRS took their sweet time but finally released a dedicated Arca compatible body and L-plate in late July 2016. Kirk was out he gate about a month before RRS. I just got the RRS body plate and am a happy camper!
The 80D is a nimble and capable camera, and a significant upgrade over the 70D in terms of AF, resolution and control of noise. For a generalist shooter like me, it strikes a near perfect balance of performance, ease of use and portability. It"s also a wonderful camera for video bloggers and YouTubers due to the face priority movie servo and reversible LCD screen. The bottom line is the many small improvements add up to an enjoyable experience and excellent images and videos.
Fall 2019 Update: Canon just released the 80D replacement, the EOS 90D. They appear very similar but the 90D sports significant upgrades in the sensor, AF and video areas. My 90D review.
In this review, we will be comparing 80D and 80D, two Advanced DSLR cameras by Canon. Canon 80D was introduced to market in February 2016 and Canon 80D was launched in February 2016. Both 80D and 80D were launched within the same month so we are expecting this to be a fair comparison regarding age and available technology level.
Canon 80D weighs 730 g (1.61 lb / 25.75 oz) and has external dimensions of 139 x 105 x 79 mm (5.47 x 4.13 x 3.11″). Considering that the average weight of DSLR type cameras is 773g, its weight is about average in its class. With a thickness of 79mm, it also has an average thickness.
In order to give you a better idea about the real life size of Canon 80D, we have added an image of how it looks next to a credit card and an AA type battery.
Canon 80D has environmental sealings on its body which makes it a weather resistant camera, providing resistance against the water and dust getting in to the camera. If you like outdoors photography and want to be able to use your camera in extreme conditions, Canon 80D will serve you well. If you attach one of these Canon 80D weather Sealed lenses to your camera, you will have a great all weather kit.
The Canon EOS 80D was designed for enthusiast photographers. Since its release back in 2016, it has become very popular because of its versatile capabilities and strong build. You might also like to read reviews of Canon M50 camera done by PhotographyTalk.com - this is one of the best mirrorless camera available today.
Although some of the camera’s features have become outdated because of new technological advancements, the Canon EOS 80D is still a powerful device that can make astonishing results in the right hands.
The Canon EOS 80D revolves around a 24-million-pixel APS-C sensor and a DIGIC 6 processing engine. This combination provides very good image quality and satisfactory results when shooting images in low-light conditions.
The camera sports Dual Pixel CMOS AF technology and offers 45 cross-type autofocus points. This autofocus system works great both for taking stills and recording videos as it is both fast and accurate.
Sports and wildlife photographers will be happy to know that the EOS 80D offers burst shooting at 7 frames per second, and it can create either 110 JPEG or 25 raw files before the buffer fills up. If you add up the impressive autofocus system, you will understand why this camera is very popular among action photographers.
Although the camera does not offer 4K video capabilities, it has support for Full HD (1920 x 1080) recording at 60 fps. For this purpose, Dual Pixel CMOS AF and the Movie Servo AF jointly help to keep the focus on the subject, while you can have more control over the audio effects by attaching an external microphone and headphones. Read more about "5 Things to Know Before You Buy a Canon 5D Mark IV in 2020" on our website PhotographyTalk.com.
The design of this camera is very intuitive. Although there are many buttons and controls, it feels natural to handle and you will undoubtedly learn to operate the camera easily thanks to its smart design.
The Canon EOS 80D is made to withstand the elements as well. The camera works great in extreme weather conditions since it is weather-sealed and built of magnesium-alloy, which is well known to be a very durable (and lightweight) material.
There are two LCD displays on the EOS 80D - one on the back and another on the top of the camera. The rear screen uses touchscreen technology which is very helpful for quickly adjusting focus while you are in the middle of shooting. The top LCD display is also helpful for checking and adjusting the camera’s settings in no time.
The rear vari-angle LCD screen measures 3 inches and has a resolution of 1.04m-dots. For those who prefer framing shots using a viewfinder, the Canon EOS 80D has a pentaprism viewfinder with 100% frame coverage.
This is a relatively affordable camera and you get a new Canon EOS 80D (body only) for as little as $899, but we might have a few tips on how to get this camera even cheaper.
Buying a Canon EOS 80D bundle can help you to save some money. For example, on Amazon, you can buy a camera with five different types of the Canon EOS 80D lenses, macro filter kit, 64GB memory card, and accessory bundle for only $1,199.00.
You can get a used Canon EOS 80D in good condition for just $659. By visiting online platforms such as MPB, you can find a vast range of photo and filmmaking kit for good value, so if you want to upgrade your kit with an EOS 80D (or just about any other camera, for that matter), head over to MPB to check out their used inventory.
Ms.Josey 
Ms.Josey