boland lcd monitors pricelist

For almost Twenty Years, Boland has been creating high quality, professional broadcast monitors for film, television, aviation, and specialty needs. We are constantly pushing the LCD / monitor boundaries in new technology, outfitting our LCD monitors with the widest color gamut and ultra deep blacks. Red, green, and blue stability is guaranteed by All-Digital 12-bit Processing. Whether you are in need of a field monitor that is color critical, a low cost SDI monitor for simple confidence monitoring, or a broadcast monitor with built-in waveform, vector scope, and audio meters, Boland is proud to offer all of these options (and more).

Boland Communications provide customers with premium quality LCD monitors available in world wide formats. You’ll see amazing images with enhanced Ultra Pixel picture quality in varying light and viewing conditions. Boland is constantly pushing the boundaries in new technology, outfitting our LCD monitors with the widest color gamut and ultra deep blacks. From the Full Resolution 42 ” monitors to the smallest and light-weight field monitors, you can count on Boland image precision.

When your broadcasting business need the best, most premium quality LCD monitors available on the market, Boland is the company industry leaders trust. Their professional-grade broadcasting monitors offer full resolution all-digital 10-bit processing, pushing the boundaries of what’s possible in monitor technology.

You’ll have reliable, high quality monitors for your business when you buy from Boland. Get in touch with Heartland Video Systems today to get the best deals on your industry-leading high-resolution monitors.

Boland monitors are available for your company to purchase through the professional resellers at Heartland Video Systems. No matter what type of broadcasting equipment you need, HVS can get it for you at the best price – give us a call today at 1-800-332-7088 to learn more about our services.

ISFTV went to the 2016 NAB Show and walked the Las Vegas Convention center floor for the first two days of the show in search mainly of new 4K resolution broadcast and client monitors for our Post Production clients in the New York area. While the slogan for this year’s show was ‘’Unleash!’’, generally speaking, we were somewhat disappointed in the number of new 4K monitors coming to market in the near term.

The company also exhibited its flagship product, the Trimaster EL™ BVM-X300, a 30-inch 4K HDR capable OLED monitor that carries a hefty list price tag of $30,000. This monitor had by far the best picture we saw at the show, and at that price you would expect that. Sony had the best HDR demonstrations with live camera feeds of a variety of scenes, and then monitors setup next to them reproducing the feed in HDR so you could compare the live picture with the HDR monitor’s rendition of the same scene. This presentation was really impressive, and showed how HDR really is a closer approximation of how the human eye sees.

Other display manufacturers are also OEMing the LG 55-inch 4K OLED (my guess is the 55EF9500). Boland is selling their version of the LG 55-inch 4K OLED, the BVB55, as a broadcast monitor as well as Fusion, which is offering the same OLED panel Reference Display System, the ORD-55,  as a reference broadcast monitor albeit with a much larger bezel on it. Fusion won New Bay Media’s Best of Show Award for this monitor.

TVLogic showed two new 4K LCD monitors the LUM-171G 17-inch, and LUM-240G 24-inch monitors. While not HDR capable, these two monitors do cover up to DCI’s P3 color gamut. The company also debuted two potential large screen 4K LCD client monitors: The LUM-420M, and LUM-550M are 42 and 55-inch 4K monitors with 12G and 6G SDI inputs.

Eizo introduced two 4K monitors the CG248-4K 24-inch, and the CG318-4K 31-inch, both of which are certified by the new TÜV Rheinland’s Color Accuracy certification standard. I look forward to calibrating these monitors in the field to see if this new certification program carries any weight. The company also showed two new 1080p Full HD monitors with a software package for calibration using a direct connection with meters like the Klein K-10A at the USB port that will undoubtedly increase the efficiency of the calibration process. I look forward to testing this out later in the year to see how well it works.

Flanders Scientific, a company providing high performance professional broadcast monitors and post production equipment will have new 4K HDR capable monitors available later in the 4th quarter of the year, and had a prototype on the show floor to demonstrate.

Finally, I was truly and pleasantly surprised to see a demo of a Hisense curved LED full array backlit LCD panel with new Quantum Dot technology from 3M that 3M claims achieves roughly 90% of Rec 2020 color space.

While I was somewhat disappointed at the number of 4K monitor solutions for both grading and client monitors introduced at this year’s NAB show, there were at least a few interesting displays from Sony, Eizo, and TVLogic with 4K resolution.

Regarding HDR, given the extremely problematic rollout of HDR (High Dynamic Range) video on the consumer side, I was not surprised that there were very few HDR capable monitors on the show floor. Sony certainly had the most impressive HDR demonstrations on their high end 4K HDR OLED monitor the Trimaster EL BVM-300.

Torrance, CA — Robinson Helicopter Company announced its R66 Turbine Police Helicopter with the FLIR Systems Ultra 8000 Infrared Camera and the Spectrolab SX-7 searchlight with 30-million candlepower has been reconfigured to include a multitude of upgrades. This high performance 4-place police helicopter comes standard with a Garmin G500H Primary and Multifunction Display System (PFD/MFD), a Garmin GTN 635 touch-screen navigator, and a Garmin GTR 225A COM radio. Also standard are Boland’s 10.4” LCD monitor and two 6-channel audio controllers.

Yes I do. Basically my first monitors were Transvideo Monitors. The very first was a seven inch CineMonitor. I still have it, never sold it. Then as my Steadicam career progressed, I went to a green screen CRT, a TB6, which has super anti reflection screen and it"s unbelievably bright. Essentially you can have a full reflection of the sun on the screen and you still can see your image, no matter the angle you"re looking at screen. I used that for 10 years plus.

I do have two other monitors, one Small HD, and one Boland. Essentially Boland is a nice cheap monitor with a good screen and a bright screen, good viewing, but it"s not really very well built. It"s not as water resistant as the Transvideo monitors, and it"s basically a backup monitor. The small HD was also a backup monitor. It"s one of the first they built, but when it failed after two years I struggled and failed to get good service on it. Probably I"m not going to buy a small HD monitor ever again. That really was a deal breaker, and that was the reason I went back to Transvideo. Essentially now this last year and bought the Stargate to replace it.

The Starlite is basically a small Steadicam monitor and an onboard recorder, and sometimes used as a low-mode monitor, or a monitor for awkward angles when you have to push the rig in a position where you can"t see the main monitor anymore. That monitor is light enough and small enough to place it anywhere on the rig and still be able to see a frame, for certain moments. Mainly it"s an onboard recorder. The Stargate is a lightweight monitor if I do running shots, I usually strip down the camera and strip down the rig to the bare minimum, and then I use the lightest monitor I have available with the biggest screen, which is either Boland or the Stargate, whatever"s next on the cart.

All three are brilliant monitors. They"re super reliable, they"re built super sturdy and I don"t have one Transvideo product that ever failed me. My first LCD monitor back then, SD CineMonitor, that thing is still working, and they just keep going. The only thing I sent back to Transvideo was my X-SBL, to get an upgrade. That was it. It has a few scratches and dents on the housing from the two crashes but still works fine.