apple lcd panel brands

Apple Card Monthly Installments (ACMI) is a 0% APR payment option available only in the U.S. to select at checkout for certain Apple products purchased at Apple Store locations, apple.com, the Apple Store app, or by calling 1-800-MY-APPLE and is subject to credit approval and credit limit. See support.apple.com/kb/HT211204 for more information about eligible products. Variable APRs for Apple Card other than ACMI range from 15.24% to 26.24% based on creditworthiness. Rates as of January 1, 2023.

If you choose the pay‑in‑full or one‑time‑payment option for an ACMI‑eligible purchase instead of choosing ACMI as the payment option at checkout, that purchase will be subject to the variable APR assigned to your Apple Card. Taxes and shipping are not included in ACMI and are subject to your card’s variable APR. See the Apple Card Customer Agreement for more information. ACMI is not available for purchases made online at the following special stores: Apple Employee Purchase Plan; participating corporate Employee Purchase Programs; Apple at Work for small businesses; Government, and Veterans and Military Purchase Programs, or on refurbished devices. iPhone activation required on iPhone purchases made at an Apple Store with one of these national carriers: AT&T, Sprint, Verizon, or T‑Mobile.

To access and use all the features of Apple Card, you must add Apple Card to Wallet on an iPhone or iPad with the latest version of iOS or iPadOS. Update to the latest version by going to Settings > General > Software Update. Tap Download and Install.

Typical LCDs are edge-lit by a strip of white LEDs. The 2D backlighting system in Pro Display XDR is unlike any other. It uses a superbright array of 576 blue LEDs that allows for unmatched light control compared with white LEDs. Twelve controllers rapidly modulate each LED so that areas of the screen can be incredibly bright while other areas are incredibly dark. All of this produces an extraordinary contrast that’s the foundation for XDR.

With a massive amount of processing power, the timing controller (TCON) chip utilizes an algorithm specifically created to analyze and reproduce images. It controls LEDs at over 10 times the refresh rate of the LCD itself, reducing latency and blooming. It’s capable of multiple refresh rates for amazingly smooth playback. Managing both the LED array and LCD pixels, the TCON precisely directs light and color to bring your work to life with stunning accuracy.

Apple Inc. sold a variety of LCD and CRT computer displays in the past. Apple paused production of their own standalone displays in 2016 and partnered with LG to design displays for Macs.Pro Display XDR was introduced, however it was expensive and targeted for professionals. Nearly three years later, in March 2022, the Studio Display was launched as a consumer-targeted counterpart to the professional monitor. These two are currently the only Apple-branded displays available.

In the beginning (throughout the 1970s), Apple did not manufacture or sell displays of any kind, instead recommending users plug-into their television sets or (then) expensive third party monochrome monitors. However, in order to offer complete systems through its dealers, Apple began to offer various third party manufactured 12″ monochrome displays, re-badged as the Monitor II.

Apple"s manufacture history of CRT displays began in 1980, starting with the Apple III business computer. It was a 12″ monochrome (green) screen that could display 80×24 text characters and any type of graphics, however it suffered from a very slow phosphor refresh that resulted in a "ghosting" video effect. So it could be shared with Apple II computers, a plastic stand was made available to accommodate the larger footprint of the display.

Three years later came the introduction of the Apple manufactured Apple IIc computer to help complement its compact size. This display was also the first to use the brand new design language for Apple"s products called Monitor 100, a digital RGB display for the Apple III and Apple IIe (with appropriate card), followed shortly by the 14″ ColorMonitor IIe (later renamed to ColorMonitor IIc (later renamed to AppleColor Composite Monitor IIc), composite video displays for those respective models. All of these Apple displays support the maximum Apple II Double Hi-Res standard of 560×192.

In 1986 came the introduction of the AppleColor RGB Monitor, a 12″ analog RGB display designed specifically for the Apple IIGS computer. It supported a resolution of 640×400 interlaced (640×200 non-interlaced) and could be used by the Macintosh II, in a limited fashion, with the Apple High Resolution Display Video Card. Also introduced that year was the Apple Monochrome Monitor, which cosmetically was identical to the former model but was a black and white composite display suitable in external appearance for the Apple IIGS, Apple IIc or Apple IIc Plus.

A new external AppleColor High-Resolution RGB Monitor was introduced in 1987 for the Macintosh II. It had a 13″ Trinitron CRT (the first Apple display to use an aperture grille CRT) with a fixed resolution of 640×480 pixels. The Macintosh II was a modular system with no internal display and was able to drive up to six displays simultaneously using multiple graphics cards. The desktop spanned multiple displays, and windows could be moved between displays or straddle them. In 1989, Apple introduced a series of monochrome displays for the Macintosh, the 20″ Macintosh Two Page Monochrome Display which could display two pages side by side, the 15″ Macintosh Portrait Display with a vertical orientation to display one page, and the 12″ High-Resolution Monochrome Monitor. In 1990, two 12″ displays were introduced for the low end, a 640×480 monochrome model and a 512×384 color model (560×384 for compatibility with Apple IIe Card), meant for the Macintosh LC. These were succeeded by the Apple Macintosh 16″ Color Display, and Apple Macintosh 20″ Color Display with resolutions of 640×480, 832×624 and 1152×870, respectively. There were also the Apple Performa Plus Display (a low-end Goldstar-built 14″ display with 640×480 resolution) for the Macintosh Performa series and the Apple Color Plus 14″ Display.

The third generation of displays marked the end of the monochrome display era and the beginning of the multimedia era. The first display to include built-in speakers was introduced in 1993 as the Multiple Scan series of displays began with the Multiple Scan 17 and 20 with Trinitron CRTs and the Multiple Scan 14 with shadow mask CRT, and would ultimately become Apple"s value line of shadow mask displays. The AppleVision series of displays then became the high-end display line, using 17″ and 20″ Trinitron CRTs and with AV versions containing integrated speakers. The AppleVision line was later renamed to Steve Jobs returned to Apple.

The Macintosh Color Classic introduced a 10″ color Trinitron display to the Classic compact Macintosh, with a slightly enhanced resolution of 512×384 (560×384 to accommodate the Apple IIe Card) like the standalone 12″ color display. Apple continued the all-in-one series with the larger 14″ Macintosh LC 500 series, featuring a 14″, 640×480 Trinitron CRT until the LC 580 in 1995, which heralded the switch to shadow mask CRTs for the remainder of Apple"s all-in-one computers until the switch to LCDs in 2002. The last Macintosh to include an integrated CRT was the eMac, which boosted the display area to 17″ with support up to 1280×960 resolution. It used a 4th generation flat-screen CRT and was discontinued in 2006.

The fourth generation of displays were introduced simultaneously with the Blue & White Power Macintosh G3 in 1999, which included the translucent plastics of the iMac (initially white and blue "blueberry", then white and grey "graphite" upon the introduction of the Power Mac G4). The displays were also designed with same translucent look. The Apple Studio Display series of CRT displays were available in a 17″ Diamondtron and a 21″ Trinitron CRT, both driven by an LG-Manufactured chassis. The 17″ displays were notorious for faulty flybacks and failing in a manner that could destroy the monitor and catch fire. It"s also reported that these monitors can destroy GPU"s, and sometimes the entire computer. The last Apple external CRT display was introduced in 2000 along with the Power Mac G4 Cube. Both it and the new LCD Studio Displays featured clear plastics to match the Cube, and the new Apple Display Connector, which provided power, USB, and video signals to the display through a single cable. It was available only in a 17″ flat screen Diamondtron CRT. It was discontinued the following year.

The history of Apple LCDs started in 1984 when the Apple Flat Panel Display was introduced for the Apple IIc computer, principally to enhance the IIc"s portability (see Apple IIc Portability enhancements). This monochrome display was capable of 80 columns by 24 lines, as well as double hi-res graphics, but had an odd aspect ratio (making images look vertically squished) and required a very strong external light source, such as a desk lamp or direct sunlight to be used. Even then it had a very poor contrast overall and was quite expensive (US$600), contributing to its poor sales and consequently it dropping from the market not long after its introduction. An estimated 10,000 IIc LCD displays were produced.

The next attempt at a flat panel was with the Macintosh Portable. More of a "luggable" than a laptop, it contained a high-resolution, active-matrix, 1-bit black & white, 9.8″ LCD with 640×400 resolution. Like the IIc Flat Panel, it was not backlit and required a bright light source to be used. A second generation model employed a backlit LCD. The PowerBook and MacBook series would continue to use LCD displays, following an industry-wide evolution from black-and-white to grayscale to color and ranging from 9″ to 17″. Two primary technologies were used, active matrix (higher quality and more expensive) and passive matrix displays (lower quality and cheaper). By 1998 all laptops would use active-matrix color LCDs, though the Newton products and eMate portables would continue to use black and white LCDs. Apple"s current MacBook portable displays include LED backlighting and support either 2560×1600 or 2880×1800 pixel resolutions depending on screen size. The iPod series used black-and-white or color LCDs, the iPhone line uses LCD and OLED displays, and the Apple Watch uses OLED.

In 1997, Apple released the Twentieth Anniversary Macintosh (TAM), its first all-in-one desktop with an LCD display. Drawing heavily from PowerBook technology, the TAM featured a 12.1″ active matrix LCD capable of displaying up to 16 bit color at 800×600. While Apple chose to retain traditional and cheaper CRTs for its all-in-one desktop line for the next 4 years, the TAM is undoubtedly the predecessor for the successful LCD-based iMac line of all-in-one desktops starting with the iMac G4 released in 2002. A substantial upgrade over the TAM, it contained a 15″ LCD supporting up to 1024×768 resolution. It was followed by a 17″ and 20″ models boasting resolution of up to 1680 × 1050. In 2005, the iMac G5 dropped the 15″ configuration and in 2007, the new iMac dropped the 17″ and added a 24″ to the line-up, further boosting resolution to 1920 x 1200. In October 2009, new iMac models moved to 16:9 aspect ratio screens at 21.5 and 27 inches.

The first desktop color flat-panel was introduced on March 17, 1998, with the 15″ Apple Studio Display (15-inch flat panel) which had a resolution of 1024×768. After the eMate, it was one of the first Apple products to feature translucent plastics, two months before the unveiling of the iMac. Apple called its dark blue color "azul". It had a DA-15 input as well as S-video, composite video, ADB and audio connectors, though no onboard speakers. In January 1999 the coloring was changed to match the blue and white of the new Power Macintosh G3s, and the connector changed to DE-15 VGA.

In 2000 the 22″ Cinema Displays switched to the ADC interface, and the 15″ Studio Display was remodeled to match the Cinema Display"s easel-like form factor and also featured the Apple Display Connector. In 2001 an LCD-based 17″ Studio Display was introduced, with a resolution of 1280×1024. In 2002 Apple introduced the

In 2004 a new line was introduced, utilizing the same 20″ and 23″ panels alongside a new 30″ model, for $3,299. The displays had a sleek aluminum enclosure with a much narrower bezel than their predecessors. The 20″ model featured a 1680×1050 resolution, the 23″ 1920×1200, and the 30″ 2560×1600. The 30″ version requires a dual-link interface, because a single-link DVI connection (the most common type) doesn"t have enough bandwidth to provide a picture to a display of this resolution. Initially, the only graphics cards that could power the new 30″ display were the Nvidia GeForce 6800 DDL series, available in both GT and Ultra forms. The DDL suffix signified the dual-link DVI capability. The less expensive of the two cards retailed for US$499, raising the net cost of owning and using the display to nearly $3,800. Later graphics options included the NVIDIA Quadro FX 4500; the card included two dual-link DVI connectors which allowed a Power Mac G5 to run two 30″ Cinema Displays simultaneously with the total number of pixels working out to 8.2 million.

In 2006 along with the introduction of the Mac Pro, Apple lowered the price of the 30″ Cinema Display to US$1999. The Mac Pro featured an NVIDIA GeForce 7300GT as the graphics card in its base configuration which is capable of running a 30″ Cinema Display and another 23″ display simultaneously. The Mac Pro is also available with both the ATI Radeon X1900XT card and the NVIDIA Quadro FX 4500 as build-to-order options. Each of these cards is capable of driving two 30″ Cinema Displays.

With the introduction of the Unibody MacBook family, Apple introduced the 24-inch LED Cinema Display, its first desktop display to use the new Mini DisplayPort connector, and also the first with an LED-backlit LCD. It had built-in speakers, a powered 3-port USB hub on the rear, an iSight camera and microphone, and a MagSafe power adapter for laptops. It also connected by USB for peripherals. It has a resolution of 1920×1200 and retailed for US$899.00. In 2010 it was replaced with a new 27-inch version with a resolution of 2560×1440.

In 2011 Apple released the Apple Thunderbolt Display, replacing the Mini DisplayPort and USB connector with a Thunderbolt plug for display and data. A Gigabit Ethernet port, a FireWire 800 port and a Thunderbolt 2 port were added as well, and the iSight camera was upgraded with a 720p FaceTime camera. On June 23, 2016, Apple announced it had discontinued the Thunderbolt Display, ending Apple"s production of standalone displays.

After Apple discontinued production of standalone displays in 2016, they partnered with LG to design the UltraFine line, with a 21.5-inch 4K display (22MD4KA-B) and 27-inch 5K display (27MD5KA-B), released in November 2016 alongside the Thunderbolt 3-enabled MacBook Pro.USB-C connector, with the 27-inch version integrating Thunderbolt 3 connectivity. On the rear of the displays is a three port USB-C hub. The 21.5-inch version provides up to 60W charging power, while the 27-inch provides up to 85W. The 21.5-inch is compatible with all Macs with a USB-C port, while the 27-inch version can only be used natively at full resolution with Macs with Thunderbolt 3, which includes all Macs with USB-C except the Retina MacBook. The 27-inch model is compatible with older Thunderbolt 2-equipped Macs using an adapter, but is limited to displaying their maximum output resolution.

In May 2019 the 21.5-inch model was discontinued and replaced with a 23.7-inch model (24MD4KL-B) which added Thunderbolt 3 connectivity and increased the power output to 85W. In July 2019, the 27-inch model (27MD5KL-B) was updated with USB-C video input, adding compatibility with the 3rd generation iPad Pro at 4K resolution, and increased power output to 94W.Apple Studio Display, but the display is still in production according to LG.

Apple announced the Pro Display XDR at the 2019 WWDC, the first Apple-branded display since the Apple Thunderbolt Display was discontinued in 2016. The display contains a 6016×3384 6K color-calibrated Extreme Dynamic Range (XDR) panel.

Apple announced the Apple Studio Display at the March 2022 Apple Special Event. It features a 27-inch, 5K Retina monitor, with 5120-by-2880 resolution at 218 pixels per inch, 600 nits brightness, wide color (P3), and True Tone technology.

The Apple Display Connector (ADC), which carries DVI, VGA, USB and power in one connector, was used on the PowerMac G4 and early models of the PowerMac G5.

Phono connector video out on the Apple II, II+, IIe, IIc, IIc+, IIGS, III, and III+. While not technically NTSC or PAL compatible, a suitable image would display on NTSC/PAL television monitors

The Apple Video Adapter was specially designed to allow users to connect to S-video or composite video devices. The video adapter cable plugs into the video output port (Mini-VGA) built into the back of certain Macintosh computers. The video output port supports VGA, S-Video and Composite video out. The Apple Video Adapter is for S-Video or Composite video output only, use a separate Apple VGA Adapter for VGA video output options. With the Apple Video Adapter you can connect to your TV, VCR, or overhead projector via S-Video or Composite cables.

The Apple VGA Display Adapter was specially designed to allow users to connect certain Macintosh computers to an extra VGA display or external projector (equipped with VGA) for 24-bit video-mirroring. The VGA cable from your external display or projector cable plugs into the Mini-VGA video port built into your Macintosh via the Apple VGA Display Adapter.

Compatible with: eMac, iMac G5, iMac G4 flat-panel, 12-inch PowerBook G4, or iBooks having a Mini-VGA port. Most Macintosh computers with the Mini-VGA port can also use the Apple Video Adapter for S-video & Composite output options.

"Apple"s Online Store Now Offering New 5K 27-Inch LG UltraFine Display". www.macrumors.com. Archived from the original on September 26, 2022. Retrieved April 3, 2020.

Welch, Chris (March 8, 2022). "Apple announces 27-inch 5K Studio Display for $1,599". The Verge. Archived from the original on March 15, 2022. Retrieved March 8, 2022.

While Samsung will continue to supply approximately 80 per cent of iPhone displays, rumours claim that a little-known company called BOE looks set to become Apple’s second-largest OLED supplier. Not only is this a sign that Apple’s lowest-cost iPhone 12 model will likely make the leap from LCD to OLED this year, but it’s also a sign that Apple is looking to diversify which manufacturers it uses, and potentially looking to ready itself for a move into the display market itself.

The company, which was founded in Bejing in 1993 and acquired SK Hynix"s STN-LCD and OLED businesses back in 2001, is ranked second in the world when it comes to flexible OLED shipments, holding a market share of 11 per cent during the first quarter of this year. It, naturally, is still a long way behind market leader Samsung, which owned 81 per cent market share of the OLED market in the same quarter. Still, with a sizable chunk of the OLED market already under its belt, it perhaps won’t come as too much of a surprise – now, at least – that the firm already has some big-name allies.

BOE’s surprising alliance with Apple isn’t the only time the two companies have worked together, either; the Chinese manufacturer already makes LCD screens for Apple"s older iPhones, and its tiny OLED panels are currently used in some Apple Watch models. It’s unclear how much BOE and Apple’s latest deal is worth, but it’s likely in the billions. According to online reports, Samsung’s deal with the iPhone maker is thought to be worth around $20 billion annually, so if BOE manages to secure 20 per cent of Apple’s display orders going forward, such a deal could be worth as much as $4bn.

Although BOE has managed to muscle its way into Apple’s exclusive list of OLED suppliers, and has invested heavily in facilities and equipment in order to meet the firm’s demands, the new partnership hasn’t got off to a flying start. According to reports, the company’s flexible OLED panels have not yet passed Apple’s final validation. This means, according to rumours, that BOE’s screens might not show up in the first batch of iPhone 12 models, and will instead start shipping on handsets at the beginning of 2021, with Apple instead set to re-increase its reliance on LG in the short term.

Scenarios like this, along with the fact that Apple is clearly looking to lessen its reliance on big-name display makers, makes us think that it won’t be long until the company ultimately stops relying on others altogether; after all, it’s no secret that Apple wants to control every aspect of its hardware development.

The display market could be Apple’s next target. Not only does the company already manufacturer screen technology in the form of its Pro Display XDR, but a recent Bloomberg report claims that Apple is “designing and producing its own device displays” and is making a “significant investment” in MicroLED panels. This technology utilises newer light-emitting compounds that make them brighter, thinner and less power-intense than the current OLED displays.

Apple’s efforts in MicroLED are reportedly in the “advanced stages”; the company has applied for more than 30 patents, and recent rumours suggest the firm is also considering investing over $330 million in a secretive MicroLED factory with the goal of bringing the technology to its future devices.

LG Display has ceased making LCD iPhone screens, and abandoned hopes of doing so in the future, according to a supply-chain report. Separately, the company has stated that it may cease making its own smartphones.

LG once rivaled Samsung as a key supplier of iPhone screens, and Apple benefited from having two companies able to meet both technical and volume requirements. Two suppliers provided redundancy in Apple’s supply-chain, as well as giving the company negotiating strength when it came to allocating orders to the two companies.

Things changed when Apple began transitioning to OLED with the iPhone X. LG was late to recognize the industry trend from LCD to OLED, and was ill-prepared for Apple’s switch. That left Samsung as the sole supplier for Apple’s flagship phones for some time.

LG did finally manage to catch up and win Apple OLED orders, but suffered technical problems even after doing so – and Samsung still retains a technical lead.

LG Display has halted production of liquid crystal display (LCD) panels for iPhones, TheElec has learned […] LG Display halted iPhone LCD production at its AP3 line at Gumi in the third quarter. The line also stopped making panels for other phones as well in the fourth quarter.

For LG Display, the LCD line for iPhones has been low in profitability. Apple also used organic light emitting diode (OLED) panels instead for its iPhone 12 series. Sales of iPhones with OLED is also expected to exceed that of those with LCD panels this year.

Apple’s LCD model, iPhone SE, which launched last year, will use LCD panels by JDI and Sharp instead. LG Display had previously attempted to supply LCD for the 2019-model iPhone SE but failed.

The factory which made the LCD screens is reportedly being repurposed to make display panels for cars. LG is the current market leader in automobile displays of nine inches or larger.

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Samsung, a key Apple supplier that manufactures a number of vital components for iPhone, iPad and Mac, on Tuesday said it plans to cease traditional LCD panel production by the end of 2020.

In announcing the development, a spokeswoman for Samsung Display, a subsidiary of Samsung Electronics, said the company will end all LCD manufacturing in South Korea and China by year"s end, reports Reuters. The company in October announced the shutdown of one domestic plant due to weak demand.

Over the next five years, the tech giant will sink money into converting one of its two South Korean LCD plants into a production facility for quantum dot displays.

Used in conventional hardware like LED-backlit LCD panels, quantum dots can be "tuned," or manufactured, to emit very narrow spectrums of light when struck by energy from a common blue backlight, making them a prime candidate for display makers. Further, the construction of a quantum dot LCD panel is similar to that of a traditional LCD screen, with the addition of quantum tubes or films situated next to or on top of backlight LEDs.

Samsung has not decided what to do with the two LCD factories in China that will wind down operations as part of the strategy announced today, the report said.

Samsung has in the past supplied LCD screens for products including iPhone, iPad and Mac, but demand has waned as Apple and other smartphone brands move to OLED. The Korean company fills a bulk of Apple"s OLED orders for flagship iPhone models and Apple Watch, with LG picking up the slack. Chinese firm BOE is reportedly set to enter Apple"s supply chain in 2020 or 2021.

In the immediate future, Apple is rumored to launch at least six devices with mini LED screens, another LCD-based technology that enhances picture quality through highly specific local dimming and better color reproduction.

Samsung"s shift leaves Apple with LG, Japan Display and Sharp as its major LCD screen suppliers, though each are readying their own proprietary OLED products.

Apple tasked BOE with making iPhone 13 displays last October, a short-lived deal that ended earlier this month when Apple reportedly caught BOE changing the circuit width of the iPhone 13’s display’s thin-film transistors without Apple’s knowledge. (Did they really think Apple wouldn’t notice?).

This decision could continue to haunt BOE, however, as Apple may take the company off the job of making the OLED display for the iPhone 14 as well. According to The Elec, BOE sent an executive to Apple’s Cupertino headquarters to explain the incident and says it didn’t receive an order to make iPhone 14 displays. Apple is expected to announce the iPhone 14 at an event this fall, but The Elec says production for its display could start as soon as next month.

In place of BOE, The Elec expects Apple to split the 30 million display order between LG Display and Samsung Display, its two primary display providers. Samsung will likely produce the 6.1 and 6.7-inch displays for the upcoming iPhone 14 Pro, while LG is set to make the 6.7-inch display for the iPhone 14 Pro Max.

According to MacRumors, BOE previously only manufactured screens for refurbished iPhones. Apple later hired the company to supply OLED displays for the new iPhone 12 in 2020, but its first batch of panels failed to pass Apple’s rigorous quality control tests. Since the beginning of this year, BOE’s output has also been affected by a display driver chip shortage.

Samsung, a key Apple supplier that manufactures a number of vital components for iPhone, iPad and Mac, on Tuesday said it plans to cease traditional LCD panel production by the end of 2020.

In announcing the development, a spokeswoman for Samsung Display, a subsidiary of Samsung Electronics, said the company will end all LCD manufacturing in South Korea and China by year"s end, reports Reuters. The company in October announced the shutdown of one domestic plant due to weak demand.

Over the next five years, the tech giant will sink money into converting one of its two South Korean LCD plants into a production facility for quantum dot displays.

Used in conventional hardware like LED-backlit LCD panels, quantum dots can be "tuned," or manufactured, to emit very narrow spectrums of light when struck by energy from a common blue backlight, making them a prime candidate for display makers. Further, the construction of a quantum dot LCD panel is similar to that of a traditional LCD screen, with the addition of quantum tubes or films situated next to or on top of backlight LEDs.

Samsung has not decided what to do with the two LCD factories in China that will wind down operations as part of the strategy announced today, the report said.

Samsung has in the past supplied LCD screens for products including iPhone, iPad and Mac, but demand has waned as Apple and other smartphone brands move to OLED. The Korean company fills a bulk of Apple"s OLED orders for flagship iPhone models and Apple Watch, with LG picking up the slack. Chinese firm BOE is reportedly set to enter Apple"s supply chain in 2020 or 2021.

In the immediate future, Apple is rumored to launch at least six devices with mini LED screens, another LCD-based technology that enhances picture quality through highly specific local dimming and better color reproduction.

Samsung"s shift leaves Apple with LG, Japan Display and Sharp as its major LCD screen suppliers, though each are readying their own proprietary OLED products.

LG has also released the pricing and availability in Europe of its 2023 4K LCD TVs without specifying any important details about the series or models except for they will benefit from the updated OS and software. So without further ado, here they are. 2023 LG UR91 series pricing and availability The LG UR91 series for this year includes five models: LG 75UR91006LA - EUR 1599, April LG 65UR91006LA - EUR 1149, April...

In addition to announcing the prices for its 2023 OLED TV lineup, LG has also provided the pricing for its 2023 QNED TV lineup. For this model year, LG has added new QNED TVs (43 to 86 inches) to its new TV lineup. The Premium LCD TVs use proprietary Quantum Dot NanoCell Color technology to produce rich, precise, and extremely lifelike colors that contribute to an unforgettable and very immersive viewing experience...

According to the latest Omdia report on TV displays, the demand recovery for LCD TV panel orders from the top global Korean and Chinese TV producers is around the corner. This market rebounds by 19% YoY in Q2 of 2023 and is expected to reach 161.4 million units. That will increase by 8% YoY, focusing on 50-inch and larger screens. If these expectations materialize, the market will return to its peak levels in 2020...

LG Electronics has today announced the availability of the Apple TV app, Apple Music, AirPlay and HomeKit on its webOS Hub in over 100 countries and regions. Through this move, compatible TVs now offer an easier, more versatile smart TV experience thanks to a diverse selection of content and innovative features that help bring the ultimate in viewing convenience and pleasure to even more audiences worldwide. With...

Xperi today announced a partnership with LG Electronics to integrate DTS:X immersive audio technology into LG"s latest OLED and Premium LCD TVs. DTS:X audio technology for TV delivers a cinematic audio experience directly to your living room. With the introduction of LG"s newest OLED and Premium LCD TVs featuring DTS:X technology, LG"s customers can enjoy larger-than-life immersive sound from their TV speakers. LG...

Apple today launched a $1,599 display that packs a processor, high-quality speakers, a microphone array, a high-quality camera, three USB-C ports and 96 watts of power delivery over Thunderbolt. Oh, and it has a screen, too.

The Cupertino company has had a curious and checkered history with displays, launching and then forgetting about a series of options over the years. The Apple Cinema Display and the Thunderbolt Display both lifted their collective heads over the parapets, only to immediately be relegated to obscurity, with extremely slow update cycles, underwhelming specs and extortionate prices. Apple’s Pro Display XDR was launched a couple of years ago, and while it had a hell of a spec, with a 32-inch Retina 6K resolution and ultra-high contrast, it also carried a $4,999 price tag for the standard glass version, and an eye-watering $5,999 for the nano-texture glass version that reduces reflections.

The Apple Studio Display is aimed at a very different audience, and with a $1,599 price tag it isn’t exactly pocket change, but it does something really important. Pair it with the freshly launched Mac Studio, and it finally decouples the screen from the computer. For a company that likes to shout about its environmental chops, it’s about damn time… The number of iMacs I’ve sold because the processor is slow as winter molasses while the screen is still in perfect shape has been a source of infinite frustration. Being able to upgrade just the screen or just the brains of the workstation, while staying within the Apple ecosystem, has been a long time coming.

The new display is fantastically impressive on paper. It includes a 12mpx ultra-wide camera that supports “center stage”, meaning it can follow you around the room as you pace around doing your Steve Jobsian keynote presentations. It’s the same camera Apple has been using on its iPads. It includes a three-microphone array that makes audio clearer than ever before and can use filtering tech to reduce the audio you don’t want to include. It has a six-speaker sound system that Apple describes as the best speakers it has ever shipped. The chip integrated into the screen means that the display can split out the multi-channel surround sound and create a more immersive experience than if you just plug in a set of stereo speakers. The system also supports spatial audio for audio and music with Dolby Atmos.

The display includes a three-port USB-C hub running at 10gps for attaching high-speed accessories such as hard drives and recording devices, and there’s a Thunderbolt port that can supply 96W worth of power, which means that you can charge the full range of Apple laptops directly from your display.

So what does the video look like, other than distorted? Very bright and colorful, and fast, but when stretched to fill most of the screen it is blocky. The scaling algorithm is nowhere near as good as that in my (original) Apple Studio Display, or in a Sony WEGA (DRC) TV.

Oh well, the 2005FPW is a beautiful computer monitor. And my tablet"s Intel Graphics adapter (82830M), which gave no hint of supporting 1680x1050 before the monitor was here, suddenly made that resolution available when the 2005FPW was connected. (Windows didn"t show it, but the Intel control panel did.)