are handheld display screens real pricelist
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Compare interactive displays and whiteboards including SMART Boards, Triumph Boards, Tango Touch, Google Jamboard, and the Samsung Flip. This side-by-side comparison with product links will help you find an interactive flat panel that suits your needs and fits your budget!...
Pricing for iPhone 14 and iPhone 14 Plus includes a $30 connectivity discount that requires activation with AT&T, T‑Mobile, Sprint, or Verizon. Available to qualified customers and requires 24‑month installment loan when you select Citizens One or Apple Card Monthly Installments (ACMI) as payment type at checkout at Apple. iPhone activation required with AT&T, T‑Mobile, Sprint, or Verizon for purchases made with ACMI at an Apple Store. Subject to credit approval and credit limit. Taxes and shipping are not included in ACMI and are subject to your card’s variable APR. Additional Apple Card Monthly Installments terms are in the Apple Card Customer Agreement. Additional iPhone Payments terms are here. ACMI is not available for purchases made online at special storefronts. The last month’s payment for each product will be the product"s purchase price, less all other payments at the monthly payment amount.
The display has rounded corners that follow a beautiful curved design, and these corners are within a standard rectangle. When measured as a standard rectangular shape, the screen is 5.42 inches (iPhone 13 mini, iPhone 12 mini), 5.85 inches (iPhone 11 Pro, iPhone XS, iPhone X), 6.06 inches (iPhone 14, iPhone 13 Pro, iPhone 13, iPhone 12 Pro, iPhone 12, iPhone 11, iPhone XR), 6.12 inches (iPhone 14 Pro), 6.46 inches (iPhone 11 Pro Max, iPhone XS Max), 6.68 inches (iPhone 14 Plus, iPhone 13 Pro Max, iPhone 12 Pro Max), or 6.69 inches (iPhone 14 Pro Max) diagonally. Actual viewable area is less.
AT&T iPhone 14 Special Deal: Monthly price reflects net monthly payment, after application of AT&T trade‑in credit applied over 36 months with purchase of an iPhone 14 Pro, iPhone 14 Pro Max, iPhone 14, or iPhone 14 Plus and trade‑in of eligible smartphone. Receive credit with purchase of an iPhone 14, iPhone 14 Plus, iPhone 14 Pro, or iPhone 14 Pro Max of either $800, or $350 (based upon the model and condition of your trade‑in smartphone), max bill credits will not exceed the cost of the device. Requires upgrade of an existing line or activation of a new line and purchase of a new iPhone 14, iPhone 14 Plus, iPhone 14 Pro, or iPhone 14 Pro Max on qualifying 36 month 0% APR installment plan, subject to carrier credit qualification. AT&T Installment Plan with Next Up is not eligible for this promotion. $0 down for well qualified customers only, or down payment may be required and depends on a variety of factors. Tax on full retail price due at sale. Requires activation on eligible unlimited plan. If you cancel eligible wireless service, credits will stop and you will owe the remaining device balance. Activation/Upgrade Fee: $35. Trade in device may not be on existing installment plan. Bill credits are applied as a monthly credit over the 36 month installment plan. Credits start within 3 bills. Will receive catchup credits once credits start. Wireless line must be on an installment agreement, active, and in good standing for 30 days to qualify. Installment agreement starts when device is shipped. To get all credits, device must remain on agreement for entire term and you must keep eligible service on device for entire installment term. Limited‑time offer; subject to change. Limits: one trade‑in per qualifying purchase and one credit per line. May not be combinable with other offers, discounts, or credits. Purchase, financing, other limits, and restrictions apply. Price for iPhone 14 and iPhone 14 Plus includes $30 AT&T connectivity discount. Activation required.
AT&T iPhone 13 Special Deal: Buy an iPhone 13 128 GB and get $370 in bill credits applied over 36 months. Buy an iPhone 13 256 GB and get $290 in bill credits applied over 36 months. Buy an iPhone 13 512 GB and get $310 in bill credits applied over 36 months. Requires upgrade of an existing line (or activation of a new line) and purchase on qualifying 36‑month 0% APR installment plan, subject to carrier credit qualification. $0 down for well‑qualified customers only, or down payment may be required and depends on a variety of factors. Tax on full retail price due at sale. If you cancel eligible wireless service, credits will stop and you will owe the remaining device balance. Activation/Upgrade Fee: $35. Bill credits are applied as a monthly credit over the 36‑month installment plan. Credits start within 3 bills. Will receive catch‑up credits once credits start. Wireless line must be on an installment agreement, active, and in good standing for 30 days to qualify. Installment agreement starts when device is shipped. To get all credits, device must remain on agreement for entire term and you must keep eligible service on device for entire installment term. Limited‑time offer; subject to change. Limits: one credit per line. May not be combinable with other offers, discounts, or credits. Purchase, financing, other limits, and restrictions apply. Activation required.
AT&T iPhone SE Special Deal: Buy an iPhone SE 64 GB and get $250 in bill credits applied over 36 months. Buy an iPhone SE 128 GB and get $120 in bill credits applied over 36 months. Buy an iPhone SE 256 GB and get $40 in bill credits applied over 36 months. Requires upgrade of an existing line (or activation of a new line) and purchase on qualifying 36‑month 0% APR installment plan, subject to carrier credit qualification. $0 down for well‑qualified customers only, or down payment may be required and depends on a variety of factors. Tax on full retail price due at sale. If you cancel eligible wireless service, credits will stop and you will owe the remaining device balance. Activation/Upgrade Fee: $35. Bill credits are applied as a monthly credit over the 36‑month installment plan. Credits start within 3 bills. Will receive catch‑up credits once credits start. Wireless line must be on an installment agreement, active, and in good standing for 30 days to qualify. Installment agreement starts when device is shipped. To get all credits, device must remain on agreement for entire term and you must keep eligible service on device for entire installment term. Limited‑time offer; subject to change. Limits: one credit per line. May not be combinable with other offers, discounts, or credits. Purchase, financing, other limits, and restrictions apply. Activation required.
Trade-in values will vary based on the condition, year, and configuration of your eligible trade-in device. Not all devices are eligible for credit. You must be at least 18 years old to be eligible to trade in for credit or for an Apple Gift Card. Trade-in value may be applied toward qualifying new device purchase, or added to an Apple Gift Card. Actual value awarded is based on receipt of a qualifying device matching the description provided when estimate was made. Sales tax may be assessed on full value of a new device purchase. In-store trade-in requires presentation of a valid photo ID (local law may require saving this information). Offer may not be available in all stores, and may vary between in-store and online trade-in. Some stores may have additional requirements. Apple or its trade-in partners reserve the right to refuse or limit quantity of any trade-in transaction for any reason. More details are available from Apple’s trade-in partner for trade-in and recycling of eligible devices. Restrictions and limitations may apply.
The Apple One free trial includes only services that you are not currently using through a free trial or a subscription. Plan automatically renews after trial until cancelled. Restrictions and other terms apply.
Computer monitors are a must-have for PC users and hardcore gamers. Consumers may be looking at computer monitor buying guides and wondering just how much a typical computer monitor costs and the overall price range of displays.
Modern computer monitors can fluctuate wildly when it comes to price, with some models as cheap as $50 and others costing $1000 or more. In the past, the first computer with a screen was astronomically expensive, but thankfully monitor technology become more accessible, bringing the price down throughout the decades. The average computer monitor costs around $200 – $300. There are some features and functionalities that can severely impact the price so be sure to do some research so you make sure you’re getting the best cheap monitor if you have a lower budget.
There are a number of features and functionalities that can increase the overall price of a computer monitor, and that’s without adding accessories to your monitor like a webcam or monitor arm if you know how to mount a monitor.
Generally speaking, LCD displays are the cheapest type of modern computer monitor. LED displays, which are based on the same technology as their LCD cousins, tend to be slightly more expensive while OLED displays are the most expensive of all. The latter being due to the high-priced components that make up the OLED technology.
Modern computer monitors can boast resolutions as high as 8K, offering stunning and true-to-life visuals and graphics. 8K, and even 4K, displays feature newly adopted technological advancements. As such, the higher the resolution, the costlier the monitor. If you are looking to snag a high-quality monitor on the cheap, go for an HD display with a 1080p resolution.
If you are using your PC to stream content or to play graphically intensive games, then the refresh rate is an incredibly important consideration. The refresh rate indicates how often your monitor refreshes the screen. As for price, monitors with ultra-high refresh rates, above 120Hz, tend to be more expensive than displays with refresh rates of 75Hz or less.
The overall size of a computer monitor, and its width, can impact the overall price. Typically, ultrawide monitors and displays that are larger than 34-inches tend to be on the expensive side. This price continues to increase as the monitor size increases. Get the size that may cater better to your needs if you need the monitor for a specific task, like the best size monitor for gaming should help make your gameplay more efficient. Ultrawide monitors and larger-than-average monitors can significantly increase the viewing angle, which can be a useful benefit.
The proliferation of trade show display websites makes buying a portable display easy. Perhaps too easy. Most exhibitors, especially new ones, know very little about display hardware and graphics. They see beautiful images of displays with great prices and the convenience of point and click. What arrives, however, may not match the pretty picture or the online description.
Sadly “putting the cart before the horse” is a common mistake when buying an exhibit. Displays buyers become fixated on size and price instead of asking the following:
Once you’ve answered those questions, it’s time to start shopping. There are two options: an online display website or a local provider. Both can supply you with similar products and prices. Much will depend on your short and long-term trade show marketing plans and whether a provider can support your evolving trade show program with products and marketing advice.
Otherwise known as the devil is in the details. We’ve all made this mistake. Many portable display websites show really low prices, which are merely the starting point. You then have to add graphics, accessories, cases, shipping which can increase the price by as much as 3X to 6X.
Unlike cars or appliances or smartphones, there’s no Consumer Reports for portable displays. And let’s be honest, the rating system on most websites is suspect. Sure you can watch a video, which may or may not be helpful.
Assembly matters but probably not as much as you think. Some require tools. Others do not, which shouldn’t be the only determining factor when choosing a portable display. Is the assembly process intuitive? Are the parts labeled and numbered? How stable is the display when it’s done?
Remember… you will be assembling the display multiple times over months or even years. Each time it should be faster and easier to setup. If not, then the overall fit and finish may be suspect and/or the materials of questionable quality.
Most portable systems rely on fabric graphics for the larger images (like the main backwall) and direct print graphics for smaller images (for counters or headers). If you’ve shopped for a TV recently, you know the same size screen can vary in price, often by hundreds in not thousands of dollars. Graphics vary too. Low quality graphics are printed on older machines, using thinner materials, and use less ink per square inch. They may look fine until you place them next to higher quality graphics, like your competitor in the booth beside you.
Just assume you will misplace or break a display part at some point. Because you will. It happens. When considering a portable display, always ask the following questions:
Poor packaging contributes to lost parts, damaged components, dirty graphics, assembly frustration, and overall long-term satisfaction with a portable display. The vast majority of portable displays are shipped using temporary packaging like shrink-wrap, paper, disposable foam, and tape. These are all tossed away at the first show. Then what?
Some portable systems use reusable packaging, like foam inserts, nylon bags, and heavy-duty corrugated boxes. Everything has a spot and every item is protected during shipping. This ensures that the display looks new for much longer and makes it easier to assemble since the components are organized and protected.
Purchasing a trade show display, regardless of the size or price, is a sales and marketing investment. If you’ve ever walked a trade show floor and said to yourself, “Seriously dude?!” about someone’s display then you know the harm a cheap portable display can do to your image. Before buying a display, consider meeting with an Trade Show Exhibit Professional to discuss your needs and marketing goals.
Based in Portland, Oregon, Classic Exhibits Inc. designs and manufacturers portable, modular, and custom-hybrid exhibit solutions. Classic Exhibits products are represented by an extensive distributor network in North America and in select International markets. For more information, contact us at 866-652-2100 or www.classicexhibits.com.
The negative temperature type of -30 ~150 has 4 holes, are φ 6/ 8/ 8 / 10 mm.The medium temperature type of has 2 kinds (2 choices 1)at the time of ordering, one is 3 holes of 8/ 10/ 12mm, the other is 4 holes of φ 6/ 6/ 8 / 8.The high temperature type of 300 ~1200 has 4 holes, are 6/ 8/ 10/ 12mm.
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The proliferation of trade show display websites makes buying a portable display easy. Perhaps too easy. Most exhibitors, especially new ones, know very little about display hardware and graphics. They see beautiful images of displays with great prices and the convenience of point and click. What arrives, however, may not match the pretty picture or the online description.
Sadly “putting the cart before the horse” is a common mistake when buying an exhibit. Displays buyers become fixated on size and price instead of asking the following:
Once you’ve answered those questions, it’s time to start shopping. There are two options: an online display website or a local provider. Both can supply you with similar products and prices. Much will depend on your short and long-term trade show marketing plans and whether a provider can support your evolving trade show program with products and marketing advice.
Otherwise known as the devil is in the details. We’ve all made this mistake. Many portable display websites show really low prices, which are merely the starting point. You then have to add graphics, accessories, cases, shipping which can increase the price by as much as 3X to 6X.
Unlike cars or appliances or smartphones, there’s no Consumer Reports for portable displays. And let’s be honest, the rating system on most websites is suspect. Sure you can watch a video, which may or may not be helpful.
Assembly matters but probably not as much as you think. Some require tools. Others do not, which shouldn’t be the only determining factor when choosing a portable display. Is the assembly process intuitive? Are the parts labeled and numbered? How stable is the display when it’s done?
Remember… you will be assembling the display multiple times over months or even years. Each time it should be faster and easier to setup. If not, then the overall fit and finish may be suspect and/or the materials of questionable quality.
Most portable systems rely on fabric graphics for the larger images (like the main backwall) and direct print graphics for smaller images (for counters or headers). If you’ve shopped for a TV recently, you know the same size screen can vary in price, often by hundreds in not thousands of dollars. Graphics vary too. Low quality graphics are printed on older machines, using thinner materials, and use less ink per square inch. They may look fine until you place them next to higher quality graphics, like your competitor in the booth beside you.
Just assume you will misplace or break a display part at some point. Because you will. It happens. When considering a portable display, always ask the following questions:
Poor packaging contributes to lost parts, damaged components, dirty graphics, assembly frustration, and overall long-term satisfaction with a portable display. The vast majority of portable displays are shipped using temporary packaging like shrink-wrap, paper, disposable foam, and tape. These are all tossed away at the first show. Then what?
Some portable systems use reusable packaging, like foam inserts, nylon bags, and heavy-duty corrugated boxes. Everything has a spot and every item is protected during shipping. This ensures that the display looks new for much longer and makes it easier to assemble since the components are organized and protected.
Purchasing a trade show display, regardless of the size or price, is a sales and marketing investment. If you’ve ever walked a trade show floor and said to yourself, “Seriously dude?!” about someone’s display then you know the harm a cheap portable display can do to your image. Before buying a display, consider meeting with an Trade Show Exhibit Professional to discuss your needs and marketing goals.
Based in Portland, Oregon, Classic Exhibits Inc. designs and manufacturers portable, modular, and custom-hybrid exhibit solutions. Classic Exhibits products are represented by an extensive distributor network in North America and in select International markets. For more information, contact us at 866-652-2100 or www.classicexhibits.com.
Did Brad Pitt"s head get really wrinkly or is that just your crown molding? If you have a projector but no projector screen, you"re getting subpar picture quality and are wasting a great machine. Even if your wall is a crisp, spotless white, any imperfections will be obvious. But do you get wall-mounted screen or freestanding? Which size and aspect ratio? Manual or motorized? Don"t worry - we"ve got you covered. Below are the best projector screens of this year, no matter your budget. For more background, see our projector screen comparison table and buying advice below the picks.
We think that right now, the best projector screen needs to be automated, easy to set up and use, and guarantee a particular level of picture quality. In our opinion, the Elite Screens VMAX 2 ticks all three boxes. For starters, not only do you get a very sizeable usable area, but you get a slightly increased aspect ratio, at 16:10. There is a full 180 degree viewing angle, and like many models in this range, it comes ready for both 4K and 3D viewing. Installation is dead simple, as it comes shipped fully assembled (so no electronics knowledge required) and you won"t have to get up to adjust it, either, as it comes with its own remote. It"s a clear choice over screens from Silver Ticket, its big competitor.
That said, we do think the price could stand to drop a little. The Elite Screens VMAX 2 comes in multiple sizes, like most screens here, but to be honest, it"s still a little expensive for what it is. If you"re looking for a less-expensive automated screen, we"d recommend the Spectrum Electric, also from Elite Screens.
Up until recently, we’ve recommended Silver Ticket as the go-to brand for affordable projector screens. They recently discontinued many of their products, and are no longer widely available. Fortunately, there are several other excellent options, and one of them is the Vamvo Outdoor Indoor screen. It’s basic and functional, but it has several key advantages to other screens from the likes of Mdebeddron. For starters, it’s exceptionally easy to put together, and we think the picture is comparable to some of the more expensive screens mentioned here, like the Elite Screens Spectrum 2.
However, despite the Vamvo Outdoor Indoor claiming that it can be used, well, both indoors and outdoors, the reality is a little more complex. Without a very dark environment, such as a basement with blackout curtains, there is a noticeable degradation and picture quality. And while the screen is easy to build (it will be up and running in minutes) it’s also easy to tip over. Fortunately, a few sturdy weights. This from happening, and we think the great picture quality is enough to mitigate these issues. Vamvo have big shoes to fill, but they’ve done well here. This is an ideal screen if you’re on a budget.
Although the one we have listed here is a 103” screen, Seymour works with a kind of mix-and-match system, allowing you to choose your frame type and size, and pair it with its Ambient-Visionaire material, giving you a highly customisable package. Regardless, we think the combination of specs that we’ve got here will be more than enough for most people, and most people will be utterly awed by the picture quality, which is out of this world. Rich, deep blacks and soaring contrast make this a winner. As a bonus, it’s incredibly easy to put together. It must be said that although it’s not expensive as something like the Stewart Filmscreen Phantom HALR, it’s still relatively pricey, and probably not suitable for those just getting started. For some screens that do fulfill that particular category, just check a little further down the list. They’re still very good, we promise!
Now here"s something a bit different in an outdoor screen: this Giant Gemmy model inflates like a bouncy castle, so you won"t need to mess around with pegs and guy ropes. It’s 151 inches wide and 85 inches tall, and even though the picture isn’t the sharpest on this list, you"re still guaranteed lots of fun at the next barbeque. There’s nothing to stop you using it indoors, too - although it won"t beat out similarly-priced models from Epson and Elite Screens on this count.
This screen includes a power adapter and self-inflates—no need to put your lungs to the test—and comes with a large carrying case to help cart it around. The Giant Gemmy is perfect for an outdoor movie night or sporting event with a crowd of people, but keep in mind that picture quality can’t be expected to match an indoor screen. We should say from the get go that tracking down stats, like again and aspect ratio, is surprisingly difficult for the screen. As we mentioned, go in prepared to deal with a surface that might not be ideal for your projector. All the same, this fulfills a very particular niche.
Any manufacturer can attach a motor to a screen, but only a few can do it really well. Elite Screens Make the best on the market, in our opinion, and their Spectrum 2 proves it. The screen uses a tubular motor, which is much quieter, faster, and smoother than the synchronous motors found in screens like Elite’s VMAX 2. The inclusion of the new MaxWhite FG material not only stiffens this non-tensioned screen, but also enhances the picture. We don’t think it beats the VMAX 2 or other motorised screens like the Screen Innovations Solo Pro 2 for quality, but it more than holds its own.
The biggest downside is the price. The Elite Screens Spectrum 2 is almost a hundred dollars more expensive than the original, and that may raise a few eyebrows. However, if you’re prepared to spend the money, you’ll get what is commonly considered to be one of the best motorised screens around. Elite have really made this particular category their own, and the Spectrum 2 is an exemplary screen.
Portable projector screens can be hit or miss, but the Pyle PRJTP46 is definitely a hit. Its small size (40 inches) and light weight make it easy to take with you, and it sets up in moments. It’s the ideal screen for impromptu movie nights at a friend’s house, or quick presentations while at work. The image is bright and clean and although pricier screens like the Vamvo Indoor Outdoor have the Pyle beaten on clarity, the quality is still good for the price.
One thing to be aware of with the Pyle PRJTP46 is that the design isn’t as robust as we’d like. The portable nature means that it’s somewhat flimsy, and can be knocked over or out of true if you brush against it. The viewing surface also has a tendency to not be completely flat, with more than one wrinkle popping up when we tried it. If you demand absolute clarity, and a totally flat viewing surface, it maybe worth looking at a more permanent option like the aforementioned Silver Ticket, or a model from Elite Screens.
Stewart make some of the most expensive screens available, so it’s a good thing the image quality matches the price. The Cima 135” isn’t quite as mind-blowing as the Phantom HALR, but it’s very good, with a big viewing area matched by some excellent picture quality. It’s relatively easy to set up and use, and we think that were it not for the eye-melting price tag, it would probably snag a spot on the regular list.
They use their own material, Tiburon G2, which has been tuned and calibrated to provide optimal viewing conditions at almost all angles. It rejects 40% of ambient light, and although it doesn’t really handle 3D, the smooth, durable, grey surface provides stunning quality, provided you’ve got a decent projector to match it. This screen and its variants are definitely not for everyone, but you do get what you pay for, and this is an absolute monster of a product. Check it out, if you have the funds.
Inflatable outdoor projector screens tend to be massive— it’s sort of the point— and the SUNCOO Inflatable Movie Screen is no exception. It’s a gigantic 120 inches wide, with 12.5 square feet of viewing area. Inflating it is relatively simple (the package includes a motorised pump) and although it doesn’t match the clarity and sharpness of indoor screens, it’s a perfectly acceptable option for hosting an impromptu outdoor movie night.
The problem is that there are better options available. The Giant Gemmy Airblown is still the leader in this particular category. Although it’s more expensive, by about $30, it’s also larger, and even easier to set up than the SUNCOO. The world of inflatable projector screens is a crowded one, and although the SUNCOO is a viable alternative to the Gemmy, it lacks any killer features to elevate it to a true essential. If you want an even larger option, there is a 200 inch version available, although it is of course more expensive.
Da-Lite are an odd company. They’ve been around since 1909, and they make some exceptional screens (such as the one we featured here, the 130” Model C) but they have next to no online presence. That’s peculiar, but it doesn’t stop the Model C being a worthy alternative to models like the Elite Screens VMAX2. The picture is solid, and we think that the roller used by Da-Lite is one of the best we’ve tested, with an impeccably smooth action.
One big downside with the Da-Lite Model C is that it doesn’t offer any advanced features for the money. Da-Lite Have a feature called Controlled Screen Return, which allows you to roll up the screen without jerking or damaging the mechanism, but you’ll have to pay an extra few hundred dollars to get it, which we think is kind of outrageous at this price. If picture quality is what matters to you, then the Model C is worth considering. But other screens like the previously mentioned VMAX 2 offer a better overall package.
Screen Innovations live up to their name. For the second version of the Solo Pro screen, they kept what made the previous model successful – the sleek picture and excellent, eye-catching design – while adding in some fresh ideas. There’s now a huge range of size options, all the way up to 160” (we’ve highlighted the 100” version here). The motors are rechargeable, meaning you no longer need to connect this motorized screen to a wall outlet. Perhaps the best improvement of all is that the screen can now be mounted in reverse orientation, which means it can be hung directly above an existing picture or TV screen. The Solo Pro 2 is also one of the easiest screens on this list to install.
The only downside is that it’s significantly more expensive – to the tune of about $1,500 – than the original Solo Pro. While you’ll certainly find different prices if you shop around, they won’t be all that different, making the Screen Innovations Solo Pro 2 one of the most expensive screens on this list. Given that our top screen - the stupendous Seymour Screen Excellence Ambient-Visionaire Black 1.2 - costs a mere $2,200, we don’t believe the Solo Pro 2 offers quite enough value here. However, it’s a top 10 screen without question.
EPV made one of our previous favorite screens, the DarkStar eFinity, and the Polar Star is a significant improvement. It has a unique edge-to-edge design, which means that while there is still a very slightly smaller viewing area than the overall size, it"s kept to an absolute minimum. The screen also ships with a backlight, helping to further enhance the already fantastic picture and color. It also helps that it"s fully ready for 3D and 4K, and that installation is a cinch.
But is it really going to beat the Seymour Screen Excellence Ambient-Visionaire Black 1.2, which is available for nearly $1,000 less at the time of writing? Our opinion is, it isn"t. It"s just a little too expensive right now, and we think the Seymour is a better option for most people. This high-end screen is still fantastic, but it should only be bought by those with a little bit of cash to burn. All those who are seduced by that amazing name…
Would you pay over $4,000 for a screen? It seems like a joke, until you read about what Stewart have done to make the Phantom HALR 110” screen among the best on the market. The secret is down to their ambient-light-rejecting technology, which really sets the screen apart. Without getting too technical, it involves the application of multiple layers to the screen body: a highly reflective under-layer, with a light diffusing layer plastered on top. What that means is that any light that isn’t directly projected onto it simply won’t exist.
The Elite Screens Aeon CLR UST 100” is a screen designed for ultra-short-throw projectors – as in, ones that are directly beneath the screen. This model is one of the better ultra-short-throw (UST) screens available, despite not being quite as assured as the Screen Innovations Solo Pro 2, and costs just over a quarter of the price. It offers outstanding picture, especially in rooms which are not perfectly dark. Although the gray shade might not look great when it isn’t being used, it’s able to push back up to 65% off-angle ambient light. That means that you can get away with just closing the curtains without having to worry about stray ambient lighting sneaking in.
However, to get this effect, you will require a really good projector, which can easily double the total setup cost. Other similarly-priced screens, such as the Stewart Filmscreen Cima 135", are a little more forgiving with low quality projectors. However, we still think that the Aeon CLR UST is a solid choice, especially if you have a room that isn’t ideal for projection.
If you’re looking for a screen that can pull double duty as both an indoor and outdoor system, then it’s worth checking out the Elite Screens Yard Master 2. We think it’s the best ‘double duty’ screen on this list, with a better picture than the cheaper JaeilPLM 100 Inch 2-in-1. The robust construction and high quality materials make the Yard Master 2 a good pick and, as a bonus, it’s exceptionally easy to set up. It comes in a variety of sizes, all the way up to 180”. We’ve flagged the 120” version here, which should be more than enough for most people – the availability of larger versions varies depending on the store.
One thing to note with this model is that it may take a little time and experimentation to get the best picture quality from it. The Elite Screens Yard Master 2 is an excellent screen, but it felt a bit unforgiving. As such, it may be worth sacrificing picture quality for ease-of-use if you are new to home projection. Regardless, this screen definitely belongs on this list.
However, the fold up design of the Mdbebbron comes with some major disadvantages. Unless it’s carefully mounted, you’ll have wrinkles for days, which is not going to do your picture any favors. The mounting solutions that ship with the screen are poor, at best, so it means you’ll need to do a bit of DIY. If you can get past this, however, you’ll find that this affordable screen is a good choice for those on a budget.
Normally, we’d steer you away from screens that cost less than about $30. There’s a massive drop-off in quality. The Akia Screens 120 inch is one of the few exceptions, and it’s genuinely startling how well it manages to perform for under $20. It’s a good, basic screen that will get the job done, although of course it doesn’t challenge even slightly more expensive screens on this list like the Mdbebbron, above. If you are looking for a basic, no-frills solution, the Akia is the one to go for.
The most common question we get sent regarding projector screens is very simple: why can’t I just use the big, white wall that is already in my living room? To answer that question, and explain why it’s a really bad idea, you have to understand how light reacts on certain materials. When you project a movie, what your projector is doing is shining light onto the projection surface. No more, no less. For you to be able to get a high quality image, as much of that light as possible needs to be reflected back at you, so it can enter your eyes. So far so good.
The problem is, walls – even ones painted white – aren’t built to be reflective. There’s a very good reason for that, in that living in an apartment or a house with reflective walls would be pretty unpleasant. More importantly, walls aren’t completely smooth: even the best ones have a slight texture, one which is random – if you look close enough – and will do horrible things to light when it’s reflected onto it. That’s irrespective of how bright white the paint is. Yes, you could still in theory project an image onto it, but it will be nowhere near as good as it would be if you used a dedicated screen. That’s not only due to the fact that screen material is designed to accurately reflect the light from your projector back, while rejecting as much ambient light as possible, but also because most if not all projection screens come with a black border. There’s a reason for this: it’s a psychological trick, separating the image on the screen from the world around it in our mind, and making the image clearer. And no, painting a black square or rectangle on the wall will not give you the same effect. Put that paintbrush down.
Each screen will come with full instructions. If not, have a quiet word with the manufacturer, and tell them to stop being ridiculous. Many screens are free-standing. Some can be inflated, which is often the easiest option. Others will need to be bolted to the wall, which will require the use of a screwdriver and a cable detector. Please use a cable detector. Don’t go drilling into walls that may hide an electric shock.
If you’re setting up a theater room, you’ll have seats spread across a wide area and you’ll want to get the same picture everywhere. If you’re getting a screen for a theater room, you may want to dip below 1.0 screen gain - gain is explained below). Some grey screens claim a 0.8 measurement, which would help in wider rooms. However, if you’re setting up a conference room, or putting a projector in your living room, getting a higher-gain screen means you’ll be able to project with some lights on or when the sun is out. In general, a high gain is more helpful in a wider range of environments while a low gain is better at accurate color recreation and producing wide viewing angles. If this is super important to you, and all you want is a screen that is easy to set up, then we strongly recommend the Elite Screens VMAX 2, which balances terrific picture quality with very simple setup.
Very obviously, when you’re working with projector screens, you need to be concerned about size. This is not just a simple as two measurements of height and width. For starters, actually getting those figures involves a (sometimes reasonably deep) dive into manufacturer specifications. This is because manufacturers give the size of the screen in a single measurement, which represents a line from one corner to the other, diagonally. It makes for good marketing copy, but it can be a little bit annoying, as it doesn’t actually tell you how much of the screen is going to be taken up with an image.
Fortunately, one of the things many manufacturers do state is what is known as the usable area of the screen – as in, the actual area which can have an image projected onto it, usually contained within a simple border. And because we love you, we’ve dug this out for you. This will give you a general idea of just how big your movie image is likely to be. Remember: size isn’t everything, and you’ll get far more out of a slightly smaller screen made out of high quality material then you will out of a larger screen costs a little less.
Aspect ratio refers to the shape of the projected image, measured in various sizes.16:9 and 4:3 are common, but there are various options. Although 16:9 has stormed standalone TVs, some movie aficionados prefer 2.35:1. However, the HD standard (and the upcoming Blu-ray Ultra High-Definition standard) are for 16:9. If all your media is 16:9, you’ll want to get a screen to match to maximize your screen real estate. Also consider that larger screen need more support, with many large screens coming in at 35 pounds or more.
Now you might think that, taking all that into account, a screen with high gain is what you want to go for, right? Well, it’s not that simple. High gain screens have problems. For one thing, the higher screens gain, the lower the viewing angle is – we will talk about this in more detail below, but the upshot is that the higher the gain, the harder it is to see a clear image unless you’re sitting directly opposite the screen. If you have a large screening area with lots of seats, especially ones off to the sides, you may want to go for a screen with a slightly lower gain. You’ll need to reduce the ambient light, but you should be fine. If you have a small viewing area, or space to put all the seats directly in front of the projector, then by all means go for a high gain screen.
Imagine yourself sitting in front of a projector screen, watching Mad Max, or Harry Potter,or whatever your favorite movie may be. You are sitting perpendicular to the screen itself, facing it. You are able to see everything. Now, imagine a half-circle, with you at the circle’s apex and the screen directly opposite on the diameter. This – as anybody who has done high school math will know – is a shape of 180°.
If the screen"s viewing angle is 180°, you will be able to see a clear image on it from anywhere in the half-circle. If it’s 120°, the image will start to blur and disintegrate as you move to the sides of the circle. The lower the number gets, the more you will need to be seated directly in front of the screen to get a clear picture. Really, that’s all there is to it. Viewing angle is a subject that can be filled with tons of jargon, if you delve into it, but all you need to know is that the wider the viewing angle, the better. And as we said in the previous section, high gain screens typically have slightly lower viewing angles, so do take that into account.
In a movie theater, the front speakers are nowhere to be seen. That’s because they are behind the actual movie screen itself. It’s one of those things that makes total sense when you think about it, but you also can’t believe you’ve never thought about it before. This arrangement can work because the material the screen is made out of is acoustically transparent – it doesn’t affect sound, allowing the soundwaves to pass through unmolested. We need the same arrangement in our home cinemas as well. This is especially true in small spaces, where you may need to place your floorstanding speakers or center channel speakers behind the actual screen itself. There’s nothing wrong with doing this, provided your screen’s material is acoustically transparent.
Ah, the beauties of modern technology. You want to get started on projection, but don’t want a boring projection screen hanging around your living room all the time? At the touch of a button, it could just roll away – although you will certainly pay for the privilege. Motorized or automated screens, which roll up into their housing, are typically a little more expensive than static screens, which don’t. You will also have to deal with potential breakages down the line, although it must be said that these are very frequent – especially not for the manufacturers on our list, most of whom make reliable screens. We think one of the best motorized screens, for reference, is the $318 Elite Screens Spectrum 2, along with the VMAX2 mentioned above.
You may have bought a projector because it takes up less space than a TV, so you’d want a screen that hides away too. Or you might be decking out a media room and want a more permanent solution. Above we even suggest portable options that can be taken outside for backyard viewings. If you want something that can be hidden away, consider a ceiling-mounted screen. They can even be pulled down at the push of a button if you opt for a motorized version. However, if you’re setting up a Hollywood theater, get something a little more permanent — these screens are optimized to be perfectly flat and can be attached directly to your wall, mitigating any concerns about the screens getting damaged via wear-and tear.
This is a particular stat that isn’t always immediately clear, but if you want to make projection of permanent part of your life, it’s super important to bear in mind. It refers to the ability of the screen to stay flat and even throughout its life. A tensioned screen will have sturdy wires running along the outside to keep the surface pulled taut, whereas a non-tensioned screen will not. A screen without tension will sometimes, over the course of its life, develop these weird little waves in it that can mess with the image. This isn’t a guarantee, but it’s sometimes prevalent, especially in cheaper screens. Not to worry, though. Most screens above around $200 will almost certainly have this feature included.
For the most part, projector screens and their setup instructions/buying advice have progressed to the point where actually purchasing and mounting one of these monsters is relatively straightforward. Unfortunately, this is a product category with a legacy of difficulty when it comes to actually getting the products themselves mounted, so it’s worth pointing out a couple of pitfalls that can easily be avoided.
The first, very obviously, is to make sure that your buying the right kind of projector, in terms of whether you want it manual or motorized. It’s an easy mistake to make, as you’re swallowed alive by aspect ratio and gain stats and viewing area sizes. You will also be wanting to closely measure the area you’re going to mount/display it, as it is super annoying to have to return a screen for a different size once you’ve actually bought it.
Second thing. We haven’t covered it here, as it’s not too big a problem with modern screens, but you need to make sure that the one you buy has a decent viewing angle. It’s not a problem if you just have a single couch, but if you have multiple sitting positions, you’ll want to make sure that your guests are going to be craning their heads or nudging their way into your space. Anything from around 90-180 degrees viewing angle should do the trick, and obviously the closer to 180, the better.
Finally: installation accessories. Some screens come with everything you need to mount them. But this is by no means guaranteed. You may need additional mounting brackets, screws, hammers, glue… Anything, really. Make sure you fully understand what is required to get a screen up and mounted, and if necessary, invest in things like mounting brackets.
One of the biggest announcements at this year’s Consumer Electronics Show in Vegas was the reveal of 8K TVs from manufacturers like Samsung. 8K is a visual standard that measures 8,192 x 4,320 pixels. It looks, as you can imagine, quite brilliant. But what role is it going to play in the world of home projector screens?
The answer is, at least for now, not much. It’s been the same answer since November 2018, when JVC released the DLA-NX9 projector. It was and still is a monster - an $18,000 beast that could upscale 4K sources to 8K. In other words, the projection industry has been deep in 8K (or upscaled 8K) for quite a while now. While there are currently no native 8K projectors available, to our knowledge, they can’t be far off.
Forget the obvious point that, if you can afford that JVC projector, you probably won"t have any issues buying an enormous screen. There"s the rather concerning question of whether a screen bought today will be able to cope with the images thrown onto it by the projectors of tomorrow. We admit that we don"t actually have an answer to this question yet. Everything we know about projectors and projector screens leads us to say that it won"t be a problem. After all, there"s nothing to stop you reducing the size of the image to fit your screen, and no matter how many pixels are crammed onto it, you should still get an excellent picture. The question we face is how an 8K image from a projector as tooled-up as that JVC would fair on different materials.
Part of the problem is that there’s almost no content produced in 8K. Hell, there"s not even enough being produced in 4K right now! It’s one thing to buy a4K Ultra-HD Blu-ray of Game of Thrones, and quite another to track down a version of the series shot in 8K. You can"t, because it doesn"t exist. But that will change in the next few years. Not only are more Hollywood studios starting to shoot in 8K, but the Tokyo Olympics were broadcast in that format by the Japanese government. It"s televisions that will lead the charge here, rather than projector screens. We will update with more information when we have it.
As the name implies, Ultra Short Throw projector screens are designed to take an image from a projector close to the screen. However, it"s not as straightforward as you might think. Ultra Short Throw is one of the biggest R&D topics in projector screens right now, and there"s a lot you need to consider when buying one.
The biggest issue with Ultra Short Throw (UST) screens has to do with their light rejection, especially with ambient light. These screens tend to spread their light off-axis, thanks to the short distances involved. Unfortunately, this spreads a lot of it out of the viewing sweet spot, making it more difficult to get a good picture. The solution to this problem is to invest in a screen specifically designed for UST projectors - the top one on our list is the Screen Innovations Solo Pro 2. Of course, you"ll pay for the privilege - the Solo Pro 2 goes for $4,079 at the time of writing. However, despite the price, we believe it"s worth it for the convenience and the extra sharpness UST projection provides.
Here’s the good news. If you decide to have a movie night in your backyard, setting up the screen is actually the easy part. There are several dedicated outdoor screens available, and several on our list – the best one right now is the Giant Gemmy Airblown ($164). All you have to do, quite literally, is inflate it. As long as you pumped enough air into it, it will give you a competent, if slightly uninspiring, surface to project movies onto.
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Digital LCD Screen Displays look similar a TV Screen, Digital LCD Screen Displays are specially designed for commercial use, they are not TVS. Digital LCD Screens (Digital Window Display Screens, Digital Directory Boards, Digital Menu Boards, Digital Kiosks, Digital A Frames etc ) are used mainly indoor, however Outdoor digital LCD Screens are available at a higher cost and are built to withstand weather conditions including rain, snow, condensation and also bugs crawling into the screen and components.
The brightness level of a Digital LCD screen display is measured in NITS, the average tv screen is only 270-300 nits, we stock full range of Digital Displays (which are ideal for Digital Menu Boards and internal Window displays that are not exposed to internal lighting including sky lights) available in 32 inch, 43 inch, 49 inch, 55 inch, 65 inch, 75 inch, 86 inch and 98 inch. If you require for a Digital LCD window display that is exposed to direct or indirect sunlight ,you will require a minimum brightness of 2500 nits to be clearly visible , and choose from our Hi Bright 2500 nit - 4000 nit Digital LCD Screen range... available in 32 inch, 43 inch, 49 inch, 55 inch, 65 inch, 75 inch.
High Bright 2500 nit Digital Window LCD display screens can be refered to as... Hi Bright or ...Ultra Hi Bright ...Super High Brightness LCD, Digital Window Screens, Hi Bright Digital Window Screens or Digital Window Displays, but there is no particular Hi Bright Screen that can be directly refered to as a Hi Bright Digital Screen / Ultra High Bright/ Digital Super High Brightness Screen, although it would make sense to say that a 55 inch Hi Bright 2500 NIT Digital Screen Display is a Hi Bright screen, and that our 43-65 inch range of 4000 nit Digital Screens can be referred to as an Ultra High Bright Digital Screen or a Super High Bright Digital Screen.
If you are a looking for a 55 inch Digital Window Screen 2,500 nit brightness, (Ultra High Bright, Super High Bright ,2500 nit Digital Screen) for $3,000 AUD ex gst, or a 43 inch High Brightness 2500 nits, sun readable LCD Digital Window screen for $2,300 AUD ex gst, this can be supplied not a problem ! However we recomend paying the extra price for trusted brands such as Philips,Samsung and others sourced direct from brand name Australian owned National Distributors that comply with Australian Standards and provide a 3 Year Warranty and local support.
So basically the higher the measure of NITS, the clearer the High Bright or Ulta High Bright Digital Visual LCD Display screen would present in direct sunlight. Digital LCD displays are made up of one LCD screen and if damaged the entire screen would need to be replaced.
LED Screens on the other hand, consist of a number of modules and cabinets to produce a custom made screen to suit clients needs,LED screens can reach 10,000 nits, for outdoor purposes.
LED Screens are alot easier to maintain and service should something go wrong, and come with spare parts that include receiving cards, power supplies and spare modules. Indoor Led Screens are also available begining at 700 nits.
These days, you’ll find a multitude of excellent thin, light, and fast ultraportable laptops in stores, but for those of you for whom the size and portability of your computer matter more than anything else, a mini laptop with an 11-inch, 10-inch, or even a smaller display size might be the ideal choice over everything else.
We’ll go over the important details in each class, with the strong points and the quirks that you need to be aware of for each of the recommended options; I’ve also added links to our detailed reviews and to our deals pages, and you can also get in touch with me in the comments section at the end of the article if you have any questions or need my help.
A mini laptop offers the same functionality and aspect as a regular device, but in a smaller format. Hence, this article goes over ultra-compact small-screen laptops, so I left out the laptops with a 12-inch, 13.3-inch, or larger display sizes (I’ve covered them in this Best Ultrabook buying guide instead, which goes over the Apple MacBook, Dell XPS 13, Microsoft Surface Laptop, HP Envy x360 13 and a multitude of other options built on Intel Core or AMD Ryzen hardware, with the latest traits that money can buy today).
With the small-size options that we’re discussing in this article (which are also known as netbooks on mini-laptops), you’re still getting most of the same features and abilities, but you will have to accept lower-power hardware mostly suitable for basic everyday use and less-so for demanding applications, as well as smaller displays, fewer ports, and more cramped keyboards. Of course, there are exceptions to consider, and at the same time, these computers are portable and easy to carry around, offer long battery life, and are generally quite affordable.
The offer for budget 11-inch small laptops is diverse, especially in the $200 to $400 range of compact no-fuss daily computers, travel companions, or inexpensive small laptops for your kids (these are just some of the common use cases for small laptops).
Chromebooks are by far your best bet in this segment at this point. As long as they meet your requirements, you’re not going to find better value for your money elsewhere.
In very few words, if you’re connected to the Internet most of the time and your activities mostly involve browsing, streaming content on Youtube or Netflix or Spotify, eMail, text-editing, and other everyday web-related tasks, a Chromebook is going to be a perfect match for you. On the other hand, if you mostly use your laptop offline, or if you want to run specialized software for your work or school, a Windows notebook might be the better choice for you, and we’ll discuss them further down in this article.
For those basic chores, though, Chromebooks are quicker than the Windows computers you’ll find for the same kind of money, especially in the sub $400 price segment, as well as safer and simpler to use.
Most of the available Chromebooks you can find for less than $400 are built on lower-power processors, with 4-8 GB of RAM memory, 16-64 GB of storage expandable through the included card reader, IPS screens with HD or Full HD resolution, an HDMI port for watching movies on an external display, as well as long battery life and fast charging abilities, in most cases. As a recommendation, stay away from older devices with Intel Atom processors and only 2 GB of RAM, those get sluggish with today’s requirements.
Starting at around $200 at the time of this update, the Chromebook Spin 311 is our favorite inexpensive compact 2-in-1 Chromebook. It offers an 11.6-inch touchscreen display with an HD IPS panel, it’s built on an Intel Celeron hardware platform with 4 GB of RAM and 32/64 GB of storage space, and gets a 38 Wh battery that delivers 6-10 hours of battery life on a charge.
You’ll have to settle for an all-plastic construction though, with fair, but not excellent build-quality, thicker bezels around the display, and a total weight of around 2.6 lbs, so overall this is not as portable as some of the other options we’ll discuss further down.
This gets the same kind of 11.6-inch touchscreen display and the same convertible format, but slightly different hardware with a Mediatek processor, and a larger 42 Wh battery that allows it to last a little longer on each charge.
While the Duet is a smaller 10-inch laptop computer and I shouldn’t include it in this exact section, I just have to mention it as an excellent choice in the sub $300 segment, as long as you’re OK with its smaller display.
In this segment, my advice would be to aim for a configuration with at least 4 GB of RAM, at least 64 GB of storage, and one of the faster CPU options (newer generation Intel quad-core or later), otherwise the computer is going to struggle even with light multitasking, or you won’t have enough storage space for Windows and your software.
The screen isn’t great, though, with an HD LED panel and no option for IPS. That’s the norm in this class with Windows laptops though, as the software license takes its toll, and the OEMs have to cut some corners in order to meet the low price point.
Dell Latitude 11 – rugged plastic construction, clamshell, 11-inch HD matte display, more powerful Intel Jasper Lake Pentium hardware and faster SSD storage, 40 Wh battery, weighs 1.33 kg / 3 lbs.
HP Stream 11 – plastic construction, clamshell, available in a few different colors, 11-inch HD LED TN matte display, Gemini Lake Celeron 4Core processor, 4 GB RAM, and 64 GB eMMC storage on base model, 38 Wh battery, weighs only 1.1 kg/ 2.4 lbs, around $220 for mid-level Gemini configurations, older Apollo Lake versions also available.
Lenovo 300e – plastic 2-in-1 format, 11-inch HD IPS touch display + pen, Gemini Lake Celeron 4Core + 4 GB + 64 Gb eMMC, 47 Wh battery, weighs 1.3 kg /2.9 lbs, around $220.
Most of these options are similar in specs, with 11-inch HD screens and Gemini Lake-R hardware. On one hand, I lean towards the Asus L210 for the slightly nicer build, its reduced weight, and low price, but the newer Lenovo 300e is a worthy alternative if you value the nicer IPS panel with touch and the convertible format. Furthermore, the Dell Latitude 11 is an interesting option as well, with more powerful hardware specs than most other 11-inch notebooks available these days, and a good keyboard, making it a proper option for programming and engineering work on the go.
There are a few other older options in this segment, such as the Acer Spin 1, or Asus VivoBook Flip 11, or the rugged Lenovo ThinkPad Yoga 11e. They’re quite expensive, though, and overall not the same value as those recommendations above.
Most manufacturers migrated their premium ultraportables towards the 12 and 13-inch segments in recent years, as those formats can easier accommodate modern more powerful components, better displays, and a larger battery.
Hence, if you’re looking for 2023 specs with either Intel Core + Iris Xe or AMD Ryzen + Vega hardware, those are mostly available in the 12+ inch models mentioned above. For what is worth, many of those models are actually compact and lightweight, as the OEMs were able to improve their designs in recent years, shrink up the bezels and optimize the designs for modern expectations. Not to mention those also get nicer displays and features not available with these smaller-screen models.
The HP Elitebook Revolve 810 is another very interesting older model and most likely difficult to source out, but remains even to this day one of the most complete 11-inch laptops ever made. It gets a sturdy and compact metallic chassis, an excellent backlit and spill-proof keyboard, a bright IPS convertible multi-touch touchscreen, Intel Core i5 U hardware, 8GB of RAM, 128/256 GB SSD storage, and a 44 Wh battery. Once more, this is a good option for university use, programming, light photo/video work, and other more demanding tasks that most other small computers in this niche won’t be able to properly deal with.
Overall, though, you are sacrificing a fair bit when going with one of these over the modern 12/13-inch ultrabooks available out there, or even some of the smaller options that we’ll cover down below. Even so, though, these premium 11-inchers still make sense if you’re buying used/refreshed in the $300 or lower price range.
Moving towards the other classic, with 12-inchers, you’re mostly getting Windows tablets with 3:2 and 16:10 touchscreens, premium designs, and different kinds of hardware specs, based on your budget. The Microsoft Surface Pros and HP Envy X12 lineups come to mind as recommendations, and all of these are covered in this detailed separate article.
With old-style clamshell netbooks no longer a reality, there aren’t many 10-inch or smaller laptop-format computers out there, with a few notable exceptions. There are, however, quite a few good 10-inch tablets to consider, paired with keyboard docks or folios for laptop use. And there are also a couple of pico-sized handheld gaming projects such as the GPD Win, Steam Deck, or AYA Neo, that we’ll get to in a bit.
The