lcd display for zoom h6 supplier

- The top internal X/Y stereo mic unit can be unplugged and replaced with a (supplied) M/S mic. I have not seen this before on a portable recorder.M/S (mid/side) recording, although it seems to have gone a little out of fashion in recent years has two advantages - the stereo spread can be adjusted in post and one channel (the mid mic) is a regular mono signal on its own. Zoom also sell two other modules to replace the X/Y mic - a directional gun mic and a unit that adds two more XLR channels in place of the mic. The X/Y mic module also has a stereo minijack input with "plug-in power" - great if you want to use binaural mics (obviously the minijack disconnects the X/Y mics). The X/Y mics also swivel adjusting the angle of the heads from 90º to 110º for a wider stereo image.

- You can select a "back-up" mode for the top stereo mic inputs that lays down an additional stereo pair a lower level than the original as a safety copy in case you peak on the original (effectively meaning it possible to record 8 tracks at once). This is a great feature.

- The remaining for channels have individual gain pots (the stereo internal mic channel shares one). Each channel has individually switchable phantom power, low cut, limiters and compressors. Although the pots are quite small and fiddle, it"s great to have individual, physical gain controls. These four channels all have combined XLR/jack inputs. Channels 1 & 2 and 3 & 4 can be switched to stereo pairs.

- An angled colour LCD display shows all 6 channels and their settings together. The screen is small and might be difficult to see in bright light but it is great to have all this information together. A menu button and a small joy-stick switch control the menu settings.

So, use the power of Alibaba.com to find the right zoom h6 for your needs. We have options with all sorts of features and in all specifications to meet the needs of your customers. Start ordering today!

We have zoom h6 that are perfect for students like voice activated digital recorders that are triggered when the teacher starts to speak. It allows them to pay attention to the lesson instead of taking notes and they can review the recordings later for a review of the material.

Looking for wholesale speaker systems specially designed for surround sound? At Alibaba, we supply subwoofers, tweeters, and center channel zoom h6 for a complete and immersive listening experience. Maybe your customers want a subwoofer to optimize those lower base notes, or perhaps its tweetets they are after, wanting to enhance the higher tones. No matter the type of sound your customer is after, whether it be groovy, brassy, or classical, Alibcom has an extensive stock of zoom h6, for customers to create their ideal customized sound.

From the studio to remote locations, podcasts are produced everywhere.  With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution.

The H6 is your personal music studio 24/7. With up to six* discrete line-level / mic-level inputs, plus the ability to overdub and more, the H6 provides the road from a great idea to the perfect track.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Whether you’re a musician creating your own unique masterpiece, or a sound designer looking for that perfect sound effect, the H6 will become your most trusted companion.

XYH-6 Mic Capsule. The XYH-6 X/Y capsule comes standard with the H6. The capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern.

MSH-6 Mic Capsule. Mid-side mic magic. MS (“Mid-Side”) recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects.

XYH-5 Mic Capsule. X/Y stereo recording allows you to cover a wide area yet still capture a strong center image. The XYH-5 X/Y microphone capsule provided with the H5 features two matched unidirectional condenser microphones set at a 90 degree angle and housed within an advanced shockmount to minimize vibration and handling noise, making it ideal for location videography and live broadcast/podcast applications.

SGH-6 Mic Capsule. The SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone turning your H6 or H5 into the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

EXH-6 Mic Capsule. If you need more inputs, simply plug in the EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect two additional discrete channels for external microphones, instruments, mixers or portable music players.

SSH-6 Mic Capsule. The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of environmental sound captured by the side mic directly on your Zoom recorder, or in postproduction. A hairy windscreen is included for reduction of wind noise.

From the studio to remote locations, podcasts are produced everywhere.  With inputs for every guest, the battery-powered H6 is a complete portable podcasting solution.

The H6 is your personal music studio 24/7. With up to six* discrete line-level / mic-level inputs, plus the ability to overdub and more, the H6 provides the road from a great idea to the perfect track.

Featuring interchangeable mic capsules, four combo inputs and six tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Whether you’re a musician creating your own unique masterpiece, or a sound designer looking for that perfect sound effect, the H6 will become your most trusted companion.

XYH-6 Mic Capsule. The XYH-6 X/Y capsule comes standard with the H6. The capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern.

MSH-6 Mic Capsule. Mid-side mic magic. MS (“Mid-Side”) recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects.

XYH-5 Mic Capsule. X/Y stereo recording allows you to cover a wide area yet still capture a strong center image. The XYH-5 X/Y microphone capsule provided with the H5 features two matched unidirectional condenser microphones set at a 90 degree angle and housed within an advanced shockmount to minimize vibration and handling noise, making it ideal for location videography and live broadcast/podcast applications.

SGH-6 Mic Capsule. The SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone turning your H6 or H5 into the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

EXH-6 Mic Capsule. If you need more inputs, simply plug in the EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect two additional discrete channels for external microphones, instruments, mixers or portable music players.

SSH-6 Mic Capsule. The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of environmental sound captured by the side mic directly on your Zoom recorder, or in postproduction. A hairy windscreen is included for reduction of wind noise.

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Here at Zoom we"ve been building innovative products for the past thirty years. But with the revolutionary H6 six-track recorder, the bar is raised further still. Four interchangeable input capsules – X/Y, MS, Shotgun, and Dual XLR/TRS Combo – make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too. Whatever your application – live recording, professional film/video work, live broadcast or electronic news gathering – the H6 can handle it with ease.

Do more than just record the show: Document the experience. Use the X/Y capsule to capture the overall sound in stereo, then use the other four inputs for a direct feed from the mixing board, or for external spot mics to pick up specific instruments and the room sound. With the H6, you can relive that great performance night after night.

Whether you slide it onto your camera strap or attach it directly to your DSLR with our Hot Shoe mount, the H6 is the essential audio recorder for location videography. Its supplied MSH-6 mic capsule and onboard MS decoding, plus the ability to record up to 6 tracks simultaneously, gives you plenty of options in post-production.

Extend your range with the optional SGH-6 Shotgun mic. Get every word of that headline-making interview. Capture breaking news with maximum impact, then mix and prepare the audio for broadcast while still in the field. With the H6, you can do onsite reporting that really resonates.

Plug in the optional EXH-6 Dual XLR/TRS capsule and your H6 becomes a personal 6-track studio with six discrete line- or mic-level inputs, each with its own volume control and pad. Record and overdub up to 99 takes in high-resolution audio, then mix down to a stereo MP3 for posting to your favorite website. With the H6, the road from great idea to perfect track just got a lot shorter.

The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo ?” Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted.

All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or ¼” balanced or unbalanced phone cables. They can handle both mic- and line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

Each of the six inputs (that is, 1-4 as well L, R) have a dedicated gain control knob as well as a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.

If you’re using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule’s stereo 1/8” Line In jack.

The H6 Line Out is an unbalanced stereo 1/8” phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6’s internal mixer.

The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the “Audio Interface” function in the USB menu.

In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to its stereo 1/8” mini phone jack for private monitoring of the stereo output signal.

The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.

The interview started a split-second before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.

No problem… as long as you’re using the H6. Its Pre-Record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It’s as if the H6 had started recording two seconds before you actually got to hit the button.

Backup-Record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.

The Auto-Record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn’t immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you’ve set, recording begins.

The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment.

The H6 allows you to choose from three compressor settings and three limiter settings. The two “General” settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room “studio” recording, respectively.

Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds above a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely.

A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble.

The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket.

The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage. A handy "SD Card Remain" function allows you to see at a glance how much space remains on the currently inserted card, both in gigabytes and percentage.SUPPORTED FILE TYPES

The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any “bits” (digital words) being removed. Thus, they provide full fidelity without compromise.

All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are “BWF-compliant.” This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in post-production.

Note that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6’s internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 (or WAV), with independent control over each track’s level, panning and pitch.THE H6 AS AN AUDIO INTERFACE

The H6’s USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE software, and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).

When the H6 is set to “Stereo Mix” in the USB menu, it acts as a 2-input / 2-output interface; when set to “Multi Track,” it acts as a 6-input / 2-output interface. The H6’s onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad for zero latency (that is, without any delay). There’s also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track.H6 Features at a glance

While the original gray H6 is bundled with two mic capsules and premium accessories, the Zoom H6 All Black portable handheld recorder features a sleek black finish and a single mic capsule, making ideal for bands, multi-instrumentalists, and podcasters who don"t immediately need the extras. With its X/Y stereo microphone capsule, six versatile mic/line inputs, and up to 6-track recording, the H6 All Black is both user-friendly and easily expandable.Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 All Black packs an impressive array of features into a rugged, rubberized body that"s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers.

From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 All Black is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you"ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.

Whereas the original H6 sports a gray finish, two interchangeable stereo mic capsules, and premium accessories—a protective case, a foam windscreen, and a USB cable, the H6 All Black 2020 Version is presented in a sleek, solid black finish and includes a single stereo mic capsule. Both versions include four AA batteries for powering the H6 on the go.

The H6 All Black"s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2" full-color LCD, which happens to be backlit and angled for maximum visibility.

Each H6 input has its own dedicated gain control knob. There"s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4" input sources are so loud that you need even less gain than the preamps provide at the "0" setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.

Leave your external mics at home and travel light; the H6 All Black includes a stereo microphone capsule (the original H6 includes two interchangeable capsules). With nothing more than the H6, you"re set to record a variety of sources, even ear-rattling ones up to 136 dB!The matching black X/Y capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.

The Zoom mic capsule input on the H6 All Black accommodates Zoom"s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y, Mid-Side, and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4" jacks.

Equipped with four XLR-1/4" combo inputs and a 3.5mm stereo mini-jack input (on the X/Y capsule), the H6 All Black can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6 All Black"s preamps are ready to deliver low-noise (-120 dB EIN) performance.

The H6 All Black boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the internal mixdown function to blend six tracks down to a stereo file.

Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over 3 hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.Alternatively, use the H6 All Black as a 6-in / 2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.

The H6 All Black boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.

Power the H6 All Black via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over 9 hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4" inputs. When using the H6 All Black in the stereo USB audio interface mode, USB bus powering is possible.

The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 All Black obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 All Black directly to a DSLR.

The H6 All Black"s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.There"s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 All Black an ideal tool for phrase training.

The H6 All Black offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you"ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.Backup record enables the H6 All Black to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!

The H6 All Black comes with free download licenses for Steinberg"s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

In general: This is a good portable device for recording podcasts, instruments and low-budget student movies. Personally, I use it for all this. For its price, this is probably the best solution that only an older model, the Zoom H8, can compete with.

Six interchangeable input capsules make the ZOOM H6 the ultimate recorder for film, video, podcast and music. Its advanced preamps make it the best-sounding one, too. Unmatched abilities. Award-winning quality. Meet the H6 Handy Recorder.

The H6 is a podcaster’s dream with inputs for every guest and phantom power for every mic. Easily monitor your levels on the H6’s crisp, color LCD screen, and use its individual gain knobs to control the levels of each input. The H6 is intuitive and easy to use.

Featuring interchangeable mic capsules, 4 combo inputs and 6 tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

When the H6 is set to “Stereo Mix” in the USB menu, it acts as a 2-input/2-output interface; when set to “Multi Track,” it acts as a 6-input/2-output interface.

The Zoom H6 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, enabling you to not only capture, but create.