adobe premiere different display screens manufacturer

I am having issues with video playback in Premiere when I have my displays extended (using 2 displays). I have an MSI laptop (specs below**) and am running the latest version of Premiere CC 2018 (but this has been happening ever since I purchased this laptop 2 years ago).

Basically, as long as I am extending my displays (via Windows 10 display options) using my laptop display and an HDMI-connected 24" HD Monitor, I get playback issues. This is even without using Mercury Transmit, I simply use Premiere on one display Everything starts out fine but then after 5 minutes or so the timeline and source monitor stop playback. Sound continues to come through and Premiere works fine otherwise (can access menu items, add effects etc). It just fails to play anything back with Source and Program monitors frozen on whatever was displaying at the time of the "crash".

When I enable Mercury Transmit, Premiere doesn"t seem to respond to the change at all. And then everything freezes as above and the chosen display for the Transmit goes black. It remains black even when I turn Mercury Transmit off. Sometimes the app will eventually crash.

In both cases, when I exit out of Premiere, the app still seems to remain open in my background processes and I need to manually close it from the Task Manager.

This happens with any type of media, any codec, any size (duration or dimension). It also happens on brand new projects. Mercury Transmit also doesn"t work for me in After Effects, however, I don"t have playback issues using AE whilst the displays are extended.

Also, the problem persists regardless of me using Software, CUDA or Open CL Renderer. And to be clear, the graphics card works when accelerating rendering in apps like Media Encoder (and I assume it works in Premiere but just not with playback).

Split-screen videos are trending and you can find them in a wide range over streaming sites. Most of the time these videos are used by marketing experts to compare different products on the same screen. But these days, people are also creating other adventurous video projects with this feature. If you are also interested to develop a split-screen video where two videos can be played simultaneously on the same screen as each one of these will share a 50% portion then Adobe Premiere Pro can assist you better. This software platform possesses interactive tools for the split-screen feature. The article below contains step by step guidelines about tricks to create Split Screen videos.

If you are new to the video editing world then the steps described above in the Premiere Pro section may appear a little complicated to you. Most of the beginners wish to work on a system that is handy and can provide fast editing services. Here we recommend WonderShare Filmora for your split-screen editing needs. It can get your job done within a few seconds and the end preset results use to be awesome.

The Internet can show you the wide range of plugins that can be added to the Adobe Premiere Pro platform for using the split-screen effect with ease but the tutorial below will help you to work without additional plugins. It is possible to do things manually using the built-in Split screen tool in the Adobe Premiere Pro platform. Here are a few important steps that you need to follow:

First of all, you have to import both videos on Premiere Pro. Use the drag and drop feature to get them from any folder located inside your computer and place one over top of another on the timeline to create a new sequence. To make a split-screen effect video, it is important for both videos to share the same length. So you need to adjust their alignment to make sure that the videos have the same period.

Go to the preview window and check the changes you made recently. It will show you both the videos occupying 50-50 percent space on screen and the screen is well split in the middle. But note that these settings will not display your video information correctly as most of the objects will be hidden due to the available 50% screen coverage.

Also, you can create a black bar between this side-by-side video if you need it. To apply a black bar, just move the video clips away from each other. You can also adjust the bar color or style of the split-screen effect in Premiere Pro.

As you have learned the split-screen effect now so it is possible to add more than two videos to a single screen by splitting it into multiple sections. Premiere Pro assists users in fast adjustments of all settings.

I hope the information above is useful for you to put videos side by side and make a split-screen effect in Premiere Pro. With the split-screen effect, you can empower your imagination with more creativity. If you are looking for an alternative to Premiere Pro to make a split-screen video in a much easier way, don’t forget to give Filmora a try.

Only the best monitors for video editing can accurately display your video masterpieces in the making. While you can cut, re-sequence, and colour-grade that commercial, film, or Instagram reel you"re currently working on using just about any display, only the right display can accurately reproduce your videos so that they translate well to other screens and mediums.

Let us help you choose the best monitors for video editing. From budget options to the best 4K monitors and the best USB-C displays, check out our top picks below.

The BenQ SW321C PhotoVue might be a little on the pricey side, but it"s so very easy to justify it due to its top-notch performance and impressive features. It boasts a nice 32-inch panel and a sharp 4K resolution, as well as 99% AdobeRGB, 95% P3, and 100% sRGB colour gamut, and Delta E ≤ 2 colour accuracy that lets you see your work the way it’s supposed to be seen.

The Asus ProArt PA348CGV may be an affordable video editing display. But it"s certainly not a budget one when it comes to performance and features. And, if you"re just starting to dip your toes in different creative industries, this might be the ideal video editing monitor for you.

The Eizo ColorEdge CG319X might just be the ultimate monitor for video editing thanks to its unmatched performance and rare self-calibration feature. Designed for creative professionals doing pro work with no scope for errors, we found it to be a truly superlative display.

As a video editing display, the BenQ DesignVue PD3420Q truly delivers. It boasts 100% Rec.709, 100% sRGB, and 98% P3 colour gamuts and great factory-calibrated colour accuracy of Delta E ≤ 3 out of the box that video editors, designers, and graphic artists need. To simplify workflow and keep the focus on its users" creative process, it also comes with extras like its KVM switch, the BenQ Hotkey Puck G2, and the DualView mode that lets you display your work in two different colour modes side-by-side for comparison.

This is the best monitor for video editing if you"re working with 8K or 6K footage and need a way to view it at full 1:1-pixel quality. We"re not exactly swimming in 8K display options so far, but the Dell UltraSharp UP3218K makes sure that if you do get one, you"re getting an absolutely top-tier screen in so many ways. It"s about more than just the resolution – you also get 100% AdobeRGB, 100% sRGB, 100% Rec. 709, and 98% DCI-P3 colour coverage.

You don’t need to exclusively film footage in HDR to take advantage of a true HDR display, but you do need to be a proper pro to justify getting one. HDR displays aren’t the cheapest, and the Asus ProArt PA32UCG-K’s steep price tag proves this. However, if you do have deep pockets, its DisplayHDR 1400 and 1,600 nits of peak brightness will blow you away.

Making it all the more worth your money is its Delta E < 1 colour difference and extensive colour space – apart from its 100%sRGB and 99.5% Adobe RGB, it also boasts 98% DCI-P3 and 85% Rec.2020 gamuts. The panel itself utilises smaller LEDs that offer 1152 local dimming zones for higher contrast and deep blacks. There’s plenty of input ports on hand as well, allowing you to spread out and really immerse yourself in your creative process. And, naturally, that 4K resolution takes care of displaying impeccable details.

If you"re looking for an excellent ultrawide display, the LG 38WN95C is worth considering. A stunning 3840 x 1600 display, it delivers that screen real estate you need to spread out when video editing and have all your tools handy so you can immerse in your creative process.

While it isn"t a 5K2K display like the PS341WU, it comes with its strengths. Content creators will find its 99% sRGB and 98% DCI-P3 colour gamuts most useful. Meanwhile, those that work with HDR content will appreciate VESA DisplayHDR 600 certification. Plus, its pixel-per-inch ratio of 110.93 is just the ticket for making those visuals sharp and those texts comfortably readable.

While we haven"t completed our review of Apple"s 6K display, we already know it"s a beast, aiming to be closer to a monitor in the pro film production sense, rather than a monitor in the "computer screen" sense we"ve been using it here. It"s intended to give you as close to perfect playback as you can get for the money (and, bear in mind, it"s a lotof money). You"ve got a resolution of 6016 x 3384, which is enough for many 6K formats (though not quitethe 6K full frame recording of a RED camera). Added to that is an incredible HDR peak brightness of up to 1,600 nits, with a typical brightness of 1,000 nits – and there are 576 individual dimming zones for backlight control, so contrast will be simply colossal.

In terms of colours, there are specific reference modes for DCI P3, sRGB, NTSC, BT.709, and many more. That includes a reference mode for "Apple display", which will make it match a MacBook Pro for brightness, so you get a consistent look if you have them side by side. There"s the option of a nanotexture effect on the screen to reduce reflectivity as low as it goes for monitors like this, too.

It comes with one Thunderbolt 3 port (meaning it can go at the end of a Thunderbolt chain, but can"t be a Thunderbolt hub), plus three USB-C ports for connecting accessories. The downside to all this is that it"s extremely expensive, and the price our widgets are pulling in here are just for the display… the official stand costs a further $999 / £949 / AU$1,699. You can also get a VESA mount adapter, if you prefer. If you"re interested in having an Apple monitor, you might also want to check out Apple"s latest display – see our Apple Studio Display review for more details.Is a 4K monitor good for video editing?Resolution isn’t everything when it comes to choosing the right monitor for video editing. But, if you’re hoping to produce content in UHD, you’ll need to be able to see your work in its native resolution. So, having a monitor capable of 4K resolution isn’t just good. For most video editors, it’s necessary. Just keep in mind that you’ll need a computer powerful enough to be able to deliver that high resolution content to a 4K monitor.Are curved monitors good for video editing?It’s not necessary to have a curved monitor to do great work on your video editing projects. But, curved monitors do offer a few advantages. Since they make the whole screen equidistant from your eyes, they’re easy to work with since you won’t have to strain as much to see the corners of your screen. And, many curved monitors come in a wider 21:9 aspect ratio, meaning you’ll have more screen real estate and can work on projects in their native resolution while still having instant access to your editing tools. However, you do have more limited viewing angles compared to flat displays. If you need to show your work to colleagues, they might not see an accurate representation of your project.Is Hz important for video editing?While refresh rate is crucial for video editing, just about every contemporary monitor comes with at least a 60Hz refresh rate. And, considering that most video is shot at 30 or 60 fps, having a faster refresh rate won’t make much of a difference. Of course, if you’re also doing animation or are hoping to game on that same display, having a speedier refresh rate becomes a bit more of a priority.

In the October 2018 update of Premiere Pro CC (version 13), we got a new switch in the Preferences: The “Enable Display Color Management (requires GPU acceleration)”switch. But what exactly does this switch do, and will it make your life easier? Read on!

Color Management ON is useful when that’s not the case, and you want your display to reproduce the color appearance of the timeline on a reference monitor.

Edit Jan 30, 2019: Simplified the table by removing the Rec. 2020 options, since the Premiere Pro timeline is always Rec. 709 (as advised by Lars Borg, Color Science guru at Adobe).

Display Color Management works for any internal monitor and for any secondary computer monitor used as part of the OS desktop. As always, showing accurate colors and contrast requires that your display is reasonably calibrated or characterized.

On top of this, many displays are “sRGB-in-name-only”, SINO. Even when calibrated to sRGB, a SINO display can be off target, as most calibration tools take very few samples. So, a SINO display might show even less details than what’s represented in an sRGB encoding.

Please note that this detail loss would be there regardless of how you set your Display Color Management switch. I just want you to understand that your sRGB display will never be able to show true Rec. 709.

Here are some screen grabs from an sRGB monitor, showing Rec. 709 video, with Display Color Management turned on and off. You should see most differences in the shadows. You will also perceive differences in saturation.

I am a filmmaker and work over screen share on Skype with adobe premiere pro. My producer at the other end in the UK used to be able to hear everything perfectly.

our Skype call voices have the same volume as always, but when I try to play back in premiere, its very quiet for me and she on the other end can"t hear anything. turning up the volume causes only loads of bad feedback and white noise ..

Summary: Adobe Premiere Pro is the leading video editing software application developed by Adobe Systems. This blog will guide the Adobe Premiere Pro users to deal with such instances with simple yet effective methods where due to some technical glitches, you face video playback issues. Problem 1: ‘My Premiere Pro 2018 was working fine until recently. Now it has turned slower in video playback, or won’t play videos at all, just showing white screen. I am editing a half hour documentary. Why is this hitch suddenly? How can I make my video footage play properly?’

Problem 2: ‘Playing a video file in a sequence or from project folder in Adobe Premiere Pro CC 2019 doesn’t work. It displays either one video frame or the yellow ‘Media pending’ image. Any ideas how I can fix this problem?’

So if you are facing video playback issue or any of the below problems in the program, read on this post to know the ways to fix the issue. Premiere Pro won’t play video or showing white/ black screen

Restarting computer can fix incomplete updates/ installations, overheating, hardware or video driver glitches. These may be interfering with smooth functioning of Premiere Pro on your computer.

Whenever Premiere Pro has a problem in playing video, first try to restart/reset the program. It wipes off the recent directories in the program, without affecting video projects.

Ensure the video file you are trying to play in Premiere Pro is not corrupt. Check this by playing it in another program or on different computer. Also see, if other videos are playing in the program or not. If a specific file is not playing, it indicates video corruption.

Are you using more than one monitor while working on video projects? Sometimes, unknown technical glitches due to multiple monitor configuration cause video problems in Premiere Pro. Switch to a single display set up and check if the videos are playing fine in the application.

Outdated or corrupt video card drivers won’t let videos play properly in Premiere Pro. You can fix videos not playing at all or other display problems by updating the video card (NVidia/Intel HD/AMD) drivers.

Changing the Video Renderer settings in Premiere Pro can help in smooth video playback in the program. This is a quick fix to any video footage not playing or having slow rendering problem.

When your Premiere Pro Won’t Play Videos, show error, black/ white screen or have other playback issue, try one of the above troubleshooting methods to fix the problem.

7 comments My premier pro was running excellent and I use always premium version but 2 days ago I made a mistake I downloaded crack from this site /licensed.com/adobe-premiere-pro-cc-crack-license-key/

and applied to my software “My Bad Luck” after that my software giving the same issue of the video I fixed that issue with following your instructions but there is a still problem in Images images not giving display. Can you please tell me or recommend me how I can fix that also. Thanks Hi Savannah

Any crack is illegal. Pirated versions have worse performance than the fully legal ones, which can result in unexpected problems. Suggest you to get the authentic legal version of Adobe Premiere.

Hi, I’m beginner in video editing and I just open this Premiere Pro software and I imported MP4 file and when I import, but only get audio to play. Any ideas what could be the issue and how to fix it? Any help would be appreciated! Hi Jonathan,

Premiere Pro is a popular video editing software by Adobe that works on both Windows and on Apple computers. It is comparable to Apple’s Final Cut Pro video editing program, but has become the program of choice for many video producers.

Premiere Pro is a non-destructive editing software, which means nothing you do in the program can change or overwrite your media files. That said it’s always good to keep a backup of your project and media files. Premier Pro is taught in three of our workshops. For a hands-on video editing experience join Premiere Pro for Intermediate Video Editors or Advanced Video Editing.

The project file will contain references to the different media files you use to build your movie and the sequences on which you arrange your video clips, add audio tracks, transitions, titles, etc.

When working in Premiere, it’s best to keep both your footage and project file together on an external hard drive. So on your external hard drive, make a new folder for your project, and use ​Browse​ to save your project file in that new folder.

IF YOU ARE WORKING ON A COMPUTER WITH 3 OR MORE HARD DRIVES then you can improve performance by setting “video previews” and “audio previews” to that third drive. If you only have 1 or 2 drives (your computer, and an external hard drive), you can ignore this, but for the curious, the ideal disk setup according to Adobe is as follows.

After you create a new project or re-open an existing project, the main workspace for Adobe Premiere will open on your screen. It is divided into four sections or panes:

Workspaces –​This bar at the top shows the different workspaces available in Premiere. A workspace is just a preset for how the different panes are arranged. By default, Premiere should open in the ​Editingworkspace. This is the workspace we will be focusing on. If you ever accidentally close or can’t find a window, right click the three horizontal lines next to Editing in the top bar, and clickReset to Saved Layout.

Project​ – This shows the media files you have imported into your project, as well as your sequences. Within this window, there are also a number of tabs you can navigate through to access your media more easily. Two of the main tabs we will be using are Media Browser, and Effects. Media Browser shows files on your computer or external hard drive that you can import into Premiere. Effects contains different filters and transitions you can use when editing your video.

To change the layout of your workspace panes, click the Window button in the vertical bar at the top of the screen. ‘Workspaces’ should be the first option in the menu. Hover over it to display the available pre-selected workspace panes, and select whichever you prefer. We recommend using the ​Editing​layout.

You can change a number of setting preferences in Premiere, such as doing more frequent automatic saves of your project or changing the default settings for how audio from your camera is converted into different types of audio tracks in Premiere.

You can choose where Premiere Pro CC 2019 will store your auto saved files by setting your Scratch Disks. Hover overFilein the horizontal menu at the top of the screen, go toProject Settingsand clickScratch Disks. A new window calledProject Settingswill appear. UnderProject Auto Save, you can choose where the auto saved files will be stored.

Important note​: It’s best to drag the entire contents of the card onto your computer. DSLR cameras like Canon and Nikon may have individual .mp4 files that you can copy one by one, but for many cameras, especially from Panasonic and Sony you need to drag the entire folder on the card. This folder is probably called “Private” and will contain another folder called AVCHD or XAVC the video files. It’s important to keep these folders together because they also contain related files such as metadata files that Premiere will need to open the videos. You should not edit the AVCHD folder or any files within this folder, or you risk corrupting the video footage.

Copying your footage to your computer or external hard drive will make the video files accessible to Premiere for import via the Media Browser, and allow you eject the memory card without breaking Premiere’s connection to the video files.

You’ll see the file directory for your hard drive displayed on the left. Navigate to the folder that has a file you want to use in your movie, and you’ll see the file displayed on the right. Video files will appear as icons showing the first scene from the clip.

Make sure you click the ​icon view​ button at the bottom of the Media Browser to display your video and photos as icons. You can also adjust the slider at the bottom to increase the size of the icons, and click on the three horizontal lines to sort by name, filetype, etc.

To import a file, right-click on a file and select ​Import​ from the drop-down menu. Premiere Pro CC 2019 will import the file and it will appear in the Project pane.

You can also copy files from a media card to your computer and import them into Premiere in one action using the Media Browser. This will copy media from your card to your computer, and import all at once. Adobe Media Encoder must be installed to import files this way.

Another program called Adobe Media Encoder will open and show you a progress bar as the files are being copied, but you can ignore this and start editing immediately.

If you’re unsure of the video settings on your camera, Premiere can automatically match the sequence settings for you. Premiere Pro CC 2019 will do this automatically when you drag a video clip from your Project pane into the Timeline.

To do these cuts in Premiere Pro 2019, in the ​Tool palette​ click on the ​Razor​ tool, which looks like a razor blade. For a shortcut, you can also pressCon your keyboard. Your cursor will change to a small razor icon while you are using this tool.

You can make shorter selections from video clips while they are displayed in the Source pane to simplify editing before you bring clips into the timeline. You can select only the best parts of the clip to bring into the timeline, so you can edit out any unnecessary footage.

The ​Overwrite edit​ is the default in Premiere Pro 2019. When you drag a clip to the timeline, Premiere will automatically overwrite the overlapping portion of the existing clip with the new clip. This will be indicated by an arrow pointing down.

If you use the keyboard shortcuts or the buttons, Premiere Pro 2019 will place the clip where your playhead (the vertical blue line) is located in your timeline.

By default, Premiere Pro 2019 provides three tracks of video and six tracks of audio in the timeline. You can create additional tracks by dragging clips above or below the outermost tracks.

The waveform is a visual representation of your audio that shows it’s high and low points. In Premiere, there is a horizontal line through the waveform that represents the base audio level. You can drag this line up or down to adjust the volume of the clip. You can’t boost the sound level very much, but you can reduce it to negative infinity (which essentially mutes it).

To add a transition between clips, like a cross dissolve (so the first clip gradually fades out as a second clip fades in) go to the ​Effectstab within the ​Project​ pane​. Open the ​Video Transitions​ folder to access a set of folders with a number of different transitions you can use.

If you want to use the title you’ve created in other Premiere Pro 2019 projects, right click on the title in the timeline and selectExport As Motion Graphics Template…

If you are having trouble with the your videos color looking different after exporting, try checking the “render at maximum depth” box, but otherwise leave the rest of the settings alone.

If you’ve updated to Premiere Pro 14.0 or Creative Cloud 2020, you may be wondering about the changes made between the updated version and the 2019 version.  A brief explanation of key differences as described by freelance video editor, Piotr Toczyński, What’s New in Premiere Pro 2020?

Resolution is only a small factor in picking a quality monitor. Color accuracy is also paramount - look for a display that has an advertised color accuracy, preferably a factory-calibrated model with an accuracy tolerance of less than Delta E 2. Built-in hardware color calibration is also desirable for ensuring that accuracy is maintained throughout the life of the monitor.

High-definition digital video is now recorded in two main color standards: Rec. 709, and DCI-P3. Ensure your chosen monitor can display as close to 100% of the colors in these recording standards as possible. DCI-P3 has a wider color gamut (more colors) and therefore you"ll need to splash out on a higher-quality display if you want near-full reproduction of this color space.

Retina-searing brightness isn"t actually that desirable for prolonged editing stints - around 150cd/m2 is usually enough for most viewing environments. However, if you need to edit HDR footage, a monitor needs to be capable of displaying localized highlights very brightly. A minimum brightness rating of 400cd/m2 is required for basic HDR compatibility, and to be fully HDR-capable, a monitor needs to be as bright as 1000cd/m2.

Sure, this screen isn"t exactly "cheap", but if you"re serious about video editing, you need wide color space coverage so you"re able to see as much color as possible in your footage. Seriously cut-price screens just can"t display enough colors for accurate color grading, but with 100% Rec. 709 and an impressive 98% DCI-P3 color coverage, the Dell UltraSharp U2723E comes close to much pricier displays for color accuracy.

It also packs 10-bit color depth and an excellent 2000:1 maximum contrast ratio, all inside a smart case with ‘InfinityEdge’ ultra-thin bezels. Video ports include HDMI, DisplayPort, plus there"s a built-in USB 3.0 hub and 2x USB-C ports, one of which can supply up to 90w of power to an attached laptop.

Dell produces several excellent monitors for video editing, but the U3223QE offers the best value of them all. This 31.5-inch panel can display 100% of the sRGB color space, but more importantly for video, there"s 100% Rec. 709 coverage and 98% DCI-P3 coverage - the latter being exceptional.

Factory color calibration ensures a Delta-E accuracy of less than 2 and the monitor is capable of displaying HDR content as it just meets the 400cd/m2 brightness needed for HDR playback.

Here"s proof that the best monitors for video editing don"t have to cost mega bucks. This BenQ display comes out swinging with its huge 31.5-inch screen size, 4K (3850x2160) resolution, and excellent 3000:1 contrast ratio. But where this monitor really shines for video editing is its top-notch color space coverage.

In the new 27” 5K Studio Display, Apple has delivered not just an impressive partner to its Mac line-up, but also a worthy replacement for the previous Cinema Display. While not quite as feature-rich as the flagship 6K Pro Display XDR, the Studio Display delivers a great experience in its own right for media producers and content creators.

Built-in reference modes match most of those on the Pro Display XDR, to the point where it’s possible to run them side-by-side with little noticeable difference between the two when producing non-HDR content. The calibration and fine-tuning options to customize those modes are also welcome, enabling precise matching to other screens in use. For SDR content, the Studio Display’s 600 nits of brightness easily outperform the equivalent offerings from others such as LG’s 4k 27” UltraFine screen – and there is constant brightness across the panel with an extremely wide viewing angle.

Not so long ago 4K was the next big thing and a 4K monitor would set you back an arm and a leg. Now 8K is taking centre stage, with an increasing number of cameras capable of shooting this gargantuan 7680 x 4320 resolution. 8K monitors(opens in new tab) are still a rarity, but this Dell display is actually quite well priced for such bleeding-edge tech.

Despite this being a large 31.5 inch display, containing the equivalent of 33.2 megapixels means you get an unusually high pixel density of 280 ppi, resulting in a near-Retina effect.

Like HP"s DreamColor Z31x, this is also a 17:9 aspect ratio panel with a native 4096 x 2160 resolution for displaying Cinema 4K footage. 99% AdobeRGB coverage and 98% DCI-P3 coverage ensure you"re seeing a near-flawless color reproduction of your video and images, and there are preset modes for all common video color space standards.

The Dell UltraSharp 40 Curved WUHD Monitor (U4021QW) is a gargantuan 40-inch 21:9 curved ultrawide display with an equally huge 5120 x 2160 resolution. The 2500R screen curvature radius (2,500mm) means that even though the U4021QW has an immense 929mm viewable screen width, the corners of the display will still be comfortably visible.

Curved monitors often use VA (Vertical Alignment) LCD tech, which can"t provide the color, contrast and viewing angle consistency of an IPS (In-Plane Switching) LCD display. But Dell has pulled out all the stops and equipped the U4021QW with a 10-bit curved IPS LCD panel with 178/178-degree viewing angles.

The PD3420Q is relatively unusual in the ultrawide sector as it"s a flat (rather than curved) display, this ensures lines displayed on the screen don"t bend or skew as they would on a curved ultrawide.

What"s more, where most curved ultrawide screens are based around VA panels - an LCD technology that tends to trail IPS screen tech when it comes to color and contrast consistency - the PD3420Q"s superior IPS LCD panel boasts 178/178-degree viewing angles, a 5ms GtG response time, and it can display 1.07 billion colors.

Factory color calibration and Pantone/Calman verification ensure accurate colors right out of the box, while VESA DisplayHDR 400 certification means the monitor can produce a peak 400cd/㎡ brightness for previewing HDR10 content. The PD3420Q covers 100% of the sRGB and Rec.709 color spaces, and an impressive 98% of the DCI-P3 color space, while BenQ"s Uniformity Technology helps iron out any uneven back-lighting.

Keen fans of mathematics may have worked out that the 32:9 ratio makes this screen twice as wide as a 16:9 panel, meaning you could display full-width 16:9 footage on one half of the screen while editing software comfortably on the other side.

Not all monitors really need to be curved, but being a whopping 49-inches wide, the CHG90 really benefits from its 1800R curvature. Video color space coverage isn"t quoted, but 99% sRGB and 92% AdobeRGB from this wide-gamut 10-bit display are respectable figures. Less appealing is the monitor is based around a VA-type panel, which won"t quite have the color and contrast uniformity of an IPS screen. But that"s the trade-off for getting so much screen real estate.

Where possible, a calibration device will be placed on the screen to verify its advertised color space coverage, brightness output and consistency, and factory color calibration accuracy. Beyond image quality, we"ll also scrutinize the monitor"s display and data ports to ensure acceptable connectivity, and will give a thorough assessment of build quality, including the range of ergonomic adjustments in its stand. Only then will we determine if a screen is worthy of use by a discerning imaging or video enthusiast.Round up of today"s best deals

Adobe Premiere panels are the digital workspaces that facilitate your video project, such as the Timeline, the Media Browser, and the Program Monitor. Each of these areas can be rearranged and retooled to your personal taste. Below, we"ve shared how to activate (or remove) panels, how to make a panel fill the entire screen, and other handy tips.

In newer versions of Premiere (2013 or later), you can also select specific panels with keyboard shortcuts. Here are a few shortcuts for the most important panels:

If you"re unhappy with the current panel layout, it"s easy to change. Adobe Premiere has a selection of panel presets called workspaces, which can be accessed by going to "Window" > "Workspace". Each workspace offers an optimized panel layout for specific editing needs, such as "Audio", "Color Correction", and "Effects". When you choose the "Audio" workspace, for example, the audio mixer and effects panels are placed in prominent positions for faster access.

To save your own custom workspace, you can click and drag Adobe Premiere panels around in your project to move them to new locations, or add new panels from the "Window" menu. Panels turn opaque when you move another panel over them. If you let go of your mouse in a panel"s center, your relocated panel will become a tab in the stationary panel. On the other hand, if you let go of the mouse on a panel"s edge, your relocated panel will move as a separate section.

To make a split screen video in Premiere Pro, such as vertical two-screen split, you need to take two individual clips and make sure they are the same length.

Add all video clips into Premiere, and put them on two tracks on the timeline. Adjust the alignment and make sure they start at the same time. If a video is longer than the other, cut it and make the duration same.

Put the bar to the first frame and press the Space button on your keyboard to preview the split-screen video in Premiere. Then you can export it as a video file to your hard drive.

Premiere Pro is the video solution of Adobe; however, more and more people give up the program, partly because the complicated configuration. Moreover, it is much more expensive than other video editors. Fortunately, Aiseesoft Video Converter Ultimate can help you simplify the workflow.

Download and install the best alternative to Premiere Pro to your PC. There is another version for Mac users. Then open it and go to the Collage window from the top bar. Firstly, go to the Template tab and choose a layout based on your need. All layouts can be adjusted later. You can also decide the ratio, clip number, border and more. Next, click the Plus icon on the first panel and add a video clip. And then add the video clips to other panels. If the layout is not as you wish, drag the border to adjust it further.

Next, go to the Audio tab at the bottom. Uncheck Keep the original audio track while tick the checkbox of Background Music. Click the Plus button if you want to use your own music. The Premiere alternative also offers a music library when making split screen video. Adjust other options, like Volume, Delay, etc. Then click the Play icon to preview the result in the media player panel.

Put a video on the timeline in Premiere Pro, move the bar to the position that you want to split and click the Split tool. Now, the video will become two clips.

There are a lot of video editor apps for PC and mobile, but only a few are able to put two videos side by side, such as Premiere Pro, iMovie, and more.

Now, you should understand how to make split screen video with Adobe Premiere Pro. As a professional video editor, Premiere is able to create a variety of video effects including putting two videos side by side. However, it requires some technical skill. For beginners, we suggest you to try the alternative solution, Aiseesoft Video Converter Ultimate. More questions? Please write them down below.

With the Split Screen effect you can present a bigger picture, a broader perspective of the reality and its different elements, you have full control over what your audience sees and feels!

And from this point on Split Screens gained mass popularity. Top video producers from all over the world used this multi-perspective technology in their movies, making them a true masterpiece.

Before the arrival of digital technology, video editors would create Split Screens by combining two or more separate video footages, by copying them to one single negative, called the compose. This was a really hard and slow effect to achieve.

And it will be yours today to play with for free when you register for our 30-Days of Free Unrestricted Access To Your New Premiere Pro Transition Pack.

Split Screens have been used for centuries to present two pictures side by side or right one on top of the other, but today the effect is mainly used to create some kick-ass transitions from one scene to another.