adobe premiere different display screens factory

Only the best monitors for video editing can accurately display your video masterpieces in the making. While you can cut, re-sequence, and colour-grade that commercial, film, or Instagram reel you"re currently working on using just about any display, only the right display can accurately reproduce your videos so that they translate well to other screens and mediums.

Let us help you choose the best monitors for video editing. From budget options to the best 4K monitors and the best USB-C displays, check out our top picks below.

The BenQ SW321C PhotoVue might be a little on the pricey side, but it"s so very easy to justify it due to its top-notch performance and impressive features. It boasts a nice 32-inch panel and a sharp 4K resolution, as well as 99% AdobeRGB, 95% P3, and 100% sRGB colour gamut, and Delta E ≤ 2 colour accuracy that lets you see your work the way it’s supposed to be seen.

The Asus ProArt PA348CGV may be an affordable video editing display. But it"s certainly not a budget one when it comes to performance and features. And, if you"re just starting to dip your toes in different creative industries, this might be the ideal video editing monitor for you.

The Eizo ColorEdge CG319X might just be the ultimate monitor for video editing thanks to its unmatched performance and rare self-calibration feature. Designed for creative professionals doing pro work with no scope for errors, we found it to be a truly superlative display.

As a video editing display, the BenQ DesignVue PD3420Q truly delivers. It boasts 100% Rec.709, 100% sRGB, and 98% P3 colour gamuts and great factory-calibrated colour accuracy of Delta E ≤ 3 out of the box that video editors, designers, and graphic artists need. To simplify workflow and keep the focus on its users" creative process, it also comes with extras like its KVM switch, the BenQ Hotkey Puck G2, and the DualView mode that lets you display your work in two different colour modes side-by-side for comparison.

This is the best monitor for video editing if you"re working with 8K or 6K footage and need a way to view it at full 1:1-pixel quality. We"re not exactly swimming in 8K display options so far, but the Dell UltraSharp UP3218K makes sure that if you do get one, you"re getting an absolutely top-tier screen in so many ways. It"s about more than just the resolution – you also get 100% AdobeRGB, 100% sRGB, 100% Rec. 709, and 98% DCI-P3 colour coverage.

You don’t need to exclusively film footage in HDR to take advantage of a true HDR display, but you do need to be a proper pro to justify getting one. HDR displays aren’t the cheapest, and the Asus ProArt PA32UCG-K’s steep price tag proves this. However, if you do have deep pockets, its DisplayHDR 1400 and 1,600 nits of peak brightness will blow you away.

Making it all the more worth your money is its Delta E < 1 colour difference and extensive colour space – apart from its 100%sRGB and 99.5% Adobe RGB, it also boasts 98% DCI-P3 and 85% Rec.2020 gamuts. The panel itself utilises smaller LEDs that offer 1152 local dimming zones for higher contrast and deep blacks. There’s plenty of input ports on hand as well, allowing you to spread out and really immerse yourself in your creative process. And, naturally, that 4K resolution takes care of displaying impeccable details.

If you"re looking for an excellent ultrawide display, the LG 38WN95C is worth considering. A stunning 3840 x 1600 display, it delivers that screen real estate you need to spread out when video editing and have all your tools handy so you can immerse in your creative process.

While it isn"t a 5K2K display like the PS341WU, it comes with its strengths. Content creators will find its 99% sRGB and 98% DCI-P3 colour gamuts most useful. Meanwhile, those that work with HDR content will appreciate VESA DisplayHDR 600 certification. Plus, its pixel-per-inch ratio of 110.93 is just the ticket for making those visuals sharp and those texts comfortably readable.

While we haven"t completed our review of Apple"s 6K display, we already know it"s a beast, aiming to be closer to a monitor in the pro film production sense, rather than a monitor in the "computer screen" sense we"ve been using it here. It"s intended to give you as close to perfect playback as you can get for the money (and, bear in mind, it"s a lotof money). You"ve got a resolution of 6016 x 3384, which is enough for many 6K formats (though not quitethe 6K full frame recording of a RED camera). Added to that is an incredible HDR peak brightness of up to 1,600 nits, with a typical brightness of 1,000 nits – and there are 576 individual dimming zones for backlight control, so contrast will be simply colossal.

In terms of colours, there are specific reference modes for DCI P3, sRGB, NTSC, BT.709, and many more. That includes a reference mode for "Apple display", which will make it match a MacBook Pro for brightness, so you get a consistent look if you have them side by side. There"s the option of a nanotexture effect on the screen to reduce reflectivity as low as it goes for monitors like this, too.

It comes with one Thunderbolt 3 port (meaning it can go at the end of a Thunderbolt chain, but can"t be a Thunderbolt hub), plus three USB-C ports for connecting accessories. The downside to all this is that it"s extremely expensive, and the price our widgets are pulling in here are just for the display… the official stand costs a further $999 / £949 / AU$1,699. You can also get a VESA mount adapter, if you prefer. If you"re interested in having an Apple monitor, you might also want to check out Apple"s latest display – see our Apple Studio Display review for more details.Is a 4K monitor good for video editing?Resolution isn’t everything when it comes to choosing the right monitor for video editing. But, if you’re hoping to produce content in UHD, you’ll need to be able to see your work in its native resolution. So, having a monitor capable of 4K resolution isn’t just good. For most video editors, it’s necessary. Just keep in mind that you’ll need a computer powerful enough to be able to deliver that high resolution content to a 4K monitor.Are curved monitors good for video editing?It’s not necessary to have a curved monitor to do great work on your video editing projects. But, curved monitors do offer a few advantages. Since they make the whole screen equidistant from your eyes, they’re easy to work with since you won’t have to strain as much to see the corners of your screen. And, many curved monitors come in a wider 21:9 aspect ratio, meaning you’ll have more screen real estate and can work on projects in their native resolution while still having instant access to your editing tools. However, you do have more limited viewing angles compared to flat displays. If you need to show your work to colleagues, they might not see an accurate representation of your project.Is Hz important for video editing?While refresh rate is crucial for video editing, just about every contemporary monitor comes with at least a 60Hz refresh rate. And, considering that most video is shot at 30 or 60 fps, having a faster refresh rate won’t make much of a difference. Of course, if you’re also doing animation or are hoping to game on that same display, having a speedier refresh rate becomes a bit more of a priority.

Resolution is only a small factor in picking a quality monitor. Color accuracy is also paramount - look for a display that has an advertised color accuracy, preferably a factory-calibrated model with an accuracy tolerance of less than Delta E 2. Built-in hardware color calibration is also desirable for ensuring that accuracy is maintained throughout the life of the monitor.

High-definition digital video is now recorded in two main color standards: Rec. 709, and DCI-P3. Ensure your chosen monitor can display as close to 100% of the colors in these recording standards as possible. DCI-P3 has a wider color gamut (more colors) and therefore you"ll need to splash out on a higher-quality display if you want near-full reproduction of this color space.

Retina-searing brightness isn"t actually that desirable for prolonged editing stints - around 150cd/m2 is usually enough for most viewing environments. However, if you need to edit HDR footage, a monitor needs to be capable of displaying localized highlights very brightly. A minimum brightness rating of 400cd/m2 is required for basic HDR compatibility, and to be fully HDR-capable, a monitor needs to be as bright as 1000cd/m2.

Sure, this screen isn"t exactly "cheap", but if you"re serious about video editing, you need wide color space coverage so you"re able to see as much color as possible in your footage. Seriously cut-price screens just can"t display enough colors for accurate color grading, but with 100% Rec. 709 and an impressive 98% DCI-P3 color coverage, the Dell UltraSharp U2723E comes close to much pricier displays for color accuracy.

It also packs 10-bit color depth and an excellent 2000:1 maximum contrast ratio, all inside a smart case with ‘InfinityEdge’ ultra-thin bezels. Video ports include HDMI, DisplayPort, plus there"s a built-in USB 3.0 hub and 2x USB-C ports, one of which can supply up to 90w of power to an attached laptop.

Dell produces several excellent monitors for video editing, but the U3223QE offers the best value of them all. This 31.5-inch panel can display 100% of the sRGB color space, but more importantly for video, there"s 100% Rec. 709 coverage and 98% DCI-P3 coverage - the latter being exceptional.

Factory color calibration ensures a Delta-E accuracy of less than 2 and the monitor is capable of displaying HDR content as it just meets the 400cd/m2 brightness needed for HDR playback.

Here"s proof that the best monitors for video editing don"t have to cost mega bucks. This BenQ display comes out swinging with its huge 31.5-inch screen size, 4K (3850x2160) resolution, and excellent 3000:1 contrast ratio. But where this monitor really shines for video editing is its top-notch color space coverage.

In the new 27” 5K Studio Display, Apple has delivered not just an impressive partner to its Mac line-up, but also a worthy replacement for the previous Cinema Display. While not quite as feature-rich as the flagship 6K Pro Display XDR, the Studio Display delivers a great experience in its own right for media producers and content creators.

Built-in reference modes match most of those on the Pro Display XDR, to the point where it’s possible to run them side-by-side with little noticeable difference between the two when producing non-HDR content. The calibration and fine-tuning options to customize those modes are also welcome, enabling precise matching to other screens in use. For SDR content, the Studio Display’s 600 nits of brightness easily outperform the equivalent offerings from others such as LG’s 4k 27” UltraFine screen – and there is constant brightness across the panel with an extremely wide viewing angle.

Not so long ago 4K was the next big thing and a 4K monitor would set you back an arm and a leg. Now 8K is taking centre stage, with an increasing number of cameras capable of shooting this gargantuan 7680 x 4320 resolution. 8K monitors(opens in new tab) are still a rarity, but this Dell display is actually quite well priced for such bleeding-edge tech.

Despite this being a large 31.5 inch display, containing the equivalent of 33.2 megapixels means you get an unusually high pixel density of 280 ppi, resulting in a near-Retina effect.

Like HP"s DreamColor Z31x, this is also a 17:9 aspect ratio panel with a native 4096 x 2160 resolution for displaying Cinema 4K footage. 99% AdobeRGB coverage and 98% DCI-P3 coverage ensure you"re seeing a near-flawless color reproduction of your video and images, and there are preset modes for all common video color space standards.

The Dell UltraSharp 40 Curved WUHD Monitor (U4021QW) is a gargantuan 40-inch 21:9 curved ultrawide display with an equally huge 5120 x 2160 resolution. The 2500R screen curvature radius (2,500mm) means that even though the U4021QW has an immense 929mm viewable screen width, the corners of the display will still be comfortably visible.

Curved monitors often use VA (Vertical Alignment) LCD tech, which can"t provide the color, contrast and viewing angle consistency of an IPS (In-Plane Switching) LCD display. But Dell has pulled out all the stops and equipped the U4021QW with a 10-bit curved IPS LCD panel with 178/178-degree viewing angles.

The PD3420Q is relatively unusual in the ultrawide sector as it"s a flat (rather than curved) display, this ensures lines displayed on the screen don"t bend or skew as they would on a curved ultrawide.

What"s more, where most curved ultrawide screens are based around VA panels - an LCD technology that tends to trail IPS screen tech when it comes to color and contrast consistency - the PD3420Q"s superior IPS LCD panel boasts 178/178-degree viewing angles, a 5ms GtG response time, and it can display 1.07 billion colors.

Factory color calibration and Pantone/Calman verification ensure accurate colors right out of the box, while VESA DisplayHDR 400 certification means the monitor can produce a peak 400cd/㎡ brightness for previewing HDR10 content. The PD3420Q covers 100% of the sRGB and Rec.709 color spaces, and an impressive 98% of the DCI-P3 color space, while BenQ"s Uniformity Technology helps iron out any uneven back-lighting.

Keen fans of mathematics may have worked out that the 32:9 ratio makes this screen twice as wide as a 16:9 panel, meaning you could display full-width 16:9 footage on one half of the screen while editing software comfortably on the other side.

Not all monitors really need to be curved, but being a whopping 49-inches wide, the CHG90 really benefits from its 1800R curvature. Video color space coverage isn"t quoted, but 99% sRGB and 92% AdobeRGB from this wide-gamut 10-bit display are respectable figures. Less appealing is the monitor is based around a VA-type panel, which won"t quite have the color and contrast uniformity of an IPS screen. But that"s the trade-off for getting so much screen real estate.

Where possible, a calibration device will be placed on the screen to verify its advertised color space coverage, brightness output and consistency, and factory color calibration accuracy. Beyond image quality, we"ll also scrutinize the monitor"s display and data ports to ensure acceptable connectivity, and will give a thorough assessment of build quality, including the range of ergonomic adjustments in its stand. Only then will we determine if a screen is worthy of use by a discerning imaging or video enthusiast.Round up of today"s best deals

Motion Factory is an extension created for adobe after effects and adobe premiere pro to create a workspace for motion designers, filmmakers, video editors, and post production teams to be able to have a more cohesive and streamlined production workflow. Motion Factory can easily support a wide range of file formats from mp4 and gif to professional workflow formats like mogrt and prproj files. Motion Factory is made to fit in the workflow and any class of content creators, from professional filmmakers and editors to creators like social media influencers, YouTubers, freelancers, and alike. The biggest strong suit of motion factory is the robust file manager that can import media assets into itself and then make the media files available between adobe premiere pro and adobe after effects. The UX of the motion factory is simple and intuitive, all the way to support the drag and dropping of files into the editing timeline. On top of that, the motion factory adds features like the live preview that makes it possible to hover over video files and then get a sample preview of the files.

If there is a problem with the panel missing or has a different look, it may be based on a tab inside of the panel that may have been clicked by fault or deleted.

Before making any arrangements, you"ll have default workspaces provided by Premiere Pro, which you can see on the top toolbar. If you can"t find it, you can click on the Menu and check Workspaces.

The application window is the main window of a program. Panels can arrange in this Window called Workspace. The default workspace has groups of panels. You can customize your Workspace by arranging these panels according to your choice. You can have several workspaces at the same time for different tasks.

While starting to use Premiere Pro, using the home screen makes it easier. You can click on the options on the left side of the screen to open any project or create a new project. If you want to access your documentation and application tutorials, you can use the right side of the Home screen. When you work on more projects, you will be more experienced and have your projects on the Home screen. Premiere Pro also has tutorials to improve you. You can access these tutorials by clicking Learn on the Home Screen.

The Virtual Control Panel provides an intuitive interface that’s unique to each supported Adobe software* (for example, Adobe Photoshop, Photoshop Lightroom Classic, Premiere Pro and After Effects), so the controls and shortcuts you need are right in front of you. Tweak image exposure or contrast when working with Photoshop, or slide through video time bars on Premiere – it’s all neatly laid out so you can work more quickly and efficiently.

**Adobe, Adobe Premiere, After Effects, Lightroom, Photoshop, and the Photoshop logo are either registered trademarks or trademarks of Adobe in the United States and/or other countries.

- When you launch Premier Pro, the first thing you"ll see is the home screen. And this is the central hub where you start new projects and open existing projects. Now the look of the home screen will actually evolve over time as you work on more projects and as the software upgrades. So, depending on when you watch this, your home screen may look a little different than mine. But let"s talk about some of the things that usually form the foundation of this hub. In the top left you have the home tab. And this is where you access existing projects and open new projects. If it"s the first time you"re launching the software, it will look like this without any projects listed here. But, if you"ve accessed recent projects, they"ll be listed in this area. Also in this main space, is a module where you can access various tutorials to learn more about Premier Pro. Below the home tab is the learn tab. And this is a place where you can access additional learning materials, like tutorials, and practice projects and more. And then there"s also the sync settings tab, where you can log in under your Adobe ID and sync your personal user settings or login using a different Adobe ID. I"m going to head back to the home tab, which is where we"ll be spending our time in this course. And let"s talk about accessing new and existing projects. Now you can either work in stand alone projects or you can collaborate with others in team projects. Now, as of this recording, team projects are only available for creative cloud for teams users as well as enterprise users. So, since most people taking this course are likely on individual or education plans, and you won"t even see these buttons, I wont" be discussing them for now. There is also another type of project called Premier Rush project. Premier Rush is like Premier Pro"s little brother. It"s an all in one, cross device, video editing application. So, feel free to check out our training library for some courses on Rush. But just so you"re aware, this is how you promote Rush projects into Premier. But, for now, let"s go back to discussing working in stand alone projects represented by these two buttons here. First, I just want to show you what happens when you create a new project so that we can see how everything looks from scratch. So, I"m going to click on New Project. And I get the New Project dialog box. First I just need to name the project. It"s very important that you name your projects intelligently, never leave it named untitled. So, I"m going to call this Bakery Demo. And then here is where you direct Premier Pro where to save your project. So, for right now I"m going to click on browse and I"m going to go into my project folder that I supplied within the exercise files. So, I"ll choose that. And you can see that the path has been updated. Now this is a basics course so we won"t hit all the information within each of these tabs here. But for right now, now that I"ve named it and I"ve determined a destination, I"m going to say okay. All right, so, I"m inside the software, and I"m in something called the Learning Workspace. I"m going to switch over to the Editing Workspace, which is where we"re going to be most of the time in this course. Now, the Editing Workspace is comprised of this configuration of windows and tools. In the lower left we have the project panel, and this is where we import the media that we"re going to be working with. Here we have the source monitor in the upper left, and this is where we view and mark our media in preparation for editing. The timeline is in the lower right and this is where we assemble our program. And the program monitor is in the upper right. And this is where we see the visual output of our edit. Now, this probably doesn"t mean much right now since we"re not working with any media yet. So, let"s go ahead and take a look at a populated project and things will begin making a bit more sense. So, there are a few ways that you can open an existing project. One is to simply do so from within Premier by going to file, and then open project, or command O, or control O on a PC. Or, you can head back to your home screen. And since I want to show you a few other things on the home screen anyway, I"ll go ahead and do that. So, I"m going to click on home, and here, under recent projects you can see the project that I just created, Bakery Demo. You can also see that the project is still actually open. Okay, so here is my project. It"s open. And I have the home screen floating on top of it. So, let"s navigate to an existing project, my Ovens of Cappoquin project that I"ve supplied in the exercise files. So, I"ll just click on Open Project, and then here it is, inside my project folder. Again, that"s in Exercise Files, Project, and Ovens of Cappoquin. And I"ll say Open. All right, so now in the lower left in my project panel, you can see that it says Project: Ovens of Cappoquin. And we have some bins inside of here. I"m going to just bring this over to the left so that it"s right next to my Bakery Demo project. So, here you can see I have Bakery Demo and it"s empty. And I have Ovens of Cappoquin and there"s some stuff in there. And let"s take a look at a few things so that we can see Premier Pro populated with just a little bit of media which will make these windows make a little more sense. So, in the project panel, I have these bins, I"m going to twirl down assets, and you can see that there are additional bins in there. And, I"ll twirl down B roll and you can see that it keeps going, pretty well organized here in terms of how I display all of my media. I"m going to just do it one more time, I"ll twirl down Cappoquin. And here you can see that I"m at the clip level. All right, so, I"m going to just load one of these clips. I"ll load Bridge one. I do that by double clicking, okay? So, I"ve accessed my organized media in my project panel, I"ve loaded it into the source monitor, and here is where I look at the media, and find out which part that I"d like to edit into my sequence. So, once I mark it, I can bring it down, and I"m not going to do that right now, but instead I"m going to show you an already existing sequence so that you can see what the timeline looks like populated. So, I"m just going to come back up to Assets and here I have sequences, I"ll twirl that down. And I"m just going to load the sequence here, Ovens of Cappoquin, just by double clicking. And a couple of things have happened. My sequence has loaded in my timeline. You can see that here is the graphical representation of my edits. All the clips are here that comprise my edit. And then here is the program monitor which is the visual output of my edit. This is linked, so as I move through the program monitor, the play head moves through the timeline, and vice versa. So, this should give you just a little bit of a taste of the interface at a high level. I"m going to just X out of this timeline. And then I"m going to come over to Ovens of Cappoquin and click on this menu here, and choose Close Panel, okay. So, now, I have close the Ovens of Cappoquin project. I"m going to go back into my blank Bakery Demo project, and let"s go ahead and close this clip as well so we don"t confuse ourselves, I"ll go to close. All right, and now we"re back in our empty Bakery Demo project, and next we"ll talk all about what everything is in a lot more detail so you"ll become a lot more comfortable inside of Premier Pro.

Does Adobe Premiere Pro keep crashing on your systems? This issue has been a problem for several Windows users mainly. We find out the most common reasons for Premiere Pro crashing and how to resolve these issues.

In most cases, an outdated graphics driver is the main culprit behind Premiere Pro crashing. Nvidia, AMD, and Intel keep updating their graphics drivers. By doing that, they’ll fix bugs in the last version of the graphics driver and enhance the performance.

Adobe Premiere Pro is an application that extensively uses the GPU and CPU of a device. Running Premiere Pro for an extended time may lead to the system getting overheated, which can cause the application to crash.

The Drag and Drop feature on Adobe Premiere Pro is convenient. Unfortunately, the application cannot process large media files dragged and dropped directly onto the timeline, which may result in it crashing.

By resetting your preferences, Adobe returns your settings to the factory defaults and helps to prevent Premiere Pro from crashing. To do this, hold Alt when you click to launch Premiere Pro. This will open a popup asking if you want to reset your preferences.

The media cache is a temporary storage that stores media files imported into Premiere Pro to access files quickly. However, corrupted media cache files can lead to Premiere Pro crashing.

GPU Acceleration is one of the common causes of Adobe Premiere Pro crashing. Disabling GPU Acceleration leads to Premiere Pro taking longer to render videos; however, it may fix the issue.

Adobe Premiere Pro is a resource-intensive application. Having lots of programs running in the background may cause your computer to run out of RAM, leading to the application crashing.

If none of the fixes work, try updating/reinstalling Premiere Pro. Adobe eliminates glitches and bugs with new Premiere Pro updates to create a user-friendly experience.

While working with editing software like Adobe Premiere Pro, errors are often encountered and can be very irritating. Postudio helps you to streamline your editing work; you can also schedule a demo to see how Postudio can ease your Post Production workflow.

If you have the “Auto-Save” feature turned on in Adobe Premiere Pro, you can recover your project by searching for the name of your project in your files.

In this video I will show you 5 cool easy split screen video effects that you can do in Adobe Premiere Pro CC. 1. Horizontal Split 2. Vertical Split 3. More than 2 Video Split 4...

When running video editing software, the right monitor lets you really capture the world you envision - so you can be confident that everything on-screen matches the final release print. You’ll find a lot of cross-over with monitors for photo editing, as both are built to correctly and accurately display source footage, alongside any color correction work you may do.

We’ve tested, reviewed, and rated the best video editing monitors on the market, exploring pixel density, color reproduction, panel display type, connectivity ports, HDR support, and more. These studio-grade screens will make it even easier to see what your audience sees, frame by frame.

Whether you’re cutting content in a professional video editor or the best free video editing software, we’ve looked at high-res displays for every workflow and budget.

Professionals working with graphic design or video editing software will get a lot of use from the monitor’s dual view function. The feature lets you better organize screen space, letting you ‘split’ the screen to show different content on each side. Useful for previewing projects in a range of color spaces and screen sizes.

It"s true you can find a monitor of this size for less than half the price of this category (hello, BenQ), but we didn"t include it as it uses a VA panel, which is problematic for color reproduction from different viewing angles. Compared to an IPS panel, a VA panel offers a better contrast ratio, but narrower viewing angles. Vertical viewing angles on VA panels can alter the color from top to bottom.

The Asus ProArt display lineup includes over a dozen models, and the PA329CV stands among the middle range with regards to pricing. It has a solid construction and a sober design plus great ergonomics. It is a great fit both as a single display or as a part of an expandable multi-monitor setup as it features a borderless design with no visible edges.

But it is the quality of its IPS panel that is its main selling point: it has 100% sRGB color space coverage along with Rec. 709 (the color space used for HDTV with a different gamma than sRGB). Its color accuracy is verified by Calman to be ΔE < 2. A delta value below two generally signifies more accurate colors, with anything below two considered indiscernible by humans. Additionally, it adheres to VESA HDR400, an industry-standard for ensuring the panel displays a minimum peak brightness of 400cd/m2.

Most IPS screens in this line up have a brightness of around 350 cd/m2, however, this one has a brightness of 400 cd/m2. Moreover, its contrast ratio also tops the list at 1300:1. The panel"s color gamut is one of the best we have seen with 100% of sRGB, 100% of Adobe RGB, and 98% of DCI-P3.

The LG 27UL500 is one of the best monitors for video editing if you"re working to a budget. It is also a good option for those who seek a dual-monitor setup without necessarily breaking the bank. The design is a bit basic and at first glance may appear clunky, however, once the dust settles, you will discover that its IPS display panel is of excellent quality, and its 27-inch size and UHD resolution make editing 4K video easy.

IPS panels from LG are known for their superior quality and this one is no exception. The display features bright colors, 4K resolution at 60Hz and 178 degrees of viewing angle. To reach its low cost, however, the stand is one of the things that had to be sacrificed.

Basically, this is a professional level monitor with HDR support and a wide Adobe RGB color gamut and a few tricks up its sleeve, all at a reasonable price -one fifth of the most expensive pro-level monitor in our line-up. Video editors will find several useful features in this device, including a hood, as well as precise factory calibration.

It"s IPS panel has true 10-bit color depth and delivers accurate colors with 99% of the Adobe RGB color space and 100% of sRGB. It also has a 1,000:1 contrast ratio and 178-degree viewing angles.

Noteworthy are innovations like its Black and White mode and "GamutDuo" that lets you split the screen in half and see how the image would look in two different color spaces. Finally, it supports Picture in Picture (PIP) and Picture by Picture modes, which divide the screen into halves and display output from two different source devices simultaneously on both sides.

Connectivity is provided via the following ports: one DisplayPort 1.4, two HDMI 2.0, one USB 3.0 upstream to its hub, two USB 3.0 downstream, and one USB 3.2 Type C with power delivery for charging and DP Alt mode for video.

When working with video editing software, you can really benefit from the extra real estate that a wide 21:9 display offers. With video editors that use the timeline view like Final Cut Pro or Adobe Premiere Pro, horizontal display space is extremely important. Generally speaking, the bigger the monitor, the better.

As well as a larger screen area, it has a higher pixel density, which translates into better image quality and sharpness. Furthermore, it has excellent connectivity, including a USB Type-C port with charging capabilities, a DisplayPort port as well as an HDMI port-the latter being limited by HDMI’s bandwidth at 3,840 by 2,160 at 60Hz.

It also has excellent color calibration and this model covers pretty much 100% of the sRGBb and Adobe RGB color spaces, as well as 98% of DCI-P3. This is short for Digital Cinema Initiatives - Protocol 3 and is a set of colors developed by the DCI and the Society of Motion Picture and Television Engineers (SMPTE) for standardizing the colors used in motion pictures. So, its 98% coverage of DCI P3 makes it a quite good professional monitor. It"s true that as an IPS monitor it may show some backlight bleed when displaying a pure black screen, but for an IPS display this monitor has the least backlight bleed of any we’ve seen.

The color gamut of this monitor is exceptional, rendering 99% of Adobe RGB and 98% of DCI-P3 color spaces, the color space used by the American film industry, along with full coverage of the CMYK color spaces used by the printing industry. The display features a high contrast ratio of 1500:1 and 178 degree viewing angles.

Included in the package is the ColorNavigator 7 color management software, which works with the Windows 10, Mac OS, and Linux operating systems.Best Adobe Premiere Pro alternatives(opens in new tab):Top alternatives for video editing

Connectivity:Before purchasing a monitor, ensure that your computer supports the output types required by your display. For example, the Dell 8K monitor on this list requires dual DisplayPort connections to operate at its maximum resolution. Check what connections your computer"s video card provides: HDMI, Thunderbolt, DisplayPort, or USB-C.What are the different monitor panel types?In terms of LCD display panels, nowadays there are three main types starting with TN (twisted nematic) which is the oldest and cheapest. Then we have Vertical Alignment (VA), In-Plane Switching (IPS), and OLED. Video editing is more efficient with IPS panels because of their ability to produce a wide gamut of colors. Motion-blurring is a problem with VA panels when displaying fast-paced footage, and OLED have better blacks but still have a high cost and other problems.

When using a monitor for video editing, brightness, contrast, and color gamut are the most important considerations. A monitor"s color gamut refers to the possible range of colors it can display. Although all LCD monitors nowadays have good contrast ratios, brightness levels, and color gamuts, the IPS LCD panels have better viewing angles and support more colors than their TN predecessors.

Our choice of monitor sizes: In today"s market, a 27-inch screen is a good entry-level monitor for serious video editing, since it does not sacrifice image detail at that display size. As for larger screens, 31", 32", and 34" are all equally good choices. We don"t recommend monitors over 40 inches due to a large viewing distance and too much space required. We also included an ultrawide 34-inch monitor with the 5K2K resolution (5120 x 2160).

HDR explained: As a general rule, HDR10 is the most commonly used HDR standard. In our top picks, all but the Dell 8K support HDR, and two of them advertise HDR600 support, which ensures the display is HDR compatible with a peak brightness of 600 nits. Make sure you know which HDR standard your editing system supports.

As a result, we offer you a wide range of choices at price points to suit every possible video editing requirement within our established ranges of resolution, display size, and form factor.Best all-in-one computers(opens in new tab): AIO PCs from Microsoft, Apple, and moreRound up of today"s best deals

Starting from Premiere Pro CC 2018 (12.0.1) and later versions, it provides Preserve Audio Sync feature to accommodate the Adobe Premiere audio out of sync problem. Here are the steps below.