adobe premiere different display screens brands

I am having issues with video playback in Premiere when I have my displays extended (using 2 displays). I have an MSI laptop (specs below**) and am running the latest version of Premiere CC 2018 (but this has been happening ever since I purchased this laptop 2 years ago).

Basically, as long as I am extending my displays (via Windows 10 display options) using my laptop display and an HDMI-connected 24" HD Monitor, I get playback issues. This is even without using Mercury Transmit, I simply use Premiere on one display Everything starts out fine but then after 5 minutes or so the timeline and source monitor stop playback. Sound continues to come through and Premiere works fine otherwise (can access menu items, add effects etc). It just fails to play anything back with Source and Program monitors frozen on whatever was displaying at the time of the "crash".

When I enable Mercury Transmit, Premiere doesn"t seem to respond to the change at all. And then everything freezes as above and the chosen display for the Transmit goes black. It remains black even when I turn Mercury Transmit off. Sometimes the app will eventually crash.

In both cases, when I exit out of Premiere, the app still seems to remain open in my background processes and I need to manually close it from the Task Manager.

This happens with any type of media, any codec, any size (duration or dimension). It also happens on brand new projects. Mercury Transmit also doesn"t work for me in After Effects, however, I don"t have playback issues using AE whilst the displays are extended.

Also, the problem persists regardless of me using Software, CUDA or Open CL Renderer. And to be clear, the graphics card works when accelerating rendering in apps like Media Encoder (and I assume it works in Premiere but just not with playback).

Only the best monitors for video editing can accurately display your video masterpieces in the making. While you can cut, re-sequence, and colour-grade that commercial, film, or Instagram reel you"re currently working on using just about any display, only the right display can accurately reproduce your videos so that they translate well to other screens and mediums.

Let us help you choose the best monitors for video editing. From budget options to the best 4K monitors and the best USB-C displays, check out our top picks below.

The BenQ SW321C PhotoVue might be a little on the pricey side, but it"s so very easy to justify it due to its top-notch performance and impressive features. It boasts a nice 32-inch panel and a sharp 4K resolution, as well as 99% AdobeRGB, 95% P3, and 100% sRGB colour gamut, and Delta E ≤ 2 colour accuracy that lets you see your work the way it’s supposed to be seen.

The Asus ProArt PA348CGV may be an affordable video editing display. But it"s certainly not a budget one when it comes to performance and features. And, if you"re just starting to dip your toes in different creative industries, this might be the ideal video editing monitor for you.

The Eizo ColorEdge CG319X might just be the ultimate monitor for video editing thanks to its unmatched performance and rare self-calibration feature. Designed for creative professionals doing pro work with no scope for errors, we found it to be a truly superlative display.

As a video editing display, the BenQ DesignVue PD3420Q truly delivers. It boasts 100% Rec.709, 100% sRGB, and 98% P3 colour gamuts and great factory-calibrated colour accuracy of Delta E ≤ 3 out of the box that video editors, designers, and graphic artists need. To simplify workflow and keep the focus on its users" creative process, it also comes with extras like its KVM switch, the BenQ Hotkey Puck G2, and the DualView mode that lets you display your work in two different colour modes side-by-side for comparison.

This is the best monitor for video editing if you"re working with 8K or 6K footage and need a way to view it at full 1:1-pixel quality. We"re not exactly swimming in 8K display options so far, but the Dell UltraSharp UP3218K makes sure that if you do get one, you"re getting an absolutely top-tier screen in so many ways. It"s about more than just the resolution – you also get 100% AdobeRGB, 100% sRGB, 100% Rec. 709, and 98% DCI-P3 colour coverage.

You don’t need to exclusively film footage in HDR to take advantage of a true HDR display, but you do need to be a proper pro to justify getting one. HDR displays aren’t the cheapest, and the Asus ProArt PA32UCG-K’s steep price tag proves this. However, if you do have deep pockets, its DisplayHDR 1400 and 1,600 nits of peak brightness will blow you away.

Making it all the more worth your money is its Delta E < 1 colour difference and extensive colour space – apart from its 100%sRGB and 99.5% Adobe RGB, it also boasts 98% DCI-P3 and 85% Rec.2020 gamuts. The panel itself utilises smaller LEDs that offer 1152 local dimming zones for higher contrast and deep blacks. There’s plenty of input ports on hand as well, allowing you to spread out and really immerse yourself in your creative process. And, naturally, that 4K resolution takes care of displaying impeccable details.

If you"re looking for an excellent ultrawide display, the LG 38WN95C is worth considering. A stunning 3840 x 1600 display, it delivers that screen real estate you need to spread out when video editing and have all your tools handy so you can immerse in your creative process.

While it isn"t a 5K2K display like the PS341WU, it comes with its strengths. Content creators will find its 99% sRGB and 98% DCI-P3 colour gamuts most useful. Meanwhile, those that work with HDR content will appreciate VESA DisplayHDR 600 certification. Plus, its pixel-per-inch ratio of 110.93 is just the ticket for making those visuals sharp and those texts comfortably readable.

While we haven"t completed our review of Apple"s 6K display, we already know it"s a beast, aiming to be closer to a monitor in the pro film production sense, rather than a monitor in the "computer screen" sense we"ve been using it here. It"s intended to give you as close to perfect playback as you can get for the money (and, bear in mind, it"s a lotof money). You"ve got a resolution of 6016 x 3384, which is enough for many 6K formats (though not quitethe 6K full frame recording of a RED camera). Added to that is an incredible HDR peak brightness of up to 1,600 nits, with a typical brightness of 1,000 nits – and there are 576 individual dimming zones for backlight control, so contrast will be simply colossal.

In terms of colours, there are specific reference modes for DCI P3, sRGB, NTSC, BT.709, and many more. That includes a reference mode for "Apple display", which will make it match a MacBook Pro for brightness, so you get a consistent look if you have them side by side. There"s the option of a nanotexture effect on the screen to reduce reflectivity as low as it goes for monitors like this, too.

It comes with one Thunderbolt 3 port (meaning it can go at the end of a Thunderbolt chain, but can"t be a Thunderbolt hub), plus three USB-C ports for connecting accessories. The downside to all this is that it"s extremely expensive, and the price our widgets are pulling in here are just for the display… the official stand costs a further $999 / £949 / AU$1,699. You can also get a VESA mount adapter, if you prefer. If you"re interested in having an Apple monitor, you might also want to check out Apple"s latest display – see our Apple Studio Display review for more details.Is a 4K monitor good for video editing?Resolution isn’t everything when it comes to choosing the right monitor for video editing. But, if you’re hoping to produce content in UHD, you’ll need to be able to see your work in its native resolution. So, having a monitor capable of 4K resolution isn’t just good. For most video editors, it’s necessary. Just keep in mind that you’ll need a computer powerful enough to be able to deliver that high resolution content to a 4K monitor.Are curved monitors good for video editing?It’s not necessary to have a curved monitor to do great work on your video editing projects. But, curved monitors do offer a few advantages. Since they make the whole screen equidistant from your eyes, they’re easy to work with since you won’t have to strain as much to see the corners of your screen. And, many curved monitors come in a wider 21:9 aspect ratio, meaning you’ll have more screen real estate and can work on projects in their native resolution while still having instant access to your editing tools. However, you do have more limited viewing angles compared to flat displays. If you need to show your work to colleagues, they might not see an accurate representation of your project.Is Hz important for video editing?While refresh rate is crucial for video editing, just about every contemporary monitor comes with at least a 60Hz refresh rate. And, considering that most video is shot at 30 or 60 fps, having a faster refresh rate won’t make much of a difference. Of course, if you’re also doing animation or are hoping to game on that same display, having a speedier refresh rate becomes a bit more of a priority.

Split-screen videos are trending and you can find them in a wide range over streaming sites. Most of the time these videos are used by marketing experts to compare different products on the same screen. But these days, people are also creating other adventurous video projects with this feature. If you are also interested to develop a split-screen video where two videos can be played simultaneously on the same screen as each one of these will share a 50% portion then Adobe Premiere Pro can assist you better. This software platform possesses interactive tools for the split-screen feature. The article below contains step by step guidelines about tricks to create Split Screen videos.

If you are new to the video editing world then the steps described above in the Premiere Pro section may appear a little complicated to you. Most of the beginners wish to work on a system that is handy and can provide fast editing services. Here we recommend WonderShare Filmora for your split-screen editing needs. It can get your job done within a few seconds and the end preset results use to be awesome.

The Internet can show you the wide range of plugins that can be added to the Adobe Premiere Pro platform for using the split-screen effect with ease but the tutorial below will help you to work without additional plugins. It is possible to do things manually using the built-in Split screen tool in the Adobe Premiere Pro platform. Here are a few important steps that you need to follow:

First of all, you have to import both videos on Premiere Pro. Use the drag and drop feature to get them from any folder located inside your computer and place one over top of another on the timeline to create a new sequence. To make a split-screen effect video, it is important for both videos to share the same length. So you need to adjust their alignment to make sure that the videos have the same period.

Go to the preview window and check the changes you made recently. It will show you both the videos occupying 50-50 percent space on screen and the screen is well split in the middle. But note that these settings will not display your video information correctly as most of the objects will be hidden due to the available 50% screen coverage.

Also, you can create a black bar between this side-by-side video if you need it. To apply a black bar, just move the video clips away from each other. You can also adjust the bar color or style of the split-screen effect in Premiere Pro.

As you have learned the split-screen effect now so it is possible to add more than two videos to a single screen by splitting it into multiple sections. Premiere Pro assists users in fast adjustments of all settings.

I hope the information above is useful for you to put videos side by side and make a split-screen effect in Premiere Pro. With the split-screen effect, you can empower your imagination with more creativity. If you are looking for an alternative to Premiere Pro to make a split-screen video in a much easier way, don’t forget to give Filmora a try.

Resolution is only a small factor in picking a quality monitor. Color accuracy is also paramount - look for a display that has an advertised color accuracy, preferably a factory-calibrated model with an accuracy tolerance of less than Delta E 2. Built-in hardware color calibration is also desirable for ensuring that accuracy is maintained throughout the life of the monitor.

High-definition digital video is now recorded in two main color standards: Rec. 709, and DCI-P3. Ensure your chosen monitor can display as close to 100% of the colors in these recording standards as possible. DCI-P3 has a wider color gamut (more colors) and therefore you"ll need to splash out on a higher-quality display if you want near-full reproduction of this color space.

Retina-searing brightness isn"t actually that desirable for prolonged editing stints - around 150cd/m2 is usually enough for most viewing environments. However, if you need to edit HDR footage, a monitor needs to be capable of displaying localized highlights very brightly. A minimum brightness rating of 400cd/m2 is required for basic HDR compatibility, and to be fully HDR-capable, a monitor needs to be as bright as 1000cd/m2.

Sure, this screen isn"t exactly "cheap", but if you"re serious about video editing, you need wide color space coverage so you"re able to see as much color as possible in your footage. Seriously cut-price screens just can"t display enough colors for accurate color grading, but with 100% Rec. 709 and an impressive 98% DCI-P3 color coverage, the Dell UltraSharp U2723E comes close to much pricier displays for color accuracy.

It also packs 10-bit color depth and an excellent 2000:1 maximum contrast ratio, all inside a smart case with ‘InfinityEdge’ ultra-thin bezels. Video ports include HDMI, DisplayPort, plus there"s a built-in USB 3.0 hub and 2x USB-C ports, one of which can supply up to 90w of power to an attached laptop.

Dell produces several excellent monitors for video editing, but the U3223QE offers the best value of them all. This 31.5-inch panel can display 100% of the sRGB color space, but more importantly for video, there"s 100% Rec. 709 coverage and 98% DCI-P3 coverage - the latter being exceptional.

Factory color calibration ensures a Delta-E accuracy of less than 2 and the monitor is capable of displaying HDR content as it just meets the 400cd/m2 brightness needed for HDR playback.

Here"s proof that the best monitors for video editing don"t have to cost mega bucks. This BenQ display comes out swinging with its huge 31.5-inch screen size, 4K (3850x2160) resolution, and excellent 3000:1 contrast ratio. But where this monitor really shines for video editing is its top-notch color space coverage.

In the new 27” 5K Studio Display, Apple has delivered not just an impressive partner to its Mac line-up, but also a worthy replacement for the previous Cinema Display. While not quite as feature-rich as the flagship 6K Pro Display XDR, the Studio Display delivers a great experience in its own right for media producers and content creators.

Built-in reference modes match most of those on the Pro Display XDR, to the point where it’s possible to run them side-by-side with little noticeable difference between the two when producing non-HDR content. The calibration and fine-tuning options to customize those modes are also welcome, enabling precise matching to other screens in use. For SDR content, the Studio Display’s 600 nits of brightness easily outperform the equivalent offerings from others such as LG’s 4k 27” UltraFine screen – and there is constant brightness across the panel with an extremely wide viewing angle.

Not so long ago 4K was the next big thing and a 4K monitor would set you back an arm and a leg. Now 8K is taking centre stage, with an increasing number of cameras capable of shooting this gargantuan 7680 x 4320 resolution. 8K monitors(opens in new tab) are still a rarity, but this Dell display is actually quite well priced for such bleeding-edge tech.

Despite this being a large 31.5 inch display, containing the equivalent of 33.2 megapixels means you get an unusually high pixel density of 280 ppi, resulting in a near-Retina effect.

Like HP"s DreamColor Z31x, this is also a 17:9 aspect ratio panel with a native 4096 x 2160 resolution for displaying Cinema 4K footage. 99% AdobeRGB coverage and 98% DCI-P3 coverage ensure you"re seeing a near-flawless color reproduction of your video and images, and there are preset modes for all common video color space standards.

The Dell UltraSharp 40 Curved WUHD Monitor (U4021QW) is a gargantuan 40-inch 21:9 curved ultrawide display with an equally huge 5120 x 2160 resolution. The 2500R screen curvature radius (2,500mm) means that even though the U4021QW has an immense 929mm viewable screen width, the corners of the display will still be comfortably visible.

Curved monitors often use VA (Vertical Alignment) LCD tech, which can"t provide the color, contrast and viewing angle consistency of an IPS (In-Plane Switching) LCD display. But Dell has pulled out all the stops and equipped the U4021QW with a 10-bit curved IPS LCD panel with 178/178-degree viewing angles.

The PD3420Q is relatively unusual in the ultrawide sector as it"s a flat (rather than curved) display, this ensures lines displayed on the screen don"t bend or skew as they would on a curved ultrawide.

What"s more, where most curved ultrawide screens are based around VA panels - an LCD technology that tends to trail IPS screen tech when it comes to color and contrast consistency - the PD3420Q"s superior IPS LCD panel boasts 178/178-degree viewing angles, a 5ms GtG response time, and it can display 1.07 billion colors.

Factory color calibration and Pantone/Calman verification ensure accurate colors right out of the box, while VESA DisplayHDR 400 certification means the monitor can produce a peak 400cd/㎡ brightness for previewing HDR10 content. The PD3420Q covers 100% of the sRGB and Rec.709 color spaces, and an impressive 98% of the DCI-P3 color space, while BenQ"s Uniformity Technology helps iron out any uneven back-lighting.

Keen fans of mathematics may have worked out that the 32:9 ratio makes this screen twice as wide as a 16:9 panel, meaning you could display full-width 16:9 footage on one half of the screen while editing software comfortably on the other side.

Not all monitors really need to be curved, but being a whopping 49-inches wide, the CHG90 really benefits from its 1800R curvature. Video color space coverage isn"t quoted, but 99% sRGB and 92% AdobeRGB from this wide-gamut 10-bit display are respectable figures. Less appealing is the monitor is based around a VA-type panel, which won"t quite have the color and contrast uniformity of an IPS screen. But that"s the trade-off for getting so much screen real estate.

Where possible, a calibration device will be placed on the screen to verify its advertised color space coverage, brightness output and consistency, and factory color calibration accuracy. Beyond image quality, we"ll also scrutinize the monitor"s display and data ports to ensure acceptable connectivity, and will give a thorough assessment of build quality, including the range of ergonomic adjustments in its stand. Only then will we determine if a screen is worthy of use by a discerning imaging or video enthusiast.Round up of today"s best deals

When running video editing software, the right monitor lets you really capture the world you envision - so you can be confident that everything on-screen matches the final release print. You’ll find a lot of cross-over with monitors for photo editing, as both are built to correctly and accurately display source footage, alongside any color correction work you may do.

We’ve tested, reviewed, and rated the best video editing monitors on the market, exploring pixel density, color reproduction, panel display type, connectivity ports, HDR support, and more. These studio-grade screens will make it even easier to see what your audience sees, frame by frame.

Whether you’re cutting content in a professional video editor or the best free video editing software, we’ve looked at high-res displays for every workflow and budget.

Professionals working with graphic design or video editing software will get a lot of use from the monitor’s dual view function. The feature lets you better organize screen space, letting you ‘split’ the screen to show different content on each side. Useful for previewing projects in a range of color spaces and screen sizes.

It"s true you can find a monitor of this size for less than half the price of this category (hello, BenQ), but we didn"t include it as it uses a VA panel, which is problematic for color reproduction from different viewing angles. Compared to an IPS panel, a VA panel offers a better contrast ratio, but narrower viewing angles. Vertical viewing angles on VA panels can alter the color from top to bottom.

The Asus ProArt display lineup includes over a dozen models, and the PA329CV stands among the middle range with regards to pricing. It has a solid construction and a sober design plus great ergonomics. It is a great fit both as a single display or as a part of an expandable multi-monitor setup as it features a borderless design with no visible edges.

But it is the quality of its IPS panel that is its main selling point: it has 100% sRGB color space coverage along with Rec. 709 (the color space used for HDTV with a different gamma than sRGB). Its color accuracy is verified by Calman to be ΔE < 2. A delta value below two generally signifies more accurate colors, with anything below two considered indiscernible by humans. Additionally, it adheres to VESA HDR400, an industry-standard for ensuring the panel displays a minimum peak brightness of 400cd/m2.

Most IPS screens in this line up have a brightness of around 350 cd/m2, however, this one has a brightness of 400 cd/m2. Moreover, its contrast ratio also tops the list at 1300:1. The panel"s color gamut is one of the best we have seen with 100% of sRGB, 100% of Adobe RGB, and 98% of DCI-P3.

The LG 27UL500 is one of the best monitors for video editing if you"re working to a budget. It is also a good option for those who seek a dual-monitor setup without necessarily breaking the bank. The design is a bit basic and at first glance may appear clunky, however, once the dust settles, you will discover that its IPS display panel is of excellent quality, and its 27-inch size and UHD resolution make editing 4K video easy.

IPS panels from LG are known for their superior quality and this one is no exception. The display features bright colors, 4K resolution at 60Hz and 178 degrees of viewing angle. To reach its low cost, however, the stand is one of the things that had to be sacrificed.

Basically, this is a professional level monitor with HDR support and a wide Adobe RGB color gamut and a few tricks up its sleeve, all at a reasonable price -one fifth of the most expensive pro-level monitor in our line-up. Video editors will find several useful features in this device, including a hood, as well as precise factory calibration.

It"s IPS panel has true 10-bit color depth and delivers accurate colors with 99% of the Adobe RGB color space and 100% of sRGB. It also has a 1,000:1 contrast ratio and 178-degree viewing angles.

Noteworthy are innovations like its Black and White mode and "GamutDuo" that lets you split the screen in half and see how the image would look in two different color spaces. Finally, it supports Picture in Picture (PIP) and Picture by Picture modes, which divide the screen into halves and display output from two different source devices simultaneously on both sides.

Connectivity is provided via the following ports: one DisplayPort 1.4, two HDMI 2.0, one USB 3.0 upstream to its hub, two USB 3.0 downstream, and one USB 3.2 Type C with power delivery for charging and DP Alt mode for video.

When working with video editing software, you can really benefit from the extra real estate that a wide 21:9 display offers. With video editors that use the timeline view like Final Cut Pro or Adobe Premiere Pro, horizontal display space is extremely important. Generally speaking, the bigger the monitor, the better.

As well as a larger screen area, it has a higher pixel density, which translates into better image quality and sharpness. Furthermore, it has excellent connectivity, including a USB Type-C port with charging capabilities, a DisplayPort port as well as an HDMI port-the latter being limited by HDMI’s bandwidth at 3,840 by 2,160 at 60Hz.

It also has excellent color calibration and this model covers pretty much 100% of the sRGBb and Adobe RGB color spaces, as well as 98% of DCI-P3. This is short for Digital Cinema Initiatives - Protocol 3 and is a set of colors developed by the DCI and the Society of Motion Picture and Television Engineers (SMPTE) for standardizing the colors used in motion pictures. So, its 98% coverage of DCI P3 makes it a quite good professional monitor. It"s true that as an IPS monitor it may show some backlight bleed when displaying a pure black screen, but for an IPS display this monitor has the least backlight bleed of any we’ve seen.

The color gamut of this monitor is exceptional, rendering 99% of Adobe RGB and 98% of DCI-P3 color spaces, the color space used by the American film industry, along with full coverage of the CMYK color spaces used by the printing industry. The display features a high contrast ratio of 1500:1 and 178 degree viewing angles.

Included in the package is the ColorNavigator 7 color management software, which works with the Windows 10, Mac OS, and Linux operating systems.Best Adobe Premiere Pro alternatives(opens in new tab):Top alternatives for video editing

Connectivity:Before purchasing a monitor, ensure that your computer supports the output types required by your display. For example, the Dell 8K monitor on this list requires dual DisplayPort connections to operate at its maximum resolution. Check what connections your computer"s video card provides: HDMI, Thunderbolt, DisplayPort, or USB-C.What are the different monitor panel types?In terms of LCD display panels, nowadays there are three main types starting with TN (twisted nematic) which is the oldest and cheapest. Then we have Vertical Alignment (VA), In-Plane Switching (IPS), and OLED. Video editing is more efficient with IPS panels because of their ability to produce a wide gamut of colors. Motion-blurring is a problem with VA panels when displaying fast-paced footage, and OLED have better blacks but still have a high cost and other problems.

When using a monitor for video editing, brightness, contrast, and color gamut are the most important considerations. A monitor"s color gamut refers to the possible range of colors it can display. Although all LCD monitors nowadays have good contrast ratios, brightness levels, and color gamuts, the IPS LCD panels have better viewing angles and support more colors than their TN predecessors.

Our choice of monitor sizes: In today"s market, a 27-inch screen is a good entry-level monitor for serious video editing, since it does not sacrifice image detail at that display size. As for larger screens, 31", 32", and 34" are all equally good choices. We don"t recommend monitors over 40 inches due to a large viewing distance and too much space required. We also included an ultrawide 34-inch monitor with the 5K2K resolution (5120 x 2160).

HDR explained: As a general rule, HDR10 is the most commonly used HDR standard. In our top picks, all but the Dell 8K support HDR, and two of them advertise HDR600 support, which ensures the display is HDR compatible with a peak brightness of 600 nits. Make sure you know which HDR standard your editing system supports.

As a result, we offer you a wide range of choices at price points to suit every possible video editing requirement within our established ranges of resolution, display size, and form factor.Best all-in-one computers(opens in new tab): AIO PCs from Microsoft, Apple, and moreRound up of today"s best deals

Reader Eric Merklein wrote asking whether it is possible to use two monitors with Adobe Premiere Pro CC. And the answer is “Yes,” but… it depends upon what you mean by the question.

In the CC release, Adobe changed how we view the output of the Program Monitor. If you want to display program monitor output to a second computer monitor, all you need to do is change one preference setting.

Go to Premiere Pro > Preferences > Playback. In later versions, first click Enable Mercury Transmit. This enables sending video to a second monitor. Then, check the  monitor on which you want program video to appear. And that’s it.

BIG NOTE: Most computer monitors are not calibrated to display accurate color during video playback. Be very, very cautious about using a computer monitor for critical color correction or client approvals.

If accurate color is important to you or your clients, spend the money and buy a video monitor for your Premiere system. (This also entails purchasing a video interface to sit between the monitor and your computer.) Or, at the very least, make sure your second computer monitor is calibrated for video display.

Now, when you playback a project, the second monitor will automatically switch to video playback, allowing you to watch program video on a separate monitor. (The checkbox at the bottom means that when you switch out of Premiere into another application, the second monitor reverts back to displaying the computer screen.)

However, what Eric MIGHT have been asking is whether elements of the Premiere Pro interface can be displayed to a second monitor. Here, again, the answer is “Yes,” but… you need to create it manually.

At this point, you could simply stop. Premiere will remember the last window layout you used the next time it starts up. But, this is not a good idea, because changing workspaces or trashing preferences will destroy all your hard work at creating the perfect, two-monitor, customized workspace.

The next time you need to switch to this layout, simply select it from the Window > Workspace menu; or use the keyboard shortcut, which is displayed to the right of the workspace name.

Sometime between when I wrote this article and today, Adobe changed the interface. The “small bumply place” is now to the right of the name of each panel.

[…] Larry Jordan has a great explanation of how to set up Premiere Pro CC to make use of two monitors and how to configure your user interface to make the most of all that new space. Larry also demonstrates how to fix any audio sync issues and save your newly created two-monitor workspaces. A great read, check it out here! […]

I am looking to display elements of the interface to the second monitor as you describe in the second option. I am using Premiere Pro CC on a Windows 8 platform. When I drag the panel or frame to the second monitor I do not see any way to automatically have it fill the monitor. You said “click the green button at the top left of the window to expand this pane to fill the monitor.” Is that only a Mac OS feature? In Windows there should be a maximize icon on the top right but I only see the X to close the window. I have looked everywhere online and cannot find a way to maximize. And the handy tilde key does not work on the second monitor. Any ideas?

Great post!!! I have a question for you: which version of Premiere CC did you use for this? We are on 7.2.2 on OSX 10.9.2 and we can not get the offset function to work. No matter if it’s set to 0ms or 500ms it makes no difference during playback on our second monitor (actually an external Flanders through Blackmagic 4k). I have a feeling that something broke with that setting and submitted a bug report to Adobe: https://forums.adobe.com/thread/1499007

What would be the advantage of configuring a second display this way rather than through apple system preferences? is it just that you can save preset’s or is this a lot more reliable method.

Hi Larry. I’m a big fan of yours!! I have something to add to the “Display video to a 2nd monitor”. I love this feature but i have noticed that when playing back my TL which has dense 3rd party effects, i loose the RT playback for those sections. The video just freezes for those sections. It seems as though adobe is using some memory in order to generate the 2nd output. I have a smoking fast PC by the way, Windows 7 64bit, 6 core Intel I7 980@3.33GHZ, 24 gigs ram. When i turn off the 2nd monitor the TL plays back better in those effect dense areas.

I have a brand new iMac running OS X 10.11.4 and using Premier Pro CC 9.2.0. I have a three monitor setup, The iMac display and an ASUS monitor for myself and a third one that I use for my clients. I am having trouble displaying the program monitor output into that “client monitor”, as I call it…well it actually won’t play back on any of them! I’ve tried all three for the sake of troubleshooting.

I’ve got my comp connected to a 24″ external LG monitor via HDMI. After launching premiere, I undock some panels and move them over to the external monitor. I begin importing and editing as normal, but the moment I select ‘color’ or ‘assembly’ etc. Premiere locks up. At this point, the glitch has 3 distinct properties aside from freezing.

3) after force quitting premiere, I am unable to launch. I have to open a task manager to discover that it has dropped itself into ‘background processes’ for some reason.

Can anyone help shed some light on this please? Computer restart, no effect. I have re-installed, no effect. I have deleted media cache, no effect. Changed the name of both the adobe and premiere folders to “premiere.old” and “adobe.old”.

I have contacted adobe support multiple times so far about this topic, I even allowed them to take over my computer via remote session, and still no solution.

I’ve updated my graphics card driver and connected to different monitors using different ports. The glitch is triggered the same way every time, it’s like clockwork at this point. Just the simple act of undocking panels and windows and moving them to external display, boom, a freeze. Anyone else encounter this?

Yes!! I have the same problem too! I too though have found no fix… I am also onto Adobe but they don’t seam to know either like you said. I have also taken all the measures you have but what is wierd is that we both have very simular laptops. Mine is the GT72, previous gen to yours…

ASUS Eye Care Monitors Receive Most Number of TÜV Rheinland Low Blue-Light Emissions and Flicker-Free Certifications. ASUS Low Blue Light Monitors feature a OSD menu that allows you to access four different Blue Light Filter settings onscreen. ASUS Flicker-Free technology uses Smart Dynamic Backlight Adjustment to reduce flicker, this protects you from eye fatigue, irritation and strains.

PHANTAZMA, the creator of Cinepunch, just released a brand new premiere pro extension called Premiere Pro FX. It’s now available for $59 from Envato Market. The plugin combines ready-made visual fx, text animations, transitions, color grades, sound, and music making it the must-have swiss-army knife panel for all editors.

The entire Premiere Pro Fx plugin contains 10,000+ visual effects, sounds, music, music elements. You also will get free updates, add ons & new tools when you purchase fromEnvato Market. The plugin is a neatly organized panel that is broken into 12 categories listed below.FX MASTER STUDIO - Visual Effects with full sound design mix attachedThe FX included are: Camera Shakes, Dreamy FX, Film Reels, Glitches, Lens Distortions, VHS Looks

The complete Premiere Pro FX download includes detailed instructions and a video tutorial on how to install. After purchasing from Envato Market (also known as VideoHive), the download itself is about 7gb (it’s a fairly large file, be patient during the download).

Remember that in order to install the panel in Premiere Pro, you will need to install a free. zxp installer. Once open, drag & drop the PremiereProFX.zxp file into the zxp installer to install it. Then you can launch Premiere Pro, go to Windows > Extensions > Premiere FX Extension. Once the panel is open, you will need to enter in your Envato purchase license code. Then you’re ready to go!

Split screens and multi-screen looks are super popular right now and unlike other plugins I’ve used, this is the first one that not only includes a Multi-screen builder, but Multi-screen effects such as multi-screen diagonal wipes, photo slides, photo frames, 16mm or 8mm Frame FX in and out. This is very unique!

My second favorite category from Premiere Pro FX is the Transition Master Studio. There are over 48 categories of transitions, including Zooms, Panoramic, Swipes, Glitches, Whip Pulls, Cam Shakes, Stretch Snaps, and much more. And each transition comes with its own sound design.

While there are so many affordable music and sfx resources for filmmakers and creators now, the process of going to your web browser and searching, then downloading, then importing into Premiere Pro can take some time. With Premiere Pro FX, you can avoid all these extra clicks and steps because you can find all the sound you need within the Premiere FX Extension panel. And better yet, most of the FX comes with sound built-in, so you don’t even need to search for sounds, it will automatically import sound into your timeline when you choose your visual FX.

If you edit YouTube videos, Netflix films, or Instagram Reels, this pack will be super useful to you. Even if you’re not going to use the majority of the effects in your next project you’ll never know when they might come in handy in the future. And better yet, with the built in sound design tools you don’t have to leave Premiere Pro to download sfx or music for your next project.

Affiliate Disclaimer: Premiere Gal is an affiliate of Envato Market and will earn a commission if you purchase Premiere Pro FX using the links from this blog post. There is no additional cost to you. Thank you for the support!

Whether you"re a professional in the print and marketing industry or an amateur photographer, you want to use a monitor that displays accurate colors so that your projects look good. While you can use any monitor for photo and video editing, some monitors have a dedicated sRGB mode so that colors aren"t oversaturated while you"re using the sRGB color space. There are a few other things you"ll look for in a monitor for photo and video editing, like pixel density, connectivity, peak brightness, and ergonomics to improve your workflow.

Connecting to it is also easy as it has a massive USB hub with five USB-A ports and three USB-C ports. One of the USB-C ports supports DisplayPort Alt Mode with 90W of power delivery, so you can display an image from your laptop and charge it simultaneously, even if it requires a lot of power. It works without issue with macOS devices, but if you want a dedicated Apple device to take full advantage of a MacBook or Mac Mini, then consider the Apple Studio Display, which has a higher 5k resolution, but it costs more and doesn"t support HDR like this monitor.

Should you want a bigger display to have more space to multitask, then the LG 40WP95C-W is a great alternative. Although it doesn"t get as bright as the Dell U3223QE and isn"t ideal to use in a well-lit room, the wider screen with a 21:9 aspect ratio makes it the best monitor for video editing if you want to see more of your video timeline at once without scrolling. It has a 5120x2160 resolution, which is the equivalent of a 4k screen like on the Dell but with more horizontal pixels, so the pixel density is similar and the text clarity is fantastic.

What makes this monitor so great for media creation is that it has excellent accuracy before calibration so you won"t have to calibrate it unless you need a perfect white balance because there are some issues with the white balance. It also displays a wide range of colors in SDR and HDR, and it has great coverage of the Adobe RGB color space used in some photo editing. If you need to edit videos in HDR, it also has fantastic gradient handling so you won"t see any banding with shades of similar colors.

If you aren"t a fan of the ultrawide format of the LG 40WP95C-W and you want something cheaper than the Dell U3223QE, then check out an upper mid-range monitor like the Gigabyte M32U. It has the same 32-inch, 4k screen as the Dell but it isn"t as good for content creators because it has a smaller USB hub with fewer features. While it has one USB-C input that supports DisplayPort Alt Mode, it only has 15W of power delivery, and not 90W like on the Dell, so although it can keep your laptop"s battery going while you"re using it, it isn"t powerful enough to continuously charge it.

If you want something cheaper or find that the Gigabyte M32U is too big, then the Dell S2722QC is the best monitor for photo editing and video editing in the mid-range category. While it also has a 4k resolution for sharp images, it doesn"t have a dedicated sRGB picture mode, meaning it has worse out-of-the-box accuracy, and you"ll need to get it calibrated if your work requires perfectly accurate colors, but that"s what you have to expect for getting something cheaper. That said, the accuracy is still decent without any calibration. While it has fewer USB-A inputs, it still has one USB-C input with DisplayPort Alt Mode and 65W of power delivery to connect your laptop.

It doesn"t have a dedicated sRGB picture mode either, so some colors are oversaturated, but the overall color accuracy before calibration is still decent, and it displays a wide range of colors in SDR. It also supports HDR, but its HDR color gamut is only decent so if you need a monitor for HDR video editing, it"s better to go for one of the higher-end displays. Despite being a budget model, it still has impressive ergonomics like the S2722QC, letting you easily adjust the screen to your liking.

The ASUS ProArt Display PA278CV is in the same price range as the Dell S2722QC and has much better color accuracy thanks to its sRGB mode, but it doesn"t support HDR and has a lower 1440p resolution compared to the Dell.

Replaced the Dell U2723QE with the Dell U3223QE as it has better color accuracy; replaced the Acer Nitro XV272U with the Dell S2721QS because it"s easier to find; added the Gigabyte M32U and the LG 40WP95C-W and removed the Apple Studio Display and the Acer Nitro XF243Y to reflect market availability; updated Notable Mentions based on changes.

Replaced the ASUS ProArt Display PA278QV with the Acer Nitro XV272U KVbmiiprzx because it"s better overall and supports HDR; moved the LG 40WP95C-W to Notable Mentions because it"s expensive and doesn"t perform better than the Dell U2723QE; updated Notable Mentions based on changes.

Added the Apple Studio Display as the "Best For MacBook" and removed the ASUS VG34VQL1B as the "Dark Room Alternative" to the Gigabyte M34WQ to reflect user needs; updated Notable Mentions based on changes.

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Choosing the best monitor for premiere pro has been difficult for any videographer. When editing a movie project, you need out-of-the-box color accuracy, the highest possible resolution to pay attention to the details, and a handful of other things that make the entire process smooth.

To help you with that, we made this list of the best monitors for adobe premiere pro to help you make an informed decision about choosing the right monitor.

The monitor has an IPS display with a widescreen, making the picture extra clear and transparent. The viewing angles were wide and great, and the image quality wasn’t compromised a bit. It has a resolution of 1980 x 1080, giving you an amulet display.

This is a plus for Adobe premiere users as the 4ms response times lets you get work done quickly and efficiently at a price at which this retailing is so budget-friendly that you wouldn’t have to break the savings account to buy this.

The curved and slim LG monitor is a feat of perfect engineering and features; the amazing display is massive and highly functional, so this monitor takes your productivity to new heights.

The ultra-widescreen provides a panoramic view, which is great for viewing the tasks for preview. It may be a little expensive for its features and qualities, but the smooth display for regular work is a treat to your work.

One of the cool features is the black screen which, if you are seeing something in low light that does not allow you to see any small details, well, this feature will enable you to do just that, a highly sought after feature, especially for adobe users and gamers.

So whether it be content creation, entertainment, work, or playing video, we believe this monitor will deliver at fronts. The large display provides realistic, bold, colorful pictures and gives you the full experience of a big, expensive monitor.

With a 27-inch IPS display, the monitor works astoundingly well, and the bezel design gives a seamless finish to this monitor so that all of the screens are utilized while working or gaming.

The best monitor for adobe premiere is the Acer SB220Q. Without a doubt, with this product, you get both quality and a competitive price, which makes it a valuable deal for workstations.

Hence, after reading our top picks for best monitors for adobe premiere, we are sure that you are well aware of what makes or breaks a purchase, so what are you waiting for?

Summary: Adobe Premiere Pro is the leading video editing software application developed by Adobe Systems. This blog will guide the Adobe Premiere Pro users to deal with such instances with simple yet effective methods where due to some technical glitches, you face video playback issues. Problem 1: ‘My Premiere Pro 2018 was working fine until recently. Now it has turned slower in video playback, or won’t play videos at all, just showing white screen. I am editing a half hour documentary. Why is this hitch suddenly? How can I make my video footage play properly?’

Problem 2: ‘Playing a video file in a sequence or from project folder in Adobe Premiere Pro CC 2019 doesn’t work. It displays either one video frame or the yellow ‘Media pending’ image. Any ideas how I can fix this problem?’

So if you are facing video playback issue or any of the below problems in the program, read on this post to know the ways to fix the issue. Premiere Pro won’t play video or showing white/ black screen

Restarting computer can fix incomplete updates/ installations, overheating, hardware or video driver glitches. These may be interfering with smooth functioning of Premiere Pro on your computer.

Whenever Premiere Pro has a problem in playing video, first try to restart/reset the program. It wipes off the recent directories in the program, without affecting video projects.

Ensure the video file you are trying to play in Premiere Pro is not corrupt. Check this by playing it in another program or on different computer. Also see, if other videos are playing in the program or not. If a specific file is not playing, it indicates video corruption.

Are you using more than one monitor while working on video projects? Sometimes, unknown technical glitches due to multiple monitor configuration cause video problems in Premiere Pro. Switch to a single display set up and check if the videos are playing fine in the application.

Outdated or corrupt video card drivers won’t let videos play properly in Premiere Pro. You can fix videos not playing at all or other display problems by updating the video card (NVidia/Intel HD/AMD) drivers.

Changing the Video Renderer settings in Premiere Pro can help in smooth video playback in the program. This is a quick fix to any video footage not playing or having slow rendering problem.

When your Premiere Pro Won’t Play Videos, show error, black/ white screen or have other playback issue, try one of the above troubleshooting methods to fix the problem.

7 comments My premier pro was running excellent and I use always premium version but 2 days ago I made a mistake I downloaded crack from this site /licensed.com/adobe-premiere-pro-cc-crack-license-key/

and applied to my software “My Bad Luck” after that my software giving the same issue of the video I fixed that issue with following your instructions but there is a still problem in Images images not giving display. Can you please tell me or recommend me how I can fix that also. Thanks Hi Savannah

Any crack is illegal. Pirated versions have worse performance than the fully legal ones, which can result in unexpected problems. Suggest you to get the authentic legal version of Adobe Premiere.

Hi, I’m beginner in video editing and I just open this Premiere Pro software and I imported MP4 file and when I import, but only get audio to play. Any ideas what could be the issue and how to fix it? Any help would be appreciated! Hi Jonathan,

Premiere Pro is a timeline-based video editing software by US-based software development company, Adobe. Thanks to its unmatched capabilities and tools, intuitive user interface, and other powerful capabilities, it won our Editor"s Choice Award, which we"ll get into shortly.

You now have free access to thousands of free Stock Audio right from your Essential Sound panel. Bring up your Essential Sound panel from Windows top menu to get started. Next to edit, you"ll find a new Browse tab where you can access and buy royalty-free music. Options this new feature brings to the platform include sorting by mood, type, genre, filters such as tempo and duration, and whether the track should have vocals or not. Also, audio partner selection between Epidemic Sound and Jamendo. Perhaps the most useful innovation that comes with Adobe"s new Stock Audio integration is that it lets you preview the audio together with your video clip to see how the output will look without editing files in the timeline. Just click on the preview button, and your video will render with the audio!

Adobe"s August update brought Accelerated Hardware Encoding, and now Windows users get a much faster and smoother decoding process for MPEG-4 (H.264) and HEVC formats. In our tests, playbacks are up to 30% faster in the 15.4.1 version compared to previous versions.

It is another first, fully integrated solution from Adobe that you won"t find elsewhere that lets you create automated captions all within the application.

Rendering & Playbacks are up to 3x faster as well while using only half the CPU. Rendering the same 30 seconds long 4K footage took us 8:12 minutes while using only 25-30% of the available CPU. Even though Premiere Pro is now much faster on lower-end M1 Macs, you still get faster render speeds on Apple"s own Final Cut Pro and even Davinci Resolve using the same device. Final Cut Pro rendered the same clip in 3 minutes 65 seconds while Davinci Resolve taking only 4.52 minutes.

If you"re running Premiere Pro on lower end computers, read these tips we"ve got for you to get a smoother experience from your video editing process.

Compared to its simpler alternatives, Premiere Pro doesn"t have the easiest-to-understand and most intuitive user interfaces out there. However, they"ve recently rolled out several game-changing updates to streamline editing, one of which is a new way to import your media files to your media panel. Adobe Premiere has 4 main panels, offering a docked, panel-based user interface. The best thing about Adobe"s workspace layout is completely customizable, unlike its alternatives. You can change your workspace colors, program monitor settings, add a plugin interface, manipulate their size on your screen, etc.

If you are serious about video editing and depend on Premiere Pro as a professional, you must consider customizing your UI because the stock one Adobe offers is ineffective.

When you open premiere pro, you"ll be greeted with a welcome screen. From there, you can either open an existing project or create a new one to make a fresh start. If you click on the new project, the pop-up will let you set a name and change its settings, including video, audio, codec, capture, and ingest settings. Most people will be fine just editing the project name. Once you click okay, you"ll be launched into the main, stock Adobe Premiere Pro user interface.

This panel located in the lower-left section of your interface holds all of your media files, including videos, photographs, and graphics. You can store these media files to add them to your timeline later. There are 3 different ways to import files into your project media panel. The easiest is simply dragging and dropping your media files into the box. Or, if you prefer the hard way, you can right-click on the section, click on import, browse your folder and import your preferred files.

When you drag and drop a media file from your Project Media Panel into your timeline panel, Adobe will create a new sequence for you to work on. As standard with any other timeline-based video editing software, you get a blue timeline you can move around to edit or watch different parts of your sequence. You can zoom in and out using the buttons you have on your timeline or use the (+) and (-) shortcuts to do the task faster.

Your timeline is separated into two parts. The upper section holds your audio files, while the below section contains your graphics, images, and videos. So if you have a video file with audio, for example, audio and video will show in a different section of the timeline.

Next up, the most useful feature of Adobe timeline is the ability to work with layers. You can add media files on top of each other if you wish to blend and create different unique effects.

If you"re using the default Premiere Pro layout, your effects control panel can be found on your screen"s left top side. If it"s not there however, go to Window. From the dropdown menu, select Effect Control to add it to your workspace.

It is a helper tool found in Premiere Pro to help you evaluate and color correct your clips. If it"s not visible within your panel, activate it from your Window menu. Lumetri Scopes include Vectorscopes, Histogram, Parade, and Waveform.

The info panel is in the left top section of your screen. It displays all the information relevant to your projects and clips, including its name, type, audio Herz, compression information, start & end time, duration and much more.

Effects Panel in Premiere Pro is responsible for listing all the effects used in the active video clip & image and their properties. If you"ve accidentally removed your effects panel or never had it, to begin with, it"s very easy to have it back. Retrieving a panel, regardless of its type, is simple. Whenever you miss a panel, go to Windows, then select the panel you"re missing from your Adobe Premiere Pro interface. In this case we are missing Effects Panel, so select that. It should appear in the left top section of your screen. To see the effects applies, make sure the click is selected on your timeline.

Adobe Premiere Pro has one of the largest transition effect libraries and lets novices and experts alike add transition effects in between clips easily. Just add 2 or more clips into your timeline, and drag & drop a transition preset of your choice between the clips. If you can"t place the effect in the right place, it might be good to zoom in on the clip first so the transition will be easier to work with. One of the easiest ways to add a transition to your clips is by selecting your clip and applying the default transition. It"ll add your default transition to all the available clips in the timeline. To delete a transition, simply select it and press delete key on your keyboard to eliminate it. If you wish to extend or cut the duration of a transition, simply drag the sides. If you wish to change the default transition, simply right click on a transition and set it as your default so you can later apply it to all your clips quickly. Effects control panel gives you ability to change most features of your transitions, including their duration and direction, by selecting one of the directional arrows in the panel.

There might be 2 things wrong with your clips if you can"t add transition effects. First, check if the clip is long enough to add the transition you want. Premiere needs a little extra bit of your footage to make the transition work smoothly, and if it"s not nearly long enough, it"ll give you an error. Also, make sure you aren"t trying to add the transition between audio clips. It"s a common mistake video editors make when their timeline gets a bit crowded.

Adobe includes some of the most powerful 3D video editing tools with the Premiere Pro CC 2021. It also happens to be one of the easiest applications to work with for 360 VR video editing.

Adobe became an industry leader in immersive effects, in other words, 360 VR video editing and virtual reality, after acquiring Canada based 360 VR company that specializes in making effects and transitions for 360 videos specifically back in 2017. In the past, you had to purchase these plugins separately to be able to do anything related to VR content in Adobe Premiere Pro. Nowadays, after the acquisition, it has changed and all the effects & transitions Mettle offered are standard features within the Adobe ecosystem.

Adobe has changed the game entirely by being the first editing tool that allowed editors to collaborate with other editors & coworkers on their workflow.

Your first option is to use Adobe Team Projects. Team projects let you work with other people on the same project remotely. It"s great when editors working on a clip aren"t within the same room. How it achieves it is simple, using built-in version controls, quite similar to GitHub. Whenever you or any other person on the project changes on the clip, it displays the change to other team project members.

Unfortunately, the process gets quite cumbersome as the project grows and packs more and more data. There are also a lot of fail points. For example, it won"t work if you and other people on the project have different media paths.

It does exactly what it says. Auto Reframing reframes clips for Instagram, TikTok, Snapchat and others using Adobe Sensei Machine Learning Technology and AI to automatically detect the most important part of your clip and where the action is happening. Then reframes your clip in vertical or square, depending on the platform you"re going to upload to.

Simply drag and drop the Auto Reframe effect on the clip you"d like to reframe and Premiere Pro will take your media, analyse it using its magic formula, and reframe it to your preferred aspect ratio keeping the most important content in the frame.

Sometimes what Adobe thinks is the most important part of the clip could be different than what you consider it is. If that"s the case, you can tell the algorithm how much movement to expect from the video, and it"ll adjust the result accordingly to fit the most important part inside. Motion key frames are generated that follow the action in your video content, if needed, you can edit the key frames so that you always have control over the final result.

There are many factors that influence Adobe Premiere Pro"s output and performance. These include hardware (the biggest factor), software version, video resolution, frame rate, length of the sequence/clip being edited, effects applied to clips in a sequence, preview settings used when editing a sequence or clip (rendering), size of cache files used by Adobe Premiere Pro (cache files control Premiere Pro"s use of available RAM), preferences settings used (RAM previews), operating system(s) you"re working on including their versions and settings.

Premiere"s Export option offers most formats you"d ever want, and for more output options there is the Adobe Encoder. The encoder can target Facebook, Twitter or Vimeo to name just some of its many uses, including batch encoding that will make all your videos work well on mobile phones as well HDTVs (high definition TVs).

The new Quick Export feature is the answer to all your export needs! You can quickly export a project in one of seven different formats using presets:Match Source: Adaptive High Bitrate

64-bit CPUs and multiple cores allow Premiere Pro to take advantage of more than one processor and it is the perfect editing software for those who want to take advantage of their computer"s horsepower. We have tested PP on two different computers: one running 64-bit Windows 10 and another with a relatively older macOS Sierra 3 1/2 GHz Intel Core i5 processor, 8GB RAM and Nvidia GeForce GTX 950m graphics card.

Adobe Premiere Pro is one of the best video editing software in the market. It has great features, and it can be used by professionals, amateurs or even beginners. Although Adobe Premiere Pro is a good program, there are other alternatives you can