action camera with lcd screen free sample

The 360 Wifi Action Camera comes equipped with a 1080P HD lense and a 0.96" LCD screen to take your photography to the next level. Through an App you can stream live video from your connected device with the 360 camera. The 360 Camera is capable of taking both pictures & video with crystal clear resolution in full 360 panoramic view. The footage can be transferred wirelessly to your email, cloud storage, or social media account. Along with the HD camera you will receive additional accessories, which include a waterproof case, helmet mount, and a handlebar mount. The case is waterproof up to 30 meters. Micro USB charging cable included.Micro SD Card not included. A 32 GB SD card is recommended.

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apeman is one of the most reputed brands in engineering premium camera products.We invest significant efforts and resources in the R&D of this series of products, especially in the development of sensors.If you are looking for a cost-effective, reliable and stylish 4K action camera, this product is your best choice.The newly upgraded A87 touchscreen camera, a sensitive touch screen, embark upon all your adventures.

apeman 4K 60FPS Action Camera A87/ Touch Screen / 20MP / Wi-Fi EIS 8X Zoom / Remote Control Sports Cam / 40M Waterproof Underwater / Vlog Camcoder / with Mounting Accessories Kit and Carrying Case

【Ultra HD 4K / 60FPS & 8×Zoom Lens】apmean A87 Action Cam had been updated into 4K/ 60FPS, with this faster frame, offer your motion appear less blurred, while at the same time giving more options for slow motion editing. With 8×Zoom Len(for photo mode), which can freely bring you more closer to capture the item you like, allowing greater creativity.

【Touch Screen and Preset Scenes】apeman A87 action camera integrates two modes: automatic and professional.For example, record in Continuous Loop, Slow Motion, Time Lapse, etc. 6 professional modes to adapt to different environmental conditions. The excellent sensitivity of the 2-inch touch display allows you to scroll much more easily between the various modes and is perfect for quickly shooting, previewing, and playing footage.

By installing the "Apeman" application on your smartphone or tablet, you can have full control of the camera in real time. The integrated Wifi allows you to easily download and share videos or photos on social media such as Facebook and Instagram. Also available are HDMI, USB and AV video outputs for connection to computers, TVs and projectors.

【40m Waterproof and Accessory Bag】apeman A87 comes with an improved set of accessories and the waterproof case protects the camera, in water, up to 40 meters deep. The remote control makes it more convenient to use during outdoor activities, such as motorcycling. The uniquely designed carrying bag keep all the accessories, like two 1050mAh batteries and bike and helmet mounting kits, lightweight and portable for any outdoor sport.

The One RS"s modular design improves on many of the unique features of the original One R. It allows the One RS to be more than just your typical action camera, and if you don"t mind some of its limitations, including a smaller LCD screen and lacking a second one completely, as well as lacking frame rates like 4K 120fps, then, in turn, you"re getting a multipurpose small form factor camera with three available lenses that can achieve so much more.

This is no ordinary action camera. In fact, it"s so much more. Just like with the original One R, the new Insta360 One RS looks similar enough to other action cameras from the likes of the GoPros and DJI Osmo, but it stands out with its modular design. The One RS splits into three parts: the touch screen and "brain", the lens, and the battery. It can be reconfigured for a front or rear screen, and the lens swapped out for a different one entirely.

A snappier and more efficient CPU to support in-camera flow-state stabilization up to 4K@60fps, saving you from needing to process your clips separately with their app.

An improved mounting bracket with better heat dissipation that lets you swap one of its three available lenses out more quickly to change up your shot.

In my video review, I share several video and photo examples shot on the Insta360 One RS Twin Edition. This set comes with the new 4K Boost lens, and the existing 5.7K 360-degree lens. The results you can get are very impressive.

They might not be any better than competing dedicated action cameras or 360 cameras, but how many other cameras can do both? Because of this unique modular lens design, this is one of the few small form factor cameras that I"ve actually enjoyed using and making lots of content with.

Most importantly, I had a lot of fun filming with this setup, and it actually encouraged me to shoot, edit and post fresh content far more than anything else. This is a great action camera, but that"s only half the story.

The 4K Edition, which comes with the newly introduced 48MP 4K Boost lens (which is also backward-compatible with the One R), costs just $299, making it one of the cheaper and highest specced "action cameras" available.

The One RS might feel a little limited compared to the latest GoPro Hero 10 and Osmo Action 2—as it lacks 4K@120fps, uses a smaller touch screen, and has somewhat less effective stabilization—but when you take into account that this same camera is also compatible with the Leica 1-inch ultra-wide and 5.7K 360 lens modules, there isn"t anything else like it.

For the past few weeks, I"ve been using theTwin Edition (Get-Set Kit) which comes with both the 4K Boost and the 5.7k 360 lenses, as well as a 120cm Invisible Selfie Stick and 64GB MicroSD card. I tested these two lenses while vlogging and traveling, riding my OneWheel, and some for some more cinematic style shots too.

For more of a point-and-shoot camera, I would use the 4K Boost lens most. I shot most of my clips in LOG with manual settings and was impressed with its dynamic range and ease of color grading to get a custom look. Pan and tilt shots were smooth and very gimbal-like with minimal effort.

Interestingly, in addition to the $299 4K Editionwhich comes with the 4K Boost Lens, RS Core, RS Battery Base, and the RS Mounting Bracket, you can also get the $269 Core Bundle. This comes without any lens included, so owners of the previous 1-inch Edition can upgrade the rest of their kit—but for a mere $30 saving, it seems like a bad choice.

For the same price as the $549 Twin Edition(4K Boost + 360),you can alternatively opt for the 1-inch Edition. This comes with only the Leica 1-Inch Wide Angle lens. This should be the better choice if you prioritize low light performance or want that extra wide-angle look and don"t mind missing out on 360 footage. I haven"t had the chance to try out that lens yet, but I"d be excited to see just how well it performs with the newer One RS.

You save about $50 by getting the two lenses bundled together instead of buying them separately. I personally like being able to switch between action shots and taking 360 videos and feel like that"s probably the best combo for most people. If you"re certain you won"t use the 360 lens, the 4K Editionis for you. Don"t get the Core Bundle unless you"re upgrading, and even then, it might be worth shelling out the extra $30 to get the 4K Boost anyway.

I needed a camera with decent video quality that could be used anywhere. It should be decent in low-light, stable enough to use without a gimbal, and could take sharp stills too. I’ve been getting more into cinematic-style travel videos and wanted to be able to create them quickly and regularly.

While more compact cameras, like the Sony RX100, fit this need a little more, they cost a premium. Similar sized action cameras like the Insta360 One RS might not be able to match the video or photo quality, but in turn, they are significantly cheaper, more rugged, waterproof, and can be mounted more easily to a variety of accessories and used for action sports.

My trip to NYC was the perfect chance to see what the Insta360 One RS could do. This camera actually made me want to capture more throughout my day. Even things that felt more mundane or similar to something I previously shot—like walking or passing by something that wasn’t necessarily that exciting—were so easy and quick to capture, that I would just do so without needing to think about it.

Even better, there were several venues and events I went to where you normally can’t bring a DSLR, but because of how small this is, I was able to film without any issue.

While you can get some great results with editing LOG footage, I encountered a few issues. Unsurprisingly, the video quality quickly falls apart in low light, even with the new 4K Boost lens. Even high contrast scenes in bright daylight suffered from strange artifacting in the shadows and fine details like branches and fences. For better low-light performance, you"ll still want to use the old Leica 1-inch lens module, which features twice the sensor size.

Because of their small size, I find myself bringing both the 360 and 4K Boost lenses with me everywhere. In many ways, being able to quickly switch over to the 360 lens made it feel like I was using two cameras.

I"ve owned and used a few dedicated 360 cameras, including the Insta360 One X. I almost exclusively used it for real estate tours and the occasional concert. Aside from that, its clunky interface and of course being "limited" to just 360 shooting, made me never really want to use it beyond just as a tool for work.

However, if you"re playing back these videos on a larger screen, especially after removing the fisheye distortion and pointing at a subject, you can quickly notice its lack of detail, especially compared to shots on the 4K Boost lens.

The benefit of the Insta360 One RS is that you can easily switch between these two lenses when you want. While vlogging, I found myself being a little more strategic when choosing what I would film with the 360 lens. If I was walking past an interesting spot, or I thought something would make for a cool sequence to edit later, I would swap to the 360 lens. When I was done, I would swap back to the 4K Boost lens for a more traditional perspective and continue shooting away.

Something that may not seem significant at first, is the new mounting bracket. The One RS is taller because of its beefier battery, so it isn"t backward compatible with the One R bracket. But Insta360 took the opportunity to redesign something even better.

Compared to a traditional action camera bracket design, we now have a quick-release button to remove the camera from the side. This helps the process of switching lenses quickly. Compared to the One R, you’ll need less time to swap them out.

Because of how small everything is, I usually kept the camera in one pocket, and whichever lens I wasn’t using in my other pocket, with the 360 lens cover protecting it. I would still recommend a small pouch for the 4K Boost to keep debris off the connectors and hopefully not scratch the lens.

The Insta360 One RS is snappy. It turns on quickly and is ready to start recording within a few moments. You can also start a recording while it"s off by pressing the record button at the top. There were a few times when the camera wasn’t quite quick enough to catch the action before it passed, but for the most part, it was quick enough.

Photos are good, especially for an action camera, but the downside is the speed at which they"re taken. Shooting 48MP Raw DNGs takes several moments from when you hit the shutter button, have to stand still, and then wait for the photo to be processed. If you"re just trying to snap away or catch fast action, you"ll prefer using your phone.

The Inst360 One RS sports a rather small 1.3-inch display on one side of the Core RS. Because of its modular design, this screen can be flipped for use on either the front or rear. Unlike dual-screen action cameras though, you are of course limited to one side at a time, which can annoying if you"re frequently moving from behind to in front of the camera.

Compared to other action cameras with larger 16:9 ratio screens, the 1.3-inch square format provides about 1/3 of the actual playback area. For framing yourself it gets the job done. I watched back some of my recorded clips and scrubbed through them too. The biggest downside of the smaller screen for me was setting proper exposure. Especially when shooting on the fly, it was difficult to tell if I was underexposed or if I had too much noise in my shadows.

The touch screen, while small, is for the most part easy to navigate and very responsive. You can change your shooting modes by swiping left or right from the middle of the screen. Swipe up and you’ll see your recordings. Swipe down and you can change settings. Notable options here include your stabilization level, which I would keep at normal for most users if you want to avoid possible weird jitters, especially in low or mixed lighting.

Swiping left from the right side of the screen gives you manual controls. Color options include Vivid, Standard, and Log. There’s also shutter speed, ISO, EV, White Balance, and exposure compensation. If you have a lot of mixed lighting, going from bright to dark scenes really quickly, or just don’t want to mess with manual settings, Insta360’s auto settings, especially in video HDR (which limits you to only changing white balance), are good. It has room for improvement when it comes to exposing faces a little better, and when it gets dark, it doesn’t hesitate to lower your shutter speed below the recommended twice frame rate, which can be pretty noticeable.

Insta360 has always had a good mobile app and powerful cross-platform PC/Mac editor too. Within the app, you can change settings, monitor your camera, remotely start/stop recordings, and use the built-in editor and reframer. I prefer doing all my edits in Premiere Pro, so I didn’t mess with the app all that much. That said, they also include lots of informative tutorials and tips/tricks videos that help you get the most out of the camera, as well as a comprehensive "Shot Lab", where you"re guided through producing a stylized video sequence for social media.

Going back to an earlier point, it"s worth mentioning again that the Insta360 One RS has less reliance on its companion software as all of the stabilization is done in-camera now (with the exception of 6K where it is not available). HDR photos, however, still need to be processed in the app.

It"s one thing to be a camera that can capture good footage and sharp images, but it"s another thing to also be a tool that you"ll enjoy using to help you quickly shoot and edit content. Especially in good lighting, using Standard, Vivid or HDR picture profiles, the results can be very impressive.

The One RS"s modular design improves on many of the unique features of the original One R. It allows the One RS to be more than just your typical action camera, and if you don"t mind some of its limitations, including a smaller LCD screen and lacking a second one completely, as well as lacking frame rates like 4K 120fps, then, in turn, you"re getting a multipurpose small form factor camera with three available lenses that can achieve so much more.

The EOS R50 is Canon"s APS-C RF mount compact hybrid camera designed for beginners seeking an interchangeable lens camera that"s easy to use and carry around.

What happens when you tape 35mm film strips together and put them into a Polaroid camera to expose? And how do you get the film out? See how Clem Hertling"s experiment making large-format 35mm portraits paid off.

The M.Zuiko Digital ED 90mm F3.5 Macro IS PRO is an autofocus stabilized macro lens that delivers up to 2x magnification (4x with a 2x teleconverter).

The Canon EOS R8 is the company"s latest mid-level full-frame mirrorless camera. It brings the sensor and autofocus from the EOS R6 II and combines them in a smaller, more affordable body.

The Canon EOS R50 is an entry-level, compact APS-C mirrorless camera. A 24MP RF-mount camera aiming to attract smartphone users and, perhaps, vloggers.

The 50mm F1.4 DG DN Art is a fast 50mm lens for full-frame Sony E-mount and L-mount Alliance cameras, and makes use of linear focus motors for the first time in the Art series.

Chris and Jordan are enjoying some well deserved time off this week, so we"re taking a trip in the wayback machine to revisit the launch of Canon"s original full-frame mirrorless camera, the EOS R. Give it a watch to see how far Canon"s mirrorless line has come.

We"ve gone hands-on with Nikon"s new 17-28mm F2.8 lens for its line of Z-mount cameras. Check out the sample gallery to see what kind of image quality it has to offer on a Nikon Z7 II.

The a7R V is the fifth iteration of Sony"s high-end, high-res full-frame mirrorless camera. The new 60MP Mark IV, gains advanced AF, focus stacking and a new rear screen arrangement. We think it excels at stills.

Using affordable Sony NP-F batteries and the Power Junkie V2 accessory, you can conveniently power your camera and accessories, whether they"re made by Sony or not.

According to Japanese financial publication Nikkei, Sony has moved nearly all of its camera production out of China and into Thailand, citing geopolitical tensions and supply chain diversification.

The camera body itself is rated at IPX8 which means it can handle being submerged upto 5 metres or 16 feet in depth without the need for an additional external waterproof housing.

There’s plenty of video resolution and frame rates to play with. 4K 30 frames per second being the highest res, and the good news it’s actually native 4K and not interpolated. Slow motion is available at 1080P 60 fps and 720P 120 fps being the slowest available.

A quick mention in regards to voice control. It does work to a point. There are the usual commands to record either video or take still pictures and power the camera ON/OFF.

There are the usual mounts for bike handlebars, tripod and bike helmet. You will have to use the camera frame to attach to the mounts as the camera body itself has neither a ¼-20 thread insert or folding fingers as we saw introduced on the Gopro Hero 8.

A curved adhesive mount is also lacking which is used to attach the camera to motorbike and ski helmets. Although these can be picked up for very little additional cost.

First impressions when handling the camera for the first time out the box is one of solid build quality. The metal body has a rubberised type anti-slip coating around the sides of the camera which gives the feel that you’ve got your hands on a well constructed camera.

For those into vlogging there are dual color screens, a touch screen at the rear, plus a smaller square shaped screen to the front which allows you to frame correctly when recording a vlog.

In total there are only 3 physical buttons on the camera body. As mentioned above 2 at the side for operating the 3 x zoom, plus the lower button for switching screens, plus the Power / Record button on the top facia.

The battery compartment can be found at the base of the camera which can be opened by holding and sliding the latch. The micro SD card slot and USB-C port is found inside a second smaller compartment (See above picture).

An external mic is supported. Currently, only the official Akaso lavalier microphone which plugs into the USB-C port works. The mic also comes with a foam wind shield and lapel clip.

Photo Burst Mode allows you to set the number of still images captured once the shutter has been pressed from 3 shots right up to 30 shots. This is great for capturing fast moving action such as skiing or mountain biking.

I found the touch screen to be very responsive to touch and easy to navigate overall. Compared to other more expensive action cameras I’d say the color touch screen is on a par.

its possible to switch between video and photo mode, start recording video or take a still picture. Plus the ability to switch the camera ON/OFF to save battery power.

For example, if you were to set the camera on the ground to film a shot of a bike tyre riding through frame. It makes it easy to set the camera angle up prior to shooting the scene.

For most of you perhaps the most important aspect of any action camera is the video mode. The Brave 7 comes with an impressive array of resoltions including native 4k at 30 frames per second.

The Brave 7 comes with plenty of features in photo mode including a long exposure mode to allow you to shoot light trails from vehicles and such like.

For those looking to take their action camera underwater I’d suggest looking at the DJI Osmo Action as an alternative or perhaps a used GoPro Hero 7. If you do decide to go with the Brave 7 check out my “How To Set Up” Guide to help you get started.

Gear Pro Quest Wi-Fi Action Cam, Full HD Hi-Resolution 1080p Video, 16 Mega Pixel Camera, 2.0"" LCD Display, Wireless Remote, Free Downloadable App, Waterproof Case$488.99

Gear Pro Quest Wi-Fi Action Cam, Full HD Hi-Resolution 1080p Video, 16 Mega Pixel Camera, 2.0"" LCD Display, Wireless Remote, Free Downloadable App, Waterproof Case$488.99

Gear Pro Ryder Plus Action Camera with GPS Navigation Tracking Software, Hi-Resolution Fully HD, 16 MegaPixel Images, 1080p Video, Fold-Out 1.5"" LCD Display, GPS Google Maps Integrated Software$517.99

Gear Pro Ryder Plus Action Camera with GPS Navigation Tracking Software, Hi-Resolution Fully HD, 16 MegaPixel Images, 1080p Video, Fold-Out 1.5"" LCD Display, GPS Google Maps Integrated Software$484.99

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The best adventurers need the best cameras to capture the essence of their exploits. Whether you’re big wave surfing or photographing wild animals, your camera has to be as tough as you without weighing you down.

If you’re diving with sharks, traversing a river in a kayak, or white water rafting, you need a reliable waterproof action camera. GoPro offers HD action cameras with sharp 4K resolution, enabling you to capture crystal-clear footage of your feats. And, it’s not just the high intensity activities where the best GoPro cameras shine. If you’re documenting your wine tour, zip lining, snowboarding, or even just making memories around the barbecue at home after your latest adventure, you can be your own daredevil and your own photographer with GoPro.

The sports action camera you choose should be lightweight so as not to slow you down. It"s also important that it attaches to your clothing or gear so you can focus on the moment and leave it to your GoPro to capture the incredible footage. An action camera with image stabilization will make sure your video isn"t shaking even if your hands are. Not the adventurous type? Use your GoPro for award-worthy footage of the solitude of hiking through the woods at your local park. No matter where life takes you, GoPro is there to capture the moment.

Compare from our various adventure camera models, like the all new GoPro HERO11 Black, to make sure you have the right one by your side to for all of your incredible adventures both in and out of the water. Use our GoPro comparison tool to compare up to 3 camera models and their features, modes, design and dimensions.

An action camera is a lightweight, hands-free digital video camera capable of producing high-quality, wide-angle video in almost any outdoor environment. That means it must be impact-resistant, dust-proof and waterproof, and must operate in a wide range of temperatures.

When shopping, consider how the camera’s size and shape work with how you intend to use it, including where it will be mounted or carried, whether it has to fit into a confined space, whether you can see the cam during operation (you can’t if it’s on your helmet) and your desired angle of view.

For pure value, it’s hard to beat the SJCAM SJ6 Legend ($159, sjcam.com). It shoots stabilized 4K video for more than an hour on one full charge, and features built-in Wi-Fi, an external mic connection and a 2-inch touchscreen. The tiny (1.6-by-2.3-by-0.8 inches, 2.9 oz.) plastic body has a standard tripod mount — unusual on action cams — and comes with a protective case, outfitted with a GoPro mount, that’s waterproof to about 100 feet. The SJCAM Zone app gives you control of settings and functions from your smartphone.

VIEWFINDER OR LCD SCREEN: Compact action cams often lack a viewfinder or an LCD screen. If you want a camera with a built-in screen, make sure it’s bright and clear enough for easy viewing in sunshine or underwater. Similarly, good audio quality is rare, although some high-end models have an external microphone jack.

WI-FI CAPABILITY: Wi-Fi capability enables the easy upload of video to a computer or the internet, live streaming, some accessory apps and shooting remotely via smartphone. This last feature is useful when using an action cam that lacks an LCD screen for playback.

BATTERY LIFE: Even the camera with the longest battery life will last only a few hours, so if you’re on a multi-day backpacking trip, you’ll need to buy additional rechargeable batteries or a solar charging device. Keep in mind that battery life between charges is shortened by shooting at higher resolution (especially 4K) and frame rates, having Wi-Fi turned on and temperatures well below freezing.

The GoPro Hero7 White ($200, shop.gopro.com) might be today’s definitive action cam. At just 2.5-by-1.8-by-1.1 inches and 3.3 ounces, it shoots rich video and 10MP still photos in single and burst modes. Features include a waterproof housing, a touch screen and voice control. It’s waterproof to 33 feet and has a battery life of up to 90 minutes. The subscription service GoPro Plus adds video stabilization, pro-quality photos and auto upload to the cloud.

ACCESSORIES AND MOUNTS: Look beyond camera models to each brand’s entire line of products and accessories, including third-party accessories. GoPro has the largest reach in that area.

SIZE AND WEIGHT: Action cams are designed to be worn on a helmet or mounted to equipment, so size and weight are key. Go with the smallest, lightest model you can afford.

FIELD OF VIEW: Most action cams shoot wide-angle video. Just how wide is noted in degrees (for example, 160 degrees). The larger the number, the wider and larger the field of view and the more action you’ll be able to capture.

You can one-up the Hero7 White with the GoPro Hero7 Black ($400, 4.1 oz., shop.gopro.com), which features everything found on the Hero7 White but adds 4K video, 12MP stills, higher frame rates and GPS.

VIDEO RESOLUTION: In general, the better the video quality, the more expensive the camera. Right now, 4K is the highest resolution possible on an action cam. 1080p and 720p are considered high definition.

WATER-RESISTANT AND WATERPROOF: It’s important to pick a camera that can stand up to the weather. Some action cams are water-resistant on their own, while others require a special waterproof case called a “housing” to be waterproof. If you’ll just be in the rain and snow, one of the cams that doesn’t require an extra housing might be the best bet. If you’ll be shooting underwater, you need one with a waterproof housing.

VIDEO VS. STILL PHOTOS: Action cams specialize in shooting videos. Although they can also capture still photos, don’t expect super-high-quality images. The quality of photos is indicated by the number of megapixels (MP). In general, the more MP, the sharper and clearer the photos.

On a tight budget? The Wimius L1 ($73, wimius.com) shoots good-quality 4K video at 24 fps, in 1080p at 60fps or at 720p at 120 fps with a 170-degree lens. It has built-in Wi-Fi, fisheye correction, image stabilization, an LCD and a waterproof housing that comes with a water-resistant case for diving to about 100 feet. Plus, it corrects color distortion of shooting underwater.

MEMORY CARDS: All action cams record videos onto small removable memory cards. Most cams use tiny microSD cards, while some still use postage stamp–size SD cards. Either way, buy a couple of extra memory cards so you’ll have plenty of space for your videos. All cards are sized in gigabytes (GB). The higher the GB number, the more space you’ll have — and the more expensive the card will be.

GoPro has long been synonymous with action cameras, and the Hero10 Black is the best option for most people. It’s easy to use, rugged, waterproof to 33 feet, and takes high-quality 5.3K video. It also takes high-resolution photos, has impressive image stabilization, and is small enough to fit in your pocket. There are countless accessories to mount the GoPro to just about any surface, and GoPro’s Quik app (Android andiOS) lets you edit videos in lots of creative ways. For most people it"s all they’ll ever need in an action camera.

The biggest change in the Hero10 over its predecessors is an improvement in frame rates, allowing you to record 5.3K video at 60 frames per second, doubling what you get with our current budget pick, the Hero9 Black. The 5.3K video is 5120×2880 pixels—well above the 4K resolution used by most action cameras and televisions, which is 3840×2160 pixels. With the Hero10, you can record 4K at 120 fps, which allows for some ultrasmooth, Ultra HD slow-motion videos. So if you’re into fast action sports, like snowboarding, surfing, and so on, your videos can look even more epic. The Hero9 Black, in comparison, could only record 120 fps slow motion at 2.7K resolution. For really smooth, 240 fps slo-mo, the Hero10 maxes out at 2.7K over the Hero9’s 1080p. In other words, the Hero10 Black has a step higher frame rate at every resolution than its predecessor. The newer Hero11 Black, our upgrade pick, has basically the same frame rates and resolutions as the Hero10, but it adds options for square video that is useful for some people. More on that below.

What’s the point of 5.3K resolution? The first reason is that capturing more pixels records extra detail, which helps even when viewing your video on 4K or lower-end TVs and smartphones. Videos of your adventures will look extra sharp. Second, it allows you to crop into the image during recording or editing—a mild zoom, if you will—to better frame the action. You could do this with earlier GoPros and other 4K cameras, but the extra pixels of the Hero10 give you more room to zoom or crop without ruining the picture quality by making the image look soft or overly pixelated. Second, the extra pixels help with stabilization processing, one of the Hero10’s most impressive features.

Stabilization in the Hero10 is called HyperSmooth 4.0. GoPro’s software stabilization has improved horizon leveling over earlier versions, meaning it can withstand more camera tilt while keeping the image “flat” and can do so at a wider variety of resolutions and frame rates. If you add the Max Lens Mod, which increases the field of view, you can even rotate the camera 360 degrees around its axis while keeping the horizon level. This is something that has been possible for several years with 360 cameras (see our also-great pick) but is relatively new with traditional action cams. Undoubtedly, this is all very cool stuff, though for everyday shooting—when you’re not tilting wildly from side to side or flipping upside down—you’ll probably notice only modest improvements in stabilization.

The Hero10’s GP2 processor is one of the more tangible differences over our former, and current budget, pick, the Hero9. It’s noticeably faster, which enables those faster video frame rates, but it also makes navigating the menus—and overall just using the camera—far less sluggish.

Though GoPro expects you to use the camera mostly for video, they haven’t ignored still images. Those are 23 megapixels—a 3-megapixel jump over the Hero9’s 20. The difference in resolution isn’t that noticeable, but it does allow for extra leeway when you’re cropping.

Recording video in low light is a little better than with the Hero9, mostly in terms of better noise reduction (less “graininess”). The Hero11 is a little better still, and all are better than the X3. Even the huge image sensor of the Insta360 One RS 1-inch mod (see the Competition section) isn’t great in low light. It’s a little noisier but far brighter, making it more usable overall. Which is to say, don’t expect great low-light performance from any action camera.

Hyperlapses—automatic, stabilized time-lapse movies—are a showcase feature for most action cameras. GoPro’s TimeWarp 3.0 adds a trick that should help you make even more interesting videos than with competing brands. With a tap on the screen, you can smoothly slow down the video to real time (that is, “normal” speed) and record audio, whenever you want. It’s very slick and professional-looking. You could, for example, have a hyperlapse walking around a city, tap the screen to record in real time, talk to the camera for a moment, and then speed back up.

The Hero10 Black’s user interface is largely similar to that of previous GoPros—you swipe from the edges of the screen to open different menus and tap the screen to bring up quick shooting presets. You can tweak these presets—switching the Cinematic 5K/60/Wide mode to 4K/120/Linear, for instance—or add your own. It’s a welcome addition for switching between shooting modes: Instead of requiring four or five taps of the screen, as on the Hero7 Black and earlier GoPros, it takes just two.

If you shoot a lot of videos, the Hero10 will let you transfer them to your phone using a USB-C cable, which is much faster than sending clips to your mobile device wirelessly as is the only option with the Hero9. The lens cover is now hydrophobic, so it resists water sticking to it, which should minimize drops of water on the lens during activities like surfing.

GoPro’s smartphone app, Quik (Android andiOS), does a good job of letting you control your camera and adjust your captured footage. It’s as good as or better than apps from other action cameras, though not as good as Insta360’s. Trimming for length and cropping for framing, while handy, are available on most apps. The ability to adjust exposure, contrast, color, and more is less common—and very welcome here. You can also speed up and slow down your footage and save individual frames as high-resolution still images. It’s far easier to connect to your camera than most other apps. It’s not perfect, of course. The Insta360’s app has more editing options, for instance, and for some of Quik’s more esoteric features you need to create a free account.

Because the bodies are basically identical, any mounts or mods you may have for the Hero9 will work with the Hero10 and our upgrade pick, the Hero11. Accessories for older GoPros like the Hero8 Black may not be compatible, however, since the three most recent GoPros are slightly larger in all dimensions.

The Hero10 Black features voice control with a wide range of commands. It works well, even in pretty noisy environments, and recognizes several languages (plus a few regional dialects). Although voice control might not be something you have to use often, if you find yourself hang gliding over the Alps or white-knuckling it down a mountain biking descent, you’ll appreciate the ability to start recording without taking your hands off the handlebars.

When it comes down to it, the Hero10 is a well-balanced, easy-to-use camera that records excellent-quality video and photos. It’s easier to live with day-to-day than the slower Hero9. It doesn’t have some of the Hero11’s bells and whistles, but it’s in that Goldilocks sweet spot of price and performance that we think makes it ideal for most people.

After a road trip that covered over 9,000 miles, nine National Parks, and more, during which the Hero10 functioned as the main in-car camera and a walking-around camera, I found the Hero10 much easier to live with than the Hero9. It crashed/locked up less than the Hero9 did on a similar type of trip the year before, especially when in heat and sun, and was easier to use thanks to its faster processor. Video quality looked a little better as well, though that felt secondary to the livability improvements. After daily use for over a month on the road, I think the Hero9 is still a good value, but the Hero10 is worth the the bigger price tag if money isn’t an issue.

GoPro photos and videos tend to be somewhat oversaturated and very vibrant. Personally, I like this look. Some people don’t. If you prefer to start with flatter footage and grade it yourself, you can still use the Flat preset and ProTune—GoPro’s menu options for creating a custom preset of your saturation, contrast, and other settings preferences. It’s something to keep in mind if you’re not someone who usually plays with picture settings.

Action cameras use small image sensors and don’t handle low light very well. That said, the Hero10 does far better than most. If you’re planning on regularly using an action cam in darker situations, check out the Insta360 OneRS with the 1-inch (not 1-inch 360) module. That’s still not perfect, but it’s better than most.

Like other GoPros, the Hero10 can run hot—sometimes very hot. After recording half an hour of 5.3K video, it was nearly too hot to touch. However, this didn’t seem to cause any performance issues. It cools down relatively quickly, but don’t expect to put it in your pocket right away. If it’s a hot day, and especially if you’re out in the sun, expect that the camera will shut down to protect itself when it gets too hot. Letting it cool, or decreasing the resolution/frame rate will help minimize this interruption.

GoPros can lock up, where the screen freezes and you can’t get it to do anything, including shut the camera off. I’ve had this issue with all the recent GoPros. The only solution is to remove the battery for a moment, then power the camera back on. If you were recording when this happened, usually the camera can save the file until the point where it locked up.

The GoPro app doesn’t have quite as many features and tools as the Insta360 X3. However, it comes close and is very good overall. There is one annoying quirk, though: After you download a photo or video from the camera, it doesn’t actually appear on your phone’s camera roll. You need to save it again (under Share) for it to show up anywhere else on your device. It’s just one extra step, but it’s an unnecessary and unintuitive (not to mention frustrating) one. If you save your content to the cloud, like Google Photos or iCloud, they won’t be uploaded unless you do this. Also, some features are locked behind GoPro’s subscription service, but that service isn’t a bad deal. Check out the What about the GoPro subscription? section for more on that.

If you don’t have a newer, high-end phone, it likely won’t be able to even play 5.3K videos, or if it can, you might not be able to edit them. GoPro has a list of compatible devices. Generally speaking, iPhone XS series (and later) phones, and iPad Pros should be capable; Android devices running Android 10 with at least 4 GB of RAM and either Kirin 9000, Qualcomm Snapdragon 855, Exynos 980, or newer processors should be fine, too. In my testing I had some trouble with 5.3K 30 Hz files on my Pixel 4, but no issues with my Pixel 5 or Pixel 7. With 5.3K 60 Hz videos (available on the Hero10 and Hero11), the Pixel 5 was a little sluggish, but these were fine on the 7. The fault here isn’t entirely with GoPro—these are very large, high-resolution files, and most phones just don’t have the processing power and RAM to handle them. Keep in mind you likely can’t upload these files directly to some social media services either. You’ll need to reduce their resolution in the GoPro app before you can post them. Any videos you create editing together these high-resolution files in the GoPro app can be exported at 4K, but not 5.3K, if you have a high-end enough phone. You can export 5.3K videos on their own, but not combined with other clips.

Alternately, there is a desktop GoPro app, if your phone can’t handle the resolutions/frame rates you want from the camera. However it’s limited to trimming videos, pulling still images, and reframing with 360 videos (see GoPro Max in the Competition section below). It’s very bare-bones. It seems GoPro assumes that if you want to do any elaborate editing with the highest resolutions and frame rates, you’ll either have a top-of-the-line and very new phone, or have access to desktop video-editing software like Adobe Premiere Pro.

4K ACTION CAMERA with 4X ZOOM: Professional 4K/30FPS, 2.7K/30fps, 1080P/60FPS video, and 16MP photo resolution enable you to capture exciting moments for yourself. This action camera also features a zoom range from 1.0X to 4.0X.

WIRELESS WRIST REMOTE CONTROL: Put the remote control on your wrist while installing the sports PC web camera on your helmet, convenient to record moments in places you can"t reach. Wireless range up to 10m(33ft), the remote is not waterproof.

WIFI ACTION CAMERA with 2" SCREEN: Save and share your sports action camera moments on the phone/tablet with App XDV, WiFi signal ranges up to 33 feet. 2"" screen allows you to preview the video in action camera.

100FT WATERPROOF CAMERA with FREE ACCESSORIES: Place your camera into the waterproof case and securely fasten it, you can dive below 30 meters. This underwater camera is ideal for water sports such as swimming, surfing, diving, etc. This underwater camera also comes with 2 rechargeable 1050mAh batteries, a charger, and accessories which available for most action camera even Gopro.

VERSATILE BUT COMPACT: This action camera features multiple functions including driving mode, image rotation, time-lapse, loop recording, slow motion, drama shot, exposure, and white balance. Bringing this sports camera to more applicable conditions beyond your expectation. This action camera is not Mac compatible.