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Building upon the legacy of the award-winning K-3, the PENTAX K-3 II offers outstanding image quality and operability to meet a photographer"s greatest demands. It features an impressive 24.35 effective megapixel AA Filter-less APS-C CMOS sensor, along with a high-performance 27-point AF system and 8.3 frames per second of continuous shooting. The addition of the Pixel Shift Resolution System delivers more truthful color reproduction and finer details while significantly lowering the level of high-sensitivity noise. With the updated PENTAX Real-time Scene Analysis System, supported by the 86K-pixel RGB light-metering sensor, the K-3 II has the most responsive subject tracking of all PENTAX DSLRs. Thanks to its high-precision gyro-sensor, the K-3 II assures more effective camera-shake compensation up to 4.5EV steps. The K-3 II"s built-in GPS and Electronic Compass extends the range of your photo shooting expedition, while the built-in ASTROTRACER function simplifies astrophotography by eliminating the need of an extra accessory to capture celestial objects such as stars, nebulas and planets. With a weather-resistant and dust proof magnesium alloy body, this exceptional field camera allows you to get closer to the action in the most extreme conditions.

Designed for the demanding photographer, the K-3II features a 24.35 effective megapixel AA Filter-less APS-C sized CMOS sensor for outstanding image quality. The Prime III image-processing engine assures high quality image output up to ISO 51200.

The SAFOX 11 autofocus module maximizes 27 AF sensors and a vast light sensitivity range of ?3EV to +18EV. This focus module includes 25 cross sensors and three AF sensors designed to detect the light flux of an F2.8 lens, making it easy to obtain pinpoint focus on the subject when using a large-aperture lens. The Expanded AF area allows for accurate focusing, even on moving subjects.

The built-in GPS module extends the range of your photo shooting expedition. Use the Electronic compass to help find your way while GPS Log lets you keep track of where the trails have taken you. With the addition of ASTROTRACER, eliminate the need of an extra accessory with this functionality built directly into the camera to capture celestial objects such as stars, nebulas and planets.

The K-3 II assures the most responsive subject tracking in all PENTAX DSLRs thanks to the combination of a state-of-the-art AF algorithm and the advanced PENTAX Real-Time Scene Analysis System. Enjoy improved AF tracking performance in AF Continuous mode, while providing an extra-wide measurable luminance range (?3EV to +18EV).

With 92 seals, the K-3 II boasts a fully weather and cold proof design to resist water, fog, snow, sand and dust, for top performance in extreme field conditions.

Enhance your video recording experience with full HD movie capture in the H.264 format (1920x1080 pixels; 60i/30p). Interval movie mode captures a series of 4K-resolution movie clips at a fixed interval.

When the SR unit detects the panning motion of the camera, it controls the SR mechanism movement to help produce the best image possible under the given conditions.

When used with our new PENTAX lenses*, the AF.S focusing speed on K-3II is even faster since the lens activation method is optimized to eliminate redundant movement at the last moment"s "fine adjustment" step.

The 3.2-inch high-resolution LCD monitor with approximately 1,037,000 dots (in a 3:2 aspect ratio) features a protective tempered-glass front panel for added durability. The unique air-gapless construction effectively reduces the reflection and dispersion of the light to improve visibility during outdoor shooting.

WHITE BALANCE AUTO WB, Multi Auto WB, Daylight, Shade, Cloudy, Fluorescent Light (D: Daylight Color, N: Daylight White, W: Cool White, L:Warm White), Tungsten Light, Flash, CTE, Manual mode(s): Yes, Manual WB (up to 3 settings), Color Temperature Configuration (up to 3 settings), Copying the white balance setting of a captured image *WB fine adjustment available in all modes

CAPTURE MODES Mode Selection: Green, Hyper Program (P), Sensitivity Priority (Sv), Shutter Priority (Tv), Aperture Priority (Av), Shutter & Aperture Priority (TAv), Metered Manual, Bulb, X-Speed, USER (3 presets)

DRIVE MODES Mode Selection: Single, Continuous (H,M,L), Self-Timer (12s, 2s), Remote (0s, 3s, continuous), Exp. Bracketing (standard, timer, remote), Mirror up (standard, remote), HDR Capture (3 shots at 1EV, 2EV, or 3EV, 3 blend settings plus Auto, pixel alignment)

PLAYBACK MODES Mode Selection: Single frame, multi-image display (6,12, 20, 35, 80 segmentation), display magnification (up to 16, 100% display and quick magnification available), rotating, histogram (Y histogram, RGB histogram), bright area warning, Auto Image Rotation, detailed info, Copyright Information (Photographer, Copyright holder), Folder Display, Calendar Filmstrip Display, Slide Show Mode

Mode Pallet: Image Rotation, Digital Filter, Resize, Cropping, Slideshow, Save as Manual WB, RAW Development, Index Print, Protect, Movie Edit, Extract JPG from Movie, Magnification: up to 16X, scrollable, quick magnification.

Digital Filters (playback): Base Parameter Adj, Extract Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome, Tone Expansion, Sketch, Water Color, Pastel, Posterization, Miniature, Soft, Starburst, Fish-eye, Slim

Item specifics Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is ... Read more about the condition New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller"s listing for full details. See all condition definitions opens in a new window or tab Brand: MM Electronicles Type: Digital Camera Model: D05 Features: 1080p HD Video Recording Optical Zoom: 4x Maximum Resolution: 16.0 MP Color: Black Battery Type: AA Digital Zoom: 4x Maximum Aperture: f/3.1 Screen Size: 3 Inch Connectivity: USB Custom Bundle: No UPC: Does not apply

FeaturesHigh Quality ProductThe 24 megapixel HD SLR camera is built with advanced CMOS chips. This is a high-definition camera with long focus. The 3-inch TFT-LCD screen camera has no blur, and the photos are clear and moving. This is a necessary SLR camera for photography.

Anti-shake Digital Camera & Easy to operateBuilt in night vision flash, electronic anti-shake, continuous automatic photography, built-in microphone and speaker (recording sound and video), USB 2.0, is a cost-effective SLR camera. Easy to operate, it is also an ideal gift for friends, parents and children.

18x digital zoomThis digital camera supports 18x digital zoom, and you can use zoom lens to enlarge or reduce the image. The pause function allows you to pause while recording or playing a video.

Easy to CasrryBeautiful appearance, compact body, portable and easy to use, you can carry it anywhere. This digital camera is easy to operate and control. The maximum memory is 32g TF card.

With the best 4K cameras for video, you can record cinematic footage in a range of scenarios. Whether you want to shoot high-quality images as well as video, create content for your social channels, or you"re a filmmaker looking for a specialist cinema camera, our list includes the best 4K cameras with a range of features and prices.

So which are the best 4K cameras for you? We"ve tested all the best 4K cameras available right now, rating them on their design, performance, and quality. Our expert reviewers have also recorded sample videos in a range of scenarios, to test out video features such as stabilization and autofocus.

In this guide, we generally concentrate on interchangeable lens cameras that also offer strong 4K video capture capabilities. These hybrid cameras(opens in new tab) are ideal for photographers moving into video, or filmmakers who don"t want or need dedicated cinema cameras(opens in new tab), and the expense and technical complexity that goes into them.

Below you"ll find our best picks in the rapidly growing list of hybrid stills/video cameras that can handle all types of content creation. This is where all the action is happening at the moment, as mirrorless cameras(opens in new tab) move upmarket and start to eat into the territory of professional cinema cameras – at a fraction of the price.

Why you can trust Digital Camera WorldOur expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

In this section, we list the best hybrid cameras(opens in new tab) – stills cameras that can also capture 4K video at a professional level. These are cameras that are split 50:50 between stills and video for photographers, videographers, and content creators who need to capture both mediums with ease and speed.

The Lumix S5 II gives you truly unlimited 4K/60p 4:2:2 10-bit recording internally, S&Q 4K/60p (a high-speed 60fps) and FHD/180p, as well as up to 6K, full sensor readout video recording, making it a highly versatile camera for content production. And at $2500/£2000, the LUMIX S5 II is astonishingly good value for money.

The Fujifilm X-H2S(opens in new tab) is the fastest camera in the Fujifilm X-mount range and can capture 4k video at 120fps. With a chunky pro-spec body and handling, a top-mounted status panel, and a fifth-generation sensor, it offers four times the speed of its predecessor.

As far as APS-C compact cameras(opens in new tab) go, the Fujifilm X-T4(opens in new tab) is up there with the best. It offers video capabilities such as 4K at up to 60P which will give you a smooth, 2x slow-motion effect. It can also capture 10-bit video internally whereas most 4K cameras only capture 8-bit. If you connect it to an external monitor, the Fujifilm X-T4 is also capable of saving video at 10-bit 4:2:2 which means it can detect way more replicate colors more accurately than when shooting at 4:2:0.

The X-T4 is the first camera in Fujifilm"s X series to benefit from in-body stabilization which not only reduces or eliminates the need for a gimbal, it means you can shoot at a much slower shutter speed when in low-light environments.

The Sony A7 IV(opens in new tab) supersedes the A7 III(opens in new tab), it’s an altogether more advanced camera that targets a higher-level audience. Stills photographers can revel in its 33MP resolution and incredible burst mode, while videographers get a camera that leaves the previous A7 III far behind.

The Panasonic Lumis S5(opens in new tab) comes a very very close second to the Fujifilm X-T4 with its impressive video and photo capabilities. In fact, as far as full-frame cameras go, this is probably the best value you can get. It benefits from a smaller build than the Panasonic S1 but uses the same 24-megapixel CMOS sensor.

Its autofocus has been improved, it features a tough, weather-resistant body, and has 6.5 stops of in-body stabilization so that even handheld video is smooth. It"s capable of recording 4K video at 60p, 4:2:0 10-bit internally with an APS-C crop, or 4K at 30p 4:2:2 using the entire sensor.

For stills photographers, it offers a high-resolution shooting mode that combines 8 shots into a 96MP image resulting in raw files that are 165Mb in size. The one downside is that it uses contrast-detect AF rather than phase-detect AF which is what the Sony A7 III(opens in new tab) and Canon EOS R6(opens in new tab) use but there are lots of features that make it one of the best 4K cameras.

The Sony ZV-E10(opens in new tab) is Sony"s latest APS-C camera release, offering 4K video, a 24.2MP sensor, and 11fps in continuous burst mode. It"s more compact than the A6000 range and unlike the Sony ZV-1(opens in new tab), it has an interchangeable lens mount with more than 60 lenses to choose from.

The Canon EOS R5 has paved the way for the future of Canon camera(opens in new tab)s. With a 45MP sensor, 20fps burst shooting, and super-fast autofocus, as far as a stills camera goes it"s hard to beat. Its video capabilities are equally impressive. Despite the bad rep it has received for overheating when recording 8K video the Canon EOS R5 is still a landmark camera.

The Canon EOS R10(opens in new tab) – with professional-level autofocus and speed, 4K 60p imaging, and 120p slow-motion at 1080p – offers performance that punches well above its weight class. The R10 can capture 4K 60p, though this invokes a 64% crop (giving a frame similar to Super 35), and can capture 4K 30p oversampled from 6K, along with 1080p at 120p for slow-motion. Canon claims around 60 minutes of this kind of high-intensity shooting before overheating / recording limits kick in.

In terms of video the Canon EOS R7(opens in new tab) is quite the powerhouse, capable of un-cropped 4K 60p, 4K 30p oversampled from 7K, and 1080p up to 120p – and Canon tells us that you can record around 60 minutes of video before overheating and record limits come into play. The camera features Canon Log-3, clean HDMI out, as well as a microphone input and headphone jack.

For serious video shooters, the Panasonic Lumix BSH1(opens in new tab) boxcam can make a lot of sense as it can be rigged up for a multitude of different uses. It has a 24.2-megapixel full-frame sensor with Dual Native ISO technology, 14+ stops of dynamic range and an OLPH (Optical Low Pass Filter) which helps to suppress moire and false colors and make it excellent in low light. It"s capable of recording 6K 24p or 4K 60p 10 bit when using an image area equivalent to Super 35mm. If you"re using the entire 35mm sensor area, it can shoot 4K 30p 10-bit 4.2.2 in H.264.

The Sony A7S III(opens in new tab) might not boast the 6K or 8K video resolution of some of its rivals, and with only 12.1MP it’s not a powerhouse super-stills machine either. But apart from a big and expensive cinema camera, it’s the only camera that can shoot 4K at 60p full frame with no crop, recorded internally, in 10-bit 4:2:2 with no limitations on recording time and with all the advanced AF functions still working.

If you"re primarily a filmmaker or videographer and looking for a camera strictly for video, the Blackmagic Pocket Cinema 4K(opens in new tab) is a cine camera without the high price tag. Even though it was launched back in 2018, it"s still a popular choice among filmmakers who need Pro-Res and Raw recording. It has a Micro Four Thirds sensor which means there are a huge number of Olympus, Panasonic, and third-party lenses available both brand new and secondhand.

The Canon EOS C70(opens in new tab) is Canon"s first RF-mount cinema camera offering powerful video capabilities. It features Canon"s Super35 sensor, Dual Gain Output, a massive 16 stops of dynamic range, and 4K 120fps / 2k 180fps. It also includes a game-changing touchscreen which makes accurately focusing quicker and easier. The C70 boasts the deep learning iTR AFX system from the Canon EOS-1D X Mark II which offers head detection and extremely accurate autofocus.

With the Lumix S1H(opens in new tab), Panasonic has used its considerable video experience to bring many of its high-end VariCam features to the Lumix S range. The controls, the interface, and certainly the hardware have been built for video and cinematography, and the fact it’s also a very serviceable 24MP stills camera is a bonus. It’s a truly compelling ‘bridge’ between conventional system cameras and higher-end cine gear, especially for existing Panasonic videographers.

It"s expensive, though, and specialized too, so not necessarily the first choice if you need to keep the cost down – though it does make the "regular" S1 seem like second best now. Its official Netflix accreditation is a major plus point, but its continuous AF proved pretty patchy in our tests so that, combined with this camera"s considerable size and weight, rules it out for vlogger-style run-and-gun style videography.

However, a recent upgrade to offer ProRes RAW output via HDMI to Atomos Ninja V devices adds to the credentials of the S1H as a cinema camera offering at a regular camera price point.

We test cameras both in real-world shooting scenarios and in carefully controlled lab conditions. Our lab tests measure resolution, dynamic range and signal-to-noise ratio. Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise analysis across the camera"s ISO range. We use both real-world testing and lab results to inform our comments in buying guides.

These days, mirrorless cameras have such amazing 4K capabilities that they can really challenge professional cinema cameras. The powerful Panasonic Lumix S1H(opens in new tab) and the remarkable Panasonic Lumix S5(opens in new tab) are two cameras paving the way for 4K-ready mirrorless cameras. If you want even more resolution, the Canon EOS R5(opens in new tab) and the Sony A1(opens in new tab) are now capable of shooting in 8K video(opens in new tab) which sounds great on paper but is probably a bit overkill for most vloggers, commercial photographers, and filmmakers.

For most scenarios, a camera that shoots decent 4K video is more important than one that shoots at higher resolutions due to the massive file sizes and processing power needed to edit them. Let"s not forget that these videos also take a very long time to transfer and share!

I was writing about the best cameras for under $300, which I listed in another post. While writing, for some reason, I googled, “what is the most expensive camera ever?” And that’s how I started my research.

I’m a tech nerd, and I’m in love with beautifully designed and high-end technology pieces. I like to read their spec, understand their value and why they cost so much. In this article, you’ll find a list of some of the most expensive cameras that would make anyone flinch.

This camera is not exactly something you can buy, and I’m listing it for the most curious out there. It’s a rare camera for collection and not something that has real commercial use. The most expensive camera in the world is the Leica 0-series no. 122 and it sold for a world-record $2.97M in 2018 at a Leica auction in Vienna, becoming the most expensive camera ever.

The M3D-2 was manufactured for war photojournalist David Douglas Duncan. He was famous for his war photos in Korea, Vietnam, and for his work with his friend Pablo Picasso. Only four types of the Leica M3D existed, all produced for David Douglas Duncan. The camera was sold at Westlicht Auction for over USD 2,000,000.

This example of Leica Luxus 1, dating from circa 1930, auctioned for the massive price of $1,300,000 at the WestLicht Auction in 2012. The reasons for the astronomical price are the rarity of the camera (only 95 examples were produced between 1929 and 1930) and the original gold plating and lizard skin body.

In the medium format realm, Phase ONE XF IQ4 is the most expensive camera on the planet. The full-frame medium sensor delivers an incredible 151MP file in astonishing detail.

The Hasselblad H6D-400c offers 400 million pixels, which are undeniably the highest count in the industry. With such a powerful camera, one can capture even the finest details in an image.

The Panoscan Mark III MK-3 is able to scan a 360 degree image in one single shot. This $40,000.00 piece of technology is among the top most expensive cameras ever and it’s used to produce standard flat panoramas or 360 degree images for virtual reality players.

The Hasselblad H6D-100c is an upgrade of the H6D-50c. Instead of offering 50 megapixels, the camera comes with a 100 Megapixels CMOS sensor that allows you to explore your imagination, for sharper, better quality images.

The Hasselblad H6D-50c is a quality camera that every professional photographer must-have. From its weight to its overall look, this camera promises to deliver stunning images beyond expectations.

The Leica S body itself costs more than $20,000. This 37.5-megapixel jewel of engineering by the Swiss manufacturer is a medium format camera with a slightly smaller sensor than normal. Characteristic that helps keeping the price “low” if compared to the most expensive Hasselblad cameras.

The Hasselblad X1D-50c boasts of a bigger sensor than any other camera within its class, consequently translating to larger photosites and a wider, dynamic range.

The Pentax 645z is the perfect choice for medium-format photographers. The camera is comparatively larger than a typical DSLR, and it comes with a Sony CMOS sensor for excellent image quality.

The Sony a7R IV camera offers outstanding imaging capability, coupled with high-speed performance, for the ultimate power, precision, and flexibility required for professional shooting needs.

The Nikon D5 is an FX-format DSLR camera that exhibits massive advancements in sensor technology, metering, autofocus and image processing. The camera boasts of precise AF detection, tracking, and high-speed continuous shooting for better image quality.

The Z6 is an upgrade of Nikon’s DSLR cameras. The camera features a fast and silent Live View autofocus, in-body stabilization and a 10-bit N-log output for grading flexibility and extra quality.

The Canon 5D Mark IV needs no introductions, given that it is one of the most recognizable digital cameras. It comes with dozens of features engineered to perform in every situation.

The Leica CL is the ideal camera for street photography, thanks to its excellent build quality and unique technical features. The camera consists of fine-grain leather, a magnesium chassis, aluminum black anodized top, and bottom plates.

The Leica 24 SL Type 601 is a premium camera that has a high level of build quality, weather sealing, a high-resolution viewfinder and effective controls for various shooting needs.