go pro hero 3 black edition lcd touch screen made in china

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GoPro"s latest fleet of little action bricks are fortified with several advanced features that cannot be found elsewhere in the market. The GoPro Hero 3+ Black Edition ($399.99) is the newest flagship model, replacing the GoPro Hero 3 by adding some key upgrades. While the GoPro Hero 3+ Silver Edition ($299.99) and Hero 3 White Edition ($199.99) have both been upgraded, it"s the Hero 3+ Black Edition that really showcases all the brand has to offer. Having owned the first HD Hero and Hero2, I wanted to know if the Black Edition was worth the extra cash, so I spent some quality time testing the camera in a variety of environments.

The GoPro Hero 3+ Black Edition shares many similarities with its predecessor, the Hero 3. Although the Hero 3+ may seem like an incremental upgrade, there are a number of subtle changes that make this action cam stand out. First off, it"s 20% smaller and lighter than the first GoPro Hero and Hero2, measuring 2.30 x 1.55 x 0.08 inches (5.8 x 3.9 x 2 cm) and weighing 2.6 oz. (28g). Now while those physical stats remain identical to the Hero 3, the Hero 3+ ships with a smaller housing, with a streamlined lens covering without bolts, and devoid of the slide lock mechanisms. The resulting package is more compact and easier to access. The Hero 3+ also has slightly larger buttons.

GoPro also improved the lens of the Hero 3+, making it sharper and exhibit less artifacts. The microphone is improved to pick up on more subtle sounds and improve wind noise reduction. The Hero 3+ Black Edition"s built-in Wi-Fi has also been boosted to 4x faster speeds with a greater range, and the battery life has been increased by 30%. The Hero 3+ Black Edition also introduces SuperView FOV, which is available in select capture resolutions. SuperView is the widest recording angle GoPro has offered to date (I have samples later on in the article). Auto Low Light is a new feature that cuts the frame rate in half when the camera detects lower light levels.

The GoPro Hero 3+ Black Edition carries over the same 4K video resolution from the Hero 3 Black, which is roughly four times the resolution of 1080 Full HD. 4K is where most televisions and programming are headed to, and GoPro placed themselves at the head of the game by incorporating the format into a wildly popular camera that is now smaller than it ever was. The Hero 3+ Black Edition also has a maximum still image resolution of 12MP and 30fps burst rate, which is beyond the 3+ Silver and 3 White"s capabilities. The latter two are not capable of 4K video recording either. Keep in mind that the 12MP still-resolution is native, not interpolated, so it"s a true representation of pixels.

And while all three new GoPros come with built-in Wi-Fi that"s 4x faster, the Black Edition is the only model to ship with a Wi-Fi remote. However, I don"t think that"s a deal-breaker because the GoPro app is far more user-friendly and quick than the remote. Just the fact that Wi-Fi is finally built-in is a win. With the older models, I had to use the Wi-Fi back, which prevented me from using a battery back or LCD back if I wanted remote functionality.

The Black Edition does hold white balance adjustment, Protune and simultaneous photo+video recording above the 3+ Silver and 3 White editions as well. Protune is a setting that records videos with less compression and a more neutral color space to aid in the post production process. Just looking at specs alone, it"s easy to see that the Black Edition really packs a punch.

Since the GoPro Hero 3+ Black Edition is 20% smaller and lighter than the original GoPro Hero and Hero2, I was able to enjoy the minor benefits. I usually mount the GoPro to my motorcycle and hockey helmets, and the first two models make it easier to remember that they are strapped to the top of your head, thanks to their bulk. This is particularly evident while turning my head. While the Hero 3+ is not a prodigious reduction in bulk and size, it was definitely noticeable, and certainly more neck-friendly. The size reduction renders the Hero 3+ half the thickness of the first two models, but it retains the same height and width. The newly slimmed-down external housing on the Hero 3+ is the most compact and easiest to access housing yet. The latch mechanism is similar to the first GoPro models, requiring a simple flip lock to be engaged and disengaged to access the camera. The Hero 3 case has a convoluted series of slide lock buttons that made accessing the camera a royal pain. So, overall size and weight is very impressive compared to all previous models.

Now, this size reduction does come at a price. The Hero 3+ records to MicroSD cards, just like the Hero 3. I am not a huge fan of MicroSD cards because I lose things easily, and it"s not fun to scour a dirt bike trail for an hour looking for a minute plastic chip. I also noticed the omission of the 3.5mm audio jack, which is something offered on the GoPro HD Hero2.

The GoPro Hero 3+ has only two terminals: USB and HDMI. Both terminals and the MicroSD card slot are covered by a rubberized flap that matches the cross-hatched texture bordering the camera. Unfortunately, the terminal cover is not tethered to the body of the camera, so it popped off and sailed across the room the first time I removed it. It resurfaced two weeks later while digging through some photography equipment. So, for the next model, GoPro needs to tether that thing.

Despite the slim down, GoPro managed to cram an 1180mAh battery inside the Hero 3+, and promised a longer battery life compared to the Hero 3. I put this to the test by recording continuously at 1080p/24fps until the battery died. The GoPro Hero 3+ lasted a full 2 hours and 14 minutes. After researching many accounts of battery life on the Hero 3, my understanding is that it usually croaks at around 1 hour 35 minutes, so the Hero 3+ is a bit of an improvement as far as battery life goes. Of course, when using the Wi-Fi functionality, the Hero 3+ exhibits rather limited battery life. After using the Hero 3+ tethered to the GoPro application on my iPhone, I was down a battery bar after a half hour.

Another area of improvement is Wi-Fi range and speed. GoPro claims a Wi-Fi range of up to 600 feet with the included Wi-Fi remote and a more limited range with the GoPro application. I got about 145 feet of Wi-Fi range using the GoPro application, but did not test the full range of the remote. However, in my experience, I never lost connection with the Wi-Fi remote, and I have not found an application yet where I would need to be two football fields away from the action. Regardless, the Wi-Fi connection was strong and did not falter. I could keep my phone in my pocket while using the GoPro and it remained connected. Setting up is a snap as well, as the Hero 3+ only emits its own Wi-Fi network that is easily joined by a smart device in a matter of seconds.

The choice between the GoPro application and the Wi-Fi remote was a no-brainer for me. While the remote has its advantages in the range and battery life department (you can save your phone"s juice), the GoPro application is just too pleasant to use, especially after enduring years of clunky GoPro menu systems on a monochromatic LCD screen smaller than a postage stamp.

With the GoPro application, I could make nearly every camera setting with a tap. The GoPro application also gave me a live preview of the camera, so I knew exactly how to set the angle for maximum coverage. One caveat is that the live preview is only available in select capture modes, so gigantic resolutions like 4K are not possible to preview. I could also watch what I shot on my phone, power the camera on and off, and start and stop recording, all from my iPhone. Other useful features like battery level status, SD card capacity, camera locator (prompts GoPro to beep if lost), were welcome additions, and I decided the GoPro application would be accompanying me on all of my adventures. Of course, I"ll need a backup battery pack for the GoPro and charging stick for my phone in order to make it through a full day.

The improved microphone on the GoPro Hero 3+ is twofold. First, its overall pickup quality is said to be improved, with heightened sensitivity to delicate sounds and nuance. Secondly, the wind noise reduction is apparently improved. The latter is a big one, as there"s nothing more vexing than sifting through hours of motorcycle footage with the deafening shrill of wind prompting you to reach for another aspirin. I"ve always wanted more engine sound, less wind noise.

My first test was general audio quality. What could be better than pounding on the drums? I tested the GoPro Hero 3+ with it mounted to my head in the case, and then again sitting stationary removed from its case. What I found was that in or out of the case, the GoPro Hero 3+ had some difficulty with bass, primarily during a thunderous cacophony. However, treble sounds like cymbals and snare hits were crisp and clear, particularly with the Hero 3+ outside of its case. On the in/out of the case debate, I found the sound to be a bit crisper when the Hero 3+ was removed from the case, but it was not a huge difference. So yes - small nuance sound pickup was impressive, but bass was a tad muffled. Now if only the Hero 3+ had that 3.5mm audio jack for attaching external mics.

My second test was of the wind reduction. I found a rare 45 degree window in this unrelenting New England winter and took my newly rebuilt dirt bike for a spin with the GoPro mounted to the Chesty harness. Now this was a noticeable improvement. At around 45-50 MPH amidst cold, thick air, the only audible wind noise was more of an intermittent lower toned muffling. Gone was the whistling, shrill wail-from-hell. At lower speeds, the wind noise was barely audible, and the Hero 3+ really picked up on the ring-da-ding of the two-stroke engine (which is still being broken in and sounds extra rough). I didn"t have a chance to exceed 50 MPH, and I"m really interested to see how the Hero 3+ fares at over 100 MPH on my street bike. But based on the improvement at lower speeds alone, I can project improved wind-reduction ability.

The GoPro Hero 3 plus arrives just 12 months on from the release of the GoPro Hero 3 Black series. The camera comes supplied in the standard GoPro packaging. Included in the package is the camera, wifi remote, USB leads for both the camera and remote, a skeleton back door and a couple of sticky mounts (one curved, one flat). As thought the form factor of the actual camera remains the same. The Hero 3 will fit in the Hero 3+ case and vice versa. Visibly there is little difference between the cameras, although you can tell that the lens is different.

The biggest physical change is in the case. It is much smaller with a lower profile clasp. It doesn’t have the lock like the previous case but the clasp is quite low profile and looks as if it would be difficult to knock or catch. I have found that the clasp is pretty tough and can be difficult to release. I suspect there will be knack to getting it done, but I am actually reassured by the fact that it doesn’t just pop off.

The Hero 3+Black Edition also come supplied with the remote in exactly the same way as the Hero 3 Black Edition does. The design and features of the remote remain the same.

One of the biggest changes with the Hero3+ is a more powerful battery and some inner tweaks that allow the camera to run for longer. GoPro reckon that the Hero3+ has a 30% longer battery life compared to HERO3: Black Edition with its new battery rated at 1180mAH, 3.7V, 4366mWh.

The chart below indicates the approximate continuous recording time (hr:min) you can expect when shooting in various video modes using a fully-charged battery. So far, in pretty mild conditions and using a 16GB Samsung Micro SD Card I have found the settings to be fairly accurate.

Video mode that captures the world’s most immersive wide angle perspective. Allows you to capture more of yourself and your surroundings in the shot, and provides full widescreen playback.

2. You will need Micro SD memory cards for the Hero 3 and Hero 3+. If you are wondering what card would be best and what all the figures mean check out my ramblings on SD cards.

3. The Hero 3 and Hero 3+ use the same size batteries. The Hero 3+ batteries as mentioned above have a larger capacity. The Wasabi batteries are more powerful than even the updated Hero 3+ battery. All are interchangeable.

4. The outer case of the Hero 3+ is of a much lower profile than the Hero 3. Both cameras will switch in between to the two different cases. However the back panel (door) of the Hero 3 and 3+ case are not the same. In my case this means I do have to go out and buy another Floaty back door back.

Which one should you buy? It’s a tough question. At the initial launch of the Hero 3+ I would have said pick up a bargain Hero 3 while you can. There are still some places selling the Hero 3 but many more (at this time July/Aug 2014) selling off the Hero 3+ in readiness for the arrival of the GoPro Hero 4. Supplies are getting low so I’d say get the 3+ at a bargain price while you, the Hero 4 has been delayed until probably 2015 anyway.

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Get incredible highlight videos sent to your phone automatically with the HERO11 Black. Its new, larger image sensor captures more of the scene with higher image quality, letting you instantly share vertical shots to social media. HyperSmooth 5.0 features AutoBoost and Horizon Lock built-in, ensuring your smoothest, most stunning shots yet. New Night Effects let you get creative after dark, and 10-bit color brings all your videos to life. All this and more make HERO11 Black the most powerful GoPro yet.

Get dramatically improved camera performance in cold temperatures, while also extending recording times by up to 38% in moderate temps over previous GoPro cameras and batteries.⁴

With HyperSmooth 5.0, HERO11 Black automatically determines the level of video stabilization you need based on your speed and movement for the smoothest, widest shots possible.

Your horizon will stay level even if the camera tilts while recording. And now that Horizon Lock is a built-in part of HyperSmooth 5.0, it’s easier than ever to keep the horizon steady and consistent when your camera rotates a full 360°.

HERO11 Black makes capturing unbelievable image quality super simple. Get a professional look for everything you shoot with 5.3K video at 60FPS. And you can share your high-res videos to social media with ease.

This HERO11-exclusive digital lens takes the 8:7 aspect ratio footage served up by the new image sensor and delivers it as a wide-angle 16:9 shot. The result is ultra-immersive video, giving every point-of-view shot an epic feel.

¹Within your home Wi-Fi network. GoPro subscription required. GoPro subscription available in select territories. Cancel anytime. Visit gopro.com for info and availability.

²Applies only to purchases made on GoPro.com. Some accessories excluded. Learn more. Limited to a maximum of 10 items per subscription anniversary year.

⁴Result based on testing with HERO11 Black using the included Enduro Battery recording 4K120 video compared to HERO10 Black using the included standard battery at a temperature of 77°F (25°C).

WARNING: This product contains Nickel, which is known to the State of California to cause cancer and birth defects or other reproductive harm. For more information, go to P65Warnings.ca.gov.

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GoPros make great video cameras, but there is no questioning that they were designed to record action. Whether you’re filming extreme sports or a leisurely walking city tour, the GoPro is an obvious choice given its compact size and great video quality.

When we’re recording action, camera shake is always going to be a potential problem. Even with the latest GoPro Hero 10 which features the latest “HyperSmooth” version 4 electronic image stabilization technology, tackling camera shake with software alone has clear limitations.

A 3-axis GoPro gimbal is the ultimate GoPro accessory to help you record buttery smooth video footage. However, choosing the best GoPro gimbal can be very difficult given the sheer number of different gimbals available today.

In this buyer’s guide, we’ll be going through the best gimbals money can buy right now. We’ve not only tested them ourselves but also aggregated the feedback from other reviewers and users.

Unfortunately, manufacturers have been slow to update GoPro gimbals. It seems there isn’t much demand and focusing on smartphone gimbals is simply more profitable. GoPro themselves haven’t released a new gimbal since the outdated Karma Grip (which isn’t compatible with the GoPro Hero 8, 9, or 10).

Fortunately, there are some new options springing up for owners of recent GoPro models, and in the products that make up this list, I’ve made sure to include confirmed compatibility with different GoPros.

Handheld gimbals feature a grip so you can walk around with your GoPro in your hand. It’s the ideal setup if you want complete freedom over camera movements.

A solid and affordable GoPro gimbal that makes mounting and unmounting a breeze. Packed with features and fully compatible with the GoPro HERO9 and HERO10 models.

For those videographers looking to eliminate camera shake without breaking the bank, the Hohem iSteady Pro 4 is an excellent choice. The splashproof gimbal is by far the most popular GoPro action camera gimbal right now and is what I’d recommend to the vast majority of buyers.

The iSteady Pro 4 is compatible with the GoPro HERO10/9/8/7/6/5/4/3+/3 and other similarly sized sports cameras, including the DJI Osmo Action, Yi 4K, Yi 4K+, AEE, SJCAM, and Sony RX0.

Despite its low price tag, the iSteady Pro 4 isn’t short on features. In fact, with four shooting modes, 600° range of motion in the pan axis and a 14-hour battery life, it has most of the competition beat.

The small handgrip packs in a decent number of controls, including a joystick to electronically adjust the pan and tilt. In addition to the standard buttons you’d expect, there are also programmable hotkeys that can be set in the Hohem Gimbal App.

Of course, many of you will be wondering what makes it different from the original iSteady Pro. The new version features an angled gimbal arm which improves torque and makes sure the GoPro’s display remains unobstructed. It also features a trigger at the back of the handle which makes functions like locking on to subjects or snapping far more convenient while filming.

There are simply no other action cam gimbals that perform as well as the iSteady Pro 4 within a $100 budget. Hohem has brought motorized gimbal stabilization to the casual GoPro user and hasn’t skimped on features either.

I reviewed footage across various zoom levels and playback speeds and compared them with footage coming from the Feiyu G6 and GoPro Karma grip. Honestly, the difference is so slight that it becomes difficult to recommend the latter options given the price difference.

The iSteady Pro 4 definitely looks and feels like an entry-level GoPro gimbal stabilizer. It doesn’t have the ruggedness of the other gimbals and its build feels more plasticky than more expensive options. And although very difficult to tell, the motors are very slightly less responsive than some other alternatives which makes them less capable when recording fast-paced action.

Priced only slightly higher than the Hohem iSteady Pro 4, the INKEE FALCON is another new release that supports the very latest GoPro action cams. If you would prefer a slightly more compact and lighter alternative, this is a good choice.

The INKEE FALCON gimbal is compatible with the GoPro Hero 10/9/8/7/6/5, DJI OSMO Action, Insta360 ONE R and any other action cameras that have similar dimensions.

Nothing particularly stands out, and it feels very generic overall. But that’s not a bad thing, since the latest gimbals all pack a ton of different features like multiple shooting modes, motion time-lapses and 360-degree horizontal panning range.

One key feature that INKEE markets is the “vertical shooting mode” which lets you film portrait video by holding your GoPro on its side. Personally, it seems like a bit of a gimmick because there aren’t many times I would prefer recording in portrait orientation. But some people may like it.

The mounting and balancing procedure was straightforward and overall it didn’t take long to get it all set up. The gimbal is light and compact, and slightly smaller than its rivals which can be advantageous when you’re carrying your GoPro in a small bag or case.

I also like the clutter-free button layout and the feel of the joystick and rear trigger. The control scheme is probably nicer than the Hohem iSteady Pro 4, but the difference is pretty marginal.

The first problem is the size of the grip. It’s too small! I don’t even have big hands for a guy and it just felt awkward to hold. Now you can attach the bundled tripod and close the legs to make it act as a grip extension, but it just adds an extra layer of hassle and is still pretty uncomfortable to use.

Also, the FALCON app is one of the least mature. I’ve seen unknown gimbal brands come and go over the years, and quite often their app is just left to die or removed from the iOS App Store or Google Play Store completely. Given how this doesn’t have the userbase of the more popular Hohem gimbal, I can’t say with confidence that support will last for the foreseeable future.

A gimbal also capable of mounting mirrorless cameras as well as smartphones, the Crane M3 is best-suited for serious videography. Make sure to get the Combo package (see link) to get the GoPro mount adapter.

Simply a cut above the rest in terms of quality and features, the Zhiyun Crane M3 is a GoPro-compatible gimbal for those who want a serious piece of kit. However, it doesn’t make sense to buy one unless you have other cameras to use it with.

The Zhiyun Crane M3 is designed for smaller cameras, not just GoPros. This means it can comfortably accommodate smaller mirrorless cameras, point and shoots, and smartphones.

The Crane M3 is supposed to be a powerful yet incredibly compact gimbal. It’s primarily designed as a mirrorless camera gimbal, so the light payload of a tiny GoPro will prove no challenge.

A standout feature is an integrated 800 lumen LED light which isn’t as good as having a personal lighting assistant around, but still pretty neat nonetheless.

The Zhiyun Crane M3 feels incredible in the hands, making the cheaper GoPro gimbals feel like toys in comparison. With a color touch screen, plenty of dedicated controls and a more polished app, the overall experience of using the Crane M3 was superior to that of cheaper gimbals.

First and foremost, the price. It costs four times as much as other GoPro gimbals and you’ll need the custom GoPro adapter mount to use it with your GoPro.

If you own a compatible mirrorless camera, a smartphone, and GoPro and you want to kill three birds with one stone, this could be a very good investment. But for use with a GoPro alone, it’s not really worth it, especially as some of the features don’t actually work with a GoPro.

The Feiyu WG2X supports the GoPro HERO8, HERO7 (all models), HERO6, HERO5, HERO4 as well as the HERO Session via the included Session mount adaptor. With a GoPro HERO10/HERO9 adapter kit it can stabilize these newer GoPros, but it will not be able to establish a remote connection to them.

The Feiyu WG2X is an update of the well-received WG2 wearable gimbal. Although on the surface they appear very similar, the WG2X has improved stabilization performance, an angled gimbal arm and the ability to control it remotely.

This wearable GoPro gimbal features three shooting modes: pan follow, following and locked. Unlike other popular wearable gimbals like the Zhiyun Rider-M and Hohem XG1, the WG2X has an unlimited range of motion in the pan and tilt axes (as opposed to 320-degrees).

Unlike the WG2 which was rated IP67 waterproof, the WG2X is merely splashproof and is therefore less water-resistant. It is fine for use in light rain, but attempting to use the gimbal in watersports will most likely result in motor damage.

The Feiyu Tech G6 is a solid all-round GoPro gimbal that offers great stabilization performance for the price. Unfortunately, it comes from the same era as the ancient GoPro Karma Grip, meaning it doesn’t make much sense to pick one up now.

GoPro-wise, the G6 is fully compatible with all GoPro 3/3+/4/5/6/7 models. It is also compatible with similar sized action cameras like the Yi 4K/4K+, AEE and Xiaomi Mijia. The box also includes a separate frame for the Sony RX0 action camera.

It offers partial support for the latest GoPro models, meaning it will stabilize but not let you control the camera with buttons (e.g. shutter/record, pan with joystick).

Feiyu are one of the biggest gimbal brands today and the G6 is their flagship GoPro stabilizer. Its small and slick IP67 splash proof body packs in a small LCD display and other nifty features like an external mic port and slider to control the roll of your camera.

Despite looking almost identical, the G6 is a big step up from its flawed predecessor, the Feiyu G5. The G5 had some funky stabilization issues with obvious microjitter, but the G6 holds its own against the considerably more expensive GoPro Karma Grip.

Other non-essential but nice new features are its angled arm and additional thread needle on the side of the grip. The angled arm makes it so that the arm rarely obstructs the GoPro’s LCD screen.

The G6’s companion app, Feiyu ON, allows you to link up your smartphone and gimbal over bluetooth and control the gimbal remotely. This means you could remotely pan and tilt the gimbal or even setup motion time lapses while your gimbal and GoPro is in another room.

The G6 has a bunch of features the Karma Grip lacks, like an informative LCD screen which tells you things like the remaining battery life and current shooting mode. The external mic port will be welcomed by those recording audio-sensitive footage, since motor noise is a very common issue with any motorized gimbal.

Mounting your GoPro to the Feiyu G6 is a somewhat fiddly procedure, requiring adjustment of hand screws. Attaching your camera is a lot more troublesome than with the Karma Grip, which is a case of simply slotting the camera in its harness.

Want a handheld stabilizer with the ability to transform into a wearable and mountable gimbal? The Removu S1 is your answer. Its modular design means the grip can be detached, leaving a wearable gimbal that can be mounted just about anywhere. Unlike the GoPro Karma Grip which can function as a wearable gimbal if you put in the effort, the Removu S1 was designed to be a dual-purpose gimbal from the ground up.

The Removu S1 is compatible with the GoPro HERO7/6/5, HERO4/3+/3 and Hero Session cameras using different housing frames (included). It is not compatible with non-GoPro action cameras.

Removu are a little-known Korean GoPro accessory manufacturer who have engineered something quite special in the Removu S1. Featuring a rainproof modular design, the S1 offers unmatched versatility.

Unlike most other GoPro gimbal batteries, the S1’s battery is removable. Removu have generously provided a battery charger which can charge up to two batteries simultaneously. The S1 will last for between 3-5 hours on a single charge.

Versatility is the Removu S1’s main strength. There is simply no other gimbal that can be used as a handheld gimbal or wearable gimbal. The GoPro Karma Grip might be an exception, but it’s difficult to call that a true 2-in-1 gimbal, since the battery is housed in the grip.

The Karma stabilizer is an official GoPro accessory and incredibly comfortable in the hands. But it"s been discontinued and not compatible with HERO8 or newer models.

The GoPro Karma Grip doesn’t come cheap, but those after native compatibility with GoPros should look no further than GoPro’s very own Karma Grip. Despite being a slightly older gimbal, it still manages to perform just as well as almost every other third-party gimbal in everything but battery life.

The GoPro Karma Grip is compatible with the HERO4/5/6/7 Black and HERO4 Silver. GoPro HERO4 owners will have to purchase the HERO4 Karma harness. The Karma Grip is not compatible with non-GoPro action cameras. Unfortunately, GoPro hasn’t updated the Karma Grip meaning owners of newer models are out of luck.

The Karma Grip gets its name from GoPro’s Karma drone. Although the Karma drone wasn’t a commercial success, they were able to salvage the drone’s gimbal and pair it to a hand grip—and thus the Karma Grip was born.

GoPro decided to keep things simple with the Karma Grip. It only features two shooting modes (pan follow and following) and lacks extra features like a pan/tilt joystick or selfie mode.

The gimbal has long been considered to produce the best image stabilization of any GoPro gimbal to date. While third-party gimbals play catch up, GoPro have consistently released firmware updates to iron out some of the performance issues that used to exist.

The Karma Grip’s biggest strengths are its ease of use and top-notch stabilization performance. It works seamlessly with GoPros and doesn’t involve installation of any third-party gimbal companion apps which other manufacturers use for firmware updates or configuring settings.

While the GoPro Karma Grip is noticeably bigger compared to a lot of its competitors, it feels incredibly nice in the hands. Being able to feel the additional weight in your hands also makes moving the gimbal around feel more controlled.

Costing significantly more than third-party offerings, the GoPro Karma Grip doesn’t offer the best value for money. GoPro gimbals from the likes of Feiyu and Zhiyun have been closing the stabilization performance gap and typically cost half as much as the Karma Grip.

The Karma Grip also shows its age in its disappointing battery life. Recording at 4K, you can only expect around 2 hours of recording time. One of the reasons for this is that it always simultaneously charges your GoPro camera, meaning the battery is drained from two sources.

The Freevision Vilta-G lacks the innovative features found on the S1 like the removable battery and remote control. It’s also not weatherproof, so if you don’t mind the louder motor noise, the Removu S1 is a better choice overall.

While technically not a GoPro gimbal, the Zhiyun Smooth 4 is a highly rated smartphone gimbal that can also house a GoPro within its adjustable spring clamp. GoPro mount plate adaptors can also be purchased separately to make sure the GoPro is better secured.

The Smooth 4 isn’t really designed for the kind of activity typically associated with GoPros, since smartphone gimbals are generally not weather proof and have slightly slower follow speeds. But for those who spend a lot of time filming with their phone and only occasionally take out their GoPro, the Smooth 4 is worth a look.

Note that since it is not natively compatible with the GoPro, you won’t be able to use its buttons to control your GoPro. However, it will at least balance your GoPro and stabilize footage.

Locked: This shooting mode locks the GoPro’s orientation in all three axes (pan, tilt and roll). This effectively means the GoPro lens will always be aimed at the same target.

Some GoPro gimbals (including the GoPro Karma Grip) do not feature the locked mode. If you feel this is an important shooting mode to have, this should weigh into your purchase decision.

GoPros are lighter and more compact than today’s typical smartphone. As a result, most GoPro gimbals cannot support such a heavy payload, and their frame housing will not accommodate a smartphone in the first place.

On the other hand, smartphone gimbals are generally able to accommodate GoPros. However, using a smartphone gimbal as a GoPro gimbal comes with its own problems, and is not an ideal setup. Generally speaking, it’s recommended to purchase a GoPro gimbal for your GoPro and a smartphone gimbal for your phone.

GoPros and other action cameras are mostly waterproof these days, but most GoPro gimbals are not fully waterproof or waterproof at all. Gimbals feature rotating pivots powered by brushless DC motors, and it is difficult to fully protect these moving parts from water damage if submerged.

Most people will probably want to go with a handheld gimbal, unless certain the GoPro will be worn. Filming with the GoPro in your hand is the most natural setup, and a handheld gimbal basically becomes a GoPro grip that just happens to stabilize the recordings.

The GoPro Karma Grip (Official accessory) was engineered to work seamlessly with the GoPro, but it seems GoPro is focused on HyperSmooth electronic image stabilization technology over a gimbal’s mechanical stabilization these days. This means they probably won’t release another official gimbal.

Luckily, third-party accessories are getting better and better, with the Hohem iSteady Pro 4 offering almost everything you can ask for in a $100 gimbal.

The FeiyuTech WG2X is our favorite wearable gimbal, thanks to excellent image stabilization and a few neat features that other wearable gimbals lack. Unfortunately, it doesn’t have much competition and needs an update itself so that it’s fully compatible with the HERO9 and HERO10 models.

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GoPro, Inc.GoPro and sometimes stylized as GoPRO) is an American technology company founded in 2002 by Nick Woodman. It manufactures action cameras and develops its own mobile apps and video-editing software. Founded as Woodman Labs, Inc, the company eventually focused on the connected sports genre, developing its line of action cameras and, later, video editing software. It is based in San Mateo, California.

The company was founded by Nick Woodman in 2002.surfing trip to Australia in which he was hoping to capture high quality action photos, but could not because amateur photographers could not get close enough or buy appropriate quality equipment at reasonable prices.

On May 19, 2014, GoPro filed its Form S-1 with the SEC without specifying the number of shares or their price. The company stated that they hoped to raise at least $100 million through the sale of shares, using the money to pay off debt in full ($111 million as of March 31, 2014) and "to acquire or invest in complementary businesses, technologies or assets". They said that they planned to list on the NASDAQ stock exchange using the symbol "GPRO."

The expected price range was $21 to $24 a share; on June 25, 2014, GoPro sold 17.8 million shares to initial investors at $24 per share (totaling $427.2M).

One reason for GoPro"s decision to go public was the potential to become a media company to generate additional revenue from the content its cameras create.

Woodman worked on his first camera for two years after founding the company, eventually introducing the GoPro 35mm HERO in September 2004 at San Diego"s Action Sports Retailer trade show.

In 2014, the company was selling the HERO3+ in editions of different colors. It was capable of filming in 16:9 aspect ratio, supporting 4K UHD video and 12 MP still photographs.

On September 28, 2017, GoPro released the HERO6 Black, which claims improved stabilization over the HERO5 models and is capable of capturing 4K video in 60 FPS.

On September 20, 2018, GoPro came out with the HERO7 Black, which apart from providing improved stabilization over HERO6 models with HyperSmooth, also featured the new form of video capturing, "TimeWarp", providing a high speed effect to the videos. HERO7 also came out with capability to stream live across multiple platforms like Facebook and YouTube .

On October 15, 2019 GoPro released the Hero8 Black, which included improved in-camera stabilization by way of Hypersmooth 2.0. The Hero8 Black introduced integrated mounting "fingers" which could be folded down for use, and was also notable for not having an easily replaceable lens available from GoPro, though a third party replacement lens kit is available from a company called Camera Butter.

In 2014, GoPro entered into discussions with DJI for a private label model built with the GoPro branding. After the failure of these negotiations, GoPro entered into an agreement with 3D Robotics (3DR) for a similar partnership based on 3DR"s flight controllers. 3DR failed to meet their agreed-upon timelines. As a result, GoPro took full control of the development process in mid-2015.

Scheduled to be released early 2016, the GoPro Karma project was delayed several times before the GoPro Karma was announced with an introduction date of October 23, 2016. The Karma was released along with newer models of the HERO5 and Session cameras and features a removable handheld stabilizer (gimbal) integrated into the design. After a few customers complained about power failure during operation, GoPro recalled Karma drones and gave customers full refunds.

In November 2017, GoPro launched the Fusion camera,omnidirectional camera which is capable of recording 360-degree footage. The Fusion was the first GoPro to feature an increased maximum resolution of 5.8K.

GoPro produces various mounting accessories for its cameras including a 3-way mount, suction cup, chest harness, jaws-type flexible clamp, dog harness, surfing mount, etc.

In April 2014, GoPro was listed by Adweek as one of the "Top 10 Best Brand Channels on YouTube" based on a combination of views, shares, comments and overall engagement.

As part of its transformation to a media company in 2014, GoPro created additional channels with GoPro content on YouTube, Virgin America, and Xbox Live.PlayStation Network in 2015.

The 35mm camera (model #001) became available on April 13, 2005. It had dimensions of 2.5 by 3 inches (64 by 76 mm) and weighed 0.45 pounds (200 g). It included the camera, a clear case with quick release, a camera strap and ski glove adapter lash. It could pivot "on the fly" and be functional to a depth in water of about 15 feet (5 m). It was described as a "reusable wrist camera" and included a roll of 24 exposure Kodak 400 film.

The first generation of Digital HERO cameras (2006–09) were powered by conventional AAA batteries and included a rugged housing and wrist strap. Models were distinguished by their still image resolution and shot video in standard definition (480 lines or lower) with a 4:3 aspect ratio. Like the film camera HERO, the first-generation Digital HERO cameras were equipped with an optical viewfinder.

The original Digital HERO (DH1; 640×480 still resolution, 240p video in 10-second clips) of 2006 was succeeded by the Digital HERO3 (DH3; 3-megapixel stills, 384p video) and Digital HERO5 (DH5; same as DH3 but with 5-megapixel stills). All three of these had a 54° angle of view. A variant of the DH5 was released with an extreme wide-angle lens with 170° of angular coverage on the diagonal as the Wide HERO; the Wide HERO had a different housing than the other first-gen cameras (DH1/DH3/DH5) to accommodate its larger lens.

The Digital HERO released in 2006 (Model: SQ907 mini-cam) had a 640×480 camera and shot QVGA definition 320X240 (10 fps) video for a maximum of 10 seconds. The Digital HERO1 had 32 MB internal memory without SD slot.

The Digital HERO5 was first introduced in 2008. It had a 5 megapixel still photo sensor and supported standard definition (512×384) video capture. It ran on two AAA batteries, had 16 MB of internal memory and could function with a 2 GB SD card. Its housing was rated to 100 ft/30 meters depth. Its dimensions were 2.6 × 1.75 × 1.25 inches (66 × 44 × 32 mm).

The GoPro Wide HERO was the first model with a 170° wide-angle lens. It was released in 2008 alongside the Digital HERO5 and had the same 5MP sensor (2592 x 1944), capable of 512x384 at 30fps video with sound recording (up to 56 min. on a 2GB SD card), 5MP Photos, 10s Self Timer, 3X sequence still photo burst and Auto "Photo every 2 or 5 seconds" mode. It was powered by 2 x AAA batteries (not included in the box).

The second generation of the HERO cameras (2010–11) were branded HD HERO for their upgraded resolution, now offering up to 1080p high-definition video. With the HD HERO generation, GoPro dropped the optical viewfinder.

The basic HD HERO was marketed either with a basic set of accessories (case and mount) as the "Naked", or in bundles with additional accessories named for the intended purpose (such as the HD Helmet HERO, HD Motorsports HERO, and HD Surf HERO).

The HD HERO also offered an expansion port on the camera"s rear panel, branded the HERO Bus. Optional accessories included the LCD Bakpac, which offered a small monitor that displayed and played back video, and the Battery Bakpac, which doubled the battery life of the camera.

All three versions of the HERO3 come in a 30% smaller and 25% lighter package, with WiFi built in. The change of the physical dimensions of the cameras compared to the previous generations (HD HERO and HD HERO2 were physically identical) means that some accessories for HD HERO Original and HERO2 are not compatible with HERO3, so GoPro made new versions of those accessories specifically for HERO3, which mostly also were compatible with HERO3+, see below. Those new versions of accessories are usually not compatible with older Hero camera generations. However, a lot of other accessories are compatible with all HD Hero camera generations.

The Black EditionWVGA at 240 fps.BSI sensor included in a GoPro. The Black edition also includes the WiFi Remote. The Black Edition cannot record at 25/30 fps in 720p and WVGA resolutions; it can only record at very fast frame rates in those resolutions. This is a deliberate firmware limitation, as the manufacturer does not expect that this high-end camera model will be used at these lower resolutions and frame rates.

A timelapse recording one frame every 10 seconds with a GoPro HERO3 camera mounted on a bicycle helmet during a bike ride in Chicago. Note how the wide angle lens allows for the rider to capture wide images.

The HERO3+ camera models claim dramatically improved low light performance and have a waterproof enclosure which is 20% lighter and 15% smaller than the HERO3"s, according to the GoPro website. The HERO3+ camera housing is 20% smaller than the HERO3. The cameras are claimed to have improved image sharpness (close focus down to 7" vs about 3 ft on the HERO3, at the expense of distant focus which is slightly less sharp

The HERO4 Black Edition still has a 12 megapixel (MP) CMOS and a f/2.8 fixed maximum aperture and focus free. It adds Bluetooth connectivity, Highlight tag, Protune Available for photo and a new processor claimed by GoPro to be twice as fast as that of the HERO3+ Black Edition, doubling the frame rates in most resolutions. The HERO4 Black Edition can record 4K UHD video (3840×2160) at a frame rate of 24, 25 and 30 fps.Wi-Fi disabled at 4K/30, GoPro claims the HERO4 Black Edition battery life to be 65 minutes, increasing to a maximum of 1h 50" at 720p/240.

The HERO4 Silver Edition is basically a HERO3 Black Edition with the addition of a micro speaker,touchscreen display, Protune for photo and highlight tag (the first GoPro with this), a lower clocked Cortex-A9 and missing the Black Edition"s integrated analog-to-digital converter which supports a wider variety of professional low-sensitivity external microphones.4K video (3840×2160), but it supports Wi-Fi, Bluetooth and contains the sameAmbarella Inc. A9system on a chip (SoC) as in the HERO4 Black.

The HERO4 models maintain the H.264 video codec of previous versions and MP4 file formats. GoPro claims the mono microphone in both the Black and Silver Editions has twice the dynamic range of that in the HERO3+, and that the HERO4 Black and Silver Editions have improved low-light performance.

In September 2014, GoPro released an entry level camera named simply "HERO", priced at $130, alongside the HERO4 Black and HERO4 Silver. It is built into a waterproof housing, unlike the HERO4 line.

The GoPro HERO (2014) can capture 5mp still images and has a 5fps burst option. It is able to record 1080P at 30 or 25fps and 720P at 60 or 50fps on to a MicroSD card up to 32GB. It has an LCD non touch display on the front and is waterproof down to 40m.

In June 2015, the company started to sell the GoPro HERO+LCD, which provides video recording at 1080p at 60 fps and 8 megapixel photos. The HERO+LCD is also built into a waterproof housing.

The HERO6 Black was introduced on September 28, 2017.HEVC video recording at up to 60 fps and 1080p at up to 240 fps, automatic upload of footage to cloud, voice controls and 5 GHz Wi-Fi. It was the first GoPro sporting GoPro"s custom system on a chip (SoC) the GP1.

The HERO7 White, HERO7 Silver and HERO7 Black were announced and released in September 2018, as the seventh-generation action camera series from GoPro.

The HERO7 White was intended as the entry-level camera, featuring only 1440p resolutions for video and time-lapse video functions and a lack of WDR or HDR in its photos. The HERO7 Silver was intended as the mid-range camera, featuring 4K resolutions for video and time-lapse video resolutions and WDR in its photo mode. Initially, both the HERO7 White and Silver defaulted to a video resolution of 1440p with 1080p only available by cropping.

By contrast, the HERO7 Black was introduced at the high-end level and primarily encompasses the features of the HERO6 Black with major improvements. The HERO7 Black introduced a heavily improved electronic image stabilisation known as "HyperSmooth" video stabilization, which GoPro has advertised heavily as "Gimbal-Like", as its primary improvement.

During its release, the HERO7 Black largely competed with rival camera and camera accessory manufacturer DJI which released the DJI OSMO Action, which also introduced a similar enhanced stabilization feature.

On February 28, 2019, GoPro released HERO7 Black in a new "dusk white" color. This is a limited edition and it has the same specs as in regular version and differs just in color.

The HERO8 Black essentially contained the former features of the HERO7 Black, however improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black was improved on and named "HyperSmooth 2.0", also resulting in an improvement of the TimeWarp feature introduced in the HERO7 Black. The HERO8 Black also improved the image quality, improving the HDR functions of the camera to allow HDR to assist the SuperPhoto function of the camera that automatically chooses what image processing to use such as high dynamic range (HDR). GoPro also reintroduced the field-of-view (FOV) functionality as, "Digital Lenses" which retains the original SuperView, Wide, Narrow, Linear FOV settings. Moreover, live-streaming now streams in 1080p instead of the HERO7 Black"s 720p and the RAW imaging functionality has now been expanded for all photo modes.

The HERO8 Black largely introduced several new functions into the camera. Physically, the HERO8 Black now incorporates the connecting prongs that are used to connect accessories, directly onto the camera. Originally, the cameras would only be able to access the prongs if the cameras utilised either the frames (for cameras HERO5 to HERO7) or the protective cases for HERO4 and before. Moreover, the GoPro logo moved under the LCD screen to make way for extra microphones. More additions to the camera most notably were part of the software aspects of the camera. These included an option to switch between various settings presets, including standard, activity, cinematic and action shots and adjusting on-screen shortcuts of the user interface. Most notably as part of software, was the introduction of the night-lapse video, which similar to the time-lapse video mode, automatically stitches the frames captured by the camera at set intervals, however with the addition of improved low-light performance.

The HERO8 Black also attempts to address vloggers who may wish to use the GoPro in such a manner. As such, GoPro has also introduced an external accessory known as the "Media Mod" which includes a USB Type-C port for supplying power to external microphones and accessories, a micro-HDMI port and a 3.5mm microphone port. Moreover, the accessory includes a mount to connect either external microphones, LEDs or an LCD screen.

The HERO9 Black essentially contained the former features of the HERO8 Black, however, improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black and refined in HERO8 Black was improved on and named "HyperSmooth 3.0". It also features a max resolution of 5K for video and 20M for photos and adds a front-facing 1.4-inch color "selfie" screen.

The HERO10 Black essentially contained the former features of the HERO9 Black, however, improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black and refined in HERO8 Black was improved on and named "HyperSmooth 4.0".

The major changes new GP2 processor, HERO10 Black shoots 5.3K video with double the frame rate, 23MP photos, enhanced low-light performance and HyperSmooth 4.0 video stabilization in all modes. On top of all that, HERO10 is cloud connected—so the moment you charge it, your footage is automatically uploaded to the cloud.

Karma Drone became available October 23, 2016. The drone is compatible with the HERO7 Black, HERO6 Black, HERO5 Black and HERO4 Black and Silver. The Drone has 20 minutes of battery life.

GoPro released the 3D HERO system in April 2011, which coupled two HD HERO cameras via a synchronization cable in a single housing to form a stereoscopic 3D camera. One of the cameras is used in upside-down mode.anaglyph to be viewed wearing red-cyan glasses.

In 2014, GoPro released an update as the Dual HERO system, which provides similar functionality using two HERO3+ Black edition cameras. The updated Dual HERO BacPac sync/link cable now has an asymmetric design: the right or primary camera (viewed with the lens facing away from the user) is larger than the left (secondary) camera, and the left camera is used in upside-down mode.

The Odyssey is a 16-camera panoramic stereo rig designed to produce content for the Google Jump virtual reality platform by synchronizing the cameras and automatically stitching their footage together.Google I/O in May 2015

The Fusion was announced alongside the HERO6 Black360° Panorama video. Fusion Studio can export to several formats, including H.264 (4K), CineForm 422, and Apple ProRes 422.

The GoPro GP1 is their own System-on-Chip with the main task of image processing. It replaces the earlier used Ambarella SoC"s and launched in the GoPro HERO6.Socionext.

The GP1 encodes video in the H.265 codec, also known as HEVC. The available resolutions are 4K60, 2.7K120 and 1080p240 unstabilized or 4K30, 2.7K60 and 1080p120 digitally stabilized.

"GoPro doesn"t like their HERO3 compared to Sony"s AS15?". DigitalRev.com. March 19, 2013. Archived from the original on March 17, 2015. Retrieved February 20, 2015.

"GoPro Hero 3 Black Edition: Seconda solo a se stessa". InsideHardware.it (in Italian). October 25, 2013. Archived from the original on September 24, 2015. Retrieved September 28, 2015.

"GoPro launches 3D HERO system; world"s smallest 1080p 3D Camera" (Press release). GoPro. April 4, 2011. Archived from the original on 12 November 2021. Retrieved 12 November 2021.

"Dual HERO System Workflow - Setup and Recording". GoPro Support. September 30, 2019. Archived from the original on 10 December 2021. Retrieved 9 December 2021.

GoPro has its own terminology to explain its camera qualities; these devices are named with specific conventions that users need to understand. The label Black indicates top end model of GoPro family, it possesses much higher picture and video quality and hence is preferably used by professionals but at the same time the price range is also a bit higher. On the other side, the Silver label defines the series for prosumers- the people who have skills to record amazing videos with action cameras. So your device selection must vary accordingly.

If we talk about GoPro session then it is one of the smallest as well as simplest action camera units with basic switches. It"s simple on and off buttons can assist users in fast switching between recording functions. And the best part is that you can also control these devices via mobile phones using dedicated applications. In terms of frame rate and resolution, this camera use to have smallest specs ratings but the price is again low; such devices are preferably used by consumers who wish to capture trouble free scenes.

Once you pick your camera in hand you will find the difference, the GoPro Hero4 Silver is the first camera in this series that possess built in type touch screen LCD. It helps users to view whatever they are recording and at the same time provides easy navigation options with the touch panel. Thus this device is very handy for framing different shots, checking previews and for reviewing photos or video footages.

The disadvantage of this touch screen type LCD panel is that it causes very fast decay in battery as compared to the other unit that does not have touch screen panel. The GoPro Black does not have built in LCD panel but it possesses wide angle type lenses that assist users in efficient recording. The photo playback as well as video preview is also easier to watch.

Both these cameras- Hero4 Silver and Hero4 Black are almost of same dimensions and users can pack them inside same housing during under water shooting. If we talk about weight then the black edition is observed to be little heavier but the maximum weight difference could be just around 5 grams or below 0.2 ounces.

The still photos are again almost same as both these devices possess 12MP quality for pictures. Both these cameras can be also adjusted for 5MP and 7MP modes as per need. In this mode selection process, the 12MP resolution serves users with wide FOV whereas in case of 7MP and 5MP you can avail medium level resolution.

Hero4 Black as well as Hero4 Silver; both serves with impressive video quality as they can shoot full HD videos and camera resolution varies up to 4K value. Being the higher end device, naturally you will find Hero4 Black much better for shooting immersive content due to the one major feature difference that is black allows video recording at 60Mbps whereas with silver you can achieve recording speed only up to 45Mbps.

Most of specifications of both these camera units are almost same so that audio quality is also rated to be almost equivalent. The Black as well as Silver use to initiate recordings at 48 KHz frequency range with advanced AAC compression technology. The automatic gain control mechanism along with internal multi band type compressor is available for overall sound improvement. The mono internal microphones can be attached to both these devices as well as the external microphones can be plugged in via 3.5mm audio jack to mini USB type adapter.

One of the major differences between both is in their high end audio. The black unit use to possess an advanced analog to digital converter so that much better audio quality can be generated but this studio level audio quality will not work with your silver unit.

The price range of GoPro Hero4 Black is $325.00 whereas for Silver you need to pay only $220. Most of the features are comparatively equal so it is good to decide your product as per your budget.

When you think of the best action cameras, you think of GoPro, right? Well, it"s true that GoPro leads the way for conventional action camera design, but while the best GoPro cameras(opens in new tab) are pretty amazing, there are alternatives that are equally compelling in their own way. DJI, Insta360 and Akaso cameras offer features GoPro cameras don"t, or at prices, GoPros can"t match.

DJI is perhaps GoPro"s best-known rival, but certainly not the only one. There"s a lot of crossover in this market with other areas like the best 360º cameras, and the newly updated modular Insta360 One RS Twin Edition includes both an action camera module and a 360 module – it"s two cameras in one!

And while the GoPro Hero 11 Black takes the top spot in our list, don"t forget that GoPro keeps older Hero9 and Hero8 models on sale at reduced prices. Or, for a completely different take on the idea of "action" cameras, check out the amazing Insta360 Go 2, also on our list. We thought we"d also throw you a curve ball with the DJI Pocket 2. It"s not a rugged go-anywhere camera like a GoPro, but it"s a pocket-sized gimbal camera with stabilization, "follow" modes, and image quality way beyond what its size suggests.

Despite the Hero 11 Black looking like every other GoPro this side of 2019, with upgraded hardware and software, it"s a triumph on all fronts. The new, almost square sensor is supremely versatile, the camera"s software has been simplified successfully, and GoPro"s companion app, Quik has also been improved. With best-in-class stabilization, great-looking video in all but dimly-lit and dark scenes, and some fun new modes like light painting, the Hero 11 Black is an excellent addition to the line.

The Hero 11 Black"s 8:7 aspect ratio is also a standout highlight for content creators. Able to shoot in 5.3K resolution, 8:7 video at up to 30fps, its footage can be losslessly cropped to create new 4K portrait, landscape, and square clips from a single video.

On top of 8:7 video, the Hero 11 Black captures 5.3K resolution video at 60 fps, 4K resolution video at 120 fps, or 2.7K resolution at 240 fps. You can also grab 27MP stills from 5.3K video.

The Hero 11 Black might not have wildly improved the line"s lowlight performance. Still, with its new 8:7 sensor, a simplified interface, and enhanced horizon leveling, it"s upgraded GoPro"s offering in a meaningful way. Particularly appealing to folks who use multiple social platforms, nothing else can do quite what the 11 Black can.

Welcome to the newest and best GoPro around. Though launched without much fanfare and looking identical to the Hero9 Black in almost every way, the Hero10 Black is nevertheless a significant upgrade. That’s all down to its use of the all-new GP2 processor, which powers a speedy user interface, doubles the frame rates, and fuels the best image stabilization tech yet.

The highlight is 5.3K video with 60 frames per second, but don’t underestimate the usefulness of GoPro’s new HyperSmooth 4.0 video stabilization – in all modes – alongside 23MP photos and best-ever low-light performance. Add a nifty cable for super-quick camera-to-app content transfer and auto-upload of videos and photos to the cloud while it recharges and the Hero10 Black was worth the wait. It"s definitely not the cheapest action camera you can buy, but GoPro is now an expert at producing tough, reliable, and supremely effective action cameras, and you do get what you"re paying for.

Is the Insta360 ONE RS a novelty or a serious filmmaking device? Unique in the market, the ONE RS is designed to appeal to anyone who would normally consider a GoPro yet yearns to at least have a go at 360º. The fact that its 360º lens is unchanged from the first-gen version does indicate that the format has