monoprice lcd touch screen monitor driver pricelist

It’s been almost two months since I first received my 19-inch Monoprice Interactive Pen Display and reported how very disappointed I was in the $389 tablet monitor.

I’ve been meaning to post this follow up review ever since, but I’ve kept checking the Monoprice and Huion sites weekly hoping for signs of a new set of Windows drivers that could vastly improve this device. Unfortunately, the only driver download available from Monoprice dates back to October and the product manager with whom I’ve corresponded hasn’t been able to confirm whether any updates are even in the pipeline.

The Monoprice’s drivers appear to be rebadged Huion drivers for its GT-190 tablet display. I am not 100% certain that the drivers are identical, but except for logos, the drivers’ control panels are exactly the same. The Huion archive was updated in December, so I am currently running that driver version. However, except for the English language product manual, the other files in the .zip are dated 2012 and earlier.

Neither the Monoprice nor Huion archives contain Windows 8.x-specific drivers, so it doesn’t appear that any software development is occurring on the Windows side. And boy, does the Monoprice Interactive Pen Display need it!

As I wrote in my unboxing, this tablet monitor makes a very good first impression given its low price. Packaging is professional, industrial design is very nice, build quality is excellent and the rubberized stylus has a nice size and feel.

Cable connections are in the lower back of the monitor and face downward. You’ll have to hold the display upside down to attach either the included VGA or optional DVI cable as well as the USB cable for pen input. You’ll also need to be careful about how the cables are threaded out of the back as they tend to interfere with the monitor’s stand.

Monoprice could save Windows users hours of frustration by publishing a bright red warning label with the following instructions contained on page 4 of the manual: “Important! Do not plug the monitor into your PC until after you have installed the driver software.”

They should also highlight this critical bit of information from page 6: (Following driver installation) “Unplug all other monitor connections from your PC.”

And last, but not least, from page 8: (After setting the display resolution), plug in the included USB cable. “Windows will then finalize the installation of the monitor and its driver.”

So to summarize: the pen display won’t work in multi-monitor mode in Windows. Install the drivers first. Unplug your current monitor and plug in the Monoprice. Start up your system and set the resolution. 1440 x 900 is maximum, but don’t be surprised if your video card doesn’t support those dimensions (a couple of the machines I tested didn’t but the display worked ok in a lower res). Lastly, connect the USB cable from the display to your pc. The pen drivers should install automatically. I don’t recall if it’s required, but to be safe you’ll want to reboot your pc after the pen driver installation.

By default, the pen drivers will display an icon in your system tray. Left clicking on the icon will load up the control panel. You can also access the control panel directly under Control Panel\Tablet Setting.

Don’t be surprised if your system doesn’t seem to respond to your pen’s taps. Using the Monoprice drivers, default clicking sensitivity was set too low. No matter how hard I pounded with the pen, I couldn’t get clicks to register. (You’ll want to keep a mouse handy in case this happens to you). Changing the click pressure setting in the control panel corrected this issue. With the Huion driver I’m currently using I didn’t experience the problem, though I still had to set click sensitivity all the way to Heavy in order to get maximum range of pressure.

15 Inches LCD Touch Screen Monitor (4:3)Why use a mouse to point at something on the screen? Isn"t it more intuitive to just point at the screen with your finger? Get this LCD touch screen from Monoprice and let your cat play with the mouse!

This display utilizes Resistive Touch Screen technology, which allows it to respond to any type of touch, without the need for special gloves or a special stylus. This makes it more intuitive to use by children or in any public environment.

This 15" 4:3 screen uses a standard analog VGA interface, which means it can be used with almost any computer or operating system. It has a maximum display resolution of 1024x768 and a touch resolution of 2048 x 2048. The transparency is 80% ± 3% and it is designed to work for more than 35 million touches.

Monoprice, Inc is an e-commerce leader specializing in high quality cables, home theater & audio components, PC & mobile accessories, and other consumer electronics & IT equipment. Established in 2002 and based out of its 173,000 square foot headquarters/distribution facility in the greater Los Angeles area, the company has built its reputation over the last 10 years through positive word-of-mouth comments from its loyal customers. Monoprice consistently delivers premium quality products at prices far below other national brands in retail, and also provides unmatched customer service. Many of the company"s products are produced in ISO certified facilities that maintain the highest standards for production quality and work environment. Monoprice"s products have received positive reviews from several press sources, such as The New York Times, CNN, The Wall Street Journal, MSNBC, The Today Show, CNET, and Engadget, to name a few. In addition, Monoprice is a Better Business Bureau accredited business and was named an Inc 500 fastest growing company` in 2008, 2009 & 2010.

Monoprice will replace defective products any time during a product"s specified warranty period. Our warranties vary by product. In general, we warrant cables for life and that most other products will be free from defects for one year following delivery date, with certain exceptions. Please go to Monoprice.com and review the relevant product ID page and related warranty information carefully. If you have questions about our warranties, contact us at newegg@monoprice.com

We value your business and want to ensure you are completely satisfied with our products. However, we understand that there are times when an item needs to be returned. We are here to assist you. Please submit any refund/replacement requests directly to Monoprice at newegg@monoprice.com or call 1-877-271-2592 with the Order Number and Item SKU.

For Refunds: All returns for refund must be authorized by Monoprice within 30 days of the delivery date. There is no restocking fee applied to any returned item(s).

For Replacements: Replacements will be provided for any defective product within the specified warranty period for that product. Replacements will be the only recourse for returns after 30 days from the delivery date have passed. Monoprice will only replace item(s) for the exact same item(s) during its warranty period. Sorry, we cannot exchange one item with a different item. The Product ID (PID) must be the same. Replacement items cannot be shipped outside the US or Canada due to customs fees that are out of our control.

Out of Stock or Discontinued Items: If you return a product for replacement and it is Out of Stock or Discontinued when the item is received, you may be contacted by the Monoprice Returns team and offered a suitable replacement or option for a store credit.

Monoprice.com is not liable for packages that are lost in transit. It is highly recommended that you use a trackable shipping service when you send back your merchandise.

Monoprice respects your privacy and takes great care to safeguard any of your information in our possession. We"re aware of the trust and confidence you demonstrate when shopping with us and we promise to treat your information with the utmost respect and sensitivity.

In-ceiling speakers allow you to expand your listening environment throughout your entire home, as well as removing the clutter of giant box speakers, giving you back your living space. In either case, it"s a win-win situation for those who desire high fidelity and those who put emphasis on decor. Featuring a removable and paintable grille, the Caliber series of in-ceiling speakers are sonically matched to provide a uniform sound stage across your entire listening area. From simple two channel listening rooms to full home theater screening rooms with 7.2.4 Atmos® or DTS:X™ immersive audio technology, your system will benefit from the matched components of the Caliber series speakers.

Dupont™ Kevlar® Fiber Cone Driver: Kevlar is very light, rigid, and strong and delivers clean bass reproduction. This lightweight transducer produces a natural sound with significantly less distortion than conventional drivers.

The $299 Soonwell Rotatable Portable Slim Video Photo Studio LED Soft Light Panel is extremely slim and bright and offered great color temperature control from 3000-5600k. A light control box is attached at the back of the panel with LCD touch screen control.  The panel is mounted in a rotatable U-bracket and it  can be powered via AC power or a  NP-F750/F970 lithium battery or Sony V-mount battery pack.

Lane Departure Warning System (LDWS) –  issues a warning when a vehicle veers out of a lane. The system monitors lane markings, and displays an onscreen alert while making a warning sound whenever the vehicle’s speed exceeds a preset value or when the vehicle deviates from its path

Forward Collision Warning System (FCWS) – warns the driver when the driving speed exceeds a preset value, such that the vehicle is getting too close to the car ahead. The system will in either case alert the driver with a warning sound and an onscreen alert.

Transcend’s DrivePro Toolbox features a sorting function to quickly locate video clips by file name, recording date, or group. The DrivePro Toolbox also provides a screenshot function allowing for the capture of a single frame. For DrivePro models with a GPS receiver, the Toolbox can display driving paths on maps along with the recorded video.

The absolute showstopper of showstoppers was the incredible SONY Crystal LED Screen.The seamless panel display was mind blowing. They were showing full resolution 4k and 8k video across it’s entire screen being fed by two processors. Each 30″x34″x6″ panel does have a natural gloss that allowed you to see the panel edges in the reflection of the ambient light when there was no content playing. This display took 4 days to set up using a mechanical jig and industrial cameras to align the different panels with a distance of 0.02 microns between each unit.  The list price of a single square is about $60k brining the cost of this display at list price to $8.6 million dollars list. This is the first commercial product built with Crystal LED technology which (according to Wikipedia) makes use of pixels mounted on each segment RGB of the display, such that each pixel is illuminated independently. This makes it the first “true” LED display.

I was surprised to see Monoprice at a professional broadcasting show but not surprised that they had some clever and reasonably priced cables and switches on display. This 30 ft Display Port cable uses the latest HDbaseT chip sets to get lengths up to 150′. The Blackbird 4k Pro HD BaseT extender Kit (including transmitter and receiver) is powered over the cable, is HDCP compliant, has IR in and out and sells for just $99. Their big brother was the Blackbird 4k 4×4 Matrix switcher with 4 receivers that also supports SPDIF audio for just $799.  The incredibly slim Blackbird 4k/60 HDMI 4×1 switcher supports high dynamic range content and is only $89.99. The coolest item was the Blackbird 4k HDBaseT Wall plate which has a built in scaler to allow you to take VGA along side of HDMI and a separate audio input. The set for the transmitter (which includes selector switch) and receiver is $349.

SONY was showing the new, under $2000, MCX500 compact switcher. The LCD touchscreen and hardware controls allow you to switch between 9 inputs (8 video + 1 title) and also includes multi-view monitoring, chromakey, transitions and Picture in Picture. It can also record to an SD card internally while streaming to platforms such as uStream. They plan on adding support for YouTube and Facebook soon.  Your productions can be controlled via a Mac, PC or an iPad via a standard web browser to click between the Switcher’s main control panel and advanced settings, including the simple setup of easily recognizable ICON buttons. It has tight integration with SONY PTZ cameras, including the ability to simultaneously record from multiple cameras, as well as the ability to send tally information.

Two Roland switchers got my attention. In the mid range, priced around $2,800, is the VR-4HD which includes genuine audio faders and a built-in touch quad-input multi-viewer with audio metering. It features 6 inputs including HDMI, RGB/Component, Composite Video with a built in scaler. It also has an 18-Channel Digital Audio Mixer with XLR, TRS, and RCA input jacks along with audio from HDMI inputs as well as Auto mixing and Echo Canceling function. Composition effects include DSK (Downstream Keyer), picture-in-picture and chroma key. It also has a multi viewer out, HDCP support, and USB audio/video streaming to connect to a laptop for streaming to platforms such as YouTube and Facebook.

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How does one describe the Meze Audio Empyrean? When putting this list together, we wrote and rewrote this paragraph multiple times, because the Empyrean almost defy description. They use isodynamic hybrid array drivers to create sound that manages to be exacting and detailed, and incredibly warm and engaging. The fact that the Empyrean headphones are around $1,000 less expensive than the previous crown-holder on this list, the Focal Utopia, is just astounding. The Utopia headphones offer incredible, pinpoint sound, and remain one of the best headphones ever made, but the Empyreans won our ears, and our hearts. For now, these are the best pair of audiophile headphones on the planet, for any money.

Noble Audio"s Khan, a reworking of their fabled Katana in-ears, are a winner. When we first heard these, they knocked just about every other pair of in-ears out of the park. They deliver an excellent balance of deep, thunderous bass and crisp highs, with the level of definition and clarity that is truly astounding. For the time being, these are the best in-ears available. Unlike many in-ears, they have multiple drivers combining dynamic, balanced armature, and piezo-electric types.

If this list were about comfort alone, then the Amiron Home headphones would be at the very top. They offer absolutely extraordinary comfort, thanks to the microvelour pads and band. And although they"re not particularly light in weight, they feel virtually weightless when they"re on your head. We even go so far as to call these some of the most comfortable headphones ever made.If you value comfort above all else, these should be your first choice. Comparing these to the Sennheiser HD600s: the HD600s offer better sound, but can"t touch the Amiron Home for comfort levels.

If you like the idea of portable high-end headphones but aren’t swayed by the bulky HiFiMAN DEVA above, then the AUDEZE LCD-1 are worth a serious look. They don’t have the DEVA’s Bluetooth, but they are significantly lighter—and crucially—can fold up (AUDEZE are known for making massive headphones, so the LCD-1 are a welcome exception). We don’t think they sound quite as good as the DEVA, with slightly dryer bass and a reduced soundstage, but they still have plenty going for them—chiefly in the upper mids, which sound warm and engaging. These headphones respond exceptionally well to genres like rock and acoustic and should be high on the list for anyone who enjoys vocals.

What we have trouble getting behind with the AUDEZE LCD-1 is the open-back design. We have yet to find a pair of portable headphones that can justify having an open back, which can generate huge sound leakage, annoying those around you. A closed-back version of the LCD-1 would be much better, but sadly, they don’t exist yet. But there still is a lot to like here, and the LCD-1 are a solid pair of high-end headphones at a reasonable price point.

Germany’s ULTRASONE Have largely fallen out of the headphones conversation in recent years, surpassed by companies like Focal and Meze. We recently got to hear their Edition 15 Veritas, and we think they are absolutely worth considering if you plan to drop big money on a pair of headphones. This is down to how they present the midrange, which is some of the best presentation we’ve heard. Piano, voice, and guitars are effortlessly clean and clear, and the offset drivers help deliver a stunning soundstage too. These flagship headphones are ideal for those who like classical vocal music.

HEDD Audio are an esteemed speaker manufacturer from Europe, and the HEDDphones are their first attempt at a pair of cans. These aren’t planar magnetic or dynamic—Hedd have done something truly different here. The drivers are Air Motion Transformers: an accordion-like diaphragm with a huge surface area. AMTs are common in speakers but unheard of in headphones, which makes the HEDDPhones truly unique. And the sound…dear Lord. It’s not quite as clean as the sound of the Focal Utopias, but it’s up there, and for a significantly lower price. The soundstage, in particular, is worth mentioning—it seems to go on for miles.

The newest version of the landmark Abyss Diana headphones largely keeps what made the original is so attractive. There’s that love it or leave it design, the airy and natural sound quality, and the sense that you’re listening to something really unique. The improvements here— and we should point out that there’s been no price increase on the original— are in a lighter frame, thinner pads, and driver optimisation. The Dianas remain among the best high-end planar magnetic headphones you can buy, better even than our favorite, the Rosson RAD-0s.

We aren"t wild about the design of the Ether 2, which is definitely an acquired taste. There"s also a strange lack of specs available, like driver size and sensitivity. Clark"s reasoning is that "The industry has no standards for measuring or publishing results and many published specs wildly overstate the headphone"s potential. We prefer not to play the "spec game" for this reason." Which is fine, we suppose, but it doesn"t offer a solution. And although we understand where Clark is coming from, we"d like to have known the specs anyway - perhaps with a breakdown of the measurements and benchmarks he uses. By the way, Clark has just released his new Aeon 2 model - we haven"t had a chance to try it yet, but we fully expect it to unseat the Ether 2. It"s under $1,000, and is getting a ton of hype, so you may want to wait if you plan on buying...

We awarded the AUDEZE LCD2Cs an Editor"s Choice award when we reviewed them: they take the original LCD-2"s rich bass and unbelievable depth, and wrap it in a wallet-friendly package. Sure, you lose the wood cups and the hard travel case, but who cares? These are absolutely out of this world.

So why aren"t the LCD2Cs higher up? They were previously in the top ten, but they"re quite old now, and we"ve encountered some issues with availability. Also, we do wish that AUDEZE had fixed the clunky height brackets, and we found the headphones less comfortable than they should be. However, the LCD2Cs remain some of the best headphones we"ve ever tested, and they still manage to compete with newer models in the $1,000-and-up range. While we love models from Focal and HiFiMAN, we"d stack the LCD2C up against them any day. By the way, while the official name is LCD2C, we"ve seen these referred to as the LCD2 Classic...See the AUDEZE LCD2C

You may very reasonably ask why we"re putting a pair of headphones that are almost twenty years old on this list. We wouldn"t do so if we didn"t have a damn good reason. And that reason is simple: the HD600s are as good today as they were when they were released. Other models have been replaced or superseded with new technology and better driver tuning, but these are like the Illmaticof headphones. They"re lightning in a bottle, and haven"t been bettered since. Even today, this model a firm favorite among audiophiles, and we"d be crazy not to include it here.

If you’re about to invest in a pair of high-end headphones, then it might be worth knowing the key pros and cons for each of the three main types. If you already know your headphones, you can probably skip this section. These classifications essentially describe the construction of the headphone. Over-ears fully enclose the ear; on-ears sit on top of it, leaving the side exposed; and in-ears are much smaller units that slot directly into the ear canal. They all have their own advantages and disadvantages. Over-ears typically provide larger drivers and better sound quality, but can be heavy and bulky, and aren’t really suitable if you’re claustrophobic. On-ears compromise a little on the sound quality (and you won’t find any on the list above, although you will in our list of the best overall headphones) but tend to be lighter and more portable. Finally, in-ears are the lightest of all, but can be an acquired taste due to the fact that they are often uncomfortable to use for long periods. They don’t, however, compromise on sound quality.

As we said, this has to do with sound. Open-backs sound better, as they allow air to pass through, and interact with the audio produced by the drivers. This makes the headphones sound more open and natural. They also have the benefit of looking extremely cool. Closed-backs are the opposite, with the drivers and electronics hidden away, and they don"t sound nearly as good.

If impedance is the most important thing to know about a pair of headphones, then sensitivity comes as a close second. It"s not absolutely essential to know it, but it can give you an idea of just how loud the headphones are likely to be. It"s a measure of how efficiently the drivers in the cans make sound – or, more prosaically, how loud they will get from a constant source of one milliwatt. The higher the sensitivity (which is measured in decibels, or dB), the more likely the cans will be to respond to a larger variety of players or amps. Ones with lower sensitivity need slightly more power, but you can drive them at higher volumes for longer, whereas those with high sensitivity prefer more moderate volumes. Example: most of the headphones on this list have a sensitivity above 95dB. But the $2,995 Abyss Diana V2 hovers at around 91dB – and its predecessor, the AB-1266 Phi, was even lower, at around 86dB.

That means that at the same amount of power, the Diana won"t be quite as loud as other models. Again, this isn"t necessarily a huge problem, especially with headphones, but it"s worth bearing in mind. By the way, we"ve only touched on topics like impedance and sensitivity here. We go into a lot more depth, with many more practical examples (and a nifty explainer video!) In our full explainer of headphone specs.

When you"re looking at the models in the list above, you"re going to see a few terms continually popping up. Among the most common are things like dynamic driver, magnetic planar, and electrostatic. While understanding these is a little less important than understanding things like impedance and sensitivity, they"re still worth breaking down. They refer to the method a pair of headphones uses for getting sound to your ears, and we"re going to lay out the three main ones as simply as possible.

Dynamic drivers are by far the most common – the kind of thing you"d find in most cans you can buy at the store. In these, sound is transmitted by a moving coil of very thin wire which reacts with a magnet, moving the speaker diaphragm and producing sound. It"s a relatively inexpensive method, and in terms of sound quality, it"s by far the least desirable. This does not – repeat, not – mean it is bad. The Focal Utopia are dynamic driver headphones, and they wipe the floor with just about everything else. But when compared with the other two types below, it"s probably the most common type of driver.

Planar magnetic headphones are renowned for the delicacy of their sound. The HiFiMAN and AUDEZE models above, among others, use it. Instead of using a coil of wire, these models spread the magnetic force across the diaphragm. This requires stronger magnets, but produces infinitely better sound. You"re also probably going to need a more powerful amplifier to get these working as they should be. They are usually, but not always, more expensive than standard dynamic driver headphones. Case in point: the amazing AUDEZE LCD2C aren"t quite as expensive as the dynamic-driver Utopias, but cost very little in comparison.

You do also get balanced armatures. These are unique to in-ears, and often contain multiple drivers, consisting of coils, suspended between magnets and wrapped around metal armatures. An armature, by the way, is a metal core that connects the magnets.

Drivers are the part of the cans that produce sound. Generally, you have two of them, one left and one right, although some headphones do have more - the 1More Triple Driver Over-Ear headphones come to mind. Think of the drivers as tiny little motors that convert the audio signal into something you can actually hear, using a combination of diaphragms, magnets and coils to vibrate, and produce sound.

Drivers are measured in millimeters (we"re not entirely sure why, when so many other sound equipment measurements are in inches). The actual figure we give is a little misleading - it"s arrived at by using a very complicated mathematical formula that takes into account the overall surface area of the driver, and at this point, we"re just going to tell you that a 50mm driver is bigger than a 40mm driver. By the way, don"t be too freaked out if a manufacturer doesn"t give the size of the driver – it"s far less important than the impedance and sensitivity. The Noble Audio Khan, for example, have no driver size listed – and we don"t care that much, because it sounds awesome.

As a general rule, the larger the driver, the more powerful the sound. That being said: it doesn"t necessarily mean bettersound. Not always. It"s far more important to note what the driver is made out of, which will have are far more dramatic effect than a few extra millimeters. These materials may include things like aluminum or beryllium, each of which have their own distinct sonic characteristics. Don"t, in other words, be fooled with the manufacturer trumpets a huge driver size. In practical terms, it may mean very little.

Generally speaking, in-ear headphones (like the Noble Audio Khan) have the best isolation properties, as they quite literally block the entire ear canal. Over-ear headphones are good, too, because they seal the entire ear off from the outside world - although if the headphones are open-back, you they may allow sounds from outside to penetrate. On-ear headphones are generally considered to have the worst isolation, because of the way they sit on the ear, which allows sound in. The softer the material of a pair of ear cups, the more likely it is to create a decent seal against your skull. Large cups will usually create a better seal the small ones. But again: everyone has a differently-shaped skull, and different-sized ears. And remember: isolation works both ways. Headphones that isolate effectively will mean that your co-workers won"t know you are listening to Justin Bieber. You"ve been warned. By the way, if you truly want perfect isolation, it may be worth looking at a pair on in-ear monitors (IEMs).

To illustrate this, we offer two examples. The first is the AUDEZE LCD2C. They cost around $799, not even within sniffing distance of some of the prices of the other models on our list, and yet we ranked it in our top ten. The reason for this is that it offers overall value that is far in excess of some of the models below it. While it may not beat them in individual aspects like sound quality, it offers such a brilliant experience at such a good price that we think deserves to be in the upper echelon

Second example: the Focal Stellia. They costs almost significantly more than the LCD2C, but the latter are the ones we"d go for. Why? Because as we said in the list above, we don"t feel that the Stellias do enough to justify their high price tag. They are great cans, they belong in this list…but they just don"t do enough to push them into the upper reaches, or to beat out the ones above them. This is a case where spending more money won"t guarantee you a better experience.

With headphones, that isn’t an issue. The space between the drivers and your ears is reduced to less than an inch, and is frequently a lot closer. While air will always interact with the sound (especially in the case of open-back headphones like the $499 Andover Audio PM-50) what you won’t get are the reflections. There are no walls, floor, or ceiling for the sound to bounce off. As a result, although you do sacrifice some of the soundstage and imaging present in two channel setups, what you get is a much closer sense of the recording actually sounds like.