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Additive Innovation (AI), a company specializing in additive manufacturing, is now distributing the innovative 3D Printer with LCD Screens, printers and materials of the renowned English manufacturer Photocentric in Germany, Austria, and Switzerland.

The LC Magna 3D printer is the largest SLA printer with LCD screen currently available, according to the manufacturer. The innovative device has a 4K Ultra HD screen with 50 micron accuracy and enables a print speed of 13.3 millimeters (mm) per hour. In addition, to a build volume of 510mm x 280mm x 350mm, the printer offers high printing accuracy, allowing component designs with very fine surface textures such as leather or technical patterns to be printed in high resolution.

Photocentric’s daylight and UV resins enable economical production at material costs starting at around 35 euros per kilo. The material can be used for various applications in prototyping, mechanical engineering or in the dental and automotive industries. The materials are used in LCD, SLA and DLP 3D printers, for example, and are also compatible with 3D printers from other manufacturers such as Asiga, Envisiontec, Flashforge, Formlabs, Peopoly and Sprint Ray, according to Photocentric.

In cooperation with CoreTechnologie, Photocentric and Additive Innovation, integrated software for LC Magna machines has been developed. With the so-called Photocentric Additive Tool, 3D models can be read in from common CAD formats and prepared as an exact, intelligent B-Rep model. Special tools for the generation of support geometry, textures, grid structures as well as modeling functions such as offset surfaces, hollowing with or without internal grid structures, 3D cutting as well as scaling and mirroring are now available as a fully integrated and easy-to-use software solution for Photocentric machines.

As a spin-off of the globally successful software manufacturer CoreTechnologie and sales partner of Photocentric, the company Additive Innovation GmbH from Mömbris near Aschaffenburg, which was founded in January 2018, supports companies in efficiently realizing the advantages resulting from additive manufacturing. Additive Innovation’s mission is to provide 3D printing services and optimize additive manufacturing processes. The focus is on quality and the use of state-of-the-art hardware and software tools. Thus, the innovation driver pursues a holistic approach to service, system integration as well as the evaluation and implementation of 3D printing processes in companies. The Additive Innovation team has direct access to CoreTechnologie’s software tools, which are always at the cutting edge, as well as to the cutting-edge know-how of its technology partner Photocentric. This allows Additive Innovation’s innovation team to respond immediately to new requirements with intelligent functions and enable a seamless transition from design and 3D model to 3D print.

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The Studio Display – Apple"s new 27-inch, 5K monitor that was released alongside the new Mac Studio desktop – is one of the most difficult displays I"ve had to review. On the one hand, the price tag is sky-high for a 27-inch 5K panel that "only" promises coverage of the DCI-P3 gamut and is basically incompatible with Widows. On the other hand, it"s extremely color accurate, color uniformity is excellent, and if you doown a Mac, it offers a seamless experience previously only available on the muchmore expensive Pro Display XDR.

The Apple Studio Display comes in a few different flavors depending on your preferred mounting option and whether or not you want Apple"s special anti-reflective "Nano-texture" glass.

All of the variations use the same 5K 27-inch 60Hz IPS LCD panel that promises full coverage of the Display P3 color gamut (DCI-P3 with a D65 white point), for a base price of $1,600. That will get you the standard glass version with either a tilt-adjustable stand or a VESA mount. Spend an extra $400, and you can upgrade to a nicer stand with a height adjustment mechanism similar to the one you found on the Pro Display XDR, albeit without any rotation. And if you want to go all out, you can spend another$300 for the Nano-texture glass.

I"ve tested the Pro Display XDR with Nano-texture glass, and while it"s an impressive bit of anti-reflective technology, it"s not worth the extra cash unless your studio suffers from a lot of harsh lighting. As for the mounting options, I personally would not recommend spending the extra $400 on the height-adjustable arm when you could spend half as much on a premium VESA-compatible monitor arm that will let you adjust the display any which way you want.

The experience above is in sharp contrast to using this display with a Mac, which is totally seamless. All of your settings are controlled from the MacOS Display menu, there are a bunch of accurate built-in profiles, and you can even fine tune the white point of the display at the hardware level by adjusting it in settings (more on that in a second).

This seamless, high-quality experience extends to the rest of the features of the display. The built-in webcam is a nice feature now that it can take full advantage of Apple"s Center Stage feature; the built-in mics may not be "studio quality" per Apple"s marketing, but they"re certainly the best you"ll find in a monitor; and the speakers...

Apple also confirmed this is not a true 10-bit panel. There were several mentions of "over 1 billion colors" during the presentation, but it"s an 8-bit panel with temporal dithering (AKA Frame Rate Control) just like the LCD panels in the 14- and 16-inch MacBook Pros. The only true 10-bit panel is Apple"s lineup is still the Pro Display XDR, and it"s safe to assume that it will stay that way.

Fortunately, even though there aren"t any physical controls that will bring up an on-screen menu for adjusting things like color temperature or RGB gains, Apple doesallow you to dial in the white point in hardware. If you select any of the brightness-locked profiles like Photography (P3 - D65), you can use the "Fine-Tune Calibration" setting to fix any issues with your white point.

And this does extend to Windows. As long as you have a Mac around that you can use to fine-tune the calibration, that white point calibration is stored on the monitor itself, just like it would be if you adjusted the RGB gains using physical buttons and an on-screen menu. It"s a bummer that you can"t do any of this on Windows, but at least there"s a workaround if you use both Windows and Mac for photo- and video-editing.

If you"re a Mac user who needs a high-quality, color-accurate display for both personal and professional use, with all of the Apple bells and whistles included, then the Studio Display delivers the goods. I"ve said it before and I"ll say it again: I don"t think the monitor is overpriced given the build quality, color accuracy, seamless experience, and the impressive hardware Apple has baked in.