canon 80d lcd screen replacement free sample

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Like the 70D, the 80D is feature-packed, including great image quality with high resolution, a very capable AF system, a large and information-filled viewfinder,

a fast/responsive shutter combined with a very nice frame rate, a great LCD and compatibility with an incredible range of lenses, flashes and other accessories.

While the 80D is not a complete overhaul, such is not needed as the 70D was already a well-rounded, great-performing model in a long-standing series of cameras.

Still, I view the 80D"s new AF system, upgraded sensor, Wi-Fi/NFC, Anti-Flicker mode and additional improvements as very worthy of a new model designation.

This means that all of Canon"s EF-S, EF, TS-E and MP-E series lenses are compatible, but the outer portion of the image circle projected by full frame compatible lenses (EF, TS-E and MP-E) is not utilized.

Quickly discernable from the above chart is that the 80D has received a sensor upgrade from the 70D, with 24.2 megapixel resolution now equivalent to Canon"s previous highest megapixel APS-C camera, the Rebel T6i/T6s.

Interesting is that Canon"s only higher resolution DSLRs, at the time of the 80D introduction, are the ultra-high resolution full frame 5Ds and 5Ds R.

Fortunately, gains continue to be made in RAW image noise reduction and the 80D results are not only as good as the lower resolution 70D, but very slightly improved.

Just as we saw with the Rebel T6i upgrade from the Rebel T5i, while taking on a nice increase in resolution over the 70D, the 80D appears to pay no noise penalty for doing so.

To my eyes, the 80D is the new APS-C EOS class leader, or very close to it, in regards to noise levels, though the differences alone are not likely to generate an urge to upgrade from any of the above-compared models.

The RAW-captured standard results utilize Canon"s Digital Photo Professional Standard Picture Style with a sharpness setting of 1 (very low) and no noise reduction – a very real-world example for me.

I use the Neutral Picture Style in-camera with RAW capture because it applies a lower contrast tone curve to images, providing a better picture of the camera"s available dynamic range on the histogram shown on the LCD.

These two sets utilize Canon"s default USM sharpness settings that are too strong for my taste (though the increased default sharpness will make softer lenses appear sharp).

MSNR is currently available only with JPG output (I would like to see this feature added to Canon"s Digital Photo Pro software for RAW capture processing – perhaps as another HDR preset).

The last pair of results were acquired by underexposing and overexposing the original capture by 2 stops and then adjusting the results in Canon DPP by the same amount.

Increasing resolution to 24 megapixels while keeping noise at bay (or even slightly improving performance), the 80D provides the image quality that DSLRs are so desired for.

The following table shows comparative RAW file sizes for a photo of a standard in-studio setup with a moderately-high amount of detail taken with the referenced Canon EOS DSLR body.Model / File Size in MB @ ISO:(MP)100200400800160032006400128002560051200102400204800409600

Canon RAW file sizes increase with: 1. Resolution 2. Bit Depth (14-bit is better/larger) 3. Detail (noise adds detail, so high ISO file sizes increase). Memory and disk are cheap - buy more. :)

To test the Canon EOS 80D"s 7 fps drive mode and 25 frame RAW file buffer specs, I configured the camera to use ISO 100, a 1/8000 shutter speed (no waiting for the shutter operation),

the EOS 80D repeatedly captured 23 frames in 3.145 seconds to precisely match the rated drive speed and come within 2 frames of the rated buffer depth.

Camera sounds are recorded using a Tascam DR-07mkII Portable Digital Audio Recorder with record levels set to 50% at -12db gain and positioned 1" behind the rear LCD.

Featuring 45 AF points, the 80D"s AF system covers an increased area of the frame (62% of the frame horizontally and 48% vertically in the center), including the commonly-used rule of thirds lines within the coverage area.

While the 80D does not reach the 7D Mark II"s AF point count, the 80D has a significant AF point count increase over the 70D, going from 19 to 45, and again,

As with the higher end EOS cameras, the EOS 80D"s menu system (Custom Function Menu II) permits configuration of the AF system"s tracking sensitivity, acceleration/deceleration tracking, and AF point auto switching.

The Canon EOS 80D"s AF Area options are Single-point AF (select one AF point), Zone AF (select one of 9 AF area focusing zones comprised of 9 AF points – one of three on left, 3 in center or 3 on right side),

Groundbreaking with the introduction of this camera"s predecessor, the EOS 70D, was Canon"s innovative Dual Pixel CMOS AF technology, allowing sensor-based phase detection AF.

The Canon EOS 80D is the latest DSLR to arrive with Dual Pixel CMOS AF technology and this particular iteration of Dual Pixel CMOS AF features improved tracking sensitivity, allowing for better AF results in challenging,

Those capturing video in dimly lit venues (typical of wedding receptions) will likely most appreciate the 80D"s improved tracking experienced in Movie Servo AF.

Live View and Movie focusing modes making use of the Dual Pixel CMOS AF include what has become the Canon standard: Face Detection with Tracking, FlexiZone Multi, and FlexiZone Single.

The EOS 80D has inherited the 7D Mark II"s ability to adjust AF speed and tracking sensitivity while using FlexiZone – Single with compatible STM (and now Nano USM) lenses.

Just like the EOS 70D, the 80D"s capacitive touchscreen allows for Touch Focus during both Live View still photography and before/during video recording.

And, AF can function with camera and lens combinations having an f/11 or wider aperture (vs. f/8 with the EOS 80D"s conventional AF) - again, using 80% of the frame.

The 80D records video in .MP4 or .MOV format using the MPEG-4 AVC / H.264 codec, with audio being recorded in Linear PCM (.MOV) or AAC (.MP4) via dual front microphones (producing stereo sound) or the 3.5mm stereo input jack. Sound recording levels can be set to Auto, Manual (64 levels) or Disabled entirely. Wind Filter and Attenuator options can be set in the sound recording menu.

Several features have been added to Canon"s now-current **D camera for the benefit of filmmakers and include HDR, Creative Filter & Time-Lapse Movies.

While DSLR filmmakers will likely account for a great number of 80D orders, it is more likely that a great number of photographers who purchase the 80D will subsequently become interested in DSLR filmmaking

Utilizing the 80D"s DIGIC 6 processor is its new 7,560-pixel RGB+IR metering sensor, enabling skin tone and color detection that works in conjunction with AF for enhance tracking sensitivity.

That is, unless you learned to frame very slightly too tight, in which case you need to retrain yourself as there is no insurance coverage outside of the 80D-presented viewfinder.

The Canon EOS 80D’s "Intelligent Viewfinder" features an LCD screen that can be optionally configured to show grid lines, light flicker detection and an electronic level.

With it"s always-on (when metering is live), easy-to-see, dedicated, superimposed viewfinder level indicator, the EOS 80D makes avoiding crooked horizons easy.

The single-axis electronic level is also available on the rear LCD including in Live View (press info until this option displays), but not when face+tracking is selected in the menu (the default).

If you have never used a DSLR camera before, you will learn that Canon"s vast experience and intelligent design concepts have been heavily imparted into this camera.

While the 80D provides one more button in front of the top LCD (itself a nice feature) than the 7D Mark II and 5-Series bodies, these buttons all have a single-function vs. the dual-function variety,

As you likely have already determined from the comparison images above, the EOS 80D is somewhat larger than the Rebel series cameras and slightly smaller than the 7D Mark II.

Case in point: Though the 80D was in a case beside me at the time, I was photographing wood ducks with another camera when a pair of geese began fighting.

The EOS 80D has built-in Wi-Fi and NFC capability, providing easy transfer of images and movies to compatible mobile devices using Canon"s free Camera Connect app.

As with all of Canon"s other recent DSLR cameras with a built-in flash, flash settings can be controlled from the menu which includes an extensive range of controls for built in, hot-shoe-mounted and remote flashes.

Simply double-press the camera"s flash button (or single press the flash button with an external Speedlite mounted) for instant access to the Flash Function Setting Screen.

Like the 70D and most of Canon"s other recent DSLR cameras featuring a built-in flash, the 80D includes an Integrated Speedlite Transmitter for optical (not RF) wireless control of multiple off-camera EOS Speedlites.

The LP-E6N battery form factor is great (you can easily fit several of these small batteries in most pockets) and they still provide a rating of up to 960 shots in the Canon EOS 80D.

Owning a Canon product gives you access to Canon support and the support I have been provided by Canon"s USA division is excellent (sorry, I have no experience with the other Canon divisions).

While "80D" appears a fine name in print, quickly saying the name to someone who is unfamiliar with the model name will likely come across as "A.D.D.", or Attention Deficit Disorder.

The 80D has one of the most tempting live view feature sets of any DSLR to date. Like its predecessor, the 80D a has Dual Pixel CMOS AF sensor, but unlike any other Canon camera, dual-pixel AF on the 80D functions in continuous (AI Servo) mode for stills shooting.

The user interface in live view is unchanged from the 70D, and should look familiar to anyone who has used a touch-enabled Canon DSLR before. Even if you haven"t previously used a touch-sensitive Canon, the interface is very straightforward.

And while the ability to use continuous autofocus in live view may not seem all that revolutionary to mirrorless camera owners, successful continuous focus in live view + a touchscreen is a pretty big deal. There are not a whole lot of APS-C cameras on the market that offer both (RIP Samsung NX1), and none in the full frame segment.

I love touch-to-shoot functionality. It may not be the purist"s way of shooting street photography or capturing candid moments, but when coupled with the articulating screen, the feature makes it really easy to go unnoticed and get your shot. Of course, the touch-shutter can be useful for other scenarios too, such as when shooting at tough angles.

I also like the fact that switching between the touch-shutter and touch-to-focus requires simply tapping the icon visible in the bottom left of the screen. But a note of caution: the 80D tends to act unpredictably if you use touch-shutter in the Face+Tracking mode (explained below).

This is the live view Quick menu for still capture (very similar to the video Q menu). Options along the left side include: AF method, AF operation, Drive mode, Metering mode and image quality/size. Along the right, options include: a return button, White Balance, Picture Style, an Auto Lighting Optimizer toggle and a Creative Filter option. Simply tap on the screen to call up any of the above.

When using autofocus in live view (for stills or video) the 80D has an entirely different set of AF options compared to through the viewfinder shooting, all of which will sound familiar to users of Canon"s PowerShot line, but may prove a bit jarring to DSLR shooters switching from viewfinder to live view shooting. The AF modes are Face+Tracking, FlexiZone-Multi and FlexiZone-Single, which you can see across the bottom of the screen in the screenshot above.

For focusing on a specific point, the FlexiZone-Single mode is quite useful; providing accurate, precise acquisition. The single points aren"t very small though, which may affect your ability isolate focus to a small object. The Face+Tracking mode is also very handy. It automatically finds the nearest face (or if no face, the nearest subject) to the camera. In single shot AF mode, it will lock focus on that subject or face, and in continuous AF mode it will track it, albeit using a rather large zone of 9 AF points. You can also override the automatic subject selection by tapping the screen on the subject or face of choice, in which case a smaller AF box tracks your subject.

The FlexiZone-Multi option can be a bit confusing. If you switch to this mode and depress the shutter half-way, it acts exactly like Face+Tracking without face detection, selecting a 9-point zone and then, in AI Servo, shifting it - across the entire frame if needs be - to stick with what the camera thinks is your subject. If you tap the screen though, or press the SET button, you effectively shift the camera into a Zone focus mode where the entire frame is not used to track your subject in Servo. Instead, you preselect the desired zone of 9 points, and then the camera only uses the 9 AF points within this zone to stick to your subject if it moves.

When using Face+Tracking, tap the screen to identify a subject to track. Hit the "Set" button to reset tracking. ISO 100, 1/500 sec at F8. Shot using the Canon EF-S 18-135mm f/3.5-5.6 IS USM at 95mm.

The 80D can use continuous autofocus (AI Servo) during live view shooting. In the FlexiZone-Single (and Multi mode), you simply tap the touchscreen, and the 80D honors the point/zone you"ve selected, attempting to maintain continuous focus on that point (or cluster of points when using Multi). In practice, FlexiZone-Single does quite well, but Multi can get confused, presumably because of the large focus area.

When using continuous AF in the Face+Tracking mode, tapping the screen indicates to the camera a subject you"d like to follow and maintain focus on. Once you"ve done that, the 80D will attempt to follow your subject if it moves around within the frame, or if you recompose.

When shooting close-up subjects, especially people, the 80D"s Face+Tracking mode works great, as long as they"re not moving too fast. However it is less useful when shooting distant subjects that appear small in the frame - the system"s just not precise enough. Shooting a burst in live view can also prove difficult due to a stop-motion playback of images as opposed to a live feed, which can make it difficult to follow a moving subject. In addition, the burst rate drops to 3.6 fps when shooting in live view, compared to 7 fps during through the viewfinder shooting.

The EOS 80D is good at finding, locking and maintaining focus on faces in both video and live view still mode. Shot using Canon"s 16-35mm F4 wide open at F4.

When tracking subjects at a distance, the 80D"s Face+Tracking mode is much more easily confused than when tracking nearer subjects that appear larger in the frame. This is not too surprising, as larger objects are easier to detect. Fast moving subjects also give dual-pixel AF a hard time, as the system isn"t particularly fast at tracking a subject around the frame. Performance also drops during bursts. In our example above, focus actually shifted backward as our rider approached, only catching up by shot #13, before losing our rider again.

If you wish to make a request for the free inspection / repairs, please bring the camera body only with the body cap attached to a Canon Service Center.

We specialize in Canon EOS DSLR camera repairs. If your Canon EOS DSLR 80D is not working properly, shows Errors (Err 99, Err 01, Err 02, Err CF) has broken LCD screen, broken card reader pins, broken shutter, flash problem, camera is not taking pictures or is taking bad quality pictures we can help you to resolve these problems quickly.

Our diagnostic software for Canon EOS 80D cameras shows us the internal codes of the problems with explanation what needs to be repaired and which parts we need to replace.

The Canon EOS 80D is a refinement of the popular enthusiast Canon EOS 70D. While the body largely remains unchanged compared to its predecessor, the 80D has received a new imaging sensor, a new metering sensor and a revamped AF system. It also adds the ability to use continuous autofocus during live view stills shooting thank to on-sensor Dual Pixel AF.

The 80D also offers the best dynamic range of any APS-C Canon sensor to date, substantially better than its predecessor or the 7D Mark II. And its live view implementation is one of the best of any DSLR to date, thanks to its articulating touchscreen and intuitive touch interface.

For those looking to dabble in video, there is a lot to like in the 80D, but also some drawback. Tasks like pulling focus on the 80D are as simple at tapping the screen. And sliders allow for focus speed to be adjusted to one"s liking. The inclusion of both a microphone and headphone port also add to the 80D"s video appeal. But the lack of any flat picture profile, zebra stripes or clean HDMI out may be a deal breaker for some. Also, no 4K.

Ergonomics on the 80D are largely unchanged from its predecessor. The body is well-sized, with ample control points, while remaining reasonably light.It is constructed of aluminum alloy and is sealed against moisture and dust. The design is not without a few frustrations, but overall the controls are logically placed, and menus are intuitive.

The 80D"s articulating touchscreen display is especially handy when used in conjunction with the Quick menu to rapidly access core functions. And touch to focus/touch to shoot capabilities are useful for street photography and candids. And is even more useful during video capture.

The 80D"s sensor sees a minor bump in resolution and, straight out of the camera, image quality is roughly the same as its predecessor in both both Raw and JPEG modes. In fact, in our opinion JPEG color is not quite as vibrant as the 70D or other recent Canon DSLRs.

Raw dynamic range on the other hand is increased substantially, and if you"re prepared to spend some time manipulating the 80D"s Raw files, the extra latitude can make a huge difference to the camera"s photographic potential in some shooting situations. The 80D"s sensor still lags behind the competition a little bit in this regard (specifically against the Nikon D7200 and Sony a6300) but it"s encouraging to see Canon (finally) moving forward in terms of DR.

The 80D has a new phase-detection autofocus system that includes 45 cross-type AF points. When shooting through the viewfinder using a single point or cluster of points the 80D"s autofocus is generally reliable. Its center AF point is even more sensitive than the rest of the points, which translates to an ability to focus in very low light scenarios.

The 80D offers subject tracking when shooting through the viewfinder, via its 45-point auto select mode. However the system is easily is confused in many shooting scenarios. And by default the 80D attempts to automatically identify a subject to track, which it does poorly. Fortunately, this can be switched to a manual selection from within the menus.

I"ve said it before and will say it again, the 80D offers one of the most robust live view implementations of any DSLR to date. Continuous AF during still shooting is still a relatively new DSLR feature, we first saw it offered in the Rebel T6S and now the 80D. And while the live view AF modes are borrowed from the Powershot compact line (and somewhat unsophisticated), the overall experience is decent.

The Face+Tracking mode in particular is useful for photographing friends and family. However the tracking mode is not particular useful for sports, or subjects shot at a distance. This is due to a drop in burst rate when shooting in live view as well as LCD blackout between shots.

Touch-to-focus can be very handy when using the articulating screen to get a weird angle. ISO 100 1/640 sec at F4. Shot using the EF-S 18-135mm F3.5-5.6 IS USM kit zoom at 24mm. Processed in ACR.

It is very easy to shoot decent-looking video with the 80D. The camera"s Dual Pixel AF results in very accurate continuous focus and tracking during video capture. In fact, the 80D offers some of the best autofocus during video capture of any DSLR around.

And as I mentioned above, 80D also does not offer video making tools like zebra stripes, focus peaking or a C-Log gamma option (a very flat tone curve useful for color grading). Users might not miss focus peaking (Dual Pixel AF greatly reduces the need for manual focus) but the others tools would be nice.

The 80D"s video quality is bested, both in terms of detail and resolution, by quite a few other cameras. That said, when compared to the Nikon D7200, probably its closest competitor, the 80D is the clear winner in terms of both quality, and features. The is especially true when it comes to AF during video capture: D7200 shooters are out of luck, while 80D shooters should have no trouble locking and maintaining focus.

But the D7200 and 80D are both starting to look a bit old fashioned compared to to the current crop of 4K-capable mirrorless APS-C cameras, like the Sony a6300. Of course, while the 80D may look completely inferior to the a6300 on paper, specs aren"t everything. In most ways the 80D feels like a more refined product both in terms of build and operation. It"s also much easier to use. It"s for these reasons I see the 80D as a potentially more appealing choice for enthusiasts. This is especially true if you are less concerned with specs and more concerned with getting the shot, without getting lost in menu options. On the other hand the Sony is much more capable when it comes to video (flat picture profile, zebra warnings), but only if you know how to use those features.

As an upgrade from the 70D, there"s a lot to like about the 80D, but possibly not enough to warrant trading up, unless you"re interested in video. however if you"re considering upgrading from a Rebel camera, the 80D is an excellent and natural progression in Canon"s DSLR family. And if you"re considering the 80D against the 7D Mark II, the choice is less clear and mostly boils down to what you value more, a better AF system and AF ergonomics (in the 7D Mark II), or better dynamic range, an articulating touchscreen, and that impressive Dual Pixel AF system.

A very well-rounded camera, the 80D"s main appeal centers around ease-of-use. It is well-constructed, offers ample control points, and an easy-to-use design.Its image quality lags slightly behind the best cameras in this class (the main reason it did not earn our highest award), but overall it"s still extremely competitive. We"re very encouraged to note that the 80D offers the best raw dynamic range of any APS-C Canon camera to date.

For serious sports or action photography, there are others cameras in this class with better AF performance that we"d recommend over the 80D. The same goes for serious filmmakers. Overall though, the 80D is a great choice for enthusiasts seeking a still/video hybrid camera for documenting everyday life, like time spent with friends and family.

And for those Canon shooters who aren"t even considering this camera at all, but are holding out for a bigger, better DSLR in the future, the developments that Canon has made with the 80D hint at an exciting future for the company"s camera lineup.

The Canon 80D centers around ease of use. It offers the best dynamic range of any APS-C Canon camera to date and features dual pixel AF, allowing for continuous focus during both video and still capture. The articulating touchscreen is especially handy in live view mode. And while the camera"s image quality and video resolution lag behind the competition, the 80D is still a solid choice for enthusiasts.

Announced at the same time as the EOS M6 Mark II, the new Canon EOS 90D is one of just a handful of DSLR cameras announced in the past couple of years, and is the second to be announced by Canon this year.

Sitting in the middle of Canon’s extensive DSLR line up, it replaces the 80D, but brings in some of the features we might normally expect to be more at home on the even more advanced 7D line. Designed to appeal to enthusiast photographers, the Canon 90D includes a range of features which are well-suited to lots of different types of subject.

There’s a 32.5 megapixel APS-C CMOS sensor, the highest resolution ever found in a Canon APS-C DSLR, which is joined by Canon’s latest Digic 8 processor. It builds on the autofocus system of its predecessor, the 80D, by utilising 45 cross-type AF points.

At the time of writing, the Canon 90D costs around £1200 / $1200 body only, $1349 with the EF-S 18-55mm f/3.5-5.6 IS STM lens, or £1599 / $1599 with the 18-135mm f/3.5-5.6 zoom lens that we’ve been using during our review.

In terms of body design, the Canon 90D is not a huge departure from the 80D, and if you’re somebody who likes the look and feel of a reasonably bulky DSLR then you’ll be happy that Canon hasn’t abandoned its DSLR line-up altogether.

Another bonus of having a larger body than the dozens of mirrorless models which have been announced since the 80D made its arrival, is that the Canon 90D has plenty of space for buttons and dials, of which there are many to be found.

On the top of the Canon EOS 90D you have a secondary LCD screen which shows you key settings at a glance, while there’s also a mode dial which houses the various modes that the 90D offers.

Above the secondary LCD screen is a row of direct-access buttons for certain settings, including AF operation, drive mode, ISO and metering. There’s also a button for turning on the secondary screen’s illumination as well as one for choosing AF point selection type (Spot AF, 1pt AF, Zone AF, Large Zone AF, Auto Selection AF).

Flipping to the back of the Canon 90D and most of the buttons and dials are grouped on the right hand side of the camera, which makes changing settings with your right thumb quick and easy.

A Q button takes you directly to a range of commonly used settings, such as white balance, file type, picture style and so on. You can use the physical buttons to move around both this Quick menu and the more extensive main menu, but you can also use the touch-sensitive screen - or a combination of both, whatever makes the most sense to you.

Other buttons of note include one for switching on Live View or video recording, playback button and the AF-on button. If you’ve ever used a Canon DSLR before, you’ll be very familiar with the layout and setup - which is great news if you’re upgrading from something like a 200D, or even the camera the 90D directly replaces, the 80D.

If you’ve never used anything but optical viewfinders then you’ll likely be very happy with the Canon 90D’s offering, but after spending some time using very high resolution electronic options, working in this way feels a little restricted as you can’t see how exposures will turn out, nor zoom in to check critical focus, or playback your images - but that’s a matter of personal preference.

The screen is another way you can compose your images if you switch to Live View. The Canon 90D has a 1040k-dot 3.2-inch fully articulating TFT LCD. It’s great for composing from awkward angles, as well as being useful for recording selfies and vlogging-type videos. You can also fold the screen away to protect it when not in use, which is useful.

If you’re into making videos, the Canon EOS 90D is a good option for you as it offers uncropped 4K video recording, which is another big improvement from the 80D, and sets it apart from other Canon DSLRs. There’s also a headphone and microphone socket on the side of the camera which also appeals to video-makers.

Just as we saw in the 80D, the Canon 90D offers 45 all cross-type autofocus point, which are sensitive down to -3EV. All of the points are centred around the middle of the frame, so if you’re trying to focus on something on the outer edges, you’ll need to focus and recompose.

Since this is a DSLR, autofocusing is different depending on whether you’re using the viewfinder or the screen (Live View). If it’s the latter, you will have more choice over where to place the active AF point, where the excellent Dual Pixel CMOS AF comes into play. As an upgrade from the 80D, this kind of focusing is now also available while recording 4K video.

Tracking focus has been improved since the 80D, while there has also been a boost to the frame rate (10fps/11fps with Live View) is now available. In practice that makes the Canon 90D well-suited to photographing moving subjects, particular where the said subject is moving in a reasonably predictable pattern.

The new high-resolution sensor of the Canon EOS 90D is great news for those who want to get the most detail possible from their shots. If you’re somebody who likes to shoot macro images, for example, you’ll be able to reproduce more detail than was available before from a Canon APS-C DSLR.

JPEGs directly from the Canon 90D are very pleasing, with excellent vibrant colours which are just the right side of realistic. On the whole, automatic white balance does a good job of keeping colours in check in a variety of lighting conditions, while the all-purpose (evaluative) metering works well to produce balanced exposures.

As Canon’s metering system weights exposure towards the active AF point, you might find in certain high-contrast situations, you need to switch to spot metering for best results, but for most everyday situations it’s a great performer.

The flash settings on the Canon EOS 90D are Auto, Manual Flash On/Off, and Red-Eye Reduction. These shots of a white coloured wall were taken at a distance of 1m.

The Canon EOS 90D"s maximum shutter speed is 30 seconds and there"s a Bulb mode for even longer exposures, which is excellent news if you"re seriously interested in night photography. The shot below was taken using a shutter speed of 30 seconds at ISO 100.

This is a selection of sample images from the Canon EOS 90D camera, which were all taken using the 32 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

The Canon EOS 90D enables users to capture RAW and JPEG format files. We"ve provided some Canon RAW (CR3) samples for you to download (thumbnail images shown below are not 100% representative).

The Canon EOS 90D is a nice camera to use if you like the traditional styling and handling of a DSLR, while if you’re already equipped with a range of EF/EF-S lenses then it makes a lot of sense to make the 90D your next purchase.

If you’re already working with a Canon DSLR, such as one of the entry-level models like the 200D, then the 90D is a great upgrade which will see your shots elevated thanks to better frame rate, focusing and a higher resolution sensor. Even if you already have the 80D, there’s a lot to tempt you with the 90D - while videographers will be pleased to finally see uncropped 4K making an appearance on a Canon APS-C DSLR.

If you’re somebody who likes to shoot subjects like wildlife and sport, the larger body of the Canon 90D (when compared to mirrorless options) works well with the longer lenses you’ll likely be using to capture those subjects.

However, if you don’t shoot much wildlife/action and if you’re not already in the Canon DSLR system, and can therefore be a little bit more flexible about which camera you go for - you might also want to think about the Canon EOS M6 Mark II, which was announced at the same time as the 90D. It features the same sensor but is housed in a much smaller and more travel-friendly body.

In some ways it’s good to see that Canon still cares about its DSLR-audience, but we have suspicions that the 90D could be one of the last DSLRs to be announced by the camera giant, with the future being tilted towards more favourably towards mirrorless as time goes in. If you’re a traditionalist this could be one of your last chances to get hold of a DSLR as we know them today.

Overall, the Canon EOS 90D is a great option for those who like DSLRs. Being a good all-rounder it’s good for those who shoot lots of different kinds of subject. It does well at sports and action, as well as being suited to landscape, portraits and pretty much any kind of subject you care to shoot. It’s also reasonably priced for what you get, so it comes highly recommended.

The new EOS 6D Mark II is Canon"s latest 35mm full-frame DSLR camera. Positioned as a more affordable alternative to the EOS 5D Mark IV, the EOS 6D Mark II features 26.2 megapixels, latest DIGIC 7 processor, 45 point AF system and Dual Pixel CMOS AF technology. Read our expert Canon EOS 6D Mark II review now...

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The Canon EOS RP camera follows hot on the heels of last year"s EOS R model, offering full-frame mirrorless tech and 4K video recording at an even more affordable price-point than before. Find out just what the cheapest full-frame mirrorless camera on the market is capable of by reading our in-depth Canon EOS RP review, complete with full-size sample JPEG and RAW images, videos and more...

The Nikon D7500 is a new prosumer DSLR camera, succeeding the D7200 model from 2013. Coming across like a mini D500, the weather-proof D7500 features a 20.9 megapixel DX image sensor, 51-point autofocusing system, wi-fi, bluetooth and NFC connectivity, 8fps burst shooting, a tilting touch-sensitive screen and 4K video recording. Read our Nikon D7500 review to find out if it"s the right camera for you...

The Sony A6300 is a new high-end compact system camera that features the fastest auto-focusing system in the world and the highest number of AF points. With a 24.2 megapixel APS-C CMOS sensor, 4K movie recording, high-res 3-inch tilting LCD screen, electronic viewfinder and built-in flash, the Sony NEX-6 also offers 11fps burst shooting, wi-fi and NFC connectivity, and downloadable PlayMemories Camera Apps. Read our in-depth Sony A6300 review to find out if it"s the best Sony APS-C camera yet...

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The Canon EOS 90D is a midrange DSLR that replaces the 3.5 year-old 80D and fits between the EOS 77D and the "yes, it still exists" EOS 7D Mark II. It gains a new higher-resolution sensor with excellent Raw image quality, and offers competitive live view AF (with eye detect) as well as 4K video capture, all in a familiar package.

There’s a lot to recommend the Canon EOS 90D – it’s a full-featured DSLR with the speedy performance to match. The deeper grip makes it comfortable to use for long periods of time, as does its impressive battery life. And it’s been priced to appeal to most enthusiasts. For anyone unwilling to make the move to the mirrorless fray, this snapper is a formidable all-round option.

Although we keep hearing about mirrorless camera sales overtaking DSLR sales, there are still many photographers who want a camera with a mirror. The Canon EOS 90D is designed to appeal to those people and it has a comprehensive feature set, an impressive turn of speed and two very capable autofocus systems. It’s also able to produce excellent-quality video and stills. However, in the default settings, the finer details of some fairly low sensitivity (ISO 400) images is sometimes lost from the Jpegs. Scrutinising the raw files shows the detail is there along with a bit of luminance noise, however, the standard noise reduction can smush it out of the Jpegs.

Canon Speedlites (90EX, 220EX, 270EX, 270EX II, EL-100, 320EX, 420EX, 430EX, 430EX II, 430EX III-RT, 470EX-AI, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, Macro-Ring-Lite MR-14EX II, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT)

The number of AF points, cross-type AF points, and dual cross-type AF points vary depending on the lens used. For full compatibility list please refer to product manual on www.canon-europe.com/support

Based on Canon"s testing conditions, JPEG, ISO 100, Standard Picture Style. Varies depending on the subject, memory card brand and capacity, image recording quality, ISO speed, drive mode, Picture Style, Custom functions etc.

Sustained continuous shooting speed is tested based on Canon"s testing standard. Function requires compatible UHS II memory card, total number of frames captured varies depending on shooting subject, settings and brand of memory card

The Canon 90D will be available from 12th September 2019 priced at £1,209.99 / €1,449.99 / $1199 body only, $1349 for EF-S 18-55mm f/3.5-5.6 IS STM kit and $1599 for EF-S 18-135mm f/3.5-5.6 IS USM kit

The Canon M6 Mark II will be available from 26th September 2019 priced at £869.99 / €1,029.99 / $849.99 body only or £1,119.99 / €1,329.99 / $1099 with the EF-M 15-45mm IS STM lens and EVF-DC2 viewfinder, and $1349.00 for EF-M 18-150mm f3.5-6.3 IS STM and EVF-DC2 kit.

United Kingdom, Republic of Ireland, 28 August 2019 - Canon Europe today announces the launch of two high-speed, high resolution cameras - one DSLR and one mirrorless - designed to take enthusiast photographers to the next skill level. Canon has a camera to suit any user - EOS 90D is a fast and reliable DSLR, with a familiar, robust body perfect for sport and wildlife photographers. For everyday life, EOS M6 Mark II is a compact, yet powerful mirrorless delivering beautifully sharp images - for photographers on the move. Alongside the two new Canon RF lenses announced today, these high-quality, fast models build on Canon’s popular EOS 80D DSLR and EOS M6 mirrorless cameras to provide a full choice for enthusiasts across the entire line-up.

With Canon’s new EOS 90D and EOS M6 Mark II cameras, photographers can capture and share life’s most fleeting moments. Both models are equipped with Canon’s latest generation DIGIC 8 processor which achieves fast processing speed, responsiveness and the latest in photo and movie functionality. The lightning-quick electronic shutter speed of 1/16000 second is perfect for shooting momentary subject movements, giving photographers confidence in time-sensitive shooting scenarios. With this shutter speed the aperture can be opened even wider to create a greater depth of field even in ambient lighting.

The mirrorless model, EOS M6 Mark II, is capable of a 14fps continuous frame rate and staggering 30fps RAW burst both modes with autofocus tracking, producing a quick and compact model which guarantees enthusiasts can photograph even the unexpected. To give photographers the best chance of shooting spontaneous action, this latest mirrorless camera from Canon has UHS-II card support with a burst rate of 80 L JPEG. Additionally, focus bracketing in both models makes it easy to achieve an extended depth of field by combining multiple shots in DPP.

Delivering high quality, detailed images free from shake and artefacts, these new cameras leverage a new 32.5-megapixel APS-C CMOS sensor, which achieves full frame levels of resolution but with the additional benefit of reach provided by the APS-C format. Coupled with the DIGIC 8 processor, both newly launched models are enabled with the latest features from the EOS range which means photographers have greater reach, can crop further and take more detailed images than ever before. The processor also unlocks lens correction tools including the Digital Lens Optimiser and Diffraction Correction, which produce excellent images straight out of the camera. With incredible raw image quality and WiFi and Bluetooth capabilities, content creators can share images direct to social channels to create stunning, live content. For crisp, true to life photos which capture natural expressions and movements, Canon has incorporated a fast and accurate eye autofocus tracking solution in both cameras. In the EOS 90D, this works in collaboration with the 220,000-pixel RGB+IR metering sensor with Flicker Detection, for faithful face detection and greater control of overall exposure. This new sensor achieves greater resolution without compromising on low light performance, thanks to a high ISO of 100 – 25,600. Improving on the EOS M6, EOS M6 Mark II focuses at EV-5 when used with lenses with f/1.4 or larger aperture – to perform even in cloudy moonlit conditions, as well of course as within buildings or shade.

Canon’s renowned Dual Pixel CMOS AF system is available in both Full HD and 4K video modes and offers a wide area coverage of (88 x 100%), producing smooth, high-performance focus tracking in movies for professional-looking footage. When capturing moving subjects this ensures sharp subjects and a blurred background, while eye tracking defines the eyes of subjects, for sharper, more compelling movies.

A microphone port gives vloggers and content creators alike the ability to use an external microphone to achieve clear, undistorted sound, while the EOS 90D also has a headphone port so content creators can have greater control over sound quality in videos while filming. This produces a good feed when the action is further away and minimises the amount of editing required in post-production as enthusiasts can manage sound levels as they record. For filming on the go, the portable EOS M6 Mark II has a handy tilting screen which ensures even selfie-style content is perfectly framed.

The ergonomic design of these models supports seamless and familiar handling to provide enhanced control for any style of photography. As the latest DSLR to join the EOS range, EOS 90D has a familiar, yet lighter body with a large grip for better handling and balance, particularly when using long lenses ideal for shooting sports or wildlife photography. With two multi-function dials – including one newly incorporated multi-controller, as found in the professional range on the rear of the camera - and customary EOS buttons, photography enthusiasts looking to enhance their skills can shoot instinctively and confidently with greater focus point selection and access to useful settings at their fingertips The EOS 90D is equipped with a number of customisable features which can be set to give a consistent look and feel to both photos and videos. Its 7.7cm Vari-Angle touch screen provides greater visibility of image composition whether shooting in high brightness or at a challenging angle.

The compact size of EOS M6 Mark II enables a point and shoot style of photography needed to capture spontaneous moments on the go. A dial with function, main dial, customisable autofocus/manual focus selection switch and autofocus-start button are intuitively positioned for improved responsiveness in fast-paced shooting scenarios. The detachable viewfinder is raised and centrally aligned to create space and intuitive comfort for an immersive shooting experience, while the tilt-screen offers more creative capture and unrestricted video capabilities.

Also launching today are two RF lenses - the RF 15-35mm F2.8L IS USM and RF 24-70mm F2.8L IS USM - expanding the pioneering lens line-up for the EOS R System. The EOS 90D is now available to pre-order from Canon’s online store and both will be on general sale from September 2019.

For more information on the Canon EOS 90D please visit: http://www.canon.co.uk/cameras... and for the Canon EOS M6 Mark II please visit: http://www.canon.co.uk/cameras...

Canon is aiming to do the double and deliver high-resolution files and high speed captures with its latest two APS-C sensor incorporating interchangeable lens cameras – the mirrorless Canon M6 Mark II, and the Canon 90DDSLR.

“We want to inspire our customers to explore a world of opportunities and tell their stories,” Canon UK’s Marketing Manager Didi Goddard told us at the London unveiling, “We’re still after every category that we have going.” She went on to share a market overview suggesting that Canon is still leading the DSC market, for which its G7 X Mark II is currently its best seller, while for CSC in the UK it has a ‘strong’ number two position. That’s according to data from industry watcher GFK.

She also revealed that Canon was still number one within the DSLR category for both APS-C models (“which is still a massive focus for Canon”) and full frame offerings such as the EOS 5D IV, EOS R and RP.

Canon UK’s Product Specialist David Parry added that: “People want the choice, so we’re sticking behind our ranges and growing them to get the best out of the technology that is available at the moment.”

A case in point is its two new generation 32.5-megapixel sensor-incorporating models. These are a replacement for the current 80D in the new EOS 90D, plus the EOS M6 Mark II, which replaces the original M6. David told us that, compared with its forebear, the Mark II is a ‘super charged’ replacement, due the spec having been ramped up in comparison. The result, claimed David, is that internally the EOS 90D and EOS 6D Mark II’s technology “is almost exactly the same – it’s how you arrive at that final image that is different”.

It’s not a great surprise to learn that the EOS 90D is aimed at the same type of user as the 80D – namely one who is into sports and wildlife photography. The new camera is, said David, all about resolution, speed and handling.

The EOS 90D’s APS-C sensor is combined with a Digic 8 processor, Dual Pixel CMOS AF like the rest of Canon’s current DSLR range, the ability to shoot 4K ‘movies’ with no crop this time around at 30fps or 25fps, plus the ability to shoot up to 120fps in Full HD mode. Your videographer customers will want to know that the camera also delivers ‘clean’ HDMI output, and is capable of shooting stills up to 10fps (or 11fps if AF is fixed), making it, David suggests, a good step up for anyone owning a 70D or 80D.

We also get 45 cross type AF points (the standard AF system as also found on the 80D), focus bracketing, electronic shutter mode, an ISO100-25600 core range expandable to ISO51200, Wi-Fi and Bluetooth connectivity, fully articulated vari-angle touch screen control, two multi controller joysticks on the rear of the camera (a first for the range), plus a considerably improved 1300 shot battery life (CIPA standard) even though it uses the same battery as the previous generation. There’s also microphone and headphone input here for video shooters. The compatible battery grip for the EOS 90D is the same as that for the 80D (i.e the BG-E-14), David added.

Moving on, key selling points of the physically smaller EOS M6 Mark II – on which Canon admitted design has not changed ‘massively’ compared with the earlier M6, except that the grip is slightly larger – include the fact that it boasts a ‘market leading’ 14fps capture speed with AF, plus 1/16000 sec electronic shutter.

Like the 90D it boasts the new 32.5 MP APS-C sensor, Dual Pixel CMOS AF, and Digic 8 processor, while ISO range is the same as its bigger DSLR ‘brother’ too. Exposure compensation can be dialed down to -5EV, there’s a tilting touch screen once again, plus support for touch and drag AF functionality.

Two new Canon lenses for its mirrorless ‘R’ and ‘RP’ cameras originally teased back at The Photography Show in March are also being made available for sale on the same day at the same time in the RF 15-35mm f/2.8 L IS USM and RF 24-70mm f/2.8 L IS USM. These are described as super sharp, portable, durable and just as good at movies as stills, thanks to ‘nano USM’ technology that means they’re quiet as well as fast, as well as combined image stabilization (Canon has sensor as well as lens based IS). We couldn’t shoot with these pre-production lenses at the launch, but were at least allowed to hold them and size them up for feel and weight. Manual focus operation is claimed to be really smooth

The Canon EOS 90D enables users to capture RAW and JPEG format files. We"ve provided some Canon RAW (CR3) samples for you to download (thumbnail images shown below are not 100% representative).

The Canon EOS 80D was released back in 2016. Three years later, Canon has decided it’s time for an upgrade, and the new EOS 90D brings many improved features, including a higher-resolution sensor. Both cameras fall into the midrange category, but they have plenty of capabilities that would suit the professional user. What does the 90D offer over the 80D, and is it worth the upgrade? Here’s how the two DSLRs compare.

A major selling point of the 90D is the improved sensor compared to its predecessor. Both systems have an APS-C sensor, but Canon has added 8 megapixels to the 90D, bringing it 32.5. That makes the 90D the highest-resolution APS-C camera on the market. The increase in megapixels won’t benefit everyone, but it means more detail for large prints or additional freedom to crop.

Beyond resolution, the most significant advantage of the new sensor is the ISO range. The 90D is able to reach an expandable ISO of 51,200 which will certainly be of a benefit when shooting in low-light situations. The expandable ISO reach of 25,600 on the 80D is certainly nothing to turn your nose up at, but it is one stop behind the 90D. The metering sensor on the 90D is also upgraded, which should mean more accurate exposures. It now features a 220,000-pixel, RGB+IR metering sensor. In comparison, the 80D has a 7,560-pixel RGB+IR metering sensor.

The clear winner in terms of speed is the 90D. Its ability to continuously shoot ten frames per second (fps) in both RAW and JPEG when using the viewfinder, and 11 fps when in live-view, is a significant speed increase compared to the 7 fps on the 80D. When in live-view, the 80D offers a disappointing 5 fps continuous shooting.

Looking at shutter speeds and 90D again outperforms its predecessor thanks to a new electronic shutter, a feature borrowed from mirrorless cameras that is rare to see in a DSLR. The electronic shutter means users can enjoy shutter speeds of up to 1/16,000 second, twice the speed of the mechanical shutter, and thus twice the speed of the 80D.

Both cameras use Canon’s Dual Pixel Autofocus (DPAF) for fast live view focusing, and share a similar 45-point autofocus (AF) system for viewfinder shooting. The speed and accuracy of the AF on the 80D was already impressive, so there wasn’t much that Canon could add to improve it.

But, Canon did bring things up to speed in the 90D with its EOS iTR technology, which stands for Intelligent Tracking and Recognition. iTR uses the higher-resolution metering sensor to detect not just brightness, but also color in the scene, which allows the 90D to readily track subjects and keep them in focus. But more than that, the 90D is also capable of face-detection autofocus in the optical viewfinder. Face-detection is often reserved for mirrorless cameras or DSLRs in live-view mode, but the 90D’s ability to combine it with viewfinder shooting could be huge for portrait photographers.

Side by side, there’s not anything noticeably different in the designs of these cameras. The 90D is slightly lighter, coming in at 24.7 ounces — one ounce under the 80D. Both cameras are weather-sealed, which will protect your kit against the harsher elements.

The LCD screen remains a strong selling point for this Canon series, especially for those who shoot vlogs. The three inch vari-angle touch screen on both cameras will give you more options with viewing perspective, helping you to get sharper stills and video. The touch screen feature is a bit of gimmick on a camera at this level — which has plenty of physical controls — but those who prefer a more digital experience should enjoy it.

Canon has added a joystick to the rear of the 90D, something that was lacking on the 80D. The joystick makes it much easier to select a focus point. The addition means the “Q” button is placed slightly lower on the 90D, and the delete button has found a new home at the bottom of the rear side of the camera. Other than that, everything remains the same on both cameras; the learning curve for those looking to upgrading is practically nil.

DSLRs remain a clear winner in the battery life department when up against Mirrorless systems. Both batteries on the 80D and 90D far outperform any flagship mirrorless camera. But when it comes to putting them both against each other, the 90D packs more juice into the LP-E6N battery. In real-world terms, the 90D gives you 1,300 shots from one full charge, compared to 960 on the 80D. Either one should have no trouble getting you through a full day of shooting.

Canon has long been a popular choice for video shooters, and the EOS 5D Mark II is largely responsible for spearheading the DSLR (and, by extension, mirrorless) video revolution. Listening to the demand of videographers, Canon has added 4K/30p recording capabilities to the 90D. More impressively, it can shoot 4K from the full width of the sensor, whereas many previous 4K Canon cameras cropped the sensor in 4K mode, leading to a narrower angle of view.

Full HD can now be shot at up to 120 fps, twice that of the 80D. That means even slower slow-motion video. Both the 80D and 90D have a recording limit of 29.59 minutes.

With any upgrade in the camera world, the same question arises: Do you need it? For someone looking at their first DSLR, or their first Canon, the price difference between the two isn’t huge, and we’d probably recommend springing for the 90D. The 80D is currently $999 (body only) while the 90D is just $1,199 (body only).

But what about for current 80D owners? The decision here is not as clear cut, but for many photographers, there’s certainly enough in the 90D to warrant dipping into your bank account. The improved metering and subject tracking, face-detection AF, 4K video, and longer battery life are all major pluses. The new sensor in the 90D is undoubtedly desirable, but most shooters will not see clear benefits in day-to-day use (you should consider moving to a full-frame camera if improved image quality is what you’re after). If you shoot a lot of video, sports, or portraits, the 90D is worth it — but the 80D is otherwise a solid camera that will continue to serve you well.

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