modern designed big size lcd touch screen video invitation card quotation

Simply select a design and order a sample. Once the order is placed you need to submit the wedding details. Once the sample is ready, we will take a video of the sample and send it to you and then mail the physical electronic wedding card to you. You can verify this sample with your customer or family and Once you are ok with the sample you can place an order for the bulk cards.

No printing is necessary for this card. All the details are customized in the animated video which is provided complimentary. Once you pay for the cards our animation team will get in touch with you to finalize the video. We will send the video by email/whatsapp and the electronic wedding cards by courier.

What’s the best digital photo frame for most people? We highly recommend the Aura Mason Luxe, which boasts a neat look, slick interface, and detailed display. Alternatively, if you want an option which also supports for video calls, Facebook’s Portal is worth considering. But, if you’re looking for a great value alternative on a tight budget, the 8-inch Nixplay Nix ticks a lot of boxes for not a lot of money.

From affordable frames to premium screens, here are the best digital photo frames available and ranked in the list below. Once you’ve found your favorite frame, you’ll find links beneath each entry that take you straight to the best deals available right now. Need some more in-depth advice? Also check out our guide on how to buy a digital photo frame.

The Aura Mason Luxe is a clear cut above most other photo frames. It’s stylish, has greater character to its design and, most important of all, the screen is excellent in most respects.

Its 4:3 aspect display is perfect for not just adding some color to your room with your photos, but to actually get an up-close look at them. Pixel density is so high they look sharp and detailed even when you get your face right up to the screen. We found that color is natural-looking and well-saturated too, so you can be sure you’re seeing a fair representation of the photos you fling its way.

Nixplay’s 2K Smart Digital Photo Frame features one of the sharpest screens on the market. With a resolution of 2048 x 1536 pixels, the display offers detail for days – and it’s vibrant, too, with impressively deep blacks and more than enough brightness to beat the screen’s reflective coating.

Classier than most competitors, the Aura Carver stands out with an embossed border and angular, free-standing design. Its 10.1-inch display isn’t as sharp as the slightly pricier Carver Luxe, but we found its 1280x800 panel fine in testing, with pleasant colors and good viewing angles. It helps that the screen can adjust automatically to ambient conditions and go impressively bright, helped by a semi-matte finish.

We think Aura frames have the slickest software out there, and the Carver is no exception. It doesn’t have a touchscreen, but the subtle touch panel on top makes it easy to flick between photos. Other settings are found in the similarly streamlined smartphone app, although customisation options are limited. Friends and family can contribute to your slideshow, but there’s no support for albums.

With a generous border and glass facade, the Skylight Frame is one of the more attractive photo frames we’ve tested. It’s larger than most 10-inch models, but its white surround and classy design give it real presence on a shelf. In use, its responsive touchscreen feels quite a lot like a tablet: you can pinch to zoom and swipe to switch photos. It’s not sophisticated, but it works smoothly and makes it easy to find specific images.

We don’t think the Skylight Frame does a perfect job of representing images. Its compression software can add visible artifacts, soften images and make certain hues look unnatural. That said, its 1280x800 pixel LCD holds up well against similarly priced rivals, even if its 255-nit brightness is a long way below the Aura Carver.

While it"s primarily device for calling friends and family, Meta"s social screen does a side-gig as a slick digital photo frame. Styled like a floating box frame with neat lines and a quality finish, it’s an attractive fit for contemporary shelves – provided there’s space for the supporting leg. The stand can prop the Portal in portrait or landscape, but it sticks out by 12cm – and the power cable exits from its end, so it can’t sit flush against your wall.

Setup is straightforward and the slick touchscreen interface is matched by the polished partner app. which particularly impressed us. Photos can be sourced from Facebook, Instagram or your smart device, then sorted into albums which can be individually enabled.

The Nixplay Touch 10 passes for a traditional photo frame at arm’s length. Its back is heavily sculpted, but this will usually be hidden away from view. While its slot-in stand didn’t feel especially sturdy in testing, the frame itself isn’t heavy enough to make this a problem.

Its plastic display surface softens reflections, and photos generally look good. We liked the color temperature during our time with the Nixplay, finding that it could produce rich tones, even if its LCD panel lacks the depth of OLED. We were less impressed by its sharpening, which caused edges to appear pixellated.

The Nest Hub Max is both a hub for smart devices and a portal for accessing Google Assistant at home, but it also does well as a digital photo frame. Styled like a 10-inch tablet attached to a fabric-skinned speaker, it forms a neat free-standing package with a small shelf footprint – even if the screen’s plastic shell and bezels don’t feel particularly premium.

At 1280x800, the resolution of the touchscreen could be higher, but we found that there’s still good detail with no noticeable pixellation – and it makes controlling the Nest Hub Max a cinch. Swipe between photos or tap the pop-up controls to hide, star or share particular images, or do the same thing with voice commands.

The Nest Hub Max can display art backgrounds, a full-screen clock or a selection of snaps from your Google Photos account. It supports Live Albums, features the option to show portrait pics in split-screen and offers time, weather and image data overlays – but you can’t manually change the slideshow order. And because it only works with Google Photos, the Nest Hub Max makes sense mainly for those already invested in the company’s cloud backup service.How to pick the best digital photo frame for youWhere will you place it?Most digital photo frames include some kind of stand, but not all can be wall-mounted. Similarly, some only work in one orientation, while others can switch from portrait to landscape. It pays to consider placement, including how a frame’s finish will fit with your decor.

What screen size do you need?Screen size can vary substantially, from 8 to 13 inches. Frames with smaller displays can be easier to place and are sometimes sharper. Larger options offer more space for your snaps but won’t always have a higher resolution. The sweet spot is usually somewhere around a 9-inch Full HD display.

How will you add images?Many of the latest digital photo frames rely on cloud storage to host your slideshow, letting you add photos directly from different devices. Others feature social media integration. But if your images live on hard storage, consider something with a memory card or USB input.

How smart does it need to be?More than passive panels, several of the best digital photo frames in 2021 are actually fully fledged smart displays. That means voice control, media streaming and smart home integration. Whether you need this additional functionality will depend on the other devices already in your abode.What is the best size digital photo frame?Digital photo frames are available in a wide range of sizes. Which dimension is right for you will depend on your available space, as well as your own personal preference. Smaller digital photo frames are more compact and easier to place in your home, but offer less canvas space for your digital images. Larger photo frames give your treasured snaps room to shine, but require a larger footprint – and the biggest screens risk dominating a room.

While you can find digital photo frames with screens as small as 5 inches, we think the smallest you should realistically look at is 8 inches. A frame such as the Nixplay Nix Digital Photo Frame 8-inch benefits from a small footprint that’s easy to place almost anywhere, while still giving your images enough room on screen to be clearly visible. Any smaller and you risk having to squint to see your snaps.

We think the best size digital photo frame is between 9 inches and 10 inches. Models like the Google Nest Hub Max, Aura Carver and Facebook Portal all feature screens which measure in at around the 10-inch mark, while our favorite digital photo frame right now – the minimalist Aura Mason Luxe – has a 9.7-inch display. These hit the sweet spot for visibility and flexibility. A display at this size will also provide better pixel density than a much larger screen, improving clarity and sharpness (especially with Nixplay’s 2K frame, which features a high-resolution 9.7-inch screen).

We place each digital photo frame in a series of similar viewing scenarios to assess the sharpness and brightness of its display. This will usually include a dark environment, a daylit room and a bright spot in direct sunlight. Using an identical set of photos, we look at the accuracy of color reproduction, the clarity of each image and the viewing angles of the frame. We also take into account the proportions of the display and whether any cropping is likely to affect standard-sized digital images.

When it comes to ease of use, we start by adding a batch of images to each frame. We’ll do this in every way supported by a specific frame, so if there’s an app as well as memory card support, we’ll assess how simple it is to upload images using both techniques. We’ll also dive deep into settings menus to understand how straightforward a given frame is to operate, as well as which settings can be customized. We look first and foremost for commonly desired options, such as customizable slideshow intervals, sleep timers and color adjustment sliders.

We also review the physical design of each frame in a few ways. Unboxing a frame, we try each of its potential orientation and mounting options to assess how simple it is to assemble and switch between different positions. Then by placing each frame in a range of locations (usually including a shelf, desk and wall), we look at the footprint and dimensions of the frame, focusing specifically on whether its shape, size and stand angle make it easy to position and arrange as required.Round up of today"s best deals

Everything about the iPhone SE is designed for the next few years except for one very important component: the screen. More specifically, the thick bezels that border the 4.7-inch LCD on the top and bottom. It’s a tired design straight out of 2017 that makes an already-small screen feel even smaller than it could be.

There are some other notable improvements, too, like a bigger battery and some software-based camera updates, which certainly help keep the SE up to date tech-wise. And there’s still the home button with Touch ID, which some people just prefer over Face ID and gesture navigation. This iPhone SE is for them or for someone who just wants an iOS device for as little money as possible and doesn’t mind a small screen. But for everyone else, I think this vintage design is just a little too dated and probably best left in the past.

Unfortunately, that cutting-edge performance is hampered by the small screen. It’s not a bad display — it’s a 4.7-inch 750 x 1334 pixel LCD that gets plenty bright for outdoor use. But you don’t get a faster refresh rate, which would make scrolling look a little smoother, you don’t get the same pop and punchiness of OLED, and it’s definitely one of the smallest screens sold on a new smartphone today. Text looks small at the default setting, and you can enlarge it, but that means doing more scrolling.

Playing a game with the phone in landscape mode, I kept feeling like I was running out of room to swipe on the left side of the screen to move my character around. That poor kid in Limbo suffered the consequences when my thumb ended up obscuring whatever sharp object I was supposed to be avoiding. The phone is capable of running even the most graphics-heavy games well, but it’s much less enjoyable playing on a small, cramped screen than a wide-aspect display with more real estate.

It’s not just gaming that feels cramped on the SE — even in the phone’s native image gallery app, I have to aim carefully to tap a “pause” button that’s crammed into a tiny little navigation bar at the top of the screen when I play back a video clip in landscape mode. The icons at the bottom of the Facebook app are jammed shoulder-to-shoulder. Sometimes Instagram will load with the messages icon tucked underneath my battery life percentage. The modern internet and app experience were just not constructed for a 16:9 4.7-inch screen.

The 2020 SE’s weakest point was its sub-par battery life, so one feature that did get a boost this year is stamina. The 2022 SE includes a bigger battery, and power management is improved with the A15 chip. That results in an extra two hours of charge for most users, according to Apple, which checks out with my experience. I got through a day and a half of moderate use and one full day of heavy use with some video recording, gaming, and a lot of screen on time with brightness boosted.

The SE isn’t geared toward the kinds of things that drain a battery, like watching lots of video or playing graphics-intensive games, so it’s fair to say most SE owners will get through a day on a single charge. That’s a welcome improvement over the last generation and one that will probably make a bigger immediate difference to someone buying the phone than 5G or the new processor.

This is the paradox of the 2022 iPhone SE. It’s going to get software updates for many years to come, but it will probably outlive the usefulness of its tiny screen. Phones aren’t getting any smaller. Giant screens are here to stay, and the people who design web pages and app menus are planning accordingly. The 4.7-inch screen feels small now, and I can only imagine it’s going to feel very small in 2028, even if the phone is still chugging along on iOS 21.

The SE continues to offer video recording at up to 4K / 60p. Video recorded at up to 30p in either 4K or 1080 resolutions offers “extended” dynamic range, which does noticeably improve clips with very high contrast, like a shot panning across a bright window and subjects under dim indoor lighting. The A15 chip also enables some improved processing for low-light video, which does a good job of removing noise, although clips look fairly soft as a result. Still, mobile video is a strength for Apple, and overall video quality on the SE is excellent considering the price bracket it’s in.

When Dieter Bohn reviewed the 2020 SE, he was so impressed it made him question the entire concept of the $1,000 flagship phone. That phone and this current-gen SE do a whole lot of what a premium phone can do at less than half the price. That remains very impressive, and it’s not lost on me when I pick up the SE and whip through menu screens, record great-looking 4K video, set it on my wireless charger at night, or run Genshin Impact with hardly a hiccup.

But phone design has moved on in the last two years, and the SE has stayed firmly in the past. Given just how many times per day most of us look at our phone screens and interact with them, I think it’s fair to demand a little more from your mobile device’s screen than the SE is offering.

That’s not to say there’s nobody who should buy the SE. If you know in your heart of hearts you won’t mind a small screen for at least the next few years, and you just want a reasonably priced device that gets you through your day without any trouble, then this is the iPhone for you. It’s fast, has all the 5G bands that matter, and will most certainly get you through the foreseeable future without having to suffer the pain of making another phone purchase.

For everyone else, I think a bigger screen is a necessity. If you can consider a switch to Android and the green bubble life, the Google Pixel 5A is a fantastic option that’s right around the same price. It includes an ultrawide camera, a great night mode, and, crucially, a much bigger 6.34-inch OLED screen. It’s only guaranteed updates for three years, though.

I have to imagine that the 2022 SE is the last time we’ll see this particular design appear in a new phone from Apple. If you’re a fan of this form factor and Touch ID, and you don’t want to let them go, then this is probably your last chance to hang onto them. If we see another SE device in two years, it will likely do away with the big bezels and the home button because life moves fast. Until then, the SE remains a powerful little phone with a retro design that’s just a bit too vintage for most of us.

Megapixels:26.1Sensor Size:23.5mm×15.6mm (APS-C) X-Trans CMOS 4Dimensions:(W) 128.0mm × (H) 74.8mm × (D) 53.3mm /(W) 5.04in × (H) 2.94in × (D) 2.10inWeight:478g / 16.9oz

Another nice update is the LCD tilting touch screen, which allows you to compose low angle shots without bending down, and take over-head shots with ease.

The tilting touchscreen implementation is excellent and much better than any Sony cyber-shot camera that exists. You can flick through photos during playback, pinch/double-tap to zoom, and even focus and shoot using any of the AF modes.

Using face/eye-detect, there’s really no need to use the new joystick AF point selector at all – you simply point the camera at your scene, and let it recognise any people, or just tap on the screen wherever you want it to focus and/or shoot.

A key change in this model is the movie performance as it now supports 4k video at 30p. While this will never be a video camera, it does have a surprisingly good output which is more than enough for capturing your holidays.

In fact, it now shoots 4k video in both DCI (4,096 x 2,160) and Ultra HD (3,840 x 2,160) resolutions at 24 or 30fps, with a bit rate of 200 megabits per second. It can even output 10-bit 4:2:2 video over HDMI into an external recorder!

With the Canon Powershot G7X Mark II, Canon has made a big improvement over the first iteration, with a host of great features, and still managed to keep the price nice and low – that’s why it’s still our choice as the best budget compact camera of the year.

The LCD screen can now also be articulated downward by a full 45 degrees, allowing you to hold the camera above your head and compose for an interesting viewpoint.

The screen still faces the front and does so in one quick and simple action which you can perform with one hand. Face detection does a fine job for the all-important selfie!

The touchscreen itself is a joy to use – responsive, fast and full-featured – far better than the crippled Sony touchscreen offering. Being able to tap any menu item seems logical in 2023, and is an enjoyable way to navigate the camera.

Autofocus performance is good, with face-tracking working ok during testing. Don’t underestimate the importance of this feature – trying to chase a subject around the screen with a single AF point is a painful experience!

Overall, I found the G7X Mark II enjoyable and intuitive to shoot, with the biggest pluses for me being its overall responsiveness and the impressive image quality.

As such, it’s a camera you can slip into a coat pocket that offers unrivalled image quality – beautifully creamy shallow depth of field, great dynamic range for expanded latitude when post-processing, great high ISO performance… basically amazing image quality that’s superior to 99% of other cameras in its size class.

You do pay a pretty price for the Sony RX1 RII, though. Squeezing a big sensor into a small camera body evidently still costs a lot for manufacturers, and due to the nature of the sensor size, the lens needs to be a certain size to accommodate – while small, this isn’t a camera for your jeans pocket.

The Sony RX1 RII offers most of the functions of a high-end Sony camera that you’d expect – tilting LCD screen (though no touchscreen), good WiFi/NFC connectivity, decent electronic viewfinder (that retracts into the body when not in use), customisable dials/buttons and a dedicated exposure compensation dial.

I love being able to control the aperture on the lens ring like a rangefinder, and the macro mode is similarly located. The lens in general just feels great – the movement of the rings is reassuring and fun to operate. I’d go as far to say that this is the first Sony I’ve ever used that doesn’t feel like a mini-computer, and for that, I love it! It feels like an old-fashioned camera body, despite housing some incredible, modern technology.

The Sony RX1 RII doesn’t make much sense on paper, nor when you try and explain it to your peers after splurging so much on something when there are many better value options… but it’s still an endearing camera that will bring you joy every time you pick it up, not to mention whenever you view the gorgeous high-resolution files on your computer screen.

I also love the fact that LCD displays the optical zoom focal length as you’re zooming, so you can set it to 35mm for example, and leave it there if that’s your preference when shooting primes – this is what I found myself doing since I rarely shoot at 24mm.

The Sony RX100 VII offers a tilting touchscreen, albeit a limited one. You’re able to touch to change AF points, focus, and then shoot – is a really handy feature for capturing candid travel moments, especially when combined with the tilting display. On the VI the tilt is 90 degrees down and 180 degrees up, making it perfect for vlogging.

The VII also offers fast AF, a new 4K video HDR mode, 4 -stop image stabilisation, Active Steady Shot for video recording and a larger buffer – 233 vs the V’s already impressive 150.

I’m not even a big fan of zoom lenses, preferring normally to ‘zoom with my feet, but I found myself constantly zooming in and out with this fun little camera, often just to see ‘how far I could see’! It’s convenient being able to zoom in to 200mm on some distant action before your subject has noticed your presence, and having such range on a compact camera is a huge plus while traveling, since it’s not always possible to physically move closer.

Then there’s the battery life, which is pretty poor at around 260 shots or 30 minutes 4k video per charge. On the plus side, you can charge the camera via micro-USB, and spare batteries are affordable.

The pop-up LCD is good in bright sunlight and I’m glad they included it, but I didn’t find myself using it much otherwise – it’s a little cramped, as is to be expected on a camera of this size.

Whether you’re a fan of video or not, the 960fps incredible High Frame Rate mode will leave your jaw on the floor, and make you want to film everything to see how it looks when played back slowly.

Overall, the Sony RX100 VII is a helluva lot of pocket camera squeezed into something the size of a deck of playing cards. The zoom range is astounding, auto-focus performance mind-boggling, and frame rate is something that none of the other best compact cameras on this list can match.

If you’re looking for a feature-packed compact camera for travel with incredible stills and 4k video performance, that’s so small that you can have it in your pocket every day and not even notice it’s there, look no further. This is it.

The autofocus isn’t the only improvement over the GRII. The Ricoh GRIII boosts just about every critical feature. The sensor is now up to 24MP, the lens much sharper and now with macro capabilities, and the battery life is much improved. There’s even image stabilisation and a touchscreen.

The 3-axis sensor stabilisation is a welcome addition – in practice, I was able to blur motion without the use of a tripod with shots as slow as 1/2 second. See Kai Wong’s video above for an example of how this could be used in the street.

The touchscreen on the Ricoh GRIII is snappy and responsive, with that all-important tap-to-focus-and-shoot function, allowing for the most inconspicuous photos – perfect for incognito street photography.

Image quality is fantastic for a compact of this size, especially the Jpegs. I shot in Vivid with the contrast increased for some additional punch, but there are plenty of nice-looking B&W filters to choose from too – another nod to classic street portraiture, with contrasty, gritty B&W options aplenty!

So what don’t I like about it? Well, the battery life could be better (I got 280 shots per charge), and I do wish the touchscreen flipped… but then again, that would probably ruin the overall design.

It’s also not the best at focusing in low light, and the LCD, despite being beautifully sharp, tends to reflect a lot in bright sunlight – since there’s no viewfinder, this can sometimes be annoying. There’s also no pop-up flash, but no one needs one of those for street photography anyway.

Also, the camera seems to take a split second to render images on the LCD during playback – it’s barely perceptible at first, but once you see it, it’s hard not to notice it again.

All in all, though, I’m struggling to find bigger reasons not to love this camera. Trust me, the Ricoh GRIII is a truly unique compact that deserves a lot more attention than it’s been receiving. It’s well worth checking it out, and if you have a bigger budget, look more to the newer GR IIIx.

Other unique design details include a diopter adjustment dial which retracts when not in use; lens measurements that appear and disappear with macro mode; a perfectly-sized thumb-grip indent; a solid-metal memory card door; a contrasting silver battery release lever… even the way that the battery has no cover and needs to be tapped to be released – this is master craftsmanship that you simply can’t find elsewhere. Describing the minute design details of the Lecia Q2 may sound insignificant and fanciful on paper, but in use it’s practical, elegant and utterly sublime, with huge RAW files that show every detail in your landscape photos.

The LCD touchscreen is amazing – sharp and responsive with a matte finish – I wish all cameras offered this. The EVF is similarly excellent – one of the best I’ve used. Startup time is great too.

The Leica Q2 features a well-engineered, practical design, even on the bottom – clockwise from top: memory card cover, battery release lever, door-less battery, manual focus ring/macro mode ring.

I was, however, a big fan of the placement of the macro mode dial, and how you engage manual focus via an indented knob on the lens ring – this combined with focus peaking and viewfinder magnification makes manual focusing simple and a lot of fun.

Why don’t I recommend it as the top compact camera for professionals? Well, even though pros will be looking for the best image quality out of a camera of this size, I think they’d also be looking for a slight size/weight saving on their main ‘workhorse’ body… and the Leica Q2 is of comparable dimensions to most full frame MILCs.

Capturing someone"s big day is not a job for the faint-hearted and is probably not recommended as your first intro to photography. Weddings are high-pressure, action-packed days where anything could go wrong so you really need to bring your A-game. There are so many moments throughout the day that you won"t get a chance to shoot again so you need to get it the right the first time and having the right kit makes it so much easier. If you"re buying new, make sure you get to grips with all the settings, shortcuts, buttons, and dials before the big day so you don"t miss anything important.

To make the list easy to navigate we"ve split the guide into three sections: starting out, upgrading, and professional. Chances are if you make most of your income from wedding photography you"ll want to jump right in at the pro-end with cameras offering a high megapixel count, advanced features such as face and eye AF as well as phase-detect autofocus, 4K video capabilities, and fast burst modes.

The X-S10 is a bit of a deviation for Fujifilm. Sharing many of the core features as the similarly priced X-T30(opens in new tab), the biggest difference is the design. For starters, there’s a more pronounced handgrip than we’re used to seeing with other X Series cameras, while the top plate has been streamlined with a less intimidating set of controls. New users will certainly find this more intuitive, while more experienced users will still enjoy a decent amount of body-mounted controls and customization. The build quality is also excellent, while the vari-angle display that can allow the screen to fold in on itself is a nice touch. The X-S10 uses Fujifilm"s excellent 26MP sensor, delivering images with excellent detail and lovely color. Then there"s the advanced 425-point system and excellent 6-stop in-body image stabilization system, while Fujifilm’s steadily built up an extensive range of lenses for the X Series that are perfect for weddings.

If you thought your first camera for wedding photography would have to have an APS-C Sensor, think again. Nikon"s entry-level full-frame DSLR is incredible value for what you get and the larger sensor means it performs better in low light. It has a continuous shooting speed of 4.5fps which isn"t the fastest, but for most wedding scenarios that will be more than enough. It has a 24.3MP CMOS sensor that not only captures beautiful, color-accurate photos but it can also shoot 4K video.

One of the biggest criticisms (and reasons wedding photographers didn"t invest) in the Nikon Z6 and Z7 is the fact they only had one card slot but Nikon listened and the Z5 has dual UHS-II so you can back up your images onto the second card. ~The 273-point hybrid autofocus system is fast and accurate and features such as eye AF will make sure your portraits are always in focus. It"s lightweight, weather-sealed, has USB-C charging capabilities, and an ISO range of 100-51,200 so even when shooting at higher ISO"s, your images will still look clean. It"s compatible with the Nikon FTZ adapter which means you can use the huge range of Nikon F mount lenses available, either brand new or second-hand if your budget is tight.

The EOS 90D sits at the top of Canon’s APS-C enthusiast range of DSLRs and features an all-new 32.5MP sensor, which sees it edge out many APS-C rivals in the resolutions stakes. That"s just a small part of the story though, as there are lots to like elsewhere. This includes the excellent vari-angle touchscreen with Canon"s polished Dual Pixel AF, which makes shooting from awkward angles a dream, while the handling is nicely sorted.

Buttons are nicely spaced, there"s a really handy AF joystick and there"s a decent-sized handgrip - really handy if you"re going to be shooting a wedding all day. The EOS 90D is also weather-sealed and while it feels a little plasticky in places, is constructed from a mix of aluminum alloy and polycarbonate resin (with glass fibre). The buffer could be better and it"s a shame there"s not an extra card slot (useful for backing up those precious shots), but otherwise, the EOS 90D is a very capable option for those looking for their first wedding camera.

The Nikon D780 takes the on-sensor phase detection autofocus of the Nikon Z6, resulting in a DSLR with the live view autofocus speed of mirrorless cameras – brilliant! Essentially, the D780 is like a modernized, supercharged version of Nikon"s still popular D750 full-frame DSLR. The D780 doesn"t just have advanced live view AF – it also comes with a high-resolution tilting touchscreen display, 4K UHD video, dual UHS-II compatible memory card slots and continuous shooting speeds up to 12fps in live view mode. Combine that with its solid design and comfortable grip and you"ve got a camera that"s an instant classic. If you can"t quite stretch to the D780, you can still pick up the Nikon D750 second hand but you"ll be hard-pushed to find it now since it was discontinued.

Fujifilm"s flagship X-mount mirrorless camera is as the name suggests, now in its fourth iteration and the result is an incredibly refined and capable camera. It might not feature a full frame like some rivals, but the 26-megapixel APS-C-sized sensor doesn"t disappoint, delivering images with rich colors and pleasing detail. Fujifilm also established an excellent range of lenses for it"s X-Series and has some very compelling options for wedding photographers. Elsewhere and pretty much most boxes are ticked, including in-body stabilization, a vari-angle touchscreen display, and decent battery life. There"s also an advanced 425-point AF system and some really advanced 4K video capabilities. Finally, there"s the handling - some will be put off by the array of body-mounted controls, but get yourself dialed in and it makes it a very easy and intuitive camera to shoot with.

Designed as Canon’s versatile all-rounder, the EOS R6 sports a pretty modest pixel count at just 20.1MP. That might put some off, but the payoff is that excellent ISO range and performance, while the Dual Pixel AF II autofocus system is borrowed from the EOS R5 (see further down) that uses machine learning to assist with subject tracking. If you"re shooting people regularly, this can be incredibly useful. The EOS R6 also gets a mightily impressive in-body image stabilization (IBIS) system that can deliver up to 8 stops of compensation when paired with an RF lens that features Canon’s In-Lens (IS) image stabilization system. There"s no top-plate LCD that some might find disappointing, while predominantly reinforced polycarbonate construction is a slight letdown compared to some rivals. That aside, the EOS R6 is a highly capable and advanced camera that"ll tackle a wedding with ease. Note, that there is also a new Canon EOS R6 Mark II, that offers more megapixels, faster shooting, and better video features - for a higher price (see our Canon EOS R6 vs R6 Mark II(opens in new tab) guide).

Nikon"s mid-price full-frame mirrorless camera has a lot to offer the wedding photographer. For starters, you’re certainly not going to be disappointed with the results from the 24.5MP back-illuminated sensor, while the Z6 II can shoot great 4K video as well (up to 60p once Nikon launches a firmware update). The 273-point phase-detect AF system in the Z6 is a solid performer with coverage across 90% of the frame and includes EyeAF that"s become popular elsewhere. The Z6 II is also capable of shooting at a very rapid 14fps with the mechanical shutter and has a decent buffer depth too. We really like the feel of the Z6 II in the hand as well thanks to the pleasing textured grip and the generous use of magnesium alloy used on the body panels. Like the sound of the Z6 II but want more pixels? Check out its bigger brother, the 45MP Nikon Z7 II(opens in new tab).

The most expensive camera here (by quite a long stretch), the Canon EOS R5 packs in a whole lot of tech. While the 8K video might grab the headlines (and not all for the best reasons), there"s plenty to get excited about elsewhere. The 45MP full-frame sensor is hard to fault, while the class-leading AF system is simply the best we"ve seen on a camera. Clever enough to track faces even if they are obscured, this will pay huge dividends when shooting weddings, while the 12fps (20fps with electronic shutter) burst shooting speed will mean you never miss a shot. There"s also the hugely impressive in-body image stabilization (IBIS) system that can compensate for up to 8 stops when paired with an optically-stabilized RF lens. Expensive yes, but it certainly doesn"t disappoint.

If you want huge files that offer plenty of flexibility when it comes to cropping and post-production, then look no further than the Alpha A7R IV from Sony. With a whopping 61 megapixels on tap, this easily beats other mirrorless and DSLR cameras in the resolution stakes. It"s only bettered by much pricier medium format cameras. However, it"s not just about image quality though as the A7R IV doesn"t sacrifice performance. It"s able to shoot at 10fps and is supported by a highly capable 567-point AF system that includes Sony"s excellent EyeAF tech. There"s also a dependable 5.5-stop in-body image stabilization (IBIS), but the A7R IV isn"t perfect. Perhaps its biggest handicap is the handling - it"s certainly more refined than older models, but it"s just not quite as accessible as rivals from Canon and Nikon. An updated, faster by more expensive, Sony A7R V has just been announced which offers a bigger buffer for burst mode, better IBIS, and a dual-pivot vari-angle screen.

In a world of advanced mirrorless cameras, the D850 might feel a bit behind the times, but that feeling will change once you start shooting with it. One of the best (if not the best) DSLRs ever made, the D850 is the perfect do-it-all DSLR and one of the best wedding cameras going. This is thanks to a number of factors - there"s the excellent 45MP full-frame with a broad dynamic so you can get every bit of detail from the bride"s dress, and the advanced 153-point AF gets the job done. It might be heavy compared to mirrorless rivals, but its durable weather-sealed build means it"s ready to get drenched in champagne and carry-on shooting. And it will carry on shooting with a deeply impressive battery life that will embarrass any mirrorless camera. A modern classic.

Stills aren’t the only place the Fujifilm X-T4 shines. There are significantly more video options than almost all other mirrorless cameras out there and is hands-down amazing at what it turns out.

It shoots 4K video at 60Fps, and the Eterna and new Eterna Bleach Bypass film simulations are great if you can’t be bothered to colour-grade your footage.

Thanks to the new LCD that flips around 180 degrees, it makes an ideal vlogging camera as there is no longer a need for an external monitor to be able to see yourself.

Dual memory card slots accepting the fastest UHS-II SD cards really cement the X-T4’s position as a camera for serious pros. In-camera backup is pretty much a necessity for wedding photographers and anyone else who needs to create a level of redundancy for their images while in the field.

There’s just next to nothing this camera doesn’t do well. It’s small enough for travel and street photography, high quality enough for landscapes and portraiture, and unbeatable for video and vlogging.

Basically, if you can afford it, the Fuji X-T4 is a near-perfect camera that is the best blend of size, price, and quality out there for Fuji mirrorless cameras. I’ve even known people to ditch their full-frames for this little guy.

And for video… just wow. Thanks to the new flipping LCD and film simulations, the X-T4 is definitely the way to go for a hybrid shooter who needs to take pro-grade stills images, then at the flip of a switch, record broadcast-quality video footage.

First off, the Fuji X-H1 is a beefier camera. It’s not massive like a Full Frame DSLR – it’s just a little bigger. This makes it a much better match for longer/heavier lenses.

Thanks to the added space on the body, the AFL and AEL buttons feel better than on any other X series camera. The increased size of the handgrip also works better for those with larger hands – this is one of the few mirrorless cameras that doesn’t make me miss the ergonomics of my DSLRs.

Of course, with the increased size you also get more weight. For some, this will be a downer, however, the increased weight compared to a DSLR is nothing and the X-H1 will feel fantastic in the hand.

Using IBIS to allow lower ISO levels on an APS-C sensor camera is a big advantage – you’re able to shoot handheld at much slower shutter speeds than you would do otherwise, meaning that there’s no need to crank up the ISO to achieve a sharp shot in low light.

Another reason is the X-H1’s feather-touch shutter button which is new to the Fuji lineup. It takes a while to get used to, but once you do, the shutter on every other camera will seem sluggish. Really, “feather touch” is not an exaggeration here – the slightest brush of the button and your shot is taken.

The video on the Fuji X-H1, however, doesn’t really come close to the X-T4. The X-H1’s older processor just doesn’t keep up with some of the newer features, though the firmware updates do make a huge difference.

Personally, I have big hands, and found the transition from a DSLR body to a smaller mirrorless a little annoying, especially without the use of a camera grip. However, with the X-H1, I feel right at home.

The Fujifilm X-Pro3 (review) is one of Fuji’s latest X-series cameras (2019) and continues the positive reputation of the X-Pro series. Its style and build are designed to emulate the feel of film photography. Further to this, it is trying to forge a closer relationship between the camera and the shooting experience.

The electronic viewfinder, which is approx. 3.69 million dots OLED, works like the standard mirrorless viewfinder, showing the LCD image and information.

As you would expect, the optical viewfinder displayed the real world with an LCD overlayed to show you key camera settings. A new feature of this is the ability to see in advance how the image from different focal length lenses would be framed.

The hybrid option of the clever viewfinder is to have the full optical screen and then in the bottom right-hand corner, a small LCD appears to show you picture in picture. You use this much the live view with an LCD so you can ensure that you white balance, ISO and other settings are optimal.

Especially if you’re a sports photographer, photojournalist, or wildlife photographer you may honestly never want to go back to the LCD only displays of the X-E or X-T series.

The Fuji X-Pro3 has a truly unique and retro style to it. The LCD is hidden and you have constant access to the sub-monitor for film simulation and shooting data.

When it comes to video, the Fuji X-pro 3 has improved on its previous iteration as it supports full 4K video at up to 29.97p. While not marketed as Fuji’s flagship model for video, the X-Pro 3 produces exceptional video quality, especially with the relatively recent Eterna film simulation.

The Fuji X-Pro-3 is the latest flagship camera meaning that it will suit advanced amateurs and professionals. The biggest attraction to this camera will be the outstanding image quality, retro styling and the unique hybrid viewfinder. The key difference between selecting this camera and the new X-100V is that the X-Pro-3 has interchangeable lenses.

The Fujifilm X-T200 (review) is a super-compact entry-level mirrorless designed to appeal to mobile phone users who want to enter photography – much like the X-A7.

This upgraded version from the original X-T100 has a new and improved grip making it far easier to hold – especially for those of us with bigger hands.

The Fuji X-T200 about half the weight of many of the more advanced X-series cameras. In fact, the Fujifilm X-T200 is downright tiny but still manages to feature a decent 3 inch tilting touchscreen.

Talking of the screen, a key feature for all the vloggers out there is the ability to flip the screen to the front. This means that when combined with a wide-angle lens, the Fujifilm X-T200 can be used to film yourself at arm’s length – fortunately, there’s also an external 3.5mm mic input, HDMI and USB-C connectors.

The huge 16:9 ratio touch screen allows for full menu control as well as a simple icon menu system that will be appealing to smartphone photographers.

If you’re looking for a hassle-free entry-level mirrorless camera that can be had for less than 700 bucks, you can’t wrong with the Fujifilm X-T200. The front-flip LCD screen is also unique on an inter-changeable camera at this price point.

It’s also a great second camera for the pro or advanced amateur when they don’t want to lug around all their heavier gear – just be aware that there’s only one card slot.

It also makes a great backup body to the X-T3 or X-T4, but remember, there’s only one card slot. If Fujifilm had provided a dual card slot, I don’t see any real reason that professionals would keep buying the X-T3 over this little pocket-rocket.

It also has a few additional functions designed to cater to the less professional photographer (i.e. Advanced SR Auto, etc.). Also, the Fujifilm X-T30 is somewhat smaller, which will be a big plus to travel photographers.

The only real trade-offs for going with the X-T30 are a limited buffer, fewer body controls (it’s a smaller camera), no weather-proofing and only one card slot. Otherwise, it’s essentially the same camera as far as still photography is concerned.

Video is really the only place where you might be disappointed with the Fujifilm X-T30’s performance, and that’s primarily because you’re limited to 10-minute clips. (I suspect this is because the camera’s so small – it would probably overheat if it went longer.)

Still, during those 10 minutes, it can record 8-bit 4:2:0 video direct to the SD card or 10-bit 4:2:2 video to an external recorder. That gives you plenty of post-processing leeway.

Eterna has actually been one of the most compelling reasons for videographers to use the newer Fujifilm cameras that offer it – the flat, low-saturation look offers more flexibility for post-production, but also looks beautiful straight out of the camera.

In my mind, it’s only the hardened professional who absolutely needs a weather-proof body with dual card slots, who would pay the extra to get the X-T3 or X-T4.

The X-A7 features a large 16:9 ration LCD touch screen that can face the front – perfect for filming yourself vlogging, or for that all-important selfie-shot – there are even in-camera selfie settings that help you look your best!

As far as video is concerned, the full HD video quality is high-quality. This has been boosted to shoot a respectable 4K video at 29 fps making this a perfect camera for vlogging or for holiday videos.

It takes great photos (both Raw and Jpeg), is available in a range of colours (the fake-leather accents are a nice touch), and offers a low-priced entry-point to the great X-mount Fujinon lenses.

The built-in ND filter is also a great touch, and something I find myself using it a fair bit when shooting the kids out in the broad daylight – it’s nice to still be able to get a shallow depth of field with that gorgeous f/2 lens.

Overall, I highly recommend this camera, whether you’re a professional or a beginner. The Fujifilm X100V is a fantastic all-round camera that’s perfect as an everyday workaround or even used to earn money as a pro photographer – just remember there’s only one card slot.

The tack-sharp lens, the professional image quality, and the no-hassle compact-size make the Fujifilm X100V the perfect everyday carry camera for the dedicated photographer.

The main reason to upgrade from a smartphone to the Fujifilm XF10 is sensor size – the APS-C CMOS sensor inside the XF10 is a full 14 times larger than the sensor inside conventional smartphones.

It’s hard to mark the Fujifilm XF10 down for all the features that it’s missing, like a tilting or vari-angle rear screen, viewfinder, image stabilization, etc., since it’s not meant to be that kind of camera. Think of it as a luxury point-and-shoot.

Another bonus is that the XF10 is super-easy to use. The 3″ touchscreen operates just like a smartphone, responding to pinch and zoom, drag, and swipe gestures. The controls are so simple, in fact, most can operate it easily with just one hand.

So if you travel a lot or simply want a lightweight camera that outperforms your smartphone, you’ll want to take a serious look at the Fujifilm XF10. Its slim size, sharp wide-angle lens, and excellent image quality make it one of the best pocket-camera options in this price range.

It does have its limitations, but that’s to be expected for an inexpensive point and shoot camera that’s not trying to shoot up there next to the big boys – the XF10 has created its own niche in the pocket camera market, and it’s currently dominating it very well.

Roughly the size of a DSLR, the GFX 50R (review) combines the incredible image-capturing performance of a medium format camera, the handheld familiarity of a DSLR, and the irresistible film-like design we all know and love in a Fujifilm camera.

Also, don’t expect to be doing much video on this camera. Today’s medium format cameras still don’t have what it takes for being good at shooting video, and the Fuji GFX 50R is no exception. If you’re buying this camera, it’ll be for the exceptional stills it can create, not its video.

When you first see and pick up the Fujifilm GFX100 you are almost immediately intimidated by its size. With the appearance of a Fuji X-T4 with a battery grip, it still holds that true Fuji retro design.

In terms of its size, this is around the size of a big pro-level DSLR, if not bigger. The GFX100 produces images with insane levels of detail thanks to its exceptional image capturing performance, all within a familiar Fuji retro body packed full of features.

Despite its size, the GFX100 is still a relatively portable camera and would perform exceptionally well in wedding and portrait photography. Thanks to its comprehensive weather sealing, you will not hesitate to get out and about with this camera to capture gorgeous images not just in the studio setting.

The build quality of this GFX camera is outstanding with a retro feel that in no way compromises ergonomics and handling. Due to its size, the GFX100 has a built-in handgrip that houses dual batteries and provides additional controls for portrait orientation shooting. Whilst a heavy beast of a camera, it’s still very easy to work with and the interchangeable EVF provides flexibility in how you operate the camera.

Control dials and buttons have been sensibly placed to ensure ease of use and familiarity of control and there are terminal ports for studio shooting or for videography built-in.

Whilst not the most practical camera for video, most medium-format cameras are ineffective at video, the GFX100 does shoot 4K at 30p which is pretty respectable.

What if you want the X-T4… but can’t afford it?!Get the Fujifilm X-T30 – amazing bang for the buck, and a baby version of its big brother. Most of the best features, for a lot less money.

Want the best Fuji camera for vlogging?While all the Fuji cameras offer great video recording, it’s the X-T200 that offers that all-important front-facing screen.

Yes – generally speaking, Fuji cameras offer excellent video recording capabilities. The Fujifilm X-T200 is a great one for YouTubers as it is light and also has a front-facing screen.

Nothing quite wows your guests like one of the best digital photo frames. The latest models can offer a picture quality so sharp, that the detail will make you feel as if you’re actually there. And with colors so vibrant and vivid, you may have to double-take what you see. Digital photo frames are offering more features and add-ons than ever before as well. Some can play video footage accompanied by sound, while others offer useful utilities such as calendars, alarms and even the weather forecast.

The best thing about the Pix-Star 15-inch Wi-Fi Cloud Digital Photo Frame is its stunning photo quality. With the 4:3 aspect ratio on a 1024 x 768-pixel screen, images look crisp, bright and clear. You can make adjustments to the LED backlit screen for brightness, hue and contrast depending on ambient lighting.

This gadget lets you link up to 25 frames from a single account, where you can send and receive images and audio messages directly to and from connected frames. You can also view pictures from web albums, including Google Photos and Facebook. The frame has 4GB of onboard memory and supports USB thumb drives and SDHC/SDXC camera cards.

The Atatat Digital Photo Frame impressed us with its visual quality, offering a vibrant display without artificially punching up the colors. While it’s a small screen, the widescreen format gives the impression of shots being bigger than they actually are. It’s quite a versatile design too, with calendar utilities and the ability to play images, movies and music over a slideshow.

This model comes with a separate remote control, rather than a touch screen — so you don’t need to worry about marring the screen with fingerprints. It’s also very easy to set up and intuitive to use, as there’s no software or app connectivity necessary; simply plug in a memory card or USB drive, and it does the rest. It would appeal to a non-technical audience for this reason.

If image quality means more to you than anything, the Aura Mason Luxe Frame is the one to beat. With a resolution of 2048 x 1536 on its 2k screen sealed within a 9.7-inch frame, its quality can only be described as outstanding. That"s why it"s earned the Tom"s Guide 2022 Award for Best digital photo frame. Colors couldn’t be more vibrant or realistic and coupled with its two touch bar controls, the operation of this frame is as intuitive as it gets. True, there’s no touchscreen, but that only saves the screen from oily fingerprints obstructing the view in our opinion.

The Nixplay Smart Photo Frame 10.1 Inch Touch is the latest addition to company"s range of digital frames. It offers a compact midsize design which will fit in to most rooms and the display is bright enough to add character to your images and really make the landscapes "pop". It won"t waste electricity, thanks to the voice and motion activated sensors, and it couldn"t be more easy to use with the touch screen navigation. Because of this, it would suit those who are new or experienced with this kind of product.

Friends and family can easily upload photos to this frame from their own Nixplay account or email them in directly. There"s great social media image access as well, including Facebook, Google Photos, Instagram, Dropbox, Flickr, and Verison. There"s very little to complain about this frame, other than the lack of onboard SD cards or memory sticks. There"s no remote to lose, it"s intuitive to operate and design is simple, yet sophisticated.

PhotoSpring 10 has the unique advantage of two different visual frame modes: a traditional matted look with a black, gallery style outer frame or a streamlined modern look. After removing the top black frame, it’s easy to see how superior the plain white frame looks and how nicely it sets off your images, but it’s your choice and switching modes is easy. This frame is for tabletops only for now — no wall mounting unless you purchase a power cable with a 90-degree magnetic connector, which the company says will be available as an accessory.

PhotoSpring’s flexibility extends to its mode of input. You can send up to 30MB of photos directly to the frame via email, proprietary app, text, photos app share button, or from a browser. All media uploaded to the frame is automatically stored on the device. High-resolution videos of up to five minutes in length (or 1GB file size) play automatically in an integrated slideshow, though the frame does not recognize Apple’s Live Photos as videos, only stills.

Various onscreen controls are accessible via a subtle green dot at the upper right corner. It’s hard to discern at first — you may have to consult the instructions unless you find it by chance while poking around the screen — but once you discover and tap it, the current image zooms out to reveal on-screen controls that let you delete, hide, favorite, alter rotation, add to an existing album, adjust formatting, or mail images to or from the frame. A settings menu facilitates the management of cloud accounts like Google Photos for sync or backup or Flickr for sync.

The interface also lets you invite friends to upload images to your frame, change brightness and volume levels, schedule the frame on and off, and set up parameters for viewing slideshows and onscreen EXIF info for each image. We tested the Premium version of the frame, which features four hours of battery life, as opposed to the standard version, which you must keep plugged in.

Nixplay"s 10.1 inch Smart Digital Picture Frame, with its 1280 x 800 pixel display, and wide 16:10 aspect ratio, makes your photos and videos pop with dazzling color and detail. Watch photos and videos a part of a playlist and set up slideshows with multiple timed transitions for endless entertainment in either portrait or landscape orientation.

The Facebook Portal displays your photos from Facebook and Instagram on a 10-inch touchscreen that"s easy to use. But you can also use this device to make video calls using Facebook or WhatsApp. The Portal"s smart camera is smart enough to follow you around (by panning and zooming) as you move. Plus, you can apply fun filters to add some personality to your chats.

The Dragon Touch frame’s 10.1-inch, 16:10 touch screen lets you view everything from static images and slideshows with special effects transitions to 30-second video clips complete with a headphone jack for audio. There’s also multiple ways to input images into the frame, including an SD card, USB thumb drive, and Wi-Fi uploading.

Image quality is top notch with bright detail and vivid colors. The Dragon Touch has some cool goodies, including video with sound, an alarm, calendar, and local weather. While there is no motion sensor to power down the frame when there’s no one in the room to view it, you can set a schedule.

The Feelcare is a compact, handy picture frame that displays your images beautifully. Its black matte plastic exterior is low key and subtle so it looks nice in any room. With a 1024 x 600, 16:9 picture, image quality is crisp and clear, and you can use the touch screen to adjust brightness.

The frame operates via a proprietary app for iOS or Android, or you can manually load images via a micro SD card directly into the frame, which has 8GB of internal storage. The frame saves the photos and videos to the built-in memory and you can use the touch screen to delete, hide, and adjust photos. Note that videos play for only 15 seconds.

The unit has no touch screen, no built-in memory and no remote control. The 800 x 600 TFT LCD screen resolution offers some basic adjustments for positioning images on screen, how long each image lingers and the screen brightness. You can plug in SD camera cards (up to 32GB) or a USB stick.

The navigational controls are on the back of the unit and each command registers with a toy-like click, but you must put your hands on the frame to change controls. Strangely, you can"t change any of the controls unless all SD cards and USB drives are removed from the unit.

The unit features a generic plastic frame that comes with a screw-in plastic stand, but there is no hole for wall hanging. Normal-size USB drives stick out of the frame"s side. You can choose from 11 transition styles and display photos from 3 seconds to 1 hour.

You should also take account of how technical you are and where your photos are stored. Non-connected frames tend to be the easiest to use because you don’t have to set up accounts or networks to transfer the images. Instead, you can insert camera cards or USB thumb drives directly into the frame and load up to 32GB of footage.

Additional specs we look at are storage and sensors. Some digital photo frames feature onboard memory, while others rely on Wi-Fi streaming, USB thumb drives or camera SD cards. If you must use a camera card or a USB stick, be sure that the frame"s body adequately keeps them out of sight.

The a7 IV sees just about every one of its specifications improved over the a7 III, from basics such as the resolution of the sensor and viewfinder to significantly increased video capture options.

Full-width 4K video takes around 26.5ms, which is comparable with the other models in its class. Like most of its rivals, it"s likely the camera is dropping to 12-bit readout for video mode, but the process of downsampling from 7K to 4K should reduce noise and hence prevent DR dropping to ~12EV. 60p footage has a rolling shutter rate of around 12.8ms, which is low enough to avoid distortion of all but the fastest movement.

The a7 IV does exactly this, and has modes that can detect and more accurately track animals, including birds, dogs and cats. For the first time, these animal detection capabilities extend to the camera"s video mode, too.

The a7 IV still offers a dizzying array of AF area modes (including "tracking" variants of each), but you can at least disable all the ones you don"t use. The tracking versions are unavailable in video mode: instead, you tap the rear screen to select a subject for the AF to follow.

Movie mode gets its own switch, rather than being part of the exposure mode dial. A menu option in the setup menu lets you choose which settings are carried over and which are maintained separately for stills and video.

The a7 IV adds a Breathing Compensation mode that crops and resizes the video to cancel out any change in a lens"s angle-of-view (AoV) as it focuses. The mode only works with select Sony lenses (all the GM lenses and some G series glass), as the camera needs a profile of the breathing characteristics. Video is cropped to match and maintain the narrowest AoV that might occur if you focused from minimum focus distance to infinity, meaning there"s no distracting change of framing as you refocus.

After autofocus, the biggest area of improvement is in terms of video capability. The a7 III was the first a7 model to offer 4K capture. Its implementation was pretty good for early 2018, with oversampled 24p capture from the full width of its sensor but a crop required for 30p shooting. All footage was captured in 8-bit precision, at relatively modest bitrates.

Eye AF and the improved tracking system are now available in video mode, which should substantially increase the degree to which you can depend on autofocus staying on your chosen subject. As in stills shooting mode, the camera has been trained to recognize humans, animals and birds.

A menu option