panasonic lcd monitors free sample

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Plasma TV production ended in 2015. However, they are still being used and sold in the secondary market. As a result, it"s helpful to understand how a Plasma TV works and how it compares to an LCD TV.

This information applies to televisions from a variety of manufacturers including, but not limited to, those made by LG, Samsung, Panasonic, Sony, and Vizio.

LCD crystals do not produce light, so they need an external source, such as fluorescent (CCFL/​HCFL) or LEDs, for the picture created by the LCD to become visible to the viewer.

Unlike a Plasma TV, since there are no phosphors that light up, less power is needed for operation, and the light source in an LCD TV generates less heat than a Plasma TV. There is no radiation emitted from the screen.

Potentially shorter display lifespan. Early models had 30,000 hours or 8 hours of viewing a day for nine years, which was less than LCD. However, screen lifespan improved and 60,000-hour lifespan rating became the standard, with some sets rated as high as 100,000 hours, due to technology improvements.

Not as good at tracking motion (fast-moving objects may exhibit lag artifacts). However, this has with the implementation of 120Hz screen refresh rates and 240Hz processing in most LCD sets, but that can result in the "Soap Opera Effect," in which film-based content sources look more like a videotape than film.

Narrower effective side-to-side viewing angle than Plasma. On LCD TVs, it is common to notice color fading or color shifting as you move your viewing position further to either side of the center point.

Although LCD TVs do not suffer from burn-in susceptibility, single pixels can burn out, causing small but visible, black or white dots to appear on the screen. Individual pixels are not fixable. Replacing the whole screen is the sole option if the pixel burnout becomes unbearable.

An LCD TV was typically more expensive than an equivalent-sized (and equivalent featured) Plasma TV. However, that is no longer a factor, since companies have ceased manufacturing Plasma TVs.

Manufacturers chose to incorporate 4K resolution only in LCD TVs, using LED back and edge-lighting, and, in the case of LG and Sony, incorporating 4K into TVs using OLED technology.

The Panasonic LUMIX DC-FZ82 (also known as the Panasonic Lumix DC-FZ80) is a super-zoom bridge camera featuring a 60x zoom lens equivalent to a focal range of 20-1200mm.

Other key features include an 18.1-megapixel High Sensitivity MOS sensor, 3-inch 1040K-pixel LCD touchscreen, 1,170k Live View Finder (LVF), and 4K (3840 x 2160pixel) video recording at 30/25/24fps including the ability to extract 8 megapixel images from the 4K video.

The Panasonic DC-FZ82 has a 18.1-megapixel High Sensitivity MOS Sensor, plus a 60x zoom lens which provides an incredible focal length the equivalent of an ultra wide angle 20-1200mm in 35mm terms. It features hybrid POWER O.I.S. (Optical Image Stabilizer) with Active Mode to help prevent image blur from camera shake.

The MOS sensor greatly increases the camera"s burst shooting options, with a fastest setting of 10fps with both focus and exposure fixed at the first frame, or 6fps with continuous auto-focusing. Other notable features include a decent 1,170k dot EVF and a 3-inch LCD touchscreen.

The Panasonic FZ82 certainly looks like it means business, llooking very much like a DSLR from a distance, and , it handles a lot like one too. The large-ish, bright and clear electronic viewfinder with a prominent eye relief means that we just about get away with avoiding our nose smearing up against the main monitor screen, though the larger screen is what we most naturally found ourselves using when setting up or reviewing shots.

To help hold the Panasonic FZ82 nice and steady at the 1200mm maximum zoom, there"s a comfortably moulded handgrip around which we were able to wrap three fingers, leaving our forefinger to hover expectantly over the shutter release button. The latter sits atop the handgrip, tilting forward at an ergonomic angle, encircled by a zoom lever.

Post Focus is a new function that enables users to select the in-focus area after shooting simply by touching it on the LCD screen. The new Post Focus Stacking function enables users to take multiple images of the same frame with different areas in focus, then combine all or selected focus areas into one image.

On the FZ82 the selectable shooting modes include the expected intelligent Auto setting and palette-like icon indicating creative controls. The Panasonic has eight screens’ worth of digital effects on board selectable in this mode.

The Panasonic Lumix DC-FZ82 provides access to the same creative exposure P,A,S,M modes that are selectable when shooting stills. You also get access to all the Photo Style and Creative Control modes when shooting video, plus the ISO settings, white balance and AF tracking, while the normal bugbear of exterior location shoots is also dealt with thanks to a wind cut option.

The Panasonic Lumix DC-FZ82 has a time lapse function in which you can set the time interval and the number of images to take, plus a multi-exposure option that lets you combine up to four exposures in a single frame, while the Stop Motion Animation mode allows you to create unique stop motion videos.

The ‘hump’ in the middle of the top plate houses the electronic viewfinder, flash hotshoe, stereo microphone and pop-up flash, with holes for the speaker over on the left. Moving our attention to the backplate, this is dominated not only by the LCD screen, but also by the aforementioned EVF that juts out above it.

The Panasonic FZ82"s LCD screen is commendably touch sensitive. All of the menu options can be changed via the touchscreen interface, and you can also control image playback, with the ability to tap a thumbnail to see the full-size version, scroll through your images by dragging them from side to side, and magnifying them up to 16x.

The most immediately noticeable function is the ability to use the 1-area AF mode to focus on your main subject simply by touching it on the LCD. If the subject then moves, the DC-FZ82 cleverly follows it around the screen using the the AF tracking function. If the subject exits the frame entirely, simply recompose and tap it again to start focusing. Impressive stuff that makes focusing on off-center subjects fast and intuitive.

It is a little too easy to accidentally press the screen and set the focus point to the wrong area for the current subject, but a simple tap in the middle of the LCD will center the AF point (or you can turn this feature off altogether).

One other great benefit of the touch-screen control system is that Touch Auto Focusing is available in movie recording, enabling pro-level rack-like focusing simply by pointing at the subject on the LCD screen.

When Intelligent Auto is switched on, the Panasonic FZ82 changes the scene mode used when you touch the subject, for example selecting portrait mode if you touch a face and macro mode if you touch a close-up flower. If you prefer to manually focus rather than use the snappy AF, you can magnify any part of the subject by 1x, 5x or 10x by simply dragging a yellow box around the screen.

Sadly the Panasonic FZ82"s eye-level electronic viewfinder doesn"t have a built-in eye sensor immediately below, which on more expensive models automatically activates the LCD when it senses the proximity of an eyeball. Instead there"s a LVF button to the right of the EVF, which toggles it on and off.

The default setting of the ‘Fn3’ button in the shooting mode (which doubles up as a dedicated ‘Delete’ button in playback mode) provides access to the usual Panasonic ‘Quick Menu’ bar. Selectable from this are the Photo Style settings, which here range from the default ‘Standard’ setting to Vivid, Natural, Mono(chrome), Scenery, Portrait, and Custom options.

The Panasonic Lumix DC-FZ82 produced images of good quality during the review period. It produces noise-free images at ISO 80 to 400, with limited noise starting to appear at ISO 800. ISO 1600 exhibits quite visible noise and loss of fine detail, and the fastest settings of ISO 3200 and 6400 are even noisier but still usable for small prints and web use.

The Panasonic FZ82 dealt well with chromatic aberrations, with limited purple fringing effects appearing only in high contrast situations. The pop-up flash worked well indoors, with no red-eye and adequate exposure. The night photograph was excellent, with the maximum shutter speed of 60 seconds allowing you to capture plenty of light.

The large number of Creative Controls and Photo Styles allow you to quickly and easily customise the look of the Panasonic DC-FZ82"s JPEG images. We struggled to see any differences between the Intelligent Resolution settings, but Intelligent D-range is an effective feature for capturing more detail in the shadows and highlights, as is the HDR mode.

The Panasonic Lumix DC-FZ82 has 2 different JPEG image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.

The Panasonic Lumix DC-FZ82 handled chromatic aberrations excellently during the review. There"s some slight purple fringing between areas of high contrast, but it"s only noticeable on close inspection, as shown in the examples below.

The Panasonic Lumix DC-FZ82 offers a Macro setting that allows you to focus on a subject that is 1cm away from the camera when the lens is set to wide-angle. The first image shows how close you can get to the subject (in this case a compact flash card).

The flash settings on the Panasonic Lumix DC-FZ82 are Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off, and Flash Synchro. These shots of a white coloured wall were taken at a distance of 1.5m.

The Panasonic Lumix DC-FZ82"s maximum shutter speed is 2 minutes in the Bulb shooting mode, which is great news if you"re seriously interested in night photography. The shot below was taken using a shutter speed of 30 seconds at ISO 80.

The Panasonic Lumix DC-FZ82 has an antishake mechanism which allows you to take sharp photos at slower shutter speeds than other digital cameras. To test this, we took 2 handheld shots of the same subject with the same settings. The first shot was taken with the stabilizer turned off, the second with it turned on. As you can see, with image stabilisation turned on, the images are sharper than when it"s turned off.

Post Focus is a new function that enables users to select the in-focus area after shooting simply by touching it on the LCD screen. The first three images show the effects of switching between the three memory cards.

The Panasonic Lumix DC-FZ82"s Intelligent Resolution feature makes a standard image look like a higher resolution one by processing the contour areas, texture areas and smooth areas individually, with three different strengths available and an Extended setting which extends the zoom range.

The Panasonic Lumix DC-FZ82"s Intelligent Dynamic setting adjusts the exposure setting to record more detail in the highlights and shadows, with three strengths available - low, standard and high.

The Panasonic Lumix DC-FZ82"s HDR setting automatically akes and combines three differently exposed shots to record more detail in the highlights and shadows, with three EV strengths available.

The Panasonic Lumix DC-FZ82 has 6 preset Photo Styles, with Standard as the default setting. The contrast, sharpness, saturation and noise reduction can be individually set for each picture style, and there is also a Custom style so that you can create your own look.

This is a selection of sample images from the Panasonic Lumix DC-FZ82 camera, which were all taken using the 18 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

The Panasonic Lumix DC-FZ82 enables users to capture RAW and JPEG format files. We"ve provided some Panasonic RAW (RW2) samples for you to download (thumbnail images shown below are not 100% representative).

The new Lumix DC-FZ82 replaces the 3 year-old FZ72 as Panasonic"s most affordable super-zoom camera, with only the 60x, 20-1200mm F2.8-5.9 zoom lens remaining the same.

The Panasonic Lumix DMC-FZ82"s image quality - like so many others - suffers when you start raising the ISO, something that you have to do to prevent camera shake at the more extreme focal lengths. Being pedantic, noise comes through quite early, but it"s tolerable until ISO 800.

Overall, though, the Panasonic Lumix DC-FZ82 is a compelling budget superzoom bridge camera, especially if you mostly take photographs outdoors or you"re experienced enough to work around the limitations of combining such a small sensor with such a large zoom lens.

The new Canon PowerShot SX60 HS super-zoom camera has an astonishing 65x lens with a massive focal range of 21-1365mm. The Canon SX60 HS also offers a 16 megapixel back-illuminated CMOS sensor, 3 inch vari-angle LCD screen, electronic viewfinder, full manual controls, RAW format support, 6.4fps burst shooting, built-in wi-fi and NFC connectivity, and full 1080p HD movies. Read our detailed Canon PowerShot SX60 HS review to find out if it"s the ultimate do-it-all camera...

The Fujifilm FinePix S9900W is a bridge camera with a massive 50x, 24-1200mm zoom lens. The Fujifilm S9900W also offers built-in wi-fi, full 1080p movies at 60fps with stereo sound, a 3 inch LCD screen, electronic viewfinder, 10ps burst shooting and a 16 megapixel back-illuminated CMOS sensor. Read our Fujifilm FinePix S9900W review now...

The new Kodak PixPro AZ521 super-zoom camera features a massive 52x zoom lens with a focal range of 24-1248mm. Other highlights of the affordable Kodak AZ521 include a 3 inch LCD screen, full 1080p HD movies, and a 16 megapixel CMOS sensor. Read our in-depth Kodak PixPro AZ521 review now...

The Panasonic Lumix FZ80 / FZ82 is an attractive all-in-one camera combining versatility, ease of use and advanced functionality to help take photographers far beyond the capabilities of their smartphone or compact camera.

・ The software to process RAW file on PC is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory"s website using PC connected to the Internet./・ The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet./・ The software for PC is not bundled with this camera. Please use the software pre-installed to the PC or other general image viewing software to browse pictures.

Until about 2007, plasma displays were commonly used in large televisions (30 inches (76 cm) and larger). By 2013, they had lost nearly all market share due to competition from low-cost LCDs and more expensive but high-contrast OLED flat-panel displays. Manufacturing of plasma displays for the United States retail market ended in 2014,

Plasma displays are bright (1,000 lux or higher for the display module), have a wide color gamut, and can be produced in fairly large sizes—up to 3.8 metres (150 in) diagonally. They had a very low luminance "dark-room" black level compared with the lighter grey of the unilluminated parts of an LCD screen. (As plasma panels are locally lit and do not require a back light, blacks are blacker on plasma and grayer on LCD"s.)LED-backlit LCD televisions have been developed to reduce this distinction. The display panel itself is about 6 cm (2.4 in) thick, generally allowing the device"s total thickness (including electronics) to be less than 10 cm (3.9 in). Power consumption varies greatly with picture content, with bright scenes drawing significantly more power than darker ones – this is also true for CRTs as well as modern LCDs where LED backlight brightness is adjusted dynamically. The plasma that illuminates the screen can reach a temperature of at least 1,200 °C (2,190 °F). Typical power consumption is 400 watts for a 127 cm (50 in) screen. Most screens are set to "vivid" mode by default in the factory (which maximizes the brightness and raises the contrast so the image on the screen looks good under the extremely bright lights that are common in big box stores), which draws at least twice the power (around 500–700 watts) of a "home" setting of less extreme brightness.

Plasma screens are made out of glass, which may result in glare on the screen from nearby light sources. Plasma display panels cannot be economically manufactured in screen sizes smaller than 82 centimetres (32 in).enhanced-definition televisions (EDTV) this small, even fewer have made 32 inch plasma HDTVs. With the trend toward large-screen television technology, the 32 inch screen size is rapidly disappearing. Though considered bulky and thick compared with their LCD counterparts, some sets such as Panasonic"s Z1 and Samsung"s B860 series are as slim as 2.5 cm (1 in) thick making them comparable to LCDs in this respect.

Wider viewing angles than those of LCD; images do not suffer from degradation at less than straight ahead angles like LCDs. LCDs using IPS technology have the widest angles, but they do not equal the range of plasma primarily due to "IPS glow", a generally whitish haze that appears due to the nature of the IPS pixel design.

Superior uniformity. LCD panel backlights nearly always produce uneven brightness levels, although this is not always noticeable. High-end computer monitors have technologies to try to compensate for the uniformity problem.

Uses more electrical power, on average, than an LCD TV using a LED backlight. Older CCFL backlights for LCD panels used quite a bit more power, and older plasma TVs used quite a bit more power than recent models.

Every pixel is made up of three separate subpixel cells, each with different colored phosphors. One subpixel has a red light phosphor, one subpixel has a green light phosphor and one subpixel has a blue light phosphor. These colors blend together to create the overall color of the pixel, the same as a triad of a shadow mask CRT or color LCD. Plasma panels use pulse-width modulation (PWM) to control brightness: by varying the pulses of current flowing through the different cells thousands of times per second, the control system can increase or decrease the intensity of each subpixel color to create billions of different combinations of red, green and blue. In this way, the control system can produce most of the visible colors. Plasma displays use the same phosphors as CRTs, which accounts for the extremely accurate color reproduction when viewing television or computer video images (which use an RGB color system designed for CRT displays).

Plasma displays are different from liquid crystal displays (LCDs), another lightweight flat-screen display using very different technology. LCDs may use one or two large fluorescent lamps as a backlight source, but the different colors are controlled by LCD units, which in effect behave as gates that allow or block light through red, green, or blue filters on the front of the LCD panel.

Each cell on a plasma display must be precharged before it is lit, otherwise the cell would not respond quickly enough. Precharging normally increases power consumption, so energy recovery mechanisms may be in place to avoid an increase in power consumption.LED illumination can automatically reduce the backlighting on darker scenes, though this method cannot be used in high-contrast scenes, leaving some light showing from black parts of an image with bright parts, such as (at the extreme) a solid black screen with one fine intense bright line. This is called a "halo" effect which has been minimized on newer LED-backlit LCDs with local dimming. Edgelit models cannot compete with this as the light is reflected via a light guide to distribute the light behind the panel.

In 1983, IBM introduced a 19-inch (48 cm) orange-on-black monochrome display (Model 3290 Information Panel) which was able to show up to four simultaneous IBM 3270 terminal sessions. By the end of the decade, orange monochrome plasma displays were used in a number of high-end AC-powered portable computers, such as the Compaq Portable 386 (1987) and the IBM P75 (1990). Plasma displays had a better contrast ratio, viewability angle, and less motion blur than the LCDs that were available at the time, and were used until the introduction of active-matrix color LCD displays in 1992.

Due to heavy competition from monochrome LCDs used in laptops and the high costs of plasma display technology, in 1987 IBM planned to shut down its factory in Kingston, New York, the largest plasma plant in the world, in favor of manufacturing mainframe computers, which would have left development to Japanese companies.Larry F. Weber, a University of Illinois ECE PhD (in plasma display research) and staff scientist working at CERL (home of the PLATO System), co-founded Plasmaco with Stephen Globus and IBM plant manager James Kehoe, and bought the plant from IBM for US$50,000. Weber stayed in Urbana as CTO until 1990, then moved to upstate New York to work at Plasmaco.

In 1994, Weber demonstrated a color plasma display at an industry convention in San Jose. Panasonic Corporation began a joint development project with Plasmaco, which led in 1996 to the purchase of Plasmaco, its color AC technology, and its American factory for US$26 million.

In the year 2000, the first 60-inch plasma display was developed by Plasmaco. Panasonic was also reported to have developed a process to make plasma displays using ordinary window glass instead of the much more expensive "high strain point" glass.

In late 2006, analysts noted that LCDs had overtaken plasmas, particularly in the 40-inch (100 cm) and above segment where plasma had previously gained market share.

Until the early 2000s, plasma displays were the most popular choice for HDTV flat panel display as they had many benefits over LCDs. Beyond plasma"s deeper blacks, increased contrast, faster response time, greater color spectrum, and wider viewing angle; they were also much bigger than LCDs, and it was believed that LCDs were suited only to smaller sized televisions. However, improvements in VLSI fabrication narrowed the technological gap. The increased size, lower weight, falling prices, and often lower electrical power consumption of LCDs made them competitive with plasma television sets.

Screen sizes have increased since the introduction of plasma displays. The largest plasma video display in the world at the 2008 Consumer Electronics Show in Las Vegas, Nevada, was a 150-inch (380 cm) unit manufactured by Matsushita Electric Industrial (Panasonic) standing 6 ft (180 cm) tall by 11 ft (340 cm) wide.

At the 2010 Consumer Electronics Show in Las Vegas, Panasonic introduced their 152" 2160p 3D plasma. In 2010, Panasonic shipped 19.1 million plasma TV panels.

Panasonic was the biggest plasma display manufacturer until 2013, when it decided to discontinue plasma production. In the following months, Samsung and LG also ceased production of plasma sets. Panasonic, Samsung and LG were the last plasma manufacturers for the U.S. retail market.

The GH4 included several new recording modes– such as a 24Hz mode– that many monitors were simply not equipped to handle. This led to a situation where you either had shoot with a compatible recording mode, or forgo the monitor.

Both the camera and the monitor play a role in the amount of latency, where certain cameras or monitors will always result in a long delay between devices.

Thankfully, has a surprisingly low latency when used with the GH4. In fact, the DC-50 has a faster response than more expensive monitors, such as Zacuto’s EVF Pro, which tended to be disorienting to work with due to the high latency.

So it might not be the sharpest monitor on the block, but the DC-50 is fully compatible with all of the GH4’s recording modes, which is something not something all monitors can claim.

When you’re not shooting, the hood’s side flaps fold inward, allowing the top flap to completely cover the LCD screen. This serves as a good way to protect the screen when the monitor is not in use or being transported.

Note: Interestingly, this monitor looks surprisingly similar to Viltrox’s DC-50 5″ LCD Monitor (right down to the model number), despite a difference in price of over $150. I haven’t tested Viltrox’s monitor to see if it works with the GH4, but the potential savings might make it worth picking one up to find out if you’re curious.

On the other hand, if you need a monitor that allows you to accurately judge focus and exposure, I would recommend budgeting for a higher-resolution monitor, such as SmallHD’s 500 series of 5-inch monitors.

I’m currently evaluating other monitors for the GH4 (such as SmallHD’s 502 with the Sidefinder EVF attachment), so sign up for updates below to get notified when those reviews are posted.

The Hisense U8H matches the excellent brightness and color performance of much pricier LCD TVs, and its Google TV smart platform is a welcome addition. But it’s available in only three screen sizes.

The Hisense U8H is the best LCD/LED TV for most people because it delivers the performance of a much pricier TV yet starts at under $1,000, for the smallest (55-inch) screen size. This TV utilizes quantum dots, a full-array backlight with mini-LEDs, and a 120 Hz refresh rate to deliver a great-looking 4K HDR image. It’s compatible with every major HDR format. And it’s equipped with two full-bandwidth HDMI 2.1 inputs to support 4K 120 Hz gaming from the newest Xbox and PlayStation consoles. Add in the intuitive, fully featured Google TV smart-TV platform, and the U8H’s price-to-performance ratio is of inarguable value.

Finally, like most TVs that use vertical alignment (VA) LCD panels, the U8H has a limited horizontal viewing angle, which may be a bit annoying if you’re hoping to entertain a large crowd. Our upgrade pick uses a special wide-angle technology to address this.