museum touch screen monitors free sample

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The Open Exhibits SDK includes a gesture analysis engine and Gesture Markup Language (GML) library. This enables museums to create innovative gesture-driven exhibits without

needing to program gestures or object transformations. Gestures can be enabled and modified through GML, and triggered through a variety of input devices including touch screens,

Something we’re asked quite often over here at blackbox-av is “what’s the best type of touchscreen technology for use in a museum/heritage environment”, so we thought why not write a post that answers that question!

There are currently 4 main categories of touchscreen technology, Capacitive, Resistive, Surface Acoustic Wave (SAW) and Infrared. Although there’s a new kid on the block called Optical Imaging which is gaining in popularity but hasn’t really taken over the more conventional technologies yet, you should certainly watch this space though.

A capacitive touch screen is a control display that uses the conductive touch of a human finger or a specialized device for input.When a capacitive panel is touched, a small amount of charge is drawn to the point of contact, which becomes a functional capacitor.

The change in the electrostatic field is measured to find the location. In some designs, circuits located at each corner of the panel measure the charge and send the information to the controller for processing. In multi-touch screens, sensors are arranged in a grid to enable more complex input.

With resistive technology the main screen is covered with three layers. Two layers are placed over the screen and kept slightly apart, one is conductive and the other resistive, when the screen is touched these panels are pushed together registering the input. A scratch resistant surface completes the setup.

The best thing about resistive touchscreens is their ability to register inputs from any object, be it your finger, a pen or a gloved hand. They are also more accurate than other systems although more prone to damage and less responsive to a lighter touch.

When most people think of Infrared touchscreens they think of the classic 1980’s computers with orange/green text and a massive frame around the monitor, the fact is this technolgy still very much has a place in the modern world, it’s one of the more robust options and works by simply setting up a pattern of criss crossing infrared that when broken registers as an input.

There are a number of drawbacks to this technology however, for example bright lighting can interfere with the beams, as can dust and dirt. It’s most useful for applications outdoors where it can detect any input and not just a ‘conductor’ such as a finger (not in a glove!). However for the average indoor museum exhibit it’s a strong option.

This technology utilises ultrasonic waves that are projected over the front panel, when the panel is touched some of these waves are absorbed and receivers register this change while controllers pinpoint where it happened.

If the panel is touched by a finger which then remains motionless, only the initial touch is registered, this can be a positive or negative depending upon the application, for example it can have an effect on the software used with the screen but makes it perfect for use as a workstation where objects are likely to be rested on the panel, such as a hand or elbow etc.

Until recently this could be a tough question to answer, due to technological restrictions and costs involved, the question of “which touchscreen technology is best for the public environment?”could havebeenanswered in various ways, with the ultimate decision depending on a number of factors.

These days however thanks to technological innovations the answer is practically always Capacitive, there’s a reason almost all modern tablets and phones use this technology. On a larger scale this was once more expensive, so for touch tables you might have been tempted by another option such as Infrared however this is no longer the case.

The only time you will want to use a technology other than Capacitive, is if your touchscreen needs to allow gloved use… for example a touchscreen kiosk installed in an arctic research base…

The 22″ All-In-One Touchscreen/PC provides a simple yet elegant interactive platform for use within public displays. Contending with a separate PC and screen and all the associated cabling can be a thing of the past. This unit is easily installed via Vesa Mount fixings or the (removable) panel fixing wings which make it perfect for custom installations. Build it into practically any unique displays easily and quickly.

Free Standing Multi-Touch Kiosks from blackbox-av combine uncompromising technical performance with outstanding design, elegance and style to provide stand-alone, finger controlled, multi touch interactivity and information to visitors on demand. This is the 22″ ‘Modern’ version in our Free-Standing Range. The Kiosk works perfectly with our off-the-shelf multi touchscreen software, Lightbox 3 (perfect for museum environments).

By combining precision touchscreen technology within a professional-grade large format LCD panel this kiosk is ideal for use in high traffic public access environments. Utilising Capacitive touch technology to ensure reliability throughout extended use, the screen supports up to 10 touches and gesture controls.

Engage visitors with our elegant and ‘Sleek’ range of Multi-Touch table. Choose from a 46″ or 55″ multi-touch screen housed in an attractive white or black table unit. Thanks to the powerful inbuilt computer this system is able to run any windows 10 multi touchscreen software including off-the-shelf solutions such as our very own Lightbox 3 software or any bespoke interactives developed for your chosen application.

What use is a touchscreen without software to use with it? Which is why we not only supply cost effective hardware options, but have also developed Lightbox 3, our multitouch off-the-shelf interactive software package perfect for use in Museum environments.

Interactive touch screen terminals are modern technology made for the multimedia preparation of information and content in museums, making it graspable in the most literal sense. Conventional, printed signs and posters only offer a limited amount of space for texts and pictures, but the shape and number of media that can be displayed on a touch screen terminal with audio and visuals is virtually unlimited!

FrontFace offers you an inexpensive software solution to convert any normal Windows-operated PC into a professional multimedia presentation system for use in museums. Our efficient software guarantees a highly intuitive use and allows you to use existing content out-of-the-box on your media station. The included "FrontFace Assistant" software helps you create the graphic user interface and allows easy design of interactive elements - without any programming skills!

You can also use the software for media control and presentation: E.g. you can combine a multi-touch terminal with a projector or jumbo screen to show content appropriately, even to large visitor groups or school classes. Integrate available building management systems and room control to allow for additional, fascinating light and sound effects when interacting with the terminal and excite your visitors" curiosity about exhibits in your museum! Please do not hesitate to contact us with any questions about further options of integration and use of FrontFace.

Use it everywhere: You can use FrontFace on every Windows-operated computer (Windows 10 or 11) and run it on a projector or any flat screen of your choice, either with or without touch functions.

FrontFace enables you to use all data, content and media available on your system immediately, be it pictures, videos, PDF files, XPS files or even Websites. FrontFace"s unique Print2Screen function allows you to create suitable content from every Windows application containing a print option. This means you will not have to eschew your usual authoring tools. Even executables like applications and batch commands can be linked as actions for a button with a few clicks, offering still more options of use. You can even create an individual, digital exhibit with FrontFace!

FrontFace gives you the opportunity to create an interactive kiosk terminal from a touch screen monitor and a usual Windows PC and to interactively convey the fascination of your exhibits to your visitors.

Encourage the generations of mobile phones and tablets to visit a museum by promoting the enjoyment of playing and learning. Children and adolescents explore more when their attention has been caught by a picture or a video, and when knowledge is imparted in a playful fashion. FrontFace for Touch Kiosks can not only be implemented in museums and exhibitions, it is also being used regularly at fair stalls and for public self-service terminals.

If you are still looking for the right hardware and need an inexpensive solution, so-called all in one touch screen computers (AIO) can be a good choice. But also a Windows-based tablet PCs can be an option if a simple, cost-efficient and easy-to-install solution is needed!

I designed several touch-screen kiosks for the National Underground Railroad Freedom Center’s exhibit, Invisible: Slavery Today. Nine of the kiosk were 19″ monitors with videos…

Install museum kiosks that can be used by visitors in complete autonomy. Provide access to additional content that enriches the exhibition (missing objects, videos, maps). Create an interactive map, games and interactive modules that stimulate the engagement of the youngest (and the oldest) visitors.Install on any device

For those who can"t visit your institution, offer a digital experience of your museum exhibitions. Share it on your institution"s website and spread the word about your museum worldwide.Compatible with all browsers (Chrome, Firefox etc...)

PandaSuite is an intuitive app builder open to everyone. Whether you"re a graphic designer, project manager, digital manager, in an agency, a museum or an institution, create your apps with our drag-and-drop editor PandaSuite Studio and publish in the format of your choice.

Choose more than just a toolSolid expertiseSince 2015, we have been working with museums, cities and agencies around the world: the Louvre Museum, North Carolina Museum of Art, Cité de l"Architecture et du Design...

Transport Information More Effectively with Interactive Digital Signage Touchscreen Solutions for Museums, Galleries, Science Center. XXL MultiTouch Screens, Tables, Walls & Kiosk Terminals with Customized Software and Innovative Technologies.

In recent years museums began to experience a sharp decline in attendance as they found it difficult to compete with the resources available online. However, since discovering how to benefit from technology, interactive displays in museums are beginning to attract large numbers of visitors, particularly amongst the younger age groups. Consequently, museum managers and curators are including touch screen kiosks, tablets and virtual reality devices to create innovative and imaginative exhibitions to help their visitors feel as though they have stepped back in time.

One of the world’s most famous museums is the Victoria and Albert Museum in London. Founded in 1852, it has international fame and reputation that has seen it able to be at the forefront of utilising technology to enhance the interactive quality of the exhibitions it stages. Many other long-established museums are following the V and A’s example.

The Birmingham Museum and Art Gallery opened its doors in 1885 and has the world’s largest collection of Pre-Raphaelite paintings by artists such as Birmingham born Edward Burne-Jones (1833-1898), John Everett Millais (1829-1896) and Dante Gabriel Rossetti (1828-1882). The museum has included interactive features throughout to create interesting displays to stir their visitors’ imaginations.

However, interactive displays in museums are not just confined to the larger establishments. Many smaller museums that are unable to command a comparative level of funding and attention are undaunted as they too are beginning to realise the advantages of installing touchscreen devices to enhance their exhibitions.

For example, the Robert Burns Museum, dedicated to Scotland’s national poet, is situated in the tiny cottage where he was born in 1759. Although space and resources are limited, the museum is using technology to allow the visitors to freely explore the cottage and different aspects of Burns’ life and work. They have included entertaining interactive quizzes in addition to visual and audio features that highlight his poems and songs. Features such as QR code downloadable apps can provide visitors with extra information, helping the museum to add extra content to the displays and avoid the cost of printing surplus guide books.

Another small museum to discover the benefits of interactive displays is Pontefract Museum in West Yorkshire. The museum has recently invested in the complete refurbishment of the building, which dates back to 1904, and the exhibitiongalleries.

Items now on display include the first ballot box ever used and the Ackworth Hoard of gold coins dating back to the Seventeenth Century English Civil War. However, the museum has also installed new technology to ensure visitors enjoy an unforgettable experience with interactive displays specifically designed for families.

Interactive touchscreen devices can be invaluable for providing maps of the layout of the exhibition halls. For instance, the Victoria Gallery and Museum in Liverpool, which features the work of the Nineteenth Century wildlife artist, John James Audubon (1785-1851), has utilised technology to create a free App that gives an interactive guided tour of the entire museum.

The App also highlights interesting exhibits displayed across the three floors of the museum and is accessible through tablets that visitors can borrow if they haven’t brought their own.

One of the greatest advantages of using interactive displays in museums is that they can be customised to suit an individual museum’s requirements. Bespoke operating functions can be installed that present information for visitors in a simple, clear format that is easy to use.

With Mobile Device Management (MDM) software to add an exciting new dimension to an exhibition, updating of information is quick and easy, even on a daily basis. The software will include a lock down mode to prevent visitors accessing the data, while the hardware kiosks or touch screen devices are stylishly presented and strong enough to withstand constant use. Various features can be included such as ticket dispensing and market research facilities to assist in planning future exhibitions.

Interactive displays in museums can be in a variety of formats such as video walls, touch screen kiosks or virtual reality devices that can make history seem exciting and lifelike. Every museum, regardless of size or resources, is realising the benefits to be gained from investing in a variety of interactive displays that will add the fun and excitement that younger visitors in particular will enjoy. Installing high quality interactive display systems is an extremely cost-effective and versatile way to increase visitor rates.

At LamasaTech we’re fascinated with the ways in which interactive technology can be used to create compelling experiences. If you’re looking to embrace this exciting new technology, get in touch with a member of our expert team for a free consultation.

Simply put, we create digital exhibit interactives and integrate technology into public spaces, including museums, attractions and more! All of our digital kiosks and interactives are created with your outcome in mind. We are a turnkey service — that includes images, user interface (UI) elements, video, animations, sound and music. We integrate all of this "stuff" we call "content" with hardware and user friendly, engaging user input methods such as hands-free and multi-touch interactivity!

One of our most enduring and popular exhibits has been a piece of the Moon that you can touch. The rock, on loan from NASA, is one of only a few touchable lunar sample displays in the world. In fact, it was the very first touchable Moon rock exhibit when it opened to the public in 1976.

Visitors can touch a rock from the Moon in the Boeing Milestones of Flight Hall at the National Air and Space Musuem in Washington, DC. Four other lunar samples are on display at the Museum.

Today, other touchable lunar rock displays can be found at the Kennedy Space Center, Space Center Houston, the Museum of Science of the National Autonomous University in Mexico City, and the MacMillan Space Centre in Vancouver, Canada.

Our touchrock is a slice from a rock collected in December 1972 on the Apollo 17 mission. Apollo 17 landed in the Taurus-Littrow Valley on the edge of Mare Serenitatis (the Sea of Serenity).

Astronauts Harrison “Jack” Schmitt and Eugene Cernan brought back over 740 individual rock and soil samples and the touchrock was cut from the largest rock they gathered. Weighing in at 8 kilograms (18 pounds), it was collected at the end of their last traverse. Jack Schmitt, the only geologist who journeyed to the Moon, had noticed it earlier since it was large and located near the Lunar Module. But because of its size, he left it to pick up later.

The touchrock is a type of rock called basalt. It is a fine-grained, dark-colored, igneous rock rich in iron, magnesium, and plagioclase feldspar, a common rock-forming mineral on Earth. Like many lunar basalts, the touchrock contains more titanium than normal Earth basalts.

Our little Moon rock has had quite a journey. It formed 3.8 billion years ago in hot lava that poured out onto the terrain. Then, 100 million to 125 million years ago it was exposed on the surface, probably by a crater impact. In 1972, a geologist picked it up and brought it back to Earth. Finally, it found a home in the Museum in 1976. This July, with the opening of our new Boeing Milestones of Flight Hall, the touchrock will receive a newly designed display right next to the Lunar Module (LM-2).

NORFOLK, Va. (Aug. 8, 2022) – The Chrysler Museum of Art is pleased to present To See a World in a Grain of Sand, an exhibition showcasing the expanding, crowd-sourced art project about sand and glass led by Nadine Sterk and Lonny van Ryswyck of the Dutch design studio Atelier NL, which will be on view August 12, 2022, to January 22, 2023.

Atelier NL focuses our attention on sand and glass as a way to make visible the intimate relationships people have with the Earth and their local environments. For each sample of sand that is gathered, the designers ask contributors, “What gives this sand meaning for you? Why is it important?” The personal stories that people have shared are as diverse as humankind. Topics touch on the emotional, social, cultural, historical, or environmental significance of a place. Contributors also share a photo of each gathering spot, providing an additional layer of connection and creating a deeper sense of place.

The Chrysler Museum of Art’s exhibition will display examples of glass and glassware created by melting sands collected from around the globe, as well as magnified photographs of sand grains that draw attention to microscopic details of color, shape, and texture to demonstrate the extraordinary diversity of sand as a material.

The exhibition will notably feature some local Virginian sands. With the help of community partners and the authorization of local agencies, including Fort Monroe National Monument, Jamestown Rediscovery, Naval Station (NAVSTA) Norfolk, the Portsmouth Department of Museums and Tourism, and the Nottoway Indian Tribe of Virginia, the Chrysler team has gathered several samples from locations within the region for this exhibition to contemplate and celebrate the places we call home. Photographs of the locations where the sands were collected, and personal stories about the significance of these sands, will accompany a display of the actual sand samples and glasses melted from them. All sands were collected with great respect for the environment and adherence to local regulations and with the approval and permission of local authorities. The exhibition will also include experimental glassmaking debris and tools from the Chrysler Museum’s Perry Glass Studio after hosting Nadine Sterk as part of the 2022 Visiting Artist Series from August 18–21.

To See a World in a Grain of Sand is organized by the Chrysler Museum of Art. The exhibition is supported as part of the Dutch Culture USA program by the consulate General of the Netherlands in New York and with funds from the Art Alliance for Contemporary Glass and the Netherlands-America Foundation. The Visiting Artist Series with Nadine Sterk is supported as part of the Dutch Culture USA program by the consulate General of the Netherlands in New York and is sponsored in part by the Rutter Family Art Foundation and the Art Alliance for Contemporary Glass.

The Chrysler Museum of Art is one of America’s most distinguished mid-sized art museums, with a nationally recognized collection of more than 30,000 objects, including one of the great glass collections in America. The core of the Chrysler’s collection comes from Walter P. Chrysler, Jr., an avid art collector who donated thousands of objects from his private collection to the Museum. The Museum has growing collections in many areas and mounts an ambitious schedule of visiting exhibitions and educational programs each season. The Chrysler has also been recognized nationally for its unique commitment to hospitality with its innovative gallery host program.

The Perry Glass Studio is a state-of-the-art facility on the Museum’s campus. The studio offers programming for aspiring and master artists alike in a variety of processes including glassblowing, fusing, flameworking, coldworking and neon.

In addition, the Chrysler Museum of Art administers the Moses Myers House, a historic house in downtown Norfolk, as well as the Jean Outland Chrysler Library. For more information on the Chrysler Museum of Art, visit chrysler.org.

The Smithsonian Institution"s National Air and Space Museum maintains the largest collection of historic air and spacecraft in the world. The Museum has two display facilities. The National Mall building in Washington, D.C. has hundreds of artifacts on display including the original Wright 1903 Flyer, the Spirit of St. Louis, the Apollo 11 command module, and a lunar rock sample that visitors can touch. The Steven F. Udvar-Hazy Center displays many more artifacts including the Lockheed SR-71 Blackbird, Boeing B-29 Superfortress Enola Gay and Space Shuttle Discovery.

All exhibits and displays are well identified to permit touring without guides. Photography is encouraged, although flash equipment will be required for most interior pictures. Both locations offer an IMAX Theater; flight simulators; food service; a museum store; free docent tours; daily educational programs; and school group tours and activities are available.