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Now, with the KODAK 35mm Slide Viewer, no nostalgic slides gets left behind! This unique little device allows you to view memories from your old 35mm slides and similar film negatives.

KODAK All-in-One Mini Cartridges leverage 4Pass printing technology, also known as dye-sublimation, resulting in beautiful, long-lasting prints. Available in 20, 30 and 50 packs (for 2.1 x 3.4” prints).

Highlight Brands (a division of Modern Works) developed a clothing range inspired by Kodak"s unique heritage and contemporary offerings. As Kodak is being discovered by a whole new generation, they are inspired by the endless possibilities as film and print meet cloud and mobile.

KODAK button cell batteries offer you great performance and value for money. They are Ideal for Toys, Calculators, Remote controls, Fit bits, Scales, and Flashlights

Stay connected to your home with Full-HD Video and WiFi connectivity. Through the mobile app, you"ll always know exactly what"s happening in your house no matter where you are with crystal clear live stream from your home security cameras.

Your baby’s moments seen through the KODAK Smart Home App. Receive instant notifications for motion, sound and temperature changes. Amazing video quality with live streaming and alerts to your smart device secure and fast.

Celebrate the stork’s surprise with these baby-themed stickers by Kodak. Our heartwarming collection features an array of delightful decals commemorating the birth of a newborn.

KODAK Cybertablets offer both PC and Mac users superior cursor control, greater productivity and higher efficiency. Perfect for art, business, presentations, and projects. KODAK Cybertablets feature 8192 levels of pressure sensitivity to imitate the subtleties of a brush stroke and other writing tools.

Upgrade your online appearance and feel confident by looking your absolute best in online meetings. The KODAK Desk Ring Light 10" ensures that you"ll look sharp, bright, and professional online.

KODAK Digital Photo Frames in a variety of styles and finishes. Features include high resolution display, internal and cloud storage and easy to operate touchscreens.

KODAK Digitizing Box is a simple and easy way to professionally digitize your old tapes, film, photos, and audio recordings so that generations can relive and enjoy your priceless recorded family moments.

Work with BLUETOOTH® Wireless Technology enabled devices. Listen to high quality audio wirelessly, from up to 33 ft. away. Integrated rechargeable battery provides hours of playing time. The included case helps protect your earbuds. Wired earbuds also available and work with devices with a 3.5mm headphone jack.

Capture the memories with this reusable 35mm film camera. The M35 has a fixed focus lens, manual film winding and rewinding, and a switch to turn flash On/Off.

Capture the memories with this reusable 35mm film camera. The M38 has a fixed focus lens, manual film winding and rewinding and a switch to turn flash On/Off.

An essential piece to every film lover to preserve and organize film rolls - the portable steel case organizes five rolls of 135mm film, and segregates them neatly by an inner case.

With the NEW Film Scan Tool from KODAK, you can view, edit and convert your old photos—no tech savvy necessary! This simplified scanner delivers crisp, clear, beautiful images with the press of a single button.

Turn TV time into movie time with the KODAK FLIK X4 HOME PROJECTOR. With a quick and easy setup, play your videos, slideshows, and movies on a 150″ display. Bring the movie theaters right to your home.

Set up a movie experience right in your living room with the KODAK FLIK X7 PROJECTOR. This projector is the perfect source of entertainment for movie nights, parties, gaming, and social gatherings.

This is KODAK Color Frames, the collection able to see trough colors. Using the filters as inspiration, we have developed this campaign. All the frames reveal the DNA of the collection: Young, Fresh and Fun.

Link KODAK HD LED TVs easily to your home network with built-in Wi-Fi, you"re free to go online and browse movies, download apps, and access various online channels. With built multiple port connectivity 3 HDMI & 2 USB) everything is on hand for you on your television.

Our mercury-free zinc-air batteries are manufactured using only high-grade and refined raw materials. With premium performance, durability and environmental protection, these batteries provide you the quality and reliability you expect from KODAK.

KODAK IMOUSE Computer and Presenter Mice are cable-free by utilizing 2.4 GHz radio frequency technology, offering a wireless range of up to 30-65 feet. They are fully programmable, meaning every mouse button can be customized to your preferred function with its programmable driver. Presenter mice will help you to take your presentation skills to the next level.

Keep the air you breathe cleaner, save money, and contribute to a healthier environment, all at the same time with the KODAK INFINIO Air Purifier and its lifetime reusable filter.

KODAK Thermal Laminating Pouches A family of laminating pouches, laminators, trimmers and guillotines for DIY consumers, businesses and schools. Protects and preserves prints & documents, such as signage, warning signs, menus & price lists, posters, advertisements.

The KODAK name is recognized and known throughout the world with a history of innovative color imaging technology. Today, KODAK Lenses represent the continuation of this legendary tradition of imaging expertise through advanced optical digital technology.

Our new KODAK Ultra Lithium battery range implements our specialized battery technology to deliver heightened performance. These batteries are designed for high drain/ high power electronic devices.

The KODAK LUMA 150 is ideal for all your meetings and presentations. This slim and lightweight projector packs DLP technology, simple touch controls, and near-universal device compatibility into a conveniently-sized shell for total portability.

The KODAK LUMA 350 serves as your all-in-one portable cinema. Featuring Bluetooth and Wi-Fi connectivity as well as USB and HDMI inputs, it’s powered by Android. Download your favorite apps and stream your shows without ever touching your phone.

Experience the peak of projection perfection with the KODAK LUMA 450. Instantly stream your favorite movies and shows in full HD on a screen that expands up to 170".

KODAK Pocket Portable Projector. Incredible brightness and clarity from a super portable projector. Enjoy stunning HD resolution thanks to the latest in DLP® technology.

High-speed capture and worry-free storage! Whether you"re recording HD videos or taking high resolution photos, your files will be safely captured and stored at hyper-speed on KODAK Memory Cards.

The Mini Digital Film Scanner is compatible with multiple film types, so you can scan, edit, and save film negatives and slides directly onto an SD card.

KODAK Mini Photo Printers print vibrant images with a special printing technology that layers each color onto high-strength photo paper, resulting in gorgeous, long-lasting photos anyone can take home to commemorate all the special moments in one’s life.

Love looking at your old films, but tired of messy wires and bulky scanning equipment? Skip the expensive fees and keep things simple with the KODAK Mobile Film Scanner.

KODAK NUSCAN Document Cameras are the ideal tool for presentations, image capturing and video recording. With this visual presenter and your computer, you can capture, using fixed-focus, real-time images of 3D Objects, magazines, books, documents, pictures and business cards and present them through a monitor or projector.

Tell the story of your life with the archival-quality Cloth Memory Scrapbook from Kodak! This 8”x 8” fabric-covered album features 10 top-loading pages for exhibiting your most cherished memories.

Discover endless creative possibilities for all your paper and photo projects with KODAK Photo Creatives. Our products feature a vast assortment of colors for all your artistic endeavors.

Colorful 2x3 frames includes classic camera frames and eight magnetic multicolor clips and rope string. Turn your instant photos into DIY décor in seconds. Compatible with the KODAK PRINTOMATIC, Mini Shot & Mini 2.

A wide range of inkjet papers for the high-quality results that you expect from KODAK branded products. Compatible to work with any consumer desktop printer.

For all your photo projects on the KODAK Photo Printer Dock, depend on Kodak’s premium line of color ink. Utilizing state-of-the-art D2T2 dye diffusion transfer technology, these quality cartridges and photo sheets deliver fast, dependable prints with the touch of a button.

One Touch Printing – Convenient KODAK Printer Docks let you print photos direct from your smartphone; includes Android Dock Pin & iOS Lightning Adapter. Compatible with Android & iOS.

For all your photo projects on the KODAK Photo Printer Dock, depend on Kodak’s premium line of color ink. Utilizing state-of-the-art D2T2 dye diffusion transfer technology, these quality cartridges deliver fast prints with the touch of a button.

For use with KODAK Photo Printer Mini. Photos that last with laminated protection layer and fingerprint and water resistant. Convenient paper / ribbon sets: 20, 30, 50 mini-sheet sets. 20 sticker sets.

Whether you’re capturing a sprawling landscape, close-up portrait or daily selfie, the perfect shot requires balance and control. Now, you can enhance your craft in any setting with PhotoGear Tripods from KODAK.

The AZ252 is the perfect bridge camera to pursue your passion for photography. With 16 megapixels, 25X optical zoom and a wider angle lens than traditional models, this camera might just become your new best friend.

Introducing one of our best sellers, the KODAK PIXPRO AZ401 digital camera from our Astro Zoom Collection. A 40x ultra long zoom lens with optical image stabilization delivers crisp, clear 16 megapixel close-ups, 180° panorama or HD videos with the switch of a button.

Beauty is in the eye of the beholder with the KODAK PIXPRO AZ528 Astro Zoom Camera. Amazing detail, plenty of features, and 52x optical zoom that get you nice and close are just the beginning.

Finally, an affordable camera that has all the features you need with 15X zoom to bring you right in close. For a compact no-fuss device, you’ll be surprised what the FZ152 is capable of.

Introducing the FZ43 Friendly Zoom collection from the KODAK PIXPRO family of digital cameras. Compact, intuitive and oh so easy to use, the FZ43 is the perfect starter camera to take anywhere you go.

Meet the FZ53 Friendly Zoom camera from the KODAK PIXPRO collection of digital cameras. This slim design, point and shoot model is a step up with a rechargeable lithium-ion battery.

The KODAK PIXPR0 Orbit360 4K VR Camera adopts a minimalist approach to an all-in-one 360° VR camera, with two fixed focus lenses housed by a futuristic camera body. Each curved lens is designed to work in tandem, to capture full 360° 4K video.

The SP360 4K is designed to take your creative vision to the next level. 4K resolution adds ample detail, clarity and precision for important nuances you want to capture and share.

The SP360 Action Camera is designed to not only capture what you love to do, but much more of it! Immerse yourself and record 360° of HD video with just one camera.

The KODAK PIXPRO WPZ2 Digital Camera is the perfect companion to get wet. Shockproof, dustproof, and adventure ready, the WPZ2 was built to take on the go and be used in, on and under the water - up to 15M.

KODAK Premium Puzzles are designed from high quality photography. They are bright, vibrant, colorful puzzles in various designs. Pieces are fully interlocking for a satisfyingly crisp snap as you assemble the puzzle.

Easily and securely attaches to your KODAK PRINTOMATIC Instant Print Camera. Features include durable nylon design, secure camera connection, and adjustable length. Comes in white, yellow and gray.

Bring your prints to life with Kodak Remanufactured Ink Cartridges KODAK Remanufactured Ink Cartridges are cost-effective, eco-friendly alternatives with high quality from a trusted name.

Bring your pages to life with KODAK Remanufactured Toner Cartridges. KODAK Remanufactured Toner Cartridges are made by recycling empty, used, original HP, Brother or Samsung toner cartridges.

The KODAK Ring Light Mini 4" is a pocket sized on-the-go light for selfies, video calls and YouTube content. Designed to easily go with you anywhere you go while still giving you professional results.

Don’t let your memories fade into obscurity—preserve and proudly display them with the KODAK SLIDE N SCAN Digital Film Scanner. It’s easy to see why this scanner’s large, clear LCD screen makes viewing images a pleasure.

Make your smartphone a better camera. Go wide and impressive – or get really close to your smallest subjects. This combo lens turns from a generous 18 mm Wide angle lens into a Macro lens and back with a few flicks of the wrist. Landscapes or extreme close-ups – you choose. Package includes wide-macro lens, lens cap, and lens pouch.

Let there be more light and better-looking subjects! This classic ring light provides added light and style for your photos. Light up your subjects and make them look better by bringing out their unique features and removing wrinkles. Works with front and rear cameras – and with selfies, too.

This ultra-handy combo opens up a whole lot of possibilities for the creative mobile photographer"s needs: a sturdy tripod that turns into a compact handle with a firm grip. Allows both horizontal and vertical shooting for unlimited creativity. Also works with small cameras.

KODAK SMARTVISION SMART TVs deliver stunning images in every detail thanks to an internal 6-core processor. The built-in screencast system allows you to send content from any mobile device to the TV screen and the only Smart TV with D-PIXEL technology.

Your personal all-in-one photo editing suite, photo printer, and camera. At 16 megapixels, you can print the largest photos in our instant print collection.

More than just a photo printer, connect to the free, easy-to-use KODAK SMILE App, which comes packed with editing features, filters and augmented reality technology that brings your photos to life – literally.

KODAK ZINK"s premium-quality photo paper recreates every color and memorable moment with outstanding and brilliant detail. Every image boasts remarkable color integrity that is perfect for printing smartphone shots, augmented reality images, or photos from social media networks.

Start generating clean, sustainable energy from the sun today and begin to see enhancements to your home life and business operations. Save with KODAK branded panels, inverters and batteries from Blue Mountain Energy.

Download the free KODAK STEP Prints app and connect this pocket-sized printer to your smartphone to create brilliant 2″ x 3″ prints whenever and wherever the whim strikes you.

KODAK TRUFORM Wireless Keyboards are available with integrated ergonomic trackpads or trackballs, multi-functional features, and a wireless range of up to 30 feet. Gently sloped split key zones encourage natural position of hands, wrist, and forearm in maximum comfort for long use.

Enjoy USB 3.0 performances! Or KODAK USB 2.0 Flash Drives ideal for everyday use! A complete range in terms of capacities and designs to store, carry and share all your files: data, music, photos and videos.

KODAK VERITÉ 5 Ink Cartridges - For print needs big and small, you have expectations. High quality pages every single time you click print. And should those pages come with solid savings in ink from a brand known for performance … expectations exceeded. Print happy.

The compact design and intuitive operation of KODAK digital voice recorders is your convenient every day option for instantly recording quality audio in WAV/MP3 formats.

Kodak is the most experienced in the world when it comes to providing high-resolution photographic paper. We also offer a versatile line of products compatible with aqueous, solvent and latex wide format printers that can be used for POP, retail signage, displays and more — wherever you want to make a statement with rich, vibrant images.

With a focus on Iconic KODAK logo’s Lativ have developed a range of T-shirts and sweatshirts as a first range, with plenty more to come from this collaboration in the future.

Works with KODAK PRINTOMATIC Instant Print Camera. ZINK Zero Ink™ printing technology -- no ink cartridges needed. Creates vibrant, full-color prints on 2" x 3" adhesive-backed paper. Smudge proof, water resistant, tear resistant.

PDF 1.4 or later (Acrobat 5-XI) files can contain a transparency feature that cannot be described in native form in PostScript or in PDF 1.3. For transparency and layers to be represented in PostScript and PDF 1.3 files, the file must be flattened into a single layer.

If you select the Preserve XMP tagsoption, select this check box to seethe screening values from the XMP tags in the Separations view of Job Manager. The values are displayed in the relevant columns (SO_ANGLE; SO_DOTSHAPE, SO_HIGHLIGHT_CX, SO_HIGHLIGHT_SX, SO_SCREENRULING).This option is available only if you select thePreserve XMP tagsoptionin theNormalizesection (see above) and theTreat Input Files as Flatscheck box in theImposesection of the Refine process template.

Note:The XMP tag values from Esko are not identical to the Prinergy values and are mapped to the equivalent Prinergy values in a CSV mapping file located inC:\Prinergy\CreoAraxi\data\XMPTags. The values displayed in theSeparationsview are the Prinergy values.

When you select a standard size, the Width and Height boxes are set to the correct values. If you change these values, the box is automatically set to Custom. Use the Width and Height boxes to specify the default page width and height in the selected unit of measure.

In most cases, input files contain page size information. Prinergy uses the page size information in the input file unless you select the Override Page Size check box, or if the input file does not contain page size information.

If you select the Override Page Size check box, Prinergy uses the information in the Default Page Size area, instead of the page size information in the input file.

When input files do not contain page size information, Prinergy automatically uses the information in the Default Page Size area. The following files are examples of PostScript files that do not contain page size information:PostScript from PTX (the Imation PrePress XTension for QuarkXPress)

If this check box is selected, the resulting refined file retains the rotation as specified in Acrobat, even if used in older Prinergy releases or other workflow RIPs that do not honor the Acrobat rotation.

If this check box is selected and an input file fails on refine, Prinergy does not register the input file in the database nor does it generate a PDF page.

All error-free subpages in the file will generate normally. For example, if a file contains three subpages and the first is flawed, this is the result:The first subpage refines with an error and no file named .p1.pdf is generated.

Indicates that Prinergy should turn any ICC color profile that was embedded as a comment into an EPS file or other image file using Adobe Photoshop software into a standard ICC color profile in the refined PDF file. If you want the profile to be applied during color matching, you should also enable the ColorConvert section of the refine process template.

Thickens lines in input files that are below the line weight specified in the Minimum Line Weight box. The lines are thickened to the weight specified in the Minimum Line Weight box.

Note: This feature does not thicken thin lines in PDF input files. If you select the Thicken Thin Lines (PS Only) check box and either the Warn for thin lines or Fail on thin lines options and submit a mix of PDF and PostScript files to Prinergy, Prinergy will thicken thin lines in the PostScript files and either warn you about thin lines in the PDF files or fail the refine process on the PDF files with thin lines.

Determines how the system handles lines in input files that are thinner than the value specified in the Minimum Line Weight box. There are three options:

Note: If you select the Thicken Thin Lines (PS Only) check box and either the Warn for thin lines or Fail on thin lines options and submit a mix of PDF and PostScript files to Prinergy, Prinergy will thicken thin lines in the PostScript files and either warn you about thin lines in the PDF files or fail the refine process on the PDF files with thin lines.

A PDF document can have password security for opening, or editing and printing, or both. In order to successfully normalize the document, the most significant password must be provided. Type the editing and printing password if it has been set in the document. Otherwise, type the opening password.

Note: Prinergy supports the following security methods—password with 40-bit RC4, 128-bit RC4, or 128-bit AES encryption. The following security methods do not work with Prinergy—password with 256-bit AES encryption, Certificate-based security, and Adobe LiveCycle Rights Management.

Specifies that overprinting should be used to create a composite PDF file from a separated input file. Re-combining enables the file to be trapped and to be viewed from devices that cannot combine separations.

Selecting the Re-combine option automatically enables the Copydot option of the refine process template. This protects any copydot images that might be in the file from being trapped and/or color matched. Trapping or color matching copydot images can introduce artifacts or cause the Trapper to run very slowly.

Note: For best results, disable the ColorConvert section if using the re-combine feature. Using color matching with Re-combine produces unpredictable knockouts.

If you must color match, ensure that you perform the following actions:Clear the Set Overprint CMYK White to Knockout check box (which is enabled by default in the ColorConvert section). If the check box is selected, the re-combine feature may convert blank (white) objects to an overprint CMYK white object in the composite PDF.

Note: For best results, do not trap recombined pages unless you are certain that the pages do not already contain traps. Software such as QuarkXPress inserts traps in separated output only. Because mixing traps from other software with Prinergy traps can give inconsistent results, ensure that a single trapping method is used.

Some customers may have modified this file for such purposes as PostScript bypass. If you need one or more specialized versions of the configuration file, you can attach one to a refine process template by clicking the Browse button and selecting the file from its network location. This feature allows the NormInputConfig file to be process-template-specific, which is useful in certain workflow configurations.

Note: If you do not use the Browse button to select a path, but type in a file name instead, Prinergy will search for the file in the executable directory (%AraxiHome%\AdobeExtreme\bin).

Prinergy ignores RGB or device-independent data in input files. If you select Ignore, the Detect RGB and Detect Device Independent check boxes are unavailable and cannot be selected. If Prinergy encounters RGB or device-independent data, it gives no message and doesn"t fail the job.

Prinergy issues a warning when the selected data type is found in the input file. A warning message and yellow triangle appear in the Process Info dialog box and job history for each check box that is selected. A PDF file is created. A large X does not cover the PDF content.

Prinergy fails the job when the selected data type is found in the input file. An error message and red X appear in the Process Info dialog box and job history for each check box that is selected. A PDF file is created, but the content is covered by a large black X.

Input File Control works in conjunction with the Detect RGB and Detect Device Independent check boxes. You select an Input File Control option to indicate how you want Prinergy to respond when it locates data in a nonpress color space. You select the Detect RGB and/or Detect Device Independent check boxes to indicate what type of data you want Prinergy to detect.

You can set these same options in the Optimize section of the refine process template. You can have the Color Space Control settings enabled in either the Normalize section or the Optimize section, or both. Turning the settings on in the Optimize section allows you to check that color conversion was performed in the refine stage as you expected.

You might want to warn only about RGB and CIE-based color spaces in the Normalize section, because you are converting them in the Color Matcher, but warn during optimizing about CIE-based color spaces that the Color Matcher wasn"t set up to convert.

If the Enable CEPS (CT/LW and TIFF/IT) Detection feature is selected, Prinergy will detect CT/LW content or converted forms of CT/LW or TIFF/IT on a page. Prinergy marks the CT/LW data so that it is not trapped and any overprint settings are not modified.

Trapping CT/LW data may produce artifacts such as hairline gaps on the refined PDF page. Changing overprint settings may create a result that was not intended, such as removing existing traps.

This feature is helpful for mixed content—for example, content with vector text and CEPS format images. In this case, the Enable CEPS Detection feature will mark the CEPS content so it will not be trapped and the overprint settings will not be changed. The vector content will be trapped and the overprint settings will be changed.

This feature is also useful for sites where the operator does not know whether a page was originally CEPS. In this case, the feature will mark the entire CEPS page so it will not be trapped and the overprint settings will not be changed. Vector-based pages will be trapped and overprint settings will be changed.

If this feature is enabled and CT/LW or TIFF/IT data is detected in an input file during refining, a message appears in the Process Info dialog box for the process, and in the history log.

The reader-spread-splitting feature automates the process of splitting 2-up reader spreads into discrete pages. These discrete pages can then be assigned to page set positions and the imposition.

Select this check box to enable the types of reader spread layouts. Select the check box beside the icons that represent how the pages are laid out.When splitting a multipage file, determine how the pages are bound (left- or right-bound) and the location of the first and last pages. Consider N to be the last page in the spread.

When splitting a single-page file, determine how the two pages are laid out. Consider -N- to be page 2. (Ignore the Left Bound and Right Bound labels and the other page icons.)

A named print condition is a documented printing situation with a defined relationship between input data and the colorimetry of the printed image. Typically, named print conditions are registered with an organization such as the ICC.

Also located on top the camera are the Scroll and Select buttons, shown below. These buttons provide you with a way to quickly change the flash mode, exposure compensation, picture type (still, burst, or time-lapse), and quality settings to meet your needs without entering the LCD menu system. Simply press the scroll button until the setting you want is flashing on the Status display. Then, press the select button to move through the available options. Pressing the Scroll button a second time confirms what you selected, or if you don"t press a button for 5 seconds, the current selection is automatically confirmed.

The DC265 Zoom Camera can operate in one of four different modes. You use the Mode Dial button on the rear of the camera to select the mode in which you want to operate:

The Kodak DC265 is an evolutionary product, basically an enhanced version of the groundbreaking DC260, as it"s model number indicates. The impact of a year"s worth of user input and feedback is very apparent though, in the numerous minor enhancements (and some major ones) relative to its predecessor. The overall package ends up being more than the sum of its parts, retaining all the capabilities of the DC260, yet resulting in a much more responsive-feeling picture-taking tool. It"s hard for us to quantify this effect, but our overall impression was that of a camera that"s much more "comfortable" to use for taking pictures - having all the capabilities, but removing some of the ergonomic annoyances we found in the DC260. The DC260 was a huge success for Kodak, and we expect that the DC265 will be as well.

You can do verification measurements to assess the display chain"s (display profile - video card and the calibration curves in its gamma table - monitor) fit to the measured data, or to find out about the soft proofing capabilities of the display chain. You can also do a profile or device link (3D LUT) self check without having to take any further measurements by holding the “alt” key on your keyboard.

To check the fit to the measurement data, you have to select a CGATS testchart file containing device values (RGB). The measured values are then compared to the values obtained by feeding the device RGB numbers through the display profile (measured vs expected values). The default verification chart contains 26 patches and can be used, for example, to check if a display needs to be re-profiled. If a RGB testchart with gray patches (R=G=B) is measured, like the default and extended verification charts, you also have the option to evaluate the graybalance through the calibration only, by placing a check in the corresponding box on the report.

To perform a check on the soft proofing capabilities, you have to provide a CGATS reference file containing XYZ or L*a*b* data, or a combination of simulation profile and testchart file, which will be fed through the display profile to lookup corresponding device (RGB) values, and then be sent to the display and measured. Afterwards, the measured values are compared to the original XYZ or L*a*b* values, which can give a hint how suitable (or unsuitable) the display is for softproofing to the colorspace indicated by the reference.

The profile that is to be evaluated can be chosen freely. You can select it in DisplayCAL"s main window under “settings”. The report files generated after the verification measurements are plain HTML with some embedded JavaScript, and are fully self-contained. They also contain the reference and measurement data, which consists of device RGB numbers, original measured XYZ values, and D50-adapted L*a*b* values computed from the XYZ numbers, and which can be examined as plain text directly from the report at the click of a button.

Select the profile you want to evaluate under “Settings” (for evaluating 3D LUTs and DeviceLink profiles, this setting has significance for a Rec. 1886 or custom gamma tone response curve, because they depend on the black level).

There are two sets of default verification charts in different sizes, one for general use and one for Rec. 709 video. The “small” and “extended” versions can be used for a quick to moderate check to see if a display should be re-profiled, or if the used profile/3D LUT is any good to begin with. The “large” and “xl” versions can be used for a more thorough check. Also, you can create your own customized verification charts with the testchart editor.

In this case, you want to use a testchart with RGB device values and no simulation profile. Select a suitable file under “testchart or reference” and disable “simulation profile”. Other settings that do not apply in this case will be grayed out.

Checking how well a display can simulate another colorspace (evaluating softproofing capabilities, 3D LUTs, DeviceLink profiles, or native display performance)

Whitepoint simulation. If you are using a reference file that contains device white (100% RGB or 0% CMYK), or if you use a combination of testchart and simulation profile, you can choose if you want whitepoint simulation of the reference or simulation profile, and if so, if you want the whitepoint simulated relative to the display profile whitepoint. To explain the latter option: Let"s assume a reference has a whitepoint that is slightly blueish (compared to D50), and a display profile has a whitepoint that is more blueish (compared to D50). If you do not choose to simulate the reference white relative to the display profile whitepoint, and the display profile"s gamut is large and accurate enough to accomodate the reference white, then that is exactly what you will get. Depending on the adaptation state of your eyes though, it may be reasonable to assume that you are to a large extent adapted to the display profile whitepoint (assuming it is valid for the device), and the simulated whitepoint will look a little yellowish compared to the display profile whitepoint. In this case, choosing to simulate the whitepoint relative to that of the display profile may give you a better visual match e.g. in a softproofing scenario where you compare to a hardcopy proof under a certain illuminant, that is close to but not quite D50, and the display whitepoint has been matched to that illuminant. It will “add” the simulated whitepoint “on top” of the display profile whitepoint, so in our example the simulated whitepoint will be even more blueish than that of the display profile alone.

Using the simulation profile as display profile will override the profile set under “Settings”. Whitepoint simulation does not apply here because color management will not be used and the display device is expected to be in the state described by the simulation profile. This may be accomplished in several ways, for example the display may be calibrated internally or externally, by a 3D LUT or device link profile. If this setting is enabled, a few other options will be available:

Enable 3D LUT (if using the madVR display device/madTPG under Windows, or a Prisma video processor). This allows you to check how well the 3D LUT transforms the simulation colorspace to the display colorspace. Note this setting can not be used together with a DeviceLink profile.

DeviceLink profile. This allows you to check how well the DeviceLink transforms the simulation colorspace to the display colorspace. Note this setting can not be used together with the “Enable 3D LUT” setting.

Tone response curve. If you are evaluating a 3D LUT or DeviceLink profile, choose the same settings here as during 3D LUT/DeviceLink creation (and also make sure the same display profile is set, because it is used to map the blackpoint).

To check a display that does not have an associated profile (e.g. “Untethered”), set the verification tone curve to “Unmodified”. In case you want to verify against a different tone response curve instead, you need to create a synthetic profile for this purpose (“Tools” menu).

The nominal tolerances, with the whitepoint, average, maximum and gray balance Delta E CIE 1976 aim values stemming from UGRA/Fogra Media Wedge and UDACT, are pretty generous, so I"ve included somewhat stricter “recommended” numbers which I"ve chosen more or less arbitrarily to provide a bit “extra safety margin”.

For reports generated from reference files that contain CMYK numbers in addition to L*a*b* or XYZ values, you can also select the official Fogra Media Wedge V3 or IDEAlliance Control Strip aim values for paper white, CMYK solids and CMY grey, if the chart contains the right CMYK combinations.

This depends on the chart that was measured. The explanation in the first paragraph sums it up pretty well: If you have calibrated and profiled your display, and want to check how well the profile fits a set of measurements (profile accuracy), or if you want to know if your display has drifted and needs to be re-calibrated/re-profiled, you select a chart containing RGB numbers for the verification. Note that directly after profiling, accuracy can be expected to be high if the profile characterizes the display well, which will usually be the case if the display behaviour is not very non-linear, in which case creating a LUT profile instead of a “Curves + matrix” one, or increasing the number of measured patches for LUT profiles, can help.

If you want to know how well your profile can simulate another colorspace (softproofing), select a reference file containing L*a*b* or XYZ values, like one of the Fogra Media Wedge subsets, or a combination of a simulation profile and testchart. Be warned though, only wide-gamut displays will handle a larger offset printing colorspace like FOGRA39 or similar well enough.

In both cases, you should check that atleast the nominal tolerances are not exceeded. For a bit “extra safety margin”, look at the recommended values instead.

Note that both tests are “closed-loop” and will not tell you an “absolute” truth in terms of “color quality” or “color accuracy” as they may not show if your instrument is faulty/measures wrong (a profile created from repeatable wrong measurements will usually still verify well against other wrong measurements from the same instrument if they don"t fluctuate too much) or does not cope with your display well (which is especially true for colorimeters and wide-gamut screens, as such combinations need a correction in hardware or software to obtain accurate results), or if colors on your screen match an actual colored object next to it (like a print). It is perfectly possible to obtain good verification results but the actual visual performance being sub-par. It is always wise to combine such measurements with a test of the actual visual appearance via a “known good” reference, like a print or proof (although it should not be forgotten that those also have tolerances, and illumination also plays a big role when assessing visual results). Keep all that in mind when admiring (or pulling your hair out over) verification results :)

Different softwares use different methods (which are not always disclosed in detail) to compare and evaluate measurements. This section aims to give interested users a better insight how DisplayCAL"s profile verification feature works “under the hood”.

There are currently two slightly different paths depending if a testchart or reference file is used for the verification measurements, as outlined above. In both cases, Argyll"s xicclu utility is run behind the scenes and the values of the testchart or reference file are fed relative colorimetrically (if no whitepoint simualtion is used) or absolute colorimetrically (if whitepoint simulation is used) through the profile that is tested to obtain corresponding L*a*b* (in the case of RGB testcharts) or device RGB numbers (in the case of XYZ or L*a*b* reference files or a combination of simulation profile and testchart). If a combination of simulation profile and testchart is used as reference, the reference L*a*b* values are calculated by feeding the device numbers from the testchart through the simulation profile absolute colorimetrically if whitepoint simulation is enabled (which will be the default if the simulation profile is a printer profile) and relative colorimetrically if whitepoint simulation is disabled (which will be the default if the simulation profile is a display profile, like most RGB working spaces). Then, the original RGB values from the testchart, or the looked up RGB values for a reference are sent to the display through the calibration curves of the profile that is going to be evaluated. A reference white of D50 (ICC default) and complete chromatic adaption of the viewer to the display"s whitepoint is assumed if “simulate whitepoint relative to display profile whitepoint” is used, so the measured XYZ values are adapted to D50 (with the measured whitepoint as source reference white) using the Bradford transform (see Chromatic Adaption on Bruce Lindbloom"s website for the formula and matrix that is used by DisplayCAL) or with the adaption matrix from the profile in the case of profiles with "chad" chromatic adaption tag, and converted to L*a*b*. The L*a*b* values are then compared by the generated dynamic report, with user-selectable critera and ΔE (delta E) formula.

In a report, the correlated color temperature and assumed target whitepoint, as well as the whitepoint ΔE, do warrant some further explanations: The whitepoint ΔE is calculated as difference between the measured whitepoint"s and the assumed target whitepoint"s normalized XYZ values, which are first converted to L*a*b*. The assumed target whitepoint color temperature shown is simply the rounded correlated color temparature (100K threshold) calculated from the measured XYZ values. The XYZ values for the assumed target whitepoint are obtained by calculating the chromaticity (xy) coordinates of a CIE D (daylight) or blackbody illuminant of that color temperature and converting them to XYZ. You can find all the used formulas on Bruce Lindbloom"s website and on Wikipedia.

The gray balance “range” uses a combined delta a/delta b absolute deviation (e.g. if max delta a = -0.5 and max delta b = 0.7, the range is 1.2). Because results in the extreme darks can be problematic due to lack of instrument accuracy and other effects like a black point which has a different chromaticity than the whitepoint, the gray balance check in DisplayCAL only takes into account gray patches with a minimum measured luminance of 1% (i.e. if the white luminance = 120 cd/m², then only patches with at least 1.2 cd/m² will be taken into account).

It sets the nominal (target) L* value to the measured L* value and a*=b*=0, so the profile is effectively ignored and only the calibration (if any) will influence the results of the gray balance checks. Note that this option will not make a difference for a “Single curve + matrix” profile, as the single curve effectively already achieves a similar thing (the L* values can be different, but they are ignored for the gray balance checks and only influence the overall result).

If you enable “Use absolute values” on a report, the chromatic adaptation to D50 is undone (but the refrence white for the XYZ to L*a*b* conversion stays D50). This mode is useful when checking softproofing results using a CMYK simulation profile, and will be automatically enabled if you used whitepoint simulation during verification setup without enabling whitepoint simulation relative to the profile whitepoint (true absolute colorimetric mode). If you enable “Use display profile whitepoint as reference white”, then the reference white used for the XYZ to L*a*b* conversion will be that of the display profile, which is useful when verifying video calibrations where the target is usually some standard color space like Rec. 709 with a D65 equivalent whitepoint.

Even with the ability to take excellent photos with our phones and instantly share them across the world, there’s something magical about the old-school instant camera. With just a click of a button, you can capture a moment in a photo that you can see and touch almost immediately. Images captured by an instant camera aren’t as pristine or perfect as modern digital cameras, but their soft images and imperfections are often a big part of the allure.

Yet not all instant cameras are the same, and some of them are better suited for different needs and budgets. That’s why we tested some of the most popular instant cameras on the market from brands like Fujifilm, Polaroid, and Kodak.

All of the models featured in our best instant camera guide here are enjoyable to use, but each offers a different set of features at a different price point. As a result, some are more appropriate for a child or the budding photographer, while others are more advanced and provide added creative control (for a price). When it comes down to it, though, we consider print quality, ease of use, and affordability to be the hallmarks of a quality shooter. That’s why we picked Fujifilm’s Instax Mini 11 as the best instant camera for most people, as it ticks all three boxes wonderfully.

If you’re looking for more creative control or features like filters, however, the Instax Mini Evo is our choice, one that boasts great image quality and allows you to choose which photos you’d like to print. Other instant cameras, like Polaroid’s Now Plus and Kodak’s Mini Retro 3, also offer a variety of advanced creative modes for those who desire more.

Each instant camera requires a different kind of film, which means that the actual sticker price of the camera isn’t the true price. This is something you should take into account before making a purchase, as the cost of film can quickly add up. Depending on the brand, you may have to pay anywhere between $0.50-$2 per shot.

Most instant camera brands also sell films of varying quality in a range of styles. Some are decorated with colorful frames and patterns, while others are black and white. They also vary in shape and size, from small rectangular prints you can stick in your wallet to square-shaped ones. You can also buy wider prints, however, and some brands even sell film with an adhesive backing that allows you to use the resulting images as stickers.

If all you’re looking to do is just click a button and get a decent print for a reasonable price, we recommend Fujifilm’s Instax Mini 11. It’s a basic instant camera that’s easy to set up and use, which makes this a good choice for kids or those new to photography. It took us less than five minutes to insert the included AA batteries and film (not included), quickly read the instructions, take a photo, and print. The image took about 20 seconds to begin showing up and less than a minute to fully appear.

The Instax Mini 11 uses credit card-sized Instax Mini film that typically costs around $0.99 a sheet and comes in packs, some of which offer up to 20 prints for around $19.99, although you can currently buy it for $13.98 from Walmart. You can easily purchase the Instax Mini film at most major retailers, unlike some other films, such as the film needed for Kodak’s Mini Shot 3 Square Retro.

The intense flash made the cat frown and her eyes look yellow, but the dog didn’t care, and the photo quality was still pretty good. Photo by Sheena Vasani / The Verge

For an instant camera, image quality is better than most of the other cameras I tested, producing relatively true-to-life photos. Most of the cameras I tested struggled to capture low-light conditions well, and this one is no exception, but the camera’s built-in flash does help. On the flip side, however, the flash — which you can’t disable — can be overpowering in some instances, resulting in a few overexposed images.

True to its name, the Mini 11 is one of the smallest instant cameras I tested and very light at around 10 ounces, which made it easy to carry it around and maintain a steady grip while taking pictures. It uses a plastic build like many others and comes in a variety of fun colors ranging from pink to blue to white. The included selfie feature — which is really just a small mirror mounted on the front of the camera — is simple but effective, even if the flash was still overpowering and didn’t capture my features or skin color particularly well.

The Mini 11 has a number of other niceties as well. I appreciated the larger-than-average viewfinder and the fact the camera comes with a small counter that displays the remaining number of shots, which is a feature many of the other instant cameras I tested lacked. It’s easy to lose track of how many photos you’ve taken, especially while out for drinks with friends or sightseeing during a vacation. Yet, given each print costs about $1, it’s important to be mindful of how many shots you’ve got left.

All in all, the Instax Mini 11 is a basic camera that caters to all ages and experience levels and gets the job done — and done relatively well. It doesn’t feature Bluetooth or pair with a companion app that allows you to edit photos, nor does it offer advanced features like filters, lens options, or portrait modes. But if you’re looking for an instant camera that offers a great, traditional analog experience, this is it.

Fujifilm’s Instax Mini 11 is the best instant camera for most people. While it lacks more advanced features, the simple instant camera takes good quality shots quickly and easily and offers a built-in selfie mode.

Fujifilm’s newest instant camera, the Instax Mini Evo, is my colleague Becca Farcase’s favorite — and it’s mine as well. A hybrid camera that bears a resemblance to Fujifilm’s more expensive Fujifilm X100 line of cameras, it looks good and boasts vintage dials and buttons so stylish that they even caught the attention of passersby as I walked around Los Angeles taking photos.

It’s easy to balk at its $199 price tag, but this camera offers a level of flexibility that could save you money in the long run if you plan on using it a lot. That’s because the Instax Mini Evo includes a full-color LCD screen that lets you see and select which images you want to print before doing so, which can help you avoid wasting film on unwanted shots. The added flexibility gave me more room for creative experimentation, too, as I wasn’t worried about running out of film. I also loved using the Instax Mini Evo app to print photos from my smartphone. Plus, unlike the Instax Mini 11, it’s not battery-powered. While it’s a shame the Evo uses a Micro USB port for charging, the fact it’s rechargeable means you don’t need to keep wasting money on buying new batteries.

The Instax Mini Evo comes with a large LCD screen that doubles as a viewfinder and allows you to choose which photos to print. Becca Farsace / The Verge

Like Fujifilm’s Instax Mini 11, the camera took less than five minutes to set up and uses Instax Mini film. However, you can actually turn off the flash on the Mini Evo, which helped me take far better photos, as did the large three-inch LCD screen you can use as a viewfinder. You can also use the menu to adjust how bright you want the film to look when it’s printed out. That was helpful given neither the Evo nor the Mini 11 is particularly great at capturing dark environments, though it didn’t solve the problem completely either.

Additionally, you can use the dials to apply various lens options and filters, ranging from retro to monochrome shades, as well as a mirror lens, vignette, soft focus, and more. You can take app-based remote shots, too, which adds an extra element of photographic control that can help you take better selfie shots than the selfie mirror in the front.

Being able to adjust the brightness of the prints helped me capture night photos and a low-light immersive exhibit a little more clearly and realistically, which is a feature the Instax Mini 11 doesn’t offer. Photo by Sheena Vasani / The Verge

Of course, it’s not a perfect device, and there are some downsides to consider outside the price. For instance, although you can add some filters and make a few edits using Fujifilm’s companion app, it just isn’t as feature-rich as some of the apps available for the other digital and hybrid instant cameras I tested. The Evo’s extensive menu system also wasn’t particularly easy to navigate, and it took me some time to figure out how to turn the flash on and off. Plus, if you rely on internal storage solely, you can only take 45 images before the device is full. Still, all of these are minor issues, and I was very happy overall with how portable the stylish camera is, as well as how easy it is to take good photos quickly.

Fujifilm’s stylish Instax Mini Evo is the best premium instant camera. With it, you can choose which photos to print, while also boasting good image quality.

Whereas the Instax Mini Evo’s companion app is more functional, Kodak’s hybrid Mini Shot 3 Retro is all about fun. The camera’s accompanying mobile app allows you to apply frames, stickers, filters, and a plethora of customization options to photos, making the camera great for scrapbooking. There’s even a beauty feature within the app to conceal blemishes, as well as a set of Snapchat-like filters you can use to add, say, dog ears, making this a fun instant camera to use as a mini photo booth of sorts at parties.

Like the Instax Mini Evo, Kodak’s Mini Shot 3 Retro comes with an LCD screen (albeit a much smaller one) you can use to decide whether or not you want to print a shot. It also supports Bluetooth, and you can use the Kodak Photo Printer app to upload photos to social media or to print decent, relatively crisp photos from your smartphone. Unlike the Mini Evo, however, Kodak’s Mini Shot 3 Retro retails for around $150 and includes a pack of a film (it’s also often on sale for a lot less). It also uses cheaper film; you can pick up a 60-sheet cartridge for about $19.99 at the moment, which equates to roughly $0.33 a shot. The fact the film is cheaper arguably encourages play and creative experimentation.

However, there are notable drawbacks to the Kodak Mini Shot 3. For one, the camera prints larger, 3 x 3-inch square photos on Kodak’s film — which feels lower-quality and more flimsy than Fujifilm’s and Polaroid’s. Also, although you can add colorful borders within the app, they’re modern-looking as opposed to retro, which might be a turnoff for some.

Perhaps my biggest issue with the Kodak Mini Shot 3, however, was that it doesn’t print photos taken with the camera itself anywhere as crisp nor as clearly as it does pictures shot with a smartphone. Photo quality wasn’t consistently as good as the Mini Evo’s or Mini 11’s nor, for the most part, as clear and sharp. The photos also sometimes had an excessive pink tint that interfered with quality. It doesn’t store images the way the Mini Evo does, either, which means you can’t decide whether or not you’d like to print them later.

Design-wise, the Mini Shot 3 is noticeably heavier and not as stylish as the Mini Evo. Having said that, there is the option to buy a white and black model that, at least on paper, looks nicer. Also, while I eventually got the hang of the camera and found it easy to use, it took a little longer for me to set up out of the box, as there were more instructions to follow than with Fujifilm’s cameras. The instant camera doesn’t run on disposable batteries and wasn’t fully charged when it arrived, which means I was also only able to use it for a few minutes before charging. Yet after recharging it with the included Micro-USB cable, it lasted most of the day afterward.

Nonetheless, if you don’t mind compromising on photo quality and want a relatively affordable hybrid camera that comes with a bunch of fun app features, the Kodak Mini Shot 3 Retro is a good choice.

Kodak’s hybrid Mini Shot 3 Retro instant camera comes with a fun companion app you can use to add frames, stickers, filters, conceal blemishes, and more. As long as you don’t mind the so-so image quality, this is a good digital instant camera for parties.

The Polaroid Now Plus is a good combination of old school and modern but was way too big for me to hold with just one hand. Photo by Sheena Vasani / The Verge

If you’re looking for an instant camera that offers the most old-fashioned, instant-film experience, the Polaroid Now Plus is the camera for you. Compared to the other instant cameras on this list, the Polaroid Now Plus most closely resembles vintage instant cameras like the Polaroid 600 with its classic, retro-inspired design. Meanwhile, its square I-Type film prints and iconic Polaroid-style frame give photos a more authentically vintage look.

Yet, at the same time, the Polaroid Now Plus also comes with the convenience and usefulness of more modern features, like the ability to recharge with the included a Micro USB charging cable. It also offers Bluetooth support and a companion app boasting several creative modes that allow for greater photographic control. These include a remote shutter, a self-timer, and a “Polaroid Lab” where you can adjust the exposure and various color settings. The app also features a handful of shooting modes — including a manual option and one for capturing multiple exposures — while the camera includes a set of five colored lenses you can snap onto the front. These were enjoyable to play with and allow for more artistic expression.

If there’s one thing the Polaroid Now Plus isn’t known for, it’s portability. Given how heavy, large, and awkwardly sized it is, it’s not the kind of instant camera you can easily slip into your purse or carry around. Plus, it takes up to 15 minutes for prints to develop, and you have to make sure it’s not exposed to light while developing. That’s quite an inconvenience if you’re out with friends, say, at the beach on a sunny day.

The Polaroid Now Plus is too big and awkwardly sized to easily fit into a bag, but I did like that it has a small counter on the back underneath the power button. Photo by Sheena Vasani / The Verge

If you’re looking for an instant camera that can easily print a good, clear photo without much effort on your part, this is not the camera for you. Of all the cameras on this list, the Polaroid Now Plus struggles with low-light environments the most, making it extremely difficult to capture a good shot in darker conditions. Images are not as clear in comparison to Instax film, and both contrast and color saturation levels tend to be quite low. While this gave my pictures more of a vintage, dreamy look that felt artistic — and you can use the Polaroid Lab to slightly adjust saturation and exposure settings — that could prove to be a lot of work and frustrating for some.

I could only take clear shots in the morning, and even then, they’re not that true to life. They do, however, give off an old-school vibe that I did find charming. Photo by Sheena Vasani / The Verge

For the most part, I barely could see images I took indoors, and I found I was only able to get the clearest shots when the light was directly behind me during the day — more specifically, in the morning. Given the Polaroid Now Plus lacks an LCD screen for selecting photos, it’s easy to waste film, which can prove expensive. After all, you only get eight I-Type sheets for $16.99, and that’s in addition to forking out $149.99 for the camera. Luckily, the Polaroid Now Plus has a small counter on the back so you can keep track of your shots.

Truth be told, however, you could argue that many of these shortcomings are typical of a retro, Polaroid-inspired instant camera and thus part of the experience. If that’s what you’re looking for, and you don’t mind the price, the Polaroid Now Plus is the perfect camera for you.

Whereas the Polaroid Now Plus is huge, the Polaroid Go is tiny. When I first held it, I couldn’t help but find it adorable. It easily fits into the palm of my hand — which is saying a lot given I’m petite and a little over five feet tall. In fact, it’s so small there were times I forgot I was even carrying it in my purse, making this easily the most portable instant camera on our list. It even produces the tiniest prints of all the instant cameras I tested, which could be nice if you’re trying to save some space and want something even smaller than Instax Mini prints.

Weighing just over a pound, the Polaroid Go is also the lightest instant camera I’ve ever held, and you can easily use it with one hand. That’s actually pretty convenient, given I sometimes struggled to take pictures with the heavier Polaroid Now Plus and, to a lesser extent, some of the other instant cameras I tested. In fact, if the images produced looked more true-to-life and didn’t require you to hide them from light for about 15 minutes while developing, I’d be tempted to call this the best instant camera for travel or small children.

The Polaroid Go is one of the most affordable Polaroid cameras currently on the market, with film that costs just a little more than Fujifilm’s Instax Mini shots (or about $19.99 for a 16-sheet double pack). Thankfully, the low price doesn’t come at the expense of image quality. While the Go struggles with capturing low-light environments like the bulk of the cameras on our list, it’s not to the same extent as the Polaroid Now Plus. Surprisingly, it was easier to capture clearer photos indoors, which meant I didn’t waste as much film. Contrast and color saturation levels are still low, but in a way that still exudes the vintage, almost dreamy look of the photos the Now Plus prints.

The Polaroid Go produced tiny, slightly clearer photos than the Polaroid Now Plus, although still struggled to capture low-light environments. Photo by Sheena Vasani / The Verge

Unlike the Polaroid Now Plus, however, it lacks creative modes and more advanced features, although double-pressing the flash button does give you double-exposure shots. There’s also no Bluetooth support and thus no fancy app that will allow you to add extra effects – although, thankfully, it is rechargeable and includes a Micro USB charging cable. In addition, as mentioned, the prints are even smaller than the Instax Mini, which could be a drawback for those who prefer larger, more traditional Polaroid photos. While it produces similar vintage-style shots, design-wise, it doesn’t look anything like old-school Polaroid cameras either, which could also take away from the retro experience some desire.

That said, none of the older Polaroid cameras came with an app either. All in all, the Go’s simplicity makes it a suitable candidate for those seeking a camera that provides a more traditional instant film experience – one they can take advantage of just about anywhere.

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Digital cameras with built-in printers mix the age-old satisfaction of having a physical photo to hold in your hands with the modern convenience of easy sharing on social media. Most digital instant cameras will cost you a few hundred dollars for that convenience, but the Kodak-branded Printomatic changes the game — sort of.

In our Kodak Printomatic review, we tested what is probably both the simplest and most affordable instant digital camera on the market, retailing for just $70. Thanks to its use of Zink zero-ink paper, there are no ink cartridges required — just load the paper, and out pop full color prints. Apparen