gopro lcd touch screen review price

The Hero+ LCD"s price, on the other hand, does not say "entry level." At $300 in the US and £250 and AU$430 in the UK and Australia, respectively, this is a somewhat pricey camera for the category given what it can do. The $130 (£100, AU$169) Hero model is truly entry level in price and features. That"s a considerable price gap between it and the Hero+ LCD.

For one, you get Wi-Fi and Bluetooth that can be used to connect to GoPro"s Smart Remote (not included), which basically replicates the camera"s controls so you can remotely change settings and shooting modes and start and stop recordings and take pictures.

The wireless is also used to connect to an iOS, Android or Windows mobile device to use GoPro"s app to control the camera and change settings as well as remotely preview and review your shots and transfer them to your device for sharing.

Beyond that, the Hero+ has a higher-resolution sensor -- 8 megapixels as opposed to 5 -- and instead of just a single 0.5-second time-lapse interval setting you get seven. You"ll also get a loop record feature, so you can more easily use this as a dash cam and it supports GoPro"s HiLight Tagging, which lets you quickly mark a section of your video for easier editing later on.

It does have that screen, though, which again isn"t something you"ll find from most of the competition. If that"s a must-have feature for you and you just need good-quality video for sharing online, your search is over.

That is, as long as you"re willing to put up with the rest of the Hero+ LCD"s design. Like the Hero, this camera is permanently in its rugged housing. Some might find this to be a plus since it means the camera can"t fall out and is always protected. However, since you can"t pull the camera out, if you damage the housing you"re not easily swapping it for a new one. While it can certainly handle a lot of abuse, if you manage to scratch the lens glass, you"re stuck.

Next to the screen are the microSDHC card slot supporting cards up to 64GB and a Micro-USB port. So what"s missing? The Hero lacks a Micro-HDMI port letting you playback directly from the camera to a display or HDTV. Not a huge loss, but still it"s a loss.

With its standard solid plastic backdoor, the housing is waterproof to 131 feet (40 meters). There is also a waterproof touch backdoor that"s good down to 10 feet (3 meters) as well as a skeleton door that lets more sound reach the built-in mic. External mics, by the way, are not supported on this model.

Shooting options are better than the Hero, but just barely. Video resolutions include 1080p at 60 frames per second and 720p at 60fps. There"s also a 720p at 60fps with GoPro"s SuperView feature, which basically takes 4:3 video and digitally stretches it at the sides so you get a taller 16:9 video. To help you out when you lose daylight, GoPro"s Auto Low Light feature can be turned on, dropping the frame rate so your video isn"t too dark when shooting in dim light.

The touchscreen is no doubt the easiest route and GoPro simplified navigation compared with the Hero4 Silver. Instead of swiping and tapping your way through menus, you just tap on the right side of the screen to bring up the mode menu, while the left side opens a context-sensitive menu related to what mode you"re in. One other nice addition: You can trim out 5-, 15- or 30-second clips or grab a still from a video on camera.

Of course, the more you use the touchscreen or wireless, the less battery life you"ll have for recording. Even with both of those off you"re looking at a maximum of 2 hours of continuous recording at 1080p at 60fps or up to 2 hours and 30 minutes set to 720p at 60fps in SuperView mode.

On its own, the video from the Hero+ LCD is very good and stands up to other models priced around $300 such as the Drift Ghost-S and Replay XD Prime X, though only the former has a live-view screen. Sony"s Action Cam Mini with its Live-View Remote is another option and is better in image quality and features, though it"s not as easy to use.

For casual viewing on a smartphone or tablet and posting to YouTube, you likely won"t be disappointed with what you get from the Hero+ LCD. As with most cameras in this category, when viewed at larger sizes you"ll see compression and motion artifacts and details are pretty soft and mushy. These things only get more pronounced when shooting in low light.

It"s pricey for its shooting options and performance, but the GoPro Hero+ LCD is also one of the few action cameras available with a built-in live-view screen. That"s a feature that"s tough to beat, especially if you"re looking to simplify your shooting experience.

I do like being able to view what you are shooting. I have not been much in favor of the touch screen just because of it"s small size. I guess one could use a rubber tip pen, but haven"t used or tried that. At least they made it, with forethought, to use with all 3"s and 4"s.

²Applies only to purchases made on GoPro.com. Some accessories excluded. Learn more. Limited to a maximum of 10 items per subscription anniversary year.

Their newest camera has just hit the market, and we have been busy putting it to the test to bring you this comprehensive GoPro HERO 10 review! Find our what all the new features are, where it shines (and where it doesn’t), as well as an honest opinion on whether the GoPro HERO10 is worth the upgrade.

See, we’re not exactly your typical tech reviewers that burn and churn through whichever product hits the market, just to move onto the next thing a few days later.

We live and breathe photography, videography, and most of all, adventure. So of course once this new camera hit the market we had to dive into the specs and use it out in the real world to bring our expert GoPro HERO10 Black review.

There are two slogans for the GoPro HERO 10 Black this year. The first is ‘A New Era’, which is a pretty massive claim for a company that has been at the leading edge of action sports cameras for over a decade.

The GP2 on the GoPro HERO10 brings about some enormous upgrades around things like frame rates and overall performance, while the general features like photo and video modes stay mostly the same as the previous model.

SPECIAL DEAL: GoPro has an incredible special on their new camera right now, and you can save a huge $210 on the fantastic ‘HERO10 Black + Accessories’ bundle deal by clicking on the button below, or save $150 on just the HERO10 camera. This special is for a limited time only, so check it out while it’s available.

A New Era of GoPro is here and that means there are a whole string of new features and upgrades when you compare the HERO10 with the HERO 9 Black action cameras.

Even though the GoPro HERO9 last year finally revealed a new upgraded 23 megapixel sensor, using the old processor meant that it could only achieve 20 megapixels.

Compared to the HERO9, the GoPro HERO10 Black now has double the performance and double the frame rate across all of the higher resolution video modes.

It is now twice as smooth when reviewing footage and using live preview on the front LCD screen, and the rear LCD touchscreen interface is incredibly responsive.

And to top it all off, it’s just overall much, much faster to use. It’s quicker to launch, quicker to start taking photos and videos, and touch sensitivity is more responsive.

If this was the only improvement we found in our GoPro HERO10 review, we’d already be singing its praises and telling you that you need to stop what you’re doing and order one now. But of course, there’s more…

But if you’re a professional user, we recommend shooting in RAW mode to full make the most out of the 23 megapixels the GoPro HERO 10 boasts with image quality.

This isn’t necessarily something that we’d consider pushes GoPro into a ‘new era’, but it’s been a massive annoyance for us for years and are so glad they’ve improved it.

GoPro photos and videos have always looked great when shooting on bright, sunny days. But they’ve often fallen apart when it comes to low light situations, such as dawn, dusk or indoors.

Noise and grain isn’t so much of a problem now, and details are fantastic, even in low light. It may seem minor, but it was something we really wanted to highlight in our GoPro HERO10 review.

Well GoPro practically killed off their own product when they introduced HyperSmooth into the HERO7, their own version of digital image stabilization.

The touch screen is a lot smoother and more responsive, and this was actually our biggest gripe with the HERO9. While it looked great, the touch screen was very frustrating to use. Not an issue any more on the HERO10.

It may have taken more than a decade of versions to figure out, but finally the GoPro HERO10 Black is on par with professional expectations with how it performs day to day.

The camera itself is great, but what has always set GoPro apart from other companies is the sheer number of accessories you can attach to them, allowing you to use the camera in just about any situation you can set your imagination to.

Besides the dazzling array of random accessories like suction cups, selfie sticks, dive housings, clamps, helmet and board mounts and plenty more, it’s the ‘Mods’ of the last few years that have helped turn the GoPro cameras into a versatile beast.

Then there are the Light Mod (adds a light, surprise surprise) for when shooting indoors or at night, and a Display Mod, which adds another screen so you can see yourself, but the latter is kind of redundant now thanks to the front-facing LCD screen.

But before you rush out and buy one based on a bunch of fancy talk like GP2 processors and 5.3k60fps, how does the GoPro HERO10 Black actually perform in the real world?

The very first thing we noticed was that the camera fired up a lot faster than the HERO9, and the screen responsiveness did indeed seem a lot smoother and quicker.

The GoPro HERO10 LCD touch screen almost felt as smooth as our iPhone, which is pretty remarkable. So much so that it made us even more frustrated with the screen performance on the 9.

One of the big things we noticed too was how much more quickly the GoPro captured and processed these images, especially in RAW mode, compared to the HERO9.

When we pulled the images up on Adobe Lightroom to check them out we were very impressed with the clarity and colour rendering that the GoPro produced.

Now we don’t want to go jumping the gun just yet, because GoPros have had freezing issues forever, even with every firmware update, but the fact that we haven’t experienced this yet may just mean that the new GP2 chip has finally rectified this massive problem. Hallelujah!

Overall the GoPro HERO10 Black handles like an absolute beast in the real world, and we will be using this new camera on every single shoot we do from now on.

Like we said at the beginning of this article – this is an HONEST GoPro HERO10 review. And being honest means we’re going to tell you exactly what we don’t like about the latest camera too.

Second is that there is no optical zoom on the GoPro HERO 10. You can utilise the digital zoom, and change the digital lenses between SuperView, Wide, Linear and Narrow, but there isn’t any real optical zoom there.

We would have love to see at least 2x optical zoom built in, because sometimes you just want a different perspective for your shots rather than the typical GoPro fish-eye look.

There is a Max Lens Mod, which widens the point of view, so it makes us wonder if at some point GoPro can create a switchable lens that crops in. But at this stage you’re stuck with the digital options.

Other than that there really isn’t anything glaring at us that we dislike in our GoPro HERO 10 Black review. But if we notice anything as time goes on we’ll be sure to return to this article and update it.

Now that we’ve dove deep into what’s new, what we like (and what we don’t) in this GoPro HERO 10 Black review, you may be wondering whether it’s worth upgrading your camera, if you have an older model.

As you can see, the GoPro HERO 10 Black on the surface appears to be similar to previous models, using quite a lot of the same features, but it’s under the hood that everything sees improvements.

You’ve read through our review, have a solid understanding of the new features and capabilities of the GoPro HERO10, and if you haven’t already made a decision on whether to buy it or not, we’re going to help you out right now.

If you don’t already have a GoPro and are wondering whether or not you should bite the bullet and get one, then 100% yes, the HERO10 is worth the money!

You can literally connect your camera to the GoPro Quik app on your phone, wirelessly sync your footage, edit photos, make videos (using their ready-to-go templates), and in a matter of minutes you have epic content ready to upload straight to Instagram, TikTok, YouTube or Facebook as soon as you have an internet connection!

Every part of the camera has been given an upgrade, and especially for people who like to vlog or take selfies, you’ll find the front LCD display a huge game changer over the HERO 8.

In previous years we have always said that if you are using the previous GoPro camera, then unless you’re a professional user, it’s not worth upgrading.

You’ve made it to the end of our GoPro HERO10 review, and considering the features, quality, durability, size, design, ease of use and of course the price, we’ve decided to give it a massive 9/10.

Thanks very much for reading our GoPro HERO10 Black review. If you have any questions please leave a comment below and we’ll answer them as soon as possible.

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The GoPro HERO10 is a huge upgrade over the HERO9 thanks to the brand new GP2 processor, which doubles the performance, speed, responsiveness and frame rates of the camera over the previous model.

If you have the 8 model or earlier, or use your GoPro more than twice a week, then it is definitely worth upgrading to the GoPro HERO10 to make full use of the new GP2 processor.

With the new 23mp sensor being powered by the GP2 processor and full RAW capabilities, the GoPro HERO 10 is a fantastic camera for taking still photos.

We break down every spec, feature and comparison with previous models in our honest GoPro HERO 10 review by taking it out the field and testing if its worth...

The $199 GoPro Hero comes from a strong lineage, bringing good audio and video performance, an easy-to-use touch-screen interface, remote control via a mobile app, and image stabilization to an affordably priced action camera. For those not interested in 4K resolution or super-high frame rates, the GoPro Hero may be the go-to action camera in this price range, but it faces steep competition from the Yi Lite, which costs $100 less. Still, there"s enough to recommend this camera that it made it to our list of best action cameras.

On the rear is a two-inch touch screen with menu items and information that run along the top and bottom edges. A wheel-like interface allows users to easily change these settings.

Compared with the carbon-fiber front of the Yi 4K+ action camera, the design of the GoPro Hero looks a little "blah." However, its native waterproof capability certainly makes up for that.

Compared with the carbon-fiber front of the Yi 4K+, the design of the GoPro Hero looks a little "blah," but its native waterproof capability (up to 33 feet) certainly makes up for that.

The GoPro Hero comes with a few accessories, including the most important one: a frame-like housing that allows the camera to be mounted to any number of GoPro and third-party accessories. Unlike the Yi 4K+ and the Yi Lite, however, the GoPro does not have a built-in tripod mount — a slight disappointment.

Like its big brothers, the Hero 5 and the Hero 6, I was able to turn on Wi-Fi in the camera and connect to it using the Google Pixel 2 and the iPhone 6s Plus without any issues. Through the app, I could change settings, view previously recorded clips and start recording while watching the output of the camera on my phone"s screen. When I turned the phone on its side, the video changed to landscape, which was nice.

Unfortunately, 1440p and 1080p at either 30 or 60 fps are the only two resolution/frame-rate combinations available. Surprisingly, 720p is not offered, and there’s no slow-motion option, unlike more expensive models in GoPro’s lineup.

Video shot during a road trip through Vermont was impressive. Trees were lush and a deep shade of green, while the sky appeared a saturated blue with white, wispy clouds. The lines and the signs on the road were the appropriate colors of white and yellow. Additionally, the GoPro Hero did an adequate job of recording details in the shadows of the trees.

The GoPro does not need a plastic housing to be waterproof. Instead, it relies on a frame that allows it to mount to accessories. The benefit of this design is that the audio quality will be much better than that of a camera that does need a waterproof housing.

Compared with the sound in video taken with the Yi Lite, the GoPro Hero"s audio quality was slightly better at foreground voices and noises. However, the wind-noise reduction in the GoPro Hero video was far superior, outputting a usable clip.

The $199 GoPro Hero is a solid performer, offering quality video up to 1440p, adequate image stabilization, a waterproof housing, an intuitive interface and a great app.

If you"re looking for a budget action cam, check out the Yi Lite ($99), which also has image stabilization and shoots video comparable to that of the GoPro. There are a few trade-offs, however: Iit needs a housing ($40, sold separately) to make it waterproof, its Android app is a bit wonky and it lacks a touch screen.

If recording 4K or slow-motion video is important to you, move up to the Yi 4K+ or last year"s GoPro Hero5 Black, both available for $299. But if you want a great midrange action cam, the GoPro Hero is a great bet.

One of the key differentiating factors between the GoPro Hero 3+ and its direct competitors (particularly the JVC Adixxon 2 and the Drift Innovation Ghost S) is the GoPro’s lack of a built-in screen. While you can use wifi and the GoPro app to see live footage and review previously shot videos on a smartphone, this doesn’t really allow the GoPro to be used like a “normal” video camera, with the user continually viewing the image as it is captured and making adjustments. While this might not matter much or at all where the GoPro is to be mounted in a fixed position (and where you couldn’t see a screen anyway), it is more important where the intention is to use the GoPro like a more traditional camera and to control where it is pointed – as one might when scuba diving for example.

The ‘Touch’ back door allows the capacitive touch inputs to be transferred to the screen through the door. However, the touch backdoor is only waterproof to a depth of 3m, and when used underwater the touch input will not work. As such, while it is ideal for protecting the GoPro from rain, snow and puddles when on dry land, and potentially use on the surface of the water (where you’re sure you won’t drop it!), it’s not really ideal for prolonged submersion, and obviously not at all for scuba diving.

The ‘Standard’ backdoor, which is of a stronger construction and is waterproof to 131 feet (40m)  like the standard GoPro case.  The touch functionality of the BacPac does not work at all through this case, but it is still possible to access the various menu options through the use of the additional button mounted on the side of the BacPac in conjunction with the existing 2 buttons on the GoPro.

The ‘Skeleton’ backdoor – like the original skeleton backdoor, this leaves the rear of the case effectively open, in order to improve the audio quality of the sound captured. However, since audio is not the GoPro’s strongest point in any event, in general it is arguably sensible to use one of the other two backdoors in order to project the camera unit against any moisture or dirt.

Downsides? Clearly, the Touch BacPac increases the size of the GoPro housing, and as such can interfere with the mounting of the camera (for example, when used on a helmet front mount or ‘Chesty’ chest mount). However, as discussed above, since it’s unlikely that you would want to use the BacPac when the camera is mounted this way, this is isn’t a major issue.

The far bigger issue is that of battery life. The GoPro Hero 3+ cameras already have a relatively short battery life, with the most powerful Black model being the worst in this regard. As can be seen from the table below, the addition and use of the BacPac Touch screen tends to reduce the battery life by around 30 – 40%. It is however possible to turn the screen off so that it is only used where necessary. And, given that spare battery packs and charger units are now very affordable, it is not too big an issue to simply swap out an expired battery pack and continue your day’s shooting.

Overall, the GoPro Touch BacPac is a great accessory. It allows the GoPro to be much more than just a mounted action cam, and instead to become a properly usable lightweight, waterproof video camera. It also significantly improves the functionality of the camera and the speed with which the  settings can be altered. If you ever use (or might plan to use) your GoPro while not in a fixed mount, and can cope with the reduced battery life, then in our view the Touch BacPac is well worth a purchase.

GoPro’s Hero action cameras are aimed squarely at the entry-level, leaving the more fully-featured Hero4 for serious film-makers. The Hero is still well-equipped and more than capable of capturing quality footage though. There are now three cameras in the Hero range: the GoPro Hero (around £94), GoPro Hero+ (around £169) and GoPro Hero+ LCD (around £199). The Hero+ gains Wi-Fi for pairing with an iOS and Android companion app, but the Hero+ LCD gets an LCD display too.

This gives you a live view for framing your video and photos, and lets you play back recorded clips, but also functions as a touchscreen. The LCD gives you a quick and easy way to adjust settings, as well as providing in-camera trimming so you can cut down videos to easily sharable sizes.

The camera will feel familiar to GoPro users, with the same typical three-button design. The power button is on the front, the shutter button on the top and a settings button the side. The side button is also used for “HiLight” favourites tagging when recording video, making it simple to mark important parts of your footage to make editing easier. You can also mark HiLights when you’re watching back video on the LCD display.

A second, smaller display on the front shows a rudimentary menu, which is useful when the camera is mounted in a way that prevents you from seeing the rear touchscreen.

One of the biggest differences from the Hero4 is the non-removable waterproof case. Before the entry-level Hero arrived, every GoPro had a separate, detachable waterproof housing. With the Hero+ LCD, the casing is permanently fixed in place, which you might find a little unwieldy if you plan on using handheld gimbals designed for caseless action cameras.

The permanent case also increases the overall size, even when you’re not planning any aquatic escapades, but when you do get wet, the Hero+ LCD can survive being submerged to depths of 40m. The case is otherwise very rugged and will stand up to a good few knocks. As a whole, the Hero+ LCD weighs 127g - lighter than the 152g Hero4 Black. You get the usual array of curved and flat adhesive mounts, but the Hero+ range works with all of GoPro’s existing mount range.

Various different backdoors are included for the case, including one that will allow you to still access the touchscreen, but it’s worth noting that the touch backdoor is only waterproof to 10m. A skeleton backdoor can also be used that doesn’t obstruct the microphones as much for improved sound quality, but this isn’t dust or waterproof.

The Hero+ LCD might be more of an entry-level camera, but it’s still well-specified when it comes to video resolutions. It’s capable of up to 1080p video at 60fps, which is excellent for a sub-£200 camera - many are limited to 30fps. Where the Hero+ range is lacking is when it comes to higher frame rate video, which is useful for creating slow motion footage. The similarly-priced Veho Muvi K2NPNG allows for 720p video at 120fps. You’ll have to step up to the Hero4 Black to get 240fps video from a GoPro.

The Hero+ LCD is also capable of capturing 8-megapixel still images, in addition to a burst mode that rattles off 10 frames in 2 seconds. There’s also a time lapse photo mode, with intervals between 0.5s to 60s.

One of our favourite GoPro features is the QuikCapture function. This lets you quickly turn on the camera to begin capturing video or timelapse images by pressing or holding the shutter button when the camera is off. Another press then stops the camera and turns it back off again.

Footage captured from the Hero+ LCD was very crisp, with nice and vibrant colours and decent sharpness when given outdoor lighting. Under low light there’s a reasonable amount of noise, with the auto low-light function adjusting the frame rate dynamically to match lighting conditions. The resulting 8-megapixel still images captured a surprising amount of detail.

Battery life was excellent, matching the Veho Muvi K2 NPNG, which was one of the longest lasting action cameras we’ve tested. Shooting 1080p video at 30fps, the Hero+ LCD managed a fantastic 2 hours 27 minutes - significantly higher than the GoPro Hero4 Black. The battery isn’t removable, however, so there’s no swapping out batteries while you’re in the field.

As an entry-level GoPro, the Hero+ LCD is an excellent choice provided you don’t need the more advanced functionality of the full-blown Hero4. With not much money separating the Hero+ LCD and regular Hero+, the added convenience of a touchscreen display is definitely worth paying extra for.

The Muvi K2 NPNG has more included accessories (and support for GoPro mounts) but the Hero+ LCD has better image quality and a superior companion app. In any case, with both you’re getting very capable action cameras for not a lot of money.

Exactly one year ago today GoPro announced the Display Mod, as part of the larger Hero 8 suite. At the time, a year before the Hero 9 would come out, it promised a way to see yourself from the front of the camera, aimed somewhat at vloggers, but realistically anyone that just wanted to frame the subject from in front of the camera (which I think is way more people than just vloggers). Undoubtedly it was a response to the DJI OSMO Action with its dual front and rear color screens.

Unfortunately, with delay after delay after delay, it wouldn’t finally see the light until just a week or two ago. By then, the GoPro Hero 9 had launched, which featured a similar front-facing screen as the DJI OSMO Action, negating the value for most people. Still, plenty of people have the Hero 8 cameras, and the Display Mod also offers a larger screen than the Hero 9’s front facing display. So perhaps there was still some value there – it was time to find out!

To begin, the Display Mod comes with both a USB-C charging cable (just like a normal GoPro would), as well as a small case for it, keeping it safe for when it’s not on your camera:

The GoPro Display Mod requires the GoPro Media Mod. In the case of the Hero 8, that’s the Hero 8 Media Mod, and in the case of the Hero 9, that’s the Hero 9 Media Mod. These are different models and aren’t cross-compatible because the GoPro Hero 8 and Hero 9 are different sizes, thus their shells are different sizes:

But, the good news is that as long as you have the appropriate Media Mod for the right camera, then you can use the same Display Mod with either. Also, for fun, I tried using the Media Mod with the GoPro Hero 7 (which has an HDMI port on it), and while it would illuminate, it would only show a gallery view of existing content on the card (like plugging into a TV), except half the navigation icons are cut-off, so you’re basically navigating blindly with the Hero 7 Mode & Power Buttons, hoping you don’t delete anything in the process.

Now, you’ll twist up the Display Mod, which has the screen on the front-facing side. This hinge seems well built in terms of up/down movement, but wouldn’t do well with a strong shear (lateral) or twisting force on it. Long term I think disconnecting and re-connecting the wire is probably what will break first.

Next, go ahead and hold down the left button, this turns it on. If you have the screen on, but not yet the GoPro, you’ll see this (which assumes you haven’t connected the cable). You’ll also see the battery state in the corner (of the display mod). Once you turn on your GoPro, you’ll see yourself on the Display Mod, and the GoPro Hero 8 or 9 back screen will turn off:

On the front Display Mod screen you’ll only ever see the exact same thing: Yourself and the Display Mod battery. Meanwhile, on the front GoPro status screen you’ll see the recording time details more or less like normal. You’ll see the mode you’re in, recording time, battery life of the GoPro, etc…

At first you’re like – OK, no biggie, right? Except…biggie. See, you can’t adjust any settings now unless you literally turn off the Display Mod (which means it’s now sitting there flipped up and off – cause if it’s flipped down, it blocks your rear touchscreen):

See, the Display Mod isn’t a touchscreen, and it *NEVER* shows display settings, or allows you to adjust settings. It just shows yourself. That’s it. Again, it only shows yourself. Take for example this super cool new audio feature on the Hero 9 Media Mod (green lines at the bottom) – this is when the Display Mod is turned off:

Or, perhaps you want to adjust from Wide to the new GoPro Hero 9 Linear Horizon Leveling mode. Nope, you can’t do that either without shutting off the Display Mod, waiting for it to slowly disconnect itself, and then illuminate the other screen. And then of course once that’s done, you’ll turn back your Display Mod on.

So when you’re not having the Display Mod in use, then you can flip down the screen like this (shown partially, it goes all the way down as shown above elsewhere):

And that’s fine, you can still see the GoPro screen. Except it doesn’t go to sleep like the normal screen does. So it’ll just burn battery forever. Also, again, you can’t adjust any settings, or even see the recording times from the back – because that’s only on the status.  Mind, you, all this is the same on the Hero 8 or Hero 9.

Further, it ignores the GoPro display timeout settings as well. It’ll just stay on forever, until the GoPro turns off physically, in which case two minutes later the Display Mod turns off too. But this doesn’t match the normal settings where the displays go to sleep (timeout) earlier to prevent battery drain.

As in, there’s nothing else to talk about. That’s the sum total of the GoPro Display Mod’s capabilities. It’s basically a simple non-touchscreen display that you clip on the top and it reduces the functionality of your GoPro, by only very slightly increasing one aspect (seeing yourself on the front if on the Hero 8, or slightly bigger on the Hero 9). But that’s a massive tradeoff for the functions.

The screen measures 2” diagonal and has a resolution of 480×320, the exact same as the GoPro Hero 8 rear screen (but smaller than the Hero 9 rear screen).

No, it has its own battery that you must charge separately. Meaning, you’ll need to plug in two cables (one to your GoPro to charge that battery, and one to your Display Mod to charge that battery). The Media Mod doesn’t have an internal battery, so no need for a third cable there.

No, according to GoPro “Current hardware limitations prevent output to the Display Mod and enabling the full functionality of the Hero 9 Black back touchscreen at the same time”. Which, is exactly what I’ve seen. It will show status on the Hero 9 front display screen, just like the Hero 8 front display screen.

When GoPro announced the Display Mod, it was clearly in response to DJI. Some day we’ll find out for real whether this was in the hopper before DJI announced their OSMO Action 5 months earlier. My guess is it might have been on a napkin somewhere, but that’s about it. When GoPro held various media events leading up to the Hero 8 launch last September, the Display Mod was nowhere to be found, save under a glass case…untouchable. Yet, it was still slated to be released by December 2019 (something I was skeptical on at the time).

Fast forward to January 2020 and the Display Mod made its first appearance at CES in the booth for all to touch and caress. From briefly playing with it then, it was clear it was a hot mess. Which, probably explains why it was delayed and delayed and delayed until now.

I’ve bought literally almost every product GoPro has made. Every action cam, almost every mount, and even that drone. Yes, the remotes and accessory cables too. And ultimately, I think this is the most disappointing thing GoPro has made.  It’s as if the concept never really left the napkin stage and went through a proper productization. It’s as if someone shipped the napkin off to a manufacturer in Asia, and they shipped back this hardware with a coffee-stained half-ripped sticky note that says “KThxBye!”.

For Hero 8 users this would have helped bridge the gap, and sure, if you’ve already got the Hero 8 + Hero 8 Media Mod, and don’t care about changing settings or often changing the direction of your camera to point at something else, then maybe this is a good intermediate option for ya. But if you’ve got a Hero 8 with no Media Mod, you’re basically looking at $160 for both the Media Mod + Display Mod, which is about half-way to the cost of a Hero 9 assuming you’ve got GoPro Plus.

Even in the case of the Hero 9, there’s so much real potential for the Display Mod for its intended target audience – vloggers. Why couldn’t GoPro have put the audio levels on the screen? Why not an exposure graph? Why not additional ProTune metrics on the screen like ISO or shutter speed? Why not the ability to change zoom levels like the Hero 9 screen? Why not a 16:9 overlay when recording 4:3 content? Why not even GoPro GPS-based metrics that are available through the app, like speed? Why not dual-screen support like their actual product page originally showed? Why doesn’t it auto shut–off the screen per the GoPro screen savings settings? Why can’t I change settings when the Display Mod is enabled?

Hopefully you found this review useful. At the end of the day, I’m an athlete just like you looking for the most detail possible on a new purchase – so my review is written from the standpoint of how I used the device. The reviews generally take a lot of hours to put together, so it’s a fair bit of work (and labor of love). As you probably noticed by looking below, I also take time to answer all the questions posted in the comments – and there’s quite a bit of detail in there as well.

If you"re shopping for the GoPro Display Mod or any other accessory items, please consider using the affiliate links below! As an Amazon Associate I earn from qualifying purchases. It doesn’t cost you anything extra, but your purchases help support this website a lot. Even more, if you use Backcountry.com or Competitive Cyclist with coupon code DCRAINMAKER, first time users save 15% on applicable products!

Thanks for reading! And as always, feel free to post comments or questions in the comments section below, I’ll be happy to try and answer them as quickly as possible. And lastly, if you felt this review was useful – I always appreciate feedback in the comments below. Thanks!

Hopefully you found this review useful. At the end of the day, I’m an athlete just like you looking for the most detail possible on a new purchase – so my review is written from the standpoint of how I used the device. The reviews generally take a lot of hours to put together, so it’s a fair bit of work (and labor of love). As you probably noticed by looking below, I also take time to answer all the questions posted in the comments – and there’s quite a bit of detail in there as well.

If you"re shopping for the GoPro Display Mod or any other accessory items, please consider using the affiliate links below! As an Amazon Associate I earn from qualifying purchases. It doesn’t cost you anything extra, but your purchases help support this website a lot. Even more, if you use Backcountry.com or Competitive Cyclist with coupon code DCRAINMAKER, first time users save 15% on applicable products!

Thanks for reading! And as always, feel free to post comments or questions in the comments section below, I’ll be happy to try and answer them as quickly as possible. And lastly, if you felt this review was useful – I always appreciate feedback in the comments below. Thanks!

GoPro has introduced the Hero+ LCD camera, sharing many features with the entry-level Hero with the addition of a touchscreen. The Hero+ LCD is waterproof to depths up to 40m/131 ft, and adds both Bluetooth and integrated Wi-F with support for the Android and iOS GoPro App. Videos can be recorded at up to 1080p/60, and 8MP still image capture is offered.

The Hero+ LCD"s features include HiLight Tagging for marking notable moments while recording or playing back footage, as well as in-camera video trimming for rapid editing and sharing without the use of a computer. Content can be shared directly to Twitter, Instagram, and Facebook. Like the Hero, the Hero+ LCD offers a QuikCapture setting, allowing the user to power the device on and start recording with one button press. The battery allows for about two hours of recording per charge; microSD cards up to 64GB are supported.

The Hero+ LCD will launch in the United States at retailers and online on June 7 for $299.99 USD. The camera will then go on sale internationally on July 12.

SAN MATEO, CALIF. (June 1, 2015) – GoPro, Inc. (NASDAQ:GPRO), enabler of some of today"s most immersive and engaging content, has announced the availability of its new HERO+ LCD camera. Capturing life-like high definition 1080p60 video and 8MP photos, the HERO+ LCD features a convenient touch display for easy shot framing, settings control and access to an all-new in-camera video trimming feature. Like the entry-level HERO, the HERO+ LCD is built directly into its waterproof housing. The simplicity of this all-in-one design now combines with expanded features to make capturing life’s memorable moments easier than ever.

Rugged and waterproof to 131’ (40m), HERO+ LCD also includes advanced features like HiLight Tagging and in-camera video trimming to make it easier to identify and share your favorite moments. HiLight Tagging lets you mark key moments while recording and during playback so you can easily find them later, and the all-new video trimming feature allows you to create short clips in-camera for easier sharing without a computer.

Built-in Wi-Fi and Bluetooth® connect the HERO+ LCD to your GoPro App-enabled smartphone or tablet for easy camera control and shot preview when your camera is mounted or out of reach. The GoPro App also allows for easy content sharing to Instagram, Facebook, Twitter and more and combines with the new in-camera video trimming feature to form a convenient content sharing solution.

“HERO+ LCD illustrates that even as we push the limits of life capture with bleeding-edge devices like the HERO4 Black, we’re also focused on delivering accessible, high-quality capture solutions to anyone wanting to GoPro,” said Nick Woodman, founder and CEO of GoPro.

Whether you are a first-time user or a GoPro veteran, the HERO+ LCD is an impressive capture solution. It combines GoPro’s famed image quality, versatility and durability with WiFi connectivity, long battery life and touch display convenience in an all-in-one design.

HERO+ LCD will be available for purchase in the U.S. at authorized GoPro retailers and GoPro.com beginning June 7, 2015. International availability will begin July 12.