video display screens bright box quotation

Brigthtbox is a complete portable double-sided aluminium lightbox display system. It is designed to be set up quickly and easily and without the need for any tools. Just remove the box, twist out the feet of the base panel. Then use the numerical system to connect the remaining beams. SEG printed fabric panels slot into the frame channel and the power cable inserts under the base panel. Plug in and play in less than 10 minutes.

Our most capable casing option, the Tiger Counter Case can hold up to 14 feet of TigerBrite — (2) 91x91” displays, or (1)117x91” and (1) 64x91” TigerBrite display.

Steal the show with this eye catching bright illuminated display. Just click and glow! With its stunning design and bright backlit print, the Brightbox is perfect for all occasions. Use it as an illuminated stand banner or link multiple systems to create an incredible back wall. Equipped with power LED lighting in the sides, your message will shine bright with the Brightbox!

A stable aluminium profile of 100 mm width, with electronic connectors inside the frame, make the Brightbox Premium a real premium lightbox. No more need to connect cables inside the lightbox. Just set up your lightbox, connect the transformer and you a ready to glow. An ideal lightbox for double-sided advertisement with a premium look and premium usage.

With internal electric connectors inside the frame, there is no need for cables to be connected inside the lightbox. Just slide-in the aluminium profiles, connect the transformer, attach your graphic with silicone edges and you are ready to shine bright. A quick and easy tool-free installation, without any cables. Go for premium usage with the Brightbox Premium.

The Brightbox Premium has linkable magnetic sides, that makes it possible for you to link multiple systems to create an incredible illuminated backwall. Plastic clips are provided for perfect attachment. Light up your attention with the Brightbox Premium; the perfect lightbox for every event.

Whether you use the Brightbox Premium for exhibitions, special events or product promotions in shops, with the Brightbox Premium you can change your message very easy. No need for a new lightbox or breakdown the current one; simply order a new graphic for the next promotion or event. Change and replace your fabric print with silicone edges easily and you are ready to glow for the next show!

Starlight Sublimation 180 g/m²Starlight Sublimation 180 g/m² is the standard printing material we use for the Brightbox graphics. Starlight Premium, woven 100 % Polyester, coated with resin and B1 fire rated. Perfect material for smaller sizes up to 100x200 cm, that are easier to pack carefully. After using your Starlight print, make sure to roll it back on a tube, to avoid any cracks or damages. An advantage of the Starlight is that it has a specific feel with the layer on the material, unlike sublimation that goes inside the fibers.

The Brightbox back-lit system is a premium quality 100cm wide display stand. This has been designed with install and transportation being the important elements. Everything is packed into one compact carry box and set up is quick with detailed instructions supplied and even a video to show set up. No tools are needed, and this can be set up by one person in around 10 minutes.

Magnetic side beams means that multiple Brightbox stands can be linked together to create a larger display stand. The high-quality printed fabric panels are fitted to both the front and back of the stand, enabling double sided back-lit branding.

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

Planar® CarbonLight™ VX Series is comprised of carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility, available in 1.9 and 2.6mm pixel pitch (wall) and 2.6mm (floor).

From cinema content to motion-based digital art, Planar® Luxe MicroLED Displays offer a way to enrich distinctive spaces. HDR support and superior dynamic range create vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge MicroLED technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior décor.

From cinema content to motion-based digital art, Planar® Luxe Displays offer a way to enrich distinctive spaces. These professional-grade displays provide vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior decor.

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

From cinema content to motion-based digital art, Planar® Luxe MicroLED Displays offer a way to enrich distinctive spaces. HDR support and superior dynamic range create vibrant, high-resolution canvases for creative expression and entertainment. Leading-edge MicroLED technology, design adaptability and the slimmest profiles ensure they seamlessly integrate with architectural elements and complement interior décor.

Advanced LED video wall with MicroLED models in 0.6, 0.7 and 0.9mm pixel pitches, and 1.2mm pixel pitch standard LED; with powerful processing, proprietary alignment technology and off-board electronics.

LED video wall solution with advanced video wall processing, off-board electronics, front serviceable cabinets and outstanding image quality available in 0.9mm pixel pitch

Planar® CarbonLight™ VX Series is comprised of carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility, available in 1.9 and 2.6mm pixel pitch (wall) and 2.6mm (floor).

Carbon fiber-framed indoor LED video wall and floor displays with exceptional on-camera visual properties and deployment versatility for various installations including virtual production and extended reality.

a line of extreme and ultra-narrow bezel LCD displays that provides a video wall solution for demanding requirements of 24x7 mission-critical applications and high ambient light environments

Since 1983, Planar display solutions have benefitted countless organizations in every application. Planar displays are usually front and center, dutifully delivering the visual experiences and critical information customers need, with proven technology that is built to withstand the rigors of constant use.

TRU-Vu offers the largest selection of industrial-grade small LCD monitors and touch screens in the world. Choose from over 125 models of 8.4 inch to 12″ industrial-grade small lcd monitors, including small HDMI monitors, waterproof monitors, Sunlight Readable monitors, 4:3 and 16:9 aspect ratio, panel-mount and custom displays.

TRU-Vu offers over 235 standard, off-the shelf 13.3” to 19” industrial-grade LCD monitors and touch screens. Industrial LCD monitors offer many advantages over consumer or commercial-grade displays. They are more rugged, have higher shock and vibration resistance and can be modified or customized to meet your needs. Industrial and medical-grade monitors, Sunlight Readable, waterproof, open frame monitors and more.

TRU-Vu offers the largest selection of industrial LCD monitors and large touch screens in the world. We have an impressive line-up of over 175 off-the-shelf industrial LCD monitors with large screen sizes from 21.5" to 75". This includes Medical-Grade, Sunlight Readable, open frame, bezel-less, waterproof, 4K, custom and OEM widescreen monitors, with a wide range of configurations and enclosure types.

TRU-Vu Sunlight Readable Monitors and Daylight Screens (with Optical Bonding) and touch screen monitors are ideal for use in direct sunlight, or in other high-ambient light environments. These outdoor monitors offer 1,000 nits to 2,500 screen brightness. They are ideal for outdoor digital signage, military, law enforcement, amusement parks, way-finding, marine, and more.

Industrial-grade monitors and touch screens with standard brightness (250-350 nits) are ideal for use indoors or in environments without sunlight or bright lighting. We offer waterproof monitors, panel mount monitors, custom LCD displays, private label monitors, Medical Grade monitors, outdoor monitors, 16:9 and 4:3 aspect ratio, and more, from 7" to 65" lcd monitor screen sizes.

Our waterproof monitors and water proof touch screens are perfect for use as outdoor monitors, or in industrial settings where high humidity, liquids, and daily wash-downs may exist. Stand-alone or panel mount waterproof enclosures are available in stainless steel, painted steel or aluminum, with protection ratings up to IP68.

TRU-Vu Medical-Grade displays and Medical touch screens are certified to the latest UL and IEC 60601 standards. They are ideal for use in hospital surgical operating rooms as surgical displays, on medical diagnostic equipment and medical cart monitors. Their bezel-less monitor design provides added benefits of improved aesthetics, and increased safety and hygiene, and IP65 liquid protection.

Panel mount monitors and panel mount touch screens can be flush-mounted into doors, walls, kiosks and cabinets for improved ergonomics and safety. They are available with standard and high brightness screens, waterproof front face, and 4:3 and 16:9 aspect ratio, in a wide range of sizes and configurations.

Samsung’s narrow bezel video wall features bezel–to-bezel width of 1.7mm that minimizes the visual distraction of video walls to elicit impacting imagery of products. The display produces a near-seamless picture across multiple screens without interruption, captivating and impressing customers.

Combined with a non-glare panel, the extreme narrow bezel video wall display is designed to help businesses create memorable content presentation even under ambient light. This panel evenly distributes light throughout the screen, eliminating glare while maintaining content vibrancy and accuracy.

Samsung"s video wall offers a powerful UHD viewing experience with minimal effort or additional equipment. As the first in the industry to have up to 5x5 wall configuration based on the use of DisplayPort 1.2 and HDMI ports, the display can project UHD content across multiple screens simultaneously.

Samsung’s multi-step factory calibration process tunes video walls to uniform brightness and color throughout multiple displays. In addition to rigorous factory calibration, users can also manage brightness and color uniformity with Samsung"s Color Expert Pro, a powerful free software program.

Samsung’s Color Expert Pro Mobile solution provides a quick and easy video wall calibration through a mobile camera. With the solution’s intuitive UI, even non-expert users can adjust up to 5x5 video wall’s white balance simultaneously without the need for additional equipment.

Samsung’s extreme narrow bezel video walls are engineered for long-term performance, eliminating maintenance expenses for users. The display features durable panels that offset backlight discrepancies while simultaneously protecting the display against heat and dust exposure.

Designed to maintain performance in various indoor environment conditions, Samsung"s video wall produces an engaging viewing experience with the elevated contrast ratios and brightness. With continuous 24/7 operations, the display enables vivid and reliable content delivery for every business need.

이용자는 본 개인정보 수집·이용 동의서에 따른 동의 시, "필요한 최소한의 정보 외의 개인정보" 수집·이용에 동의하지 아니할 권리가 있습니다. 개인정보 처리에 대한 상세한 사항은 삼성 디스플레이 솔루션즈 홈페이지 (https://displaysolutions.samsung.com/)에 공개한 "개인정보처리방침"을 참조하십시오. 다만, 본 동의서 내용과 상충되는 부분은 본 동의서의 내용이 우선합니다.

Pixel pitch is the distance between the center of a pixel and the center of an adjacent pixel. Typically, pixel pitch is measured in millimeters. For example, if an LED display has a pixel pitch of 8.0 mm, that means the center of each pixel, regardless of how many total pixels there are in the display, is eight millimeters from the center of an adjacent pixel. Pixel pitch determines the density of pixels in an LED screen. The lower the pixel pitch number, the closer the pixels are together, and thus the higher the pixel density. Pixel pitch is a very important factor when choosing the right LED display and may be affected by optimal viewing distance, proximity to other LED displays, and other environmental aspects. For more information, see our

There are a variety of factors you should consider to determine the appropriate pixel pitch for your LED display application. Pixel pitch is the distance from the center of a pixel to the center of an adjacent pixel. The tighter the pitch (lower number), the greater number of pixels on your digital canvas and therefore the higher the resolution of your display.

Generally, the closer viewers will be to your display, the tighter the pixel pitch should be. However, there are other factors to consider including distance from grade, intended content type and resolution, display size, competing displays in the area, ambient light conditions, and more.

16:9 (sixteen-by-nine) is a widescreen aspect ratio of 16 units wide to 9 units high. Those units can be expressed in inches, feet, pixels, or any other physical metric. It is the standard in today’s digital media for digital displays of any kind (and the content played on them), having replaced the 4:3 aspect ratio used in older TVs and older PowerPoint versions. The newer widescreen format is also used in High Definition Television (HDTV).

According to ergonomic research, the human visual field is similar to a 16" x 9" rectangle, making this ratio the “golden proportion.” Therefore, 16:9 allows for a more immersive viewing experience without having to crop the image on the screen. This is one reason SNA Displays"

Standard high definition refers to video formats of 720 pixels high. With a 16:9 aspect ratio, standard HD formats are typically presented in 1,080 pixels wide.

The moiré effect (pronounced mwar-AY) is named after a type of textile with a rippled or wavy appearance. Also known as a moiré pattern or moiré fringe, this effect typically occurs in mesh patterns such as finely woven clothing, screens, and other grid patterns. / The moiré effect commonly appears in digital displays, especially when viewed through the lens of a camera, where rows and columns of pixels can create a complex grid pattern. Because different digital displays have varying pixel sizes, pixel pitches, and total number of pixels – creating vastly different grid patterns – the moiré effect can vary widely from display to display. Camera settings like zoom and aperture also change the factors that produce the effect.

The effect, which is a physical property and therefore does not indicate a defect of the display, occurs as the viewer’s perception of the spaces within the grid changes. Typically, the moiré effect can be mitigated with slight changes in viewing distance, viewing angle, and, in some cases, camera zoom and focus.

For several reasons, LED displays do not emit light uniformly in all directions. For starters, diodes are designed in a way that directs or focuses light to improve viewing performance, but not all diodes are designed the same. Some LEDs have a better viewing performance because they are simply higher quality than others. Additionally, LED manufacturers bin diodes at varying uniformities, which can affect many performance factors. Depending on the

Angles at which an observer can optimally see a display (i.e., within the viewing cone) are known as viewing angles. Areas outside the viewing cone are referred to as "off-angle." Typically, LED manufacturers specify horizontal and vertical viewing angles.

As you know, a circle is 360°. So, a horizontal viewing angle (for a flat screen) cannot be more than 180°, or half of a circle. If a manufacturer lists a horizontal viewing angle of 150°, this means an observer should be able to optimally view the screen anywhere in front of the display except for 15° on either side. This is represented in Figure 1.

Vertical viewing angles are usually listed with a negative number. This is because the vast majority of the time, displays are viewed at either eye level or from below. So, if a manufacturer lists a vertical viewing angle of -70° this means an observer should be able to optimally view the screen anywhere in front and below the display except for the 20° immediately beneath the display. This is represented in Figure 2.

In any electronic system, components degrade over time. Light-output display systems are no different. Whereas in traditional light-driven display systems (e.g., fluorescent lamp signage) outright failures are inevitable, for LED display systems, outright failures in light output are much less common. Instead, light-emitting diodes reliably continue to emit light, albeit at slowly diminishing levels.

Several factors can impact the performance and thus the degradation curve of an LED. For starters, material defects obviously have significant and lasting effects on performance, so quality diodes and packaging are critical. Additionally, electrical issues caused by overdriving, faulty power supplies, electrical surges, and poor design of driver chips, circuit boards (PCBs), and other components can drastically reduce optimal LED performance. Finally, like all electrical systems, stress due to heat will negatively influence the performance of any LED display system. See the LED Display Temperature eBrief to learn more.

In any electronic system, components degrade over time and digital displays are no different. Gradually the luminance of all digital displays will decay, some faster than others.

Because LCD displays are built as self-contained units, they age individually. For example, even after proper calibration before first use, a 3x3 LCD wall will have nine screens with varying color consistencies, brightness levels, and other performance deficiencies after a few years. LED displays, however, are comprised of components that are usually procured, binned, produced, and assembled together, so the effects of degradation are vastly mitigated compared to their LCD counterparts. An LED display will age much more consistently over the course of its life, maintaining a more uniform image quality. For similar reasons, replacement (new) LCD screens can be impossible to calibrate to match the other (aged) units in a video wall, while LED panels pulled from a spare parts inventory can be correctly calibrated in a matter of minutes.

All electronic devices generate heat. Some are designed to create heat as a primary function, but most are designed to manage or dissipate excess heat. Too much heat can shorten the lifespan of any electronic device, and this certainly applies to LED displays. Excessive heat can result in other undesirable effects, including color shifts and power supply failures.

Every watt generated by an LED display escapes as light energy or heat energy, so an efficient light energy conversion is critical. Typically, heat is shed either from the face of the display or off the back of the display cabinet by convection.

Indoor display systems may require air conditioning if adequate ventilation is unavailable. Typically, vented air circulation is sufficient for SNA Displays’ indoor systems, but occasionally, auxiliary fans are employed to help move air.

Brightness for LED displays is measured in NITs, which is one candela per square meter. Typical indoor brightness levels range from 300 to 1,200 NITs. Outdoor displays generally go much brighter, sometimes as high as 8,000 nits or more. Brightness is a highly variable specification, and unfortunately, many manufacturers and re-sellers mislead on this topic. Most displays can be driven to a higher brightness performance, but this comes at the expense of the components—including LED lifetime—as well as higher power consumption. Ask your manufacturer to provide the average or recommended brightness.

Brightness is a hot topic in the world of LED displays. Variances in the light output of your display can greatly affect how its messaging is received by viewers. Interestingly, the legibility of a display can be significantly reduced by too little brightness and too much brightness, so it’s important to consider a number of factors when determining the ideal brightness for your LED display. For example, if your screen is battling direct, high-intensity sunlight, you’ll need a high brightness setting so that the light from your display reaches the eyes of your viewers. However, if you apply that same brightness on your display overnight, the light output from your screen will be so bright that viewers may not be able to decipher any of the display’s content.

In the LED display industry, brightness is typically measured in nits. A nit is a unit of measurement of luminance (the intensity of visible light) equal to one candela per square meter (cd/m2). Sufficient indoor brightness levels typically range from 200 to 1,200 nits. Outdoor displays generally have a much higher range, peaking at 8,000 nits or more.

Unfortunately, brightness is a highly variable product specification and one that many manufacturers (and resellers) may use to mislead their customers or the industry at large. Depending on the quality of the diodes that comprise an LED display, most display systems can be driven to a very high brightness performance, but this can come at a significant cost to the technology itself. For example, as components within your display are worked harder and harder to reach high brightness levels, the lifetime of the overall display can be substantially reduced. Additionally, as power consumption is increased, so too are costs for power usage.

It’s important for you to consult with a manufacturer or expert who is upfront and honest about diode capabilities, optimal brightness schedules, and LED life factors.

Color is a 3-dimensional space. SNA Displays products typically have a higher number of available total colors. High-quality direct-view LED has color space significantly larger than that of television broadcast standards. If you have a standard in mind, please contact an SNA Displays representative, and we will help you find a solution.

Bit depth, sometimes referred to as color depth or color capacity, is a reference to the amount of color levels a display is capable of. To understand this important metric, see

There are a number of ways you can save energy with your LED display. First, if you’ve implemented your LED display in recent years, you’re already saving power over older video display systems. Additionally, there are slight differences between technology suppliers. For example, SNA Displays offers energy-saving displays through a combination of PCB design, LED package design, and power-supply selection, leading to less energy waste through released heat. We also recommend automatic brightness sensors and configuring your display such that less energy is spent driving your display during times when there is little to no sunlight. Finally, you should set your display to “idle” on a black screen when no content is present (in the late overnight hours for example), which minimizes power consumption.

We’re often asked about power consumption and how it relates to energy savings. Our selection of high-end diodes allows our display systems to drive diodes at a certain luminance for the life of the display at a much lower junction temperature. In terms of how heat is released in our system, the combination of our PCB design, LED package design, and power supply selection leads to better energy savings as compared to many other LED manufacturers.

Further, our LED displays can be configured with an ambient light sensor, which not only helps optimize brightness in various conditions but also reduces energy waste that can occur when a screen is too bright for its environment.

We help to educate our clients about how their content schedule can improve efficiency (e.g., during off hours, some displays can be set to “idle” which can reduce power consumption to a minimal amount).

The typical life for an LED display is 100,000 hours, or about 10 years give or take. However, there are many variables that affect LED life, including diode manufacturer, environment, and how the display is used over time. For example, the life of a display could be significantly reduced is a user operates a display at full brightness and bright/light content for the majority of the content schedule. The brightness for LED displays should be regulated and scheduled according to ambient light. For example, screens that are blinding at night because they are needlessly set at full brightness are losing their LED life over time.

The most immediate benefit of a curved LED display is its ability to stand out around conventional flat-surfaced screens. Additionally, curved displays reach a wider viewing audience than flat displays without a seam or sharp edge. The smooth, seamless nature of curved LED displays provide the perfect canvas for creative content.

Improvements & Fixes This will be the final sub-release of version 8, with version 9 due out later this year. If you’re no longer in software assurance, this will be your last chance to re-join software assurance before MudShark version 9 arrives. Contact info@brightboxsoftware.com to arrange a quote. Patch Notes […]

Improvements & Fixes New Features. Overview Video A project summary is now shown in the calculate check list so the user can verify that scaling and altitude ranges look right prior to calculation. Holding the P key down whilst moving a point maintains the plane of a surface if it […]

Improvements & Fixes IFC Support for Surface Processing MudShark can now read ifc files, which can then be used to create existing, or proposed, site surfaces from the ifc tin. See ifc surface video. Error checking on Boundary Input We have added error checking of boundary input to warn users […]

DWG 2018 Support Our customers have already started receiving new .dwg and .dfx files, and here at Brightbox it’s important that you can make use of the latest technology. MudShark can now accurately read in .dwg 2018 and .dfx 2018 file formats, so you can read in these files when […]

We are known here at Brightbox Software for our earthworks software: MudShark. And now with version 7, we’re delivering the best and most user requested features to date. […]

Wait, it’s November already? This month we’re covering How to Input and Place Bore Hole Data, as well as a slightly different kind of video: Troubleshooting and Optimizing your MudShark projects. Converting the data from your Geotech Reports / Soil Reports isn’t always a straightforward task, we’d planned to fit […]

A little late, but here we are! Due to our Video producer contracting covid there’s only one video this month, rest assured we’ll be back to two for November though! This month, we’re covering Creating Contours and Spot Elevations. Plan quality is something most of our users have little control […]

Hi again! As we mentioned in our Mid-Year Update Blog Post, we’ve got another set of tutorial videos. This month, we’re covering Importing and Adjusting Your Plan Files and Trenching Networks. As MudShark’s Trenching Network tool has so many use cases, we thought it best to briefly cover as many […]

Improvements & Fixes This will be the final sub-release of version 8, with version 9 due out later this year. If you’re no longer in software assurance, this will be your last chance to re-join software assurance before MudShark version 9 arrives. Contact info@brightboxsoftware.com to arrange a quote. Patch Notes […]

Improvements & Fixes New Features. Overview Video A project summary is now shown in the calculate check list so the user can verify that scaling and altitude ranges look right prior to calculation. Holding the P key down whilst moving a point maintains the plane of a surface if it […]

Improvements & Fixes IFC Support for Surface Processing MudShark can now read ifc files, which can then be used to create existing, or proposed, site surfaces from the ifc tin. See ifc surface video. Error checking on Boundary Input We have added error checking of boundary input to warn users […]

If you’re in the market for a digital display, brightness is a key consideration that is sometimes overlooked in favor of size or resolution. The brightness of a display is usually expressed in nits, a measure equivalent to one candela per square meter—a measure of the direct light output. The higher the nit measurement, the brighter the display. The term nit is believed to be a derivation of the Latin word nitere, which means “to shine”.

Standard consumer digital displays have nit measurements of 200 to 300. Commercial grade displays are brighter, ranging from 400 to 700 nits, and the newest displays on the market are extremely bright with nits as high as 5000. As with any feature, higher brightness adds to the cost of a display. Careful evaluation of the light levels in an installation environment is recommended before choosing a display. You’ll want to select a display bright enough for the environment that fits the project budget yet not overpay for unnecessary brightness.

Entry to mid-level displays typically work well in low to standard light environments such as indoor office spaces and retail areas. If the display will be in an outdoor-facing window, higher nits are needed to ensure the display will be clearly visible when viewed in sunlight by passers-by.

This photo shows the brightness difference in three displays placed outdoors in sunlight; the display on the left is 700 nits, while the displays on the right are 2500 nits (lower unit) and 5000 nits (upper unit). In this example, the lower brightness is not suitable, whereas the difference between the 2500 and 5000 nit displays is visible but not as easy to discern. Either of the high nit level displays may be a good option depending on the ad and/or video graphics used.

For more information about digital displays or any of our products, please contact us at (877) 305-4911 or websales@nulldsasignage.com. Request a no obligation quote and receive a reply within one business day.

If you’re in the market to rent a video wall, you’ve probably run into all sorts of confusing info. Here’s the lowdown on LCD vs. LED video walls so you can make the right choice for your next conference, trade show, or other event.

We’re about to throw a whole lot of info at you. So let’s first take a second to remember why both LED and LCD video walls are a good investment in the first place.

The old adage, “the bigger the better,” is definitely true when it comes to AV. A video wall immediately symbolizes your company is established, and sends a subconscious message that people should take your business seriously. Video walls help you stand out, and compete with all the other businesses who are investing in splashy, eye-catching displays.

Distance – The further your video wall is from viewers, the bigger it needs to be. If you’d like a video wall on the back of your trade show booth, you’re going to need a different option than if you’d like a video wall as an entire backdrop of a general session stage. As one of your first steps, decide on distance.

Content – Do have the resources to produce custom content for your video wall? After you finalize the size of your video wall, your AV provider can tell you the exact dimensions and resolution your content needs to be. From there, a designer or video editor can create custom video wall content — which is the most important part of any great video wall.

Venue Type – An outdoor venue presents a different challenge than an indoor trade show without windows. There’s a great video wall solution for lots of different venues, but be sure your venue and the basic event details are confirmed first.

Price – A video wall system is always going to cost more than monitors, projectors, or other digital signage. Make sure you have enough room in your budget for a video wall — which can start in the ballpark of $10,000 and go upwards from there.

Technicians can add panels until the LED wall is as massive as you need it to be. Random fact: The Suzhou Sky Screen in China is the largest LED video wall in the world, measuring 1,640 feet long — about 4.5 football fields.

Meanwhile, an LCD video wall is a large surface for video or images built from many LCD screens. You’ve interacted with an LCD screen before — they’re on your laptop, TV monitor, and more. However, the LCD video wall screens are designed to run longer and have thinner edges, called bezels.

Technicians use special hardware and tools to stack the LCD screens on top of one another, and calibrate the wall so that an image shows up across every screen. Temporary LCD walls can usually only be about five screens across and five screens high.

Temporary LCD walls can be configured to be in many different sizes and shapes, both large and small, but typically don’t go larger than five screens across and five screens high.

Much lower than LCD — but you’ll still need to make sure your venue has enough power capabilities. Your video wall provider can tell you how much power you’ll need.

Imagine an LCD video wall is like a tray of lasagna. Reliable, beautiful, and sturdy — but you can only increase the size of a tray of lasagna so much. Affordable, but it has a limit in size.

Video walls are a great way to increase the professionalism and engagement of your event. As national video wall experts, we’d love to learn more about what you’re looking for, and how we can help make your vision come to life.

BrightSign LLC, the global market leader in digital signage media players, is headquartered in Los Gatos, California, with offices in Europe and Asia. BrightSign designs media players and provides free software and cloud networking solutions for the commercial digital signage market worldwide, serving all vertical segments of the marketplace. BrightSign products are known for their signature reliability, affordability, market-leading technology and unsurpassed performance. Connect with BrightSign on Linkedin.com, Twitter.com, YouTube and Instagram