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Wholesalers on Alibaba.com have a wide range of functions and such a curved monitorphone. LEDs are an excellent choice for smart watches as they are wireless and have a built-in Light-emitting Diode (LAG)) for the convenience of large-sized ones, LEDs are equipped with all the functions as a curved monitorphone, and it has a built-in media player and the possibility to see a difference in the second-hand TV of the choice. LED smart watches are wirelessly designed and allow the user to see the image in all, and they"re looking great for them.

With all the advantages and disadvantages, lcdds are essentially a good choice for those who see the TV starting from 4k smartphone. Nowadays, in addition to the wholesale models, lcdds are essentially a good option for those that don ’ t have the capacity of a device.

Over shoulder view of man watching movie on tv with green screen relaxing with bowl of popcorn sitting on couch. back view of person relaxing on sofa in front of television mockup with chroma key disp

a line of extreme and ultra-narrow bezel LCD displays that provides a video wall solution for demanding requirements of 24x7 mission-critical applications and high ambient light environments

Many Apple products use liquid crystal displays (LCD). LCD technology uses rows and columns of addressable points (pixels) that render text and images on the screen. Each pixel has three separate subpixels—red, green and blue—that allow an image to render in full color. Each subpixel has a corresponding transistor responsible for turning that subpixel on and off.

Depending on the display size, there can be thousands or millions of subpixels on the LCD panel. For example, the LCD panel used in the iMac (Retina 5K, 27-inch, 2019) has a display resolution of 5120 x 2880, which means there are over 14.7 million pixels. Each pixel is made up of a red, a green, and a blue subpixel, resulting in over 44 million individual picture elements on the 27-inch display. Occasionally, a transistor may not work perfectly, which results in the affected subpixel remaining off (dark) or on (bright). With the millions of subpixels on a display, it is possible to have a low number of such transistors on an LCD. In some cases a small piece of dust or other foreign material may appear to be a pixel anomaly. Apple strives to use the highest quality LCD panels in its products, however pixel anomalies can occur in a small percentage of panels.

In many cases pixel anomalies are caused by a piece of foreign material that is trapped somewhere in the display or on the front surface of the glass panel. Foreign material is typically irregular in shape and is usually most noticeable when viewed against a white background. Foreign material that is on the front surface of the glass panel can be easily removed using a lint free cloth. Foreign material that is trapped within the screen must be removed by an Apple Authorized Service Provider or Apple Retail Store.

A plasma display panel (PDP) is a type of flat panel display that uses small cells containing plasma: ionized gas that responds to electric fields. Plasma televisions were the first large (over 32 inches diagonal) flat panel displays to be released to the public.

Until about 2007, plasma displays were commonly used in large televisions (30 inches (76 cm) and larger). By 2013, they had lost nearly all market share due to competition from low-cost LCDs and more expensive but high-contrast OLED flat-panel displays. Manufacturing of plasma displays for the United States retail market ended in 2014,

Plasma displays are bright (1,000 lux or higher for the display module), have a wide color gamut, and can be produced in fairly large sizes—up to 3.8 metres (150 in) diagonally. They had a very low luminance "dark-room" black level compared with the lighter grey of the unilluminated parts of an LCD screen. (As plasma panels are locally lit and do not require a back light, blacks are blacker on plasma and grayer on LCD"s.)LED-backlit LCD televisions have been developed to reduce this distinction. The display panel itself is about 6 cm (2.4 in) thick, generally allowing the device"s total thickness (including electronics) to be less than 10 cm (3.9 in). Power consumption varies greatly with picture content, with bright scenes drawing significantly more power than darker ones – this is also true for CRTs as well as modern LCDs where LED backlight brightness is adjusted dynamically. The plasma that illuminates the screen can reach a temperature of at least 1200 °C (2200 °F). Typical power consumption is 400 watts for a 127 cm (50 in) screen. Most screens are set to "vivid" mode by default in the factory (which maximizes the brightness and raises the contrast so the image on the screen looks good under the extremely bright lights that are common in big box stores), which draws at least twice the power (around 500–700 watts) of a "home" setting of less extreme brightness.

Plasma screens are made out of glass, which may result in glare on the screen from nearby light sources. Plasma display panels cannot be economically manufactured in screen sizes smaller than 82 centimetres (32 in).enhanced-definition televisions (EDTV) this small, even fewer have made 32 inch plasma HDTVs. With the trend toward large-screen television technology, the 32 inch screen size is rapidly disappearing. Though considered bulky and thick compared with their LCD counterparts, some sets such as Panasonic"s Z1 and Samsung"s B860 series are as slim as 2.5 cm (1 in) thick making them comparable to LCDs in this respect.

Wider viewing angles than those of LCD; images do not suffer from degradation at less than straight ahead angles like LCDs. LCDs using IPS technology have the widest angles, but they do not equal the range of plasma primarily due to "IPS glow", a generally whitish haze that appears due to the nature of the IPS pixel design.

Superior uniformity. LCD panel backlights nearly always produce uneven brightness levels, although this is not always noticeable. High-end computer monitors have technologies to try to compensate for the uniformity problem.

Unaffected by clouding from the polishing process. Some LCD panel types, like IPS, require a polishing process that can introduce a haze usually referred to as "clouding".

Uses more electrical power, on average, than an LCD TV using a LED backlight. Older CCFL backlights for LCD panels used quite a bit more power, and older plasma TVs used quite a bit more power than recent models.

Fixed-pixel displays such as plasma TVs scale the video image of each incoming signal to the native resolution of the display panel. The most common native resolutions for plasma display panels are 852×480 (EDTV), 1,366×768 and 1920×1080 (HDTV). As a result, picture quality varies depending on the performance of the video scaling processor and the upscaling and downscaling algorithms used by each display manufacturer.

Early high-definition (HD) plasma displays had a resolution of 1024x1024 and were alternate lighting of surfaces (ALiS) panels made by Fujitsu and Hitachi.

Later HDTV plasma televisions usually have a resolution of 1,024×768 found on many 42 inch plasma screens, 1280×768 and 1,366×768 found on 50 in, 60 in, and 65 in plasma screens, or 1920×1080 found on plasma screen sizes from 42 inch to 103 inch. These displays are usually progressive displays, with non-square pixels, and will up-scale and de-interlace their incoming standard-definition signals to match their native display resolutions. 1024×768 resolution requires that 720p content be downscaled in one direction and upscaled in the other.

A panel of a plasma display typically comprises millions of tiny compartments in between two panels of glass. These compartments, or "bulbs" or "cells", hold a mixture of noble gases and a minuscule amount of another gas (e.g., mercury vapor). Just as in the fluorescent lamps over an office desk, when a high voltage is applied across the cell, the gas in the cells forms a plasma. With flow of electricity (electrons), some of the electrons strike mercury particles as the electrons move through the plasma, momentarily increasing the energy level of the atom until the excess energy is shed. Mercury sheds the energy as ultraviolet (UV) photons. The UV photons then strike phosphor that is painted on the inside of the cell. When the UV photon strikes a phosphor molecule, it momentarily raises the energy level of an outer orbit electron in the phosphor molecule, moving the electron from a stable to an unstable state; the electron then sheds the excess energy as a photon at a lower energy level than UV light; the lower energy photons are mostly in the infrared range but about 40% are in the visible light range. Thus the input energy is converted to mostly infrared but also as visible light. The screen heats up to between 30 and 41 °C (86 and 106 °F) during operation. Depending on the phosphors used, different colors of visible light can be achieved. Each pixel in a plasma display is made up of three cells comprising the primary colors of visible light. Varying the voltage of the signals to the cells thus allows different perceived colors.

In a monochrome plasma panel, the gas is mostly neon, and the color is the characteristic orange of a neon-filled lamp (or sign). Once a glow discharge has been initiated in a cell, it can be maintained by applying a low-level voltage between all the horizontal and vertical electrodes–even after the ionizing voltage is removed. To erase a cell all voltage is removed from a pair of electrodes. This type of panel has inherent memory. A small amount of nitrogen is added to the neon to increase hysteresis.phosphor. The ultraviolet photons emitted by the plasma excite these phosphors, which give off visible light with colors determined by the phosphor materials. This aspect is comparable to fluorescent lamps and to the neon signs that use colored phosphors.

Every pixel is made up of three separate subpixel cells, each with different colored phosphors. One subpixel has a red light phosphor, one subpixel has a green light phosphor and one subpixel has a blue light phosphor. These colors blend together to create the overall color of the pixel, the same as a triad of a shadow mask CRT or color LCD. Plasma panels use pulse-width modulation (PWM) to control brightness: by varying the pulses of current flowing through the different cells thousands of times per second, the control system can increase or decrease the intensity of each subpixel color to create billions of different combinations of red, green and blue. In this way, the control system can produce most of the visible colors. Plasma displays use the same phosphors as CRTs, which accounts for the extremely accurate color reproduction when viewing television or computer video images (which use an RGB color system designed for CRT displays).

Plasma displays are different from liquid crystal displays (LCDs), another lightweight flat-screen display using very different technology. LCDs may use one or two large fluorescent lamps as a backlight source, but the different colors are controlled by LCD units, which in effect behave as gates that allow or block light through red, green, or blue filters on the front of the LCD panel.

Each cell on a plasma display must be precharged before it is lit, otherwise the cell would not respond quickly enough. Precharging normally increases power consumption, so energy recovery mechanisms may be in place to avoid an increase in power consumption.LED illumination can automatically reduce the backlighting on darker scenes, though this method cannot be used in high-contrast scenes, leaving some light showing from black parts of an image with bright parts, such as (at the extreme) a solid black screen with one fine intense bright line. This is called a "halo" effect which has been minimized on newer LED-backlit LCDs with local dimming. Edgelit models cannot compete with this as the light is reflected via a light guide to distribute the light behind the panel.

Image burn-in occurs on CRTs and plasma panels when the same picture is displayed for long periods. This causes the phosphors to overheat, losing some of their luminosity and producing a "shadow" image that is visible with the power off. Burn-in is especially a problem on plasma panels because they run hotter than CRTs. Early plasma televisions were plagued by burn-in, making it impossible to use video games or anything else that displayed static images.

In 1983, IBM introduced a 19-inch (48 cm) orange-on-black monochrome display (Model 3290 Information Panel) which was able to show up to four simultaneous IBM 3270 terminal sessions. By the end of the decade, orange monochrome plasma displays were used in a number of high-end AC-powered portable computers, such as the Compaq Portable 386 (1987) and the IBM P75 (1990). Plasma displays had a better contrast ratio, viewability angle, and less motion blur than the LCDs that were available at the time, and were used until the introduction of active-matrix color LCD displays in 1992.

Due to heavy competition from monochrome LCDs used in laptops and the high costs of plasma display technology, in 1987 IBM planned to shut down its factory in Kingston, New York, the largest plasma plant in the world, in favor of manufacturing mainframe computers, which would have left development to Japanese companies.Larry F. Weber, a University of Illinois ECE PhD (in plasma display research) and staff scientist working at CERL (home of the PLATO System), co-founded Plasmaco with Stephen Globus and IBM plant manager James Kehoe, and bought the plant from IBM for US$50,000. Weber stayed in Urbana as CTO until 1990, then moved to upstate New York to work at Plasmaco.

In 1995, Fujitsu introduced the first 42-inch (107 cm) plasma display panel;Philips introduced the first large commercially available flat-panel TV, using the Fujitsu panels. It was available at four Sears locations in the US for $14,999, including in-home installation. Pioneer also began selling plasma televisions that year, and other manufacturers followed. By the year 2000 prices had dropped to $10,000.

In late 2006, analysts noted that LCDs had overtaken plasmas, particularly in the 40-inch (100 cm) and above segment where plasma had previously gained market share.

Until the early 2000s, plasma displays were the most popular choice for HDTV flat panel display as they had many benefits over LCDs. Beyond plasma"s deeper blacks, increased contrast, faster response time, greater color spectrum, and wider viewing angle; they were also much bigger than LCDs, and it was believed that LCDs were suited only to smaller sized televisions. However, improvements in VLSI fabrication narrowed the technological gap. The increased size, lower weight, falling prices, and often lower electrical power consumption of LCDs made them competitive with plasma television sets.

At the 2010 Consumer Electronics Show in Las Vegas, Panasonic introduced their 152" 2160p 3D plasma. In 2010, Panasonic shipped 19.1 million plasma TV panels.

The display resolution or display modes of a digital television, computer monitor or display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode ray tube (CRT) displays, flat-panel displays (including liquid-crystal displays) and projection displays using fixed picture-element (pixel) arrays.

One use of the term display resolution applies to fixed-pixel-array displays such as plasma display panels (PDP), liquid-crystal displays (LCD), Digital Light Processing (DLP) projectors, OLED displays, and similar technologies, and is simply the physical number of columns and rows of pixels creating the display (e.g. 1920 × 1080). A consequence of having a fixed-grid display is that, for multi-format video inputs, all displays need a "scaling engine" (a digital video processor that includes a memory array) to match the incoming picture format to the display.

For device displays such as phones, tablets, monitors and televisions, the use of the term display resolution as defined above is a misnomer, though common. The term display resolution is usually used to mean pixel dimensions, the maximum number of pixels in each dimension (e.g. 1920 × 1080), which does not tell anything about the pixel density of the display on which the image is actually formed: resolution properly refers to the pixel density, the number of pixels per unit distance or area, not the total number of pixels. In digital measurement, the display resolution would be given in pixels per inch (PPI). In analog measurement, if the screen is 10 inches high, then the horizontal resolution is measured across a square 10 inches wide.NTSC TVs can typically display about 340 lines of "per picture height" horizontal resolution from over-the-air sources, which is equivalent to about 440 total lines of actual picture information from left edge to right edge.

Most television display manufacturers "overscan" the pictures on their displays (CRTs and PDPs, LCDs etc.), so that the effective on-screen picture may be reduced from 720 × 576 (480) to 680 × 550 (450), for example. The size of the invisible area somewhat depends on the display device. Some HD televisions do this as well, to a similar extent.

The advantage of a 720 × 480i overscanned computer was an easy interface with interlaced TV production, leading to the development of Newtek"s Video Toaster. This device allowed Amigas to be used for CGI creation in various news departments (example: weather overlays), drama programs such as NBC"s

The availability of inexpensive LCD monitors made the 5∶4 aspect ratio resolution of 1280 × 1024 more popular for desktop usage during the first decade of the 21st century. Many computer users including CAD users, graphic artists and video game players ran their computers at 1600 × 1200 resolution (UXGA) or higher such as 2048 × 1536 QXGA if they had the necessary equipment. Other available resolutions included oversize aspects like 1400 × 1050 SXGA+ and wide aspects like 1280 × 800 WXGA, 1440 × 900 WXGA+, 1680 × 1050 WSXGA+, and 1920 × 1200 WUXGA; monitors built to the 720p and 1080p standard were also not unusual among home media and video game players, due to the perfect screen compatibility with movie and video game releases. A new more-than-HD resolution of 2560 × 1600 WQXGA was released in 30-inch LCD monitors in 2007.

In 2010, 27-inch LCD monitors with the 2560 × 1440 resolution were released by multiple manufacturers, and in 2012, Apple introduced a 2880 × 1800 display on the MacBook Pro. Panels for professional environments, such as medical use and air traffic control, support resolutions up to 4096 × 21602048 × 2048 pixels).

When a computer display resolution is set higher than the physical screen resolution (native resolution), some video drivers make the virtual screen scrollable over the physical screen thus realizing a two dimensional virtual desktop with its viewport. Most LCD manufacturers do make note of the panel"s native resolution as working in a non-native resolution on LCDs will result in a poorer image, due to dropping of pixels to make the image fit (when using DVI) or insufficient sampling of the analog signal (when using VGA connector). Few CRT manufacturers will quote the true native resolution, because CRTs are analog in nature and can vary their display from as low as 320 × 200 (emulation of older computers or game consoles) to as high as the internal board will allow, or the image becomes too detailed for the vacuum tube to recreate (i.e., analog blur). Thus, CRTs provide a variability in resolution that fixed resolution LCDs cannot provide.

As far as digital cinematography is concerned, video resolution standards depend first on the frames" aspect ratio in the film stock (which is usually scanned for digital intermediate post-production) and then on the actual points" count. Although there is not a unique set of standardized sizes, it is commonplace within the motion picture industry to refer to "nK" image "quality", where n is a (small, usually even) integer number which translates into a set of actual resolutions, depending on the film format. As a reference consider that, for a 4:3 (around 1.33:1) aspect ratio which a film frame (no matter what is its format) is expected to horizontally fit in, n is the multiplier of 1024 such that the horizontal resolution is exactly 1024•n points.2048 × 1536 pixels, whereas 4K reference resolution is 4096 × 3072 pixels. Nevertheless, 2K may also refer to resolutions like 2048 × 1556 (full-aperture), 2048 × 1152 (HDTV, 16:9 aspect ratio) or 2048 × 872 pixels (Cinemascope, 2.35:1 aspect ratio). It is also worth noting that while a frame resolution may be, for example, 3:2 (720 × 480 NTSC), that is not what you will see on-screen (i.e. 4:3 or 16:9 depending on the intended aspect ratio of the original material).

Principal display panel or panels means that part, or those parts of a label that are so designed as to most likely be displayed, presented, shown or examined under normal and customary conditions of display or purchase. Whenever a principal display panel appears more than once, all requirements pertaining to the “principal display panel” shall pertain to all such “principal display panels.”

Review Panel means a panel responsible for determining whether a reasonable basis exists for finding a violation of BSEF Rules, and for authorizing the issuance of notices of chargers against Persons alleged to have committed violations if the Review Panel believes that the matter should be adjudicated.

Principal display panel means that part of a label that is most likely to be displayed, presented, shown, or examined under normal and customary conditions of display for retail sale.

TOKYO, Dec 23 (Reuters) - A Japanese professor has developed a prototype lickable TV screen that can imitate food flavours, another step towards creating a multi-sensory viewing experience.

The device, called Taste the TV (TTTV), uses a carousel of 10 flavour canisters that spray in combination to create the taste of a particular food. The flavour sample then rolls on hygienic film over a flat TV screen for the viewer to try.

Miyashita works with a team of about 30 students that has produced a variety of flavour-related devices, including a fork that makes food taste richer. He said he built the TTTV prototype himself over the past year and that a commercial version would cost about 100,000 yen ($875) to make.

[1/5]A demonstrator licks the screen of Taste the TV (TTTV), a prototype lickable TV screen that can imitate the flavours of various foods, during its demonstration at the university in Tokyo, Japan, December 22, 2021. Picture taken December 22, 2021. REUTERS/Kim Kyung-Hoon

One Meiji student demonstrated TTTV for reporters, telling the screen she wanted to taste sweet chocolate. After a few tries, an automated voice repeated the order and flavour jets spritzed a sample onto a plastic sheet.

The Hisense U8H matches the excellent brightness and color performance of much pricier LCD TVs, and its Google TV smart platform is a welcome addition. But it’s available in only three screen sizes.

The Hisense U8H is the best LCD/LED TV for most people because it delivers the performance of a much pricier TV yet starts at under $1,000, for the smallest (55-inch) screen size. This TV utilizes quantum dots, a full-array backlight with mini-LEDs, and a 120 Hz refresh rate to deliver a great-looking 4K HDR image. It’s compatible with every major HDR format. And it’s equipped with two full-bandwidth HDMI 2.1 inputs to support 4K 120 Hz gaming from the newest Xbox and PlayStation consoles. Add in the intuitive, fully featured Google TV smart-TV platform, and the U8H’s price-to-performance ratio is of inarguable value.

Chief among the U8H’s many strengths is its impressive peak brightness. When sending it HDR test patterns, I measured an average brightness of 1,500 nits, with peaks just north of 1,800 nits (a measurement of luminance; see TV features, defined for more info). To put that into perspective, consider that the 65-inch version of our budget 4K TV pick (the TCL 5-Series) typically costs around half as much as the 65-inch U8H but achieves only around 30% to 40% of its brightness. On the other side of the coin, the 65-inch version of our upgrade pick (the Samsung QN90B) costs almost twice as much as the 65-inch U8H, but it achieves only nominally higher brightness. Adequate light output creates convincing highlights and image contrast and (when necessary) combats ambient light from lamps or windows. It is a necessity for any TV worth buying—especially if you hope to watch HDR movies or play HDR games—and the U8H simply outpaces most TVs in its price range (and some in the next price bracket up, too).

Key to this functionality is the U8H’s employment of mini-LED backlighting with local dimming, which allows this TV to produce very bright light while still maintaining satisfyingly deep black levels that are typically free of blooming (or light bleed that’s visible around bright objects against a dark backdrop). This not only ensures impressive image contrast, it also makes the U8H a viable choice for most rooms, whether they’re brighter than average or dimmed down like a movie theater.

That’s not to say the U8H has pixel-precise light control—it’s not an OLED TV, after all—but it does a terrific job most of the time. In fact, in our tests, the U8H bested last year’s upgrade pick, the Samsung QN90A, in certain scenarios: The intro to Guillermo del Toro’s Cabinet of Curiosities on Netflix features the filmmaker against a pitch-black backdrop. Though last year’s QN90A failed to maintain perfect control over dimming elements during this scene (the black backdrop brightened distractingly once a sufficient amount of brighter content appeared on screen), the U8H did not. (For the record, the newer QN90B also passed this test.) The U8H’s mini-LEDs also help the screen look uniformly bright: Although the U8H is still not as good as an OLED TV in this respect, it shows very little indication of being a backlight-driven display, even during tricky scenes with large swaths of dim lighting.

The U8H’s brightness, black-level integrity, and local-dimming abilities make this an excellent TV for watching HDR content. The U8H is capable of playing HDR content in all of the major formats (HDR10, HDR10+, Dolby Vision, and HLG), but when it comes to impressive HDR, what’s under the hood is much more important than format compatibility. The most crucial thing for good HDR is high brightness and deep color saturation, and the U8H’s quantum dots achieve the latter. It’s not as simple as just having quantum dots, however: While many TVs (even the budget options) have quantum dots nowadays, what is often not taken into account is that brightness directly affects color saturation. For example, both the 2022 TCL 6-Series and the Hisense U8H are equipped with quantum dots, mini-LED backlights, and local dimming. But because the U8H is notably brighter than the 6-Series, it also achieves a higher total color volume. During our color-volume testing, the U8H exhibited color ranges at more than 100% of the DCI-P3 color space (the range of color needed to properly display HDR content), and it is capable of roughly 10% more total color volume compared with the 6-Series.

What does this mean in real-world terms? It means that the Hisense U8H truly excels as a modern 4K HDR TV, whether you’re watching the latest episode of Rings of Power or playing Overwatch 2. While watching HDR content side by side on the U8H and on our upgrade pick, the Samsung QN90B, I was truly surprised by how similar they looked at times, given that our upgrade pick is much more expensive. That said, though the U8H achieves impressive results where light output and color volume are concerned, it also exhibited some occasional video processing and upscaling issues (see Flaws but not dealbreakers), which videophiles and AV enthusiasts may take umbrage with. But in general, the picture quality punches well above its weight, metaphorically speaking.

And thanks to Hisense’s inclusion of Filmmaker Mode, it’s easy to rein in the U8H’s brightness abilities for a more-subdued and filmic experience in a darker room. Our measurements revealed that this mode has a very accurate white balance, mostly accurate colors (green is a bit oversaturated, but not egregiously so), and a perfect “dark room” gamma (which controls how quickly the video signal transitions from dark to light). Additionally, the TV’s 120 Hz refresh rate means it can play Blu-ray discs at 24 fps without the judder that’s usually present on TVs with 60 Hz refresh rates.

The TV’s higher refresh rate also reduces motion blur in faster-moving sports and allows for smoother, more stable motion in games. Two of the four HDMI inputs support 4K gaming at 120 Hz. The U8H measured low input lag while playing in 4K resolution, and Hisense’s helpful GameZone setting in the picture menu allowed me to confirm the presence of 120 Hz playback and variable refresh rate during games.

The onboard Google TV smart platform is another feather in this TV’s cap. As usual, however, it will be much more satisfying to use if you have a Google account and already take advantage of Google’s connected services, like Photos. The experience of navigating the TV’s smart features—scanning QR codes to sign into apps, using the onscreen keyboard, and browsing your Google Photos to set a photo as a screensaver—was very satisfying in terms of responsiveness and speed. Powering on the TV and booting into an app took just seconds. The included Bluetooth remote is also equipped with a handy “Hey Google” button, allowing you to pull up Google’s assistant and use voice commands to search for content or set a reminder. If you have multiple users with their own Google accounts, you can designate separate profiles (attached to a Gmail account) so that each user can customize the experience to their liking, as well as access their own Google Drive or Photos. While some reviewers have reported instances of momentary freezing while using the U8H’s platform, I didn’t personally experience any instances of slowdown that were egregiously worse than with any other smart-TV platform.

In terms of design, the Hisense U8H is not as svelte as our upgrade pick, but it’s plenty sturdy and doesn’t look or feel cheap. Two narrow, metal feet jut out from beneath the panel and steadily hold the TV. They can be attached in two separate spots, either closer in toward the middle of the panel or out toward the edges, to account for different-size TV stands. The feet are also equipped with cable organization clasps—a nice touch for keeping your TV stand free of cable clutter. Though the TV is primarily plastic, its bezels are lined with metal strips, providing a bit more durability in the long run. I moved it around my home, and it was no worse for wear, but we’ll know more after doing some long-term testing.

The Hisense U8H has some difficulties with banding, or areas of uneven gradation, where transitions that should appear smooth instead look like “bands” of color (sometimes also called posterization). Like many current 4K HDR TVs, the U8H uses an 8-bit panel rather than a 10-bit panel, which affects the color decoding and color presentation process. This is usually relevant only with HDR video and games. When playing games on the PlayStation 5 and Xbox Series X, I saw a few instances where the content wasn’t rendered correctly and displayed ugly splotches of color on the screen. However, this almost always occurred during static screens (such as a pause menu or loading screen); I rarely spotted it during actual gameplay. Hisense has stated that it would address the problem in a future firmware update, but at the time of writing it was still present. This is a flaw that may give dedicated gamers pause, but we don’t consider it to be a dealbreaker for most people.

I also saw occasional instances of banding with TV shows and movies, though they were few and far between. The U8H isn’t the best at upscaling sub-4K content, so videos with a 1080p or lower resolution looked a little soft. You can get better overall video processing and upscaling by springing for our upgrade pick (this is one reason it’s more expensive, after all).

Although the UH8 TV has four HDMI inputs, only two of them are fully HDMI 2.1–compatible. And one of those is designated as the eARC input (intended as an audio connection for a soundbar or AV receiver connection). So if you’re pairing an external audio system with the U8H, you may have only one input remaining that can support HDMI 2.1 features like 4K 120 Hz playback, variable refresh rate, and auto game mode; this could be a dealbreaker if you own more than one current-gen gaming console. If you’re in that boat, you may want to splash out some extra dough for our upgrade pick. Additionally, folks using pre-HDMI source devices—like the five-cable composite connector with green, red, blue, and red/white audio inputs—should be aware that this TV requires an adapter to allow those devices to connect, and an adapter is not included in the box.

Finally, like most TVs that use vertical alignment (VA) LCD panels, the U8H has a limited horizontal viewing angle, which may be a bit annoying if you’re hoping to entertain a large crowd. Our upgrade pick uses a special wide-angle technology to address this.

For gaming, use the game picture mode (the TV should switch into this mode automatically when paired with the newer game consoles), and then go into the Gaming submenu to make sure the right settings (VRR) are enabled. We recommend leaving the HDMI setting in “auto,” unless you notice that your game console is incorrectly identified.

Some LCD blur or ghosting issues result from electrical interference or faulty surge protectors. To eliminate this as a cause, try plugging your TV directly into the outlet without any power strips or surge suppressors in the chain. If that solves the problem, you can try using a different power strip.

You should also try switching off devices on the same circuit as the TV. Any device with an AC motor, such as a fridge, air conditioner, or fan can cause electrical interference. It’s unlikely that these devices would be on the same circuit as the outlet for your TV, but it’s worth checking.

One of the most common causes of a blurry picture on a flat-screen LCD TV (or monitor) is a mismatch between the content’s resolution and the native resolution capability of the screen.

LCD, Mini-LED, microLED, Plasma, OLED, or QD-OLED all use different types of technology to make moving pictures. However, one thing they all have in common is a “native” resolution. This refers to the TV’s grid of physical pixels (picture elements). A 4K UHD TV has a pixel grid of 3840 x 2160 pixels. This is four times as many pixels as a Full HD TV at 1920×1080. So, for every pixel of information in a Full HD image source, the TV must fill four physical pixels’ worth of data.

Various TVs and set-top box devices offer different options regarding how they should scale lower-resolution sources to a higher-resolution screen. We can’t be very specific here because different devices and TVs have other names and menu systems. So you’re better off looking in your manual or online for anything to do with “upscaling” and your devices.

One important tip we can give you is to avoid having the TV itself do the upscaling. High-end televisions may have superior upscaling technology, but mid-range and low-end sets generally don’t have the processing power to upscale with good results.

Instead, if you’re using a connected device like a cable box, gaming console, Android TV, Apple TV, or another similar source, set its output resolution to match your TV’s native resolution. Any upscaling will happen on that device before it reaches the TV.

If you are watching a streaming video source (such as the Netflix or Hulu app on a smart TV), then the fuzzy image may have nothing to do with your TV and everything to do with your bandwidth or quality settings.

Go to the picture settings of your streaming app of choice and set your quality and bandwidth usage preference. With some streaming apps (e.g., Disney Plus), you can select the preferred quality while watching your content. Change the quality setting from automatic to a setting that matches what your TV was designed to display.

Bear in mind that your internet connection may simply be too slow to stream at your TV’s sharpest quality. It may also take a few seconds for the stream to switch to the higher-quality mode. There are also different quality “bitrates” within each resolution tier. So although you may be streaming at (for example) 4K, if it’s at the lower end of the bitrate for that resolution, there can still be blurring, fuzziness, or other artifacts in the picture.

If at all possible, switch to HDMI instead. Returning to our DVD player example, some models provide HDMI output and have internal upscalers designed to make DVD footage look sharper on modern HDTVs.

One fix for a blurry or fuzzy video is to switch out the HDMI cable or move it to another input on the TV to check if there might be something wrong with the cable or the port.

Virtually all modern HDTVs offer a form of digital sharpening. This is usually listed under TV settings alongside contrast, brightness, etc. Use your TV remote control to access those menus, usually by first pressing the menu button.

Unlike CRT (cathode ray tube) TVs, all modern flat-screen TVs exhibit a type of motion blur known as sample-and-hold motion blur. In addition, lower-end TVs may have inherent blur as the individual pixels change their state too slowly.

Companies like Samsung and Sony have worked tirelessly to create new panel technologies to combat these issues. If you have an old TV, it may not benefit from the fast pixel response times more recent models can achieve.

As for motion blur caused by the sample-and-hold nature of flat panel technology, there are two main features you can activate to combat it. The first is motion smoothing, also known as frame interpolation. Different TV brands have other names, so you’ll have to look for something that refers to motion, smoothness, or do a web search for your TV model with the term “motion smoothing.”

The second feature is something known as Black Frame Insertion (BFI). This inserts a black frame between every frame displayed on the screen. This makes the TV offer motion closer to a pulsed CRT display, thus defeating sample-and-hold blur. However, this comes at the cost of brightness and vibrancy. Newer TVs don’t suffer as much as older models, but either way, you can switch the feature on and decide which image you prefer.

Post-processing features are all of the things that the TV does to the image before displaying it. TV manufacturers have a “secret sauce” of algorithms that help make images look better, but too much post-processing can leave a soft and blurry image.

Turn off as many post-processing effects as possible, using your TV manual as a guide, and then experiment with the ones that offer the best picture without causing too much blur. Noise reduction may be one of the most important settings to adjust if you’re experiencing a snowy or speckled image.

If nothing you’ve tried above seems to resolve your fuzzy, blurry TV, it’s probably time to have a professional tech support person look at your TV. In some cases, it may be as simple as replacing a relatively inexpensive component. But if there’s something wrong with the core components of the TV, it’s often not worth the expense to replace those major parts. If your TV is still under warranty, you should refrain from letting anyone work on it, even if it is a minor problem. Instead, have it repaired and replaced under warranty.