best lcd monitors for dslr supplier

If you"ve just started out in video, on-camera monitors may seem like a luxury. Experienced videographers will tell you otherwise. As well as enlarging the display to make recording easier, lots of on-camera monitors can also improve your camera"s video output. Whether you"re shooting on a cine camera, a mirrorless, or a DSLR, an external monitor is a necessity if you want to get serious about filmmaking.

Some of the more high-end on-camera monitors not only increase the size of your display but can improve your camera"s video functionality. For example, when shooting with a Panasonic Lumix S5(opens in new tab) and an Atomos Ninja V external recorder, you can shoot 12-bit RAW instead of 10-bit 4:2:2 with its internal recording option. On-camera monitors are also great additions if your camera lacks features such as a fully articulating screen such as the Blackmagic Pocket Cinema Camera 6K(opens in new tab).

Even if you have features turned on such as focus peaking, zebra lines, and false colors, an on-camera monitor lets you apply frame monitors which can reveal flickers that smaller monitors might not. They also enable you to proof content and show other people on set without having to cram around a small screen.

In this list, we run through the best external monitors and video recorders around so you can get the big-picture experience before you hit your editing suite and it’s too late to re-shoot.

Since the release of the Atomos Ninja V back in 2018, it has become pretty much the industry standard in monitor recorders. It"s a popular choice among both budding and professional videographers and filmmakers thanks to its beautifully calibrated 5-inch HDR display and its ability to support 4K 60p ProRes HQ, H.265, 4:2:2 ad DNxHR. The Ninja V will also support 6K Apple ProRes RAW and it"s the only monitor of this size to do so thanks to a deal between Apple and Atomos. Other features include pro-level monitor tools such as waveforms, false colors, HDR monitoring and LUT support.

If your camera doesn"t support 4K, the Ninja V might be a bit overkill as you won"t make the most out of the features you"re paying for. If you"re just after a monitor so that you can view your video easier, the Atomos Shinobi would be a better option and it will save you money. Alternatively, if you"re shooting some serious projects and need something even bigger, the Atomos Shogun(opens in new tab) which appears later in this list sports a massive 7-inch screen, perfect for using with the best cinema cameras.

With the built-in camera control for various Canon, Sony, Panasonic, Blackmagic, and even Z Cam cinema cameras, this is a great option for anyone wanting a monitor that will help a filmmaker get the shot and be a very helpful visual aid in the composition process.

For a reasonable price, you get a great package that is built to withstand the vigorous day-to-day life of a filmmaker while on set, in the studio, or for on-the-go shooting. Paired with a tough travel case for ease of transport between shoots, great monitor features, and the ability for onboard audio monitoring, the PortKeys LH5P II is a great 5.5” monitor for anyone looking to up their game in the cinematography world.

If you"re just looking for an external monitor and don"t need recording capabilities, the Atomos Shinobi delivers the display quality of the Atomos Ninja V but at a fraction of the price. It"s the perfect choice for vloggers who shoot with a camera with limited screen articulation such as the Sony A7 III(opens in new tab) or the Blackmagic Pocket Cinema Camera 4K(opens in new tab) which has a fixed display.

The Blackmagic Video Assist 5-inch is the only recorder in our round-up that can capture Blackmagic"s own RAW code video introduced on its Pocket Cinema Camera Range and is an ideal option for any editors who use Davinci Resolve to grade and edit.

This is the big brother of the original Shinobi, offering a much larger 7inch display - and billed as the movie directors and focus directors, but also as a great presentation screen for vloggers wanting to see clearly what they are recording. Its bright 2200-nit screen is the key attraction here - but it also does much more than just monitoring your image. With HDR capability - it offers built-in Log conversion, so you can see what your raw footage is likely to look like when edited, and you can even load up your own LUTs via the built-in SD card slot.

This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data.

This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data.

Having an external camera screen can be helpful for videographers or stills photographers. Especially ones who feel they need a larger display. There are several advantages, including better screen resolution and visualization.

There are a few key features that we’ve listed for each of the external camera screens on our list. Go to the buying guide at the end for how to choose an external monitor.

The Cine 7 is a large, bright Full HD touchscreen monitor ideal for outdoor shooting. Its features include framing guides and 3D LUT overlays, but it doesn’t support 4K.

The Neewer F100 is a large monitor ideal for a Canon camera. It comes with various “extras,” including an AV/HDMI cable, a hot shoe ball head, a shoe mount, and a sun hood. Screen resolution and brightness are limited, but this external camera screen does offer basic features such as zoom assist, scanning, and color peaking.

The Feelworld F6 Plus is specifically designed for professionals as an on-camera monitor to be used with Canon DSLRs. The display supports Full HD screen resolution and the input/output ports cover all the most popular options.

The T7 is a budget-friendly version of the FW279. It makes up for the lack of 2200-nit brightness with a large screen, slim design, wide viewing angle, and a range of monitoring tools. It includes color calibration technology, a focus peaking filter, a histogram, exposure controls, and a false-color function.

The R7 is one of the cheapest seven-inch monitors. It has a bright 400ppi screen ideal for shooting outdoors. Plus, you can operate it using the touchscreen or buttons (if you’re wearing gloves).

Several options are available for in-camera video editing for professional shooters. These include Exposure Assist, Focus & Composition, and Picture Style. It’s compatible with DSLRs and mirrorless cameras made by Canon, Nikon, and Sony.

The Atomos Shogun 7 is effectively a seven-inch version of the Ninja V. It is ideal for professionals working with some of the best cine cameras who want external recorders with a large, bright HDR screen.

It offers real-time recording capabilities in 4K formats such as ProRes RAW and CinemaDNG. And there are built-in presets that can cope with camera manufacturers’ log video formats.

The Shinobi five-inch and seven-inch monitors are the equivalents of the Ninja V, but you can’t use them as an external recorder. The Shinobi 7 is the bright, seven-inch version with log conversion. So you can preview the look of RAW footage and have the ability to upload LUTs from an SD card.

The Atomos Shinobi is the little brother of the Ninja V. It has a Mirror mode aimed at vloggers on a budget. It doesn’t have recording capabilities but is good for a camera without a fully articulating screen (like the Sony A7 III). It’s also small, light, and bright enough for shooting outside.

It shares the Ninja V’s ability to show HDR pictures that the camera’s LCD might not cope with. And there are plenty of display options such as waveforms and histograms accessible through the user-friendly menu system. It even supports 1D and 3D LUTs.

The A6 Plus offers a lot of features at a low price point. The video assist options include a histogram, a false-color function, peaking tools, plus 3D LUT support via an SD slot. You can also use the 8V DC output to charge DSLR cameras.

Blackmagic Video Assist is at the top end of the market for five-inch on-camera monitors. Plus, it’s the only one that can capture Blackmagic’s RAW code video when shooting with a model from its Pocket Cinema Camera range. It also offers 3D LUTs, professional scopes, exposure tools, and focus-assist features.

The Lilliput A7s is the most affordable seven-inch on-camera monitor on the market if you don’t need to record your footage. It has buttons and a scroll wheel rather than a touchscreen. It also fits onto a DSLR hot shoe, can cope with 4K video (with loop-through HDMI output), and has two customizable function keys.

It offers similar bells and whistles to more expensive on-camera monitors. Functions include Pixel Zoom, Audio Level Meters, False Color, Check Fields, Color Bars, focus peaking, a pixel-to-pixel scan, and image flip. All these features are designed to make life easier for videographers.

If you’re looking for a bright, contrasty on-camera monitor, then the BM5 III may be the right choice for you. Its screen is only 5.5 inches and can’t record video, but the brightness rating of 2200 nits is only beaten by the Blackmagic Video Assist listed above.

It also offers excellent connectivity, supporting 3G-SDI, HDMI, HDMI-SDI cross-conversion, and Bluetooth. Other valuable tools include precision waveform, zooming, color temperature, ARRI false-color mode, improved focus peaking, underscan, OSD flip, image capture, and 3D LUTs—which you can use a flash drive to upload.

The real strength of the FW279 is its large, bright, contrasty, high-resolution screen that’s perfect for shooting outside in direct sunlight. The color calibration settings allow for excellent color rendition. And there are plenty of monitoring tools available, such as focus assist, zebra stripes, and histograms. It’s also designed to work with most DSLR and mirrorless cameras.

The Ninja V is a popular monitor due to the well-calibrated HDR screen and support for 4K up to 60fps, 6K Apple ProRes RAW (from the Nikon Z6 and Z7), H.265, 4:2:2, DNxHR, and log formats from ARRI, Canon, Panasonic, RED, and Sony.

In fact, the Ninja V can even improve the quality of footage your camera can shoot! For example, if you have a Panasonic Lumix S5, you can shoot 12-bit RAW instead of 10-bit 4:2:2.

There are also a host of features available, including multi-level exposure tools,waveforms, a vectorscope, focus peaking, zebra stripes, and a false-color function.

The on-camera monitors in this list are all between five to seven inches in size (measured diagonally). But you’ll still need to consider other factors. These include the size and weight of your camera, how you plan to connect them, and whether you’ll generally be shooting handheld, using a gimbal, or from a tripod.

Resolution—This is essential, and we mean not only the screen resolution of the camera monitor itself but the resolution of the footage. Most monitors have a 1920 x 1080 16:9 screen. But that doesn’t mean they can’t display or record 4K UHD video, which has a resolution of 4096 x 2160.

High-end DSLRs and mirrorless cameras now offer many monitoring tools to help videographers, including zebra stripes and focus peaking. However, an excellent external monitor will offer all that and more—plus the ease of use from a larger screen.

Two features that might be very important to you are touchscreen control and the ability to record directly to the monitor. We’ve picked those out separately in our list to make it easier to narrow down your Replace for the perfect camera monitor.

Wireless monitors have the added benefit of giving you the freedom to walk around without being tied to the camera. Some even offer a “focus following” system that lets you adjust the focus remotely from the camera monitor itself rather than the camera.

It’s no good buying one if it won’t “talk” to your camera. So it’s important to work out which video formats and codecs you’ll be using. Also, you need to know which microphones and headphones you’ll be using. And whether your external camera monitor comes with all the right connections.

Some monitors are specifically designed to be on-camera monitors mounted on the hot shoe of a DSLR or mirrorless camera. It’s convenient if the external camera screen has a built-in “tilt arm” that lets you spin the monitor 360 degrees (both vertically and horizontally).

Alternatively, you can simply link the camera and external monitor with an HDMI cable. And most monitors will also allow you to “loop” the footage to other monitors or devices if you’re working with an assistant on set.

An external camera screen can bring significant benefits to your videography workflow. The screen resolution, size, brightness, and contrast will be a step up from the LCD screens usually found on the backs of cameras. That means outdoor shooting will be a breeze—even in direct sunlight!

On-camera monitors also offer touchscreen control, 4K and HD video recording, and plenty of features such as histograms, waveforms, and vectorscopes to help you make sure your footage looks just right.

Looking for wholesale lcd monitor for dslr camera? Look no further than Alibaba.com, one of the largest collections of wholesale shipment suppliers in the world. We have a huge range of lcd computer monitor options and lcd display screen options to choose from. Whether you need a small lcd screen or a large one, we have you covered.

These lcd monitor for dslr camera products have become the go to display types for computers today. With tft color monitors slowly being phased out, lcd computer monitor displays are the standard in the industry. All customers need a flat screen computer monitor to interact with their personal computers. For ardent gamers that require high refresh rates to minimize lagging and make use of high performance computers there are a range of lcd gaming monitors available.

We also have more specialised products like rack mounted monitors for IT administrators and network administrators working in commercial settings. These monitors are used to oversee large server rooms and network infrastructure. New transparent lcd screen options are also coming on the market that are futuristic and allow for a sleek look to fit modern aesthetics.

So, start ordering your shipment of lcd monitor for dslr camera today from our suppliers. They are ready and willing to answer any questions you may have about their products and get you started today!