lcd screen texture quotation

Mobile phone with broken screen front and side view, smashed smartphone, shattered electronics device with black touchscreen covered with scratches and cracks, realistic 3d vector illustration, set

Once I"ve got a good structure underneath and put the tones in the right places, all I have to do is suggest texture thoughtfully... and the viewer"s eye will fill in the rest. (Gaye Adams)

Texture can occur before you put brush to paper, it can be added during the process, or as the final step of the painting... The eye will be attracted to the textured areas... guide your viewer through the painting. The general rule is to use less not more. (Donna Baspaly)

Texture is most evident where dark meets light on the turning edge and at the outer edge. Experience has taught us to assume that the areas in between have similar features. (Rex Brandt)

My paintings of the landscape continued quickly in a free, impressionistic manner, until Mother Nature provided the texture in the form of rain! (John Darlinson)

Texture is the most enduring and ubiquitous underpinning of form... certainly a calming, meditative and appealing world for both the eye and mind. (Lynda Lehmann)

I paint in acrylics, initially diluted as watercolour, then I overpaint with undiluted paint using square brushes and, finally, a palette knife. My aim is to combine the translucent effects of watercolour with impasto textures. (Terry McKivragan)

The impression of wood-grain... must be considered, not only as regards texture and visibility, but for the occasional possibility of the expression of form. A soft wood, with hard annulations, such as fir, prints very dearly. (Walter J. Phillips)

Texture adds quality to a painting and makes it appear more realistic. Texture draws the eye of a viewer – drybrushing, sponging-on, spattering with paint-loaded brush... Spattered dots become the "diamonds" that add sparkle even in the darkest shadows. (George Politis)

If the painter has a good sense for the feeling that is to be conveyed in the painting, it will be easy to select the right texture to work with it. (Stephen Quiller)

My approach is to build up layers of textured paint, allow them to dry, then drybrush over them. It"s a time-consuming process, but I love the rich, vibrant, colorful results. (Raquel Taraborelli)

Even under restricted viewing conditions (e.g., monocular, stationary) people usually recognize that an LCD screen emits light instead of reflecting incident light. In previous experiments, we found that colour and texture were driving cues for glow detection with LCD screens. When a translucent, textured paper sample was placed in front of a computer screen, and the CIE xy chromaticity coordinates of the screen were matched to paper samples, participants were unable to differentiate between small patches of an LCD screen and real paper. Here, we hypothesize that the same realism can be achieved by matching the CIE xy chromaticity coordinates of the environment"s lighting to the LCD monitor"s white point. In a 9AFC task, observers viewed a 3x3 grid of nine 3.2 cm square apertures. Through one randomly chosen aperture, observers viewed a sample of translucent paper on an LCD screen, and through the other eight apertures, they viewed samples of opaque paper. The observer judged which aperture was light-emitting rather than reflective. Conditions 1 and 2 took place under beige ambient lights (CIE x=0.39; y=0.38). In these condition, the (1) luminance or (2) colour (CIE XYZ) of the translucent paper was matched to a randomly chosen paper sample. In condition 3, the lighting in the room was matched to the computer"s white point (x=0.31, y=0.32) and the screen showed luminance-calibrated patches. Observers were significantly better at identifying the light-emitting patch in condition 1 than in conditions 2 and 3, but performance in the latter two was still above chance. We conclude that neither color matching screen display under normal room lighting or matching the chromaticity of the environment"s lighting to an LCD screen is sufficient to eliminate cues to glow.

Even under restricted viewing conditions (e.g., monocular, stationary) people usually recognize that an LCD screen emits light instead of reflecting incident light. In previous experiments, we found that colour and texture were driving cues for glow detection with LCD screens. When a translucent, textured paper sample was placed in front of a computer screen, and the CIE xy chromaticity coordinates of the screen were matched to paper samples, participants were unable to differentiate between small patches of an LCD screen and real paper. Here, we hypothesize that the same realism can be achieved by matching the CIE xy chromaticity coordinates of the environment"s lighting to the LCD monitor"s white point. In a 9AFC task, observers viewed a 3x3 grid of nine 3.2 cm square apertures. Through one randomly chosen aperture, observers viewed a sample of translucent paper on an LCD screen, and through the other eight apertures, they viewed samples of opaque paper. The observer judged which aperture was light-emitting rather than reflective. Conditions 1 and 2 took place under beige ambient lights (CIE x=0.39; y=0.38). In these condition, the (1) luminance or (2) colour (CIE XYZ) of the translucent paper was matched to a randomly chosen paper sample. In condition 3, the lighting in the room was matched to the computer"s white point (x=0.31, y=0.32) and the screen showed luminance-calibrated patches. Observers were significantly better at identifying the light-emitting patch in condition 1 than in conditions 2 and 3, but performance in the latter two was still above chance. We conclude that neither color matching screen display under normal room lighting or matching the chromaticity of the environment"s lighting to an LCD screen is sufficient to eliminate cues to glow.

I"m sure that KeyShot 4 has this emissive material. Then you can use the "screen image" as a color texture. Turn on global illumination and reduce the HDR environment to nearly dark - and your screen will start glowing.

• Perform highly diversified duties to install and maintain electrical apparatus on production machines and any other facility equipment (Screen Print, Punch Press, Steel Rule Die, Automated Machines, Turret, Laser Cutting Machines, etc.).

If it"s the latter, you simply have to import any texture for your TV which you like, and then activate "Self-Illumination" through the Material Editor: