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The "False Color" feature alone is worth the entire price of the monitor. The False Color features helps to get your lighting exposure perfect every time. It"s super easy, and takes only a few minutes. (check YouTube for vids on how to use False Color)

(1) Monitor is not 4k. The "4K" in item title is misleading and refers to the 4k pass-thru using the HDMI input and output jacks. However the resolution is more than sufficient for our non-4k shooting.

And here"s one compelling reason to have V-Mount: Changing battery or powering down monitor stops our Canon M50 DSLR from recording. (recording stops when camera"s video out switches from external monitor to internal flip screen LCD monitor, or visa-versa) (issue is with the camera, not the monitor, and other cameras do this too) Therefore it makes sense for this camera to handle industrial sized "V-Mount" batteries. Especially since majority of amateur, semi-professional, and professional shooting takes place outdoors and requires batteries rather than directly plug-in power.

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FEELWORLD has been committed to providing the comprehensive broadcast monitoring and solutions for the professional filmmakers. Whether the upgrade of the excellent display technology from HD to FHD or to UHD 4K resolution, FEELWORLD aims to support the professional creators to obtain the greater benefits and to create more exciting stories, with the most advanced technology to improve the production efficiency.

When you’ve put together rigs made up of powerful equipment, you want to be able to see shots that so much work has now gone into getting to that point. No matter the setup, whether it’s a shoulder rig, gimbal, tripod, or handheld, you need a FEELWORLD monitor for all your setups which allow you to see, in perfect definition, make sure your shot in focus and accurate exposure, what you are shooting so that you know that the shot you are working hard to get is truly stellar.

As a filmmaker you need to pay special attention to the visual aspect in order to capture every moment of emotion. For that reason you can always trust FEELWORLD monitors technology, which allows you to bring your full capacity and creativity taking care of every detail in the most efficient way possible. FEELWORLD monitor helps you to capture those precious moments that you cannot afford to miss.

It’s not easy to evaluate your shot solely through your camera’s built-in monitor, especially if the entire unit is constantly rotating on a gimbal/ stabilizer, the camera on crane rig jib, One of the biggest issues when you are doing low-angle/ high angle shot is monitoring what you’re shooting. FEELWORLD monitor is ideal tool for you to monitor the scene since you can install it where you can conveniently see it.

FEELWORLD monitor integrated directly help to make footage analysis/ adjustment especially on focus/ exposure while some cameras can`t transfer their features like Histogram to monitor. Integrated with: Histogram, Peaking Focus Assist, False Colors, Zebra Exposure, Nine Grid, Scan Mode, Zoom, Anamorphic Mode, Pixel to Pixel, Center Marker, Safe Area, Ratio marker, Marker Color, Check Field, Image Flip, Image Freeze, Zoom All, U/D & L/R Zoom, Color Temperature Adjustment.

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The Feelworld Lut7 monitor is a great find for this price. The 2200nit Touch Screen is a MUST HAVE. I have been able to use it on bright, sunny, beach days without the need for an additional sun-hood because of how bright it gets. That brightness will also save you on those cloudy, overcast days. On-camera monitors tend to throw back a harsh, almost mirror-like, reflection where the Feelworld Lut7 is clean and easy to see (see video for an example and an unboxing). The 7inch screen is nice because it allows you to pull up other items like RGB Parade, Vectorscopes, Grids, Audio Levels, etc. and still have plenty of room to monitor your video (again see video example). This monitor has a lot of the professional features you would find on much pricier models at a more affordable price. False Colors, RGB Parade, Wave, Vectorscope, Audio Bars, Audio and HMDI Out, LUT support...I could go on an on. Again, for this price range it is a great monitor!

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Normally, equipment such as monitor, wireless transmission, photography light, etc., is needed to use in film and television crews. With so many equipments, it is troublesome to connect all kinds of cables. FEELWORLD F7 PRO 7-inch monitor, with full HD LCD touch screen, supports HDMI signal up to 4K 60Hz, professional and rich auxiliary composition tools, etc. The special feature of the F7 PRO is the F970 external install and power kit, it can install like wireless transmission, LED light and others equipped with a Sony F970 battery plate, and power for it. This design not only eliminates the trouble of arranging various cables but also combines the monitor and wireless video transmission, which is perfect for director monitoring, 1st AC to focus pulling in the film crew.

Many times when you want to use wireless video transmission, you always do not know where to put it on the monitor. With the F970 external install and power kit, not only solves this problem but also can be powered by a Sony F970 battery. The most important is that can use as a director monitor or 1st AC monitor, convenient to director monitoring or 1st AC to focus pulling, improve the efficiency of the film crew shooting.

The F7 RPO provides a 7-inch screen and sharp image, ideal for focus pulling and image analysis on set and in the field. With native 1920x1200 high resolution and 16:10 display, 500cd/m2 brightness, 1200:1 contrast ratio, delivers excellent detail. The 160°wide viewing angle is convenient for monitoring from multiple angles.

FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.

FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of the shooting, enabling users to accurately evaluate the quality of various input video signals.

The FEELWORLD F7 PRO is an ideal camera-top monitor for DSLR and mirrorless camera shooters. Because the F7 PRO provides auxiliary power out (DC OUT 8V); allowing shooters to power their cameras. With a battery adapter cable (Optional), the F7 PRO extends camera run-time, while providing a more usable display.

Note: since different brands and models of cameras require different power for normal operation, the camera may not be able to take pictures or video normally. Therefore, when using batteries to power the monitor, in order to use the camera normally, it is recommended to use a large-capacity fully charged battery.

Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (waveform, RGB parade, vectorscope, RGB histogram, histogram, embedded audio, focus peaking, zoom, zebra, false color, safe frames, etc.) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 video or upload .cube files) and options for anamorphic de-squeeze monitoring.

When you need to analyze image quality more accurately than simply looking at the picture then use F7 PRO"s built in waveform monitoring! Choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode. F7 PRO is perfect for live production monitoring and removes the need for separate expensive scopes!

The standard sized mounting points make it easy to mount and are compatible with third party rigging equipment. F7 PRO equips mounting points located on the bottom, back, left and right separately. You can mount it on the camera with the attached mini hot shoe mount adapter, also can mount it on the other types of equipment with a magic arm, bracket, etc. for the entire crew to monitoring.

The standard accessory mini hot shoe mount adapter can quick release and attach to camera monitor, led light, flash, microphone, etc. Upper with 180° viewing angle and base with 360° rotation.

The monitor equips a sun hood, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. The installation process is simple and fast, which is very suitable for outdoor shooting.

* Sony F970 external install and power kit design can be used to install and supply power to external equipment, easy to install and disassemble, simplify your photography equipment.

User LUT Cube ImportProvides S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to monitor by SD card.

Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.

RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.

The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. Under SDI audio, it supports 4-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported.

Safety Marker for View Finding and Composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1). You can switch the Mark color between Yellow, Red, Green, Blue, White and Black according to different tone of the subject.

There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.

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Monitor manufacturer FEELWORLD has just released a new affordable 7-inch monitor, featuring a Sony NP-F style battery plate on the back to host and power a wireless video transmission system. Built on the legacy of the original F7 monitor, the FEELWORLD F7 PRO is now available for $239.

A few days ago, we covered the release of the PortKeys HS7T Metal Edition monitor, with its most exciting feature being a plate on the backside of the device to host a wireless video transmission system.

The new monitor has a 7-inch touchscreen IPS display with a maximum resolution of 1920×1200. The 16:10 aspect ratio provides some extra vertical space for monitoring tools.

The screen has a viewing angle of 180°, a contrast ratio of 1200:1, and a peak brightness of 500 nits. This level of brightness is a little disappointing since it’s way too low to make the monitor usable under bright sunlight. Moreover, it only represents a 50-nits increase over the original F7.

The FEELWORLD F7 PRO offers several input and output power options. The monitor can be powered using either a Sony NP-F battery or via a 12V DC power input. Moreover, a 5V USB-C port offers an extra power supply option, while an 8V DC output can provide power to your camera.

Just like the original F7, the PRO version is packed with the most common monitoring tools to precisely control your image. These tools can be displayed independently or in an all-scopes mode.

The FEELWORLD F7 PRO is now available for purchase on the FEELWORLD website, coming at an affordable price of $239. FEELWORLD is also offering a discount during the first week of the release, when using the promo code FEELWORLD F7 PRO at the time of purchase. Included in the box are a Micro-HDMI Cable, a Sunshade, and a Mini Hot-Shoe Mount.

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The FeelWorld T7 7 inch IPS 4K HDMI On-Camera Monitor features a native display resolution of 1920 x 1200. It can display signals without scaling, while it scales higher and lower resolution content to fit the screen.

The IPS screen allows for off-axis viewing of 80° up/down/left/right, and features a brightness of 450 cd/m2 with a contrast ratio of 1200:1. The monitor incorporates an HDMI input and output. The T7 features useful functions into its small size including peaking, zoom, pixel mapping, anamorphic de-squeeze, frame lines, markers, and image flip. The monitor includes a Mini HDMI to HDMI cable, sunshade, shoe mount adapter, and L-series type battery plate.

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There are so many budget 7″ monitors on the market and choosing which one to get is a bit of a crapshoot. What a lot of people don’t know is that there is very little difference with the actual panel being used on all of these monitors, as there is only a handful of manufacturers in the world who make them. So when choosing a budget monitor you should look more closely at the operating system, build-quality, after-sales service, and general usability. Don’t get me wrong, image quality is also important, but with budget monitors, a lot of them are going to look quite similar.

AndyCine is a Chinese company based out of Shenzen and they have been around for a few years now. They seem to have a reasonably good reputation based on comments I have read from people who have bought their products previously. I have never reviewed an AndyCine product before, but as always, every product no matter who it comes from gets the same balanced and unbiased treatment.

They a leading global online wholesale supplier of electronic related products especially in video and photography. and PC Monitor. Their commitment is to provide a wide range of high quality, trendy fashion products at stunning factory direct prices along with a class-leading customer service experience to our worldwide community of customers. Their target is to provide their global customers with high-quality products at competitively low factory-direct prices.

The screen is a 7″ 1920×1080 (8+2 FRC) IPS LCD panel. According to AndyCine it has 2200 cd/m2 of brightness, a contrast ratio of 1200:1, and a PPI of 323.

The monitor features a pretty basic design. The inputs and outputs are all on the bottom of the monitor, there are two battery plates on the back, and a series of buttons on the top.

There is nothing overly unique or special about the design of the monitor. Personally I don’t like the large ANYCINE 4K or Ultra-Bright labeling on the front of the monitor.

The build quality is fairly average and it does feel very plasticky. The buttons don’t inspire any confidence, and the HDMI ports are not countersunk which is dangerous as they face straight down. The buttons are also quite noisy when you press them. If you shake the monitor quite gently you can hear the top buttons and dials moving around.

Look, the build quality isn’t the greatest, but that doesn’t necessarily mean that you will run into any issues. You just need to know what to expect if you buy one of these monitors. If you compare the build quality of this monitor to a SmallHD, or even some Atomos models, it isn’t nearly as good.

The monitor does have a bit of weight to it, and if you are using it with a hybrid mirrorless or small digital cinema camera then you may find that an issue. I personally think a 7″ monitor is too big for a hybrid mirrorless or DSLR. A 7″ monitor is much better suited to a mid-sized or larger digital cinema camera.

The mounting holes are made well and you can attach monitor arms or other mounting solutions without anything wobbling around or moving when it shouldn’t.

As I mentioned earlier, the input and outputs are located on the bottom of the monitor. The HDMI In and Out are not countersunk so there is no protection.

On the bottom of the monitor, you will also see two strange indents with holes that are covered up. This is where the SDI ports would go if you bought a different version of the monitor. AndyCine has obviously just made the same casing for both models and they just cut out the plastic covers that cover the holes out for the SDI/HDMI version.

The operating system of the monitor uses a combination of buttons, a scroll wheel, and touch screen functionality. This allows you to use the monitor completely via touchscreen operation, or through the use of buttons. It is nice to have both options because if you are using the monitor in cold conditions you may have gloves on and touchscreen is then not always the easiest to use.

You shouldn’t confuse the touchscreen functionality with the same sort of way it works on a SmallHD or an Atomos. On the AndyCine C7 the touchscreen operation isn’t implemented nearly as well. In saying that, it is still pretty good for a budget monitor.

The monitor does have pinch to zoom. The pinch to zoom does work and you can drag the position around on the screen, however, it didn’t always work, and on occasion, I would have to do it more than once to get it to work.

To bring up the main menu you can double-tap on the screen. However, I did also find that like some Atomos monitors, I had to continually double-tap the screen to try and bring up the menu. It wasn’t always as responsive as I would like.

Having used SmallHD’s fantastic Page OS system over the last few years it is very hard to go back to anything else. In saying that, AndyCine has a pretty good job with the operating system and it is better than most other monitors in this price range.

The monitor draws 20W and it can take an input voltage of 7-24V. It utilizes dual Sony NP battery plates. Batteries can be hot-swapped on the monitor.

There is nothing worse than a monitor that has a very noisy fan. Some of the Atomos offerings sound like there is a mini hairdryer being used in the same room. The AndyCine is relatively quiet and the two fans are barely audible. You will not pick up any fan noise if you have this mounted on your camera.

Image quality and usability are at least to me, the two biggest boxes that need to be ticked with any monitor that is going to be used in a professional environment.

The images appear almost too sharp for my personal taste, however, I think most people would be happy with it. It is hard in a review to show you screen quality. You really need to see a screen yourself to be able to judge quality.

The screen only covers 100% of Rec.709, it doesn’t cover DCI-P3, nor will it cover Rec.2020, etc. Strangely the monitor does have HDR settings that include HLG P3, HLG.2020, and HLG.709. I’m not sure what good these modes would be given the monitor only covers a Rec.709 Color Gamut. They are really more like simulated views of what HDR would look like.

The light sensor that detects ambient light levels and automatically adjusts the screen for optimal brightness is a little bit of a double-edged sword. While it does certainly work, if you place your hand in front of the monitor to press one of the preset buttons, the monitor starts to darken because it thinks the environment you are in is getting darker. This is just something you need to keep in mind when you are using it. You can, however, change the Backlight light sensor to Manual instead of Auto.

I tested the monitor by shooting a white card and exposing it at 100 IRE on a waveform. I then played back that clip and measured the brightness using a Sekonic C-800. The AndyCine C7 monitor had the backlight set to manual and the backlight brightness at 100. It recorded a brightness level of 2348 lux, which exceeded the claimed figure of 2200.

How does that figure compare to similarly priced monitors such as the pnbe 7″ 2000 NIT HDR Monitor that I recently reviewed? I measured the pnbe monitor with the backlight set to high, the brightness at 100, and the gamma set to 1.6. As you can see the monitor recorded a brightness level of 2030 lux, which slightly exceeded the claimed figure of 2000. The trouble with the pnbe monitor is that when you turned the brightness up to achieve 2000 nits it became all milky and unusable,

As far as color accuracy is concerned (the monitor’s Kelvin color temperature was set at 6500K), the AndyCine C7 recorded 6439K. This was a very good result.

The brightness of the AndyCine C7 is impressive and unlike some other ‘affordable’ high-bright monitors the image doesn’t look washed out when the brightness is at its maximum level.

As I just mentioned the operating system and the way the touchscreen functionality works could be a little better, but I’m not going to complain too much because this is a sub $300 USD monitor.

With monitors, you need to be able to access assist tools quickly. With the AndyCine C7 this is possible to do and I think most potential users will be happy with the way it works.

The monitor is easy to mount, but I don’t like that the HDMI connectors are not countersunk. When you have these ports on the bottom of the monitor you get forced to place the monitor in certain positions when it is on a camera so the HDMI cable doesn’t ens up hitting something.

The pbne 7″ 2000 nit monitor was one that I recently tested, and as it falls in the same sort of price range as the AndyCine I thought I would compare the two.

To maintain a fair playing field I output the exact same image from the Kinefinity Mavo LF to both monitors. That way I could see exactly how each image appeared.

There are not actually that many other 7″ Ultra-Bright monitors that have touchscreen functionality (particularly in this price range), however, I will list monitors that have similar brightness (2000 nits and above) and size:

The AndyCine C7 is a pretty good monitor. It is bright, sharp, and the colors it displays are reasonably accurate (although maybe slightly oversaturated). The operating system and touchscreen functionality could be better, but for a monitor in this price range, they are better than most of the competition.

In saying that it is very hard to fault a monitor at this price and I don’t want to sound overly critical, because at $269.99 USD it offers pretty good value for money, especially if you are after a high-bright 7″ monitor that also has touch screen functionality.

At the end of the day, in a lot of cases, you end up paying for what you get. Nobody should be buying a sub $300 USD 7″ high-bright monitor and expect that it will be as well built or as good as say a Small HD Cine 7. There will always be compromises that have to be made if you don’t want to spend a lot of money.

AndyCine has done a pretty good job with the C7 and I think anyone who will be looking at a sub $300 USD monitor like this would be reasonably happy if they purchased it. The touchscreen functionality is what makes it stand out from other monitors in this category.

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If you"ve just started out in video, on-camera monitors may seem like a luxury. Experienced videographers will tell you otherwise. As well as enlarging the display to make recording easier, lots of on-camera monitors can also improve your camera"s video output. Whether you"re shooting on a cine camera, a mirrorless, or a DSLR, an external monitor is a necessity if you want to get serious about filmmaking.

You might think you don"t want to add weight to your setup or make it any bigger but an on-camera monitor is worth it. The extra big display means when you"re shooting you can see a more accurate, live representation of your footage. Should there be a speck of dust on your lens or sensor, you"ll be able to tell much easier on a 7-inch screen rather than a 3-inch screen.

Some of the more high-end on-camera monitors not only increase the size of your display but can improve your camera"s video functionality. For example, when shooting with a Panasonic Lumix S5(opens in new tab) and an Atomos Ninja V external recorder, you can shoot 12-bit RAW instead of 10-bit 4:2:2 with its internal recording option. On-camera monitors are also great additions if your camera lacks features such as a fully articulating screen such as the Blackmagic Pocket Cinema Camera 6K(opens in new tab).

Even if you have features turned on such as focus peaking, zebra lines, and false colors, an on-camera monitor lets you apply frame monitors which can reveal flickers that smaller monitors might not. They also enable you to proof content and show other people on set without having to cram around a small screen.

In this list, we run through the best external monitors and video recorders around so you can get the big-picture experience before you hit your editing suite and it’s too late to re-shoot.

Since the release of the Atomos Ninja V back in 2018, it has become pretty much the industry standard in monitor recorders. It"s a popular choice among both budding and professional videographers and filmmakers thanks to its beautifully calibrated 5-inch HDR display and its ability to support 4K 60p ProRes HQ, H.265, 4:2:2 ad DNxHR. The Ninja V will also support 6K Apple ProRes RAW and it"s the only monitor of this size to do so thanks to a deal between Apple and Atomos. Other features include pro-level monitor tools such as waveforms, false colors, HDR monitoring and LUT support.

If your camera doesn"t support 4K, the Ninja V might be a bit overkill as you won"t make the most out of the features you"re paying for. If you"re just after a monitor so that you can view your video easier, the Atomos Shinobi would be a better option and it will save you money. Alternatively, if you"re shooting some serious projects and need something even bigger, the Atomos Shogun(opens in new tab) which appears later in this list sports a massive 7-inch screen, perfect for using with the best cinema cameras.

With the built-in camera control for various Canon, Sony, Panasonic, Blackmagic, and even Z Cam cinema cameras, this is a great option for anyone wanting a monitor that will help a filmmaker get the shot and be a very helpful visual aid in the composition process.

For a reasonable price, you get a great package that is built to withstand the vigorous day-to-day life of a filmmaker while on set, in the studio, or for on-the-go shooting. Paired with a tough travel case for ease of transport between shoots, great monitor features, and the ability for onboard audio monitoring, the PortKeys LH5P II is a great 5.5” monitor for anyone looking to up their game in the cinematography world.

If you"re just looking for an external monitor and don"t need recording capabilities, the Atomos Shinobi delivers the display quality of the Atomos Ninja V but at a fraction of the price. It"s the perfect choice for vloggers who shoot with a camera with limited screen articulation such as the Sony A7 III(opens in new tab) or the Blackmagic Pocket Cinema Camera 4K(opens in new tab) which has a fixed display.

This is the big brother of the original Shinobi, offering a much larger 7inch display - and billed as the movie directors and focus directors, but also as a great presentation screen for vloggers wanting to see clearly what they are recording. Its bright 2200-nit screen is the key attraction here - but it also does much more than just monitoring your image. With HDR capability - it offers built-in Log conversion, so you can see what your raw footage is likely to look like when edited, and you can even load up your own LUTs via the built-in SD card slot.

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Zhangzhou SEETEC Optoelectronics Technology Co., Ltd. is a high-tech enterprise, specialized in R & D, manufacture and sales of broadcast/ camera monitors, FPV monitors, industrial control touchscreen LCD monitors and medical monitors.

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4K HDMI in and loop-out 1920 x 1200 resolution. it can display live signals, and also send them out to other monitors simultaneously. It"s the ability to display live picture on multiple displays at once while still maintaining the original video quality.

2200nit Ultra Brightness (Adjustable). The LUT7 has the resolution and pixel density to make every shot look amazing, the high bright 2200nit screen at almost 4 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. It makes easy for outdoor shooting in bright daylight without a hood!

It is touch screen and 3D LUTs. The innovative touch screen LCD user interface provides incredible control. You can uses simple tap and swipe gestures for the important monitoring functions. Scopes can be enabled via the touch screen as well as focus and exposure assist. All of the functions are at your fingertips.

The LUT7 has an ambient light sensor that detects ambient light levels and automatically adjusts the screen brightness. It ensures that the screen is readable in different environments

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On-camera monitors are important to see what is in focus and when filming yourself. Today I want to test the new on-camera monitors from Feelworld. Deciding on which size to buy is not easy. The monitors in the master series are available in 3 sizes: 5 inches, 5,7 inches and 7 inches. Because I will use the monitor mostly in my home studio choosing the largest size was the obvious choice for me. Read on to see if it was the right one.

I use the monitor when making videos. When I want to film myself with the Sony a6500 I cannot see myself on the camera screen. I think the only Sony camera that can do this is the old a5100, but it has no 4k unfortunately:

For focusing a bigger monitor is better, I can see better the details, even if I am further away. On the camera screen it is very difficult. A small monitor is more lightweight and therefore better for mobility and to use on a gimbal.

On the back of the monitor there is a battery plate to put Sony NP-Fxxx-style batteries. This works very nicely and there is a button to release the battery.

Advantage of having a tilt arm is that it is possible to mount the microphone on the side of the arm, when the hot shoe on the camera is already occupied by the monitor. You can also very easily tilt the monitor.

Last but not least the package contains two HDMI cables to connect the monitor to the camera, one for Micro- and the other for Mini-HDMI. I will need Micro-HDMI for my Sony camera.

I power the monitor using a 12V power adapter and the camera using USB. So I don’t have to worry about running out of batteries (which used to happen a lot when filming in 4K with my Sony camera).

The tripod has a hook to hang a bag as a weight on it to have it more stable. I use this to hang my cables so that they don’t put any stress on my camera or monitor.

There is also a menu button and buttons to scroll through the menu. It is also possible to mount the monitor on top as well and there are two function buttons:

For example skin tones should be around 70 IRE (light grey/pink). When I film with different light setups I can try to match the exposure of the shots by looking at the false colors. I can also see which areas are over- or underexposed.

I cannot really say anything bad about this monitor. Of course the smaller monitors have a tilt arm as well but this also has disadvantages when rotating the monitor to film yourself. I.e. the screen will be upside down if you flip it because it has no sensor to detect its orientation. You have to flip it back using the mirror function in the menu. But it is possible to mount a microphone as well which is a plus.

If you need something more lightweight for on the road use or for use with a gimbal I would definitely recommend the smaller monitors MA5 and MA6 (the MA6 being my favorite).

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These feelworld 7 monitor products have become the go to display types for computers today. With tft color monitors slowly being phased out, lcd computer monitor displays are the standard in the industry. All customers need a flat screen computer monitor to interact with their personal computers. For ardent gamers that require high refresh rates to minimize lagging and make use of high performance computers there are a range of lcd gaming monitors available.

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