hero 3 lcd screen free sample

On May 19, 2014, GoPro filed its Form S-1 with the SEC without specifying the number of shares or their price. The company stated that they hoped to raise at least $100 million through the sale of shares, using the money to pay off debt in full ($111 million as of March 31, 2014) and "to acquire or invest in complementary businesses, technologies or assets". They said that they planned to list on the NASDAQ stock exchange using the symbol "GPRO."

Woodman worked on his first camera for two years after founding the company, eventually introducing the GoPro 35mm HERO in September 2004 at San Diego"s Action Sports Retailer trade show.

In 2014, the company was selling the HERO3+ in editions of different colors. It was capable of filming in 16:9 aspect ratio, supporting 4K UHD video and 12 MP still photographs.

On September 28, 2017, GoPro released the HERO6 Black, which claims improved stabilization over the HERO5 models and is capable of capturing 4K video in 60 FPS.

On September 20, 2018, GoPro came out with the HERO7 Black, which apart from providing improved stabilization over HERO6 models with HyperSmooth, also featured the new form of video capturing, "TimeWarp", providing a high speed effect to the videos. HERO7 also came out with capability to stream live across multiple platforms like Facebook and YouTube .

On October 15, 2019 GoPro released the Hero8 Black, which included improved in-camera stabilization by way of Hypersmooth 2.0. The Hero8 Black introduced integrated mounting "fingers" which could be folded down for use, and was also notable for not having an easily replaceable lens available from GoPro, though a third party replacement lens kit is available from a company called Camera Butter.

In 2014, GoPro entered into discussions with DJI for a private label model built with the GoPro branding. After the failure of these negotiations, GoPro entered into an agreement with 3D Robotics (3DR) for a similar partnership based on 3DR"s flight controllers. 3DR failed to meet their agreed-upon timelines. As a result, GoPro took full control of the development process in mid-2015.

Scheduled to be released early 2016, the GoPro Karma project was delayed several times before the GoPro Karma was announced with an introduction date of October 23, 2016. The Karma was released along with newer models of the HERO5 and Session cameras and features a removable handheld stabilizer (gimbal) integrated into the design. After a few customers complained about power failure during operation, GoPro recalled Karma drones and gave customers full refunds.

In November 2017, GoPro launched the Fusion camera,omnidirectional camera which is capable of recording 360-degree footage. The Fusion was the first GoPro to feature an increased maximum resolution of 5.8K.

GoPro produces various mounting accessories for its cameras including a 3-way mount, suction cup, chest harness, jaws-type flexible clamp, dog harness, surfing mount, etc.

The 35mm camera (model #001) became available on April 13, 2005. It had dimensions of 2.5 by 3 inches (64 by 76 mm) and weighed 0.45 pounds (200 g). It included the camera, a clear case with quick release, a camera strap and ski glove adapter lash. It could pivot "on the fly" and be functional to a depth in water of about 15 feet (5 m). It was described as a "reusable wrist camera" and included a roll of 24 exposure Kodak 400 film.

The first generation of Digital HERO cameras (2006–09) were powered by conventional AAA batteries and included a rugged housing and wrist strap. Models were distinguished by their still image resolution and shot video in standard definition (480 lines or lower) with a 4:3 aspect ratio. Like the film camera HERO, the first-generation Digital HERO cameras were equipped with an optical viewfinder.

The original Digital HERO (DH1; 640×480 still resolution, 240p video in 10-second clips) of 2006 was succeeded by the Digital HERO3 (DH3; 3-megapixel stills, 384p video) and Digital HERO5 (DH5; same as DH3 but with 5-megapixel stills). All three of these had a 54° angle of view. A variant of the DH5 was released with an extreme wide-angle lens with 170° of angular coverage on the diagonal as the Wide HERO; the Wide HERO had a different housing than the other first-gen cameras (DH1/DH3/DH5) to accommodate its larger lens.

The Digital HERO released in 2006 (Model: SQ907 mini-cam) had a 640×480 camera and shot QVGA definition 320X240 (10 fps) video for a maximum of 10 seconds. The Digital HERO1 had 32 MB internal memory without SD slot.

The Digital HERO5 was first introduced in 2008. It had a 5 megapixel still photo sensor and supported standard definition (512×384) video capture. It ran on two AAA batteries, had 16 MB of internal memory and could function with a 2 GB SD card. Its housing was rated to 100 ft/30 meters depth. Its dimensions were 2.6 × 1.75 × 1.25 inches (66 × 44 × 32 mm).

The GoPro Wide HERO was the first model with a 170° wide-angle lens. It was released in 2008 alongside the Digital HERO5 and had the same 5MP sensor (2592 x 1944), capable of 512x384 at 30fps video with sound recording (up to 56 min. on a 2GB SD card), 5MP Photos, 10s Self Timer, 3X sequence still photo burst and Auto "Photo every 2 or 5 seconds" mode. It was powered by 2 x AAA batteries (not included in the box).

The second generation of the HERO cameras (2010–11) were branded HD HERO for their upgraded resolution, now offering up to 1080p high-definition video. With the HD HERO generation, GoPro dropped the optical viewfinder.

The basic HD HERO was marketed either with a basic set of accessories (case and mount) as the "Naked", or in bundles with additional accessories named for the intended purpose (such as the HD Helmet HERO, HD Motorsports HERO, and HD Surf HERO).

The HD HERO also offered an expansion port on the camera"s rear panel, branded the HERO Bus. Optional accessories included the LCD Bakpac, which offered a small monitor that displayed and played back video, and the Battery Bakpac, which doubled the battery life of the camera.

All three versions of the HERO3 come in a 30% smaller and 25% lighter package, with WiFi built in. The change of the physical dimensions of the cameras compared to the previous generations (HD HERO and HD HERO2 were physically identical) means that some accessories for HD HERO Original and HERO2 are not compatible with HERO3, so GoPro made new versions of those accessories specifically for HERO3, which mostly also were compatible with HERO3+, see below. Those new versions of accessories are usually not compatible with older Hero camera generations. However, a lot of other accessories are compatible with all HD Hero camera generations.

The Black EditionWVGA at 240 fps.BSI sensor included in a GoPro. The Black edition also includes the WiFi Remote. The Black Edition cannot record at 25/30 fps in 720p and WVGA resolutions; it can only record at very fast frame rates in those resolutions. This is a deliberate firmware limitation, as the manufacturer does not expect that this high-end camera model will be used at these lower resolutions and frame rates.

A timelapse recording one frame every 10 seconds with a GoPro HERO3 camera mounted on a bicycle helmet during a bike ride in Chicago. Note how the wide angle lens allows for the rider to capture wide images.

The HERO3+ camera models claim dramatically improved low light performance and have a waterproof enclosure which is 20% lighter and 15% smaller than the HERO3"s, according to the GoPro website. The HERO3+ camera housing is 20% smaller than the HERO3. The cameras are claimed to have improved image sharpness (close focus down to 7" vs about 3 ft on the HERO3, at the expense of distant focus which is slightly less sharp

The HERO4 Black Edition still has a 12 megapixel (MP) CMOS and a f/2.8 fixed maximum aperture and focus free. It adds Bluetooth connectivity, Highlight tag, Protune Available for photo and a new processor claimed by GoPro to be twice as fast as that of the HERO3+ Black Edition, doubling the frame rates in most resolutions. The HERO4 Black Edition can record 4K UHD video (3840×2160) at a frame rate of 24, 25 and 30 fps.Wi-Fi disabled at 4K/30, GoPro claims the HERO4 Black Edition battery life to be 65 minutes, increasing to a maximum of 1h 50" at 720p/240.

The HERO4 Silver Edition is basically a HERO3 Black Edition with the addition of a micro speaker,touchscreen display, Protune for photo and highlight tag (the first GoPro with this), a lower clocked Cortex-A9 and missing the Black Edition"s integrated analog-to-digital converter which supports a wider variety of professional low-sensitivity external microphones.4K video (3840×2160), but it supports Wi-Fi, Bluetooth and contains the sameAmbarella Inc. A9system on a chip (SoC) as in the HERO4 Black.

The HERO4 models maintain the H.264 video codec of previous versions and MP4 file formats. GoPro claims the mono microphone in both the Black and Silver Editions has twice the dynamic range of that in the HERO3+, and that the HERO4 Black and Silver Editions have improved low-light performance.

In September 2014, GoPro released an entry level camera named simply "HERO", priced at $130, alongside the HERO4 Black and HERO4 Silver. It is built into a waterproof housing, unlike the HERO4 line.

The GoPro HERO (2014) can capture 5mp still images and has a 5fps burst option. It is able to record 1080P at 30 or 25fps and 720P at 60 or 50fps on to a MicroSD card up to 32GB. It has an LCD non touch display on the front and is waterproof down to 40m.

In June 2015, the company started to sell the GoPro HERO+LCD, which provides video recording at 1080p at 60 fps and 8 megapixel photos. The HERO+LCD is also built into a waterproof housing.

The HERO6 Black was introduced on September 28, 2017.HEVC video recording at up to 60 fps and 1080p at up to 240 fps, automatic upload of footage to cloud, voice controls and 5 GHz Wi-Fi. It was the first GoPro sporting GoPro"s custom system on a chip (SoC) the GP1.

The HERO7 White, HERO7 Silver and HERO7 Black were announced and released in September 2018, as the seventh-generation action camera series from GoPro.

The HERO7 White was intended as the entry-level camera, featuring only 1440p resolutions for video and time-lapse video functions and a lack of WDR or HDR in its photos. The HERO7 Silver was intended as the mid-range camera, featuring 4K resolutions for video and time-lapse video resolutions and WDR in its photo mode. Initially, both the HERO7 White and Silver defaulted to a video resolution of 1440p with 1080p only available by cropping.

By contrast, the HERO7 Black was introduced at the high-end level and primarily encompasses the features of the HERO6 Black with major improvements. The HERO7 Black introduced a heavily improved electronic image stabilisation known as "HyperSmooth" video stabilization, which GoPro has advertised heavily as "Gimbal-Like", as its primary improvement.

During its release, the HERO7 Black largely competed with rival camera and camera accessory manufacturer DJI which released the DJI OSMO Action, which also introduced a similar enhanced stabilization feature.

On February 28, 2019, GoPro released HERO7 Black in a new "dusk white" color. This is a limited edition and it has the same specs as in regular version and differs just in color.

The HERO8 Black essentially contained the former features of the HERO7 Black, however improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black was improved on and named "HyperSmooth 2.0", also resulting in an improvement of the TimeWarp feature introduced in the HERO7 Black. The HERO8 Black also improved the image quality, improving the HDR functions of the camera to allow HDR to assist the SuperPhoto function of the camera that automatically chooses what image processing to use such as high dynamic range (HDR). GoPro also reintroduced the field-of-view (FOV) functionality as, "Digital Lenses" which retains the original SuperView, Wide, Narrow, Linear FOV settings. Moreover, live-streaming now streams in 1080p instead of the HERO7 Black"s 720p and the RAW imaging functionality has now been expanded for all photo modes.

The HERO8 Black largely introduced several new functions into the camera. Physically, the HERO8 Black now incorporates the connecting prongs that are used to connect accessories, directly onto the camera. Originally, the cameras would only be able to access the prongs if the cameras utilised either the frames (for cameras HERO5 to HERO7) or the protective cases for HERO4 and before. Moreover, the GoPro logo moved under the LCD screen to make way for extra microphones. More additions to the camera most notably were part of the software aspects of the camera. These included an option to switch between various settings presets, including standard, activity, cinematic and action shots and adjusting on-screen shortcuts of the user interface. Most notably as part of software, was the introduction of the night-lapse video, which similar to the time-lapse video mode, automatically stitches the frames captured by the camera at set intervals, however with the addition of improved low-light performance.

The HERO8 Black also attempts to address vloggers who may wish to use the GoPro in such a manner. As such, GoPro has also introduced an external accessory known as the "Media Mod" which includes a USB Type-C port for supplying power to external microphones and accessories, a micro-HDMI port and a 3.5mm microphone port. Moreover, the accessory includes a mount to connect either external microphones, LEDs or an LCD screen.

The HERO9 Black essentially contained the former features of the HERO8 Black, however, improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black and refined in HERO8 Black was improved on and named "HyperSmooth 3.0". It also features a max resolution of 5K for video and 20M for photos and adds a front-facing 1.4-inch color "selfie" screen.

The HERO10 Black essentially contained the former features of the HERO9 Black, however, improved on certain functions. Most notably, the "HyperSmooth" feature introduced in the HERO7 Black and refined in HERO8 Black was improved on and named "HyperSmooth 4.0".

The major changes new GP2 processor, HERO10 Black shoots 5.3K video with double the frame rate, 23MP photos, enhanced low-light performance and HyperSmooth 4.0 video stabilization in all modes. On top of all that, HERO10 is cloud connected—so the moment you charge it, your footage is automatically uploaded to the cloud.

Karma Drone became available October 23, 2016. The drone is compatible with the HERO7 Black, HERO6 Black, HERO5 Black and HERO4 Black and Silver. The Drone has 20 minutes of battery life.

GoPro released the 3D HERO system in April 2011, which coupled two HD HERO cameras via a synchronization cable in a single housing to form a stereoscopic 3D camera. One of the cameras is used in upside-down mode.anaglyph to be viewed wearing red-cyan glasses.

In 2014, GoPro released an update as the Dual HERO system, which provides similar functionality using two HERO3+ Black edition cameras. The updated Dual HERO BacPac sync/link cable now has an asymmetric design: the right or primary camera (viewed with the lens facing away from the user) is larger than the left (secondary) camera, and the left camera is used in upside-down mode.

The Fusion was announced alongside the HERO6 Black360° Panorama video. Fusion Studio can export to several formats, including H.264 (4K), CineForm 422, and Apple ProRes 422.

The GoPro GP1 is their own System-on-Chip with the main task of image processing. It replaces the earlier used Ambarella SoC"s and launched in the GoPro HERO6.Socionext.

The GP1 encodes video in the H.265 codec, also known as HEVC. The available resolutions are 4K60, 2.7K120 and 1080p240 unstabilized or 4K30, 2.7K60 and 1080p120 digitally stabilized.

"GoPro doesn"t like their HERO3 compared to Sony"s AS15?". DigitalRev.com. March 19, 2013. Archived from the original on March 17, 2015. Retrieved February 20, 2015.

"GoPro Hero 3 Black Edition: Seconda solo a se stessa". InsideHardware.it (in Italian). October 25, 2013. Archived from the original on September 24, 2015. Retrieved September 28, 2015.

"GoPro launches 3D HERO system; world"s smallest 1080p 3D Camera" (Press release). GoPro. April 4, 2011. Archived from the original on 12 November 2021. Retrieved 12 November 2021.

"Dual HERO System Workflow - Setup and Recording". GoPro Support. September 30, 2019. Archived from the original on 10 December 2021. Retrieved 9 December 2021.

hero 3 lcd screen free sample

Using the 30 in one second mode mentioned earlier, produced somewhat darker images for me. I suspect this is because in order to get such fast fps, a fast shutter speed is needed which will produce darker images once the aperture is wide open in certain lighting conditions. I think.

2.7k at 30fps is much more usable but why I hear you say when we still only have 1080p TV"s? Well, I for one, sometimes stabilize my footage in post production. By doing this, you need to crop out some of the image. When shooting 1080p footage, this means when I render out, I either need to render to 720p or lose some clarity and detail at 1080p.

The Go Pro HD Hero 3 now comes with Wi-Fi built in as standard…Yay! This means you can add the extra battery pack AND have Wi-Fi without having to make the compromise. The trouble with the Hero 2 was that I had to choose one or the other depending on the shoot.

The waterproof remote control unit comes with the Go Pro HD Hero 3 so no extra purchase is necessary. However, the Hero 3 is substantially more expensive than the Hero 2. Operating the camera via remote is a cinch and so handy for many situations. You can just leave the Wi-Fi on and switch the camera from ON to OFF in a second or two.

You want more? Ok. I think this is one of the most exciting and advance gadgets to hit the market in years. If you use your imagination a little, the possibilities are amazing (how about shooting 360 degree footage with 4 Go Pro’s?).

hero 3 lcd screen free sample

The square shape of the Hero3, despite being marginally smaller than its predecessor, is still difficult to successfully mount on a motorcycle helmet.

The square design isn’t as difficult to work with in some sports as it is with motorcycling. Indeed, GoPro “Hero” cameras have become the de facto standard in many sports.

For example, a couple of GoPro Hero2 cameras are frequently seen being used for the in-car video in “Chasing Classic Cars” and “Mythbusters”, which tells you that the video quality of the GoPro units are pretty good.

In fact, if you didn’t know it (and most viewers don’t), you’d never notice a difference between the Hero2’s and those multi-thousand-dollar hand-held video cameras also employed in those shows.

And that’s where the GoPro Hero3 loses some points, in our opinion. As we’ve mentioned in several of our motorcycle video camera reviews (index), the “perfect” motorcycle video camera has yet to be invented.

At least they kept the Hero3 the same height and width as the other GoPro cameras, so GoPro BacPac (review) owners can still fit the BacPac and the deeper cover on the Hero3 (a secret that GoPro isn’t telling you).

But actually, the Silver may actually be the best deal for motorcyclists (although besides the new lens, it may not have much on the existing Hero HD).

I won’t go through all the feature differences here of these three, because you can read all about it for yourself in theGoPro Hero3 camera comparison chart on the GoPro website.

In addition, it includes the standard 1080p (1920×1080) at multiple frame rates, 720p and more. (Note: the GoPro Hero3 Black Edition owner’s manual, only available as a .pdf download, refers to both “2.7k” and “2k” video formats but it’s 2.7k).

And finally, the Black Edition has built-in WiFi and a remote control that, when paired with the camera, repeats the tiny front menu screen on an LCD screen on the remote.

Finding and using all of these formats can be a bit tricky, due to the clumsy menu system, but you can’t go too wrong by simply sticking with good ol’ 1080p at 30 fps.

And while the 2.7k format may sound good — hey, bigger numbers are better, right? — truth be told, we can’t tell the difference between that format and the 1080p/30fps from this camera, at least at the 8MP bitrate in the Black Edition (still photo resolution up to 12MP).

It’s immediately noticeable when the raw files are played on the computer, even at full screen resolution (how they’ll fare after YouTube compression is another issue).

In addition to all the new video formats and the higher-quality lens, the Hero3 now takes a microSD card rather than the SD format used in previous GoPro cameras.

The remote has a small LCD window that repeats the menu on the front of the camera, but it has just the same two button interface, so there’s no “Back” button.

The Hero3 menu system has legacy written all over it, so to speak, and that’s unfortunate. At least with the BacPac the menu choices make a bit more sense than that way-too-small, 1980’s style black & white text on the unbelievably tiny front display.

One more thing: the beeper isn’t loud enough to hear when you’re on the bike with the helmet and ear plugs. Again, thank goodness for that LCD BacPac so you can at least see what you’re doing!

The housing comes with a solid (waterproof) and an open back cover. The open cover is for sound recording, which has much better quality in the Hero3 than on previous GoPro cameras.

You can hear the difference in the sound when watching the on-road video below, which compares the Hero2 with the Hero3 on our standard example motorcycle video camera road (the sound levels were reduced, however, during post-processing).

BatteryThe Hero3 battery life isn’t great, with only about 1/2 hour of recording time after you consider the extra time needed to mess with the menu system to set up the camera.

Also included is a video compilation of on-road video samples taken in various GoPro Hero3 Black Edition formats. Note that as always, the YouTube compression algorithms reduce the actual quality of the video.

You can download some sample files from our YouSendIt Dropbox below, but each download may take a significant amount of time (approx. 20 to 30 minutes).

In the end, the form factor is frustrating but can be overlooked, due to the outstanding video quality. No doubt, this is the motorcycle video camera to have for 2012 and probably well into 2013.

From “T.Z.” (December 2012):“Just read your GoPro 3 review and you stated “but we couldn’t get some of the formats, like 960p and 720p at the higher frame rates, to play correctly, even on an ultra-fast, state-of-the art computer system with 10,000 RPM hard disks, 12GB of RAM, a fast video card and the latest Intel processor.”

Most LCD monitors max out at 60hz which is 60FPS. If you try to play 120FPS, the Monitor isn’t fast enough to show all the frames, so it looks jittery. Slow it down to 25% and it will be perfect…that’s really what the high FPS is used for…

See (the GoPro app for “smart” phones and tablets). With a firmware update, one can use an iOS or Android smartphone or tablet to access the full functionality of the Hero3 Black Edition, which I believe is the latter’s main raison d’etre.

hero 3 lcd screen free sample

I recently picked up the Hero 3 Black Edition. It’s a great overall point-of-view camera not just a favourite of sports shooters. The size of a matchbox and it does 2.7K and 4K video all at a pretty high bitrate of around 45Mbit.

Of course the Hero 3 doesn’t have an LCD itself (it is a $89 clip on optional extra) so this is particularly useful. On the Hero 3 WiFi is built in this time. So with the new firmware and app you can for example monitor multiple vehicle mounted POV cameras from inside the car or at the side of the road on iPhones and iPads, to get the framing set up perfectly. All the controls available in the (somewhat awkward) camera menus are now on the iPhone so you can change the resolution, frame rate, recording mode, and all other options with the swipe of a finger.

Image quality of the Hero 3 Black Edition in good light is absolutely first rate in 2.7K mode, and of course 4K mode is exceptionally detailed. I have a few tricks relating to 4K on this camera which I will reveal in the next blog post.

For such a small camera it is much improved in low light compared to the previous Hero but of course still very noisy in dim interior light compared to a DSLR.

The processing power has doubled over the previous Hero 2 camera, so if it doubles again in another 2 years it is reasonable to expect the frame rate in 4K mode to double from 12fps to 24!

I hope GoPro have some intention on making a cinema camera, they clearly have the codec expertise (CineForm) and processing chips to do one. In fact with an interchangeable lens mount the existing Hero 3 Black Edition would make a superb 16mm cinema camera. As it stands, the fish eye lens is a bit limiting but perfect for POV stuff. You can crop into the sensor for narrower fields of view but this increases noise and isn’t available at all resolutions and frame rates.

hero 3 lcd screen free sample

– The camera itself (duh) – The battery for the camera – A mini-USB cable – An underwater case rated to 40m/131ft – An alternate/secondary door for the case that allows for better audio – A small stack of GoPro stickers – A small quick-start guide and other paper junk – A flat adhesive mount – A curved adhesive mount – A loss prevention rubber stopper

In addition, the Hero4 Black and Silver also include a little adapter arm for the mounting system to change the direction a bit.  Of course, because everyone wants to see exactly what comes in each package, I’ve included the unboxing for each of them below.  I’ve abbreviated it a little bit though on the Silver/Base just to keep things non-redundant.  Sound good?  Let’s tear apart some boxes…

To begin you’ll find the boxes of the Black and Silver fairly similarly designed, with only the Base Hero slightly different with cheaper packaging materials to save weight and cost.

Here’s what you’ll get inside the Hero4 Black box.  It’s all the items noted above, but one little piece that many people accidentally miss – which is the flat black baseplate that the Hero comes on.  It can in effect act as a handy little tripod, yet many folks simply throw it away.

The only difference in the box is the case doors.  The Silver edition includes three doors (instead of two), and two of these doors are designed to allow you to operate the touch screen. In the below photo, the two lower doors allow touch screen operation.  The left one is completely open, while the right one has a thin flexible plastic.

Here’s the front of the camera, as you can see, it’s virtually identical to the Hero4 Black.  Though, strangely in my case it actually has a small manufacturing defect on the front of the LCD screen.  It hasn’t bothered me though, and I’m too lazy to deal with returning it.

The 2014 GoPro Hero base unit is packaged slightly differently.  For example it lacks the top plastic ‘dome’ found on the other/past units, as well as the plastic baseplate.  Obviously at a fraction of the price they were looking to cut costs that were unnecessary, which, is completely reasonable.

Now – and this next piece is really important to understand – the Hero base unit does NOT detach from the case.  It’s molded into the outer plastic shell.  Said a third way, you cannot remove the grey camera from the outer clear plastic case.

When it comes to size, the Hero4 is identical to that of the Hero3, so there’s no changes there.  It’ll fit into all the same mounts, cases and locations that the Hero3 did.  This is particularly interesting even in the case of the touch-screen display included on the Hero4 Silver.  Of course, if you add a touch/display screen to the Hero4 Black then it’ll increase the size accordingly.

Case included the solid-door backing, and the semi-flexible backing for the Silver case. It includes a single Micro-SD card, as well as the default battery.  You can see that the Hero Base is actually a fair bit lighter, interestingly enough.

Each of the units will require a MicroSD card to record to.  These are super-cheap though and can be found starting at about $12 for quality 16GB ones.  The Hero4 Black and Silver support card sizes up to 64GB, whereas the Hero base only supports 32GB. Note that when it comes to speed of cards, it’ll depend a little bit on how you plan to use the units.  For generic 720p/1080p content in the 24-30FPS mode, it’s frankly not going to matter too much how fast of a card you have.  But if you start recording 2.7K/4K footage at full frame rates you’re going to want fast cards to be able to keep up.

For those curious, in the Black/Silver I’ve been using the SanDisk U1 64GB Extreme Plus cards, without any recording issues.  Again, for the Hero base, this would be beyond overkill (it couldn’t use it if it tried).

With the camera powered on, all units have a front-facing LCD screen.  This screen will show you which mode you’re in, for example, video, photo, time lapse, etc…  You can simply tap the front mode button to iterate to the next mode.

New to the Hero4 lineup though on the Black/Silver models is a direct settings button found on the side.  While the button has always been there, it’s been for enabling WiFi.  Now, it’ll do both.  If you short-tap it, it’ll open up the settings menu for just that particular mode.  If you long-hold it, it’ll enable/disable WiFi.  It’s a beautifully elegant solution.

The same is true of photo modes, allowing you to then change how many shots it might take, and the resolutions of those.  It’s without question one of my favorite features of the Hero4 lineup. Of course, you can still dive into the traditional settings menu using the mode button, but now those options on the Black/Silver pertain more to whole-camera options.

For example, this is where you would change the orientation of the camera (Black/Silver/Hero), as well as change which mode the camera starts off in, for example, photo instead of video (Black/Silver).

In the February 2015 update, they also enabled the ability to do automatic orientation.  This means that the Hero4 Silver and Black can now automatically be oriented based on whichever way is determined as ‘up’.  You can also just leave it manually as well.

Now, note that on the Hero base, you’ll have considerably less options.  For example, there is no option to change which mode it starts in, nor the option to automatically shut off.  Though, those are hardly deal killers.

Also note that unlike the Black/Silver, the Hero base can’t have settings changed via the phone apps, but more on that later. Next, when it comes to actually record something, you’ll start/stop the recording (or photos) by pressing the top button on the GoPro (with the red circle).

And again, to stop it, you’ll just press the same button.  By default the unit will chirp/beep and then the red recording light will blink.  You can change the volume of the chirps.  I do that if I plan to use the unit indoors where the chirps can get a bit annoying (Side Note: I fail to understand why there is a 100% volume, 75% volume, and 0% volume level…but no 25% or 50% level).Outside of course, it’s handy to have the chirps though if mounted on a helmet. With those basics covered, let’s get onto the Silver-only touch screen, and then I’ll cover many of the features individually.

The GoPro Hero4 Silver sports a new addition to the Hero lineup, a touch screen.  While you could in the past attach a LCD screen to the back of units, it always came at the cost of increased space as well as just being sorta clunky.  With the Hero4 Silver though, it’s embedded into the back of the unit while remaining exactly the same size as previous models.

The screen is both there to display what the camera is shooting, but also to act as a touch screen to change settings.  To do so, you’ll press the little red dot and then slide down and hold a few seconds.  This ensures that you can’t accidentally bump it on, like butt dialing, but for action cameras (which, upon reflection could be really awkward).

Once you have it unlocked, it’ll show you a touch menu that you can go into and modify settings for each of the modes.  You effectively get all of the modification capabilities of the front LCD + buttons, with the back screen:

Now of course while recording, you can use this to frame your shots ahead of time and then keep an eye on things while recording.  By default it’ll shut off the screen shortly after recording to save battery. I’ve gotta say, when I first saw the marketing images of the screen I figured it’d be like the Garmin VIRB screen.  In that while the VIRB screen was marketed to look like a orgasmicly colorful experience, in reality it was like 1930’s black and white silent film.

Thankfully, the Hero4 Silver is legit color.  Brilliantly colorful and just as crisp and pretty as the marketing shots look.  It’s a bit tricky to take photos of because of the light differential between foreground and the LCD screen, but, you can get a little bit of a feel for it in some of the below:

And on top of that, it will playback sound as well.  When it comes to a screen on an action camera, this is perfect for me.  Or rather, for my wife.  I actually didn’t use it nearly as much as her – who loved being able to see exactly what she was shooting and play it back without a phone (as was the case with her cannonballs seen later).

Now with all that praise, do keep in mind one thing: For most folks, the screen is merely used for framing a shot.  So while the color is much appreciated, I wouldn’t say it’s a complete deal-breaker.  I’m able to frame shots on the 1930’s style black and white screen VIRB just as easily as the Hero4 Silver.

When it comes to video quality in an action cam, nobody has higher resolutions than the GoPro.  Period, end of story.  Well, at least today. So what does that mean from a practical standpoint?  Well with the Hero3+ Black, GoPro offered 2.7K at full frame rates.  In this case, full frame rates are anything above 24FPS.  Below that and you’ll start to get degradation viewable to the human eye in most situations.  So in the case of the Hero3+ Black, it had 4K footage…but at 15FPS. With the Hero4, things simply shifted.  The Hero4 Black got full 4K at 24/25/30FPS, while the Hero4 Silver got 2.7K at 24/25/30FPS, and 4K at 12.5/15FPS.  So basically, the following happened:

As you can see, I took the 4K video, but then cropped down just a chunk of it to 1080p.  Note that cropping is different than downscaling.  Cropping means you cut some of the image away.  Whereas with downscaling (aka ‘to downres’), you simply convert the entire video down to a lower resolution.  You don’t lose any of the picture, but you just lose quality. To explain some of the differences between the two resolutions, here’s a segment where I had all three cameras mounted side by side.  Here’s the Hero4 Black (be sure to set the resolution to 4K):

Can you tell the difference?  For most on smaller screens – probably not.  But that’s likely just because you’re viewing it on a device too small to notice the differences.  But, this is a key point in deciding whether or not it’s worth the money to pay extra for what is 4K/2.7K over just 1080p resolution found on every other device out there.

In addition to high resolution video, the GoPro series can also do high speed video.  High speed video refers to the idea of increasing the frame rate (frames per second) recorded in order to then play it back at ‘regular’ speed and achieve a slow-motion effect.  Take for example 120FPS footage.  It’s captured (wait for it) at 120 frames per second.  But, when it comes to playback, it might be played back at 30FPS, which then results in that one-second moment of action taking 4 seconds to play back.  Thus achieving gloriously smooth slow-motion.  You can see this below with a Hero4 Black and a touchscreen attached.

With these higher frame rates at higher resolutions, you’re no longer having to make sacrifices in quality or frame rates for slow-motion footage. Like other settings, on the GoPro you can modify these within the app, or within the camera itself.  In the case of base GoPro Hero, you’re only getting 1080P-30FPS, or 720P-60FPS. The exact frame rates offered for each resolution I’ve included within the comparison table at the bottom of the review.

So what does this look like?  Well, no better way to test this than a canon ball into a swimming pool.  The perfect way to illustrate slow-motion, in this case with a common 120FPS 720p clip (from the GoPro Hero4 Silver):

Now I could have gone to 240FPS on the Hero4 Black, but that reduces the resolution.  Previous to February 2015 it was WVGA, but now it’s 720 – which makes it potentially a fair tradeoff.  Still, for those wanting to keep it 1080p or higher, you could instead look to slow it down further with the GoPro studio and take the hit on frame rates instead of resolution.  In this case, I went with 20% speed playback.

Ultimately, the Hero4 lineup offers the most diverse options in the marketplace today when it comes to high speed frame rate offerings as well as higher resolutions at those frame rates.

The Hero4 introduced a new night capture mode to the lineup, which aims to compliment the other photo modes found within the unit.  Before we dive into the night mode, it’s probably good to start with a quick overview of all the major modes found on the Hero lineup:

Continuous: In this mode it’ll keep taking photos until you stop holding the button – or until 30 photos is taken.  You can define how often it should take photos, but this is handy when you may have a chunk of time where you want to capture a range of activities that aren’t going to occur super fast (for that, you’d want burst).

Burst: This is is for capturing up to 30 photos in one second.  Or basically, a burst of photos, as the name implies.  This is best when you’re capturing a quick moment of action and you don’t know exactly what might make the perfect shot for later.  You can tweak the capture rate a little bit over the course of upwards of 3 seconds.  So you could do 10 photos/second for 3 seconds, for example.  Or, with the February 2015 update you can do 30/6 as well (30 photos in 6 seconds, or as few as 2 seconds).

But what situations would you want medium over wide?  Well, for those where you didn’t want to deal with cropping.  For example, The Girl (aka, my wife), borrowed the GoPro Hero4 Silver for the day while snorkeling.  She didn’t want the super-wide shots that were coming in on wide mode, and instead preferred the zoomed in aspect of the medium mode.  For her, she’s not going to want to deal with cropping the photos afterwards on the computer or her phone.  She just wants to be able to take them and post them to whatever platform she wants – no editing.

Finally, let’s look at some night shots.  In this case, I used the Night Mode to get a longer exposure with the unit.  I toyed around with a few different exposures (aside from Automatic), but decided that a 2 second exposure worked out the best.  Here’s the un-edited shot from the Hero4 Black:

For example, you might be mountain biking downhill and want to easily capture photos along the way (instead of video).  Just plop it in time lapse mode and it’ll capture photos at the defined interval. Why use this instead of video (and then take a screenshot)?  Well, the resolution is substantially higher with photos over video.  Further, you tend to get crisper photos this way. The GoPro series supports different intervals depending on the model.  Here’s the run-down for the 2014 series:

With that, you can then adjust how fast playback will be.  At this point you’ll need to do a bit of mental math on how long you want the video to be.  In general, most times you’ll playback video at 24 or 30FPS.  In my case, I sped it up 5 times, as the original length was going to be 2 minutes and 20 seconds, which is an eternity sitting watching a single view out my hotel window.  So, 1/5th of that seemed appropriate.

However, with the February 2015 update for the GoPro Hero4 Black and Silver, it’ll now create that same video for you within the GoPro unit itself.  I’ll discuss that in the next section.

In February 2015, GoPro introduced a new time lapse mode that automatically exports out a video file when you end the recording of the time lapse.  This means that when you hit finish on the time lapse on the camera, you immediately have a video file – instead of a huge pile of photos that need additional processing.  This option was made available to only the Hero4 Black and Silver models, via a free firmware update.

The Hero4 Black and Silver carry through the capability of being able to control and transfer data from the camera to the phone.  This allows you to use your phone as a secondary display for the camera, or, just a quick way to get photos up to share with friends via social media.  Note, this is not compatible with the 2014 GoPro Hero base unit.

To begin, you’ll need to enable WiFi on your Hero4.  Just hold down the left side button until the blue light blinks on the front of the GoPro.  Then, on your mobile device connect to the WiFi network.

It’ll start on the preview screen, which shows you the exact same view as that of the camera.  You can rotate the phone as well to get a cleaner view.

The same week that GoPro announced the Hero4 lineup, they in conjunction with Livestream announced the ability to stream your GoPro recordings live to the internet via the Livestream service.  This requires the use of your mobile phone, which connected to the GoPro via the GoPro WiFi network, and then streamed the data out via your cellular data connection.

Initially when I posted this review the functionality wasn’t yet enabled on the Hero4.  So, I did some expirements on the Hero3 instead,  which you can view here. Since then, the Hero4 support has been enabled with LiveStream.

The Hero4 Black and Silver include ports that you can use to stream both audio and video off of the device.  The ports are standardized, which means it’s fairly easy to utilize them (in comparison to some action cameras that have funky proprietary connections).

But the mini-USB port is also capable of transmitting and consuming non-digital audio and video to other devices.  For example, you can connect the 3.5mm stereo audio connector cable to it, and then plug a microphone to it. Note on the audio connector, that this is only supported on the Hero4 Black/Silver (and older Hero3/3+ units).

Additionally there are some microphones that are only supported on the Hero4 Black Edition.  So you’ll want to double-check their compatibility list if you’re using a separate mic. Alternatively, you can utilize one of two different composite video cables.  One that includes the 3.5mm mic input, and one without it.  In either case, quite frankly most people won’t be doing this as it’s pretty crazy low resolution these days.

Lastly for the mini-USB, it can actually be used by some remote viewing systems directly.  For example, on the First Person View (FPV) system I have for my DJI Phantom2 unit, it plugs straight into the mini-USB port and transmits that video, no HDMI required (Note: At the moment, with the standard Zenmuse H3-3D system, this doesn’t quite work yet due to a bug on the Hero4 and/or Zenmuse).

The GoPro 2014 series all include waterproof cases that protect the unit down to 40 meters (131 feet).  This is pretty much the max for what a standard openwater PADI/NAUI certified diver would go to (by a little bit).  And of course fine for snorkeling and other random pool activities. In the slim chance you’re diving deeper than that, you can get a more hardened case that goes 60m (197 feet). In my case, I didn’t have any dives on my radar for this time period, so it was just limited to snorkeling and pool time.  In both cases, I had no problems.

Since the change a few years ago to the flat glass on the dive housing you’ll no longer have any issues with focus problems out of the box.  Here’s some non-edited images from the unit (Hero4 Black):

Now what is notable is that there’s no water protection issues using the touch screen capable case underwater at least at snorkeling/pool depths.  However, you won’t want to try and use the touch screen underwater as the pressure will make it impossible to use.  Instead, just use the regular buttons on the side/front/top to change any settings or take any photos.

When it comes to battery life, the Hero4 series took a bit of a dive at the top end unit.  In previous generations you’d get about 1hr 30 minutes of run-time at the highest recording settings.  Now however, the Black unit gets only about 65 minutes at the highest settings. Which isn’t to say that battery life went down across the board.  No, if you go to more minimal settings – such as 2.7K 30FPS on the Silver, it’s clocking in around 1hr and 50 minutes.  Yet, on the Black it still only gets 1hr 10mins at that setting, despite sharing the same battery.  The majority of settings for the Black put it in the 1hr 5min to 1hr 10min range, with only 720p 120FPS extending it up to 1hr 50min.  All of these though assume WiFi is off.  Both the Hero4 Black and Silver share the same 1106mAH battery.

Meanwhile, continuing the trend of apparently cheaper units getting better battery – the 2014 Hero base units can hit 2hr and 45 minutes at 1080p 30FPS, more the twice that of the Hero4 black at 1/4th the cost.  Go figure.

Now, about the only complaint I have about said Hero base unit is that because of the non-detachable case design I’ve found it’s easier for the unit to get turned on during travel in a bag than the Black/Silver out of their cases.  And unlike the Black/Silver, it doesn’t have the option to automatically turn off after a period of inactivity.  Thus, I’ve had more situations where the Hero base is out of juice when I go to use it.

In my testing with the battery life on the Hero4 Black, I found it got just a few minutes below the specifications.  Though, I also found that even while in standby you’re unlikely to get too much more battery if left on (but not recording), which is a bit different than other action cameras on the market that do a much better job in standby.

Now, here’s a bit of a secret though: While the above charger is nice…it’s also overpriced.  So instead, I bought the below dual-charger from Wasabi Power which costs only $23 and that includes two Hero4 batteries.  Seriously.  Pure awesome.

When it comes to accessories, there’s no greater selection than that with the GoPro lineup.  Heck, even other action cams now include GoPro adapter mounts, simply to be able to tap into the massive range of accessories and mounts found within the GoPro lineup.  The majority of mounts that most folks will use will likely be 1st party mounts made by GoPro, but there’s still a huge array of 3rd party mounts by other companies that are oftentimes far more interesting.

1) GoPro 3-way Pole: This came out last winter and instantly became my favorite accessory.  As you can see from the below animated image I put together, you can twist/mix/fold/unpack/pack it up a crapton of ways.  I can use it as a tripod, or as a selfie pole, or just to get a better angle and extend my reach.

In my case, I bought the DJI Phantom 2 last winter and have been experimenting with it to get cool shots and videos. From a setup perspective, I use the GoPro Hero4 with the DJI Phantom 2 in conjunction with the Zenmuse H3-3D gimbal.  This gimbal is really the special sauce that allows silky smooth footage.  Proof of that comes with the fact that the wind was never less than 10-15MPH during my flights in New Zealand.

There were two H3-3D gimbal versions out there – the first gimbals require a slight modification to not bump the side settings/WiFi button on the Hero4, whereas the second generation is molded just a hair bit differently and doesn’t require any modification.  Luckily I have the second version.

Note that both the Hero4 Black/Silver work just fine in the mount, but the Hero base edition won’t because it can’t be removed from the case. While I have a first person view transmitter for the system, I don’t tend to use it too much, instead just flying within line of sight and by feel.  I flew remote control and real planes when I was younger, so I have a bit of experience there in the aviation world.

Of course, with a gimbal video is the name of the game.  While down in New Zealand over the past few weeks I was able to get a number of shots put together. Here’s one session I did just after sunrise on an isolated black sands beach with the Hero4 in 4K/24p mode:

Best video quality money will buy in an action cam: For those in this category, there’s simply no question it’s the Hero4 Black.  Specs alone dictate this, and thankfully the camera backs up the specs from a delivery standpoint.  There’s just no other action cameras on the market today doing 4K at full frame rates (Correction: There’s apparently this camera, but it’s pretty wonky being two separate pieces).

Of course, the real question is – does this matter?  For most people, probably not.  You’d likely be hard pressed on today’s screens to tell the difference between 1080p and 4K, let alone 2.7K and 4K.  Still, for the reasons I outlined in the 4K section above, there’s certainly value in such a camera.

An all around action cam: For this, it’s tricky.  On one hand the GoPro Hero4 Silver is solid, but at the same time, it’s also a bit overpriced compared to other offerings.  They effectively bumped up the price to $399 from what was sub-$300 before.  At that price you’re paying double something like the VIRB Elite or Sony Action cams, but of which have more features/functionality (i.e. sensors like GPS, altimeters, etc…).  Sure, the Hero4 Silver can do 2.7K video at full frame rates, but for most people, that won’t matter.

A budget action cam:This is where things get really interesting.  GoPro dropped the bottom of the price floor with the $129US price point.  That’s an incredible price, especially for such a quality cam as the Hero base.  At the same time, Garmin more or less countered with VIRB units now at $129US, and flirting every few days with $99US.  The VIRB base unit is more functional in every possible spec category than the 2014 Hero base (or equal in those not exceeding).

The only area where the Hero base would be considered better is size, with being a fair bit smaller.  If you plan to put it on your head, you might notice the size increase, but if you’re more into bike/car/etc mounting, it won’t matter. As for a few other comparative thoughts to consider…

Mount considerations: There’s no question that GoPro has the most mounting options out there when you include 3rd party mounts.  But I wouldn’t let that be the deciding factor.  Virtually every other action cam on the market includes a GoPro mounting adapter, so that kinda becomes a wash.

Availability of accessories: When it comes to finding spare parts like a battery pack during a trip, you’ll find no wider availability than GoPro parts though.  In every airport on this planet and in just about every terminal of those airports, you’ll find GoPro parts.  I was blown away over the past month as I travelled to find that Hero4 parts and cameras were easily accessible in all sorts of random places around the globe, airport or just shopping plaza – mere weeks after launch.

Hero4 Silver Touchscreen: This is cool, no doubt, but at the same time, for my particular use cases it’s less important.  Usually if I’m mounting a camera to a bike or to my helmet, I can easily check framing via the GoPro mobile app display.  And the same goes for playback via the phone app.  On the flip side, my wife loved the screen and much preferred having that unit over the other GoPro’s, purely because of the screen.

Battery: While the Hero4 Silver and base have good and competitive battery life, the Hero4 Black’s battery life is just downright bad.  Only an hour?  It’s somewhat ironic as the target audience for that model is likely to shoot more video than the lower models.  Still, you can relatively easily solve that with extra spare batteries.

Meanwhile at the budget end of the spectrum, they’ve forced other companies to slash prices to compete with the new $129US GoPro Hero.  While this unit isn’t as full featured as other competitive products that are now priced the same or less, it is a rock solid option.

hero 3 lcd screen free sample

Their newest camera has just hit the market, and we have been busy putting it to the test to bring you this comprehensive GoPro HERO 10 review! Find our what all the new features are, where it shines (and where it doesn’t), as well as an honest opinion on whether the GoPro HERO10 is worth the upgrade.

We live and breathe photography, videography, and most of all, adventure. So of course once this new camera hit the market we had to dive into the specs and use it out in the real world to bring our expert GoPro HERO10 Black review.

There are two slogans for the GoPro HERO 10 Black this year. The first is ‘A New Era’, which is a pretty massive claim for a company that has been at the leading edge of action sports cameras for over a decade.

The GP2 on the GoPro HERO10 brings about some enormous upgrades around things like frame rates and overall performance, while the general features like photo and video modes stay mostly the same as the previous model.

SPECIAL DEAL: GoPro has an incredible special on their new camera right now, and you can save a huge $210 on the fantastic ‘HERO10 Black + Accessories’ bundle deal by clicking on the button below, or save $150 on just the HERO10 camera. This special is for a limited time only, so check it out while it’s available.

A New Era of GoPro is here and that means there are a whole string of new features and upgrades when you compare the HERO10 with the HERO 9 Black action cameras.

Here are some of the new and major features of the HERO 10 Black. The number of practical changes this year isn’t as many as previous years, but the quality of improvements and technical upgrades are incredible.

Why is that you ask? Well its predecessor, the GP1, has been around since the HERO6 was released in 2017. Which in the tech world is a hell of a long time. Almost an eternity really.

Even though the GoPro HERO9 last year finally revealed a new upgraded 23 megapixel sensor, using the old processor meant that it could only achieve 20 megapixels.

Compared to the HERO9, the GoPro HERO10 Black now has double the performance and double the frame rate across all of the higher resolution video modes.

It is now twice as smooth when reviewing footage and using live preview on the front LCD screen, and the rear LCD touchscreen interface is incredibly responsive.

If this was the only improvement we found in our GoPro HERO10 review, we’d already be singing its praises and telling you that you need to stop what you’re doing and order one now. But of course, there’s more…

Thanks to the GP2 processor, frame rates across the board have doubled, and the highest resolution is now up from 5k to 5.3k video (that’s 15.8 million pixels).

But if you’re a professional user, we recommend shooting in RAW mode to full make the most out of the 23 megapixels the GoPro HERO 10 boasts with image quality.

Noise and grain isn’t so much of a problem now, and details are fantastic, even in low light. It may seem minor, but it was something we really wanted to highlight in our GoPro HERO10 review.

Well GoPro practically killed off their own product when they introduced HyperSmooth into the HERO7, their own version of digital image stabilization.

The video footage is just as buttery smooth as HyperSmooth3.0, except now they’ve increased the in-camera horizon* levelling to cover 45 degrees instead of the previous 27 degrees.

HyperSmooth 4.0 now also works on 5.3k30, 4k60 and 2.7k120, bringing near-perfect image stabilization to much higher resolutions and frame rates, even when doing shaky activities such as mountain biking, running or skiing.

The touch screen is a lot smoother and more responsive, and this was actually our biggest gripe with the HERO9. While it looked great, the touch screen was very frustrating to use. Not an issue any more on the HERO10.

It may have taken more than a decade of versions to figure out, but finally the GoPro HERO10 Black is on par with professional expectations with how it performs day to day.

Then there are the Light Mod (adds a light, surprise surprise) for when shooting indoors or at night, and a Display Mod, which adds another screen so you can see yourself, but the latter is kind of redundant now thanks to the front-facing LCD screen.

But before you rush out and buy one based on a bunch of fancy talk like GP2 processors and 5.3k60fps, how does the GoPro HERO10 Black actually perform in the real world?

The very first thing we noticed was that the camera fired up a lot faster than the HERO9, and the screen responsiveness did indeed seem a lot smoother and quicker.

The GoPro HERO10 LCD touch screen almost felt as smooth as our iPhone, which is pretty remarkable. So much so that it made us even more frustrated with the screen performance on the 9.

Then we fired up the standard video mode, shooting in 4K at 30fps with zero customisation, and started walking around filming to test the out-of-the-box HyperSmooth 4.0 and video quality.

One of the big things we noticed too was how much more quickly the GoPro captured and processed these images, especially in RAW mode, compared to the HERO9.

All of the other camera features such as TimeWarp, Burst Mode, Night Photo, Voice Activation, etc performed as expected, with no real improvement over the HERO9, other than everything just being faster and smoother.

Overall the GoPro HERO10 Black handles like an absolute beast in the real world, and we will be using this new camera on every single shoot we do from now on.

Like we said at the beginning of this article – this is an HONEST GoPro HERO10 review. And being honest means we’re going to tell you exactly what we don’t like about the latest camera too.

Second is that there is no optical zoom on the GoPro HERO 10. You can utilise the digital zoom, and change the digital lenses between SuperView, Wide, Linear and Narrow, but there isn’t any real optical zoom there.

Other than that there really isn’t anything glaring at us that we dislike in our GoPro HERO 10 Black review. But if we notice anything as time goes on we’ll be sure to return to this article and update it.

Now that we’ve dove deep into what’s new, what we like (and what we don’t) in this GoPro HERO 10 Black review, you may be wondering whether it’s worth upgrading your camera, if you have an older model.

On the surface it may seem like there’s not a huge difference between the previous model and the HERO10, but with the GP2 processor almost everything is better, faster and smoother.

As you can see, the GoPro HERO 10 Black on the surface appears to be similar to previous models, using quite a lot of the same features, but it’s under the hood that everything sees improvements.

You’ve read through our review, have a solid understanding of the new features and capabilities of the GoPro HERO10, and if you haven’t already made a decision on whether to buy it or not, we’re going to help you out right now.

If you don’t already have a GoPro and are wondering whether or not you should bite the bullet and get one, then 100% yes, the HERO10 is worth the money!

If you have the HERO 8 or an earlier model and looking to upgrade, then absolutely yes, the HERO10 is a fantastic product that sits on another level compared to the previous products.

Every part of the camera has been given an upgrade, and especially for people who like to vlog or take selfies, you’ll find the front LCD display a huge game changer over the HERO 8.

But if you’re the kind of shooter that tends to stick to their smartphone for photos and videos, or also uses a DSLR or mirrorless setup in addition to your standard kit, then don’t stress – the HERO9 is still a fantastic camera.

You’ve made it to the end of our GoPro HERO10 review, and considering the features, quality, durability, size, design, ease of use and of course the price, we’ve decided to give it a massive 9/10.

Thanks very much for reading our GoPro HERO10 Black review. If you have any questions please leave a comment below and we’ll answer them as soon as possible.

The GoPro HERO10 is a huge upgrade over the HERO9 thanks to the brand new GP2 processor, which doubles the performance, speed, responsiveness and frame rates of the camera over the previous model.

If you have the 8 model or earlier, or use your GoPro more than twice a week, then it is definitely worth upgrading to the GoPro HERO10 to make full use of the new GP2 processor.

With the new 23mp sensor being powered by the GP2 processor and full RAW capabilities, the GoPro HERO 10 is a fantastic camera for taking still photos.

We break down every spec, feature and comparison with previous models in our honest GoPro HERO 10 review by taking it out the field and testing if its worth...

hero 3 lcd screen free sample

GoPro has introduced the Hero+ LCD camera, sharing many features with the entry-level Hero with the addition of a touchscreen. The Hero+ LCD is waterproof to depths up to 40m/131 ft, and adds both Bluetooth and integrated Wi-F with support for the Android and iOS GoPro App. Videos can be recorded at up to 1080p/60, and 8MP still image capture is offered.

The Hero+ LCD"s features include HiLight Tagging for marking notable moments while recording or playing back footage, as well as in-camera video trimming for rapid editing and sharing without the use of a computer. Content can be shared directly to Twitter, Instagram, and Facebook. Like the Hero, the Hero+ LCD offers a QuikCapture setting, allowing the user to power the device on and start recording with one button press. The battery allows for about two hours of recording per c